Portfolio 2020 / Haley Evans / M. Arch

Page 1

HALEY EVANS

2020 Selected Work



Projects PERSIST

THE EARTH IS NOT DISPOSABLE GRADUATE THESIS

AMPLIFY

SILHOUETTE OF THE SPIRIT

CATALYTIC FRAMEWORK

MAKING THE INVISIBLE VISIBLE

ECOLOGICAL INTERACTIONS SENIOR THESIS - FIRST PLACE AWARD

LIVING IN THE CITY

POLAROID PHOTOGRAPHY


EXPERIENCE

H3 Studio Inc - Summer 2019-2020

Haley Evans EDUCATION EDUCATION 2018-2020 Washington University in St. Louis Master of Archietcure Candidate 2014-2018 Bowling Green State University - Bachelor of Science in Architecture SKILLS Illustrator InDesign Photoshop Rhino AutoCad 3DS Max Revit Sketchup ArchGIS AWARDS AIAS Chapter Leader of the Month - October 2019 First Place Senior Thesis Award - BGSU 2018 AIA Ohio Foundation Scholarship

2018-2020 Washington University in St. Louis Master of Architecture 2014-2018 Bowling Green State University - Bachelor of Science in Architecture

SKILLS Rhino AutoCad 3DS Max Revit Sketchup ArchGIS Grasshopper Illustrator InDesign Photoshop

I have worked on the design and conceptual renderings of multiple projects for the redesign of the public realm of the Central West End, a popular St. Louis destination.

Laboratory for Suburbia Research Assistant - Summer 2019 The project is a set of propositions for site-specific art and architecture projects in suburban St. Louis communities. My work consisted of a mix of studio-based site research and site visits, identifying and mapping potential sites as well as the work of compiling/designing/editing a site handbook.

Teacher’s Assistant - History III Adv Theory - Spring 2019 My responsibilities consisted of leading a section of 12 students through discussions where we would debate topics the weeks reading. In addition I was responsible for grading student’s written reading responses and work with them to improve their understanding of the material.

Teacher’s Assistant - Freshman Design Studio - Fall 2017 I worked with 60 students teaching them the basics of architectural design, helping them improve their skills as well as cultivate their love for the field. I developed a deeper understanding of the art of critique and discovered I have a passion and aptitude for teaching.

Lym Miller Architecture - Summer 2017 I developed a fresh communication language and visual approach for all marketing materials (illustrations, client proposals, and presentations) among other tasks throughout the office.

ACTIVITIES AND MEMBERSHIPS

AIAS Wash U Chapter - President - 2018-2020 As President during the first year of the chapters reinstatement, I lead a team of board members to together create a chapter with a framework that will allow its success for years to come. I lead meetings, plan events, fundraise, create marketing material and correspond with AIAS National, faculty, AIA St. Louis and local professionals.

GAC - VP of Social Programming - 2019-2020 AWARDS AIAS Chapter Leader of the Month - October 2019 First Place Senior Thesis Award - BGSU 2018

As a member of the Graduate Architecture Council I work alongside a group of students to advocate for the needs of the graduate student body. I am responsible for planning of social events such as weekly happy hours and assisting the university with its events.

AIAS Thrive - Co-Chair - October 2019 Thrive is a AIAS National Career Prep Conference. I was responsible for the planning and programming of the conference as well as connecting with professionals to lead the days events.

Dean’s List 2015-2018 Fall

AIA Ohio Foundation Scholarship

AIAS BGSU Chapter - Vice President - 2017-2018

References upon request

Dean’s List 2015-2018 and Spring Semesters

I planned and scheduled events, created marketing material, and directed recruiting efforts. I led a team that played a significant role in the growth of the BGSU architectural program. We transformed studio culture by implementing procedures that increased collaboration between students.


