Groove Korea 2019 November by GROOVEKOREA

NOVEMBER 2019

groovekorea.com

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From the Editor-in-Chief

14 ABOUT THE COVER Story: Dianne Pineda-Kim and Wendy Palomo Photographer: Daniel Kim Models: (l-r) Rosemary Manso, Natalie Rapisarda, Iman Mohamed Makeup: Valentina Chang Hair: Hair and Joy

FASHION IS MORE THAN JUST THE CLOTHES WE WEAR. It is an expression of who we are. But for the women featured in this month’s cover story, fashion is a vehicle through which they are stepping up and speaking out. They are opening doors and showing that fashion truly has no boundaries. More than this, they are spreading an important message of inclusivity and diversity. I will admit that I’ve never really thought much about fashion outside of my occasional foray into costume-making. In my daily wear, I tend to go for comfort and classic more than anything and I probably couldn’t name more than five designers. But that doesn’t mean that I don’t appreciate it. Or respect the power and influence that it has. I also respect the hard work that these women are doing to push the envelope and open up important dialogues in Korea’s fashion world. It is truly inspiring. And I know I, for one, am eager to see what they do going forward.

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COVER STORY

BORDERLESS FASHION These women prove that age, size, race, and religion donâ&#x20AC;&#x2122;t matter when it comes to fashion

14 28

COMMUNITY

A NUANCED LOOK AT RELATIONSHIPS The Collective breathes new life into "Dinner with Friends"

FASHION

FOOD & DRINK

CHANGE YOUR PERSPECTIVE A few thoughts at a beautiful cafe

A LOT IN 10 MINUTES Seoul Players brings back 10-minute play festival

30 34

DREAMING OF SUMMER Editors Dianne Pineda-Kim and Lorena JimEnez give a trend report and standout collections from Seoul Fashion Week S/S20

COMMUNITY

38 46

MUSIC

BACKSTAGE AT OFFROUTE WITH A$AP FERG AND AOMG Follow me backstage

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KOREA EDITORIAL Editor-in-chief

EMMA KALKA emma@groovekorea.com

Food & Drink

LORENA JIMÉNEZ lorena@groovekorea.com

Fashion

DIANNE PINEDA-KIM dianne@groovekorea.com

Travel

WENDY PALOMO wendy@groovekorea.com

Music

BECKY WHITE beckyw@groovekorea.com

Copyeditor

GIL COOMBE gil@groovekorea.com

Advertising

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General Inquiries

info@groovekorea.com

SPECIAL THANKS TO Seoul Players, The Collective, Jeremy Arthur, Alexandra Christine Asbury, Manon Thore,, Seoul Africa Fashion Show, Seoul Fashion Week Organization, Seoul Kids Fashion Show

PHOTOGRAPHY Creative Director

DANIEL KIM daniel@groovekorea.com

GRAPHIC DESIGN Design Director

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Publisher

SEAN CHOI sean@groovekorea.com

STAFF WRITERS / COLUMNISTS Amy Benham, Katie Martin, Jill Robbins, Jiaying Lim

To contribute to Groove Korea, email submissions@groovekorea.com or the appropriate editors. To have Groove Korea delivered to your home or business, email subscribe@groovekorea.com To promote and event or share your opinions, please email info@groovekorea.com or the appropriate editor. The articles are the sole property of GROOVE KOREA. No reproduction is permitted without the express written consent of GROOVE KOREA. The opinions expressed in the magazine are not necessarily those of the publisher. © All rights reserved Groove Korea 2006

EXHIBITIONS 8

Tomas Saraceno

A Minions Perspective

Tues-Sun 10am-6pm Gallery Hyundai Samcheong-dong, Seoul

INSA Central Museum

The artist, concerned with climate change and other environmental issues, unfolds his own vision of the attainable utopia, where humans, nonhumans and other organisms can co-inhabit on the Earth. His first solo exhibition presented at Gallery Hyundai offers the viewers practical and multi-layered perspectives in approaching Saracenoâ&#x20AC;&#x2122;s poetic yet radical art world.

Fireworks teams from around the world are invited to perform fireworks displays and to light up the Yeouinaru Station (Seoul Subway Line 5), Exit 4. Yeouido Station (Seoul Subway Line 5, 9), Exit 5. Adults 15,000w / Children 11,00013,000w

Jaime Hayon: Serious Fun Daelim Museum at Jongno-gu A solo exhibition of the most influential creator and a visionary, Jaime Hayon explores the artistâ&#x20AC;&#x2122;s unique and intriguing perspective of the world through diverse mediums such as design, furniture, sculpture, sketches, and large-scale installations. 10,000w (Closed on Mondays)

EK Language Services Translation and Editing services

영어/스페인어/프랑스어 Winnie the Pooh: Exploring a Classic SOMA (Seoul Olympic Museum of Art) at Songpa-gu A collection of the original drawings not seen in Disney animation.

한글

English, French, and Spanish native speakers on 24/7 basis Affordable price

Adults 15,000w / Children 12,000w

Professional and Guaranteed Quality translations 24-Hour Turnaround 10+ years of experience

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Partners with Hyundai Motors, Groove Korea, KIWI Chamber of Commerce, British Chamber of Commerce, Embassy of Finland, GS Shopping and more9

CONCERTS 10

Mumford & Sons

DEAFHEAVEN

November 15 MUV Hall, Hongdae

November 16 Understage Hyundai Card, Hannam-dong

MOVIES 12

Doctor Sleep Angel Has November 7 Fallen November 13

Zombieland: Double Tap November 13

The Irishman

Frozen 2

November 20

November 21

COVER STORY

Borderless Fashion These women prove that age, size, race, and religion don’t matter when it comes to fashion

