Grogan & Company | The Spring Auction | Sunday, May 2, 2021 by Grogan & Company

THE

SPRING AUCT I ON S U N D A Y, MAY 2, 2021

Lot 82 Cover: Lot 9

MICHAEL B. GROGAN President & Chief Auctioneer michael@groganco.com

NANCY H. GROGAN Board of Directors nancy@groganco.com

LUCY GROGAN EDWARDS Vice President & Jewelry Director lucy@groganco.com

GEORGINA C. WINTHROP Fine Art Director georgina@groganco.com

TAYLOR P. SEE Jewelry Specialist taylor@groganco.com

ELIZA G. HODGSON Auction Coordinator eliza@groganco.com

SA L E 1 7 4

THE

SPRING AUCT I ON S U N D A Y, MAY 2, 2021 ∙ 11 AM

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20 CHARLES STREET, BOSTON, MASSACHUSETTS 02114

BOSTON, MA

PORTLAND, ME EST. 1987 G R O G A N C O. C O M BID LIVE ONLINE!

Lot 278

FINE ART 9

JEWELRY 145

SILVER 215

DECO 227

Lot 21

F I N E ART

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1 GLORIA VANDERBILT (American, 1924–2019) Doll with Easel mixed media on paper signed Gloria Vanderbilt lower right; titled verso sheet: 27 1/2 x 21 1/4 in. House of Heydenryk frame: 38 1/4 x 32 1/2 in.

$4,000–6,000 Provenance: The Collection of a San Francisco Gentleman. Other Notes: Hammer Galleries (New York) label verso.

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2 MARY SLATFORD NEWCOMB (British, 1922–2008) A Wedding Reception in a Village in France 1971, oil on board signed and dated 71 Mary Newcomb lower right 24 x 28 in., frame: 30 x 34 in. $8,000–12,000 Provenance: Purchased from Crane Kalman Gallery, April 1997; The Collection of a California Lady. Other Notes: Crane Kalman Gallery (London) label verso.

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3 MARY SLATFORD NEWCOMB (British, 1922–2008) Sedum and Paling Fence Moving in the Wind 1996, oil on board signed and dated 96 Mary Newcomb lower right faintly signed and dated Mary Newcomb 95 upper left titled, signed, and dated verso 20 x 20 in., frame: 27 3/4 x 27 3/4 in. $5,000–7,000 Provenance: Purchased from Crane Kalman Gallery, April 1997; The Collection of a California Lady. Other Notes: Crane Kalman Gallery (London) label verso.

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4 FANNY BRENNAN (French, 1921–2001) Walnut with Landscape and Seascape oil on board titled and signed verso 2 x 2 3/4 in., frame: 7 1/2 x 8 1/4 in. $2,000–3,000

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Provenance: The Collection of a Maine Gentleman. Other Notes: Betty Parsons Gallery (New York) stamp verso. Fanny Brennan's tiny paintings, rarely exceeding a few inches square, capture her humorous imagination in meticulous detail.

5 VALERIE FAVRE (Swiss, b. 1959) Swiss Mountains 1990, oil on canvas signed and dated Valerie Favre 12.1990 verso 59 x 59 in.

$2,000–3,000 Provenance: Galerie Nathalie Obadia (Paris), 1993; The Collection of Guido Goldman, Concord, Massachusetts.

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6 LILLA CABOT PERRY (American, 1848–1933) View of Mount Fuji oil on canvas signed L.C. Perry lower right 25 1/2 x 32 in., frame: 27 x 32 1/2 in. $4,000–8,000 Provenance: The Collection of an East Coast Gentleman. This work relates to Perry's Mt. Fuji with Gravestones, now at the Harvard Art Museums (object no. 1970.48).

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7 LAURA COOMBS HILLS (American, 1859–1952) Bird of Paradise pastel on paper signed Laura Hills lower right sight: 20 3/4 x 17 3/4 in., frame: 29 1/2 x 26 in. $4,000–6,000 Provenance: By descent to a Cambridge, Massachusetts Lady.

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8 DOROTHY ELSIE PEREHUDOFF KNOWLES (Canadian, b. 1927) Waves 1979, acrylic on canvas signed and dated D. Knowles 79 lower right; titled and signed verso 24 x 29 1/2 in., frame: 25 x 31 in. $8,000–12,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts. Other Notes: Meredith Long Contemporary (New York) label verso.

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9 HELEN FRANKENTHALER (American, 1928–2011) Untitled 1969, acrylic on canvas signed and dated '69 Frankenthaler lower right inscribed verso for Claude and Augie with love, Helen, 22 Sept. '69 11 x 8 in., housed in a 12 5/8 x 9 5/8 in. Kulicke traveling frame

Provenance: A gift from the artist to her friends; by descent within the family. Exhibitions: United States International Communication Agency, Washington, D.C., Helen Frankenthaler: A Selection of Small Scale Paintings 1949–1977, January 17, 1978–December 31, 1979 (traveling exhibition), no. 31, color illus., n.p. (exhibition label verso).

$50,000–80,000 F I N E A RT

10 WOLF KAHN (American, 1927–2020) Near Hidden Lake 1983, oil on canvas signed W. Kahn lower right; titled and dated on stretcher 22 x 44 in., frame: 25 x 47 in. $20,000–30,000 Provenance: The Collection of a Massachusetts Doctor.

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11 STEPHEN MORGAN ETNIER (American, 1903–1984) Autumn Sun oil on canvas signed Stephen Etnier lower left 18 x 32 in., frame: 27 x 41 in. $3,000–5,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady. Other Notes: The Milch Galleries (New York) label verso.

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12 FRANK SWIFT CHASE (American, 1886–1958) Sailing off Nantucket oil on canvasboard signed Frank Swift Chase lower right 12 x 16 in., frame: 19 1/2 x 23 1/2 in. $10,000–15,000 Provenance: The Collection of a New England Gentleman. Other Notes: Roger King Gallery of Fine Art (Newport, RI) label verso.

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13 SCOTT PRIOR (American, b. 1949) Pondside 1984, oil on canvas signed and dated Scott Prior 1984 verso 42 x 40 in. frame: 43 1/2 x 41 1/2 in. $5,000–8,000 Provenance: By descent to a Massachusetts Lady.

14 GISELE FREUND (German/French, 1908–2000) Virginia Woolf's Writing Table color photograph signed Gisele Freund lower right 11 3/4 x 14 1/4 in. frame: 16 x 20 in. $1,000–1,500 Provenance: The Collection of Guido Goldman, Concord, Massachusetts. Other Notes: Harcus Krakow Gallery (Boston) label verso.

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15 EDNA ANDRADE (American, 1917–2008) Geometric 6–65 1965, acrylic on canvas signed EA lower left 20 1/4 x 20 1/4 in. frame: 21 1/2 x 21 1/2 in.

$5,000–10,000 Provenance: Property of a Maine Collector. Other Notes: East Hampton Gallery (New York) label verso; Art Lending Service, Museum of Modern Art (New York) label verso.

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16 MAUD CABOT MORGAN (American, 1903–1999) Abstract Yellow oil on board signed Maud Morgan lower right 48 x 45 in. frame: 50 x 47 in. $1,000–1,500 Provenance: Property of a Cambridge, Massachusetts Gentleman.

17 GERTRUDE STEVENS TWICHELL (American, 1889–ca.1963) Proud Spaniel enamel and hand–hammered copper inscribed Twichell verso image: 2 1/2 x 5 3/8 in. overall: 4 3/8 x 6 in. $2,000–3,000 Provenance: The Collection of a Maine Gentleman.

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18 CLARA TICE (American, 1888–1973) Reclining Women and Bathing Women gouache on paper each signed Clara Tice along lower edge each 11 x 16 in.; each housed in complementary painted frames: 13 1/4 x 18 1/2 in. $1,000–1,500 Provenance: Property of a Maine Collector.

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19 MYRLANDE CONSTANT (Haitian, b. 1968) Dambahlah beaded fabric titled Dambahlah Etaflambo along upper edge; signed Constant lower right 16 1/2 x 20 in. La Sirene beaded fabric titled La Sirene Diamanti upper left; signed Constant lower right 22 1/2 x 33 1/2 in. $1,500–2,500

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20 RALPH EUGENE CAHOON, JR. (American, 1910–1982) Netting Mermaids oil on masonite signed R. Cahoon lower right; titled verso 16 x 22 in., frame: 18 3/4 x 25 in.

Provenance: Purchased from the artist by a Boston gentleman; by descent within the family. Accompanied by a letter from the artist to the original owner, dated April 13, 1961, discussing the purchase of the work.

$10,000–15,000

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LOTS 21 — 42

THE COLLECTION OF A BOSTON FAMILY

21 ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860–1961) Over The River to Grandma's House on Thanksgiving Day 1944, oil on pressed wood signed Moses lower right 17 x 26 in., frame: 25 1/2 x 34 1/2 in. $70,000–100,000 Provenance: The artist, 1944; Galerie St. Etienne, New York; Clare J. Hoffman, Toledo, Ohio; Galerie St. Etienne, New York, 1998; The Collection of a Boston Family. Other Notes: With Grandma Moses's inventory label verso (titled, numbered 525, and dated January 10, 1944); The Galerie St. Etienne (New York) label verso; Hammer Galleries (New York) stamp verso.

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Exhibitions: Grandma Moses: Memorial Exhibition, Galerie St. Etienne, New York, 1962; The Home Country of Grandma Moses: Twenty of Her Best Paintings of Local Areas and Activities, Bennington Museum, Bennington, Vermont, 1963; The Grandma Moses Gallery, Bennington Museum, Bennington, Vermont, 1968–72; Art and Life of Grandma Moses, The Gallery of Modern Art at Columbus Circle, New York, 1969. Literature: Kallir, Otto. Grandma Moses. New York: 1973, illus. p. 293, cat. no. 328.

22 ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860–1961) February 1944, oil on pressed wood signed Moses lower right 13 x 15 in., frame: 15 1/2 x 17 in. $15,000–30,000 Provenance: Galerie St. Etienne, New York, 1998; The Collection of a Boston Family. Literature: Kallir, Otto. Art and Life of Grandma Moses. cat. no. 426a. Other Notes: With Grandma Moses's inventory label verso (numbered 1009, dated September 7, 1944 and titled); The Galerie St. Etienne (New York) label verso.

23 ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860–1961) A May Morning 1944, oil on pressed wood signed Moses lower left 12 1/8 x 14 in., frame: 14 x 16 in. $15,000–30,000 Provenance: Galerie St. Etienne, New York, 1998; The Collection of a Boston Family. Literature: Kallir, Otto. Art and Life of Grandma Moses. cat. no. 426b. Other Notes: With Grandma Moses's inventory label verso (numbered 1003, dated September 15, 1944 and titled); The Galerie St. Etienne (New York) label verso.

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24 AMERICAN SCHOOL (Philadelphia, ca. 1820) Lace and Frills oil on canvas 28 x 25 in., frame: 34 x 31 in. AMERICAN SCHOOL (Philadelphia, early 19th century) Man with White Stock in Interior oil on canvas 28 x 25 in., frame: 34 x 31 in. $50,000–100,000

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Provenance: Found in Philadelphia, Pennsylvania, 1959; Edith Gregor Halpert, The Downtown Gallery, New York; Terry Dintenfass, Inc. New York; The Collection of Edgar William and Bernice Chrysler Garbisch, Cambridge, Maryland; Kennedy Galleries, New York, 1973 (labels verso); Private Collection, New York, 1973–1997; David A. Schorsch American Antiques, 1997 (label verso); The Collection of a Boston Family.

Exhibitions: Downtown Gallery, New York, 196; ACA Gallery, New York, Survey of American Art, 1965; Terry Dintenfass, Inc., New York, Edith Gregor Halpert Folk Art Collection, 1972, nos. K257 & K258 (accompanied by a copy of the exhibition catalogue); Kennedy Galleries, New York, American Folk Art, 1973. Literature: The Woman: Jean Lipman and Alice Winchester, The F lowering of American Folk Art 1776–1876, New York: 1974, fig. 19, p. 28.

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25 Manner of JOHN JAMES TRUMBULL ARNOLD (American, 1812–1865) Pair of Portraits: A Lady and A Gentleman oil on canvas each: 30 x 25 in. each frame: 36 x 31 in.

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$3,000–5,000 Provenance: The Collection of a Boston Family. Other Notes: Old World Art Gallery (Kansas City, Missouri) label verso.

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26 LINDA LOW WOLCOTT (American, 20th century) Lobsterman oil on canvas signed L.L. Wolcott lower left 20 x 16 in., frame: 25 x 21 in.

27 EVERETT LONGLEY WARNER (American, 1877–1963) The Battery, New York City oil on board signed Everett Warner lower right 6 1/4 x 9 1/4 in., frame: 13 x 16 in. $1,000–1,500 Provenance: The Collection of a Boston Family. Other Notes: The Cooley Gallery (Old Lyme, Connecticut) label verso.

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Two Lobstermen oil on canvas signed L.L. Wolcott lower right 20 x 24 in., frame: 26 x 30 in. $500–1,000 Provenance: The Collection of a Boston Family.

28 RUTH HAVILAND SUTTON (American, 1898–1960) Nantucket Harbor View oil on board signed Ruth Haviland Sutton lower left 8 x 10 in., frame: 14 x 16 in. $800–1,200 Provenance: The Collection of a Boston Family.

29 HENRY CURTIS AHL, JR (American, 1905–1996) View in Botanic Garden, Santa Barbara 1973, oil on canvasboard signed H. Curtis Ahl lower right 10 x 8 in., frame: 15 x 13 in.

Malibu, Serra Retreat oil on canvasboard signed H. Curtis Ahl lower right 9 x 12 in., frame: 14 x 16 1/2 in. $1,000–1,500 Provenance: The Collection of a Boston Family.

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30 BERT GREER PHILLIPS (American, 1868–1956) Foot Race at Taos – San Geronimo Day oil on board signed Phillips Taos N.M. lower left 10 x 10 in. frame: 14 1/2 x 14 1/2 in. $8,000–12,000 Provenance: Zaplin–Lampert Gallery, Santa Fe, New Mexico (label verso); The Collection of a Boston Family.

31 OSCAR EDMUND BERNINGHAUS (American, 1874–1952) Taos Valley Home oil on board signed O.E. Berninghaus, Taos, N.M. lower left 6 1/2 x 9 in. frame: 10 1/2 x 13 in. $4,000–6,000 Provenance: Arizona West Galleries, Scottsdale, Arizona; Dan May, Scottsdale, Arizona; Nancy and Gilbert Waldman, Tulsa, Oklahoma; Zaplin–Lampert Gallery, Santa Fe, New Mexico; The Collection of a Boston Family.

32 LEON GASPARD (Russian/American, 1882–1964) Taos Autumn in Park oil on canvas board signed Leon Gaspard lower right 6 1/2 x 4 1/2 in. frame: 10 1/2 x 8 1/2 in. $1,500–2,500 Provenance: The artist; Private Collection, Chicago, Illinois; Owings– Dewey Fine Art, Santa Fe, New Mexico (label verso); The Collection of a Boston Family.

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33 LEON GASPARD (Russian/American, 1882–1964) The Russian Woman 1914, mixed media on canvas on board signed and dated Leon Gaspard Russie 1914 lower left 24 x 18 in., frame: 32 x 26 in. $40,000–60,000

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Provenance: The artist; a gift to the niece of Saki Karavas (owner of Hotel La Fonda de Taos); Zaplin– Lampert Gallery, Santa Fe, New Mexico (label verso); The Collection of a Boston Family. Other Notes: Zaplin–Lampert Gallery (Santa Fe, New Mexico) label verso; Gerald Peters Gallery (Santa Fe, New Mexico) label verso.

34 WILLIAM PENHALLOW HENDERSON (American, 1877–1943) Los Gallos (Mable Dodge Luhan House) 1922, oil on board estate stamped and inscribed with title and date verso 6 1/4 x 8 3/4 in. frame: 9 1/4 x 11 3/4 in. $4,000–6,000 Provenance: The estate of the artist; by descent to the artist's daughter Alice Henderson; to her estate; Rossin Colquitt, Tesuque, New Mexico; Owings Dewey Fine Art, Santa Fe, New Mexico; The Collection of a Boston Family. Other Notes: Bearing Henderson estate and Owings Dewey Fine Art (Santa Fe, New Mexico) stamp verso.

35 AGNES SIMS (American, 1910–1990) Flute Players mixed media on canvas laid on board signed Agnes Sims lower left 31 x 27 1/2 in. frame: 32 x 28 1/2 in. $1,500–2,000 Provenance: The Collection of a Boston Family. Other Notes: Fenn Galleries (Santa Fe, New Mexico) label verso.

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36 ALYCE FRANK (American, b. 1932) Pilar with School and Church oil on linen signed Alyce Frank lower left inscribed 406 Pilar with Church and Schoolhouse Alyce Frank verso 30 x 36 in., frame: 35 x 40 in.

$3,000–5,000 Provenance: Zaplin–Lampert Gallery, Santa Fe, New Mexico; The Collection of a Boston Family.

37 MAMIE DESCHILLIE (Navajo, b. 1920) Corn Stalks oil and gouache on cardboard signed Mame Deschille lower center sheet: 16 x 25 in. frame: 20 1/2 x 30 in. $500–1,000 Provenance: The Collection of a Boston Family. 42

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38 FELIPE ARCHULETA (American, 1910–1991) Fish 1977, carved and painted wood signed and dated on underside length: 30 in. $1,500–2,500 Provenance: The Collection of a Boston Family.

39 FELIPE ARCHULETA (American, 1910–1991) Turtle 1978, carved and painted wood with metal feet signed and dated on underside length: 17 in. $1,500–2,500 Provenance: The Collection of a Boston Family. F I N E A RT

40 GUSTAVE BAUMANN (American, 1881–1971) Cochiti Ensemble 1942–47, oil on board signed and dated Gustave Baumann–47 lower right; titled and signed verso 32 x 36 in., housed in a hand–carved silver gilt pentagonal frame: 33 1/4 x 38 in. $40,000–60,000 Provenance: The artist; Private Collection, Santa Fe, New Mexico; Owings–Dewey Fine Art, Santa Fe, New Mexico; The Collection of a Boston Family. Exhibitions: 29th Annual Exhibition of Painters and Sculptors of the Southwest, Museum of New Mexico, September 1–30, 1942. Other Notes: Mitchell, Brown Duncan Gallery, Inc. (Santa Fe, New Mexico) label verso; Owings Dewey Fine Art (Santa Fe, New Mexico) label verso. Widely known for his colorful woodblock prints depicting Southwestern landscapes and scenes, Gustave Baumann hand cut and printed nearly four hundred prints over the course his career. As such, his oil painting, Cochiti Ensemble (1942-47), is rare for the artist in both its medium and its pentagonal form. However, in his later years, Baumann in fact favored painting in oils due to his arthritis. His paintings, like his woodcuts, capture the artist's enthusiasm for New Mexican culture with vibrant colors and dynamic compositions of native Pueblo and Hopi dolls.

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41 GUSTAVE BAUMANN (American, 1881–1971) Pueblo Harmony color woodblock titled, numbered 1 II–125, and signed Gustave Baumann in pencil along lower edge plate: 8 1/4 x 8 1/4 in., frame: 19 x 19 in. $3,000–5,000 Provenance: Zaplin–Lampert Gallery, Santa Fe, New Mexico (label verso); The Collection of a Boston Family.

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42 GUSTAVE BAUMANN (American, 1881–1971) Strangers from Hopi Land 1921, woodcut in colors titled, stamped 35 and signed Gustave Baumann in pencil along lower edge plate: 11 x 9 3/4 in. frame: 13 1/2 x 12 in. $5,000–8,000 Provenance: Zaplin–Lampert Gallery, Santa Fe, New Mexico; The Collection of a Boston Family.

43 GUSTAVE BAUMANN (American, 1881–1971) Desert color woodblock titled Desert lower left; numbered No. 5 of 100 lower center; signed Gustave Baumann lower right image: 6 x 7 1/2 in. sheet: 10 3/8 x 12 7/8 in. $3,000–5,000

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44 THOMAS HART BENTON (American, 1889–1975) Fire in the Barnyard 1944, lithograph signed Benton in pencil lower right from the edition of 250 sight: 9 1/4 x 13 3/4 in. frame: 17 1/2 x 21 1/2 in. $1,000–1,500 Accompanied by a copy of Fath, Creekmore. The Lithographs of Thomas Hart Benton. New, Expanded Edition. University of Texas Press: Austin, 1990.

45 JOHN STEUART CURRY (American, 1897–1946) John Brown 1939, lithograph signed John Steuart Curry lower right sight: 15 3/4 x 11 5/8 in. frame: 23 5/8 x 19 1/4 in. $2,000–3,000 Provenance: The Collection of a Boston Gentleman. Other Notes: Published by Associated American Artists, New York (label verso).

