TUESDAY • NOVEMBER 4, 2014
CHICAGOMAROON.COM
ISSUE 10 • VOLUME 126
THE INDEPENDENT STUDENT NEWSPAPER OF THE UNIVERSITY OF CHICAGO SINCE 1892
After the petition: SG’s next steps for image, purpose Cairo Lewis News Staff
Dia de los Muertos Movimiento Estudiantil Chicano de Aztlán (M.E.Ch.A.) hosted a Dia de los Muertos (Day of the Dead) celebration at Hutchinson Commons on Sunday evening with food and performances. KEELY ZHANG | THE CHICAGO MAROON
Since the student criticism and submission of the petition for a referendum on Student Government (SG) stipends came to light last month, SG members have been on the defensive, insisting that they are mainly an administrative body that funds student activities and events. SG currently maintains $2.1 million in funding per year with an “incredibly low overhead.” In addition, there is very little money left for the next year, according to SG President Tyler Kissinger. Approximately $16,000 was left from last year’s budget of around $2 million. Some students believe that SG could clarify its role in RSO funding to students. “There is a lot at the core of SG
that is vital for many RSOs, and it is a good thing that students are given responsibility to decide such matters,” said fourth-year Apratim Gautam. “How central a role SG takes in deciding matters that pertain to the student body, and how well it is able to elucidate this role, make up pretty important factors in terms of how its reputation changes.” Other students believe that SG has done little to represent them and the organizations with which they are affiliated. “For the sake of being totally transparent, I think Student Government should not exist, in any form. I think it’s inevitably a useless body whereby [a] few students get to toss favors to their friends on one hand, and harass the administration about their particular agenda on the SG continued on page 3
University profs like teaching MOOCs, Uncommon Interview: Max Grinnell (A.B. ’98), “Urbanologist” though few pupils actually finish Ashley Soong Maroon Contributor One year after the University debuted its first massive open online courses (MOOCs), professors and students have varying thoughts on how they compare to traditional classes. MOOCs at the University are programmed through Coursera, an education platform that offers free courses worldwide. Current UChicago courses include Under-
standing the Brain: The Neurobiology of Everyday Life, Asset Pricing, and Global Warming: The Science and Modeling of Climate Change, taught by professors Peggy Mason, John H. Cochrane, and David Archer, respectively. The professors all see benefits in teaching MOOCs. Cochrane wrote a post highlighting his experience teaching the course last fall on his personal blog. “MOOCs represent one
of the few places in which people are actually studying pedagogy, and trying to improve it,” he wrote. “The data collection and analysis that MOOCs provide may change that.” Mason became very enthusiastic about the idea of teaching an online course last year because of the different kinds of people that her online course could reach. “I really wanted [my lectures] to be available to anybody who MOOCS continued on page 2
UChicago Press sued for copyright infringement in book Adam Thorp Maroon Contributor A recent lawsuit accuses a University of Chicago Press book of violating copyright. Elizabeth Rhodes, a professor at Duke University, and Margaret Greer, a professor at Boston College, produced an English-language edition of María de Zayas y Sotomayor’s Exemplary Tales of Love and Tales of Disillusion that was published by the University of
Chicago Press in 2009. In their introduction, they noted that they used a Spanish-language edition of Exemplary Tales of Love, edited by Julian Olivares, as the basis for the portion of their translation based on that book. In the acknowledgements portion of the University of Chicago Press edition, Olivares, a professor at the University of Houston, is listed as one of several people who provided “assistance and support.”
Olivares’s suit calls this a misrepresentation. He denies that the authors were in communication with him, and said that he never gave them permission to use his edition, according to his lawyer, William Ramey. Olivares alleges that their translation violated his copyright on that edition. Olivares’s book was published with a copyright notice, which asserts copyright over a work but does not guarantee that protection COPY continued on page 3
Natalie Friedberg Associate News Editor After graduating from the University with bachelor’s degrees in history and geography in 1998, Max Grinnell embarked on a career studying urban development policy and all aspects of the urban condition, dividing his time between Chicago and Boston. He has written a book entitled Hyde Park, Illinois, a photographic history of the neighborhood. Today, he has a popular Twitter account, @theurbanologist, where he tweets about urban policy and planning. A former Maroon Viewpoints columnist, Grinnell talked with The Chicago Maroon about the establishment of Hyde Park, changing racial demographics in the neighborhood, and its tumultuous relationship with the University of Chicago.
scale agriculture. The real game changer for Hyde Park was the Central Railroad, which came through around 1856. It gave easy access to the center city, which was 18 miles away.
CM: Why was Hyde Park chosen for the World’s Columbian Exposition, and how did that affect the neighborhood? MAX continued on page 3
Chicago Maroon: What was Hyde Park like when it was first founded in 1853? Max Grinnell: It was essentially like a lot of the Chicagoland area: low-lying prairies, kind of marshy. There was some truck farming, small-
Max Grinnell (A.B. ‘98) who studies urban development, published a book entitled Hyde Park, Illinois, in which he explores the growth of the neighborhood and the relationship between the University and the community. COURTESY OF MAX GRINNELL
IN VIEWPOINTS
IN ARTS
IN SPORTS
Those who fall in the middle » Page 4
Taylor Swift 1989 review » Page 6
Letter: Maroon misrepresents prolifers » Page 4
The Sketch » Page 6
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Chatter’s Box: DJ Weis » Page 7