Grind Writers b4 Sunday March 3
Weasel words
Grind Writers Group meetings
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BC writers: Autonomous Fan Region Our Jeanie won! – but it’s not over yet Everything you always wanted to know about self-publishing: downtown Mar 3 Weasel words. Vancouver’s Plain Language Fest in October The Edge of Right saga with Mo Yan continues Yo’ ready to join the Gramma Po-lice?
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Good steers
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E x p a n d i n g
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Places to go,things to see, people to…
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Submit
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Help a Scotsman
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Annual HAIKU contest + The Cherry Blossom Festival
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schedule 2013 10am til 12:30pm Grind Gallery Café 4124 Main Street at King Edward Ave. In the back room Thanks to Mr & Mrs Kim, the Grind owners, for letting us meet in their Back Room for the last six years. And for their support of the arts in general. They provide gallery space to many local artists.
Please buy something while you’re @ the Grind to support them
Free-write picture prompt: C’MON JUST DO IT!
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Mar 3
Note date-change: Meeting now at downtown library 11AM for Self-Publishing Fair. Sun
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Dec 15? – to be decided
To view the links: Hover your mouse over the link (often the word “here” or underlined words).
Then hold down the CTRL key and click left mouse.
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autonomous WHAT’S EVELYN UP TO NOW? Evelyn Lau's A Grain of Rice honours both family and the past. A passionate suite of poems pays tribute to John Updike's life and work (he is the writer who has most influenced her writing career). The book is a meditation on loss, says Candace Fertile. Full story VANCOUVER NOIR | Tues. March 5 – 7 pm - free Authors Diane Purvey and John Belshaw discuss Vancouver's gritty underbelly in the 1930s–1960s. Tuesday, March 5 at 7:00pm, free. Lower level, Alice MacKay room, Central Library, 350 W. Georgia St. More info: www.vpl.ca.
BC BOOKS
EILEEN COOK READS | Thurs. March 7 – 10am - free Eileen will read from her latest release, The Almost Truth, a smart, romantic novel about a teenage con artist who might be in over her head. Britannia branch library, 1661 Napier Street. More info: www.vpl.ca.
chthon·ic / ’THON-ik / PLAY CHTHONICS | Wed. March 20 Readings by poets Jan Zwicky and Robert Bringhurst. In the Piano lounge, Green College, UBC. More information at www.greencollege.ubc.ca.
— Of or relating to the underworld
items from VIF BookNews.
Jeanie won -- but this nail-biter isn’t over yet… Margo to Jeanie: 1922 vs 1148. You won! Is it over or is there more?
From: Jeanie Keogh Sent: Tuesday, February 19, 2013 10:38 AM To: Margo Subject: Broken Pencil contest Hi Margo! Thanks for checking in. Yes, there is more. The semi-final round is next week [starting Feb 25] and I'm up against what looks to be a girl with a lot of friends (she won with more than 2000 votes in her round)
Writers’ International Network Canada Saturday, March 23 - 10am to 4pm
This contest is more than I bargained for. Last week was pretty tough for me. I am not used to social media and hitting up all my friends to vote for me and I must say, although I don't like doing it, I was very very touched by how many people voted and showed their support. (This includes Grind Writers.)
Richmond Cultural Centre, 7700 Minoru Gate.
2nd Annual Literary Festival—featuring Dennis E. Bolen, Bonnie Nish, Jai Birdi, Lila Shahani, and many others. Hosted by Lilija Valis, Bernice Lever and Charlene Sayo. More info: 604-327-6040.
So...if people want to keep voting. The link is not up yet but it will be the same as the last but with Round 6 as an ending instead of Round 4. Best, Jeanie
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Now, on to the semi finals Feb 25 to Mar 3
EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT
SELF-PUBLISHING Sun. March 3 at the downtown library
U.K. e-publisher wants e-book manuscripts 5,000 to 30,000 words
Deadline: April 15, 2013 Dead Ink is a digital-only, connected reading community and e-publisher supported by Arts Council England, bringing literary writing to an anti-literary audience. We are now accepting submissions between 5,000 and 30,000 words in length to be published as short ebooks. We are looking for literary works of fiction and creative nonfiction of the highest quality. (Please read the guidelines carefully here: http://deadinkbooks.com/archives/2273)
ePUB
/ selfPUB 4
PLAIN language What is the Plain
weasel words
Language movement all about?