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46 JOHN MARIN (American, 1870–1953) Sailboat 1932, etching from the edition of 200 printed for the American Artist's Group, 1936, with American Artist's Group stamp verso plate: 7 x 9 1/4 in. sheet: 12 x 15 1/2 in. $800–1,200 Provenance: The Collection of a Cape Cod, Massachusetts Gentleman.

47 JACKSON POLLOCK (American, 1912–1956) Parsons Gallery Poster 1951, lithograph signed Jackson Pollock in ink lower right sight: 16 1/2 x 20 in. frame: 22 x 26 in. $2,000–3,000 Provenance: The Estate of a Cambridge, Massachusetts Professor.

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48 ROBERT RAUSCHENBERG (American, 1925–2008) Kennedy for Senate 2000, Iris print in colors signed Rauschenberg, numbered 2/100, and dated 2K in pencil along lower margin sheet: 35 x 25 3/4 in. $1,500–2,500 Provenance: From the artist to Senator Edward Kennedy (1932–2009).

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50 ALEXANDER CALDER (American, 1898–1976) Octopus, from Our Unfinished Revolution color lithograph marked E.A. lower left and signed Calder in pencil lower right sheet: 29 3/4 x 22 in. frame: 34 3/4 x 28 1/2 in. $1,000–2,000

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51 GEORGES BRAQUE (French, 1882–1963) Migration, from Lettera Amorosa 1963, lithograph numbered 39/75 lower left signed G. Braque lower right image: 9 1/2 x 7 in. frame: 19 1/2 x 16 in. $1,000–2,000 Provenance: The Collection of a Maine Gentleman. Other Notes: Graphics 1 & Graphics 2 (Boston, Massachusetts) label verso.

52 JOAN MIRO (Spanish, 1893–1983) Plate IV, from Obra Inèdita Recent 1964, lithograph in colors signed M in pencil lower right numbered 6/100 in pencil lower left the full sheet: 12 x 17 3/8 in. image: 12 x 8 3/4 in. $1,000–2,000 Provenance: The Collection of a Maine Gentleman.

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53 FERNAND LEGER (French, 1881–1955) Les Deux Visages 1951, lithograph numbered 18/75 lower left signed F.Leger lower right image: 14 x 18 1/2 in. frame: 21 1/2 x 26 in. $1,500–2,500 Provenance: The Collection of a Beacon Hill, Boston, Massachusetts Couple.

54 PABLO PICASSO (Spanish, 1881–1973) Exposition Ceramique Vallauris 1959, lithograph numbered 171/175 lower left signed Picasso lower right sheet: 30 x 22 in. frame: 33 x 25 in. $1,500–2,500 Provenance: The Collection of a Maine Gentleman.

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55 MARC CHAGALL (French, 1887–1985) L'Arc–en–ciel (The Rainbow) (M. 596) 1969, lithograph in colors on Arches paper signed Marc Chagall in pencil lower right numbered 43/75 in pencil lower left sight: 29 1/4 x 27 3/4 in. frame: 42 x 35 1/2 in. $10,000–15,000 Provenance: By descent within a Massachusetts family.

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56 After MARC CHAGALL (French, 1887– 1985) by CHARLES SORLIER (French, 1921–1990) La Flûte enchantée (C.S. 38) 1967, lithograph in colors signed Marc Chagall in pencil lower right numbered 38/200 in pencil lower left sheet: 39 3/4 x 26 1/4 in. frame: 50 1/2 x 36 1/2 in.

Provenance: By descent within a Massachusetts Family. This work is being sold to benefit Indian Hill Music, a Massachusetts non–profit organization that "shares the transformative power of music, through teaching and performing, and giving music generously when there is need."

$10,000–20,000 F I N E A RT

57 SONIA TERK DELAUNAY (Russian, 1885–1979) Lille #2 1971, lithograph in colors numbered E.A. in pencil lower left signed Sonia Delaunay in pencil lower right sight: 20 1/2 x 20 3/8 in. frame: 30 3/4 x 28 1/4 in. $1,000–2,000 This work is after Sonia Delaunay's 1939 painting Rhythm Colour no. 1076.

58 AUGUSTE RODIN (French, 1840–1917) Les Printemps drypoint signed A. Rodin in pencil lower right from the signed edition of 50 plate: 5 3/4 x 3 7/8 in. frame: 20 x 16 1/2 in. $1,500–2,500 Provenance: Property of a Massachusetts Collector.

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59 LEONARD TSUGUHARU FOUJITA (Japanese/French, 1886–1968) Six Plates from A Book of Cats collotypes each signed within the matrix each frame: 13 x 15 1/4 in.

$3,000–5,000 Provenance: Property of a Massachusetts Collector.

60 KATHE KOLLWITZ (German, 1867–1945) Maria und Elisabeth woodcut signed Kathe Kollwitz lower right titled Maria und Elisabeth lower left 15 1/4 x 17 3/4 in. frame: 16 1/4 x 18 1/2 in. $1,500–2,000 Provenance: The Estate of a Cambridge, Massachusetts Professor.

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61 KLAUS FUSSMANN (German, b. 1938) Untitled watercolor sheet: 4 1/4 x 6 1/2 in. frame: 6 1/4 x 8 3/4 in. $800–1,200 Provenance: The Collection of Guido Goldman, Concord, Massachusetts. Other Notes: Erich Daubu & Sohne (Berlin) label verso.

62 Attributed to MAX BECKMANN (German, 1884–1950) Four Men with a Boat pencil on paper sheet: 7 3/8 x 9 in. frame: 15 3/4 x 21 1/2 in. $2,000–3,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

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63 LYONEL FEININGER (American/German, 1871–1956) Untitled (Locomotive) 1946, watercolor, ink, and charcoal on paper signed and dated Feininger 1946 lower left sight: 8 1/2 x 11 1/2 in., frame: 15 3/4 x 18 1/2 in. $25,000–50,000 Provenance: Purchased from the artist in 1951 by Mr. & Mrs. J.P. McWilliams; by descent in the family. Other Notes: Achim Moeller, Managing Principal of The Lyonel Feininger Project LLC, New York–Berlin has confirmed the authenticity of this work, which is registered under no.1526–11–02–18. The work will be included in Lyonel Feininger: The Catalogue Raisonné of Drawings and Watercolors by Achim Moeller and Sebastian Ehlert.

Exhibitions: The Cleveland Museum of Art, The Work of Lyonel Feininger, November 2–December 9, 1951. Cat No. 90, Plate XVI. This work is accompanied by a copy of the 1951 Cleveland Museum of Art exhibition catalogue. This 1946 watercolor by German–American artist Lyonel Feininger is a striking example of Feininger's lifelong interest in both the form and movement of trains. In 1951, Lyonel and Julia Feininger lent the painting to The Cleveland Museum of Art for an exhibition titled "The Work of Lyonel Feininger." Upon viewing the exhibition, Cleveland's Mr. and Mrs. J.P. McWilliams were so taken by Feininger's work that they purchased this painting directly from the artist at the close of the show. It has descended through their family to this day.

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64 FRITZ WINTER (German, 1905–1976) Summer Garden 1955, oil on canvas signed and dated FW 55 lower right 17 3/4 x 22 in. frame: 23 1/2 x 27 1/2 in. $10,000–15,000 Provenance: The Estate of a Cambridge, Massachusetts Professor. Other Notes: Kleemann Galleries (New York) label verso.

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Fritz Winter, a German artist who championed improvisation and gestural techniques in his canvases, was an integral part of the Art Informel movement in post-war Europe. He studied at the Bauhaus under Vasily Kandinsky, Paul Klee, Oskar Schlemmer, and others from 1927-30, and by the mid-1930s was listed as a degenerate artist by the Nazi regime. In 1939, he was drafted into the German Army, and was ultimately detained in Siberia as a prisoner of war by the Russian Army. Winter returned to Europe after the war and embraced the prevailing avant-garde trends. His colorful, organic, and almost calligraphic technique, offered an antidote to the horrors of war he witnessed and made him one of the most celebrated German abstract painters of the 1950s.

65 LEON ARTHUR TUTUNDJIAN (French, 1905–1968) Untitled 1927, pen and ink signed and dated L.A. Tutundjian 1927 lower right sheet: 9 x 6 3/4 in., frame: 20 1/4 x 16 3/4 in. $1,000–1,500 Provenance: Property of a Maine Collector. Other Notes: Helen Serger, La Boetie, Inc. (New York) label verso.

66 HAROLD STERNER (American, 1895–1976) Minotaur II oil on masonite 16 x 20 in., frame: 19 3/4 x 20 in. $1,500–2,500 Provenance: Property of a Maine Collector. Other Notes: FAR Gallery (New York) label verso.

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67 LUCIEN COUTAUD (French, 1904–1977) Fruits pour la lune 1943, oil on masonite signed and dated Coutaud 43 lower left; titled and dated verso 18 x 24 in., frame: 24 x 30 in. $2,000–4,000 Provenance: Property of a Maine Collector.

68 LUCIEN COUTAUD (French, 1904–1977) Mies de pain 1943, oil on masonite signed and dated Coutaud 43 lower right; titled and dated verso 18 x 24 in., frame: 24 x 30 in. $2,000–4,000 Provenance: Property of a Maine Collector.

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69 JULES KIRSCHENBAUM (American, 1930–2000) Untitled oil on canvas 24 x 14 in., frame: 25 1/4 x 15 1/4 in.

$2,000–4,000 Provenance: Hindman Auctions, September 7, 2008, Lot 472; Property of a Maine Collector.

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70 CHARLES GEORGE DUFRESNE (French, 1876–1938) Equestrian Hunt Scene gouache on paper signed duFresne lower right sight: 11 1/4 x 14 3/4 in. frame: 17 1/4 x 20 3/4 in. $1,000–1,500 Provenance: By descent within a New England family. Other Notes: Ernest Brown & Phillips Ltd., The Leicester Galleries (London) label verso.

71 MICHEL DELACROIX (French, b. 1933) Paris View oil on canvas signed Michel Delacroix lower left 11 x 8 in., frame: 16 1/4 x 13 1/4 in. $2,000–4,000 Provenance: The Collection of a Massachusetts Lady.

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72 EMERIK FEJES (Serbian/Hungarian, 1904–1969) Paris gouache inscribed Paris and signed Fejes E lower right 16 1/4 x 23 1/2 in.

Moscow gouache inscribed Moskva and signed Fejes E lower right 23 x 16 1/4 in. $1,000–2,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

73 SERGE MENDJISKY (French, 1929–2017) La Maison dans la foret oil on canvas signed S. Mendjisky lower right; titled verso 19 3/4 x 24 1/4 in., frame: 24 1/2 x 28 1/2 in. $1,000–2,000

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74 HENRI LEBASQUE (French, 1865–1937) Femme nu assise sur la plage oil on canvas signed LeBasque lower right 31 3/4 x 25 3/4 in., frame: 41 1/2 x 35 1/2 in. $20,000–30,000

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Provenance: Carel Gallery, Miami, Florida (stamped on stretcher); Private Collection; Doyle New York, Lot 17, November 1, 2016; The Collection of a New York Gentleman. Literature: This work will be included in the forthcoming supplement to the catalogue raisonne prepared by Denise Bazetoux.

75 DIETZ EDZARD (French, 1893–1963) Untitled (Woman with Fan) oil on canvas signed D. Edzard lower left 18 x 15 in., frame: 22 1/2 x 19 1/2 in. $2,000–3,000 Provenance: The Collection of a San Francisco Gentleman.

76 MARIE MAREVNA (Russian, 1892–1984) Floral Still Life oil on canvas signed Marevna lower right 24 x 20 in., frame: 28 1/2 x 24 1/2 in. $8,000–12,000 Provenance: Christie's New York, Sale 2716, June 18, 2013, Lot 37; The Collection of a New York Gentleman.

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77 YVONNE CANU (French, 1921–2007) Le Pecheur en Provence oil on canvas signed Canu lower right; inscribed, titled, and signed 560 Le Pecheur en Provence Y. Canu verso 24 x 28 1/2 in., frame: 31 1/4 x 36 1/4 in. $5,000–10,000 Provenance: Christie's New York, September 20, 2011, 186; The Collection of a New York Gentleman.

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78 CHARLES ERNEST CUNDALL (English, 1890–1971) A View of Verona 1938, oil on canvas signed and dated C. Cundall 1938 lower left 14 x 18 in., frame: 19 1/2 x 23 1/2 in. $1,500–2,500 Provenance: Shannon's Auctioneers, Milford, Connecticut, Lot 27, October 29, 2009; The Collection of a New York Gentleman.

79 LUCIEN DE MALEVILLE (French, 1881–1964) View of the Seine oil on canvas signed Lucien de Maleville lower left 28 3/4 x 36 1/2 in. frame: 36 3/4 x 44 in. $1,000–1,500 Provenance: The Collection of a New England Family. Other Notes: Typewritten label verso indicating No. 1321–Y. View of the Seine, with Notre Dame in distance. Painted from roof of Louvre.

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80 JOE JONES (American, 1909–1963) White Sails oil on canvas signed Joe Jones lower right 24 x 36 in. frame: 30 x 42 in. $1,500–2,500 Provenance: The Collection of a Boston Gentleman.

81 JOHN STEVEN DEWS (English, b. 1949) Racing off the Isle of Wight oil on canvas signed J. Steven Dews lower left 30 x 60 in. frame: 41 1/2 x 71 1/2 in. $10,000–15,000

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Provenance: Sotheby's London (mid 1990s–early 2000s); by descent within the family of a private collector. The painting captures an English J Boat race at the top of the Solent, just below the Royal Yacht Squadron Castle, Cowes. In the lead, the royal racing yacht Brittania, K1, flies the Prince of Wales' royal racing standard, signified by the feathers in the center. The Brittania launched in 1893, and after many years of victorious British Big-Class and J Class racing, it was scuttled off the Isle of Wight at the request of King George V.

82 WILLIAM MERRITT CHASE (American, 1849–1916) In the Harbor oil on canvas signed Wm. M. Chase lower left 15 x 21 in., frame: 22 x 28 in. $50,000–75,000 Provenance: The Estate of a Manchester– by–the–Sea, Massachusetts Lady.

Other Notes: Milch Galleries (New York) label verso; Carnegie Institute (Pittsburgh, Pennsylvania) label verso. The unfettered, spontaneous brushwork and subtle inflections of blue and grey tones in William Merritt Chase's harbor scene showcase his signature technique and palette. In the Harbor demonstrates Chase's ongoing experimentation with plein-air painting throughout his career, both in America and abroad, as well as his artistic versatility. Working across a variety of mediums, techniques, and subject matters, Chase is considered one of the most influential turn-of-the-century American artists and teachers.

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83 CHARLES CONSTANTINE HOFFBAUER (American, 1875–1957) Lake Molveno, Italy oil on canvas signed C. Hoffbauer lower right 25 3/4 x 18 1/4 in., frame: 31 x 24 in. $1,000–2,000

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Provenance: The Estate of a Manchester–by–the– Sea, Massachusetts Lady. Other Notes: Pierce Galleries (Hingham, Massachusetts) label verso.

84 CHARLES SYDNEY HOPKINSON (American, 1869–1962) Looking East (Northeast Harbor from Dr. Harte's Porch) oil on canvas monogrammed C|H lower left housed in a Charles Prendergast frame, inscribed Prendergast verso 20 x 30 in., frame: 25 1/2 x 35 1/2 in. $1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

85 CHARLES SYDNEY HOPKINSON (American, 1869–1962) Looking West (Northeast Harbor from Dr. Harte's Porch) oil on canvasboard monogrammed C|H lower left housed in a Charles Prendergast frame, inscribed Prendergast verso 19 x 27 in., frame: 25 1/8 x 33 1/8 in. $1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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86 MAURICE BRAZIL PRENDERGAST (American, 1859–1924) Hindu Dancer watercolor, pastel, and pencil on paper signed Prendergast lower right 18 x 10 3/4 in., frame: 25 3/4 x 18 1/2 in. $25,000–35,000 Provenance: The artist, to Charles Prendergast, 1924; Mrs. Charles Prendergast, 1948; The Collection of Robert Brady, Cuernavaca, Morelos, Mexico; Private Collection; Adelson Galleries, New York; by descent within a Massachusetts family. Exhibitions: Maurice Prendergast: Art of Impulse and Color, cat. no. 75, illus.; traveling to: College Park, Maryland, University of Maryland at College Park, September 1–October 6, 1976; Austin Texas, University of Texas at Austin Art Gallery, October 17–November 21, 1976; Des Moines, Iowa, Des Moines Art Center, December 7, 1976–January 2, 1977; Columbus, Ohio, Columbus Gallery of Fine Arts, January 14–February 20, 1977; Ithaca, New York, Cornell University Herbert F. Johnson Museum of Art, March 1–April 15, 1977. Literature: Frackman, Noel. Maurice Prendergast. Arts Magazine 52 (September 1977): p. 19.; Clark, Carol, Nancy Mowll Mathews, and Gwendolyn Owens. Maurice Brazil Prendergast / Charles Prendergast: A Catalogue Raisonné. Williamstown, Mass.: Williams College Museum of Art, 1990, and Munich: Prestel–Verlag, 1990, p. 487, no. 1132.

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87 FRANK WESTON BENSON (American, 1862–1951) Sea Ducks 1925, watercolor and graphite on paper signed and dated F.W. Benson 25 lower left 18 x 22 in., frame: 28 x 32 in.

$8,000–12,000 Provenance: The Estate of Patricia Ross Pratt, Cambridge, Massachusetts.

88 SEARS GALLAGHER (American, 1869–1955) Children at the Beach watercolor signed Sears Gallagher lower left sight: 11 1/2 x 14 1/2 in., frame: 14 1/2 x 17 1/2 in. $2,000–3,000 Exhibitions: Thirteenth Annual Philadelphia Water Color Exhibition, The Pennsylvania Academy of the Fine Arts and The Philadelphia Water Color Club, 1915 (label verso). 76

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89 REYNOLDS BEAL (American, 1866–1951) Atlantic City Shoreline watercolor and pencil on paper sheet: 6 1/4 x 9 in. frame: 17 1/2 x 19 in. $800–1,200 Provenance: The artist's family; The Collection of Robert C. Campbell, Boston; with Vose Galleries, Boston; The Estate of a Massachusetts Gentleman. Other Notes: Vose Galleries (Boston) label verso, inventory no. B–242; accompanied by a letter from Robert C. Vose dated February 6, 1976.

90 JOHN WHORF (American, 1903–1959) Dock View watercolor on paper signed John Whorf lower right 14 1/2 x 20 1/2 in. frame: 25 x 30 1/2 in. $2,000–3,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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91 WILL BARNET (American, 1911–2012) Study for "Twilight" hand–colored line print with watercolor and gouache on pink paper signed Will Barnet lower center dedicated To–Fay & Roger–Happy 30th Anniversary, Will & Elena sheet: 8 x 8 in. frame: 16 x 16 in. $1,000–1,500 Provenance: A gift from the artist to Fay Moore, equestrian artist, and her husband Roger Donoghue. This work is a study for Will Barnet's print Twilight, which was originally intended to be featured on a USPS stamp about reading. Barnet reserved this version of the design as a gift for friends and family, hand–coloring each work with watercolor and gouache and inscribing it with a personal message.

92 SIR JACOB EPSTEIN (British, 1880–1959) Fifth Portrait of Peggy Jean bronze height: 8 in., mounted on a 8 x 2 x 6 in. base $1,500–2,500 Provenance: Purchased from the artist by a London gentleman, December 17, 1934; by descent to his nephew.

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93 RICHARD YARDE (American, 1939–2011) Man in Suit, Savoy Ballroom 1984, watercolor signed and dated Yarde 84 lower right sheet: 14 1/8 x 10 1/4 in. $1,500–2,500 Provenance: The artist, to a supporter of the artist; by descent within her family.

94 YARDE, RICHARD and ALEXANDER ELIOT Richard Yarde's The Savoy Ballroom Boston: Hampshire Typothetae for Savoy Associates, 1986 Folio edition, housed in original grey cloth box with black morocco spine; the letterpress and plates loose and house in black paper chemise with debossed lettering. The complete suite, with 28 prints hand signed by the artist. $800–1,200 Provenance: The artist, to a supporter of the artist; by descent within her family. This example is a partner copy from the intended edition of 400; however, it is not known whether the full edition was ever printed.

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95 MARY LOUISE (LOW) FAIRCHILD (American, 1858–1946) Seated Dancer oil on canvas 12 x 16 in., frame: 16 x 20 in. $2,000–3,000 Provenance: The artist; by descent to her daughter, Marjorie MacMonnies; by descent to her daughter; Property of a Maine Collection.