Story DIANNE PINEDA-KIM AND WENDY PALOMO (Iman’s story) Photos DANIEL KIM/ NATALIE RAPISARDA (photo of Sammy) SEYOON KIM AND DIANNE PINEDA-KIM (Seoul Kids Fashion Show) Makeup VALENTINA CHANG Hair HAIR AND JOY

t is often said that you are what you wear. An outfit can be simple, eccentric, whimsical or practical, reflecting not only a person’s aesthetic proclivities such as personal taste, style, and mood, but also their intrinsic points of view—ultimately, of their beliefs, passion, and sense of being. Perhaps more often than we’d care to admit, there is more meaning to clothes than basic necessity or as a means to impress. Depending on how it is used, fashion can be a mask with which to hide one’s true self, or for those who are brave enough, express what’s real. It can also be a memento of a certain time, with different styles that define bygone eras and preview a future that is yet to come. For these women, fashion and beauty are tools for opening important conversations about representation and celebrating

creative talent in Korea. Seoul Kids Fashion show founder Natalie Rapisarda and director Saemi Moon opened the door to young local and multicultural kids to hone their talent on the runway through yearly shows that usher in today’s new generation of style. Rosemary Manso, on the other hand, saw the need to diversify the fashion stages in Korea and expand the public’s awareness of the infinite capabilities of African designers and models through her Seoul Africa Show. Iman Mohamed, a Seoul-based Somali-American English teacher, provides practical tips, guidelines, and motivational stories in her videos and social media posts for navigating being a Muslim in Korea— and being loud and proud to be one. If there’s one thing that these women have in common, it’s that they created a platform

for voices that need to be heard, whether it’s tiny little tots who dream of becoming a model when they grow up, a man or woman of color who has what it takes to make it in the fashion industry, or a hijabi who wants to show the many beautiful stylings and meanings of the hijab. In a sense, the clothes that these women cloak themselves with fundamentally reveal the universal truth that fashion is not exclusive. It knows no age, race, religion, size, or fit. Groove Korea explores the dynamic relationship between these women and fashion: how they use it to represent themselves, their culture, and conviction, going beyond the physical manifestation of clothes to spread an important message of inclusivity, diversity, and being confident inside and out. ▶

COVER STORY

We support a diverse range of models. The fashion show is not just about the runway. We provide events that give all parents, models, and designersâ&#x20AC;&#x201D;regardless of their backgroundâ&#x20AC;&#x201D;the opportunity to connect and interact

e i l a t a N apisarda R

COVER STORY

Korea’s little dreamers Seoul Kids Fashion Show (SKFS) founder Natalie Rapisarda and director Saemi Moon probably have the most difficult job in the world: selecting kid models from hundreds of applicants hoping to model in their show every year. Instead of featuring models who are typically six feet tall, the two creative collaborators especially seek out tiny tots who may be small in size but pack a big punch when it comes to charisma and talent. Starting in 2017 and formerly known as Seoul Fashion Futures, SKFS features local Korean childrenswear designers and kid models who make the runway their playground. “Our event continues to grow each time, with a record number of 600 model applications received for our show this year,” Saemi, who is based in Seoul says. “The overwhelming interest is an indication of the willingness from parents to give their children an opportunity to take part in such an exciting event, and as we grow bigger, we want to give everyone the chance to participate.”

Natalie, a fashion photographer and entrepreneur who flies in from Australia to Seoul each year, has been passionate about Korean fashion even before starting SKFS. “I have always been into fashion and was curious about the industry in South Korea as I felt the clothing suited my personal style,” she shares. “In 2013, I decided to visit South Korea for the first time when I attended Seoul Fashion Week as a freelance photographer. It was an experience that ultimately changed my life.” Having attended fashion weeks in Australia and in different parts of the world and hosted events that bring creatives together, Natalie wanted to put the spotlight on the culture of collaboration, love for fashion, and celebration of the young talent that she has seen in Korea. “I did not see the interest for kids fashion or the amazing vibe that exists in Korea anywhere else in the world. I felt it would be an amazing opportunity to create a professional platform where children’s designers and kid models could have the chance to showcase their talent and to gain credibility that so many others have the privilege of achieving around the world.” ▶

COVER STORY

As with any beginnings, hardships are inevitable. It is easy to see that there is an immense potential and market for kids fashion in Korea and at Seoul Fashion Week alone, where droves of professional photographers clamor around stylish kids hoping to take their picture. But the biggest challenge, according to Natalie, is overcoming the language and cultural differences that a foreigner such as herself inevitably faces in Korea. With their teamwork, Natalie and Saemi were able to organize, keep the shows going, and help make a positive difference to the industry. Despite being only a two-woman team, they were able to enlist 90 kid models and nine Korean brands to participate in their 2019 show at the Hyundai Department Store in Cheonho. It was their biggest show since their inception three years ago. Perhaps one of the biggest achievements that SKFS has gained is to introduce multicultural children models who have big dreams to the world stage.

“We support a diverse range of models. The fashion show is not just about the runway. We provide events that give all parents, models and designers, regardless of their background, the opportunity to connect and interact,” Natalie says. Even though the models are only 4 to 12 years old, their proud stride, professional poses, and ease in front of the camera belie their young age. Natalie and Saemi believe that SKFS is a good training ground to build their self-esteem from a young age and “help them to grow into confident and successful adults.” “Some children have modelled with us for the first time and have been so grateful for the wonderful experiences and memories they’ve created, through being given the chance to wear a designer outfit, learn to walk the runway and to make friends and have a good time,” Natalie shares. What they have built is not just a fashion show but ultimately a big family who meet every year just like a reunion of kin members who come in their best attire. She continues, “South Korea is still a proud traditional country and what stands out for me has been the respect and kindness shown from the children involved in participating in our shows. It has been a lovely experience to work with the children and their parents.” ▶

COVER STORY

“Our aim is to continue growing the show to support designers and children’s modelling talent and promote them to the rest of the world.”

i m e a S n o o M

COVER STORY A fashion lesson in african culture “You can find yourself in Korea,” Rosemary says in her soft, whispery voice that seems to have the uncanny power to soothe and calm the nerves of anyone she speaks to. But her sweet utterances do not imply that her message is weak. Not at all. As she tells the story of how she moved to Korea in 2016 as a semiretired model who had an impressive work portfolio and experience in Europe, the courage it took for her to get here can clearly be seen. Somebody once asked her, “Why Korea?” To which she simply replied, “Why not?” Having seen fashion shows around the world from both behind and in front of the stage, Rosemary observed that something was missing from Korean shows: people of color. “That was unsettling to me, especially since I personally knew so many beautiful and talented black people in Korea that should be booked for modeling jobs. There was clearly a market of untapped potential in Korea for talented models of color,” she says. And this does not only apply to the fashion industry. There is a tendency for Koreans to compartmentalize Africans into certain groups and age-old impressions simply borne out of their lack of understanding or reluctance to accept them. “Most Koreans think that Africa is a very poor continent, where there’s a lot of poverty, disease, uneducation. They don’t think that we are very learned and talented. They still have this very old perception, and that’s not what Africa is at all,” she explains. “Unless a Korean has actually has traveled to Africa and seen the developments, culture, and beauty there, they wouldn’t know. But I think there’s no excuse for this. We have books, Internet, TV⁠—one can easily seek knowledge.” Not wanting to simply dismiss or accept this situation and wait for big changes to happen, she found a creative way to smash these preconceived notions through a fashion show that features the best African art, design, and talent has to offer. “I learned early on that I would never get anywhere if I was passively waiting on everyone else to let me through.

