TOBE Report: How She Wears It F/W 14-15

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TOBE REPORT FEBRUARY 2014

HOW SHE WEARS IT F/W 2014/2015


LETTER FROM THE EDITOR NOW THAT WE HAVE NARROWED DOWN ON THE TRENDS, LET’S SEE HOW THESE IDEAS CAN BE PUT IN TO ACTION. SIMPLICITY, SIMPLICITY, SIMPLICITY. THE OVERWHELMINGLY INFORMATIONAL AND ABUNDANT WORLD THAT WE LIVE IN IS PUSHING US TOWARDS MINIMALISM IN MANY AREAS. HANDCRAFTED DETAILS BRINGS US BACK TO PERSONALIZATION AND MEANING. THROUGH THIS, WE CAN BREAK OFF OF THE CONVEYOR BELT AND FIND AUTHENTICITY IN OUR PURCHASES. RAW ORGANICS PLACES EMPHASIS ON THE REAL AND NATURAL. RAW FOOD AND SHOPPING LOCAL ARE THRIVING TOPICS IN SOCIETY TODAY, WITH FASHION FOLLOWING THIS IDEA. ANONYMITY CHANNELS THE NEED TO ESCAPE AND GET AWAY FROM SOCIETY. IN AN AGE WHERE EVERYONE KNOWS EVERYTHING ABOUT YOU, IT IS TIME TO REBEL AGAINST EXPOSURE. LIGHT MANIPULATION TAKES THE MANY PHOTOGRAPHY TECHNIQUES AND FILTERS AND BRINGS THEM TO LIFE IN FASHION. WE ARE CONSTANTLY PHOTOGRAPHING EVERYTHING THAT WE DO FROM TH FOOD THAT WE EAT, TO THE SIGN WE SEE ON THE WALL. THEN WE FILTER IT. THIS TREND EMBRACES THAT MANIPULATION AND YIELDS BEAUTIFUL ART AS A RESULT. enjoy, Hannah Aylward

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HANDCRAFTED DETAIL

RAW ORGANICS

ANONYMITY

LIGHT MANIPULATION

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HOW SHE WEARS IT HANDCRAFTED DETAIL

HOW SHE WEARS IT ON THE STREET CONTRASTING DETAILS JAZZ’D UP SWEATER

EMPHASIS ON THE SLEEVE

EMBROIDERED PANELS STRAIGHT OFF THE RUNWAY

PATCHWORK 6


HOW SHE WEARS IT

HOW SHE WEARS IT

ON THE RUNWAY

RIGHT AT RETAIL ALICE + OLIVIA

ROKSANDA

VALENTINO DRIES VAN NOTEN

ISABEL MARANT

DEREK LAMB

CHLOE FREE PEOPLE

ELIZABETH AND JAMES ATTENTION TO THE DETAILS MAKES A GARMENT SPECIAL. SMALL ELEMENTS OF PERSONALIZATION DIFFERENTIATE FROM THE REST. LOOK FOR GARMENTS WITH SMALLER ELEMENTS OF THAT HANDCRAFTED DETAIL. ALL OVER ORNAMENTATION CAN BE OVERKILL. CHECK OUT ELIZABETH AND JAMES, ALICE + OLIVIA AND FREE PEOPLE TO ENJOY THE HANDIWORK. NO. 21

DELPOZO 8


HOW SHE WEARS IT RAW ORGANICS

HOW SHE WEARS IT ON THE STREET CASUAL EUROPEAN FLARE

1980s REMINISCENT COMMUTER FRIENDLY

MASULINE FEMININITY

URBAN FLOWER CHILD

COAT HEAVY

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HOW SHE WEARS IT

HOW SHE WEARS IT

RIGHT AT RETAIL

ON THE RUNWAY

THE ROW, MADEWELL AND ZARA HAVE THIS TREND DOWN PAT. THE SUCCESS LIES IN THE SIMPLICITY. WHEN CHANNELING RAW ORGANICS, THROW AWAY THE EXCESS AND GO FOR A MORE NATURALISTIC APPROACH. SIMPLE PAIRINGS, SIMPLE COLORS, SIMPLE GARMENTS. GO RAW.

CHLOE

THE ROW THE ROW

CHLOE

MULBERRY

ZARA

THE ROW MICHAEL KORS CHLOE

CHRISTIAN SIRIANO

MADEWELL

DEREK LAM 12


HOW SHE WEARS IT ANONYMITY

HOW SHE WEARS IT ON THE STREET ADDING THE COLOR A FULL SUIT

SWEATER-SKIRT COMBO

PARISIAN CHIC BALANCED WITH A HAT

UTILITARIAN APPROACH 14


HOW SHE WEARS IT

HOW SHE WEARS IT

RIGHT AT RETAIL

ON THE RUNWAY

WITH YEARNING FOR ANONYMITY, WOMEN CAN REPLICATE THIS LOOK WITH BEAUTIFUL PASTELS THAT EMBODY BEAUTY BUT DON’T CAUSE A SCENE. CHLOE, ASOS, ZARA AND ACNE WILL HELP YOU SLIDE UNDER THE RADAR.

FLIPPA K

CHRISTOPHER KANE

DELPOZO

URBAN OUTFITTERS

ASOS CHLOE

DKNY

CHLOE ACNE

CALVIN KLEIN

ZARA

ACNE

ZARA 16


HOW SHE WEARS IT LIGHT MANIPULATION

HOW SHE WEARS IT ON THE STREET CASUAL SLIP-ON DRESS

WALKING PIECE OF ART

A “LIGHT” COAT

MATCHING SOCKS

TANK TOP DRESS 18


HOW SHE WEARS IT

HOW SHE WEARS IT

RIGHT AT RETAIL

ON THE RUNWAY

CHRISTOPHER KANE

JOSE NATORI

CHRISTIAN SIRIANO

BILLABONG

ELLASSAY

CHALAYAN

THE MANIPULATION OF LIGHT CAN BE FOUND ON EVERYTHING FROM SKIRTS, TO DRESSES, TO PANTS. LIGHT HAS INFLUENCED ART FOR AS LONG AS WE CAN REMEMBER AND IT WILL CONTINUE TO DO SO. THIS TIME IT FILLS A WHOLE BEWTWEEN OMBRE, FERRETTI TIE-DYE AND DIGITAL PRINT. CHALAYAN, ELLASSAY AND FERRETTI ARE JUST A FEW THAT MAKE IT POSSIBLE. JONATHAN SAUNDERS

PREEN

Y-3

CHALAYAN 20


THIS REPORT WAS CREATED FOR FASH 419: CUREENT TRENDS AND FORECASTING AT THE SAVANNAH COLLEGE OF ART AND DESIGN.

SOURCES: STYLE.COM WGSN WWD STYLESIGHT THE SARTORIALIST PINTEREST TUMBLR

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TOBE REPORT FALL/WINTER 2014-2015 HOW SHE WEARS IT HANNAH AYLWARD FASH 419: CURRENT TRENDS AND FORECASTING PROFESSOR ANTHONY MILLER


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