Portfolio 2014, Hannaneh Sobhani

Hannaneh Sobhani Professional and Academic Portfolio

© Cover photo: abstract drawing of a scene of ‘museum of growth’, stepping into the real world Processed with Rasterbator software

Education 2012-2014

MSc. in Architecture, Building and Planning, Built Environment Faculty, Eindhoven University of Technology, Eindhoven, Netherlands

2007-2012

BSc. in Architecture, Faculty of Architecture, University College of Fine Arts, University of Tehran, Tehran, Iran

2003-2007

Highschool Diploma of Math and Physics, Farzanegan-e-Tehran highschool (a branch of NODET, NaƟonal OrganizaƟon for Development of ExcepƟonal Talents), Tehran, Iran

Honours & Awards April 2012

Hannaneh Sobhani 6 September 1989, Ardebil, Iran

Granted Amandus H. Lundqvist Scholarship for a Full Program of Master of Architecture based on academical merit, Eindhoven University of Technology

February 2012 Full Bright Student Fellowship for Graduate Studies, ,University of Tehran, an honorary place to study master of architecture because of ranking fiŌh in class of 2012 July 2007

I live in Eindhoven, Netherlands +31 6 15333663 Hannaneh13@gmail.com

Full Scholarship for Undergraduate Studies, University of Tehran, because of ranking in the upper 0.1 % in naƟonal university entrance exam (Konkoor) for undergraduate studies, Iran

2000 and 2003 Selected twice as an excep onal talent by NODET (NaƟonal OrganizaƟon for Development of ExcepƟonal Talents) in naƟonwide examinaƟons, Iran

Experience 2013-2014

Member at Editorial Board of Archiprint, Journal for Architecture, created by master students of the Department of the Built Environment of the Eindhoven University of Technology and architecture study associaƟon AnArchi, Eindhoven, Netherlands

April 2014

May 2011

2010-2012

Professional Skills

Member of organiza on and Execu ve team, ‘Need for streets’ Symposium, on role of the architect in the spaƟal development of the infrastructure and the urban fabrics of the ciƟes, Eindhoven University of Technology, Netherlands

Expert Proficiency

Member of Interna onal Execu ve Commi ee of The 2nd.

Interna onal Conference on Architecture and Structure and The 3rd. NaƟonal Conference on SpaƟal Structures, College of Fine Arts, University of Tehran, Tehran, Iran

Moderate Proficiency Rhinoceros3D CorelDraw

Private Tutoring sketching, presentaƟon and architectural graphic design and architectural professional soŌwares

Highly Experienced

AutoCAD Google Sketchup Adobe InDesign

Autodesk Revit Adobe Photoshop

3dsMax Q-GIS

Sketching and hand drawing Model making (Laser cuƫng and manual craŌing) VisualizaƟon and postproducƟon visual edit

Publications Language Skills January 2015

February 2014

First author, ‘Captain, where can we find the aƩributes?’

Full Paper PublicaƟon in proceedings of internaƟonal conference ‘World Heritage Sites in a NaƟonal Context,The implementaƟon of the 1972 UNESCO World Heritage ConvenƟon’, University of Kent, UK ‘The Future of Architecture’, interview with Herman Hertzberger and Laurens Jan ten Kate, published in Archiprint Volume 03\ Issue 01

February 2014

‘Design Digitally, Make Digitally’, interview with Zubin Khabazi, published in Archiprint Volume 03 \ Issue 01 Interviews available at: issuu.com/anarchi

June 2013

‘Beyond Lodging’ Transforming Eindhoven’s Empty Office Buildings Into Student Complexes, results of the projects of master project studio: Beyond Lodging, Eindhoven University of Technology

September 2011

‘Yearbook of Pioneers’ year 2010-2011, Internal PublicaƟon, two selected student projects for studio project 5 and rural architecture project, College of Fine Arts, University of Tehran

Persian NaƟve Turkish Full Bilingual Proficiency

English Full Bilingual Proficiency Dutch Elementary

Interests I like the occasional sketching of nature and the built environment and painƟng with water-colour is my favourite way of expressing myself in sketches. I always strive to know more and more about human-related phenomena. Travelling is my inspiraƟon source for knowing more of people and places. And Reading is the inspiraƟon source to know more of myself.

