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STUDIO 2008-2013
2012 - 2013 119 events 26 exhibitions 21 studios 18 workshops
2011 - 2012 108 events 13 exhibitions 28 studios 19 workshops
2010 - 2011 68 5 17 12
2009 - 2010 40 9 17 9
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2008 - 2009 28 4 11 3
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events exhibitions studios workshops
STUDIO
ON URBAN BORDERS
“THERE ARE INVISIBLE LANES IN THE SKY, SOME SHIFT WITH THE CLOUDS, OTHERS MATERIALIZE IN THE OVERFLIGHT.”
MOSCOW
BEIJING
Air: Its Contents, Value, and Motion 08.10.2013
PARIS
How Much Radiation Now? 18.05.2013
SHENZHEN
AMMAN
Aerial Arts: Reconnaissance Reconsidered 16.10.2013 Aerial Arts: Defense Discourses, Cartographic Critiques 11.10.2013
MUMBAI
X-Agenda 04: Wind and Light 01.07.2013
RIO DE JANEIRO SÃO PAULO
JOHANNESBURG
The construction and protection of the urban commons demands the visualization of its INVISIBLE BORDERS.
“WE IMAGINE THE CITY AS AN ENGINE OF GENEROSITY; AS AN ARCHITECTURE OF SHARING.”
Green Airplane 08.08.2012 TOKYO
ISTANBUL
NEW YORK CITY
代表邊框： 這個問題在建築平移的代表性設想轉 化成線，線成敘事，想像，機構和政 治機構，這反過來又改變我們的建築 環境。
MOSCOW
BEIJING PARIS
When Sharing isn’t Enough 26.02.2013
TOKYO
ISTANBUL
NEW YORK CITY
The Roots & Black Ticket Films: 'TIMBAKTU' 10.05.2013
AMMAN
Reclaiming Land, Building the Urban Commons 29.10.2013
PSW5: Access, Participation, and the Public Sphere 11.07.2013
Cross Border Education Workshop: A rchitectures of Sharing 17.01.2014
MUMBAI
Bicycle Sharing 23.05.2013
RIO DE JANEIRO
People Building Better Cities 29.07.2013
SHENZHEN
SÃO PAULO
JOHANNESBURG
Can the SHARING economy and its 代表邊框： 這個問題在建築平移的代表性設想轉 spatial consequences transcend 化成線，線成敘事，想像，機構和政 and challenge urban BORDERS? 治機構，這反過來又改變我們的建築 環境。
“OUR GEOGRAPHIC LOCATION SEEMED TO BE RELEVANT ONLY TO DETERMINE OUR TIME ZONE. NOW IS HERE, YET IS ALSO NOWHERE.”
MOSCOW
BEIJING PARIS
"Google/Arctic/Mars" 08.05.2012
Collecting Architecture Territories 01.07.2013
ISTANBUL
NEW YORK CITY
TOKYO
SHENZHEN
AMMAN
Extraordinary Coexistence: Cairo's City of the Dead 04.11.2013 RIO DE JANEIRO SÃO PAULO
Journey of Discovery 13.07.2013
MUMBAI
Lost Highway 12.03.2013
Networks: limits, locality and liminality 22.02.2014
JOHANNESBURG
The ongoing redefinition of our GEOSPATIAL BORDERS is mirrored in the slippery geography of the contemporary city.
代表邊框： 這個問題在建築平移的代表性設想轉 化成線，線成敘事，想像，機構和政 治機構，這反過來又改變我們的建築 環境。
“BY DRAWING THE FIRST LINE THEY HAD INEVITABLY DEFINED AN INSIDE, OUTSIDE, AN UP AND DOWN.” Architectural REPRESENTATION translates ideas into lines, lines into BORDERS. Drawing needs to be an act of responsibility.
BEIJING PARIS
Architecture + Representation 05.10.2013
ISTANBUL
NEW YORK CITY
TOKYO
SHENZHEN
AMMAN
Reflections & Opportunities: Design, Cities, and the World Cup 10.05.2012
“ink” 04.07.2009
MUMBAI
RIO DE JANEIRO SÃO PAULO
JOHANNESBURG
Critical Copying 23.08.2013 30.08.2013
City-Cultural identities in the making: Contemporary politics of the imagination 07.12.2013
代表邊框： 這個問題在建築平移的代表性設想轉 化成線，線成敘事，想像，機構和政 治機構，這反過來又改變我們的建築 環境。
“WE ARE MOVING, NOT VERTICALLY, HORIZONTALLY, UPWARD OR DOWNWARD, BUT AT A SPEED OF NEARLY 30 KILOMETERS PER SECOND.” “THEY WERE THINKING ABOUT CITIES AND, THEREFORE, STARTED LOOKING AT THEIR LIVING ROOMS.” The city doesn’t end just in the BORDERS of our DOMESTIC environment. We live in a shared space of urbandomesticities and domesticurbanisms.