I learned early on that I would never get anywhere if I was passively waiting on everyone else to let me through. I had to make the opportunity myself

y r a m e s o R o s n a M

I had to make the opportunity myself,” she says. Starting in 2017, her project was dubbed the Seoul Africa Fashion Show (SAFS), which was first held together with the Seoul Africa Festival. Accompanied by the irresistible rhythm and heart-pounding beats of drums playing traditional African beats, models of color walked on the runway wearing designs from Ethiopia, Uganda, Zimbabwe, Morocco, Ghana, East and South Africa, among many other parts of Pan Africa. The process of making this happen wasn’t easy. “The biggest challenge that I faced in the beginning and that I am still facing now is securing Korean sponsors for the fashion show,” she says. “It is often difficult to pitch an African fashion show to Korean companies due to the negative stereotypes of Africa. This is another reason why SAFS is so important to Korea because it positively promotes African culture to audiences that have either negative attitudes or little knowledge about Africa.” ▶

COVER STORY

Photography by Park Chan-hyeok

There are so many beautiful and talented black people in Korea that should be booked for modeling jobs

In 2018, SAFS presented the theme of “African Renaissance,” with one highlight segment featuring signature African designs worn with pieces from the Korean hanbok, showing the beauty of both cultures when put together. It encapsulated the organization’s vision, as Rosemary puts it, “to educate Korea on the benefits of diversity and inclusion in the fashion industry with hopes of fostering strong relationships in Korea.” If last year was all about rebirth and invigoration, the next theme is an answer to what comes next after this re-awakening: “Afrofuturism.” What are Africa’s fashion movers and shakers making now that will ultimately shape their future and that of the world? “The show is about designs that reflect the future of art with technology intertwined and the distinctiveness of African geometric patterns and bold colors. Our creative designers this year are talented and have amazing collections to share. The audience can expect a show that will be bold, epic, and innovative,” she excitedly shares. The after-effects of the show are proving to be positive. Models who participated have started booking more jobs and little by little are breaking into the Korean fashion industry, which used to be extremely hard to crack. For Rosemary, the future for African fashion and creative types here in Korea looks bright— but it still has a long way to go. With SAFS, she hopes that the conversation continues to grow and that multiculturalism will be more welcomed in Korea. She ends: “The show is really not for my benefit, it’s for African designers and models. It’s for creatives who haven’t broken into the Korean market. There are actors and models that you can see visibly in Korean media, but you can count them on one hand. There needs to be more.” ▶

COVER STORY

There was clearly a market of untapped potential in Korea for talented models of color

Photos: https://www.seoulafricafashionshow.com

Seoul Africa Fashion Show 2018 23

COVER STORY

“My hijab is part of my identity, a part of who I am. It speaks for me before I speak.”

COVER STORY

A NOT JUST ANOTHER INFLUENCER

n a Im amed h o M

The café is slowly filling up. In the back corner, a lone woman is quietly browsing on her cellphone. She can’t be missed. Though donning neutral colors, she stands out due to her hijab. Iman Mohamed, up close, is a striking beauty. Her face glistens and her eyes are the most arresting of her features. Talking with her, you’ll understand why she has garnered a big following for both her YouTube channel and Instagram accounts – both named Hijabi in Seoul City. She is not just another influencer. Iman is a Somali-American currently living here in Seoul. Armored with her Journalism degree from the University of Minnesota, where she got the chance to study Japanese, French and Korean to add to her English and Swahili, she eloquently speaks her mind in a nonintimidating fashion. Undoubtedly, she had seen and lived in different cultures, but why and how did she become fascinated with Korea? Her story isn’t a unique one. Her love affair with Korea started with Full House and Rain’s (비) music. She was delightfully surprised that a Korean singer – and actor – can sing impressive R&B. She was captivated from then on and the rest is history. She came to Korea in 2012 for a onemonth vacation. Proficient in the Korean language, she took the time to explore Korea’s various cities and took it as a chance for “full-on immersion when it comes to speaking the language.” Contrary to what her mother hoped for – that she was going to get over Korea – she came back in 2015 with a teaching certificate on top of her journalism degree. And she became active on Instagram and YouTube. She maintains she is not a big social media influencer, yet the number of followers she has tells a different story – her Instagram account has more than 26,000 followers and her YouTube channel has more than 43,000 subscribers. She admits that the numbers have grown over the years and her hijab sets her apart. ▶

COVER STORY

Does she see her hijab as source of her power and strength? “It is definitely part of my identity, a part of who I am. It makes me different even though I don’t want to be different. It speaks for me before I speak. It’s something I have grown to appreciate.” She started wearing hijab when she was fourteen years old, the age she began to understand why she needed to wear it. She proudly declares, “I am a practicing Muslim. This is a personal choice for me.” How has it been to be a Muslim and a Hijabi in Korea? “I am black, a Muslim, and a Hijabi in Korea”, she emphasized. “When I first came, it was really hard because there weren’t a lot of Muslims living here in Korea. Lots of Muslims were tourists or students. I experienced discrimination but I don’t hold on to it. I just realize that there’s a lot of ignorance and some people just don’t know. I try to give them the benefit of the doubt.” She has been using her social media presence to be a resource for women of color and Hijabis like her. She shares cafes, unique neighborhoods, where to get halal food, and daily outfit inspirations with her followers. She has remained steadfast in her faith, no matter how fast fashion changes and transforms. Aware of the struggles of other Muslim women here in Korea who were advised to take off their hijab for easier job placement, she gently confirms: “It’s one of those moments you are made to feel you are different. It’s wrong. I can’t turn back on my values and my morals. This is who I am. I don’t want to change for such