Professional

& Academic Portfolio

Urban Injec on

Produc on & Parts

Born From Landscape

Jamaran Villa

DeaĆ&#x;l analysis and design

U of Tehran

A healthcare soluĆ&#x;on for Vlissingen

2007-2012

TU/e

Reclaiming the urban green realm of Kennedylaan in Eindhoven

2012-2014

From Parkway to Park

Home for the architect

Extracurricular

A caltural center in Chizar, Tehran

‘Water color’

‘Sketchbook’

Hidden Blobs in Art Garden

Center for intellectual development of children

‘Archiprint’

Branching Modules

ResidenƟal complex in old Tehran

Alcatraz|Spandau

Extensive architectural analysis of two prisons

Table of Contents

TU/e Graduation project Page 6

‘From parkway to park’

Reclaiming the urban green realm of kennedylaan Type: Urban master plan, Urban Ensemble: residenƟal, school, square

LocaƟon: Kennedylaan, Eindhoven, Netherlands Supervisors: Prof. Dr. Pieter van Wesemael, Ir. Franz Ziegler August 2014

Page 7

Sketch analysis of JFK laan profile, wide profile, lack of addresses and physical barriers

Architecture of Smart Mobility

‘Our modern society, our way of living and our habitat are build on mobility, and more specific auto mobility. We enjoy it everyday commuting to and from work and home in our own private “paradise by the dashboard light” on wheels. Lots of us still love the looks and feels of a beautiful car; an object of desire and status.’

Introduction to Smart Mobility Graduation Studio Until the seventies of last century, mobility itself and even the infrastructure around it was considered a positive phenomena, which was liberating and offered a freedom of movement. The infrastructure was not only a means of travel, but also a destination in itself, with scenic rides and parks, which was an integral [art of the public domain and countryside. But nowadays this relationship becomes rather complex.

Auto-mobility makes an alienated world around itself, made of concrete and asphalt, an unhealthy and unpleasant world that has not much to offer for an enjoyable urban life.

It is a transition space, not a destination.

John F. Kennedylaan in Eindhoven, is a main road which connects the outer highways to the heart of the city where the TU/e campus is located.

Originally initiated to be a parkway, nowadays it is a wide road which has no addresses on the adjacent living areas next to it and with its highway qualities makes its realm an unpleasant environment to be, and to live in.

A new vision for Kennedylaan, a monumental parkway remarking the entrance to the city

Proposed segment Master plan for Kennedy laan

Concept drawing of connecting the Amandel Park to Kennedy parkway

Page 8

Reviving the Parkway concept Kennedylaan was originally designed to be a parkway to connect the inner city of Eindhoven to northern neighbourhoods. But what it offers now? an urban barrier with a wide profile which disconnects the two sides of city fabric. I conducted a series of research for six months on great parkways of US and iconic boulevards of Europe.

This resulted in the idea of reviving the original essence of parkway in Kennedylaan. A Parkway in definition of Frederick law Olmsted is ‘not a road, but a park system with a road in it.’ This concept provides a healthy infrastructure, which not only would offer a convenient auto mobility, but at the same time a place to be, a destination.

I designed a master plan for a segment of Kennedylaan, located between Airbornelaan and Tempellan, with a completely fresh program of infrastructure, maximized park landscape, recreation pavilions and addresses to adjacent neighbourhoods. Focusing more on neighbourhoods, I noticed isolated parks in them, and that was a great opportunity to enhance the park system. So I decided to demolish an old school building located in a vast space, and connect the isolated Amandel park to JFK parkway and make a complete system of parks, connected with pedestrian paths, integrating with the existing winkelcentrum, and a whole new ‘Urban Ensemble’ in the joint point of the two parks.

Anticipated and preferred strong flow of pedestrian from Amandel Park to Kennedy parkway, the shortcut ways from inside the parks This natural flow would be the determinant guideline for edges of the new Urban Ensemble

Page 9

Urban Master plan

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Kennedy Parkway

1. Pedestrian and cyclist paths 2. John F. Kennedylaan park system 3. Access road for parks and urban ensemble 4. New residential tower 5. New square of urban ensemble 6. New school and neighbourhood center 7. New park space 8. Vaartbroek winkelcentrum 9. Amandelpoort residential building 10. New designated parking space

Amandel Park

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Urban Ensemble

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The new Urban ensemble is a complex of a 13 -story residential tower and healthcare center, a school building with a community center and their connecting square. The residential tower keeps the rhythm of high rise buildings in Kennedylaan. the school adapts to the neighbourhood scale and atmosphere. and finally the square is the meeting point for this two buildings. All and all, the complex enhances the connectivity of two parks and serves as a genuine addition to the new parkway system of Kennedylaan, in terms of urban program and the architectural morphology.