MODEL BY: HALEY EVANS, ELISE SKULTE, SAM WATTS, JOE MUELLER, TAYLOR CLUNE, CHRISTINA BATRONI • PHOTO BY: ELISE SKULTE


Persist SPRING 2019 • FACULTY: LINDA SAMUELS, WASHINGTON UNIVERSITY IN ST. LOUIS • SITE: ST. LOUIS AND BEYOND • PROGRAM: HYPERLOOP PORTAL

We as humans are destroying our planet, soon climate change will take full effect and we will have to adapt in order to survive in a new climate. Along with a changing climate, between now and 2100 we will see a change in our culture thanks to technology, creating a more individual lifestyle. How can we still retain human interactions within this artifi-

CURRENT ORGANIZATION

cially intelligent world? Our current society is organized around the process of bringing a resource from its location to a different location where population exists. Due to changing climate these locations will no longer have the ability to exist in one fixed location. New technologies such as the hyperloop can connect us but only if we begin to build for the future now, taking into account the changing variables of the future world. We as a human race will persist and reoriented our life’s to the things we need to survive, nutrients, air, water, and shelter. This new life will create a sustainable and inclusive environment for all of the earths habitants, that is able to adapt to the changing climate while giving back to the land that we have destroyed. FUTURE ORGANIZATION


120

110

100

90

80

clean air

70

change in PM2.5 is -0.1 projected PM2.5 is 7.8

50

40

polluted air change in PM2.5 is +4.8 projected PM2.5 is 21.6 PM2.5 is pollution are in small enough particles to be breathed in, the largest environmental heath risk.

rain fall levels rise increase of 85 - 170+ mm

rain fall levels fall 30

decrease of -45 to -100+ mm

sea levels rise

with very high emissions, the IPCC project the sea level to rise by 52–98 cm (20–39 in)

potential area for increased agricultural yield Improving nutrient and water supplies could result in a 58 percent increase in food production

existing agriculture for consumption

Nearly all new food production in the next 25 years will have to come from existing agricultural land and only 55 percent of food-crop calories directly nourish people.

CHANGE


87

90

Water catchment

water catchment

Filtration system

ďŹ ltration system

Water storage

40

pod parking

Pod parking

nutrient internal growing area

Water treatment

water storage

nutrients preparation

nutrient storage Water collector

40

NUTRITION

WATER


inflatable

for activity

yoga class

93

dates

town hall

carbon filter air/battery

1,000 L

valuables clothing resources 2.5 L waste

40

3.5 L

inflatable

air compressors pod parking activity zone

inflatable

air purifier

SHELTER

AIR


Graduate Thesis

The Earth is not Disposable FALL 2019 - SPRING 2020 • DESIGN THINKING / DEGREE PROJECT FACULTY: JULIE E. BAUER, CHANDLER AHRENS WASHINGTON UNIVERSITY IN ST. LOUIS • SITE: ST. LOUIS MO • PROGRAM: SUSTAINABLE LIVING AND LEARNING COMMUNITY

Reduce Reuse Recycle is a phrase we have

that connects to the Galleria’s internal cir-

heard over and over, but is this a cycle that

culation, in order to draw people into the

we diligently practice in our daily life? Most

community. The site contains four circular

of us live in a carbon centric community and

neighborhoods, where participants live and

have a disposable mentality. When some-

grow food. Along the axis there are anchor

thing no longer fits our needs, we discard

buildings that contain the public elements

it. The effect of this is usually are usually in-

of the program such as a thrift shop and

visible to us, but soon the effect will become

classrooms. All of these elements are sunk-

visible.

en into or enveloped by the earth that also

The fight against Climate change is urgent and will dramatically transform our current lifestyle. In order to begin a change to a climate conscious lifestyle it is important to educate people and help them form new more sustainable habits. A community designed specifically to foster the formation of new habits and to educate people on the ways of this new lifestyle would help spark a desiret in people to fight climate change. Located at the intersection of multiple different unsustainable systems, suburbia, a major commercial district and a highway system interception is the selected site. The community is organized along an axis

serves as a water catchment and retention system to allow for all resources in the community to work in a closed loop. People living in the community as well as visitors and community members will have the opportunity to become enveloped into this mindset as they see and learn about how to transform their lifestyles into a more sustainable one.


Join us!

They were right all along.