a worldly thing…. It made me look at myself and really evaluate what it is that I want from my life. If Korea is not accepting of that side of me, I don’t need to compromise. I’m still here and I’m still working.” Indeed, time has gone by fast. It was only in 2017 when she experienced her first Fashion Week here in Seoul. It became more glaring that there weren’t a lot of Hijabis in the fashion week – and to a wider degree, in the fashion scene. She was elated her ensemble from Monki received a positive response. Then, in March 2018, Q2Han posted an online contest to see who could put together the best outfit from H&M. She submitted her entry on the last day of the contest and wore it on the last day of S/S 2018 Fashion Week. She won and that made her feel more confident that she “maybe [does] have a sense of style.” “I definitely like to be able to show that you can be fashionable and still dress modestly because I think a lot of people think they can’t do both, but you really can! I love this season of autumn and winter. I feel like I thrive the most during this time because layering is something I can do, and I just have fun with my outfit. I love giving outfit inspirations to people… but I know I am still learning myself.” Early this year, she accomplished another feat all on her own. She obtained her resident’s visa. The visa change opens opportunities for foreigners, but she knows her hijab still poses an obstacle. Nevertheless, she has already inspired so many without compromising her faith and she has proven her competence. We will just wait and see… big things are coming her way.

“I definitely like to be able to show that you can be fashionable and still dress modestly.”

COVER STORY

SEOUL INTERNATIONAL SCHOOL SINCE 1973

Korea’s Premier K-12 International School

Accredited by western association of schools & colleges

Our mission

We develop curious minds, creative spirits, and compassionate hearts...

388-14 Bokjeong-dong, Sujeong-gu, Seongnam, Gyeonggi-do, South Korea 031.750.1327 • admissions@siskorea.org

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COMMUNITY

A lot in 10 minutes Seoul Players 10-Minute Play Festival returns

Story EMMA KALKA Photos JEREMY ARTHUR

ust what can you do in 10 minutes? If the annual Seoul Players 10-Minute Play Festival is anything to go by, quite a lot. This year’s event is the ninth installment of the yearly competition and saw a whopping 400 submissions from around the world. The group spent months working through all the pieces before selecting the final 14 that will be performed this month. The first round will take place on Nov. 15-17 with the final round going on Nov. 23. “We always try to look for a complete story,” said Seoul Players Artistic and Technical Director Brian Petersen said. “Ten-minute plays are very difficult. It is quite the challenge for a writer to create a concise beginning, middle, and end in only 10 minutes.” With so many years under its belt, Seoul Players has created a fairly thorough selection process. Submissions were accepted from the end of February to the middle of May and reading took place all throughout that time, with the final selections being made in June. Each piece is read by three readers, who Petersen said are incredibly important to the process. “We have a variety of people that help us read. Each person brings their own likes, dislikes, and opinions to the process,” he said. “We’ve been refining the process over the past few years. Seoul Players is always trying to improve the selection process.”

COMMUNITY Another important aspect, this year they did blind submissions so that the readers did not know if the plays were submitted by local writers or those from abroad - most of the submissions actually came from overseas. Though Petersen said that he can confirm that audiences will see several plays that were written by local writers. Auditions for the cast and crew of the plays took place in early September and since then, the groups have been hard at work preparing for the competition that will give cash prizes to the winning teams of actors, directors and writers. There is a wonderful array of shows this year, from comedy to drama, horror to romance and even a non-verbal movement piece, Petersen added. There is truly a bit of something for everyone. “The 10-minute play festival gets all sorts of people participating,” he said. “We have participants with years of experience and those with none at all. While participating in the festival, you get to meet and collaborate with people you might not have met otherwise.” Tickets to each round are 15,000 won in advance and 20,000 won at the door. There is also a 40,000 won package for those who want to see Program A, Program B and the final round. All rounds will take place at Yeollim Hall in Jongro.

Ten-minute plays are very difficult. It is quite the challenge for a writer to create a concise beginning, middle, and end in only 10 minutes.

Seoul Players 10-Minute Play Festival Location: Yeollim Hall (136-25 Yeongjidong, Jongro-gu, Seoul B2 Tickets: 15,000 won (advance), 20,000 won (door), 40,000 won (3-show package) https://www.seoulplayers.org/ ticketing Schedule: Program A Nov. 15, 9 pm; Nov. 16, 4 pm Laundromat Stalled Kiss Snap, Snap, Boom The Train Banana Pudding The Sentience Test Don’t Push the Red Button Program B Nov. 16, 8 pm; Nov. 17, 4 pm Inertia Mother’s Day Contrition Caleb and Rita Sex Witch T’was the Day After Christmas Playing with Fired Final Round - Nov. 23, 8 pm

COMMUNITY

A nuanced look at relationships The Collective presents “Dinner with Friends”

Story EMMA KALKA Photos ALEXANDRA CHRISTINE ASBURY Poster SEAN LEVITAS

COMMUNITY

o much about today’s cultural landscape is changing. The once strongly held path to success included hard work, getting that degree, landing the good job, get married, have children, and then live happily ever after until life eventually comes to its end. However, today’s generation is changing the dialogue about this belief passed on to many of us from our parents. They are questioning it and choosing another path. It is this current climate that led local performance group The Collective to tackle these topics through its latest production set for November and December, “Dinner with Friends.” Written by Donald Marguiles in the 90s, the play centers on a group of four friends - two married couples - and revolves around their conversations questioning marriage and life choices. This is what led The Collective to dive into the play and explore how these themes apply not only to today, but specifically to the expat community in Korea. “A different theme that specifically speaks to the expat community here surrounds the concept of ‘chosen’ families. One of our characters muses about having to ‘cobble together’ a family of her own since her own birth family was the one she finds unbearable,” said Ray Salcedo, director and co-founder of The

Every cast member brings their own individual perspectives, experiences, and interpretations to the roles they are tasked with breathing life into, and I am confident that even those audience members that are most familiar with this play will be surprised by our particular show.

Collective. “Many of us living abroad indeed forge close knit groups that we may call our families, but they don’t come with any blood or contractual ties.” He continues that these connections aren’t always bulletproof, although many of us may delude ourselves to think that they are. “The cold, hard reality is, and I have seen this again and again, they can be quite fragile, often fractured by insurmountable emotional or geographical distances.”