Entrance to school building from the square

Entrance to residential tower from the square

Floor plans of residential tower Left: typical plan of an apartment floor Right: Ground floor plan, with entrance from the square and connection to the park, the healthcare center

Pedestrian realm of square as a safe urban moderating element. There is a street passing from the middle of square

The three element ‘Family’ concept

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Page 12

Ground floor plan of school building

Square, pedestrian realm A view to the school

The three elements of urban ensemble work in a system of urban functions and rise from the grounds of green park. The park continues its carpet on top of the school roof and the pedestrian paths surround the two buildings by natural flow. In this way the complex is a part of the park system and not an isolated island. the square in the middle is a safe pedestrian realm which offers a pleasant environment to drop off students, a waiting area for parents, a chill break space for users of healthcare center and etc.

The 3D section is showing the connection of different parts of complex: Continuity of the park space in the length of ensemble, on roof top and the inner courtyard of school

Section through the urban ensemble Tower, school and square

Page 13

Page 14

Tower, North Elevation

School and Tower, East Elevation

Tower, West Elevation

A facade for parkway The project has a deep commitment to its initial concept, to create a piece of world which brings infrastructure and pleasant habitable place together. In the architectural design, I tried to get back to the this basics in every decision I made. The materials of the facade are polished pre-fab concrete blocks and wooden planks as a contrast for industrialized urban life and warm and natural character of the park.

Hypar facade of tower facing the park way

As a gesture to Kennedy parkway and to take the most out of the view, the balconies of the parkway facade are turned in ascending angles to give the units a better view to the parkway. The balcony of each floor has a slight angle change around one fixed edge of the building. In this way the facade has an illusion of a hypar surface and creates an organic and natural expression. This also allows the drivers which come from the north to have a dynamic perception of the curved facade.

This project was a result of gradual planning and designing from broad urban scale to delicate architectural details, all based on the concept of qualifying the relation between mobility and life.

The journey may continue.

Page 15

TU/e Page 16

‘URBAN INJECTION’

A healthcare solution for Vlissingen Type: Senior care center | Flower Market

LocaƟon: Pauuwenburg, Vlissingen, Netherlands Supervisors: Ir. Tom Veeger, Ir. Renato Kindt June 2013

Paauwenburg zuid-oost is a part of the Vlissingen city- a port city in south of Netherlands. The neighbourhood was built in 1960s to meet the needs of population of the growing industrial area. Since then Pauuwenburg has been affected by degradations in social aspects but managed to recover. What remains of this gradual erosion, is a neighbourhood without social identity. Like many other neighbourhoods in Vlissingen, this one is also partly neglected due to the increasing tourism and attention to the touristic coasts.

The program was to design a healthcare architecture in order to add an identity to the vicinity and meet the social and healthcare needs of citizens.

This intervention was called an urban injection, an addition that can boost up the life quality of citizens, without radically changing the tissue of neighbourhood.

Because of increasing number of elderly people in neighbourhood, I decided to put the focus of urban injection to integrate and unite the public (dynamism) and the private (focused) essence of life for this. Therefore I chose to design a senior care center with an integrated flower market which connects the neighbourhood to the commercial center and the community center.

Paauwenburg, Vlissingen, Netherlands

View to the canal on care center location

Building with a courtyard as a private space

Opens up to the surrounding environment

A public wing added

Public wing follows the dynamism of canal

Building opens up to the canal

Additional wing examined to make more use of space

Connection to the other part is being examined

The additional wing is eliminated

To open up the view one of the wings is eliminated

The base of the final design, an open building to the canal and a bridge flower market

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Ground floor plan 1- Entrance 2- Senior units

3- Living room and Kitchen 4- workshop area

5- office 6- Flower market

First floor plan 1- Gym hall 2- Senior units

3- Living room and Kitchen 4- Doctor visit room

Page 19

View to the flower market

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tr u cen l e ink

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Ground floor plan-section

l hoo c s ter ry cen ma i y t r i P un mm o C

First floor plan-section Site plan of the complex

The central courtyard is the focus place. This provides the more private environment for elderly. On the other hand the dynamic flower market serves as a connection bridge and increases the relation between people and the canal. Citizens use the bridge to pass and shop and at the same time can join the public activities in care center. With this program seniors can have enough private time and also enjoy the everyday social life and communications.

