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Volume 92 | Issue 4
Sept. 27
“The Career Closet goes crazy”
On Sept. 27, a non-GSU offender was arrested for public indecency outside 25 Park Place.
THE BLOTTER
www.georgiastatesignal.com
CRIME BLOTTER
Sept. 29
“Picnic in the Park” On Sept. 29, two non-GSU offenders were arrested for liquor law license violations in Woodruff Park.
NEWS BRIEFS
LOCAL
On Sept. 29, a fire ignited on the roof of a chemical plant in Conyers, resulting in large plumes of smoke and chlorine gas being let out into the air. The fire started after a malfunctioning sprinkler head “came in contact with a water reactive chemical and produced a plume,” said county officials in a statement. Representatives from the plant announced that nobody was injured in the fire, but the chlorine gas released led to a shelter-in-place order being issued for over 90,000 residents in the surrounding area.
NATIONAL
On Sept. 27, New York City Mayor Eric Adams pleaded not guilty to federal corruption charges, including bribery and wire fraud. Prosecutors allege in the 57-page indictment that Adams used his position to gain luxury travel, hotel stays and illegal campaign donations from foreign nationals. The indictment also claims Adams pressured the city to approve the Turkish consular building without a fire inspection in exchange for these benefits. Adams denies the charges and intends to defend himself. Governor Kathy Hochul is reportedly considering using her authority to remove Adams from office.
Monday, October 7, 2024
Sept. 29
“Is this the scene of a heist or a lecture hall?”
On Sept. 29, a non-GSU offender was arrested for trespassing into the Bank of America building on campus.
INTERNATIONAL
Israeli airstrikes in southern Beirut killed Hezbollah leader Hassan Nasrallah, worsening tensions in the region. The Israeli Defense Forces claimed Nasrallah was advancing operations against Israel, while Hezbollah mourned his death and vowed to continue its fight. Iran and regional allies condemned the attack, with Iran’s Supreme Leader Ali Khamenei warning of further strikes against Israel. While the U.S. supported the strike, calling it “justice,” it also urged de-escalation, as Israeli forces continued to bomb Hezbollah strongholds, killing dozens and displacing thousands.
PHOTO OF THE WEEK
Photo by Hunter Laserna
Zoo Atlanta’s pandas are packing their suitcases
Four giant pandas are set to return to China this week, leaving the zoo panda-less.
News Editor David Hoffman
oo Atlanta has announced its four giant pandas will leave the
United States to return to China.
Specifics on the panda’s departure timeline have yet to be released, however, they are set to return within the next week or two.
In a statement published earlier last month, the zoo broke the news that its loan agreement with the Chinese government will close. Before this announcement, Zoo Atlanta was seen as one of the last zoos in the country to house pandas.
“While Zoo Atlanta will certainly miss Lun Lun, Yang Yang, Ya Lun, and Xi Lun, and their departure is bittersweet, they have created a momentous legacy here in Atlanta and around the world,” said Raymond B. King, President and CEO of Zoo Atlanta. “It has been our privilege to be able to share this remarkable family with our Members and guests for 25 years.”
Zoo Atlanta first received pandas in 1999 as part of a 25-year loan agreement. In the years since, the zoo has been home to nine other pandas all stemming from their first pair named Lun Lun and Yang Yang. This includes the four pandas that are set to return to China this month, despite being born in the United States.
The Arthur M. Blank Family Foundation Giant Panda Conservation Center has been one of Zoo Atlanta’s hallmark exhibits since its opening in 1999. Zoo Atlanta claims that because of the exhibit, they’ve been able to provide over $17 million for the conservation of giant pandas in China. Most of those funds have been used to support eight different Chinese nature reserves.
The zoo’s panda departure is part of a larger trend seen throughout zoos across the United States. In mid-2023 the Memphis Zoo in Tennessee returned its panda, and later that same year three giant pandas were returned from the National Zoo in Washington D.C.
No announcements have been made about talks to extend the panda’s stay or introduce new pandas to the zoo. In fact, it could be a while until we hear any news about another panda deal in the United States.
Panda’s natural habitats are contained solely within Chinese borders, which allows the Chinese government to put in place a monopoly over the animals. Pandas have been seen as offerings of goodwill between China and its foreign partners around the world. Through a practice dating back to the 1940s, China has been known to use animals as a way to improve its public image and extend an olive branch to other countries. The practice is commonly referred to as “panda diplomacy.”