Known for giving its productions its own twists - The Collective’s previous production of “Romeo and Juliet” set the play in a matriarchal society led by women of color that brought together two women as Romeo and Juliet - this production is no different. The play was originally written for two, upper class white couples from Connecticut and is usually cast with all white actors. According to Salcedo, they have decided to investigate how one key character might be played by an “other,” ▶

COMMUNITY

a foreign woman of color who attaches herself to upper crust U.S. East Coast white culture, but always felt like an outsider trying to fit in. “Her otherness is not coincidental in our portrayal; rather, it is part and parcel to the conflicts she’s in,” Salcedo said. He continued that not a single word of the script has been added, deleted or changed, so keen audiences will witness such tensions in the acting, which is “a welcome and interesting challenge.” The four characters are being portrayed by Jema Abbate, Damien Furtado, Kim Schroeder, and Jeffrey Wagner. Salcedo said they have been digging into their characters and have discovered so many subtextual understandings to share with the audience. “Every cast member brings their own individual perspectives, experiences, and interpretations to the roles they are tasked with breathing life into, and I am confident that even those audience members that are most familiar with this play will be surprised by our particular show,” Salcedo said. It is very much an ensemble cast, he continues, and each actor is a start in their own right, along with the production’s stellar crew. Salcedo said that audiences can expect engaging and nuanced performances that are studied portrayals of various tensions that can arise between friends and couples. “Sprinkle in an explosive moment here and there, and you have the recipe for this culinary-themed drama. Oh, and a lot of wine!” he said. “Dinner with Friends” will be on stage at EMU Artspace on Nov. 30, Dec. 1, Dec. 6, Dec. 7, and Dec. 8. Tickets are 25,000 won with reservation and 30,000 won without.

Sprinkle in an explosive moment here and there, and you have the recipe for this culinarythemed drama. Oh, and a lot of wine!

Dinner with Friends Location: EMU Artspace (Gwangwhamun) Tickets: 25,000 won (Advance); 30,000 won (Door) Dates: Nov. 30 - 4 pm & 8 pm Dec. 1 - 3 pm Dec. 6 - 8 pm Dec. 7 - 8 pm Dec. 8 - 3 pm

COMMUNITY

MUSIC

AOMG brought A$AP Ferg to Korea for Offroute Fest

FOLLOW ME BACKSTAGE.

Story & Photos AMY BENHAM

MUSIC

ffroute Fest is one of the biggest hip hop festivals held annually in South Korea and this was the first time that they spread the festival over two days. Hip hop and R&B legends from both Korea and overseas come to perform at this festival. This year the line up consisted of artists such as Crush, Swings, Dynamic Duo, Sik-K, Woo Won Jae, Hoody, BeWhy, Jay Park, and of course the much anticipated A$AP Ferg. Basically it’s a

playground for AOMG fans, but thanks to AOMG we could get A$AP Ferg to Korea. It was them who brought Ferg out for the festival which conveniently lined up with the rest of his Asia tour. I was lucky enough to be invited to photograph for Ferg at Offroute Fest which is why I’m centering this article around his performance. A$AP Ferg was scheduled to perform at the end of the day. I arrived at the venue a little early so I followed the

crowd to see who was performing and get some shots of the general atmosphere from inside the crowd. It was Jay Park, one of my favorite Korean artists because this man is just consistently working and growing as an artist as well as building up platforms for other artists to grow. Jay’s performance was energetic, colorful, and full of sexy dance moves which is honestly what I would have expected and nothing less. ▶

MUSIC

" It was so amazing to see the crowd hitting all the “huhs” when I performed ‘Wam’." - A$AP Ferg

I got the news that Ferg had arrived on venue so I was led backstage to meet him and the other staff before the show started. No bias here, A$AP Ferg is the friendliest rapper I have ever had the pleasure of meeting! We talked about our mutual friend (shout out to Ramshah and Kwasi who introduced us) and he made an effort to make sure I was comfortable, we talked about his experiences in Asia so far, his upcoming show in Hong Kong, my photography interests and he even asked to see some of my work which was nice. As the show was approaching him we were chilling and decided to teach him some Korean phrases (and those cute heart fingers that Koreans love) to use on stage. I wasn’t sure if he would remember them.

Whilst waiting for the show to start various Korean artists came in to meet Ferg; Dynamic Duo, GroovyRoom’s Hwimin, and Simon Dominic. Ferg and his uncle/bodyguard (T Ferg, very friendly man!) made everyone feel so welcome and even made sure the security staff had enough food and water. It was really nice to see those small gestures. Then, the time had come for the show to start. I went up onto the side of the stage to set up for shooting and I hear Ferg yell into the mic from behind “소리질러 [Sori Jil-luh]!!” . So, he did remember the Korean from earlier! The crowd, of course, went WILD and Ferg ran out onto the stage going full force into new song Floor Seats. From that moment on I moved down to shoot in front of the stage and it

FOLLOW ME BACKSTAGE. 36

was a solid hour performance full of crazy energy and excitement. “It was so amazing to see the crowd hitting all the “huhs” when I performed Wam” said the rapper after the show. The crowd knew the lyrics to all the songs, he could stop rapping and they would nail it. It’s so awesome to see that even with language differences music brings people together like this. And of course, the energy at the venue was unbelievable when he performed his popular hits New Level and Shabba. The Korean artists who had performed throughout the day had come out from backstage to the front-side of the stage to enjoy the show. “Jay where you at?” yelled the rapper into his mic. Towards the end of his set, Ferg brought out Jay Park to perform together and thank him for

MUSIC

bringing him out to Korea. I don’t think he was expecting this because I turn around and see a slightly confused Jay running towards the stage, but nevertheless they shared a song together and the chemistry between the two on stage was incredible. Never in my life did I think I would see two of my personal legends of hip hop from different countries come together on stage whilst I happen to be photographing the moment. I felt like I was in a dream because this didn’t really hit me until later. After the show, we all went backstage to wrap up. Ferg was buzzin after the show, he was really impressed by the reaction of the crowd out here in Korea. Jay came into our tent to officially introduce himself “Hi, I’m Jay” he says as he shakes our hands and I pretend to act cool as if I

haven't been a fan of his since high school and proceed to ask him if he had a good day… Who says that to JAY PARK?? But nonetheless, he makes conversation with me which I’m pleasantly surprised at. Anyway, Jay and Ferg talk about the show from today, and also about making some music together, and they decide to head to the studio after the show. I’m really looking forward to hearing what music they made together. I’m really glad that A$AP Ferg had a great performance and experience in Korea, he was sad to leave so quickly but hopefully, we can see Ferg again in Korea for a solo concert too. He really set the standard high for other rappers coming to Korea. It will be hard to match the kind of energy and kindness he brings!