St. Lou is City nty is Cou St. Lou TRANSPORTATION

WASTE

HOME ENERGY

ST. LOUIS’S CURRENT CLIMATE ACTION PLAN IS NOT ENOUGH -6%

-14%

-11%

-80% Target Reduction -80%

20 Tons Total

US Average of an Individuals CO 2 Emmisions

Remaining Emissions

2005

2010

2013

2015

2050

INDIVIDUAL ACTS HAVE GLOBAL IMPACTS


GREENHOUSE STRUCTURE

HOUSING UNITS

GROWING SPACE

ANCHOR BUILDING


ENVELOPE

EXPERIENCE


ENGAGE

EDUCATE



WATER

VENTILATION

ENERGY

THERMAL

WASTE


Amplify FALL 2018 • FACULTY: VALERIE GREER, WASHINGTON UNIVERSITY IN ST. LOUIS • STUDIO: COMPREHENSIVE • SITE: EXTREME ENVIRONMENT, AIR PRESSURE • PROGRAM: RESEARCH CENTER

Air pressure and every element of weather

to amplify or dampen different weather ele-

have direct relationships to each other. Air

ments, they are replaceable and can con-

pressure is affected by temperature, alti-

tinue to be developed by researchers over

tude, wind speed, rain fall, level of fog, and

time to expand research variables. The

many other elements of weather.

modularity of the panels allows for each pod

Saguenay, Canada is known for is dramatic changes in weather from season to season and even from day to day. The proposed site is located on a cliff side in Saguenay National Park, in an inlet off the main body of water and near an entrance to the park. The steady influx of tourists provides a good

to create a different ecosystem within itself. The pods attach to circulation structures that lead to an enclosed building or “control variable”. Within the control is where the research’s live and learn, there are also public areas for the community within the control structure.

base of subjects for research centered

Two research hubs are being proposed,

around weather and its effects on human

one at the beach of the cliff partially hover-

physiology.

ing over the water, and the other 700’ up the

When a camper decides to camp at the research center they will agree to be monitored by researchers. In order to gain accurate data researchers must collect data on the subject’s biometrics as well as by observation and multiple data collection techniques. This will be done by visually observing campers, as well as other methods of data collection. The campers will stay in pods attached to the superstructure. The pods are constructed from modular panels that attach to the pods structure, These panels are designed

cliff tucked into the earth. Both hubs are architectural representation of the landscape, mirroring the vertical or horizontal nature of the land. Scattered throughout are the pods imposing circulation based on their location in relationship to sun and shade. Together all elements of the research facility come together to create a unique environment to experience weather.


D

C

11’ - 6”

15’ - 0”

ROOF

15’ - 0”

LEVEL 5

15’ - 0”

LEVEL 4

15’ - 0”

LEVEL 3

15’ - 0”

LEVEL 2

LEVEL 1

26’ - 0”

B

31’ - 0”

A

4’ - 3”

ROOF

15’ - 0”

C

LEVEL 2

15’ - 0”

D

LEVEL 1

B

12’ - 8”

A

6’ - 8”


Notre - Dame du Saguenay Statue

SAGUENAY

QUEBEC, CANADA

N

Research Center Site

L’ Odyssée Trail Suspension Bridge

PARK ENTRY

1

2

11’ - 7”

15’ - 0”

ROOF

15’ - 0”

LEVEL 2

LEVEL 1

3

24’ - 10”

5

4

24’ - 10”

24’ - 10”

7

6

24’ - 10”

24’ - 10”

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24’ - 10”

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9

24’ - 10”

24’ - 10”

11

12

20’ - 8”


1

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11’ - 7”

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20’ - 8”

24’ - 10”

4’ - 3”

A

8

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7

6

24’ - 10”

3

11’ - 7”

5

4

24’ - 10”

24’ - 10”

31’ - 0”

A

4’ - 3”

B

B

9’ - 8” D

Studio

8’ - 4”

E

Studio

Studio

Studio

Researcher Lounge

Studio

31’ - 0”

Studio

C

Studio

Studio

Studio

Researcher Lounge

Studio

9’ - 8”

C

8’ - 4”