96 ROBERT BLISS (American, 1925–1981) The Young Man oil on masonite signed R. Bliss upper left 11 x 17 in. frame: 12 1/2 x 18 1/2 in. $2,000–3,000 Provenance: Skinner Inc., Boston, Massachusetts, Lot 207, Sale 1843, May 8, 1998; The Collection of a Boston Gentleman.

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97 MARTHA WALTER (American, 1875–1976) Angel Face oil on canvas 18 x 13 in. frame: 25 x 20 in. $2,000–3,000 Provenance: Christie's New York, Sale 2538, Lot 111, February 28, 2012; The Collection of a New York Gentleman. Other Notes: David David, Inc. (Philadelphia) label and stamp verso, with inventory number 22829–14.

98 CHARLES RELYEA (American, 1863–1932) Grizzly Bear Hunter oil on canvas signed Relyea lower right 30 x 24 in. frame: 38 1/2 x 32 1/2 in. $2,000–3,000 Provenance: Property of a Massachusetts Collector.

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99 ROBERT LEWIS REID (American, 1862–1929) The Red Carnation oil on canvas signed Robert Reid upper left 36 x 24 in., frame: 44 x 32 in. $3,000–5,000 Provenance: The Collection of a New York Gentleman. Other Notes: Grand Central Galleries (New York) label verso; National Academy of Design (New York) label verso.

100 PAUL STRISIK (American, 1918–1998) Mums oil on board signed P. Strisik lower left 16 x 12 in., frame: 23 1/2 x 19 1/2 in. $1,500–2,000 Provenance: A Cape Cod, Massachusetts Collection.

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101 GEORGE LOFTUS NOYES (American, 1864–1954) Lilies oil on board signed G.L. Noyes lower right 16 x 12 in., frame: 17 x 13 in. $1,500–2,500 Provenance: The Collection of a New England Gentleman.

102 LAURA COOMBS HILLS (American, 1859–1952) Young Boy in a Sailor Suit pastel signed Laura Hills lower right 24 x 20 1/2 in. $1,500–2,500 Provenance: With Vose Galleries, Boston, Massachusetts (label verso); Skinner Inc., Marlborough, Massachusetts, May 16, 2003, Lot 140; Private New England Collection.

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103 CECIL BEATON (English, 1904–1980) Co–Stars Eliza Doolittle and Freddy Eynsford–Hill, from My Fair Lady pen and ink on paper signed Beaton lower right; inscribed My Fair Lady coster costumes. in pencil lower left sight: 12 1/2 x 11 1/2 in., frame:21 x 19 in. $1,500–2,500 Provenance: The estate of the actress Karen Shepard DeCosta. Other Notes: Label verso indicating that the work was in the collection of D. Maximilian Brightmore, and that it was exhibited at the Redfearn Gallery (London), June 1958.

104 DENMAN WALDO ROSS (American, 1853–1935) Self Portrait gouache on paper inscribed DWR himself, [indistinct] in Rome, April 1896 sheet: 11 3/4 x 9 1/4 in. $500–1,000 Provenance: From the artist through to the estate of his grand–niece Patricia Ross Pratt, Cambridge, Massachusetts.

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105 JOSEPH LINDON SMITH (American, 1863–1950) View of the Valle dei Templi, Girgenti (Agrigento), Sicily 1897, colored pencil and watercolor signed, dated, located, and dedicated to fellow artist Denman Ross Girgenti. D.W.R. from J.L.S. 1897 lower left sheet: 14 x 20 in. Meridien Street Bridge, Early Morning, Easter Time (Chelsea – East Boston) watercolor signed Joseph Lindon Smith lower right sight: 9 3/4 x 6 3/4 in. frame: 12 3/4 x 9 3/4 in. $500–1,000 Provenance: Through the estate of Patricia Ross Pratt, Cambridge, Massachusetts.

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106 WILLIAM R. DAVIS (American, b. 1952) Mountain Lake Sunset oil on panel signed W. Davis lower left signed, dated, and titled verso 8 x 10 in., frame: 15 x 17 in. $1,500–2,500 Provenance: A Cape Cod, Massachusetts Collection.

107 ANTONIO RODRIGUEZ LUNA (Spanish, 1910–1985) Rosas 1963, oil on canvas signed Luna 63 lower right 37 1/2 x 24 3/4 in., frame: 43 1/2 x 30 1/2 in. $2,000–3,000 Provenance: By descent to the Collection of a California Lady.

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108 JOHN FOLSOM (American, b. 1967) Altered Arcadia #61 2000, gelatin silver print with oil and wax signed, dated, and titled verso 11 x 14 in. $1,000–1,500 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

109 DAVID BIERK (Canadian, 1944–2002) A Eulogy to Earth, Moonglow 1996, oil on steel 31 x 31 in. frame: 36 x 36 in. $2,000–4,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts. Other Notes: Associated American Artists (New York) label verso.

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110 HIDEAKI MIYAMURA (Japanese/American, b. 1955) Octagon Box blue waves glazed ceramic height (including base): 13 in. $2,000–3,000 Provenance: Pucker Gallery, Boston, Massachusetts, 2018 (illustrated on cover of exhibition catalogue, accompanied by a copy of catalogue); The Collection of Guido Goldman, Concord, Massachusetts.

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111 BROTHER THOMAS BEZANSON (Canadian, 1929–2007) Mei–P'ing Form Copper Red and Green Celadon Vase ceramic height: 14 3/4 in. $1,000–1,500 Provenance: Pucker Safrai Gallery, Boston, Massachusetts; The Collection of Guido Goldman, Concord, Massachusetts. Literature: A similar example illustrated Nagano, Paul T., ed. The Porcelain of Brother Thomas: The Path to the Beautiful, Boston: 1987, pl. 57.

112 BROTHER THOMAS BEZANSON (Canadian, 1929–2007) Copper Red Flambe Vase ceramic the base inscribed with artist cipher height: 17 in. $1,500–2,500 Provenance: Pucker Safrai Gallery, Boston, Massachusetts; The Collection of Guido Goldman, Concord, Massachusetts.

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113 DALE CHIHULY (American, b. 1941) Brandywine Macchia 2013, hand blown glass the interior piece signed Chihuly and marked CW13 exterior width: 11 5/8 in. overall height: 7 in. $4,000–6,000 Provenance: Chihuly Workshop; Property of a Massachusetts Collector. Housed in original acrylic box (13 3/4 x 12 1/2 x 12 1/2 in.); accompanied by a copy of Chihuly Macchia.

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114 DALE CHIHULY (American, b. 1941) Red Amber Persian Pair 2010, hand blown glass one signed Chihuly on exterior and marked PP10 on base each 6 1/4 x 8 3/4 in. $3,000–5,000 Provenance: Chihuly Workshop; Property of a Massachusetts Collector. Housed in original acrylic box (13 3/4 x 12 1/2 x 12 1/2 in.); accompanied by a copy of Chihuly Persians.

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115 MARGUERITE ROBICHAUX (American, b. 1950) Picked Chicken Hill 2006–07, oil on linen signed M. Robichaux lower left 28 x 56 in., frame: 29 x 57 in. $2,000–4,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

116 MARGUERITE ROBICHAUX (American, b. 1950) Bigelow 2010, oil on canvas signed M. Robichaux lower left; signed, titled, and dated verso 10 x 10 in., frame: 11 1/4 x 11 1/4 in. $1,000–2,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

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117 MARGUERITE ROBICHAUX (American, b. 1950) Honey Hole 2015, oil on canvas signed M. Robichaux lower right 6 x 8 in., frame: 7 1/2 x 9 1/2 in. Summer, Flagstaff oil and graphite on birch panel signed M. Robichaux lower right 6 x 8 in., frame: 7 1/2 x 9 1/2 in. Autumn, Bigelow oil and graphite on birch panel signed M. Robichaux lower left 6 x 8 in., frame: 7 1/2 x 9 1/2 in. $1,000–1,500 Provenance: Pucker Gallery, Boston, Massachusetts (labels verso); The Collection of Guido Goldman, Concord, Massachusetts.

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118 CONNIE HAYES (American, 20th/21st century) Ice Pond No. 2, Vinalhaven oil on canvas signed C. Hayes; signed, titled, and dated on stretcher 12 x 16 in. frame: 13 x 17 in. $700–1,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

119 CONNIE HAYES (American, 20th/21st century) Ice Pond No. 3, Vinalhaven oil on canvas signed C. Hayes lower right; signed, titled, and dated on stretcher 18 x 18 in. frame: 18 1/2 x 18 1/2 in. $700–1,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

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120 CONNIE HAYES (American, 20th/21st century) Poofy, Vinalhaven 1996, oil on canvas signed C. Hayes lower left; signed, titled, and dated on stretcher 12 x 12 in. frame: 12 1/2 x 12 1/2 in. $700–1,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

121 PAUL BLACK (American, 1951–2014) Somesville Harbor 1990, oil on canvas signed and dated Paul Black '90 lower right 32 x 46 in. frame: 35 x 49 in. $700–1,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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122 ANNE PACKARD (American, b. 1933) Battle of the Elements 2012, oil on canvas signed A. Packard lower left; signed, dated, and titled verso 40 x 72 in., frame: 47 x 80 in. $15,000–25,000 Provenance: The artist; The Collection of a Boston Gentleman.

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123 ANNE PACKARD (American, b. 1933) Ocean Waves 2005, oil on canvas signed A. Packard lower right 36 x 48 in., frame: 42 x 54 in. $15,000–25,000

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Provenance: The Collection of a Connecticut Couple. Accompanied by the book Anne Packard, Fields Publishing, North Truro, Massachusetts: 2006; hand signed by the artist and numbered 123/2000.

124 ANNE PACKARD (American, b. 1933) Untitled (Red Sailboat) oil on board signed A. Packard lower left 8 x 10 in., frame: 13 1/2 x 15 1/2 in. $2,000–3,000 Provenance: The Estate of a Massachusetts Gentleman.

125 ANNE PACKARD (American, b. 1933) Distant Dune Sketch II 1996, oil on board signed A. Packard lower left 6 x 8 in., frame: 9 1/2 x 11 1/2 in. $1,000–2,000 Provenance: The Collection of a Cambridge, Massachusetts Lady.

126 ANNE PACKARD (American, b. 1933) Untitled (Harbor View) oil on board signed A. Packard lower left 5 x 7 in., frame: 7 1/2 x 9 1/2 in. $1,000–1,500 Provenance: Purchased from the artist by a Boston Gentleman.

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127 ANNE PACKARD (American, b. 1933) Untitled (Ship Off Shore) oil on board signed A. Packard lower left 8 x 6 in., frame: 11 1/2 x 9 1/2 in. $2,000–3,000 Provenance: The Estate of a Massachusetts Gentleman.

128 ANNE PACKARD (American, b. 1933) Untitled (Marsh View) oil on board signed A. Packard lower right 4 x 8 in., frame: 6 1/4 x 10 1/4 in. $1,000–2,000 Provenance: Purchased from the artist by a Boston Gentleman.

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129 ANNE PACKARD (American, b. 1933) Untitled (Lone Sailboat) oil on board signed A. Packard lower left 8 x 10 in., frame: 13 1/2 x 15 1/2 in. $2,000–3,000 Provenance: The Estate of a Massachusetts Gentleman.

130 ANNE PACKARD (American, b. 1933) Untitled (Shoreline View) oil on canvas signed A. Packard lower left 5 x 7 in., frame: 7 3/4 x 9 3/4 in. $2,000–3,000 Provenance: A Cape Cod, Massachusetts Collection.

131 ANNE PACKARD (American, b. 1933) Untitled (Horizon with Two Boats) oil on board signed A. Packard lower right 4 x 5 in., frame: 6 1/4 x 7 1/4 in. $1,000–1,500 Provenance: Purchased from the artist by a Boston Gentleman.

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132 ANNE PACKARD (American, b. 1933) Untitled (Two Dories) oil on canvas signed A. Packard lower left 6 x 8 in., frame: 8 3/4 x 10 3/4 in. $2,500–3,500 Provenance: A Cape Cod, Massachusetts Collection.

133 ANNE PACKARD (American, b. 1933) Untitled (Dinghy) oil on board signed A. Packard lower left 6 x 4 in., frame: 8 3/4 x 6 3/4 in. $800–1,200 Provenance: Purchased from the artist by a Boston Gentleman.

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134 ANNE PACKARD (American, b. 1933) Untitled (Lighthouse) oil on canvas signed A. Packard lower left 11 x 14 in. frame: 16 1/8 x 19 1/8 in. $1,500–2,500 Provenance: The Estate of a Massachusetts Gentleman.

135 ANNE PACKARD (American, b. 1933) Untitled (Farmhouse) oil on canvas signed A. Packard lower left 11 x 14 in. frame: 16 1/4 x 19 1/4 in. $1,000–1,500 Provenance: The Estate of a Massachusetts Gentleman.

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136 VERNON HERBERT COLEMAN (American, 1898–1978) Harbor View, Cape Cod 1972, oil on carved panel signed and dated Vern Coleman Cape Cod 1972 lower right; dedicated and signed verso overall: 24 x 38 in. $500–800 Provenance: The Collection of a Cotuit, Massachusetts Gentleman.

137 STEVEN STROUD (American, 20th/21st century) Coastal View oil on canvas signed S.H. Stroud lower right 12 x 16 in. frame: 22 1/2 x 18 3/4 in. $800–1,200 Provenance: The Estate of a Massachusetts Gentleman.

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138 MICHAEL DAVIS (American, b. 1945) The Long View (Clear Day), Provincetown, MA 1994, oil on canvas signed Davis lower right; titled, signed, and dated verso 18 x 24 in. frame: 24 x 30 in. $1,000–1,500 Provenance: The Estate of a Massachusetts Gentleman.

139 ARTHUR MORRIS COHEN (American, 1928–2012) Provincetown 2000, oil on board signed Arthur Cohen lower right; titled, signed, and dated verso 9 x 12 in. frame: 9 1/2 x 12 1/2 in. $800–1,200 Provenance: The Estate of a Massachusetts Gentleman.

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140 JOHN DOWD (American, b. 1960) Farmhouse oil on canvas signed Dowd lower left 24 x 36 in., frame: 28 x 40 in.

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$2,000–3,000 Provenance: ARTcetera, An Art Auction to Benefit The AIDS ACTION Committee, July 1992; The Collection of a Boston Gentleman.

141 KIB BRAMHALL (American, b. 1933) Chicory, Edgartown Light oil on canvas monogrammed KB lower right signed Kib Bramhall verso 16 x 20 in., frame: 16 3/4 x 20 3/4 in.

$1,000–1,500 Provenance: The Collection of a Cambridge, Massachusetts Lady.

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142 THOMAS DUNLAY (American, b. 1951) Nantucket View oil on canvas signed Thomas Dunlay lower right 20 x 24 in. frame: 28 1/2 x 32 1/2 in. $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

143 THOMAS DUNLAY (American, b. 1951) Early Morning on Long Wharf oil on board signed Dunlay lower left 8 x 10 in., frame: 11 x 13 in. $300–500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady. Other Notes: Guild of Boston Artists label verso.

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144 THOMAS DUNLAY (American, b. 1951) Grey Day on the Boston Public Garden 1979, oil on canvas signed and dated Thomas R. Dunlay '79 lower right 12 x 16 in. frame: 16 1/4 x 20 3/4 in. $500–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

145 THOMAS DUNLAY (American, b. 1951) Park Street Church, Boston Common 1979, oil on canvas signed and dated Thomas R. Dunlay 3/79 lower left 22 x 27 in. frame: 27 1/4 x 2 1/4 in. $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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146 ARTHUR CLIFTON GOODWIN (American, 1864–1929) Snowy Tremont Street, Looking Toward Park Street Church oil on canvas signed A.C. Goodwin lower right 30 x 40 in. frame: 39 1/2 x 49 1/2 in. $4,000–6,000 Provenance: The Collection of a Beacon Hill, Boston Gentleman.

147 ALDRO THOMPSON HIBBARD (American, 1886–1972) The First Snowfall oil on canvasboard signed A.T. Hibbard lower right; titled verso 20 x 26 in., frame: 24 x 30 in. $3,000–5,000 Provenance: By descent to a Massachusetts Lady.

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148 ALDRO THOMPSON HIBBARD (American, 1886–1972) Bald Mountain Brook oil on canvas signed A.T. Hibbard lower right 24 x 36 in. frame: 30 x 42 in. $10,000–20,000 Provenance: By descent within a Massachusetts Family. Other Notes: Guild of Boston Artists (Boston) label verso.

149 ALDRO THOMPSON HIBBARD (American, 1886–1972) Spring Freshet oil on canvasboard signed A.T. Hibbard lower left 18 x 24 in. frame: 23 1/4 x 29 1/3 in. $3,000–5,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady. Other Notes: Adelson Galleries (Boston) label verso.

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151 FREDERICK MULHAUPT (American, 1871–1938) The Wall oil on canvasboard signed Mulhaupt lower right 8 x 12 in. frame: 13 1/4 x 16 5/8 in. $1,500–2,500 Provenance: A Cape Cod, Massachusetts Collection.

152 WILLIAM LESTER STEVENS (American, 1888–1969) Harbor View watercolor signed W. Lester Stevens N.A.–A.W.S. lower right 16 x 22 in. frame: 24 3/4 x 30 3/4 in. $1,000–1,500 Provenance: A Cape Cod, Massachusetts Collection.

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153 ANTHONY THIEME (American, 1888–1954) Light Patches oil on canvas signed A Thieme lower left 25 x 30 in. frame: 29 x 34 in. $4,000–6,000 Provenance: Sotheby's New York, 1989; The Collection of a Massachusetts Lady.

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154 ANTHONY THIEME (American, 1888–1954) Los Barcos Spain oil on canvas signed A Thieme lower right 25 1/2 x 30 in. frame: 31 x 36 in. $5,000–7,000 Provenance: Sotheby's, New York, 1986; The Collection of a Massachusetts Lady.

155 ANTHONY THIEME (American, 1888–1954) Hauling Nets oil on canvas signed A Thieme lower right 30 x 36 in. frame: 34 1/2 x 40 1/2 in. $5,000–8,000 Provenance: Litchfield Auction Gallery, Litchfield, Connecticut, 1988; The Collection of a Massachusetts Lady.

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156 CHARLES PAUL GRUPPE (American, 1860–1940) Fishermen at the Dock oil on canvas signed Chas. P. Gruppe lower right 32 x 40 in. frame: 36 1/2 x 44 1/2 in. $5,000–10,000 Provenance: A Cape Cod, Massachusetts Collection. Other Notes: Inscribed Dordrecht, Holland on stretcher; bears partial label inscribed Queen Wilhelmina.

157 CARL PETERS (American, 1897–1980) Harbor View oil on canvas with estate stamp verso 25 x 30 in., frame: 33 1/2 x 38 1/2 in. $4,000–6,000 Provenance: The Collection of David L. Angell; bequeathed to The Cape Cod Museum of Art, 2002; Grogan & Company, September 26, 2004, Lot 269; A Cape Cod, Massachusetts Collection.

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158 ANTONIO JACOBSEN (American, 1850–1921) Crashing Surf 1906, oil on board signed and dated A. Jacobsen 1906 lower right 22 x 36 in., frame: 41 x 28 in.

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$4,000–6,000 Provenance: Sloan's Auctions, Bethesda, Maryland, March 2, 1997; Private Collection.

159 MAURITZ FREDERIK DE HAAS (Dutch/American, 1832–1895) Harbor View oil on canvas signed M.F.H. de Haas lower right 6 3/4 x 21 3/4 in., frame: 15 1/4 x 30 1/2 in.

$4,000–8,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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161 FRANK HENRY SHAPLEIGH (American, 1842–1906) Fisherman's House at Cohasset 1879, oil on board signed and dated F.H. Shapleigh 1879 lower left; titled and signed verso 12 1/2 x 7 1/2 in., frame: 20 x 15 in. $1,500–2,500 Provenance: By descent within a New England family.

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162 FRANK HENRY SHAPLEIGH (American, 1842–1906) Brook at Jackson, N.H. 1879, oil on canvas signed and dated F.H. Shapleigh 1879 lower right; titled and signed verso 12 1/2 x 7 1/2 in., frame: 20 x 15 in. $1,500–2,500 Provenance: By descent within a New England family.

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163 JOHN JOSEPH ENNEKING (American, 1841–1916) River View oil on canvas signed Enneking lower right 18 x 24 in., frame: 25 x 31 in. $3,000–5,000 Provenance: The Collection of a Massachusetts Lady.

164 JOHN JOSEPH ENNEKING (American, 1841–1916) Landscape with Cattle oil on canvas signed Enneking lower right 16 x 22 in. frame: 24 x 30 in. $2,500–4,000 Provenance: The Collection of a Massachusetts Lady. Other Notes: Pierce Galleries (North Abington, Massachusetts) label verso.