Page 21

TU/e ‘Production & parts’

Victoria and Albert Museum in London is one of the world’s largest museums of decorative arts and design. In 2003, London based MUMA designed an extension for the museum and the glazed roof of this day lit gallery was the highlight of design.

Detail analysis and design

Type: Analysis of an exisƟng detail, design of a pavilion

LocaƟon: London (UK), Eindhoven (Netherlands) Teamwork of two students Supervisors: Ir. Jan Schevers June 2013

In this project we showed our fascination for this delicate detail of combination of old and modern, by making a 1:1 mock up model. In this detail the glass beams appear to vanish into the brick wall at the ends. In fact, the beams are housed in stainless-steel shoes formed in the masonry. We analysed the crafting of the detail step by step and made the mock up according to that.

The existing English bond masonry and the cornice stone are removed partly to mount the steel shoes. In next step the glass beam is placed in shoes and then cornice stone and masonry are placed again. Result is a delicate contrasting effect of old meeting the new.

1:1 Mock up model

1:1 Mock up model

Close view to the detail

View to the new daylit gallery rooftop

Page 23

Detail design of the new pavilion

In the next part of project I designed a pavilion extension to Vertigo building in TU/e campus, inspired by the MUMA detail. The new pavilion had to house a workshop for architecture students. I used the brick and aluminium material and designed the roof detail in an exposed way. This time the stainless still shoe shows itself in an honest way and the glass beams is placed into it, on top of the masonry columns. This provides the students with a well lit work space in a simple but elegant space design.

Section

U of Tehran Page 24

‘Born from landscape’ Type: Cultural center

LocaƟon: Chizar, Tehran, Iran Supervisors: Dr. H. Motedayen June 2010

Page 25

Location, Google earth view

Andarzgoo street

Imamzadeh Ali Akbar

A new dialogue between old and new The mega city of Tehran is an exciting combination of old and traditional architecture and boosting high rise and urban culture. The site of this project is located at one of the many joints of these two worlds. The triangle site for Chizar cultural center is has a traditional neighbourhood with a holy shrine of Imamzade-Ali-Akbar in south and modern high rise buildings of Andarzgoo street in north. The new local cultural center attempts to make the connection and circulation between these phenomena. As there is an existing sloping landscape, I tried to respect the nature of site and create spaces which smoothly combines with the landscape. Therefore the whole complex arose around an extended curve, starting from north and finishing in south of triangle, connecting the Andarzgoo street to private housing at south.

Site Plan

Inside the double height lobby

Theatre hall

View to the suspended gallery

The cultural center itself, in the middle of the site, is also an extroverted building. The different parts are designed to have a close dialogue with landscape, but at the same time imply a sense of unity with each other. All the spaces like library, theatre hall, classes and suspended gallery have their own entrance and user group, but they all come together by the double height central lobby.

To merge the complex in landscape, I decided to make the most use of the natural sloping ground. That is why the sections and elevations have playful level differences. This allows to have a dynamic experience when moving inside the complex. Citizens can enjoy lots of natural light in well-lit corridors and the view to the staged landscape scenery, a feeling of freedom in space.

The complex acts as a pumping heart in its landscape.

Surrounded by trees and gardens, where people are safe from eye-sores such as busy car traffic and experience the calmness of a cultural environment.

First floor plan

Page 27

View from south of the site

U of Tehran Page 28

‘jamaran villa’ Home for the architect Type: ResidenƟal villa

LocaƟon:Jamaran, Tehran, Iran Supervisors: Dr. Gh. Motalebi February 2010

Jamaran Villa was a project to explore the human mental and physical needs and designing spaces to meet those needs.

In a way, project developed from the single spaces of a most basic human habitat, ‘home’, and their unity of a ‘house’. The program was to design a family residence and each member of the six-person family had his/her own story, own needs and own required spaces.

An interesting character of this project was the complete hand-drafted presentation. This experience came out to be of great value. In a way, there is a natural flow in hand drawn presentation, which helps to express the sensitive atmosphere of a delicate space design.

It also allowed me to express my thoughts and genuine ideas without dealing with a third party assistance, the computer softwares.