In more recent times, China has shifted away from outright gifting pandas. Instead, zoos across the world have organized loan agreements like the one Zoo Atlanta entered back in 1999. These agreements often have a set period until the pandas need to be returned, and include a yearly 1 million dollar per panda fee and an additional $400,000 fee for any cubs born throughout the agreement.
The date of the panda’s departure has not been announced, however, those wishing to see the exhibit before its closure are encouraged to book their trip sooner rather than later as it’s estimated they’ll only be here for another week. If you’re unable to visit the zoo in person, a 24-hour PandaCam is available from Zoo Atlanta’s website: www.zooatlanta.org/panda-cam.
COMIC
Photo by Alotrobo | Pexels
Comic by Shemar DeBellotte
OPINIONS
Volume 92 |Issue 4
www.georgiastatesignal.com/opinions
Monday, October 7, 2024
Feminine energy should not equate to financial dependence
Why the “Feminine” vs. “Masculine” Energy” trend is dangerous.
As the months of the year pass, so do social media trends. It feels impossible to keep up with every trend, on every app, in every part of the globe.
However, these past few months, a particular trend has seemed to be ever present: the “unlocking your feminine energy” trend.
This trend consists of women explaining to their audiences how they can leave their “masculine energy” behind and instead learn to live in their “feminine girl era.” This trend is snowballing into a dangerous movement that could potentially harm the millions of young girls who are exposed to this kind of content.
Women have been leading feminist movements for hundreds of years in hopes of achieving equality and the right to lead a life free from men’s control. Today, some women may believe that these movements are no longer necessary and that the fight for equal rights between men and women is a thing of the past. This could not be further from the truth.
To truly recognize how precarious this trend can be for young girls, it is important to understand exactly what it entails. Its original intention was to explain why many women were not receiving the “treatment” they feel they deserve from the men they date. From there, several content creators decided to explain to their audiences how they can be “treated right,” or in other words, receive the “princess treatment.”
“Basically, to truly be in your feminine energy, you need to feel taken care of and secure,” said a TikToker with two hundred and forty-seven thousand followers.
Phrases like “taken care of” and “trusting and receiving” should raise red flags. They should not be synonymous with female traits. It pushes a narrative that, in order to be “feminine,” you should embody an energy that
resembles that of a powerless child.
The more one scrolls on this trend, the worse it gets. “Feminine energy relies on the masculine to provide, solve her problems, and protect her,” read another TikTok of hers.
“When a man asks what you are looking for, tell him, ‘I’m looking for an old fashioned man…that means somebody who [is] paying!” said Youtuber, SheraSeven, whose videos generate millions of likes, and positive comments. She has amassed a large following, mainly of women and girls, who feel inspired by her view that women should only go for men who pay for everything. These posts give off a kind and innocent message. Nevertheless, behind their heart emojis, and pink bow ties lies the perilous implication that to be loved women must embody an antiquated role.
Young girls need to recognize the danger that comes with being financially dependent on a partner. Allowing one person to have sole control of money leaves the relationship at a major unbalance. Since the financially dependent partner is unable to support themselves on their own, they are much less likely to be able to leave the relationship in the future.
It is time that content creators take responsibility for the dangerous content that they are promoting to young girls and stop encouraging ideas that can perpetuate a cycle of abuse that women have fought so hard to eliminate.
Ryan Murphy’s ‘Monsters’ is problematic: When true crime becomes true
exploitation
The problem with popular series about famous true crime cases.
Ryan Murphy, the creator of Scream Queens, Glee and American Horror Story, has made a career out of the art of sensationalist storytelling. His signature, expressed through the encore of a high school musical group or sorority sisters killing each other for a spot on the team, is extreme dramatics. In his latest series “Monsters,” he takes shock value false realities to a new level.
Here’s the thing about true-crime series and movies: they’re nothing new. We were all enthralled by the Gypsy Rose Blanchard story, the multiple O.J. Simpson movies and series, and even “The Case of: Jonbenét Ramsey.” Our culture has a peculiar fixation on killers. We want to know why and who they killed, and understand the mindset that led up to the moment they pulled the trigger. But “Monsters” doesn’t give us that feeling. Instead, it glamorizes the killers and tricks audiences into lusting for them.
Murphy’s series on Jeffrey Dahmer was praised for its production and Evan Peters’ performance as Jefferey Dahmer. His portrayal of the character made watchers sick but also sympathetic. There, Dahmer was transformed into a misunderstood victim. This is a very dangerous narrative that romanticizes his horrific crimes. Dahmer killed 17 boys and girls. He unleashed an unfathomable amount of terror and trauma on the victims and their families. And yet, somehow, many young adults in America dressed as Dahmer the following Halloween.