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165 AMERICAN SCHOOL (19th century) Southwest Harbor, Mt. Desert oil on board signed indistinctly lower right; titled and inscribed No. 48 verso 8 1/4 x 12 in. frame: 12 x 14 3/4 in. $500–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

166 GEORGE WASHINGTON NICHOLSON (American, 1832–1912) The Hillside Farm oil on canvas signed G.W. Nicholson lower left; titled and signed on stretcher 20 x 30 in., frame: 32 x 41 in. $1,500–2,000 Provenance: Grogan & Company, Dedham, Massachusetts, May 22, 2000, Lot 71; The Collection of a Dedham, Massachusetts Family.

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167 SAMUEL LANCASTER GERRY (American, 1813–1891) Old Mill Pond 1859, oil on canvas signed and dated S.L. Gerry 1859 lower left 22 x 30 in. $2,000–3,000 Provenance: Mrs. Edward Cabot Storrow, Boston, Massachusetts; Mr. Philip Budrose, Marblehead, Massachusetts; through the estate of Patricia Ross Pratt, Cambridge, Massachusetts.

168 THOMAS HEWES HINCKLEY (American, 1813–1896) Pastoral Scene 1851, oil on canvas signed and dated T.H. Hinckley 1851 lower center 26 x 36 in. frame: 29 1/2 x 39 1/2 in. $2,000–3,000 Provenance: Through the estate of Patricia Ross Pratt, Cambridge, Massachusetts. This work is purported to depict Daniel Webster's farm in Marshfield, Massachusetts.

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169 JOHN WHITE ALLEN SCOTT (American, 1815–1907) Merrymeeting Lake oil on canvas 18 x 26 in. frame: 22 1/2 x 30 1/2 in. $2,000–3,000 Provenance: Through the estate of Patricia Ross Pratt, Cambridge, Massachusetts. This work depicts Merrymeeting Lake, in New Durham, New Hampshire. It was painted for a Mr. Savell of Boston, a close friend of John White Allen Scott.

170 CHARLES CODMAN (American, 1800–1842) Old Parish Church oil on panel signed Codman lower left inscribed Old Parish Church built 1724 / painted by Codman upon panel taken from Old First Parish verso 18 x 23 1/2 in. frame: 23 x 27 1/2 in. $1,000–1,500 Provenance: Property of a New England Estate.

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171 RICHARD LABARRE GOODWIN (American, 1840–1910) Still Life with Raspberries in a Bowl oil on canvas signed R. LaBarre Goodwin lower right 12 x 16 in., frame: 15 x 19 in. $2,000–3,000 Provenance: Doyle, New York, October 1, 2014, Lot 1; Brunk Auctions, Asheville, North Carolina, November 6, 2015, Lot 544; The Collection of a Kentucky Gentleman.

172 RICHARD LABARRE GOODWIN (American, 1840–1910) Still Life with Currants in a Basket oil on canvas signed R. LaB. Goodwin lower right 12 x 16 in., frame: 15 x 19 in. $2,000–3,000 Provenance: Doyle, New York, October 1, 2014, Lot 2; Brunk Auctions, Asheville, North Carolina, November 6, 2015, Lot 545; The Collection of a Kentucky Gentleman.

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173 SEYMOUR JOSEPH GUY (American, 1824–1910) Mother and Daughter oil on canvas signed S.J. Guy lower right 15 1/2 x 12 1/4 in. frame: 25 x 22 in. $7,000–9,000 Provenance: By descent within a Connecticut Family.

174 CORNELIUS CHRISTIAAN ZWAAN (American, 1882–1964) Story Hour oil on canvas signed Corns. Ch. Zwaan lower right 30 x 40 in. frame: 38 x 48 in. $2,000–3,000 Provenance: Grogan & Company, Dedham, Massachusetts; The Collection of a Dedham, Massachusetts Family.

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175 Six New England Family Portrait Miniatures 18th/19th century the largest 3 1/2 x 2 3/8 in., the smallest 1 1/2 x 1 1/4 in. $2,000–4,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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176 JOHN RITTO PENNIMAN (American, 1782–1841) after BENJAMIN WEST (American, 1738–1820) The Death of General Wolfe oil on tin signed J. Penniman verso 4 3/4 x 5 3/8 in., frame: 4 5/8 x 6 in. $2,000–4,000 Provenance: The Collection of a Beacon Hill, Boston Gentleman.

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177 WILLIAM HENRY BROWN (American, 1808–1883) The Marquis de Lafayette cut black paper on paper with ink wash 12 1/2 x 8 1/4 in., frame: 15 1/2 x 11 in. $1,500–2,500 Provenance: The Collection of a Boston Gentleman Bearing typewritten note verso stating This rare Silhouette of the Marquis de Lafayette was cut during the visit of this beloved Revolutionary Hero to the City of Philadelphia, Sept. 21, 1824. The Profilist was the celebrated William Henry Brown who at this time cut many Shades of many of the most eminent Citisens of this time from his tiny studio on Pine St. Wm. Brown was unexcelled in his cuttings of Gentlemen. His work was entirely executed with scissors and the finish products mirror the truth and strength of the sitters Character. Once seen the work of this Master Craftsman can never be forgotten. Alas, so few examples remain!–R.H. Cleverly, Boston.

178 Hand–Signed Three Quarters Photograph of President Theodore Roosevelt, 1905 the photograph measuring 13 x 10 1/2 in. and mounted on card measuring 18 1/2 x 14 1/2 in. the mount hand–signed and dated Theodore Roosevelt, March 13th 1905 $1,000–1,500 Provenance: The Collection of a Maine Gentleman.

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179 WASHINGTON, GEORGE (1732–1799) Signed Membership Certificate of the Society of the Cincinnati engraved broadside on vellum announcing Peter Jacquett Esq, major in the later Army of the United States as a member of the society, signed at Mount Vernon and dated April 26, 1787, the eleventh year of the Independence of the United States signed G. Washington lower right and counter–signed Knox by the Secretary of the Society (Henry Knox) lower left sheet: 14 1/8 x 20 3/8 in. $6,000–9,000

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180 NICHOLAS CAMMILLIERI (Maltese, 1762–1860) Brig. Margaret of Newcastle 1850, watercolor signed N. Cammillieri lower right sight: 15 1/2 x 21 1/2 in., frame: 24 1/4 x 30 1/4 $2,000–3,000 Provenance: A New York Estate.

181 ENGLISH SCHOOL (late 18th/early 19th century) Ships Off The Coast oil on canvas 14 x 18 1/2 in. frame: 18 x 22 1/2 in. $1,500–2,000 With two handwritten labels verso, one affixed to canvas, inscribed No. 67, Marine View by Seres, the other affixed to stretcher, inscribed Dominic Serres, R.A., French Marine Painter b. 1722 d. 3 Nov. 1792, taken prisoner and brought to England 1752, elected RA 1768.

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182 ARTHUR WELLINGTON FOWLES (American, c.1815–1878) "Cambria" Off the Needles, Isle of Wight 1869, oil on canvas signed, dated, and inscribed A.W. Fowles / RYDE IofW 1869 lower left; with later identifying inscription verso 28 x 39 in., frame: 34 x 46 in. $3,000–5,000 Provenance: The Collection of a Beacon Hill, Boston Gentleman. Other Notes: James Bourlet & Sons (London) label verso

183 CHINA TRADE (19th century) Pair of Ship Portraits oil on canvas one: 8 1/2 x 11 in., frame: 10 1/4 x 12 3/4 in. the other: 8 3/4 x 11 3/4 in., frame: 10 3/8 x 13 1/4 in.

$1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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184 PEDER MORK MONSTED (Danish, 1849–1941) Winter View 1915, oil on canvas signed and dated P. Monsted 1915 lower right 31 1/2 x 47 1/2 in., frame: 38 1/2 x 53 1/2 in. $8,000–12,000 Provenance: The Collection of a Connecticut Lady.

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185 AUGUST VILHELM NIKOLAUS HAGBORG (Swedish, 1852–1921) Fisherfolk oil on canvas signed Hagborg lower right 30 1/2 x 47 1/2 in., frame: 39 1/2 x 56 1/2 in. $2,000–4,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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186 JOSEPH PAUL PETTIT (English, 1812–1882) View of Eton from the Thames 1858, oil on canvas signed and dated J.P. Pettit 1858 lower right 24 x 36 in., frame: 33 1/2 x 45 1/2 in.

$1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady. Other Notes: Frost & Reed (London) label verso.

187 DR. ROBERT JOHN THORNTON, publisher (English, 1768–1837) The Narrow–leaved Kalmia color aquatint and engraving image: 18 1/2 x 13 1/2 in. sheet: 22 x 17 1/2 in. The Blue Egyptian Water–Lily color aquatint and engraving image: 17 1/2 x 13 1/2 in. sheet: 22 x 17 1/2 in. $700–1,000 Provenance: K. Gregory, New York; through the estate of Patricia Ross Pratt, Cambridge, Massachusetts.

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188 HENRY JOHN YEEND KING (English, 1855–1924) Feeding The Ducks oil on canvas signed Yeend King lower right 20 x 30 in., frame: 25 x 35 in.

$1,000–2,000 Provenance: Schillay & Rehs, Inc., New York (label verso); The Collection of a Chestnut Hill, Massachusetts Couple.

189 SUZANNE CAMILLE DESIREE FREMONT (French, 1876–1962) Reclining Nude 1914, oil on canvas signed and dated Fremont '14 lower right 21 1/4 x 32 in., frame: 28 x 38 in. $1,000–2,000 Provenance: The Collection of a Connecticut Lady.

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190 FRENCH SCHOOL (late 19th/early 20th century) after ANTHONIS MOR (Dutch, ca. 1517–1577) Portrait of a Lady oil on canvas inscribed d'apres Antonio Moro lower left 30 x 25 in., frame: 37 1/2 x 31 1/2 in. $1,000–1,500 Provenance: The Collection of a Boston Lady.

191 FRENCH SCHOOL (18th/19th century) The Geometry Lesson oil on canvas 30 x 25 in., frame: 35 x 30 in. $3,000–5,000 Provenance: Through the estate of Patricia Ross Pratt, Cambridge, Massachusetts. Other Notes: Partial Museum of Fine Arts, Boston label verso.

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192 CONTINENTAL SCHOOL (19th century) Still Life with Lobster oil on cradled panel 14 x 18 in., frame: 17 1/2 x 21 1/2 in. $1,000–1,500 Provenance: By descent within a Czech family.

193 ALBERUS VERHOESEN (Dutch, 1806–1881) Pastoral Landscape 1847, oil on canvas signed and dated Verhoesen 1847 lower center 24 1/2 x 32 in., frame: 34 x 41 in. $1,000–2,000 Provenance: The Collection of a Connecticut Lady.

194 EMILE VAN MARCKE (French, 1827–1890) Cows in a Pasture oil on canvas laid on board signed Em. Van Marcke lower right 17 x 22 in., frame: 22 1/2 x 27 in. $2,000–3,000 Provenance: The Collection of a Maine Gentleman.

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195 Manner of JACOPO ROBUSTI TINTORETTO (Italian, 1518–1594) Portrait of a Gentleman oil on canvas 41 x 33 in. housed in an elaborate gilded frame: 53 x 44 in.

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$5,000–10,000 Provenance: The Estate of a Manchester–by–the–Sea Lady. Other Notes: Museum of Fine Arts, Boston label verso.

196 JANE VIVIAN (English, fl.1869–1877) Grand Canal View oil on canvas signed Vivian lower left 24 x 36 in., frame: 32 x 44 in.

$1,500–2,500 Provenance: The Estate of a Manchester–by–the– Sea, Massachusetts Lady.

197 ITALIAN SCHOOL (18th/19th century) Santa Maria Maggiore oil on canvas laid on board 24 x 19 in., frame: 30 x 25 in. $800–1,200 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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198 VINCENZO VOLPE (Italian, 1855–1929) At The Studio oil on panel signed V. Volpe lower right 7 1/2 x 15 1/2 in., frame: 17 1/2 x 25 1/2 in.

$2,000–3,000 Provenance: Grogan & Company, Dedham, Massachusetts; The Collection of a Dedham, Massachusetts Family.

199 REMBRANDT VAN RIJN (Dutch, 1606–1669) Christ Healing the Sick: The Hundred Guilder Print etching, engraving, and drypoint with Captain Baillie's rework sheet: 11 1/4 x 15 3/4 in. frame: 24 x 29 in. $6,000–8,000 In 1775, Irish printmaker Captain William Baillie (c. 1724–1810) acquired the worn plate for this work, restoring and reworking it and publishing a limited run of one hundred impressions.

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200 FLEMISH SCHOOL (17th/18th century) The Presentation at the Temple oil on panel 7 1/2 x 9 1/2 in., frame: 10 1/2 x 12 1/2 in. $1,000–1,500 Provenance: By descent within a Connecticut Family.

201 ITALIAN SCHOOL (19th century) Jesus and His Disciples at Emmaus 1873, oil on panel inscribed Fra Bartolommeo invento, C.L. Romoli dipt' in Firenze l'anno 1873 13 x 16 in., housed in a gilded and paint decorated frame: 23 1/4 x 26 1/4 in. $800–1,200 After the Fra Bartolomeo (Italian, 1472– 1517) frescoes in the Convento di San Marco in Florence.

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202 Pair of Grand Tour Equestrian Bronzes Bartolomeo Colleoni (1395–1475) after the monumental bronze by Andrea del Verrocchio (Italian, 1435–1488) in the Campo dei Santi Giovanni e Paolo, Venice height (including base): 24 in. Marcus Aurelius (121–180) after the monumental Roman bronze in the Piazza del Campidoglio, Rome height (including base): 22 in. $3,000–5,000

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203 After PIERRE JULES MÊNE (French, 1810–1879) Chasse au lapin, or Three Terriers Burrowing bronze inscribed P.J. Mêne on base height including base: 7 3/4 in. $1,500–2,000 Provenance: The Collection of a Maine Gentleman.

204 NIKOLAI LIEBERICH (Russian, 1828–1883) The Wolf Hunt bronze, cast by C.F. Woerffel, St. Petersburg, inscribed on base Sculp.Lieberich and Fabr. C.F. Woerffel. St. Petersburg, with Woerffel foundry stamp height including base: 12 1/2 in. $3,000–5,000 Provenance: By descent to a Maryland Lady.

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Lot 267

JEWELRY

145

205 14K Gold, Silver, Pearl, Ruby, Sapphire and Diamond Brooch the silver–topped–gold crown and wing–form brooch centering a pearl measuring approx. 7.00 mm.; the wings set with 15 graduated oval–cut rubies and 24 old mine– and old European–cut diamonds; topped by a crown set with four oval–cut sapphires and five pearls; 5.99 dwts.; 7/8 x 2 3/8 in. $1,500–2,500 Provenance: Property of a New York, New York Collector.

206 18K Gold and Ruby Bracelet Italy; the five strand rope–link bracelet featuring a knot centering a row of five circle–cut rubies; completed by five tassels; 57.18 dwts.; lg. 7 1/2 $2,000–3,000

207 Platinum, Sapphire, and Diamond Bar Brooch with three bezel–set round cabochon sapphires surmounted by single– and rose–cut diamonds and channel–set step–cut sapphires; 6.30 dwts.; lg. 2 7/8 in. $800–1,000

146

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208 14K Yellow Gold, Carved Rose Quartz, Enamel, Pearl, and Diamond Pendant/Brooch featuring a carved rose quartz cameo set within a blue enamel frame accented by pearls and rose–cut diamonds; 19.43 dwts.; 2 in. x 1 1/4 in. $400–800 Provenance: A Private Massachusetts Collection.

209 14K Gold and Enamel Bracelet the hinged bangle bracelet inset with royal blue enamel topped with gold scroll motifs with full–cut diamonds; 27.05 dwts.; int. cir. 7 in. $1,500–2,000

210 14K Gold and Amethyst Ring comprising three carved cabochon amethysts depicting mythological figures framed by two rope knot–links mounted on a soldered three–band shank; 5.45 dwts.; size 7 $600–800

JEWELRY

147

211 KOHN & CO. Platinum, Opal, and Diamond Pendant Necklace ca. 1910; the pendant centering an oval cabochon opal measuring approx. 14.75 x 10.80 x 3.50 mm. surmounted by full–cut diamonds within an open– work foliate–form design; suspended from a bezel–set old European–cut diamond weighing approx. 0.25 ct. flanked by full–diamonds; completed by a fine platinum chain; 5.36 dwts.; pendant lg. 1 1/2 in.; necklace lg. 15 1/4 in. $800–1,200

212 14K Gold and Diamond Bangle Bracelet centering an applied 14k white gold decoration set with full–cut diamonds mounted on an engraved hinged bangle bracelet; 40.77 dwts.; wd. 1 1/4–1 1/2 in.; int. cir. 6 7/8 in. $1,000–2,000

213 Platinum, Tourmaline, and Diamond Pendant centering a rectangular step–cut green tourmaline measuring approx. 14.60 x 9.70 x 7.90 mm.; surmounted by full– and baguette–cut diamonds within an open–work mount; 5.93 dwts.; 1 x 1 1/8 in. $1,500–2,500 Provenance: Property of a New York, New York Collector.

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214 18K Gold and Diamond Brooch featuring a classical style relief depicting women bathing framed by full–cut diamonds; 12.56 dwts.; 2 in. x 1 in. $600–800 Provenance: A Private Massachusetts Collection.

215 14K Gold, Sapphire, and Diamond Ring centering an oval–cut sapphire weighing approx. 2.20 cts. framed by 11 old mine–cut diamonds weighing approx. 0.85 tcw.; 3.13 dwts.; size 5 3/4 $2,000–4,000

216 TIFFANY & CO. 18K Gold and Diamond Brooch the hammered gold bar brooch centering an old mine– cut diamond weighing approx. 0.20 ct. set within an engraved star motif; signed; 2.78 dwts.; lg. 2 in. $1,000–1,500

JEWELRY

149

217 LINE VAUTRIN 'Les filles de Zeus' Gilt Bronze Bracelet ca. 1950; comprised of five pictorial panels depicting mythological figures; 150.55 dwts.; wd. 2 in.; lg. 7 5/8 in. $2,000–3,000

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218 14K Gold, Diamond, and Sapphire Bangle Bracelet centering an applied 14k white gold decoration set with full–cut diamonds and calibre–cut sapphires mounted on an engraved hinged bangle bracelet; diamonds weighing approx. 2.40 tcw.; 26.97 dwts.; wd. 3/4 in.; int. cir. 6 1/2 in. $1,000–1,500

219 18K Gold and Purple Sapphire Ring centering a bezel–set marquise–cut purple sapphire weighing approx. 6.00 cts. within a twisted gold mount and double shank; 7.71 dwts.; size 6 1/2 $1,500–2,500

220 14K Gold and Diamond Pendant Necklace the octagonal gold pendant centering an emerald–cut diamond weighing approx. 1.00 ct.; suspended from a s–link gold chain; 16.60 dwts.; pendant lg. 7/8 in.; necklace lg. 17 in. $2,000–4,000

JEWELRY

151

221 14K Gold, Diamond, and Sapphire Bangle Bracelet the hinged bangle bracelet centering a bezel–set old European–cut diamond weighing approx. 0.60 ct. flanked by four alternating groupings of two step–cut sapphires and a bezel–set old European–cut diamond; further set throughout with old European–cut diamonds within a filigree mount; diamonds weighing approx. 4.00 tcw.; 13.92 dwts.; wd. 1 1/4 in.; int. cir. 6 1/4 in. $2,000–4,000

222 14K Gold, Diamond, and Sapphire Ring the gypsy–set ring centering an old European–cut diamond weighing approx. 1.30 cts. flanked by two circle–cut sapphires; 5.57 dwts.; size 4 1/2 $2,000–3,000

223 18K Gold, Diamond, and Sapphire Line Bracelet comprising oval–cut sapphires alternating with full–cut diamonds; 12.33 dwts.; lg. 7 in. $800–1,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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224 14K Gold, Sapphire, and Diamond Bracelet the circle–link bracelet with five alternating groupings of six square–cut sapphires and three full–cut diamonds; 10.37 dwts.; lg. 7 in. $1,500–2,500

225 14K Gold, Sapphire, and Diamond Ring centering an oval–cut sapphire weighing approx. 1.07 cts., flanked by two round brilliant–cut diamonds weighing approx. 1.50 tcw.; 2.54 dwts. $3,000–5,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

226 14K Gold and Diamond Ring the three stone ring centering an old European–cut diamond weighing approx. 0.50 ct. flanked by two old European–cut diamonds weighing approx. 0.30 tcw.; within an open–work mount; 2.16 dwts.; size 7 1/2 $1,500–2,500

JEWELRY

153

227 14K Gold and Diamond Brooch and Earrings the leaf–form brooch and earrings set throughout with single–cut diamonds; 16.80 dwts.; brooch lg. 2 1/8 in.; earring lg. 1 in. $800–1,000 Provenance: Estate of a New York City Lady.