No bias here, A$AP Ferg is the friendliest rapper I have ever had the pleasure of meeting!

On my ride home it was finally setting in what I had just experienced, that Sunday morning when I woke up I didn’t know I would even be at this event but what an incredible day it turned out to be. I want to thank Charles from AOMG for helping Ferg and his team in Korea, as well as HIPHOPPLAYA and MPMG for organizing OffRoute Fest.

FOLLOW ME BACKSTAGE. 37

K-FASHION

Dreaming of Summer editors Dianne Pineda-Kim and Lorena JimEnez give a trend report and standout collections from Seoul Fashion Week S/S20

Story LORENA JIMÃ&#x2030;NEZ AND DIANNE PINEDA-KIM Special thanks to SEOUL FASHION WEEK ORGANIZATION

LIE: The Art of Diving Creative Director of LIE Chung Chung Lee dove into the lives of the Haenyo (해녀), a community of elderly Korean women divers in Jeju who keep their household afloat through fishing and searching for bountiful treasures under the sea. They are not only a symbol of Korea’s cultural heritage but also a representation of women’s strength, courage, and resilience. Sadly, the last of their generation are dwindling, and because of this, LIE told their compelling narrative through modern daily scuba suits, fishnet accessories, woven bags, and traditional Korean robes that seek to inspire and pay tribute to the art of diving. The show’s introduction was particularly dramatic, with a singer and dance choreography that was both haunting and moving. The collection’s references were clear: it reflected a deep-sea journey that combined pieces with prints, details, and colors that mimic the scenes above and underwater.

K-FASHION

Youser: Living on the Edge From start to end, Creative Director of Youser Lee Mooyeol’s goal was clear: his clothes are meant to have that shock factor that will send chills down the spectator’s spine from start to end. His collection was part performance, part spectacle, with neonreflecting clothes glowing under the purple lights and the haunting sound of metal hardware accessories that can be clearly heard clacking as the models stomped on the runway. His vision of clothes is mostly genderless, with fringes, embellished denim, belt buckles, bolo ties, boot chains, leather, and hats depicting a futuristic world of the wild, wild west. The collection revisits the image of a heroic cowboy riding his horse under the blue skies—only this time this old western fantasy is shattered and dragged into modernity through an edgy wearer whose audacity and confidence are amplified by his or her clothes.

Fayewoo: The New Evening Wear Creative Director Faye Woo first introduced her eponymous line with “feminine looks fused with wild rock n’ roll inspiration” in 2007. Fast forward to today, her original aesthetic still shines through in her own interpretation of Spring-Summer, which was filled with perfectly tailored dresses and pieces that every independent, go-getting woman would want to wear. Instead of the usual light and flowy fabrics typically expected of the season, the brand brought out one glamorous outfit after another, with power shoulders, glittery fringes, metallic sequins, and luxurious lace. For Fayewoo, summer isn’t about languidly lounging under the sun—instead, it’s embracing the vibrant energy of life and looking the part.

K-FASHION

Han Chul Lee: The Beauty of Simplicity In a new season of Seoul Fashion Week filled with uncountable patterns, designer Han Chul Lee surprised us with monochromatic outfits presented in both neutral and bright colors. A collection that evoked masculinity, charisma, and the savoir faire of experience. Models hit the runway to soft music and perfectly tailored clothing, in which every detail had been carefully considered. From top to bottom, accessories brightened up the looks. Jewelry, hats, and footwear brought the collection together in harmony while slowly developing into more sophisticated designs and richer fabrics with each new outfit. Visible clothing tags, seams, linings, fabric splits, belting, and ankle straps added together to create the perfect look. And donâ&#x20AC;&#x2122;t forget the footwear, a personal favorite, also designed by Han Chul Lee himself in collaboration with streetwear brand Descente. In this 20 SS Bom-Yeorm collection, which started sober and powerful but finished brighter and sexier, the minimal silhouettes and careful attention to detail did nothing but accentuate the beauty of simplicity

Greedilous: The Art of Showmanship When it comes to Greedilous, you can always expect a big show and designer Youn Hee Park never disappoints. Extensive collections, vivid colors, games of volumes, eye-catching patterns that seem to almost come out of the fabrics, and a big element of surprise are never missing from her parades. All components were present in this last 20SS season, with designer Park â&#x20AC;&#x153;inspired by Cleopatra herselfâ&#x20AC;? in interpreting the beauty of liberal self-expression by creating a chandelier-like aesthetic through her patterns, accessories, and silhouettes. The beauty and diversity of femininity, in which tribal-like makeup, tassel purses, retro vibes, colorful two piece sets, and colorful head scarves were the main stars, added an exotic and luxurious feel to her new collection.

K-FASHION

Photo credit: Natalie Rapisarda

Hausofpbk: Making Fashion Timeless Hausofpbk and designer Park Byung Kyu delighted us with a collection to dress not only the woman but the lady. Mostly monochromatic colors but with a game in shapes, volumes, and patterns that even when clean could never be classified as boring. Detailed outerwear, semiformal two-piece suits, voluminous skirts, and classic yet unique dresses took the lead in a collection that while being wearable would still make anybody stand out of the crowd. Rich fabrics, a mix of elements, and beautiful silhouettes completed the designs, giving birth to a new Spring-Summer collection in the form of fashion that, even while following the current trends, will stay timeless for a long time. Designer Park Byung Kyu proved once again that he does not create fast fashion in the hopes of temporary approval. He creates fashion that represents a lifestyle, one that exudes timeless class and luxury.

Trained at TONI & GUY and VIDAL SASSOON Academy in UK Color, Perm, Magic Straight, Treatment and more English Spoken For more info, call Johnny Tel 02.363.4253 Mobile 010.5586.0243 3rd fl. 168-3 Donggyo-dong, Mapo-gu Qunohair Gangnam / Apgujeong Branch Tel 02.549.0335 10-6, Dosan-daero 45-gil, Gangnam-gu, Seoul www.qunohair.com

www.hairnandjoy.com 45

FOOD & DRINK

change your perspective A few thoughts at a beautiful cafe

Story BECKY WHITE Photos MANON THORE

find it fascinating that we perceive ourselves in a different way than others view us. It’s also interesting to see how these perceptions change over time without us even knowing. When I was in high school, I disliked my body. My hips were ‘too wide,’ I was ‘too tall,’ my nose was ‘too awkward.’ I could barely look at my own photos. Now, past high school and learning about health and fitness, I rediscovered some old high school pictures and was beyond shocked to recognize how slim I was. Rather than actively changing a wrong perception about myself, it seems that time and knowledge naturally replaced one perception with a more honest one; I am healthy and happy to be me. Allow me to share five ways I’ve changed negative perceptions about myself and people. ▶

FOOD & DRINK

But we know that beauty comes from within the real person is more than just what is seen with the visible eye. Ask yourself who you are and explore the person called ‘me'.