I’m all for telling stories so we can be informed and I’m even willing to admit that sometimes I give in and watch the madness. However, there’s a difference between creating nuanced portrayals of evil and fetishizing it. “Monsters:
The Lyle and Erik Menendez Story,” does not balance this tightrope.
Of course, the Menendez Brothers case isn’t black and white. Lyle and Erik’s defense claimed that their actions were a result of years of emotional and sexual abuse at the hands of their parents, mainly their father.
The brothers claimed they acted out of fear, believing their lives were in imminent danger. These claims polarized the nation—some believed the abuse justified their actions, others saw it as a convenient excuse for two greedy young men from an affluent family Murphy thrives by exploiting their trauma and making it muddy. It’s like when a high schooler laminates a bad paper to make its presentation more digestible. Murphy does this by casting attractive actors and fabricating an incestuous relationship between the brothers as if it’s relevant to the plot of the crime. This is where it becomes problematic. Now we have watered-down true crime into sexually charged anti-heroes.
In an official statement, the Menendez Family described Murphy’s depiction of the brothers as, “a phobic, gross, anachronistic, serial episodic nightmare. Perhaps, after all, “Monsters” is all about Ryan Murphy.”
In response, Murphy stated, “I feel like that’s faux outrage. Because if you look at what we do, we give those boys so much airtime to talk about what they claim as their physical abuse.” Clearly, he doesn’t care about ridicule or protecting the integrity of the story. Murphy’s take might be “binge-worthy” to the masses, but it does cross an ethical line when telling true crime. Monsters repackage murder with sexual innuendos. Insight into the crime is lost and Murphy has rebranded this story into Gen Z true-fiction.
Julian Weems Contributor
Maria Victoria Sponar Opinions Writer
Illustration by Jamari Stokes
Photo by: Noah Zeches
Illustration by Shemar DeBellotte
ARTS+LIVING
Volume 92 |Issue 4
www.georgiastatesignal.com/artsandliving
Taking to the Stage: The thriving theater community
Shining a light on Atlanta’s theater community and discussing ways to get involved.
Merissa
Ware he saying “the show must go on” holds true for the
vigorous theater community as they’re staying strong and resilient in this ever-changing entertainment landscape.
Storytelling mediums have evolved over the decades and they will continue to evolve as technology advances and stories become more accessible. Theater continues to stay relevant with innovative ways to provide the audience with an immersive experience that can not be attained at home.
Atlanta has a vibrant theater community with over 20 theaters that bring their uniqueness to the world of live entertainment. Many well-established theaters have continuously satisfied theater-goers throughout the decades and there are newer theaters that are making a name for themselves.
These theaters provide many ways for people to get involved and to experience the magic of theater as not only an audience member, but as an employee, volunteer or visitor.
Atlanta City Theatre Players
The Atlanta City Theatre Players is home to Georgia State’s creative panthers who have a passion for storytelling and the stage. This campus organization is open to all students, regardless of their major or prior experience. The Atlanta City Theatre Players “strives to provide performance, directing, writing, and technical theatre opportunities to students in an educational and performative environment,” according to their Panther Involvement Network (P.I.N.) page.
They are holding auditions for their “Holiday Spectacular.” Auditions are due by Oct. 10. They not only provide students with theater opportunities, but they also host recreational events to bring members together.
For more information about becoming a member of the Atlanta City Theatre Players, visit their P.I.N. page at pin.gsu.edu.
Fox Theatre
The Fox Theatre is a staple in the Atlanta live entertainment industry. The Fox Theatre has provided the community with quality entertainment for almost a century, since it first opened on Dec. 25, 1929. The theater hosts over 150 performances annually, including concerts, Broadway shows, films and comedy shows. Their notable honors include the 2023 Billboard Magazine’s #2 Highest Grossing Theatre Worldwide in the category of 5,000 seats or less and the 2022 IEBA Theatre of the Year.
Its current and upcoming shows include Disney’s “The Lion King” presented by Regions Bank Broadway in Atlanta, Pride Parade Viewing Party, A Conversation with Larry David and Disney Jr. Live on Tour. The Fox Theatre also provides many ways to get involved. They are accepting applications on their website for full-time jobs, part-time jobs and volunteer usher positions.