228 14K Gold, Turquoise, and Diamond Bracelet comprising nine oval–shape links each centering a prong–set oval cabochon turquoise flanked by two full–cut diamonds; diamonds weighing approx. 1.25 tcw.; 44.37 dwts.; lg. 7 in. $3,000–4,000

229 14K Gold Bracelet comprising double curb–links; 50.42 dwts.; lg. 7 1/2 in. $1,800–2,200

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230 14K Gold, Turquoise, and Diamond Earclips each centering a round cabochon turquoise measuring approx. 15.95 x 15.90 mm. surmounted by four twisted rope accents with full–cut diamonds details; 18.11 dwts.; 3/4 x 3/4 in. $800–1,000

231 14K Gold and Diamond Bow Brooch centering three rows of bead–set full–cut diamonds surmounted by an open–work bow design with 31 floral motifs each centering a bezel–set full–cut diamond; 29.99 dwts.; 4 x 3 in. $1,500–2,500 Provenance: Estate of a New York City Lady.

232 14K Gold, Pearl, and Turquoise Bracelet the hinged bangle bracelet of open–work design set throughout with cabochon turquoise and pearls; 44.06 dwts.; wd. 1 in.; int. cir. 7 1/4 in. $1,500–2,500

JEWELRY

155

233 Platinum and Diamond Dress Clips/Brooch the open–work design set with rectangular step–cut diamonds and round brilliant–cut diamonds; approx. 14.00 tcw.; with a 14k white gold brooch mount; 32.42 dwts.; 1 1/2 x 3 in. $4,000–6,000

156

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234 Platinum and Diamond Brooch the floral–form starburst design centering a round brilliant–cut diamond weighing approx. 0.65 ct. framed by marquise– and full–cut diamonds; approx. 5.56 tcw.; 10.93 dwts.; dia.1 3/4 in. $3,000–5,000 Provenance: Estate of a New York City Lady.

235 Platinum and Diamond Ring centering an old European-cut diamond weighing 2.80 cts. surmounted by full- and baguette-cut diamonds; 4.45 dwts.; size 6 3/4 $8,000–12,000 Accompanied by GIA report no. 5212248799 dated November 6, 2020 stating that the diamond is E, VS2, no fluor.

236 Platinum and Diamond Earclips the ribbon and spray–form earclips each featuring round brilliant– and baguette–cut diamonds; approx. 5.00 tcw.; 16.44 dwts.; lg. 1 1/4 in. ` $2,000–3,000

JEWELRY

157

237 HIDALGO 18K Gold, Enamel, and Diamond Rings the three rings comprising a red enamel and gold band and two channel–set single–cut diamond half eternity bands; signed; 5.46 dwts.; size 7 $1,000–1,500

238 18K Gold, Diamond, and Enamel Jester Brooch with multi–colored enamel and single–cut diamond details; 12.31 dwts.; lg. 2 3/4 in. $800–1,000

239 14K Gold and Diamond Earclips the oval–form fluted earclips with a central row of graduated full–cut diamonds; 9.68 dwts.; lg. 3/4 in. $1,000–1,500 Provenance: Estate of a New York City Lady.

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240 TIFFANY & CO. 14K Gold Earclips the fluted bombe–form earclips each centering a gold bead; signed and numbered 2423905; dia. 3/4 in. $400–600 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

241 18K Gold, Enamel, and Ruby Earclips the green enamel frog–form earclips with gold decoration and cabochon ruby eyes; 7.85 dwts.; lg. 1/2 in. $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

242 18K Gold, Ruby, Sapphire, Emerald, and Diamond Earclips the three teardrop–form earclips each set with an oval–cut ruby, oval–cut sapphire, and oval–cut emerald framed by full–cut diamonds within a gold mount; 8.55 dwts.; lg. 1 3/4 in. $800–1,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

JEWELRY

159

243 J.E. CALDWELL & CO. Platinum, Diamond, and Ruby Earclips the open–work sunburst–form earclips each set with nine circle–cut rubies and eight full–cut diamonds; signed and numbered 17742; 6.24 dwts.; dia. 5/8 in. $1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

244 18K Gold and Ruby Pineapple Brooch set throughout with bead–set circle–cut rubies; 14.30 dwts.; lg. 2 1/4 in. $800–1,000 Provenance: Estate of a New York City Lady. This brooch was likely inspired by Jean Schlumberger's pineapple brooch designs.

245 18K Gold Necklace Italy; comprising fluted and smooth gold oval links; 118.60 dwts.; lg. 18 in. $4,000–6,000 Provenance: The Collection of a Virginia Lady.

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246 CARTIER 18K Gold Necklace Swiss; comprising fancy curb–links; signed; 40.23 dwts.; lg. 16 in. $2,000–3,000

247 18K Gold and Ruby Pineapple Brooch set throughout with shared–prong circle–cut rubies; 15.12 dwts.; lg. 2 in. $800–1,000 Provenance: Estate of a New York City Lady. This brooch was likely inspired by Jean Schlumberger's pineapple brooch designs.

248 Platinum, Diamond, and Ruby Brooch the circle brooch comprised of 12 marquise–cut rubies alternating with 12 marquise–cut diamonds weighing approx. 2.25 tcw.; 5.10 dwts.; dia. 1 1/4 in. $2,000–4,000

JEWELRY

161

249 Platinum, Diamond, and Onyx Ring centering a bezel–set old mine–cut diamond weighing approx. 1.20 cts.; framed by French–cut onyx and bead–set full–cut diamonds; 2.73 dwts.; size 5 $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

250 TIFFANY & CO., ANGELA CUMMINGS Platinum and Diamond Earclips the spiral–form earclips each set with 28 round brilliant–cut diamonds weighing approx. 0.80 ct. each; approx. 4.40 tcw.; signed; 8.22 dwts.; dia. 3/4 in.; boxed $3,000–5,000 Provenance: By Descent in the duPont Family, Wilmington, Delaware.

251 18K Gold and Diamond Band the eternity band bar–set with 20 full–cut diamonds weighing approx. 1.00 tcw.; 2.75 dwts.; size 6 1/2 $600–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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252 Platinum and Diamond Ring the buckle–form ring featuring an old European–cut diamond weighing approx. 1.00 ct. further set with single–cut diamonds weighing approx. 0.95 tcw.; 7.51 dwts.; size 6 1/2 $2,000–4,000 Provenance: Estate of a New York City Lady.

253 TIFFANY & CO. Platinum and Diamond Ring and Band centering a round brilliant–cut diamond weighing 3.10 cts. flanked by two tapered baguettes; signed and numbered 16739014; 5.83 dwts.; size 6 1/4; the platinum band channel–set with full–cut diamonds; signed; 2.69 dwts.; size 6; boxed with original papers from Tiffany & Co. $30,000–50,000 Accompanied by GIA report no. 11383270 dated January 15, 2002 stating that the diamond is D, VS1, medium blue fluor.; accompanied by a retail replacement valuation by Tiffany & Co. dated December 5, 2002 in the amount of $96,000.

254 14K Gold and Diamond Ring centering an old European–cut diamond weighing approx. 0.85 ct. framed by six full–cut diamonds; with a 14k white gold ring jacket bead–set with full–cut diamonds; 5.38 dwts.; size 7 $2,000–4,000

JEWELRY

163

255 LEO DE VROOMEN 18K Gold, Star Ruby, and Enamel "Targe" Brooch bezel–set with a cabochon star ruby measuring approx. 12.90 x 10.96 x 8.81 mm.; the targe–style brooch with decorative enamel work and gold details; maker's mark; 29.78 dwts.; dia. 2 3/8 in. $800–1,200 Provenance: A Private Massachusetts Collection.

256 LEO DE VROOMEN 18K Yellow Gold Necklace of hammered wave–link design; signed on clasp de Vroomen; maker's mark; 73.40 dwts.; wd. 1/4 in.; lg. 17 in. $5,000–7,000 Provenance: Collection of a Maryland Lady.

257 Platinum, Purple Sapphire, and Diamond Ring centering an emerald–cut purple sapphire measuring approx. 11.70 x 9.34 x 8.60 mm. flanked by four baguette–cut diamonds and 14 full–cut diamonds; with a 14k white gold finger–fit shank; 4.25 dwts.; size 6 1/2 $4,000–6,000 Provenance: By Descent in the duPont Family, Wilmington, Delaware.

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258 DAVID YURMAN 14K Gold, Tourmaline, and Amethyst Earclips each centering a round cabochon pink tourmaline flanked by two square–cut faceted amethysts within a round fluted mount; signed; 18.93 dwts.; dia. 1 in. $800–1,200

259 14K Gold Necklace comprising flattened curb–links; 48.93 dwts.; lg. 18 in. $1,500–2,500

260 18K Gold, Ruby, and Diamond Earclips each featuring four rows of cabochon ruby beads with a central row of single–cut diamonds; approx. 0.25 tcw.; 23.59 dwts.; wd. 3/4 in.; lg. 1 3/8 in. $1,000–1,500 Provenance: Collection of a Chestnut Hill, Massachusetts Lady.

JEWELRY

165

261 Platinum and Jadeite Ring centering a four–prong basket–set oval cabochon jadeite measuring approx. 14.20 x 10.35 x 4.10 mm.; 3.11 dwts.; size 6 1/2 $2,000–3,000 Provenance: Property of a New York, New York Collector.

262 14K Gold, Coral, Turquoise, Emerald, Ruby, and Diamond Pendant/Brooch the quatrefoil design centering an oval cabochon coral measuring approx. 23.30 x 16.50 mm. framed by four smaller oval cabochon coral, cabochon turquoise, circle–cut emerald, cabochon ruby, and single–cut diamonds; 31.60 dwts.; 2 1/2 x 2 1/4 in. $1,500–2,500

263 14K Gold and Diamond Earclips the double leaf–form earclips each set with 21 graduated full–cut diamonds; 8.90 dwts.; lg. 1 1/8 in. $1,000–2,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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264 18K Gold, Diamond, and Emerald Earclips the half–hoop earclips each gypsy–set with four oval– cut emeralds and three full–cut diamonds; 7.48 dwts.; lg. 3/4 in. $500–700 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

265 18K Gold and Coral Bracelet the triple–strand bracelet comprising cylindrical coral beads measuring approx. 10.25 mm.; completed with a quatrefoil gold clasp centering an oval polished coral; 68.56 dwts.; lg. 7 1/2 in. $2,000–3,000

266 BOUCHERON 18K Gold, Coral, and Chrysoprase Bypass Ring the textured gold bypass ring terminated by a pear– shape cabochon coral measuring approx. 11.00 x 7.40 mm. and a pear–shape cabochon chrysoprase measuring approx. 10.20 x 7.35 mm.; signed Boucheron Paris with French assay marks; 7.40 dwts.; size 5 $3,000–5,000

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267 VAN CLEEF & ARPELS Platinum and Diamond Brooch New York, 1963; the ribbon–form brooch set with 67 round brilliant–cut diamonds and 26 step–cut diamonds suspending three articulated drops of 19 graduated round brilliant–cut diamonds; approx. 13.24 tcw.; signed and numbered V.C.A. NY 34822; 17.41 dwts.; 2 1/8 x 1 3/4 in.; with a signed box $15,000–25,000 Provenance: Estate of a New York City Lady.

268 Platinum, Aquamarine, Diamond, and Onyx Brooch the Art Deco brooch centering a fancy mixed–cut aquamarine measuring approx. 34.00 x 20.60 x 10.60 mm. within a thin onyx frame; surmounted by full– and baguette–cut diamonds weighing approx. 3.35 tcw.; signed H.K. & Co.; 16.58 dwts.; 7/8 x 1 7/8 in. $2,000–4,000 Provenance: The Estate of a Manchester–by–the– Sea, Massachusetts Lady.

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269 18K Gold, Color–Change Sapphire, and Diamond Ring centering a prong–set oval–cut violet changing to purple sapphire weighing 3.54 cts. framed by 12 full–cut diamonds weighing approx. 0.75 tcw.; 2.89 dwts.; size 5 1/2 $4,000–6,000 Provenance: Property of a Massachusetts Private Collection. Accompanied by GIA report no. 2205148740 dated January 6, 2020 stating that the sapphire is violet changing to purple, natural corundum, with no indications of heating. This stone exhibits a change of color when viewed under daylight or fluorescent vs. incandescent light.

270 J.E. CALDWELL & CO. Platinum, White Opal, and Diamond Ring centering an oval cabochon white opal measuring approx. 18.00 x 13.00 x 4.75 mm. flanked by two half moon–cut diamonds; signed and numbered J.E.C. & CO T5200; 5.52 dwts.; size 7 1/4 $4,000–6,000 Provenance: By descent in the duPont Family, Wilmington, Delaware.

271 18K Gold, Fancy Brown–Yellow Diamond, and Diamond Ring centering a round brilliant–cut fancy brown–yellow colored diamond weighing 3.80 cts. framed by 16 full–cut diamonds weighing approx. 0.80 tcw.; 4.45 dwts.; size 4 3/4 $5,000–10,000 Provenance: A Private Massachusetts Collection. Accompanied by GIA report no. 5211408622 dated January 27, 2021 stating that the diamond is natural, fancy brown–yellow, SI2. JEWELRY

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272 18K Gold, Opal, and Diamond Earclips the earclips each set with a half–moon cabochon opal and set throughout with full–cut diamonds weighing approx. 1.50 tcw.; 12.26 dwts.; lg. 1 1/8 in. $1,500–2,500

273 South Sea Pearl Necklace comprising slightly graduated pearls measuring approx. 13.80 to 16.50 mm. completed with an 18k yellow gold ball–form clasp with full–cut diamond accents; 84.36 dwts.; lg. 18 in. $1,500–2,500

274 18K Gold Earclips each cushion–shaped of fluted gold design; 17.43 dwts.; 1 3/4 x 1 3/4 in. $600–800

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275 14K Gold, Opal, and Diamond Ring centering an oval cabochon opal measuring approx. 17.10 x 11.00 mm. framed by 14 full–cut diamonds weighing approx. 0.70 tcw. within a textured gold mount; 11.64 dwts.; size 5 1/2 $1,500–2,500

276 South Sea Pearl Necklace comprising slightly graduated pearls measuring approx. 13.15 to 15.95 mm. completed with an 18k yellow gold shell–form clasp with full–cut diamond accents; 142.66 dwts.; lg. 33 in. $2,000–3,000

277 18K Gold and Diamond Earclips the leaf–form earclips each centering a cluster of full–cut diamonds; approx. 2.30 tcw.; 11.27 dwts.; lg. 1 1/4 in. $1,000–1,500

JEWELRY

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278 RAYMOND YARD Platinum, 18K Gold, Enamel, and Gemset House Brooch ca. 1960; the house with pave–set full–cut diamonds, a polished gold roof, step–cut ruby chimney and window, and an onyx door; set atop a green enamel lawn decorated with carved emerald bushes; completed by an arched tree with a pave–set full–cut diamond trunk and carved emerald, cabochon sapphire, and circle–cut ruby leaves; signed YARD; 7.24 dwts.; 1 1/8 x 1 1/2 in. $15,000–25,000 Provenance: By descent in the duPont Family, Wilmington, Delaware. Literature: For similar examples, see Kuzmanovic, Natasha. Yard: The Life and Magnificent Jewelry of Raymond C. Yard. The Vendome Press: New York, 2007. pp. 162–3. Raymond Yard’s famed House brooches were introduced in 1932, consisting of pave–set diamonds, enamel, gold roofs, and colorful gemset trees and shrubbery. Over the next 20 years, the designs became bigger and more elaborate. By the 1960s, Yard was commissioned by prominent American families to create jeweled depictions of their properties.

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279 18K Gold, Ruby, Emerald, Sapphire, and Diamond Bracelet with alternating groupings of channel–set square–cut rubies, emeralds, and sapphires; with 11 "x" links set with single–cut diamonds; 8.15 dwts.; lg. 6 3/4 in. $2,000–3,000

280 Platinum, Sapphire, and Diamond Ring and Bands centering a round brilliant–cut diamond weighing 2.01 cts. flanked by two shield–cut sapphires; 4.03 dwts.; size 4 3/4 (with sizing beads); accompanied by two platinum bands, one set with full–cut diamonds; 4.69 dwts.; bands size 5 $12,000–18,000 Accompanied by GIA report no. 10099213 dated February 28, 1997 stating that the diamond is F, SI2, medium blue fluor.

281 18K Gold, Emerald, and Diamond Line Bracelet the bicolor gold bracelet comprised of emerald–cut emeralds alternating with two horizontally–set step–cut diamonds; 10.89 dwts.; lg. 7 in. $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

JEWELRY

173

282 ROBERT WANDER 14K Gold and Lapis Lazuli Earclips each comprising a gold ribbed and swirl design suspending a lapis lazuli pendant accented by a textured gold bottom; marked France; 28.96 dwts.; lg. 1 7/8 in. $1,000–1,500

283 18K Gold and Diamond Brooch Italy; in the form of five pave–set single–cut diamond acorns with six carved leaves; 13.75 dwts.; lg. 2 1/8 in. $800–1,000

284 18K Gold, Lapis, and Diamond Double Ring featuring two oval–shape lapis framed by six full–cut diamonds within a textured gold "nest" mount; 21.84 dwts.; size 6 1/4 $1,000–1,500

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285 CARTIER 18K Gold, Sapphire, and Diamond Brooch France; the floral–form brooch with hinged mesh petals centering a cluster of eight circle–cut sapphires and one full–cut diamond; signed and numbered DTE SGDC 3763 with French assay mark; 8.46 dwts.; wd. 1 in.; lg. 2 1/4 in. $2,000–3,000

286 18K Gold Rope Bracelet Italy; comprising braided gold rope–links; 104.70 dwts.; wd. 7/8 in. lg.; 7 3/4 in. $5,000–6,000 Provenance: Estate of a New York City Lady.

287 CARTIER 14K Gold and Diamond Brooch the fluted ribbon–form brooch centering six full–cut diamonds in the form of a flower further set with 12 full–cut diamonds; signed; 10.38 dwts.; dia. 1 1/4 in. $2,000–4,000

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175

288 18K Gold, Diamond, and Emerald Bangle Bracelet the bicolor bangle bracelet with applied scroll motifs, eight bezel–set circle–cut emeralds, seven full–cut diamonds, and a rope border; 38.48 dwts.; wd. 1/2 in.; int. cir. 6 1/2 in. $1,500–2,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

289 VHERNIER 18K Gold Abraccio Ring Italy; the polished double band with sculptural abbraccio (hug in Italian) silhouette; signed and numbered Vhernier 251685; 13.00 dwts.; wd. 1 in.; size 8 $800–1,200

290 18K Gold and Diamond Line Bracelet comprising 41 three prong–set round brilliant–cut diamonds weighing approx. 4.00 tcw.; clasp numbered 1632; 8.08 dwts.; lg. 6 3/4 in. $3,000–5,000

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291 14K Gold, Emerald, and Diamond Ring centering an oval–cut emerald weighing approx. 1.25 cts. framed by 16 full–cut diamonds weighing approx. 0.50 tcw.; 2.63 dwts.; size 7 3/4 $2,000–4,000

292 ROBERT BRUCE BIELKA 18K Gold Earrings the sunflower–form earclips comprised of textured gold; signed RBB; 14.03 dwts.; dia. 7/8 in. $1,000–1,500 Provenance: The Collection of a Virginia Lady.

293 ROBERT BRUCE BIELKA 18K Gold and Diamond Necklace comprising seven double–sided sunflower–links with textured centers and ribbed petals and six smaller double–sided sunflower–links each centering a bezel– set full–cut diamond on a round–link yellow gold chain; signed RBB; 50.40 dwts.; lg.18 in. $4,000–6,000 Provenance: The Collection of a Virginia Lady.

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177

294 Platinum and Diamond Ring centering a round brilliant–cut diamond weighing 3.00 cts. flanked by baguette– and full–cut diamonds; 3.17 dwts.; size 8 1/4 $8,000–10,000 Provenance: Property of a Marion, Massachusetts Lady. Accompanied by GIA report no. 1216406018 dated January 23, 2021 stating that the diamond is G, SI1, no fluor.