Section B-B

Section A-A

Page 29

Site Plan

u of tehran Graduation project Page 30

‘hidden blobs in art garden’

center for intellectual development of children Type: Cultural center

Loca on: Art garden, Tehran, Iran Supervisors: Prof. Dr. Eisa Hojat February 2012

House of Iranian artists

Art garden of Tehran, Iranshahr street

Art Garden or Iranshahahr park is located in one of busy central areas of Tehran. Its history roots back to about a hundred years ago when it was a property of a prince from Ghajar family. In World War II these grounds were used as weaponry warehouses by allies powers. The remaining warehouse building from that era are now rehabilitated and conserved as cultural institutes such as Iranshahr theatre and cafe gallery and house of Iranian artists and now it is one of the dashing cultural hubs of Tehran. My project is located at a calm corner on north-east of site were now some unused warehouses exist. The ‘Hidden Blobs’ addresses the ever growing youth population and their need to bloom and learn through a perky experience. Contrasting the existing robust and serious buildings in site, the complex is designed based on initial idea of sheltering and making a cosy environment for children to play and learn at the same time. That is why I used the playful geometries of geodesic domes and membrane structure, a true dynamism that children deserve.

Initial concept drawings, sheltering home

A-A Section

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Sketches of site analysis- slope, access, view

Ground floor plan 1 2 3 4 5 6 7 8 9 10

Theatre hall Library Art workshops Private lobby Entrance lobby, amphitheatre Gift shop Prayer’s room Gallery Offices Gallery reception

View to the playground for children

Page 33

B-B Section

View to ‘Garden for Children’ a semi open space on top of the largest blob

The complex consists of three blobs.

The largest blob hosts the more public functions like theatre hall and workshop.

The smallest blob is the entrance to complex with gift shop and staged amphitheatre. The third blob has a more private environment with offices and a gallery. There is also a semi open space on top of largest blobs as a children’s playground, as a gesture to children and the art garden itself. The whole complex rises from a contrasting grid landscape pattern. The membrane structures offer a soft touch for the sharp geometry of blobs. It provides shady playgrounds for children and helps to land the complex on the surrounding parks. The entrances are marked by three exposed concrete walls with geometric apertures.

The north entrance of complex

Interior of one of the art workshops

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TU/e Page 36

‘Alcatraz | Spandau’

Extensive architectural analysis of two prisons LocaƟon: San Fransisco (US) , Berlin (Germany) Supervisors:Dipl.-Ing: H.H. Yegenoglu, Ir. J. Groenland Teamwork of four students June 2013 In this report the Alcatraz prison in San Francisco and the Spandau prison in Berlin are analyzed. With researching the basic elements of these prisons, like plans, elevations, sections, etc., this analysis gives a clear explanation of the way these prisons worked. Not only regime creates a certain prison system; the context, the formation, the typology and appearance of the prisons are as important for the way a prison functioned. Besides the literature study, the drawings of the prisons are analysed for the buildings spatial, architectural and programmatic qualities. The typo-morphological analysis had been conducted on context, exterior, interior of the two prisons and the conclusion drawings are presented at the end of the 150-page report.

Alcatraz is a sandstone island in the San Francisco Bay and houses one of the United States most notorious prisons. The unique location of the Alcatraz Federal Penitentiary prison is the greatest factor affecting the entire regime in cases of the outline of the shape and dynamism and concentration of various functions. The composition of different blocks (and thus concentrations of similar functions) reflects the regime of Alcatraz prison.

Alcatraz island, San Fransisco

Landscape of island and shape outline-Alcatraz

Spandau prison is located in Spandau, one of the twelve boroughs of the city Berlin. Besides its unique architecture for a prison, the form of the prison is quite remarkable. The form of the prison is a cross typology. There are four wings with a higher tower in the middle. This is an important aspect of the regime system that is being used in Spandau. The system resembles the panoptic system the most. A system in which allow a single watchman to observe (-opticon) all (pan-) inmates of an institution without the inmates being able to tell whether or not they are being watched.