“up to” – one of the weaseliest of the weasel words of our times
has long been a widespread belief that weasels suck the yolks “ Itfrom bird's eggs, leaving only the empty shell. This belief is the
It’s an international effort to eliminate unnecessarily complex language from academia, government, law, and business. (Wikipedia)
basis of the term 'weasel words,' used to describe
In the U.S., plain language has become part of the law
more legitimate and impressive but which are in fact unsubstantiated and meaningless.
What a concept: That the people should be able to understand what their Government says to them.
statements that have had the life sucked out of them - words that are added to make a statement sound
124 STAT. 2861 PUBLIC LAW 111–274—OCT. 13, 2010 Public Law 111–274 -- 111th Congress
Examples of weasel words are 'people say that...' -- 'studies
An Act To enhance citizen access to Government information and services by establishing that Government documents issued to the public must be written clearly, and for other purposes.
Weasel words and why you don’t want ‘em in your writing
SEC. 2. PURPOSE.
The purpose of this Act is to improve the effectiveness and accountability of Federal agencies to the public by promoting clear Government communication that the public can understand and use.
tax had been payable by him for the year of averaging, files with the This (quote froman election in prescribed Minister the Canadian form, Income Tax the guide) tax payable under this Part is what they’re for the year of averaging is an talking about. amount determined by the following Is plain language rules:" a)ascerta(in the amount, if enshrined in the any, remaining after deducting from law in Canada? Well, some the of Division C, except the people are trying deductions permitted by section 109 to help. or 110.4 or any amount in respect of a loss for the 3 years immediately following the year of averaging or any amount in respect of a loss deducted under this paragraph from income for a preceding taxation year in the averaging
http://www.weaselwords.com.au/
Gobble degook to Plain English See the magic in action. Read sample conversions here.
PLAIN conference in Vancouver this October! th
PLAIN (the Plain Language Association International) is holding its 9 annual international conference in Vancouver in October. Information and registration: http://www.plain2013.org/index.html They are also using local volunteers.
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MO YAN SIDEBAR
WRITER ADMITS SELFCENSORING “Chinese writer and award-winning satirist Yan Lianke admits he self-censored while writing Dream of Ding Village, which deals with an HIV scandal. He adds that Chinese intellectuals avoid key issues amid censorship fears. Yan Lianke had two books banned in the past decade but his bleakly humorous novel Lenin's Kisses was published in Britain this week.” Full story
“…there's the question of where Mo's loyalties lie. Depite the fact that a number of his books have been banned, Mo is frequently seen as uncritical to the Chinese Communist Party.
The Edge of Right dun dun DUN
The Ongoing Saga of Mo Yan… who won the 2012 Nobel Prize for Literature, but—BUT…
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—Business Insider
Rest of article here.
On the eve of picking up the award, he used an event in Stockholm yesterday to defend state censorship, comparing it to airport security checks.
Mo, already under fire from fellow writers for belonging to the Chinese Communist Party, has also refused to join other Nobel prize-winners in signing a petition calling for the release of his compatriot Liu Xiaobo, the jailed 2010 Peace Prize laureate. The author was speaking through an interpreter in Stockholm when he said he believed censorship was acceptable to prevent defamation and rumours from being spread. As the Associated Press reports, he then compared censorship to the security procedures he had undergone en route to Stockholm. "When I was taking my flight, going through the customs... they also wanted to check me – even taking off my belt and shoes. But I think these checks are necessary." From The Week/U.K. Read more here.
Item from VIF BookNews. To subscribe email: hwake@writersfest.bc.ca
Think yo’ good enough to be part of the
Gramma Po-lice? Take The Guardian’s grammar quiz here. Desperado caught red-handedly overusing adverbs
Mo Yan
You pass, you get the badge. 6
Good steers Reviews of writing courses and workshops
you've got a solid novel idea that has been well outlined (I was working on a short story collection so I had several short stories that I wrote and submitted - in retrospect, I would have done a novel with this program) then you should go ahead with this. I know a lot of people who did their MFA somewhere, took some time off, and then used The Writers Studio to move forward with getting their manuscript in top shape to send out. In many ways, the Broken Pencil competition that I'm in right now is great. I know it's not a course but it certainly has taught me more than a course could ever teach me because it:
by people who’ve taken them
a) puts your story into the lions’ den to be potentially ripped apart by the other writer/readers b) it costs $20 c) it is a lesson in how to use social media to attract attention to your work (useful if you choose to self-publish and do book tours later on) d) if you win your round, you are required to edit your piece for the second round which shows whether you are any good at revising/editing your work – because if the other writer is better at the revision/editing process, their story will inevitably win. So, although I shied away from applying because I wasn't sure if I wanted to open myself up to competition, I am very very grateful to have been chosen for how much I've gained. That and I won $100 and publication. So far, if I win first prize it will be $250. (Vote next week if you have a chance!)