They also have community partnerships including Fox in a Box and Fox Theatre Grant Program. Fox in a Box is an interactive program for elementary school students, where they discuss how significant events in the Fox Theatre’s timeline connect with important lessons in the classroom. The Fox Theatre Grant Program’s objective is to grant funding to Georgia’s historic theatres.
Rialto Center For The Arts
Rialto Center for the Arts is Georgia State’s own theater located right on campus. “Where Atlanta Meets the World” is their mission statement that aligns with how their international programming brings together diverse communities while sparking conversations centered around art, history and culture.
8
The Rialto is located in the middle of Atlanta’s historic Fairlie-Poplar arts district. Performances and events at the Rialto include GSU’s School of Music events, opera, concert festivals, African dance and funk. The Rialto offers ways for people to get involved and use the space for events. You can rent space in the Rialto for dance performances, film screenings, weddings, banquets and more by requesting rental information on their website. There are also two volunteer opportunities, one under the Usher Program and the other under the Ambassador Program.
Same song, new soundThe evolution of iconic tracks
How cover songs bridge generational gaps.
ver caught yourself vibing to a song you swore you knew, only to realize it’s a
fresh take on an old classic? Music has a way of capturing the human experience in a way that transcends time and culture. That’s why certain songs stick with us, even as new generations come along and give them their own twist. How do new versions reflect the unique experiences of their artists while staying true to the spirit of the original? Let’s break down a few iconic tracks and their evolution over time.
“At Your Best (You Are Love)”
The Isley Brothers’ “At Your Best (You Are Love)” set the standard for love ballads in 1976, with its smooth harmonies and tender vocals, capturing pure romantic sentiment. Fast forward to 1994, and Aaliyah turned the song into an R&B anthem. Her soft, angelic delivery introduced vulnerability, while her signature acapella opening pulled listeners into a more intimate space. Frank Ocean, stripped the song to its emotional core in 2015, using sparse production to make every note feel haunting and raw. Each version keeps the essence of sincere love and adoration, but the way it’s expressed is completely reflective of its time, its artist and the listener’s state of mind.
“Crimson and Clover”
Few songs have been reinvented as many times as Crimson and Clover. The original, a dreamy psychedelic tune about a love story unfolding in the rush of a single day by Tommy James and the Shondells, became an anthem of the late ‘60s. Joan Jett cranked up the rebellion in 1981, giving it a gritty, punk edge. Prince brought his signature sensuality to it in 2006, while The Shacks’ gave it a lo-fi, wistful vibe perfect for a new generation. The way each artist plays with its melody, whether leaning into rock, funk or indie, shows just how adaptable a song can be while keeping its emotional pull intact.
“Twist and Shout”
Most people know Twist and Shout from The Beatles’ raw, infectious rendition, but it was once again the Isley Brothers who first brought it to life in 1962. Their version is pure, high-energy R&B, with call-and-response vocals that make it impossible to sit still. The Beatles made it even grittier and faster, giving the British Invasion one of its defining hits. But in 1993, Chaka Demus & Pliers transformed the track with a reggae flair, making it a laid-back, tropical jam. No matter how it’s interpreted, some songs just have an enduring power to move people, no matter the genre.
“Clay Pigeons”
Blaze Foley’s original Clay Pigeons is a mournful country/folk tune, capturing the loneliness and longing of a man reflecting on his life. John Prine’s 2005 cover added warmth to that melancholy, offering a sense of hope through his folk-Americana lens. But when Michael Cera covered it in 2014, the song took on a new life for a younger, indie-loving audience. Stripped down with lo-fi production, Cera’s version feels intimate, introspective and almost conversational. The song may be simple in its structure, but its emotional complexity continues to resonate, whether you’re hearing it on TikTok or spinning the original vinyl.
And for more cover gems I can personally attest to because I saw them live, check out: Britney Spears’ Baby One More Time by The Marías and The Cure’s Just Like Heaven by Dinosaur Jr.
The same emotions that these artists felt decades ago are still here, but they’re articulated uniquely, making them timeless, yet modern. So next time you’re feeling those same old feelings – love, heartbreak, joy, whatever – remember there’s probably a whole playlist of different versions waiting to speak your language. From R&B to indie rock, from the ‘60s to today, great songs have a way of evolving right alongside us, always ready to hit us right in the feels.
Arts & Living Writer
Lamisha Rahman
Arts & Living Editor
Illustration by Shemar DeBellotte
Arts & Living Editor
Photo by Ashish Mandadi
New era, new energy for GSU football
Georgia State secures thrilling wins over Chattanooga and Vanderbilt.