Unity by facade ornamentation-Alcatraz

Architectonic detail of facade-Alcatraz

Pictures of models- Top picture, right bottom and right middle: Alcatraz

Pictures of models- Left bottom and left middle: Spandau

Cell structure and floor plans, routing, regime -Spandau

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U of Tehran Page 38

‘branching modules’ residential complex in old tehran Type: residenƟal complex

LocaƟon: Chizar, Tehran, Iran Supervisors: Dr. Gh. Akrami June 2011

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Each block consists of various housing units, each color is one typology of housing, from studios to luxurious mansions

Branching modules is a project in north of Tehran, in an old vicinity with traditional neighbourhood environment,striving for a modern soul which respects the originality of atmosphere. Project started by designing random blocks in the plot.

Soon I realized that there is a need the longitudinal axis of site has a great potential, therefore I decided to align the blocks to this axis and further the idea of a central public domain triggered. In final design each housing block has its own semi private yard and all of the blocks lean toward the central public plaza, in terms of orientation and the skyline.

The site has a 7 per cent slope, Therefore the central plaza is designed to be at the lowest level and visible from other parts of this small village. It is connected to other yards via pedestrian ramps and stairs. The central yard is a gathering public domain with dynamic environment of shops, trees, water pool and seating benches.

Site plan A-A section

Process of design- block orientation, central axis, forming the central plaza

Page 40 All housing units consist of 5*5 modules and they range from two to nine modules in each unit. This modulized system has some benefits to it, such as convenient structure planning, sense of unity, capacity of making private balconies and apertures in block design, at the same time having a lively and energetic mass morphology. Units range from studios to luxurious mansions. The program was to make a modern village society. It means that people from different age groups and life style can live together in peace and have a colorful social life in this ensemble.

Floor plans of a part of a housing block Respectively from left to right: Level 1, Level 2, level 3

West Elevation

Model of block E

Page 41

watercolor Page 42

Watercolor on paper 250*350 mm

Still life painting Ink on paper 250*350 mm

Watercolor on paper 250*350 mm

Page 43

Watercolor on paper 250*350 mm

Sketchbook Page 44

Master MirEmad Calligraphy Museum in Sa’dabad Palace complex, Tehran

Entrance of Sa’dabad Palace complex, Tehran

Lead pencil on paper 190* 250 mm

Lead pencil on paper 190* 250 mm

Page 45

The examples of charrette designs during a program of one-day design workshops in University of Tehran are presented in these pages. In these sessions I had the chance to practice technics of drawing and most importantly realizing my ideas in a limited time.

In each day of this workshop a program was given in 10 a.m. and the participants had to deliver the requirement of the program in a 1000*700 mm sheet in 5 p.m. This 14 session workshop, which was held throughout a year, had an strong influence in my way of thinking, as an architect. Fast-thinking and decision making and being able to present your ideas in the most influential way, are some of the many merits of this practice.

Design of a cinema in Tehran Pen, color pencil, marker and watercolor on paper 1000 * 700 mm

Reviving the architectural essence of three historical buildings: Amir Chakhmaq Complex in Yazd, Iran Chehel sotoun palace in Isfahan, Iran Yakhchal-e-Meybod in Meybod, Iran Pen, marker and watercolor on paper 1000 * 700 mm

Design of a Pol-Bazaar, a traditional Iranian architectural structure which combines the function of a bridge with trade spaces Pen, color pencil, marker and watercolor on paper 1000 * 700 mm

‘archiprint’ Page 47 Archiprint is a journal created by master students of Built Environment faculty of Eindhoven University of Technology. Each issue is focused on a specific theme.

Archiprint addresses a wide range of topics and media related to architecture. One of the most important aims of Archiprint is to address both students and also professionals from outside of university. Therefore, articles and interviews are in English language and themes are interesting for both audience group.

My involvement in publication of Archiprint was because of my personal interest in architecture writing and theory. I believe that this was a helpful asset for me to improve my theoretical backbone of architecture. It also helped me a lot to learn to work in a team for a mutual purpose and get familiar with process of making a scientific professional journal with all its ups and downs.

In issue five of Archiprint I was in the editorial board.

I had to guide and edit and communicate with external writers. I had conducted two interviews for this issue: an interview with Herman Hertzberger and Laurens Jan ten Kate on ‘Future of Architecture’ and an interview with Zubin Khabazi on age of generative design and digital fabrication.

The complete issues of Archiprint journal is available online at issuu.com/anarchi/docs/archiprint5

Hannaneh Sobhani MSc. of Architecture Professional & Academic Portfolio Architecture | Urban planning & design

+31 6 15333663 Hannaneh13@gmail.com