THE SCHOOL FOR WRITERS HUMBER COLLEGE Jeanie Keough Rating : 8 pens (10 is highest) I have attended The School for Writers, Humber College. I quite enjoyed it and I successfully completed the program but it's definitely for people who have their priorities well established beforehand—which is to say, time set aside to do the program in a way that allows for focused, uninterrupted time devoted to writing. I think that when I took the course I was seeking a way to make a writer out of myself by attaching a certificate program to my name to make myself feel more legitimate somehow. but this is most certainly the wrong approach and certainly not for people who want a program to turn them into something.
Is this helpful? I hope so. —JK __________
That said, knowing that I was paying for, in essence, a very expensive editing service: 8 months of submissions and feedback costs $3,000. So do the math on what that costs per submission (there are many editing services at lit mags Event for example; and also The Writers Union of Canada edits manuscripts at like $150 for 10 pages) so the mentality really has to be: okay, I'm writing what I want to be a polished work by the end.
The School for Writers has a start date coming up in May and are doing intake now. See page 8 for more info.
See page 3 for the Broken Pencil contest Jeanie refers to. And if you have time, please go & vote for Jeanie’s story “The Offbeat” here:
Therefore, my suggestion for someone who wants to do this would be to have an already very disciplined writing practice already in place. If you are writing for at least an hour a day on a regular basis without interruption and
http://www.brokenpencil.com/deathmatch-2013-round6 (Feb 25 to Mar 3- you can vote once an hour).
Look for Lindsay Glauser’s review of the SFU Harbourside workshop Fiction Series for the Weekend Student — and Joan Boxall-Smith’s review of Geist’s Marcello De Cintio’s Travel Writing Workshop in the next issue of Grind Writers News. And do send me your workshop reviews.
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e x p a ing nd Learn as much as you can about writing for the Web. It’s different. People don’t read online content—they scan it. Important to know. Here’s a good quick study of the absolute basics: “8 Incredibly Simple Ways to Get More People to Read Your Content.”
WHY WRITERS ARE TAKING SOCIAL MEDIA 2.0 COURSES
“How Can You Get Published If You Don’t Have a Platform?” “I received an email yesterday from a young lady who wanted to write a book. She complained that neither publishers nor agents would give her a chance. According to her, their main objection was that she didn’t have a platform. ‘How can I get a platform,’ she wrote, ‘if no one will publish me?’” --Michael Hyatt elaborates in his article here.
“Come write your book with us” The Humber Correspondence Program in Creative Writing “The Correspondence Program in Creative Writing gives aspiring writers the rare opportunity to work on a novel, book of short stories, volume of poetry, or piece of creative non-fiction with one of the school's distinguished faculty. Students receive extensive feedback via either regular or electronic mail and learn to improve and refine their craft. Students may also share their experience in a closed web lounge. Each 30-week program is specifically designed for those who prefer working at their own pace and in their own space.” Intake: Applicants can choose from three start dates: September 2012, or January 2013, or May 2013 All info here. See Jeanie’s review of this on pg .7.
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So you want to read your work . . . ? TWS Reading Series Each month, The Writer's Studio Community hosts a reading series that allows local writers to share their work with the public.
Places to go, people to see, things to . . .
They meet at Cottage Bistro at 4470 Main Street from 8–10 pm. If you’re interested in reading, please go to this link and you’ll see how to get on the list. There are a few rules e.g.: “Our hard & fast rule is that each reader is given 10 minutes total reading and speaking time. This includes any introductory remarks you choose to make so please time your reading in advance.
Twisted Poets Literary Salon The Cottage Bistro, 4468 Main St., Vancouver Open Mic. Suggested donation at the door: $5. All are welcome. Info on features and schedule here.