D

E

1

2

3

11’ - 7”

1

2

B

5

4

24’ - 10”

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24’ - 10”

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9

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12

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20’ - 8”

24’ - 10”

10

9

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12

11

20’ - 8”

Storage

4’ - 3”

A

24’ - 10”

7

6

24’ - 10”

3

11’ - 7”

5

4

24’ - 10”

24’ - 10”

UP

B

31’ - 0”

A

4’ - 3”

UP

Storage

Lobby

Classroom UP

Camper Lounge

9’ - 8”

31’ - 0”

UP

C

Lobby

Classroom

Camper Lounge

8’ - 4”

D

E

9’ - 8”

C

A-A

E

8’ - 4”

D

A-A

B-B

B-B


Glazing Louver Screen Solid Future Moduels

Pannel

Modue

l Op

LAYERS

GATHERING SPACE

OBSERVATION

POD

tion

s


1

2

3 4 18’ - 0”

18’ - 0”

5 24’ - 10”

6 24’ - 10”

7 24’ - 10”

8 24’ - 10”

6’ - 8”

A

12’ - 8”

B

Library

11’ - 6”

C

D

6’ - 8”

A

12’ - 8”

B

Researchers Lounge

11’ - 6”

C

D

Concept Model

8

7 24’ - 10”

6’ - 8”

A

12’ - 8”

Studio

11’ - 6”

B

Studio

C

D

15’ - 0”

ROOF

15’ - 0”

LEVEL 5

6’ - 8”

A

B

A-A

15’ - 0”

12’ - 8”

LEVEL 4

Campers Lounge

11’ - 6”

C

D

15’ - 0”

LEVEL 3

LEVEL 2

15’ - 0”

B-B

LEVEL 1

6

24’ - 10”

2

4 3

5

24’ - 10”

24’ - 10”

18’ - 0”

1

18’ - 0”


Silhouette of the Spirit SPRING 2017 • TEAM: BEN COOK, JOEL DENNIS AND GRAYSON SCHOENBINE • SITE: MOUNT OLYMPUS PROGRAM: A TEMPLE FOR THE GODS

I led the design process for this group

the atrium provides a canvas for light and

project. I also created the diagrams and

shadows from each individual God’s win-

assisted in the rendering.

dow. Together they form a portrait of the

The concept centers around the mythical

Gods’ interactions as a united council.

twelve Gods of Olympus and their fatal

Similar to the flawed Greek gods, the

flaws; mischievous, lustful, proud, and

shadows cast are also flawed and abnor-

other shortcomings of perfection.

mal, creating a deviation from the stan-

This design consists of 12 pods, one for each of the Gods, cantilevered from Mount Olympus. Each pod serves as a portal to the outside world as well as to inside the personality of each God. Air flowing between the twelve pods represents a dividing of the Gods, using isolation to symbolize their collective imbalance. A window at the end of each pod uses varying glass opacities to cast shadows that graphically evoke the spirit of that God. Differences in the Gods’ personalities are physically illustrated with idiosyncratic designs created by tinted glass windows which represent a symbolic parallel between form and Gods. All pods connect to an atrium space. At a specific time of day, the back wall of

dard of perceived perfection.


Zeus Power retemeD cinagrO

Hera Marriage nodiesoP cimanyD

Poseidon Dynamic areH

egairraM

Demeter Organic sueZ rewoP

Apollo Light

Artemis Dark

Aries Conflict

Athena Wisdom

Hephestus Creation

Aphrodite Seduction

Hermes

Communication


Catalytic Framework FALL 2017 • FACULTY: SARA KHORSHIDIFARD, BOWLING GREEN STATE UNIVERSITY • SITE: TOLEDO, OH • PROGRAM: TRANSPORTATON HUB/ COMMUNITY CENTER

Catalytic Framework serves dual objectives

A structure within the triangular block will

– address a city-wide food access problem

serve as a hub for food and transportation

while modernizing public transportation to

needs. Retail spaces are available for local

keep up with changes in technology.

food related businesses. A permeable out-

A web of autonomous transportation systems will connect key points of the city and create community agricultural hubs. Green spaces that once ran parallel to the roads can now flow into, or even replace, existing roads. This new idea of green space becoming one with the road will increase pedestrian traffic, revitalize the area and promote

er structure defines the market space while allowing easy pedestrian access. The retail space inner structure is fabricated from light-transmitting

polycarbonate

panels.