Sports Writer D.J. Smith
he Dell Mcgee era of Georgia State football is officially underway and the new-look Panthers are off to a solid start.
The Panthers opened their season with a hard-fought battle for Atlanta, facing Georgia Tech on the road. Although they came up short in a 35-12 loss, the offensive line stood out, allowing no sacks against the Yellow Jackets, a Power Five opponent.
The next two weeks told a different story for Georgia State. The Panthers picked up a pair of home wins in back-to-back thrillers against Chattanooga and Vanderbilt.
The Panthers went back and forth with Chattanooga the entire game, leading up to the game-winning 12-yard rushing touchdown by junior running back Freddie Brock midway through the fourth quarter. Redshirt junior nickelback Jyron Gilmore secured the victory, with a clutch interception in the final minute of the
game. In his first game in Center Parc Stadium, McGee earned his first win as head coach and the Panthers improved to 1-1
“I really appreciate our guys coming, fighting through and never giving in,” head coach McGee said. “It was an ugly win, but in the long run, we will learn a lot from this.”
The Panthers found themselves in yet another thriller the next week against Vanderbilt. Junior quarterback Christian Veilleux orchestrated a clutch 75-yard drive late in the fourth quarter, capping it off with a pass to junior wide receiver Ted Hurst in the corner of the end zone for the game-winning touchdown. The Panthers went on to win 36-32.
This marks the second time in program history that Georgia State has defeated an SEC opponent, with the first being their upset over Tennessee in 2019.
In their first Sunbelt matchup of the year, the Panthers fell to the rival Georgia Southern Eagles 38-21 in the inaugural Georgia Grown Bowl. Hurst put on another show, racking up 112 yards and finding the endzone for the third game in a row.
Though Georgia Southern’s run game and defense were too much for the Panthers, Georgia State still holds the lead in the all-time series 6-5.
Despite the .500 start, offensive coordinator Jim Chaney has the offense off to a solid start amongst Sun Belt teams. Veilleux ranks fourth in the conference with 1,073 passing yards, while Hurst is also fourth, boasting 349 receiving yards on just 19 catches. Redshirt junior running back Freddie Brock adds to the firepower, sitting eighth among the conference’s rushing leaders with 266 yards.
On the other side of the ball, senior linebacker Kevin Swint has led the way for the Panthers’ defense with four sacks and two forced fumbles. Swint earned the Sun Belt Defensive Player of the Week after making winning plays against Vanderbilt.
In the secondary, redshirt senior cornerback Gavin Pringle has been named a semifinalist for the Campbell Trophy, an award that honors student-athletes for their excellence both on the field and in the classroom. Pringle has recorded an interception and five pass breakups this season while also actively contributing to several community organizations.
Both Swint and Pringle were named to the preseason All-Sun Belt team after earning All-Sun Belt honors last season.
The Panthers (2-2) will take a week off before returning to Center Parc Stadium to take on Old Dominion (1-3) in their second conference matchup of the season on Saturday, Oct. 12.
What more can fans expect from the
What does the rest of the season look like for Atlanta?
Falcons?
The Atlanta Falcons have had an interesting start to the season showing flashes of great plays but equally
questionable decisions. Week one against the Pittsburgh Steelers showed the Falcons had much to work on, especially on the offensive side of the ball with new offensive coordinator Zach Robinson learning the strengths and weaknesses of his players. The Falcons lost to the Steelers 10-18 with quarterback Kirk Cousins only completing 61% of his passes along with one touchdown and two interceptions.
Week two was a much better outing for Atlanta as they traveled to Philadelphia to take on Jalen Hurts and the Eagles. Cousins and the offense showed flashes of competitiveness, especially on the final drive of the game where Atlanta went 70 yards and capped off the game-winning drive with a touchdown to wide receiver Drake London with the final score being 22-21.
Photo by Noah Zeches
Cousins finished the game with 241 yards and two touchdowns.
Cousins commented on his play after the Eagles saying, “I am still not sharp enough. I didn’t feel like I was sharp enough today, accurate enough. I have to be better, but that last drive can hopefully give us a boost going into next week and we can build on that.”
In week three, Atlanta hosted the Kansas City Chiefs and again showed flashes of competitiveness but lost 22-17 due to some controversial plays toward the end of the game, including a missed pass interference call against tight end Kyle Pitts and a questionable play call on 4th down to running back Bijan Robinson. “I feel like we’ve left a lot of opportunities out there on the field,” Cousins said. “I look forward to getting better.”