295 14K White Gold, Aquamarine, and Diamond Dress Clip/Pendant centering an emerald–cut aquamarine measuring approx. 27.00 x 21.20 x 13.00 mm.; flanked by six channel–set baguette–cut diamonds completed by a channel–set baguette–cut diamond bale; lg. 1 1/4 in. $1,000–1,500

296 Platinum and Diamond Ring centering a round brilliant–cut diamond weighing approx. 1.00 ct.; 3.23 dwts.; size 6 1/2 $2,500–3,500

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297 Platinum and Diamond Ring centering a marquise–cut diamond weighing approx. 1.90 cts. flanked by tapered baguettes; 3.51 dwts.; size 5 3/4 $4,000–6,000

298 Platinum, Diamond, and Emerald Ring the ballerina ring centering a round brilliant–cut diamond weighing approx. 1.50 cts. surmounted by alternating marquise–cut emeralds and diamonds; approx. 2.50 tcw.; 4.10 dwts.; size 6 $4,000–6,000

299 Platinum and Diamond Ring centering an old European–cut diamond weighing approx. 1.85 cts. flanked by two tapered baguettes; 3.38 dwts.; size 10 3/4 $4,000–5,000

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179

300 18K Gold, Tourmaline, Chalcedony, and Diamond Ring centering a triangular–shape fluted polished pink tourmaline framed by chalcedony and 16 full–cut diamonds; 13.81 dwts.; size 7 $1,000–1,500

301 CARTIER 14K Gold Bracelet the oval–link bracelet suspending an acrostic circle and bell charm; the bell gemset with circle–cut stones spelling out "DEAREST" (diamond, emerald, amethyst, ruby, emerald, sapphire, and tourmaline); signed on bracelet and charm; 29.87 dwts.; lg. 7 in. $1,000–1,500

302 GUMPS 18K Gold and Tourmaline Ring centering an oval cabochon pink tourmaline measuring approx. 18.68 x 14.00 x 7.68 mm.; signed; 10.43 dwts.; size 6 1/2 $600–800

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303 18K Gold Bracelet comprised of flat fancy–links; 32.71 dwts. wd. 3/4 in.; lg. 7 1/2 in. $1,500–2,000

304 GUMPS 18K Gold and Diopside Cat's Eye Ring centering an oval cabochon diopside cat's eye measuring approx. 22.25 x 17.10 x 11.40 mm.; signed; 11.61 dwts.; size 6 1/2 $600–800

305 18K Gold Link Necklace Mexico; comprising Figaro–links; 31.10 dwts. lg. 32 in. $1,200–1,800 Provenance: Estate of a New York City Lady.

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181

306 18K Gold, Turquoise, and Diamond Ring centering an oval cabochon turquoise measuring approx. 20.05 x 15.60 mm. flanked by 14 rows of three bead–set full–cut diamonds weighing approx. 2.50 tcw. within a textured gold mount; 15.44 dwts.; size 6 $1,000–2,000

307 18K Gold, Star Sapphire, and Diamond Ring centering an oval cabochon star sapphire measuring approx. 18.55 x 15.40 x 13.00 mm. within an open– work gold mount set with 14 marquise–, pear– and full–cut diamonds weighing approx. 1.50 tcw.; 17.59 dwts.; size 6 1/2 $4,000–6,000

308 18K Gold and Turquoise Ring centering an oval cabochon turquoise measuring approx. 22.00 x 16.45 x 13.30 mm. set within an open–work "nest" mount; 13.66 dwts.; size 7 $1,000–1,500

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309 ROBERT WANDER 18K Gold Pendant Earclips the half–hoop textured earclips each suspending a graduated fluted drop with carved floral details throughout; signed Wander France with French assay marks; 24.74 dwts.; lg. 1 1/2 in. $800–1,000

310 TAMARA COMOLLI 18K Gold, Tahitian Pearl, and Diamond "Grapes" Necklace the interlocking polished oval–links suspending gold– capped gray and iridescent Tahitian pearls; completed by a pave–set diamond clasp; 100.22 dwts.; lg. 19 3/4 in. $5,000–10,000 Provenance: The Collection of a Virginia Lady.

311 ROBERT BRUCE BIELKA 18K Gold Earclips the floral form earclips each centering gold pistil framed by petals with a Florentine finish; maker's mark; 25.91 dwts.; dia. 1 3/8 in. $1,000–1,500

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312 Platinum, Sapphire, Onyx, and Ruby Parrot Brooch ca. 1930; centering a stylized parrot with a carved sapphire wing, pave–set round– and rose–cut diamond body, carved and polished onyx beak and talon, and round cabochon ruby eyes; the parrot perched atop a branch comprised of three baguette diamonds; surmounted by an intertwined border of bead–set full–cut diamonds and channel–set calibre–cut sapphires; with a barrel–form terminal set with full–cut diamonds and two round cabochon sapphires; signed and numbered V.C.A. N.Y. 15748.27; signed CARTIER; 13.22 dwts.; 1 3/4 x 1 1/2 in. $12,000–18,000 Provenance: By descent in the duPont Family, Wilmington, Delaware. Other Notes: This brooch bears the signatures for both Van Cleef & Arpels and Cartier.

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314 14K Gold, Platinum, Sapphire, and Diamond Ring centering an oval–cut sapphire weighing approx. 3.50 cts. flanked by two old mine–cut diamonds weighing approx. 1.50 tcw. within a platinum setting and a 14k white gold shank; 7.06 dwts.; size 6 1/2 $12,000–18,000

315 Platinum and Diamond Line Bracelet bezel–set with graduated full–cut diamonds weighing approx. 5.00 tcw.; 9.43 dwts.; lg. 7 1/4 in. $4,000–6,000

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185

316 GRANT A. PEACOCK Platinum and Diamond Ring centering a six prong–set round brilliant–cut diamond weighing 1.70 cts.; maker's mark; 4.30 dwts.; size 6 1/4 $8,000–12,000 Accompanied by GIA report no. 6191951016 dated May 4, 2015 stating at the diamond is G, SI1, excellent cut, polish, and symmetry, no fluor.

317 Platinum, Padparadscha Sapphire, and Diamond Ring centering an fancy mixed–cut Padparadscha sapphire weighing 19.10 cts. flanked by two bullet–shape diamonds weighing approx. 0.80 tcw.; with a 14k white gold hinged finger–fit shank; 6.72 dwts. $30,000–50,000 Provenance: By descent in the duPont Family, Wilmington, Delaware. Accompanied by AGL report no. 1112301 dated February 1, 2021 stating that this is a natural Ceylon orange sapphire with no gemological evidence of heat.

318 Platinum and Diamond Ring centering a round brilliant–cut diamond weighing 2.59 cts. flanked by two baguette and two half–moon shape diamonds; 7.70 dwts.; size 8 1/2 $18,000–28,000 Provenance: Property of a Newport, Rhode Island Lady. GIA Report no. 16399082 dated November 13, 2007 stating that the diamond is G, VS1, no fluor.

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320 14K Gold, Tanzanite, and Diamond Necklace comprising 10 strands of faceted tanzanite beads completed by a 14k white gold slide clasp set with two rows of bead–set full–cut diamonds; 67.70 dwts.; lg. 15 in. $1,500–2,500 Provenance: Collection of a Chestnut Hill, Massachusetts Lady.

321 Platinum and Diamond Line Bracelet comprising bead–set full–cut diamonds weighing approx. 2.00 tcw. within marquise–links and an engraved gallery; 10.19 dwts.; lg. 6 1/2 in. $2,000–3,000

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187

322 14K Gold, Sapphire, and Diamond Line Bracelet prong–set with alternating groupings of two circle–cut sapphires and one full–cut diamond; diamonds weighing approx. 2.00 tcw.; 8.01 dwts.; lg. 7 in. $2,000–4,000

323 14K Gold and Diamond Ring centering a five prong–set pear–shape diamond weighing 4.04 cts.; 3.56 dwts.; size 8 $7,000–10,000 Accompanied by GIA report no. 5212248640 dated October 13, 2020 stating that the diamond is J, I1, no fluor.

324 18K Gold, Sapphire, and Diamond Bracelet comprised of groupings of four oval cabochon sapphires alternating with bicolor gold bow–form links and two full–cut diamonds; 20.48 dwts.; wd. 1/4 in.; lg. 7 in. $2,000–4,000

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325 Platinum, Kashmir Sapphire, and Diamond Ring ca. 1910; centering a round cushion–cut sapphire weighing 4.31 cts. flanked by two old rounded trillion– cut diamonds weighing approx. 1.80 tcw.; the mount and shoulders set with single–cut diamonds; 3.60 dwts.; size 9 $75,000–100,000 Provenance: By descent in the duPont Family, Wilmington, Delaware. Accompanied by AGL report no. 1112300 dated February 1, 2021 stating that the sapphire is from Kashmir with no gemological evidence of heat.

326 J.E. CALDWELL & CO. Natural Pearl and Diamond Necklace ca. 1920; comprising graduated natural pearls measuring 8.74 x 8.58 to 4.50 mm.; completed by a bezel–set marquise–cut diamond clasp weighing approx. 1.10 cts. set within an engraved gallery; signed J.E.C. & Co. and numbered indistinctly on clasp; 15.92 dwts.; lg. 19 in. $3,000–5,000 Provenance: By descent in the duPont Family, Wilmington, Delaware. Accompanied by GIA report no. 2215407081 dated January 20, 2021 stating that 70 pearls are natural, saltwater, pinctada species, and 1 pearl is a bead cultured pearl (pearl 29 from the clasp).

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327 CARTIER 18K Gold and Diamond Brooch France; the fluted heart–form brooch featuring a spray– form bouquet set with 17 full–cut diamonds weighing approx. 1.70 cts.; signed and numbered 012585 with French assay mark; 14.90 dwts.; 1 1/2 in. x 1 3/4 in. $2,000–4,000

328 Platinum, 18K Gold, Rock Crystal, and Diamond Brooch the bar brooch centering a round bezel–set carved rock crystal depicting a cherub framed by rose–cut diamonds within an engraved gallery; 3.43 dwts.; lg. 2 1/4 in. $1,000–1,500

329 Platinum, Peridot, and Diamond Ring centering a step–cut peridot measuring approx. 12.37 x 10.93 x 7.13 mm. framed by 21 transitional–cut diamonds weighing approx. 1.15 tcw.; signed Jassoy; size 5 1/2; 5.67 dwts. $2,000–4,000 Provenance: A Private Massachusetts Collection.

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330 CARTIER 14K Gold, Enamel, Sapphire, and Diamond Brooch the floral–form brooch with a cluster of six circle–cut sapphires and a full–cut diamond surrounded by white and purple enamel petals, two green enamel leaves, and a gold stem; signed and numbered 19105; 8.34 dwts.; wd. 1 1/4 in.; lg. 2 1/4 in. $2,000–3,000

331 Pearl and Gemset Necklace comprising a double strand of graduated pearls measuring approx. 5.60 to 9.45 mm.; completed by a 14k yellow gold clasp gemset with two carved cabochon emeralds, one carved cabochon ruby, one circle-cut ruby, two cabochon sapphires, and two cabochon moonstones centering a pearl measuring approx. 9.75 mm.; 37.12 dwts.; lg. 16 in. $1,000–1,500

332 18K Gold, Tourmaline, and Diamond Ring centering a circle–cut pink tourmaline measuring approx. 11.45 x 11.55 x 7.75 mm. flanked by six full–cut diamonds weighing approx. 1.20 tcw.; 4.36 dwts.; size 6 1/2 $1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

JEWELRY

191

333 14K Gold, Ruby, and Diamond Bracelet the Art Deco style bracelet set throughout with French–cut rubies and bead–set full– and single–cut diamonds; 20.37 dwts.; lg. 7 in. $1,500–2,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

334 CARTIER 18K Gold, Ruby, and Diamond Brooch Italy; the floral–form brooch centering a cluster of circle–cut rubies and one bezel–set full–cut diamond; set throughout with 9 circle–cut rubies within a gold mount with a Florentine finish; signed and numbered 57543; 6.51 dwts.; dia. 1 1/4 in. $1,500–2,500

335 14K Gold, Ruby, and Diamond Line Bracelet comprising emerald–cut step–cut rubies alternating with two full–cut diamonds; 8.42 dw-ts.; lg. 7 in. $800–1,200 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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336 14K Gold and Diamond Pendant Earrings each suspending a four–prong basket–set round brilliant–cut diamond; approx. 2.60 tcw.; 1.36 dwts. $2,000–4,000

338 Pearl Necklace comprising graduated pearls measuring approx. 4.20 to 8.20 mm.; completed by a 14k white gold marquise–shape clasp set with three single–cut diamonds; 12.29 dwts.; lg. 19 in. $600–800

JEWELRY

193

339 14K Gold Link Bracelet comprising anchor–links; 23.31 dwts.; lg. 8 in. $800–1,000

340 14K Gold, Gold Coin, and Diamond Necklace centering a United States 20 dollar gold coin within a rope–link bezel framed by 39 prong–set full–cut diamonds; flanked by two 14k gold panthers each with full–cut diamond eyes and collars; suspended from a 14k gold rope–link chain; diamonds weighing approx. 3.00 tcw.; 54.38 dwts.; lg. 18 in. $2,000–4,000

341 18K Gold, Diamond, and Onyx Bracelet comprising nine sections of double–links each centering a bezel–set full–cut diamond alternating with white gold square–links each centering a bezel–set full–cut diamond within an onyx frame further set with eight full–cut diamonds; diamonds weighing approx. 1.10 tcw.; 12.62 dwts.; lg. 7 in. $2,000–4,000

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342 18K Gold, Onyx, and Diamond Ring the bypass design featuring two panther heads; one of carved onyx with single–cut diamond eyes and collar; the other in gold with single–cut diamond eyes; 8.98 dwts.; size 9 1/4 $1,500–2,500

343 18K Gold, Diamond, and Colored Diamond Earclips the bicolor gold earclips bead–set with full–cut diamonds and full–cut colored diamonds; signed JYE'S; 4.94 dwts.; lg. 1/2 in. $600–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

344 14K Gold and Diamond Band channel–set with 18 round brilliant–cut diamonds weighing approx. 3.50 tcw.; 4.37 dwts.; size 6 3/4 $2,000–4,000

JEWELRY

195

345 TIFFANY & CO. 14K Gold Necklace comprising curb–links; signed; 64.53 dwts.; lg. 16 1/4 in. $2,000–3,000

346 LUX BOND & GREEN 18K Gold, Emerald, and Diamond Ring comprised of three central emerald–cut emeralds each weighing approx. 0.85 ct.; framed by 35 full–cut diamonds weighing approx. 0.70 tcw.; signed; 6.12 dwts.; size 7 $1,500–2,500

347 MARINA B. 14K Gold, Onyx, Topaz, and Diamond Pendant Earclips the convertible ear pendants each set with a round cabochon blue topaz framed by full–cut diamonds suspending an amethyst disc; may be worn with or without the pedants; amethyst disc may be swapped with accompanying onyx, citrine, and light pink (likely tourmaline) discs; 18.37 dwts.; lg. 2 in. $2,000–4,000

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348 LA TRIOMPHE 18K Gold, Lapis, and Diamond Earrings the oval earclips each featuring half moon–shaped lapis and pave–set full–cut diamonds; maker's mark and signed; 10.58 dwts.; wd. 3/4 in.; lg. 7/8 in. $800–1,200

349 Two 22K Gold and Aquamarine Rings and 22K Gold and Mother–of–Pearl Earclips one ring with a bezel–set round mixed–cut aquamarine within a textured gold mount, size 7 1/2; the other with a bezel–set fancy step–cut aquamarine within a textured gold mount, size 7; the textured gold earclips each centering a bezel–set flattened mother–of–pearl, lg. 1/2 in.; gross weight: 23.93 dwts. $1,000–1,500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

350 18K Gold Necklace Italy; comprised of wheat–links; 43.46 dwts.; lg. 17 in. $2,000–3,000

JEWELRY

197

351 CARTIER 18K Gold, Coral, Pearl, Diamond, and Emerald Bird Brooch France, ca. 1950; with a Baroque pearl body, coral head and carved coral tail, fluted gold wings, oval cabochon emerald eyes, and full–cut diamond details; signed Cartier Paris with French assay marks; 15.53 dwts.; lg. 1 3/4 in $2,000–3,000

352 CARTIER 18K Gold and Diamond Barrette France; the twisted rope bow–form barrette set with three full–cut diamonds; signed Cartier Inc. France; 13.49 dwts.; wd. 1/2 in.; lg. 4 in. $600–800 Provenance: A Private Massachusetts Collection.

353 18K Gold, Jadeite, and Diamond Ring centering an oval cabochon jadeite measuring approx. 13.40 x 11.05 mm. framed by 16 full–cut diamonds and six baguette–cut diamonds; diamonds approx. 0.65 tcw.; 6.22 dwts.; size 7 1/2 $2,000–3,000 Provenance: Property of a New York, New York Collector.

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354 Platinum, South Sea Pearl, and Diamond Ring the bypass ring featuring a gray South Sea pearl measuring approx. 10.60 mm. and a white South Sea pearl measuring approx. 10.50 mm. flanked by 10 graduated full–cut diamonds; size 6+ (with sizing guard) $1,500–2,500 Provenance: Estate of a New York City Lady.

355 18K Gold Bracelet Italy; the fancy–link bracelet comprised of six double– links alternating with five gold bar–links; 64.91 dwts.; wd. 3/4 in.; lg. 7 1/4 in. $3,000–4,000 Provenance: A Private Massachusetts Collection.

356 18K Gold, Pearl, and Diamond Earclips each comprising two stacked pearls measuring approx. 13.15 mm. and 9.40 mm. and one full–cut diamond; 9.75 dwts.; lg. 1 in. $1,000–1,500 Provenance: The Collection of a Virginia Lady.

JEWELRY

199

357 SAM SHAW 14K Gold Earclips the earclips each in the form of Mount Desert Island, Maine with one circle–cut ruby; 4.49 dwts.; lg. 3/4 in. $300–500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

358 Three 18K Gold Diamond and Gemset Bands one set with channel–set step–cut sapphires and numbered 1423 on shank; one set with channel–set step–cut rubies and numbered 2830 on shank; and one set with channel–set full–cut diamonds; gross weight 6.98 dwts.; each size 6 $700–900 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

359 18K Gold, Sapphire, and Diamond Earclips the shield–form earclips each set with three marquise– cut sapphires in the form of a leaf framed by bead–set full–cut diamonds within a gold frame; 8.46 dwts. $500–1,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

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360 14K Gold Link Necklace comprising polished oval–links completed by a toggle clasp; 28.33 dwts.; lg. 17 1/2 in. $1,000–1,500

361 18K Gold and Diamond Suite comprising earrings and a ring; the hoop earrings pave–set with full–cut diamonds weighing approx. 1.20 tcw.; the "X" form ring pave–set with full–cut diamonds weighing approx. 3.00 tcw.; 20.85 dwts.; hoop earring lg. 1 in.; size 8 1/2 $2,000–4,000

362 18K Gold Necklace France; comprising layered scallop–links; French assay marks; 46.59 dwts.; lg. 16 3/4 in. $2,500–3,500 Provenance: A gift from Ben Macklowe, Macklowe Gallery, to a Rhode Island Lady.

JEWELRY

201

363 Gold Coin Bracelet featuring 10 Peruvian 1/5 Libra gold coins of various dates and one Republic of Chile five pesos gold coin; connected by small gold links; 14.26 dwts.; lg. 7 1/2 in. $600–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

364 14K Gold Bracelet comprising fancy open braided–links; 37.63 dwts.; wd. 1 in.; lg. 7 1/4 $1,000–2,000

365 22K Gold Necklace Greece; comprising flattened wheat–links completed by a clasp with dolphin details; 55.32 dwts.; lg. 17 in. $3,000–4,000

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366 Indian High Karat Gold, Enamel, Emerald, and Diamond Necklace and Earclips the necklace with one side decorated with cream, green, red, and blue enamel details and the other side with green enamel decoration; suspending stylized fish drops with pearl and emerald beads, green and gold enamel decoration, and diamond accented tails; completed by a gold and green threaded rope; 65.30 dwts.; the earrings centering a circle– cut white sapphire framed by green, red, and cream enamel; 8.65 dwts.; dia. 3/4 in. $2,000–3,000 Provenance: Estate of a New York City Lady.

367 20K Gold, Ruby, Emerald, and Seed Pearl Necklace India; ca. 1850; comprising 11 floral–form pendants set with cabochon rubies, cabochon emeralds, and seed pearls suspending five open–work cylindrical amulets decorated with gold filigree and set with cabochon rubies, cabochon emeralds, and seed pearls; suspending from a three strand oval–link chain; 77.52 dwts.; lg. 21 in. $4,000–6,000 Provenance: The Estate of a Manchester–by–the– Sea, Massachusetts Lady.

JEWELRY

203

368 18K Gold and Diamond Seahorse Brooch the seahorse–form brooch with carved gold details and a full–cut diamond eye; 11.32 dwts.; 2 1/4 x 1 in. $600–800

369 14K Gold and Diamond Spaniel Brooch the body pave–set with single– and full–cut diamonds and a ruby eye; 8.06 dwts.; lg. 1 3/4 in. $400–600 Provenance: By Descent in the duPont Family, Wilmington, Delaware.