Recycled concrete tubes penetrate the inner structure creating windowed portals for viewing the bustling activity of a variety of programs happening within the retail space.

businesses and retail development. Trans-

As Catalytic Framework evolves, the de-

portation system routes intersect, creating a

velopmental ideas will spread throughout

triangular this creates an opportunity for this

Toledo creating a safer, greener and more

new space to become a transportation hub.

accessible city.

The triangular block will become a design precedent for all subsequent connection points along the transportation routes. Design iterations bring improvements to the triangle block such as widening, repaving, and adding new pedestrian pathways as well as garden spaces populating empty lots. The improvements will give community members the opportunity and responsibility to grow their own food.



OLD WEST END

45 MIN

47 MIN

MUSEUM CAMPUS DOWNTOWN

30 MIN


EXISTING CONDITIONS

TRANSPORTATION PATH

FILL VACANCIES

PEDESTRIAN CIRCULATION

TRANSPORTATION HUB

ACTIVATION


Making the Invisible Visible SPRING 2019 • TEAM: CHRISTINA BATRONI • FACULTY: LINDA SAMUELS, WASHINGTON UNIVERSITY IN ST. LOUIS • SITE: ST. LOUIS KANSAS CITY HYPERLOOP CONNECTION

In modern society so many things are invisible to us, we turn on a switch to get light but where is that energy coming from? What is the impact of flipping that switch on? Thanks to these ease of accessibility we begin to take things like this for granted. The Hyperloop has the potential to fall into that mold as well. How can the design of the structure, portals rider and community member experience shine a light on these invisible factors. Making what once was invisible, visible. We began this experiment by mapping systems, infrastructures and elements in the Missouri region that the Hyperloop could potentially “make visible” such as passage of time in relation to speed, Co2 emissions and more. Design interventions are represented in a series of storyboards. These story boards show interactions with the Hyperloop from multiple different viewpoints, from a Hyperloop rider to a pedestrian. Design interventions range from lighting apertures that visibly show air pollution levels to a compost tube where one could follow your food waste as it is composted and transported to an agricultural area. All of which are things that before Hyperloop were invisible to us.

Vehicle Driver St. Louis 3.75 hrs - 248 mi

Kansas City

Kansas City


Distribution Center Population Density Coal

Low Speed

Precipitation Levels High CO2 Emissions

St. Louis

Processing Center High Speed Corn Production Horticulture

Pedestrian Kansas City .5 hrs - 1 mi

Kansas City Hyperloop Portal


Bicyclist Kansas City 2 hours - 21 miles

Outside of Kansas City

Kansas City

Hyperloop Rider Kansas City Columbia 15 minutes - 126 miles


Hyperloop Rider St. Louis Toronto 1.5 hours - 758 miles

food processing centers

Columbia

Electric power plants

St. Louis

Food distribu�on centers


Senior Thesis - First Place Award

Ecological Interactions SPRING 2018 • FACULTY: SCOTT MCPHERSON, BOWLING GREEN STATE UNIVERSITY • SITE: BGSU CAMPUS • PROGRAM: ECOLOGICAL LEARNING CENTER • AWARDS: 1ST PLACE SENIOR THESIS 2018

Ecology is defined as the interaction be-

the inner most being a circulation and study

tween organisms and the environment. An

space for students, while the outer layer is

interaction is a reciprocal act or influence.