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In week four against the Saints, the offense had another rough outing putting up nine points, but again showed flashes of putting everything together. The real heroes of week four for Atlanta were the defense and special teams scoring both of the Falcons’ touchdowns. A pick-six by linebacker Troy Anderson and a fumble recovery in the end zone by wide receiver Khadarel Hodge. The Falcons capped off their 26-24 win with a career-long 58-yard field goal from kicker Younghoe Koo.
What can we expect from Atlanta now?
When asked about how he felt about the rest of the season, head coach Raheem Morris said “No. I don’t feel like Cinderella. I feel like you got to go out there and play every single game, and you’ve got to try to go out there and win. The more poised team usually wins. Right now, I’m trying to show my team poise and show them poise, what it looks and feels like, what it feels like to be resilient.”
The Falcons’ remaining schedule isn’t as easy compared to a season ago but is still within reach for Atlanta to make a push to win the division. Their toughest opponents left are the Seattle Seahawks, Minnesota Vikings and Washington Commanders. If Cousins finds the spark he had in Minnesota and Robinson finds his groove calling plays, then Atlanta can be the team they were hyped up to be during the offseason when many analysts were projecting them to win the NFC South.
Sports Editor Matt Tindle
Photo by Georgia State Sports
KICKBACK
Oct. 2024
SUNDAY
10/6
10/7
Hot Wings Hot Topics
4 p.m. - 5 p.m. Student Center East Suite 205
Voter Registration Deadline!
10/8
Woodwind Chamber Ensembles
5 p.m.
Florence Kopleff Recital Hall
October Gallery
Lounge Reception: LGBTQ Pride
5 p.m. - 6 p.m.
Gallery Lounge Student Center East 3rd Floor
10/9
Bar Association Fair
3:30 p.m. - 5:30 p.m.
College of Law, Atrium Talent Show @ The College of Law
4 p.m - 6 p.m
College of Law, 242 Take a Paws on Stress
11:45 a.m. - 1:15 p.m.
Catherine C. Henson Atrium Karaoke
1 p.m. - 3 p.m.
38 Peachtree Center Ave.
10/10
Global Game Night
6 p.m. – 9 p.m.
Student Center East Ballroom
10/13
Georgia State University Women’s Soccer vs Old Dominion
4 p.m. - 6 p.m. GSU Soccer Complex
10/14
Trumpet Studio Recital
7 p.m.
Florence Kopleff Recital Hall
Georgia State University Men’s Golf at Pinetree Intercollegiate
October 14-15, 2024
8 a.m. - 11 a.m.
Pinetree Country Club
GSU Women’s Golf at College of Charleston
9 a.m. - 12 p.m.
Edisto Island, SC, The Plantation Course
Georgia State University Men’s Soccer vs Mercer
TUESDAY
p.m. - 11 p.m. Student Center East Ballroom
Georgia State University Football at Marshall 8 p.m. - 11 p.m. Huntington, W. Va.
10/11
Stargazing in the Anthropocene: Cosmic Dust Art Exhibit and Artist Talk 5:30 p.m. - 8:30 p.m.
GSU Astronomy Department’s Observatory at Hard Labor Creek State Park Hard Labor Creek State Park 2010 Fairplay Rd Rutledge, GA 30663 10/12 Georgia State
10/18
Georgia State University Volleyball vs Old Dominion
6 p.m. - 8 p.m.
GSU Sports Arena
GSU Women’s Soccer vs ULM
7 p.m. - 9 p.m.
GSU Soccer Complex
Georgia State University Men’s Soccer at Georgia Southern 7:30 p.m. - 9:30 p.m. Statesboro, GA
UPCOMING GAMES
7 p.m. - 9 p.m. Atlanta, GA, GSU Soccer Complex Georgia State University Women’s Soccer at James Madison
7 p.m. - 9 p.m. Harrisonburg, VA
Georgia State University Men’s Tennis at ITA Southeast Regionals Orlando, FL
10/19
Tower of Power | Five Decades of Funky Brass
8 p.m. Rialto Center for the Arts
Georgia State University Men’s Golf at Furman Intercollegiate
8 a.m. - 11 a.m. Furman University Golf Club
GSU Volleyball vs Old Dominion
2 p.m. - 4 p.m. GSU Sports Arena
Georgia State University Volleyball at Coastal Carolina
6 p.m. - 8 p.m. Conway, SC
Georgia State University Men’s Soccer vs South Carolina