GET EDUCATED The perfect example is learning about health and fitness to overcome the warped view I had about my body. Learning broadens our mind and I’m a firm believer that through reading we see the world in many different ways that we could never experience in just one life. GET SELF-AWARE It’s so easy to show to other people the sides we only want them to see. We get caught up in the social media life and end up getting consumed looking at our outside appearance; do I look good? But we know that beauty comes from within - the real person is more than just what is seen with the visible eye. Ask yourself who you are and explore the person called ‘me'. GET HUMBLED I hate it, but it’s true. Getting humbled can reveal so much about ourselves and give us clarity. Some perceptions are negative but in the sense that we have an inflated view of our greatness. If you haven’t heard it yet, let me be the first to say it - no matter how smart, how pretty, or how talented you are, there is someone out there who is better than you. The good news? Your value is not found in the number of followers you have or the amount of money in the bank. Getting humbled straightens out big-headed perceptions we have about ourselves in quickly and often painfully. But it’s good in the long run. ▶

FOOD & DRINK

Getting humbled straightens out big-headed perceptions we have about ourselves quickly and often painfully. But it’s good in the long run.

GET EXPERIENCES Trying something new teaches you something new. Traveling to places hitherto unknown reveals a lot about yourself and the cultures you hail from. We often uphold our way as best; we sometimes have harmful perceptions about cultures and people groups that we don’t realize we are carrying until we come face to face with those cultures and people. I once perceived eggplant as weird, squishy food (totally false) but after I experienced it in a grilled parmesan dish my perception completely changed. GET HURT This is the worst way to change your perceptions. Do you think you are invincible? Once we realize the pain of losing someone special to us, the way we perceive life and time dramatically changes. Loss heightens our awareness of what we do have. On a smaller scale than life and death, I remember the first time I failed an audition for the school play. I wanted it so badly and believed I deserved that role. When I was rejected even from the chorus, I cried into my pillow, bewailing the injustice. I will tell you, however, after that I worked twice as hard to never feel the sting of failure again - impossible to avoid forever, but pain is definitely a great motivator at times. What doesn’t kill you makes you stronger. Visit Perception Cafe when you can. It’s undeniably gorgeous, with the light wood and unusual wavy ceiling. I love the accents of greenery and flowers that soften the whole ambiance. Glass walls let the light stream in, and for such a small place, it’s a great spot for a shoot. Follow the official Cafe Hunter on instagram @CafeHunter.Official and the website sincerelybecky.com

FOOD & DRINK

Perception Cafe 16 Eoulmadang-ro 1-gil, Hapjeong-dong, Mapo-gu, Seoul @perception_coffee

M, W, TH, F, Sat, Sun 9 am to 12 am / Rest on Tues

FAMILY AND KIDS Eton House Prep (02) 749-8011 • 68-3 Hannam-dong, Yongsan-gu, Seoul A unique British-style Prep School for children of all nationalities from 2-13 years of age. A broad, challenging and innovative curriculum preparing pupils for senior school and life beyond. www.etonhouseprep.com AMUSEMENT PARKS Everland Resort (031) 320-5000 • 310 Jeondae-ri, Pogokeup, Cheoin-gu, Yongin-si, Gyeonggi-do Lotte World (02) 411-2000 0 • 240 Olympic-ro, Songpa-gu, Seoul Pororo Park (D-Cube city) 1661-6340 • 360-51 Sindorim-dong, Guro-gu, Seoul Children’s Grand Park (zoo) (02) 450-9311 • 216 Neungdong-ro, Gwangjin-gu, Seoul Seoul Zoo (02) 500-7338 • 159-1 Makgyedong, Gwacheon-si, Gyeonggi-do BOOKSTORES What the Book? (02) 797-2342 • 176-2, Itaewon 1-dong, Yongsan-gu, Seoul • whatthebook.com Located in Itaewon, this English bookstore has new books, used books and children’s books. Kim & Johnson 1566-0549 • B2 fl-1317-20 Seochodong, Seocho-gu, Seoul

HEALTH ORIENTAL MEDICINE Lee Moon Won Korean Medicine Clinic 02) 511-1079 • 3rd fl., Lee&You bldg. 69-5 Chungdam-dong, Gangnam-gu, Seoul Specializes in hair loss and scalp problems and offers comprehensive treatments and services including aesthetic and hair care products. COSMETIC SURGERY MIZAIN plastic surgery Seoul National University College of Medicine graduate doctors offer the best quality medical services • (02) 515 6199 • Dosan-daero 423 (Cheongdam-dong 91-11), Gangnam-gu, Seoul www.mizainps.com MVP plastic surgery Welcoming environment for foreigners and friendly staff guarantees a pleasant visit for cosmetic surgery related consultations. (02) 3442 6669 •Nonhyeon-ro 819, Gangnam-gu, Seoul JK plastic surgery center Experience the best medical system in Korea. Its superb system allows the minimum efforts for your medical experiences. (02) 777 0337 • 584-2 Sinsa-dong, Gangnam-gu, Seoul FITNESS Exxl Fitness Gangnam Finance Center, 737 Yeoksamdong, Gangnam-gu, Seoul www.exxl.co.kr

UROLOGY & OB Sewum Urology (02) 3482-8575 • 10th fl., Dongil bldg., 429 Gangnam-daero, Seochogu, Seoul Tower Urology (02) 2277-6699 • 5th fl. 119 Jongno 3-ga, Jongno-gu, Seoul DENTAL CLINIC Boston Dental Clinic General dentistry / Periodontics / Orthodontics (02) 3482-0028 • 92-12 5F, Banpo 4-dong (Seorae French Village), Seocho-gu, Seoul OPHTHALMOLOGY Dream Eye Center The best eye clinic for LASIK and LASEK. 3,000+ foreign patients over 20+ years of experience with 0 complaints. If you’re considering getting this, make sure to choose the best. • 1588 9881 • 14 fl., Mijin Plaza, 825 Yeoksam-dong, Gangnam-gu, Seoul ANIMAL HOSPITALS Chunghwa Animal Hospital / Korea Animal Transport (02) 792-7602 • 21-1 Itaewon-dong, Yongsan-gu, Seoul / www.cwhospital.com

