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PAT SUTPHIN | DAILY EGYPTIAN
Frank Stemper, a professor in the School of Music, poses for a portrait while playing his Steinhart baby grand piano Sunday at his home in Carbondale.
Stemper has won the ASCAPLUS Award, which recognizes composers of nonmainstream music, 23 times.
Music professor’s experiments earn acclaim RYAN VOYLES Daily Egyptian Frank Stemper said even as a kid, he knew there was something wrong with rock 'n' roll. “Even then, I was 13 years old; I was a pretty good (rock 'n' roll jazz) player," Stemper said. "But then I would be playing and I would think, 'This is always the same sort of thing.' I wanted to find something new.� Stemper, a professor in the School
of Music, said he realized what was wrong when he went to college and heard Beethoven for the first time. “I heard this Beethoven string quartet, and I thought, 'My God, how different is that?’� he said. “This lasted for over 40 minutes. Not everybody could play that, and you certainly couldn’t go about singing that. I would say pop music is just a sound bite, and a Beethoven symphony, or maybe something I would write, would be huge. It would be like
an epic. You’re telling the whole story of the universe in 30 to 40 minutes.� Stemper's epics have continued to garner international recognition. The American Society of Composers, Authors and Publishers, a musical association that represents more than 400,000 composers, songwriters, lyricists and music publishers, awarded Stemper with the ASCAPLUS Award, a cash award presented to writing members of any musical genre whose work mer-
its prestige but fall into non-mainstream venues, according to the society's website. The award is Stemper's 23rd from the society. Stemper's work has been performed at Carnegie Hall in New York City as well as cities across Asia and Europe. He said he appreciates his work being recognized by his peers. “It’s the kind of thing were I have to tell them everything I’m doing,
and they can sort of keep tabs on it, like Shryock (Auditorium), who pays dues to be part of ASCAP," he said. "Then I get the money. It’s a nice situation.� Jeanine Wagner, director of the School of Music, said having a professor like Stemper win awards showcases the quality of teaching at the university. Please see PROFESSOR | 4
Going undeclared could cost graduate students BRANDON COLEMAN Daily Egyptian Graduate school applicants who don't meet the minimum GPA requirements for the school of their choice have options, but they come at a greater cost, said Patricia McNeil, graduate school assistant dean. McNeil said students who go the
undeclared route are more eager to prove their worth, and more than half of the six to seven undeclared graduate students she works with each year eventually gain admission to the school and department of their choice. But an undeclared graduate applicant doesn't receive the same amount of financial aid and faculty attention as an applicant with a de-
clared major, graduate school supervisor Lu Lyons said. McNeil said she expects to be bombarded by seniors set to graduate in May who want to know how they can get into grad school but have yet to start the applications. Preparation for graduate school should start during an undergraduate's sophomore year, McNeil said.
The graduate school does not have an application deadline, but many departments have varied deadlines. For example, the deadline to apply for graduate study in psychology is Feb. 1 while the deadline to apply for graduate study in mechanical engineering is March 1. “The departments, for the most part, their primary concern is to
work with admitted students,� McNeil said. "(Undeclared students are) working at a disadvantage because they really don't have a home. There's no faculty around to mentor them because they're not in the track to be mentored.� Please see GRAD | 4