a louver system to let in the ideal amount of

Throughout the Earth, multiple habitats of

natural light. The skin gives students the op-

plants, animals and their environments work

portunity to interact with indoor and outdoor

together in symbiosis. This interaction exists

space simultaneously. Bridges connect the

in multiple ranging scales from macro to mi-

north and south sides of the structure over

cro. This interaction is visible on the BGSU

the site circulation so occupants can directly

campus, turning the campus into a habitat

observe how students are interacting with

within the city. Ecological Interactions, an

the campus. Protruding through the upper

Ecological Learning Center, will expand on

levels of the building is a form derived from

existing campus connections, while provid-

campus wind patterns. This vertical wind

ing an interactive environment filled with

tunnel is filled with plant life; sustained by

many opportunities to expand students’

the roofs water catchment system, giving

knowledge of ecology.

students the opportunity to directly inter-

Ecological Interactions conforms with the grid of campus while creating an axial relationship with the Wolfe Center. The structure opens up to the Wolfe Center as well as the less dense area of campus, pulling the circulation of students through the building, to promote campus growth. The circulation of the site as well as the circulation of the structure forces students to enter the building and interact with its elements. The skin of the building is composed of multiple layers,

act with ecology. Together, these elements create a space which provides multiple opportunities for understanding the interaction between organisms and their environment.


Future Campus Interactions

Ecological Interactions Ecology is defined as the interaction between organisms and the environment. An interaction is a reciprocal act or influence. Throughout the Earth, multiple habitats of plants, animals and their environments work together in symbiosis. This interaction exists in multiple ranging scales from macro to micro. This interaction is visible on the BGSU campus. Students are continuously interacting with the campus, turning the campus into a habitat within the city. The addition of Ecological Interactions, my proposal for an Ecological Learning Center, will expand on existing campus connections, while providing an interactive environment filled with many opportunities to expand students’ knowledge of ecology. Ecological Interactions conforms with the grid of campus while creating an axial relationship with the Wolfe center. The structure opens up to the Wolfe center as well as the less dense area of campus, pulling the circulation of students through the building, to promote campus growth. The circulation of the site as well as the circulation of the structure forces students to enter the building and interact with its elements. The skin of the building is composed of multiple layers, the inner most being a circulation and study space for students, while the outer layer is a louver system to let in the ideal amount of natural light. The skin gives students the opportunity to interact with indoor and outdoor space simultaneously. Bridges connect the north and south sides of the structure over the site circulation so occupants can directly observe how students are interacting with the campus. Protruding through the upper levels of the building is a form derived from campus wind patterns. This vertical wind tunnel is filled with plant life; sustained by the roofs water catchment system, giving students the opportunity to directly interact with ecology. Together, these elements create a space which provides multiple opportunities for understanding the interaction between organisms and their environment.

Ecology - is the branch of biology which studies the interactions among organisms and their environment.

Ecology

Organisms

Environment

Interaction - a reciprocal action or influence. Reciprocal - given, felt, or done in return. Reciprocity - the practice of exchanging things with others for mutual benefit. Synergy - the interaction or cooperation of two or more organizations, substances, or other agents to produce a combined effect greater than the sum of their separate effects.

Site Plan 1’ = 1/32�

Campus Interactions


Site Plan 1’ = 1/32”

Campus Density

Axis

Wolfe Impact on Organization

Wind Direction

Campus Interactions

Density North to South

Density East to West

Campus Density

Axis

Wolfe Impact on Organization

Wind Direction

Water Catchment

Sun Path

Wind Sculpting

Air Filtration

Water Catchment

Level One 1’=1/16” Level One

Level Two 1’=1/16” Level Two

Level Three1’=1/16” Level Three

?

Sun Path

Living Lab

Wind Sculpting

Level One 1’=1/16”

Level Two 1’=1/16”

?

Level Three1’=1/16”


?

Wind Direction

Diagrammatic Section Solar Control

Curtain Wall

Louvers

Level Three1’=1/16”


Wind Direction

Level Three1’=1/16”

Solar Control

Curtain Wall

Louvers


Density East to West

Wind Sculpted Transformation

Wind Sculpted Transformation

Wind Sculpted Transformation

Wind Sculpted Transformation

Campus Density

Axis Interactive Skin

Sun Path

Air Filtration Sun Path

AIR AirFILTRATION Filtration

Water Catchment

WATER CATCHMENT Living Lab

Physical Interactive Connection Skin

INTERACTIVE SKIN

Water Catchment

Physical Connection

PHYSICAL CONNECTION

Interactive Skin

Physical Interactive Connection Skin

Physical Connection

Circulation Experience

Direct Circulation Ecological Experience Encounter

Direct Ecological Encounter

Circulation Experience

Direct Circulation Ecological Experience Encounter

Direct Ecological Encounter

CIRCULATION SPACE Level One 1’=1/16”

Wind Sculpting

Wolfe Impact on Organization

ECOLOGICAL ENCOUNTER

Level Two 1’=1/16”

?

