Marketing cases

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Marketing Cases Introduction The following cases describe business situations and were written to assess students’ knowledge of branding, marketing communications, relationship marketing and international marketing. • • • •

HongKong Disneyland SCi Entertainment Fayretech Soco International

HongKong Disneyland Case Study In early 2006, Hong Kong Disneyland’s senior management started talking with Chinese travel-industry representatives to find out what was going wrong with a park that, after just six months of operation, was dealing with attendance problems. Some of these were related to the visitor experience at the park. Although it is officially trilingual (English, Cantonese and Mandarin) in reality the rides and shows vary in terms of which languages they use leading to confusion. Visitors have complained about the food and the length of queues. There are also comparisons with Disney theme parks elsewhere in the world, since the one in Hong Kong seems to be relatively small in size with fewer rides and attractions. Indeed some visitors from mainland China have compared it unfavourably to their local theme parks. It was also said that Disney didn't have a big enough presence in China. People knew the Disney name but didn't feel compelled to visit the park. From the very beginning, understanding Chinese visitors was a big problem for Disney. In the words of one Disney executive, unlike Disney theme parks in other parts of the world, people from the Chinese mainland do not have ‘the embedded Disney software (in their heads)’. Visitors would have to be taken by the hand and told what to expect. A new advertising campaign, in 2006, will have to focus on the individual experience and specify clearly what a Disneyland holiday offers. Disney’s arrival in China had not been expected to be this difficult. No company conveys more powerfully the image of a conquering cultural army than Walt Disney. The company’s products and services – unlike, say, fast-food hamburgers or sugary soft drinks – are not merely symbolic of the American way of life, but contain as part of their essence a set of beliefs about good and evil and human aspiration. Disney, moreover, has throughout its history built mutually reinforcing products across many different kinds of media, with theme parks and TV shows, movies and merchandise all working together in service of the Disney way . The company’s drive for the China market shows how this machine can work overseas. The company started by broadcasting its cartoons on television in the mid 1980s, just as the country was opening up. In the 1990s the company brought out Mulan, a highly successful cartoon that brought a traditional Chinese story to a global audience with classic Disney production values. In the wake of Mulan’s warm reception, Disney agreed a deal with Hong Kong to build a theme park. Attendance would be boosted from a major new television agreement, under which Mickey Mouse cartoons would appear daily, in children’s prime time, on China’s biggest television channel. The park itself would be owned and managed by the Hongkong International Theme Parks, an incorporated company jointly owned by The Walt Disney Company and the Government of Hong Kong.

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