Ivan and Karen are the Reading Series Co-hosts. You can email them at (twsread@sfu.ca) - but read the information on the webiste first because it’s straightforward and will answer most of your questions.
First Nations poet reads
2013 schedule: • Thurs Mar 7 • Thurs Apr 4
Wed. March 6 – 6:30 pm, free Poetry reading by Anishinaabe writer Al Hunter. First Nations Longhouse, UBC. Books will be available for purchase and signing. For more information and to register, check here. Above items gratefully lifted from BookNews the eletter of the Vancouver International Writers Fest.
• Thurs May 2 • Thurs July 4
• Thurs June 6 • Sat Aug 2 • Thurs Sept 5
Early Bird prices have just been extended to Friday
Writing Workshop
Ethics for Editors with Mary Schendlinger ½ day seminar: Sat. March 16th - 1–4:30 pm
Childhood Regained Sat. March 2, 1-4 pm $85 at Historic Joy Kogawa House, 1450 West 64th Ave., Vancouver
SFU Harbour Centre, Room TBA 515 W. Hastings St., Vancouver, BC
To edit and publish language is to mediate knowledge and culture— quite the responsibility! We will explore ethical questions for editors, from the gravity-defying act of juggling the needs of writers, advertisers, and readers, to the sensitive diplomatic mission of pointing out a racist or sexist passage, to the daredevil feat of deciding just how creative a piece of creative non-fiction can be. By working through exercises and sharing experiences, we will find new entrances to the questions and new ideas for solutions.
A workshop to suggest to writers ways of reflecting on their childhoods as source material or inspiration for poetry or other writing. With George Stanley. To register, email kogawahouse@yahoo.ca. George Stanley is an award-winning AmericanCanadian poet associated with the San Francisco Renaissance in his early years and later a resident of BC/ He has published several books of poetry. One of his best-known poems is “Veracruz.”
Mary Schendlinger has worked as a writer, editor, and publisher for 42 years. She is Senior Editor of Geist magazine, a member of the SFU Master of Publishing faculty, and an instructor in the UBC Creative Writing Program. Registration (closes Mar 8) is online now here. Rates to Feb 26: EB Member $60, Non $90. After: Member $70, non $100. Upcoming EAC events, courses here.
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anthology titled Drawn to Marvel. Deadline for submissions: May 15. The anthology is edited by Bryan D. Dietrich and Marta Ferguson. Please send poems with the subject Super Poems to kryptonnights@yahoo.com. Call for submissions Reading period to May 31st Arroyo Literary Review An award-winning national magazine with a West Coast orientation. We are seeking fiction, flash fiction, poetry, essays, and translation for our 6th issue. No email submissions. Please see our website for submission guidelines: www.arroyoliteraryreview.com.
Submit. you kno w you w an t to
Call for submissions Literary Review of Canada (LRC) Submissions beginning May 1, 2013 for publication July/Aug–Dec 2013 For 2013, each issue will feature poems that share a common form or theme. (Jan-May issues already called out). During the months devoted to a given form, the subjects will vary, and vice versa. As always, we welcome unsolicited, unpublished, original submissions, provided that they fit one of the categories outlined. Here is the remainder of the 2013 publication calendar to help guide submissions:
Contests and calls for submissions CONTESTS Contest EVENT magazine – Nonfiction Contest Deadline: April 15, 2013 $1500 in prizes available, plus publication $35 entry fee includes 1 year of EVENT 5,000 word limit. Submission guidelines here.
• July/August: ekphrastic poetry, i.e. pieces inspired by other art forms (visual, film, music, etc.) • September: prose poems • October: poems inspired by family • November: ghazals • December: poems inspired by food
Contest The Antigonish Review’s 2013 Writing Contests $2400 in prizes! * The Sheldon Currie Fiction Prize – deadline May 31, 2013 * The Great Blue Heron Poetry contest – deadline June 30, 2013 Please read the submission rules here.
Please include the month in which you would like your work to be read in the subject line of any emailed submissions. For more information, check out our full submissions guidelines here.
CALLS FOR SUBMISSIONS by deadline date
Call for submissions Reading January–June 1, 2013 The Marie Alexander Series seeks submissions for an anthology of flash sequences. Send up to 10 pages (double-spaced, 12 pt. type, 1-inch margins) of prose sequences, each segment of which contains fewer than 500 words. Send PDF files, with cover letter, to Wesley Fairman (anthology@mariealexanderseries.com), with “anthology submission” in the subject line. Previously published material OK. Put name and e-mail on all documents. We will accept submissions January 1–June 1. Read all the info here.