MUSEUM AND GALLERIES National Museum of Korea (02) 2077-9000 • 168-6 Yongsandong 6-ga, Yongsan-gu, Seoul The NMK offers educational programs on Korean history and culture in English and Korean. National Palace Museum of Korea (02) 3701-7500 • 12 Hyoja-ro, Jongnogu, Seou This museum has a program called Experiencing Royal Culture designed for English teachers to help learn about Joseon royal culture. Seodaemun Museum of Natural History (02) 330-8899 • 141-52 Yeonhui-dong, Seodaemun-gu, Seoul Don’t know where to take your kids on weekends? This museum exhibits a snapshot of the world and animals. National Museum of Contemporary Art, Korea (02) 2188-6000 • 313 Gwangmyeongro, Gwacheon-si, Gyeonggi-do Leeum Samsung Museum of Art (02) 2014-6901• 747-18 Hannam-dong, Yongsan-gu, Seoul • 10:30 am-6 pm Closed on Mondays, New Year’s Day, Lunar New Year and Chuseok holidays. Gallery Hyundai (02) 734-6111~3 • 22 Sagan-dong, Jongno-gu, Seoul The first specialized art gallery in Korea and accommodates contemporary art. • 10 am-6 pm Closed on Mondays, New Year’s Day, Lunar New Year and Chuseok holidays. Plateau (02) 1577-7595 • 50 Taepyung-ro 2-ga, Jung-gu, Seoul • 10 am-6 p. m. Closed on Mondays. National Museum of Modern and Contemporary Art, Seoul (MMCA SEOUL) (02) 3701-9500 • 30 Samcheong-ro, Sogyeok-dong, Jongno-gu, Seoul Daegu Art Museum (053) 790-3000 • 374 Samdeok-dong, Suseong-gu, Daegu Art space for local culture presenting Daegu’s contemporary fine arts and internationally renowned artists.

EMBASSIES American Embassy (02) 397-4114 • 188 Sejong-daero, Jongno-gu, Seoul Canadian Embassy (02) 3783-6000 • (613) 996-8885 (Emergency Operations Center) Jeongdong-gil (Jeong-dong) 21, Jung-gu, Seoul British Embassy (02) 3210-5500 • Sejong-daero 19-gil 24, Jung-gu, Seoul Australian Embassy (02) 2003-0100 • 19th fl, Kyobo bldg., 1 Jongno 1-ga, Jongno-gu, Seoul Philippine Embassy (02) 796-7387~9 • 5-1 Itaewon-dong, Yongsan-gu, Seoul Spanish Embassy (02) 794-3581 • 726-52 Hannam-dong, Yongsan-gu, Seoul French Embassy (02) 3149-4300 • 30 Hap-dong, Seodaemun-gu, Seoul

HOTELS & RESORTS Banyan Tree Club & Spa Seoul (02) 2250-8080 • San 5-5, Jangchung-dong 2-ga Jung gu,Seoul

Novotel Ambassador Gangnam (02) 567-1101 • 603 Yeoksam 1-dong, Gangnam-gu, Seoul Grand Hilton Seoul (02) 3216-5656 • 353 Yeonhui-ro, Seodaemun-gu, Seoul Somerset Palace Seoul (02) 6730-8888 • 85 Susongdong, Jongno-gu, Seoul Park Hyatt Seoul (02) 2016-1244 • 606 Teheran-ro, Gangnam-gu, Seoul Lotte Hotel Busan (051) 810-1000 • 772 Gayadaero, Busanjin-gu, Busan Park Hyatt Busan (051) 990-1244 • 51, Marine City 1-ro, Haeundae-gu, Busan 612824, Korea

EMERGENCY MEDICAL CENTERS

Seoul National University Hospital 1339 • 28-2 Yeongeon-dong, Jongno-gu, Seoul Seoul Samsung Hospital 1599-3114 • 50 Irwon-dong, Gangnam-gu, Seoul Asan Medical Center 1688-7575 • 88 Olympic-ro 43-gil, Songpagu, Seoul Keimyung University Dongsan Medical Center (053) 250-7167 (7177 / 7187) • 56 Dalseong-ro, Jung-gu, Daegu

AIRLINES Korean Air 1588-2001

FAMILY AND KIDS Yongsan Intl. School (02) 797-5104 • San 10-213 Hannam-dong, Yongsan-gu, Seoul Seoul Intl. School (031) 750-1200 • 388-14 Bokjeongdong, Sujeong-gu, Seongnam, Gyeonggi-do Branksome Hall Asia (02) 6456-8405 • Daejung-eup, Seogipo-si, Jeju Island Daegu Intl. School (053) 980-2100 • 1555 Bongmudong, Dong-gu, Daegu

Dulwich College Seoul

Asiana Airlines 1588-8000 Lufthansa (02) 2019-0180 Garuda Indonesia (02) 773-2092 • garuda-indonesia.co.kr

University Dongsan Medical Center (053) 250-7167 (7177 / 7187) 56 Dalseong-ro, Jung-gu, Daegu

Jeju Air 1599-1500

Gangnam St-Mary’s Hospital 1588-1511 • 222 Banpo-daero, Seocho-gu, Seoul

British Airways (02) 774-5511

Yonsei Severance Hospital (Sinchon) (02) 2227-7777 • 50 Yonsei-ro, Seodaemun-gu, Seoul

Delta Airlines (02) 754-1921

T’way Air 1688-8686 Jin Air 1600-6200 Cathay Pacific Airways (02) 311-2700v Emirates Airlines (02) 2022-8400

Dulwich College Seoul offers an exemplary British-style international education (including IGCSE and IBDP) for over 600 expatriate students aged 3 to 18 from over 40 different countries. 6 Sinbanpo-ro 15-gil, Seocho-gu, Seoul, Korea http://seoul.dulwich.org/ admissions@dulwich-seoul.kr 02-3015-8500