370 18K Gold, Enamel, Diamond, and Ruby Owl Brooch the owl brooch with gold and enamel feathers of varying colors, including: green, blue, yellow, orange, and red; the eyes with heart–shape petals bead–set with full–cut diamonds and each centering circle–cut rubies; 25.55 dwts.; wd. 1 1/8 in., lg. 2 3/8 in. $1,000–1,500

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371 CARTIER 18K Gold, Sapphire, Diamond, and Ruby Turtle Pendant the open–work pendant with an oval cabochon sapphire shell, cabochon ruby head, and feet and tail set with full–cut diamonds; signed and numbered 2492; 2.75 dwts.; lg. 3/4 in. $600–800

372 TIFFANY & CO. 14K Gold, Sapphire, and Ruby Poodle Brooch with a circle–cut sapphire collar and circle–cut ruby eyes; signed; 10.37 dwts.; 1 1/4 x 1 3/8 in. $800–1,000

373 18K Gold, Ruby, and Diamond Bee Brooch the bee–form brooch set with 17 circle–cut rubies, one full–cut diamond, and cabochon ruby eyes; 4.35 dwts.; lg. 5/8 in. $300–500 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

JEWELRY

205

374 18K Gold Rope Necklace with cylindrical and oval links; 39.82 dwts.; lg. 29 in. $1,000–1,500 Provenance: Estate of a New York City Lady.

375 14K Gold Bracelet comprising textured scallop shell–links; 15.41 dwts.; lg. 7 1/2 in. $600–800 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

376 14K Gold and Reverse Painted Crystal Bracelet the bicolor gold shotgun and shotgun shell links accented by two round reverse painted crystal panels each depicting a mallard duck; 8.76 dwts.; lg. 7 in. $800–1,000

377 14K Gold Necklace comprised of twisted rope links; 24.20 dwts.; lg. 18 1/2 in. $1,000–1,500 Provenance: Property of a Marion, Massachusetts Lady.

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378 Gold Coin Money Clip the 14k yellow gold money clip centering a bezel-set United States 20 Dollar Gold coin dated 1893; 37.60 dwts.; lg. 2 in. $1,000–2,000

379 14K Gold and Enamel Cufflinks one depicting a Joker playing card and one depicting King of Hearts playing card; 12.07 dwts.; 7/8 x 5/8 in. $500–700 Provenance: By Descent in the duPont Family, Wilmington, Delaware.

380 18K Gold, Enamel, Emerald, and Diamond Cufflinks the ram–form cufflinks with blue enamel, round cabochon emerald eyes, and prong–set single–cut diamonds; 17.51 dwts.; wd. 7/8 in. $1,000–1,500

381 CARTIER 18K Gold and Diamond Gentlemen's Dress Set comprising two cufflinks and three shirt studs each of circular design with a ring of full–cut diamonds; 24.67 dwts.; signed; cufflink dia. 1/2 in.; shirt stud dia. 1/4 in. $3,000–5,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts. JEWELRY

207

382 14K Gold, Diamond, and Sapphire Evening Purse ca. 1930; the fancy woven mesh evening purse completed by a frame set with alternating rows of channel–set rectangular step–cut sapphires and bead– set full–cut diamonds; the clasp set with one square step–cut sapphire and one old European–cut diamond; numbered 1981; 122.42 dwts. $6,000–8,000 Provenance: By descent in the duPont Family, Wilmington, Delaware.

383 J.E. CALDWELL & CO. Platinum, Sapphire, and Diamond Wristwatch ca. 1930; the wristwatch enclosing a manual–wind movement signed C.H. Meylan and numbered 41277; the bezel set with full–cut diamonds and French–cut sapphires; flanked by two emerald–cut sapphires and three baguette–cut diamonds; completed with a mesh platinum bracelet flanked by a border of alternating groupings of French–cut sapphires and full–cut diamonds; inside back case numbered 45657; signed on dial; case 25.00 x 13.25 mm.; 27.80 dwts.; lg. 6 5/8 in. $6,000–8,000 Provenance: By descent in the duPont Family, Wilmington, Delaware.

384 CARTIER 18K Gold Cuff Wristwatch English; featuring a white dial with Roman numeral indicators; signed on dial; back case signed and numbered 90652; mounted on an adjustable gold hinged bangle bracelet; 29.69 dwts.; wd. 3/4 in.; int. circ. up to 7 in. $2,000–3,000 208

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385 14K Gold and Diamond Covered Wristwatch the flexible rope–links alternating with bead–set full–cut diamond links; the white dial with applied navette and dot numeral indicators; enclosing a 17 jewel manual–wind movement signed Gervaux Watch Co.;37.68 dwts.; wd. 1/2 in.; lg. 8 in.

386 EBEL 14K Gold, Sapphire, and Diamond Wristwatch the silvered dial with applied numeral indicators enclosing a manual wind movement; inside case no. 9286354; signed on dial; completed with a flattened gold bracelet and clasp; case 12.20 x 8.55 mm.; 16.23 dwts.; lg. 6 1/4 in.

$2,000–3,000 $600–800

387 PIAGET 18K Gold, Diamond, and Turquoise Wristwatch the round turquoise dial with no numeral indicators; framed by a bezel of full–cut diamonds and four cabochon turquoise; diamonds weighing approx. 0.65 tcw.; enclosing a manual wind movement; signed on dial and inside clasp; back case numbered 9706 A6 130598; completed by a mesh–link 18k white gold bracelet; 39.76 dwts.; case dia. 24 mm.; lg. 6 1/2 in.

388 OMEGA 18K Gold–Link Wristwatch the oval lapis dial with no numeral indicators; enclosing a manual wind movement; signed on dial; completed by a gold bark–finish circle–link bracelet; 44.48 dwts.; case dia. 24 mm.; lg.7 in. $2,000–3,000 Other Notes: Likely designed by Roy King for Omega, ca. 1960.

$2,000–3,000 JEWELRY

209

389 OMEGA 14K Gold and Diamond Wristwatch the silvered dial with applied baton numeral indicators framed by a bezel set with 30 single–cut diamonds; enclosing a manual–wind movement; signed on movement and dial; completed by a woven mesh–link bracelet with textured design; case dia. 24 mm.; bracelet lg. 6 1/2 in.; boxed

390 TIFFANY & CO. 14K Gold Wristwatch the silvered dial with applied baton numeral indicators; enclosing a manual–wind movement; signed on dial, movement, and inside case; inside case numbered 369310; completed by a flat–link gold bracelet; 15.30 dwts.; case 12.85 x 8.35 mm.; bracelet lg. 6 1/2 in. $600–800

$1,000–1,500

391 CARTIER 18K Gold Wristwatch the round white dial framed by an open–work bezel; enclosing a manual–wind movement numbered 444792; signed on dial; inside back case signed European Watch & Clock Co. and numbered 33903; back case numbered 33903 and inscribed MODELE DEPOSE; completed by a 14k gold fancy link bracelet with deployant clasp; dial dia. 17 mm.; case dia. 31 mm.; 39.71 dwts.; int. cir. 6 3/4 in.

392 UNIVERSAL GENÈVE 18K Gold Aero–Compax Wristwatch ca. 1940–50; the silvered dial with applied baton numeral indicators and two subsidiary dials; signed on dial, movement, and inside case; movement numbered 222280; back case numbered 1043375 12440; completed by an 18k yellow gold open bangle bracelet; case dia. 34 mm.; 37.54 dwts.; int. cir. 7 1/4 in. $4,000–6,000

$2,000–4,000 210

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393 ROLEX, TIFFANY & CO. 18K "Oyster Perpetual Day–Date" Wristwatch the silvered tone dial with applied baton numeral indicators and day–date apertures; enclosing an automatic movement; signed on dial and clasp; completed by an 18k yellow gold Presidential bracelet and a deployant clasp; retailed by Tiffany & Company; 79.86 dwts.; case dia. 36 mm.; int. cir. 7 1/2 in.

394 PATEK PHILIPPE 18K Gold Wristwatch the silvered dial with applied baton numeral indicators; enclosing a manual–wind movement; signed on dial, movement, and inside case; movement numbered 939018, inside case numbered 672802 REF. 1491; completed with a brown leather bracelet; 52.33 dwts.; case dia. 33 mm.; bracelet lg. 9 in. $2,000–4,000

$8,000–10,000

396 OMEGA 18K Gold "Constellation" Wristwatch ca. 1960; the silvered dial with applied baton indicators; enclosing an automatic movement; movement signed and numbered 23182300; inside back case signed and numbered 167021; signed on dial; back case with dome and stars motif; case dia. 33 mm.; 29.69 dwts.

395 AUDEMARS PIGUET 18K Gold Wristwatch the round white–tone dial with Roman numeral indicators; enclosing an automatic movement; signed on dial; back case numbered 37394; completed by a textured black leather bracelet; case dia. 34 mm.; 25.75 dwts.; with original signed case $2,000–4,000

$2,000–3,000

JEWELRY

211

397 CARTIER 14K Gold Cigarette Case from the International Trade Conference of 1919; the exterior with striped decoration; signed and numbered Cartier New York 1786; 80.33 dwts.; 4 x 3 x 3/8 in.; in original box $4,000–6,000 The International Trade Conference of 1919 took place in New York City and was called for the purpose of ascertaining the material and economic needs of the four principal allied nations Belgium, France, Great Britain, Italy and how and to what extent the United States could and should supply those needs. The inside of the cigarette case bear the signatures of the representatives from the four nations: Florimond Hankar of Belgium, Eugene Schneider of France, Arthur Shirley Benn of Great Britain, and Ferdinando Quartieri of Italy. 398 Two 14K Gold Cigarette Cases one with ribbed design and an engraved foliate border with a synthetic sapphire clasp; 90.5 dwts.; 4 x 3 1/8 in.; the other with a textured design outlined by blue enamel and an engraved border with a cabochon ruby clasp; marked KF; 93.4 dwts.; 3 3/4 x 3 1/8 in.; gross weight: 183.9 dwts. $3,000–5,000 Provenance: By descent from Nahum Goldmann (1895–1982) to his son, Guido Goldman; The Collection of Guido Goldman, Concord, Massachusetts. 399 Two 18K Gold Cigarette Cases one of ribbed textured design; 130.6 dwts.; 3 1/8 x 4 in.; the other of textured gold design with a black clasp; 72.8 dwts.; 3 x 2 3/8 in.; both marked EB; gross weight: 203.4 dwts. $3,000–5,000 Provenance: By descent from Nahum Goldmann (1895–1982) to his son, Guido Goldman; The Collection of Guido Goldman, Concord, Massachusetts.

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400 18K Gold and Gemset Compact featuring engraved cross motifs centering bezel–set circle–cut rubies or emeralds; further set throughout with bezel–set full–cut diamonds; opening to reveal a mirror and powder compartment; marked EB; 111.2 dwts.; 3 1/8 x 2 3/4 in. $2,000–4,000 Provenance: By descent from Nahum Goldmann (1895–1982) to his son, Guido Goldman; The Collection of Guido Goldman, Concord, Massachusetts.

401 14K Gold Card Case of textured yellow gold design within a polished border; 66.20 dwts.; 2 1/8 x 3 1/2 in. $2,000–3,000 Provenance: By descent from Nahum Goldmann (1895–1982) to his son, Guido Goldman; The Collection of Guido Goldman, Concord, Massachusetts.

402 FABERGE 14K Gold, Nephrite, Diamond and Ruby Picture Frame by Henrik Wigstrom; the oval–form frame with applied gold ribbon detail centering an oval picture window framed by rose–cut diamonds completed by applied foliate design centered with an oval cabochon ruby; with a scroll–form stand; signed on stand; 3 1/4 x 2 3/4 in. $3,000–4,000

JEWELRY

213

Lot 418

SILVER

215

403 Russian Textured Silver Cigarette Box weight: 7 oz., length: 4 1/4 in. $500–800

404 Two Russian Silver Beakers height: 3 1/4 in., weight: 6.25 ozt. $1,000–1,500

405 Fine Russian Silver Bowl marked P.K. and N.P.; engraved monogram OKO with crown, diameter: 6 in., weight: 10.2 ozt. $700–1,000

216

S ILV ER

406 Russian Silver Covered Chalice height: 12 1/2 in., weight: 13.4 ozt. $800–1,200

407 Russian Silver Salt Chair/Throne height: 3 1/8 in., weight: 6.4 ozt. $500–1,000

S I LV E R

217

408 Russian Silver Five Piece Coffee/Tea Set F.G., maker comprising: coffee pot (height: 9 1/4 in.), tea pot, open sugar bowl, open waste bowl, creamer; weight: 94 ozt. $3,000–4,000

409 Fine Russian Silver Niello Coffee Pot height: 8 1/2 in.; 39 ozt. together with a Silver Niello Barrel Formed Vessel length: 5 1/4 in.; 6.8 ozt. $2,000–3,000 Provenance: Gift from Jayne Wrightsman to Guido Goldman; The Collection of Guido Goldman, Concord, Massachusetts.

218

S ILV ER

410 Russian Silver Charger, with Royal Coat of Arms marked P.K. and N.P. diameter: 13 1/2 in. 50 ozt. $3,000–5,000 Provenance: By descent within the Orlov Family.

411 Russian Silver Charger engraved 1878– 1903, 29, VIII and monogrammed; diameter: 11 1/4 in. 20 ozt. $1,000–1,500

S I LV E R

219

412 Four Piece English Victorian Tea Set, Sheffield, ca. 1877, William Hutton & Sons, maker including: coffee pot (height: 8 in.), tea pot, covered sugar bowl, covered creamer, and two silver plate trays; lg. of largest: 32 in., weight: 70 ozt. $1,000–1,500

413 DURGIN Silver Six Piece Coffee and Tea Service on Tray, retailed by Hodgson, Kennard & Co., comprising: two handled tray, length 26 in.; hot water kettle on stand, h. 9 1/2 in.; coffee pot; tea pot; covered sugar bowl; open waste bowl; creamer; sugar tongs; total weight 257ozt, inscribed April 14, 1916, monogrammed $5,000–7,000

220

S ILV ER

414 Swedish Flatware Service, ca. 1960 comprised of: 12 dinner forks, 12 luncheon forks, 12 tablespoons, 12 soup spoons, 12 dinner knives, 12 luncheon knives, 4 butter knives, 1 small ladle; 64 ozt. $2,000–3,000

415 GEORG JENSEN Silver Four Piece Diminutive Squash Pattern Tea Service on Tray comprising: tea pot, height: 6 1/4 in., open waste bowl, covered sugar bowl and tongs, creamer, and rectangular tray, length: 11 1/4 in.; each piece numbered and bearing hallmarks for Georg Jensen; total weight: 41 ozt $3,000–5,000

S I LV E R

221

416 TIFFANY & CO. "Faneuil" Pattern Flatware Service including: 12 dinner forks, 12 salad forks, 14 teaspoons, 12 table spoons, 10 butter knives, 12 dinner knives, 1 ladle, 1 sugar spoon, and 1 serving fork; 76 total number of pieces; 100 ozt. $2,000–3,000

417 BAILEY BANKS & BIDDLE Silver Bowl diameter: 10 in.; 30 ozt. $500–700

222

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418 TIFFANY & CO. Silver Two Handled Covered Tureen with Union Square mark; engraved underside of base Wedding Gift to Henry H. and Elizabeth E. Fay from Aunt Mary Cleveland Bryant, January 1876 85.00 ozt. $3,000–5,000

419 GORHAM Flatware Service Tuileries pattern; comprising: 15 dinner forks, 16 lunch forks, 31 cold meat forks, 9 oyster forks, 15 table spoons, 6 teaspoons, 18 fish knives, 7 butler knives, 16 dinner knives, 15 luncheon knives, 16 fruit knives, 12 sharp knives, 5 serving forks, 4 various spoons, 3 canape servers, 1 cheese scoop, tongs, 2 carving knives; 213 pcs.; 275 ozt. $4,000–6,000

S I LV E R

223

420 TIFFANY & CO. Men's Grooming Set in a fitted leather box, comprising: hand mirror, 2 brushes, razor in container, nail file, cream brush, cylindrical box, oval box, rectangular box, comb holder, monogrammed $2,000–3,000

421 Pair of Mexican Silver Four Arm Candelabra, retailed by TANE height: 16 in. total weight: 178 ozt.

224

S ILV ER

$2,000–3,000 Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

422 Five Silver Canine Medals Two American Spaniel Club, Westminster Kennel Club Bench Show ca. 1910, The Spaniel Club, and the Philadelphia Dog Show Association; 13.53 ozt. $300–500

423 The Major General James Harrison Wilson Pair of TIFFANY & CO. Silver Spurs inscribed Maj. Genrl Wilson, Fort Donaldson,... 18th Regiment... Shiloh... 1862; marked Tiffany & Co, Silver, M 7 ozt.; length: 5 inches together with a Silver Flask Bottom, inscribed James Harrison Wilson $800–1,200

424 MATTHEWS COMPANY Silver Over Glass Water Pitcher early 20th century height: 9 3/4 in. $1,200–1,500

S I LV E R

225

Lot 453

DECO

227

425 American Silver Overlay Green Glass Vase marked indistinctly on edge of base; height: 12 in. $800–1,200

426 Continental Silver Over Cut-Glass Claret Jug height: 8 in. $700–900

427 Two TIFFANY & CO. Mixed Metal Cylindrical Vases each signed on base Tiffany & Co.; height: 7 1/2 in. $2,000–4,000

228

D ECO

428 Japanese Meiji Mixed Metal Panel late 19th century signed lower right 8 1/8 x 7 1/2 in. $1,000–1,500

429 Fine Japanese Meiji Gilt Metal Box signed length: 3 1/2 in. $1,000–2,000

D E CO

229

LOTS 430 — 436

THE COLLECTION OF FRANKLIN B. MEAD (1875–1933)

430 Chinese Blanc de Chine Gu–Form Vase blue underglaze marks on the bottom height: 7 1/2 in. $3,000–5,000 Provenance: The Howard Bach Collection; Bluett & Sons, London, 1932 ($200); Franklin B. Mead (1875-1933), Indianapolis, Indiana; by descent to the current owner.

431 Chinese Yellow Double Gourd Vase with blue underglaze double circle; height: 8 in. $2,000–4,000 Provenance: R.H. Macy, 1932 ($70); Franklin B. Mead (1875–1933), Indianapolis, Indiana; by descent to the current owner.

432 Chinese Eggshell Coup with rice and floral design; incised reign mark; diameter: 3 1/2 in., height: 2 1/2 in. $1,500–2,000 Provenance: S.H. Mori, 1930 ($350); Franklin B. Mead (1875–1933), Indianapolis, Indiana; by descent to the current owner. 230

D ECO

433 Chinese Blanc de Chine Low Bowl with lion head handles height: 2 3/4 in., diameter: 5 1/4 in. $2,000–3,000 Provenance: Theodor Bohlken China, Berlin, 1930 ($23); Franklin B. Mead (1875–1933), Indianapolis, Indiana; by descent to the current owner.

434 Chinese Blue and White Small Pot with blue underglaze reign marks and circle height: 1 5/8 in.; diameter: 3 in. $1,500–2,000 Provenance: Franklin B. Mead (1875–1933), Indianapolis, Indiana; by descent to the current owner.

435 A Chinese Porcelain Tea Cup and a Shallow Bowl with red painted reign marks on bottom of beaker height: 3 in.; bowl diameter: 4 in. $1,000–2,000 Provenance: Franklin B. Mead (1875–1933), Indianapolis, Indiana; by descent to the current owner.

436 Two Snuff Bottles and a Carved Hardstone Salamander Seal one moss green agate snuff bottle and one crystal interior painted; height of tallest: 3 1/2 in. $1,000–2,000 Provenance:Agate Snuff: R.H. Macy, 1932 ($48); All three items; Franklin B. Mead (1875-1933), Indianapolis, Indiana; by descent to the current owner. D E CO

231

437 Eight Chinese Snuff Bottles three hardstone, four glass, and one porcelain height of tallest: 3 in. $1,500–2,000

438 Chinese Carved Crystal Diminutive Covered Sensor height: 1 5/8 in.; diameter: 2 in. Chinese Carved Jade Diminutive Covered Sensor height: 2 3/4 in.; length: 3 1/2 in. $1,000–2,000

439 Pair of Chinese Famille Verte Covered Vases 18th century; on carved hardwood stands; with blue underglazed double circle mark on bottom; height: 17 in. $3,000–5,000

232

D ECO

440 Scottish Mull 19th century, coiled horn with silver and faceted stone mounts mull length: 11 in.; height: 6 3/8 in. $2,000–3,000

441 An Austrian Cold–Painted Bronze Group of a Standing Native American and His Horse Bergman foundry; late 19th century height: 8 in. $1,000–2,000

442 Pair of Sevres Porcelain Ormolu Mounted Covered Vases late 19th century one depicting The Battle of Rocroi, 1643, the other The Battle of Lauffeld, 1747; each with battle name and date inscribed on underside of lid; each signed H. Desprez; height: 40 in. $8,000–12,000 Provenance: British Embassy, Washington, D.C.; Senator Clarence Dill, Spokane, Washington, 1929; The Collection of a Seattle, Washington Gentleman, 1970 until present.