Call for submissions Reading period: January to April 15 Claire Literary Magazine is moving online. We want you to join us for our inaugural online issue. We seek unpublished poetry, fiction, and nonfiction (poetry: limit 5 poems; prose: limit 5,000 words). For all info and the link to the online submission page, visit claremagazine.com. Call for submissions Deadline May 31, 2013 for a special “The Human Face of Sustainability” issue, Creative Nonfiction and ASU’s Global Institute of Sustainability are looking for nonfiction that illuminates environmental, economic, ethical and/or social challenges related to the state of the planet and our future. $10,000 for best essay. Review the guidelines here.
Call for submissions Deadline: July 15 Wising Up Press/Universal Table Seeks submissions for a Wising Up anthology, I-THOU IN AN UPDOWN WORLD: Lasting Friendships Across Deep Divides. Poetry, fiction, memoir and creative nonfiction on the theme of maintaining genuine friendship across deep difference and/or disparity. Full description and guidelines here.
Call for submissions Superheroes Deadline May 15 Minor Arcana Press currently welcomes submissions of poems related to superheroes and superhero mythology for a new
Call for submissions Deadline: October 1 The Chattahoochee Review:
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LITERARY MAGAZINES Submit …
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LISTINGS FOR EVERY TYPE OF LITERARY MAGAZINE
Roundup of poetry contests here.
week on the site is over, it will be placed in a poetry archive onsite. We see it as a new way to introduce new or pending books of Canadian poetry. By "new" we mean book published in 2012. If you've just signed a poetry deal, then this is a good way to let the world know. Read all about it here.
Animals. Inventive or classic variations of the “animal” theme welcome. Send relevant fiction, poetry, and nonfiction. Please note call for submissions in cover letter. Online submissions now available: at: http://thechattahoocheereview.gpc.edu Call for submissions No deadline as at Jan 2013. Two-Countries: Daughters and Sons of Immigrant Parents seeks poems, essays and flash memoir. For details, please go to this link.
Call for submissions No dates provided Muse Press plans to publish an illustrated anthology of lyric poems tentatively entitled BLISS. We never charge any sort of fee at any time. Submit by e-mail no more than 3 poems (20 lines or less) to editor@muse-press.org. We will contact you if your poem is accepted. Check it all out first at their website here.
ONGOING CALLS Call for submissions Are you over 60? - Wit and Wisdom of the Sages Have insightful stories you’d like to share with all grandchildren? Great Depression/ WW2/ Vietnam era? Seeking narratives up to 3,500 words. Send manuscripts, or for guidelines e-mail jnjscher@yahoo.com.
Call for submissions Poetic responses to Quentin Tarantino For a summer of 2013 print anthology around the films of Quentin Tarantino. We're looking for poetic responses to his work. We'll lean towards egocentric voices with a colorful range of references. We welcome contributions from writers outside the U.S. Review the details here.
Geist Emerging Writer-of-the-Month Emerging writers are invited to submit short written works online. Read FAQ.
Call for submissions New multimedia journal 5 OVER 4. New multimedia journal seeks cross-genre work made by jazzy, creative people who embrace the unknown. Poetry videos, multi-media sculpture, hand-stitched book art, JPEGs collaged with audio, sound poems via video chat, interactive projects. Live and online events. Website: 5over4.blogspot.com, E-mail Monique Avakian: monava9@gmail.com.
Call for submissions – open dates Subterranean Blue Poetry Subterranean Blue Poetry is an Internet Poetry and Art Publishing Café. We thrive on new original words and New Age art. All poets and their poetry are welcome and we are especially looking for homegrown poets from the Canadian first nations/American Indian Community; Quebec; small town Canada; international poets and anyone who was ever considered “the other.” New Age art offerings are for the masthead of each issue. Read all info here.
Call for submissions 1966 1966, An online journal of creative nonfiction, seeks pieces of literary nonfiction with a research component—anything from immersion memoir to nature writing to reportage to travel writing to—? For submission guidelines visit www.1966journal.org.