Living Lab

Wind Sculpting

Level One 1’=1/16”

Level Two 1’=1/16”

Level Three1’=1/16”

?

?

?

?

?


Living in the City FALL 2019 • FACULTY: SARA DE GILES, MGM ARQUITECTOS, VISITING FACULTY WASHINGTON UNIVERSITY IN ST. LOUIS • SITE: SEVILLE SPAIN • PROGRAM: CO WORKING AND LIVING IN THE CITY

The density of the ancient city of Seville

center of the site, also creating the illusion

leaves little of the ground plane to the pe-

of the building floating above you. The voids

destrian. By elevating the main program-

from above allow light to penetrate down

ming of the project, I intend to return the

onto the ground plane activating specific

ground plane to the pedestrian creating a

locations on ground level. A ramp connects

public space for gathering. The location of

the ground to the roof, where a small bar can

the site creates a very interesting interior like

be found. This ramp also serves as a con-

condition, with only two small connections

necting element between the city, the sites

to the existing street. The plan is situated

occupants and the entire site.

around three voids, designed to resemble the courtyards that are very typical in the architecture of the ancient city. These voids not only bring light and air into the site but also create spaces for direct and indirect interactions. The living units are located between these voids in order to allow for the maximum amount of light to enter into the units. The unit is designed with multiple movable elements to test the limits of public and private space allowing the occupants to open up their units to semi public circulation spaces, expanding the area of their unit. On the ground plane the program is situated around the perimeter in order to open up the


VOIDS

HOUSING UNITS AND CIRCULATION

COWORKING SPACE

PUBLIC SPACE


Level One

Level One


CIRCULATION

HOUSING UNITS

LIGHTWELLS




Polaroids PHOTOS TAKEN ON: 1972 SX 70 ONE STEP

During my travels I use my refurbished vintage Polaroid camera to capture famous, iconic, and some of my favorite architectural works. The action of taking a Polaroid photo is much more methodological in comparison to snapping hundreds of photos on an iPhone. Light, motion, and temperature all have huge impacts on the final product, giving the viewer

MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA •

NATIONAL GALLERY OF ART - EAST BUILDING •

JEAN NOUVEL • MADRID, SPAIN

I.M. PEI • WASHINGTON, D.C

MODERN ART MUSEUM OF FORT WORTH • TADAO

HANSELMANN HOUSE • MICHAEL GRAVES •

ANDO • FORT WORTH, TX

FORTWAYNE, IN

the ability to look at the photo and be transported back to the feeling in the moment the photo was taken.


LAS SETAS • JÜRGEN MAYER • SEVILLA, SPAIN

CN TOWER • JOHN ANDREWS • TORONTO, ONTARIO

WEXNER CENTER FOR THE ARTS • PETER EISENMAN

THE GATEWAY ARCH • EERO SAARINEN • ST.

KAUFFMAN CENTER • MOSHE SAFDIE • KANSAS

• COLUMBUS, OH

LOUIS, MO

CITY, MO

ANDALUCIA’S MUSEUM OF MEMORY • ALBERTO

MADINAT AL ZAHARA MUSEUM • NIETO SOBEJANO

MUSEUM OF FINE ARTS HOUSTON CAMPUS

CAMPO BAEZA • GRANADA, SPAIN

ARQUITECTOS • CÓRDOBA, SPAIN

EXPANSION • STEVEN HOLL•HOUSTON, TX


Haley Evans haleyevans@wustl.edu • 281-725-2012 instagram/arch_by_haley


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