D E CO

233

443 R. LALIQUE Molded Glass ‘Sirens’ Covered Bon Bon Dish signed R. Lalique; diameter: 10 in. $2,000–4,000

444 R. LALIQUE 'Les Fleurs D'Orsay', Five Perfume Display Bottle ca. 1925; signed faintly; stoppers numbered and labeled; height: 1 1/2 in., length: 8 3/4 in. $1,000–2,000

445 PAUL STANKARD Lampworked and Polished Glass Paperweight signed, incised C 182, and dated 1987 on base; diameter: 3 1/8 in., height: 2 in. $1,000–2,000

234

D ECO

446 TIFFANY STUDIOS Three Light Desk Lamp the base stamped Tiffany Studios, New York 819 with three Favrile glass iridescent shades, each etched LCT; height: 13 in. $2,000–3,000

447 Pair of Art Deco Style Patinated Metal Standing Lamps with mica shades height of lamp: 50 in., overall height with shade: 56 in. $800–1,200

D E CO

235

448 The Julia and Paul Child Two Piece Set of LOUIS VUITTON Travel Cases suitcase height: 9 in., width: 26 in., depth: 17 in; case height: 10 in., width: 18 in., depth: 10 in. $2,000–3,000 Provenance: Julia and Paul Child; through the estate of their friend Patricia Ross Pratt, Cambridge, Massachusetts.

449 LOUIS VUITTON Wardrobe Trunk opens on side to reveal compartments for hanging clothes; with four shirt hangers, two pant hangers, and four drawers; numbered 765486; height: 40 in., width: 22 in., depth: 14 in. $4,000–6,000

236

D ECO

450 THOMAS KIRKPATRICK Mahogany Gilt Bronze Mounted Bracket Clock New York; height: 26 in. $2,000–3,000

451 Fine Chippendale Mahogany Kneehole Dressing Table 18th century, probably Boston; with molded top, valence drawer, and raised panel recessed door, the base with shaped skirt and bracket base; width: 30 in.; height: 30 1/2 in.; depth: 22 in. $15,000–25,000 Provenance: By descent within the Massachusetts family of the original owner.

D E CO

237

238

452 High Victorian Robustly Carved Mahogany Five Tube Tall Case Clock the case likely carved by R.J Horner; the brass and steel dial marked: Joseph Jennens, Skinner Street, Clerkenwell London; height: 27 in., depth: 18 in.

453 AARON WILLARD (1757–1844) Federal Brass– Mounted Mahogany Tall–Case Clock height: 98 in.

$5,000–7,000

Provenance: The Estate of a Manchester–by–the–Sea, Massachusetts Lady.

D ECO

$5,000–8,000

LOTS 454 — 476

THE COLLECTION OF A BOSTON FAMILY

454 THOMAS & HOADLEY Red–Painted Tall Case Clock Plymouth, Connecticut, early 19th century height: 83 in., width: 17 1/2 in., depth: 10 in.

455 RILEY WHITING Paint Decorated Tall Case Clock Winchester, Connecticut, early 19th century height: 89 1/2 in., width: 17 1/4 in., depth: 9 3/4 in. $5,000–10,000

$4,000–6,000 Provenance: The Collection of a Boston Family.

Provenance: G.K. Bush Antiques and Works of Art, Washington, D.C.; The Collection of a Boston Family. D E CO

239

456 Set of Six Tiger Maple Paint Decorated Rush Seat Chairs early 19th century four side chairs and two arm chairs

457 A Federal Mahogany and Birds Eye Maple Sideboard Connecticut River Valley, ca. 1800 height: 40 in.; width: 71 1/2 in.; depth: 23 1/2 in.

240

D ECO

$3,000–5,000 Provenance: Jackie Radwin, San Antonio, Texas, 2006; The Collection of a Boston Family.

$8,000–12,000 Provenance: Wayne Pratt, Inc. American Antiques, Woodbury, CT, 1998; The Collection of a Boston Family.

458 Amusing Wire Formed Twenty Light Candelabra 20th century; height: 21 in. $1,000–1,500 Provenance: The Collection of a Boston Family.

459 Fine Chippendale Painted–Decorated Miniature Tall Chest late 18th century height: 27 in., width: 19 1/2 in., depth: 9 in. $3,000–5,000 Provenance: Richard Mills, New Hampshire; The Collection of Mr. John B. Schorsch and Mrs. Marjorie H. Schorsch, Sotheby's New York, May 1 and 2, 1981, 401; The Collection of a Boston Family. Exhibitions: Miniature and Children's Furniture Loan Exhibition, University Hospital Antiques Show, Philadelphia, 1974.

460 French Polychrome Glazed Ceramic Finial Ornament 20th century; height: 37 in. $2,000–3,000 Provenance: The Collection of a Boston Family.

D E CO

241

461 Pair of Painted Teal Drake Decoys Upper Chesapeake Bay, Maryland, ca. 1930 $1,000–1,500 Provenance: The Collection of a Boston Family. Literature: Schorsch, David, American Decoys: A Folk Art Tradition, no. 14.

462 CHARLES EDWARD "SHANG" WHEELER (American, 1872–1949) Red Knots in Spring and Fall Plumage painted and carved wood 10 x 19 x 6 in. $3,000–5,000 Provenance: C.K. Davis of Remington Arts; Connecticut Audubon Society; Collection of Bud Ward; Collection of Russell B. Aitken; Stephen B. O'Brien, Jr., Boston, Massachusetts, 2004; The Collection of a Boston Family. Literature: Merkt, Dixon. Shang. 1984, illus. p. 28; Chitwood, Henry C.. Connecticut Decoys. 1987, illus. p. 46.

463 Four American Paint–Decorated Decoys 20th century the longest: 14 in.; the smallest: 9 in. $1,000–1,500 Provenance: The Collection of a Boston Family.

242

D ECO

464 Paint–Decorated Parcheesi Game Board with central star motif 18 x 20 in. $2,000–3,000 Provenance: Pine Tree Antiques, Wilmington, Vermont, 2001; The Collection of a Boston Family.

465 English Blue and White Covered Tureen with Underplate length of tureen: 15 in. length of underplate: 18 1/2 in. $1,000–2,000 Provenance: The Collection of a Boston Family.

466 Paint–Decorated Folding Parcheesi Game Board 19 1/2 x 18 1/4 in. $2,000–3,000 Provenance: Pine Tree Antiques, Wilmington, Vermont, 2001; The Collection of a Boston Family.

D E CO

243

467 Polychromed Child's Carousel Horse ca. 1900; with glass eyes, on later iron display stand length: 42 in. $2,000–3,000 Provenance: The Collection of a Boston Family.

468 American Hooked Rug 20th century depicting three flower pots, vines, and roses; mounted on stretched canvas; 60 x 48 in. $2,000–3,000 Provenance: The Collection of a Boston Family.

244

D ECO

469 Continental Paint–Decorated Wooden Charger ca. 1900; with fruit and floral motifs; diameter: 17 in. $1,000–1,500 Provenance: The Collection of a Boston Family.

470 American Grain Painted Corner Cabinet 19th century height: 85 in., width: 40 in., depth: 20 in. $2,000–4,000 Provenance: The Collection of a Boston Family.

D E CO

245

471 Pair of Gilt and Silver Gilt Eagle Mounted Wall Mirrors each with two brass candleholders; 30 x 26 in. $3,000–5,000 Provenance: The Collection of a Boston Family.

472 Maple and Black Painted Maple Oval Tavern Table 18th century height: 28 in., width: 27 in., depth: 21 1/2 in. $2,000–3,000 Provenance: The Collection of a Boston Family.

246

D ECO

473 American Paint–Decorated Blanket Chest 19th century the top inscribed E. V. Wormer and E.V.W.M.M.W. likely Schoharie, New York 18 x 13 x 15 1/2 in. $1,500–2,000 Provenance: Jackie Radwin, San Antonio, Texas, 2006; The Collection of a Boston Family.

474 Bidjar Rug, Persia, ca. 1875 8 ft. 6 in. x 4 ft. 10 in. $2,000–3,000 Provenance: The Collection of a Boston Family.

D E CO

247

248

475 Serab Runner, Persia, ca. 1925 10 ft. 10 in. x 3 ft. 2 in.

476 Serab Runner, Persia, ca. 1925 7 ft. 9 in. x 3 ft.

$1,500–2,000

$1,000–1,500

Provenance: The Collection of a Boston Family.

D ECO

477 Heriz Rug, Persia, early 20th century 6 ft. 1 in. x 5 ft. $2,000–4,000 Provenance: The Estate of a distinguished Massachusetts Oriental Rug dealer; Grogan & Company; A Massachusetts Collector.

478 Sarouk Fereghan Carpet, Persia, ca. 1875 $4,000–6,000 Provenance: Berdj Abadjian, Rugs As Art, New York; A California Collector.

D E CO

249

LOTS 454 — 476

THE COLLECTION OF GUIDO GOLDMAN

479 Afshar Rug, Persia, ca. 1900 6 ft. 5 in. x 4 ft. 11 in. $1,000–1,500 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

250

D ECO

480 English Carved Walnut Spice Cabinet 18th century height: 19 1/2 in., depth: 9 in. width: 15 1/2 in. $800–1,200 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

481 Continental Iron Puzzle Lock Coffer 17th/18th century length: 32 in., depth: 16 in., height: 17 in. $2,000–3,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

482 Continental Exotic Wood Iron Clad Lift Top Fall Front Document Box 18th/19th century length: 16 1/2 in., height: 10 1/2 in. depth: 11 1/2 in. $1,200–1,500 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

D E CO

251

483 Continental Tin Glazed Earthenware Pistol Form Vessel 18th century length: 13 in. $500–1,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

484 English Silver Mounted Cut Crystal Handled Page Turner Thornhill, Bond Street, London length: 17 1/4 in. $1,500–2,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

485 Turkish Iznik Style Charger 19th century diameter: 17 3/4 in. $800–1,200 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

252

D ECO

486 Pair of Wrought Iron Andirons together with complementary fireplace poker and shovel height: 36 in. $2,000–3,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

487 Early English Iron Clad Oak Coffer length: 70 in., depth: 25 in., height: 28 in. $2,000–4,000 Provenance: The Collection of Guido Goldman, Concord, Massachusetts.

D E CO

253

ARTIST INDEX

254

ARTIST

LOT

AHL, HENRY CURTIS JR.

DAVIS, MICHAEL

138

AMERICAN SCHOOL

24, 165

DE HAAS, MAURITZ FREDERIK

159

ANDRADE, EDNA

DE MALEVILLE, LUCIEN

ARCHULETA, FELIPE

38, 39

DELACROIX, MICHEL

ARNOLD, Manner of JOHN TRUMBULL

DELAUNAY, SONIA TERK

BARNET, WILL

DESCHILLIE, MAMIE

BAUMANN, GUSTAVE

40-43

DEWS, JOHN STEVEN

BEAL, REYNOLDS

DICKINSON, EDWIN WALTER

150

BEATON, CECIL

103

DOWD, JOHN

140

BECKMANN, Attributed to MAX

DUFRESNE, CHARLES GEORGE

BENSON, FRANK WESTON

DUNLAY, THOMAS

142–145

BENTON, THOMAS HART

EDZARD, DIETZ

BERNINGHAUS, OSCAR EDMUND

ELIOT, ALEXANDER

BEZANSON, BROTHER THOMAS

111, 112

ENGLISH SCHOOL,

181

BIERK, DAVID

109

ENNEKING, JOHN JOSEPH

163, 164

BLACK, PAUL

121

EPSTEIN, SIR JACOB

BLISS, ROBERT

ETNIER, STEPHEN MORGAN

BRAMHALL, KIB

141

FAIRCHILD, MARY LOUISE (LOW)

BRAQUE, GEORGES

FAVRE, VALERIE

BRENNAN, FANNY

FEININGER, LYONEL

BROWN, WILLIAM HENRY

177

FEJES, EMERIK

CAHOON, RALPH EUGENE JR.

FLEMISH SCHOOL

188

CALDER, ALEXANDER

49, 50

FOLSOM, JOHN

108

CAMMILLIERI, NICHOLAS

180

FOUJITA, LEONARD TSUGUHARU

CANU, YVONNE

FOWLES, ARTHUR WELLINGTON

182

CHAGALL, MARC

55, 56

FRANK, ALYCE

CHASE, FRANK SWIFT

FRANKENTHALER, HELEN

CHASE, WILLIAM MERRITT

FREMONT, SUZANNE

195

CHIHULY, DALE

113, 114

FRENCH SCHOOL

201

CHINA TRADE

183

FREUND, GISELE

CODMAN, CHARLES

170

FUSSMANN, KLAUS

COHEN, ARTHUR MORRIS

139

GALLAGHER, SEARS

COLEMAN, VERNON HERBERT

136

GASPARD, LEON

32, 33

CONSTANT, MYRLANDE

GERRY, SAMUEL LANCASTER

167

CONTINENTAL SCHOOL

202

GOODWIN, ARTHUR CLIFTON

146

COUTAUD, LUCIEN

67, 68

GOODWIN, RICHARD LABARRE

171, 172

CUNDALL, CHARLES ERNEST

GRUPPE, CHARLES PAUL

156

CURRY, JOHN STEUART

GUY, SEYMOUR JOSEPH

173

DAVIS, WILLIAM R.

106

HAGBORG, AUGUST VILHELM

194

HAYES, CONNIE

118–120

PRENDERGAST, MAURICE BRAZIL

HENDERSON, WILLIAM PENHALLOW

PRIOR, SCOTT

HIBBARD, ALDRO THOMPSON

147–149

RAUSCHENBERG, ROBERT

HILLS, LAURA COOMBS

7 , 102

REID, ROBERT LEWIS

HINCKLEY, THOMAS HEWES

168

RELYEA, CHARLES

HOFFBAUER, CHARLES CONSTANTINE 83

ROBICHAUX, MARGUERITE

115–117

HOPKINSON, CHARLES SYDNEY

84, 85

RODIN, AUGUSTE

ITALIAN SCHOOL

186, 189

ROSS, DENMAN WALDO

104

JACOBSEN, ANTONIO

158

SCOTT, JOHN WHITE ALLEN

169

JONES, JOE

SHAPLEIGH, FRANK HENRY

161, 162

KAHN, WOLF

SIMS, AGNES

KIRSCHENBAUM, JULES

SMITH, JOSEPH LINDON

105

KNOWLES, DOROTHY PEREHUDOFF

SORLIER, CHARLES

KOLLWITZ, KATHE

STERNER, HAROLD

LEBASQUE, HENRI

STEVENS, WILLIAM LESTER

152

LEGER, FERNAND

STODDARD, ALICE KENT

160

LIEBERICH, NIKOLAI

192

STRISIK, PAUL

100

LUNA, ANTONIO RODRIGUEZ

107

STROUD, STEVEN

137

MAREVNA, MARIE

SUTTON, RUTH HAVILAND

MARIN, JOHN

THIEME, ANTHONY

153–155

MENDJISKY, SERGE

TICE, CLARA

MENE, PIERRE JULES

191

TINTORETTO, Manner of JACOPO

184

MIRO, JOAN

TUTUNDJIAN, LEON ARTHUR

MIYAMURA, HIDEAKI

110

TWICHELL, GERTRUDE STEVENS

MONSTED, PEDER MORK

193

VAN MARCKE, EMILE

204

MORGAN, MAUD CABOT

VAN RIJN, REMBRANDT

187

MOSES, GRANDMA

21–23

VANDERBILT, GLORIA

MULHAUPT, FREDERICK

151

VERHOESEN, ALBERUS

203

NEWCOMB, MARY SLATFORD

2, 3

VIVIAN, JANE

185

NICHOLSON, GEORGE WASHINGTON

166

VOLPE, VINCENZO

199

NOYES, GEORGE LOFTUS

101

WALTER, MARTHA

PACKARD, ANNE

122–135

WARNER, EVERETT LONGLEY

PENNIMAN, JOHN RITTO

176

WASHINGTON, GEORGE

179

PERRY, LILLA CABOT

WHORF, JOHN

PETERS, CARL

157

WINTER, FRITZ

PETTIT, JOSEPH PAUL

196

WOLCOTT, LINDA LOW

PHILLIPS, BERT GREER

YARDE, RICHARD

93, 94

PICASSO, PABLO

YEEND KING, HENRY JOHN

198

POLLOCK, JACKSON

ZWAAN, CORNELIUS CHRISTIAAN

174

255

MAKER INDEX MAKER

LOT

BAILEY BANKS & BIDDLE

419

PEACOCK, GRANT A.

316

BIELKA, ROBERT BRUCE

291, 293, 311

PHILIPPE, PATEK

394

BOUCHERON

266

PIAGET

387

CALDWELL & CO., J.E.

243, 271, 326, 383

PIGUET, AUDEMARS

395

CARTIER

246, 285, 287, 301, 327,

ROLEX

393

330, 334, 352, 353, 371,

SHAW, SAM

357 445

381, 384, 391, 397

STANKARD, PAUL

COMOLLI, TAMARA

310

THOMAS & HOADLEY 454

DE VROOMEN, LEO

255, 256

TIFFANY & CO.

DURGIN

413

EBEL

386

TIFFANY STUDIOS

446

FABERGE

402

TRIOMPHE, LA

348

GORHAM

418

UNIVERSAL GENEVE

392

GUMPS

300, 302

VAN CLEEF & ARPELS 267

HIDALGO

237

VAUTRIN, LINE

217

JENSEN, GEORG

415

VHERNIER

289

KIRKPATRICK, THOMAS

450

VUITTON, LOUIS

448, 449

KOHN & CO.

211

WANDER, ROBERT

282, 309

LALIQUE, R.

443, 444

WHEELER, "SHANG"

462

LUX BOND & GREEN

346

WHITING, RILEY

455

MARINA B.

347

WILLARD, AARON

453

MATTHEWS COMPANY

424

YARD, RAYMOND

278

OMEGA

388, 389, 396

YURMAN, DAVID

258

Lot 266 256

216, 240, 250, 253, 345, 372, 390, 393, 416, 417, 420, 427

TERMS AND CONDITIONS OF SALE PLEASE READ CAREFULLY AS YOU WILL BE BOUND BY THESE TERMS IF YOU BID AT AUCTION The auction catalogue, if any, and the terms hereinafter set forth, as amended by any posted notices or oral announcements during the sale, is Grogan & Company’s (herein referred to as “we”, “us”, or “our”) and the consignor’s entire agreement with the purchaser relative to the property listed in our catalogue or otherwise offered for sale. 1. All property is sold “as is” and neither we nor the consignor make any guarantees, warranties or representations, expressed or implied, with respect to the property, merchantability, or correctness of the catalogue or other description of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. No statement anywhere, whether oral or written, shall be deemed such a guarantee, warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size, and whether or not it has been repaired or restored. We and the consignor make no representation or warranty as to whether the purchaser acquires any copyrights, including but not limited to any reproduction rights, in the property. However, if within 14 days of the sale of any lot, the purchaser gives notice in writing to us that the lot is counterfeit and within 10 days after such notice, the purchaser returns the lot to us in the same condition as when sold, and demonstrates to our satisfaction that the lot is a counterfeit, we will refund the purchase price. 2. A buyer’s premium of 25% will be added to the successful purchase price and is payable by the purchaser as part of the total purchase price. Purchases made online through Invaluable or LiveAuctioneers will be subject to an additional 5% charge and Bidsquare a 3% charge. 3. Acceptable forms of payment include cash, check, or wire transfer. For personal checks over $3,000, property will not be released until the check clears, unless credit has been previously established with us, or if a bank letter has been received prior to the sale guaranteeing said personal check. All property must be paid for within 5 business days following the sale and removed from the gallery within 20 days. Property not removed from the gallery within 20 days will be sent to our warehouse where storage fees may be assessed. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or, in case of bank or cashier’s checks, we have confirmed authenticity. 4. We reserve the right to reject any bid. The highest bidder acknowledged by the auctioneer will be the purchaser. In the event of a dispute between bidders, or in the event of doubt on our part as to the validity of any bid, the auctioneer will have the final discretion either to determine the successful bidder or to re–offer and re–sell the article in dispute. If any dispute arises after the sale, our sale record is conclusive. Although at our discretion we will execute order bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith.

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M A S S A C H U S E T T S A U C T I O N E E R L I C E N S E N O. 8 0 0

257

Lot 87 Back Cover: Lot 238

BOSTON, MA

PORTLAND, ME E S T. 1 9 8 7

G R O G A N C O. C O M