The Quotable This online magazine wants writer-readers to submit stories based on their monthly prompts. Info here. Regime magazine - Short Stories. Poetry Performance writing. Not only do they want your work but they offer that you can tack $20 on your submission and they’ll send you back a detailed one-page critique. Note: do your due diligence. Read it all carefully. Full submission info here.
Anderbo.com -- “Best New Online Literary Journal” -- publishes writers in fiction, “fact” (creative nonfiction), and poetry. We’re always looking for new voices. We’ll also consider nonfiction features, short memoirs, novellas, published-book excerpts, th photography, essays, and photo essays. Now in our 9 year! For submission information and guidelines, visit www.anderbo.com.
Calling all poets! Coastal Spectator A new arts-based review and commentary site operating independently out of the U. Vic. We want to publish, on our home site, one new poem each week for a year, so if you have a new piece of work -- that is a haiku or up to 25 lines long -- do submit. We can pay $25 for each poem published, and once its
Changes in Life A monthly online newsletter is seeking personal essays from women of all ages. New writers are encouraged to submit their work. For details and submission guidelines, see www.changesinlife.com.
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Can you spare a £ or ten? Submit …
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Ongoing calls – continued The Evening Street Review The ESR is centered on the belief that all men and women are created equal. Reads poetry/prose submissions yearround. Replies in 3 months or less. Sometimes includes comments. Send 4–6 poems or 1–2 prose pieces. 7652 Sawmill Rd., #352, Dublin, OH 43016 or editor@eveningstreetpress.com. For contests and guidelines visit: www.eveningstreetpress.com. Call for submissions “Got a poem?” Submit any subject, any style, any length, any number, any time by e-mail or by mail with SASE. Previously published poems and simultaneous submissions are welcome. The Great American Poetry Show, P.O. Box 69506, West Hollywood, CA 90069. Email: info@tgaps.net. Website: www.tgaps.net (Caveat emptor – check it out)
Help a Scotsman have his way with Hollywood What it’s about From Mark MacNichol in Scotland: 'Fianna - Battle for the Celtic Ridge'
I'm arriving in LA 20th April - with a new TV pilot set in Scotland and Boston. It would mean a lot to me if you have a look at the wee intro video on Kick Starter HERE and consider supporting. –Mark
Deadline: March 11, 2013
I have no idea what was banging on the side of my tent that night. But I do know that the stories in that book about our Fianna protectors gave me some much needed comfort. From that night, the topic captivated me to such an extent I embarked on what turned into a 2-year programme of research.
This story started that night surrounded by the haunted landscape of Rannoch Moor. Legend has it that on the side of every mountain in Scotland and Ireland the Fianna are sleeping, waiting to rise up. My hope is that with this script we can give them that opportunity.
The 2013 Cherry Blossom Haiku Festival
Each piece must be longer than 1,000 words and shorter than 5,000 words. http://www.thenextbigwriter.com/competition/index.html
In the early hours I was woken by something banging on the side of my tent. Too scared to venture outside, I needed a distraction. It came in the form of a book in my backpack about ‘Finn McCool’ and his ‘Fianna’ army. Prior to reading it I had never heard of them.
So... If you are passionate about good TV drama and/or celebrating Celtic history and culture. then this project is for you. I have brought Finn McCool's Fianna forward in time 2000 years into modern day Boston & Scotland.
Make Us Laugh. Win $100. They say laughter is the cure for all ills. Writing a funny story is considered one of the toughest tasks in the writing world. The challenge of this contest? Write a well-written story that is laugh-out-loud funny. Make us laugh.
I spent a night on a rainy and windy Rannoch Moor in 2009 while trekking the West Highland Way (100 miles from Glasgow to Fort William).
Check here for info on haikus, tips on writing them, and Vancouver’s own Cherry Blossom Festival. Submissions will begin Mar. 1-- continue to June 3
Where are the blooms in Vancouver? Bloom sightings here.
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Free-write picture prompt
©2012 – photo Margo Lamont
1 1
Free-writes:
easy rule
Write for 15 minutes by a timer. Don’t stop – don’t lift your pen off the paper – you can edit later – write whatever comes to mind – whatever it is. Just keep going. See where it takes you. Bring your output to the next Grind Writers.
The Grind Writers News ©2013
Margo Lamont
E: margolamont@gmail.com B: http://wildsynapticleaps.blogspot.com/ Previous issues: http://issuu.com/grindwriters/docs
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Outfits made from plants — Van Dusen Garden 2012