MOSCOW
Night School: An Evening of Psychometric Drawing 10.12.2011
代表邊框： 這個問題在建築平移的代表性設想轉 化成線，線成敘事，想像，機構和政 治機構，這反過來又改變我們的建築 環境。
MOSCOW
BEIJING PARIS
TOKYO
ISTANBUL NEW YORK CITY
Ciclo Rotas Centro 23.07.2013 Urban Archeology and Cultural Heritage 18.06.2013
SHENZHEN
AMMAN
Happy Owners 08.02.2013 MUMBAI
Centro Carioca de Design 19.01.2012
Design Intelligence: Trading Stories 09.10.2013
RIO DE JANEIRO SÃO PAULO
JOHANNESBURG
Toward a comprehensive understanding of the consequences of physical, social and economic MOBILITY, and its multiple BORDERS. What does “preservation” means in the context of circulatory dynamics?
代表邊框： 這個問題在建築平移的代表性設想轉 化成線，線成敘事，想像，機構和政 治機構，這反過來又改變我們的建築 環境。
MOSCOW
BEIJING PARIS
TOKYO
ISTANBUL NEW YORK CITY AMMAN
Minha Casa-Nossa Cidade 30.08.2013
Housing without Developers? India and America 23.03.2013 MUMBAI
My House-Our City 20.07.2013
Trespassers Only 20.04.2012
RIO DE JANEIRO SÃO PAULO
JOHANNESBURG
SHENZHEN
Tea Ceremony of the Five Axis Arbor (五軸庵) 09.08.2013 What Is Foreclosed? 什么是法拍屋？ 13.09.2012
How many configurations can POP-UP Studio-X space at the Value Factory create? Does form follow content; or does content generate form? We invite you to unlock your creative imagination. Formulate your own space, debate and inquiry with Studio-X. Shift the hanging tables, re-arrange the X-stools and start your own spatial conversation. Stand in X- marks the spot, take a snap with your camera, or a time-lapse and send to Studio-X: pop-up-studioxshenzhen@coulmbia.edu. In real-time we will share your space with our network. 位于深圳价值工厂里的 POP-UP Studio-X，可以形成多 小个不同的布局？ 究竟是内容决定形式，还是内容产生形式？ 我们诚邀你的参与，释放大家的想象力。与 Studio-X 一起制定属于你的空间、辩论和探讨。 透过重新移动和排列这里的悬桌子和X凳子，编写你的 布局，与空间展开对话。 站在X标志，拍摄快照或用缩时摄影，发送到 Studio-X 的邮箱：pop-up-studioxshenzhen@colmbia.edu。 即时于网络分享属于你的空间。
1. The Classroom 2. Cafeteria-Style
3. Communal Tables 4. The Icon
5. The Boardrooom
6. The Coastline
BI-CITY BIENNALE OF URBANISM/ARCHITECTURE 06.12.2013-28.02.2014 Conceived for the Bi-city Biennale of Urbanism\Architecture, the POP-UP STUDIO-X SHENZHEN generates new modes of thinking and sharing within the context of the Pearl River Delta. Visitors and participants are invited to redefine the space, engage with collaborative tools both in workshop and experimental platforms, and implement an architecture for real-time exchange of projects and ideas. Studio-X directors share research materials that reflect on the concept of “urban borders” across national and international spaces, and a host of events explore the value of cultural production of cities relevant to Hong Kong and Shenzhen’s urbanism. www.szhkbiennale.org
STUDIO-X GLOBAL NETWORK: http://www.arch.columbia.edu/studio-xglobal Mark Wigley (Dean, Columbia University GSAPP) Nora Akawi (Director, Amman Lab) Magu Bueno (Director, São Paulo Lab) Selva Gürdogan (Director, Studio-X Istanbul) Daisuke Hirose (Director, Tokyo Lab) Li Hu (Director, Studio-X Beijing) Malwina E. Łys-Dobradin (Director of Special Projects, Global Network Programming) Mpho Matsipa (Director, Studio-X Johannesburg) Marina Otero Verzier (Director, Global Network Programming) Pedro Rivera (Director, Studio-X Rio de Janeiro) Rajeev Thakker (Director, Studio-X Mumbai) Nicola Twilley (Director, Studio-X New York City) Marisa Yiu (Curator, POP-UP Studio-X Shenzhen/Hong Kong)
STUDIO-X STEERING COMMITTEE: Mabel Wilson (Chair) Amale Andraos Vishaan Chakrabarti Clara Irazabal Reinhold Martin Jorge Otero-Pailos Hilary Sample Smita Srinivas Enrique Walker
POP-UP STUDIO-X SHENZHEN: CURATORIAL CONCEPT: Marisa Yiu (Curator, POP-UP Studio-X Shenzhen/Hong Kong) Marina Otero Verzier (Director, Global Network Programming) EXHIBITION DESIGN: Marisa Yiu (Founding Partner, ESKYIU) Kan Chan (Designer, ESKYIU) GRAPHIC DESIGN: Gregory Bugel (Exhibition Coordinator, Global Network Programming Aaron Lennox Humphrey (Production Assistant) EVENTS: Marisa Yiu (Curator, POP-UP Studio-X Shenzhen/Hong Kong) Amber Young (Associate Project Director, ESKYIU) The Hong Kong Cultural Consortium: Asia Art Archive, Parasite, Ink Society, HK Arts Festival, Centre for Architectural Heritage Research (CUHK) and The School of Architecture, the Chinese University of Hong Kong Tat Lam and Travis Bunt (Directors, Urbanus Hong Kong & Shenzhen) © 2013 STUDIO-X GLOBAL NETWORK