April 28th classical releases

Classical releases

APRIL 28

DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, ALIA VOX, APARTE, BELVEDERE, KINGS COLLEGE CAMBRIDGE, CHRISTOPHORUS, CSO RESOUND, EDITION CLASSICS, EVIDENCE CLASSIQUES, FRA MUSICA, GLOSSA, harmonia mundi, LA DOLCE VOLTA, LES ARTS FLORISSANTS, LSO LIVE, MARIINSKY, MIRARE, MYRIOS, NAÏVE, ONYX, PAN CLASSICS, PRAGA DIGITALS, RUBICON CLASSICS, SIGNUM CLASSICS, UNITED ARCHIVES, WIGMORE HALL LIVE

available April 28th 2017

RELEASE DATE 28TH APRIL 2017

J.S.BACH: Cantatas for Soprano Carolyn Sampson Freiburger Barockorchester

Label: harmonia mundi File Under: Classical/Choral Catalogue No: HMM902252 Barcode: 3149020225226 NORMAL Price Format: 1 CD Packaging: digipack Carolyn Sampson [soprano] Andreas Wolf [bass-baritone]* Freiburger Barockorchester, dir. Petra Müllejans

For biographer Philipp Spitta, Bach's period as organist and later Konzertmeister to the Duke of Weimar (1708-17) was the time of his ‘early mastery’. Nowhere is this more evident than in the small but highly distinguished body of cantatas he wrote there, whether for the court chapel – the Himmelsburg or ‘Castle of Heaven’ – or for some clearly very joyful wedding (BWV202). From the ravishing duets for soprano and oboe of the latter to the penitential strains of BWV199, the radiant voice of Carolyn Sampson and the virtuosos of the Freiburger Barockorchester do full justice to Bach's inventiveness.

Soprano Carolyn Sampson has been proclaimed "the best British early music soprano by some distance" by the editors of Gramophone. A native of Bedford, she studied voice with Richard Smart at the University of Birmingham, and made her debut with the English National Opera in a production of Monteverdi's L'incoronazione di Poppea and continues to appear with this company with regularity in addition to appearances at the Paris Opera. The vast majority of Sampson's singing has been heard in concert engagements with period ensembles, and by 2006 she had appeared with most of the best-known groups of this sort, but especially the King's Consort, Collegium Vocale, and Ex Cathedra. Sampson has recorded extensively for the Hyperion, BIS, Harmonia Mundi, and Deux-elles labels.

1-9 Weichet nur, betrübte Schatten, BWV202 10-15 Tritt auf die Glaubensbahn, BWV152* 16-23 Mein Herze schwimmt im Blut, BWV199 "Sampson’s pure, shining tone matches the finesse of this repertoire and her lower range sometimes has the softness and subtle qualities of a deep flute” BBC Music Magazine, February 2017 **** “[Sampson is] in excellent voice, her tone clear and silvery, her upper registers exquisite...sends shivers down your spine with its floated high pianissimos and suggestive portamentos” Gramophone Magazine, December 2016 [BIS, Verlaine Songs]

RELEASE DATE 28TH APRIL 2017

TELEMANN: Concerti per molti stromenti Akademie für Alte Musik Berlin It has been said that Vivaldi wrote the same concerto 300 times. Could anyone possibly say that of Telemann? Not only do the examples here feature every kind of weird and wonderful instrumental combination – four trumpets, three horns, two flutes and calchedon, and even mandolin, harp and dulcimer; they also display the most amazing variety of styles, from Vivaldian exuberance to elegant Ancien Régime dances by way of learned German counterpoint. The works on this recording, with the exception of the concerto from the Tafelmusik, were probably written between approximately 1710 and 1720.

The Akademie für Alte Musik Berlin (Akamus) was founded in 1982 in Berlin. Since then, it has become one of the world’s leading chamber orchestras on period instruments and can look back on an unprecedented history of success. Since 1994, their recordings have been produced exclusively for harmonia mundi and have won all the important awards for classical recordings, including Gramophone, Edison, Choc de l’année as well as the Jahrespreis der Deutschen Schallplattenkritik. In 2006, Akamus received the Telemann prize of Magdeburg and in 2014 both the Bach Medal and Echo Klassik.

Label: harmonia mundi File Under: Classical/Orchestral Catalogue No: HMM902261 Barcode: 3149020226124 NORMAL Price Format: 1 CD Packaging: digipack Akademie für Alte Musik Berlin

"Interest in instruments of the lute family aside from the ‘standard’ Baroque lute has increased in recent years. In the Concerto TWV 53: h1 recorded here, the bass stave of the solo trio is marked for ‘calchedon’, the name of a specific type of long-necked lute, also known as ‘galizona’. Telemann used the calcedono (or calcedon, or calchedon) in more than 400 works, primarily to play the bass line and only very rarely as a chordal instrument. The compass and style of writing lead to the conclusion that he can only have intended the large six-course, long-necked galizona, tuned a-e-c-G-D-C. For this recording we used a copy of an instrument made by Thomas Edlinger in Prague in 1718 or 1728." Andreas Schlegel 1-4 Concerto TWV 54: D3 for 3 trumpets, timpani, 2 oboes, strings & basso continuo in D major 5-8 Concerto TWV 53: h1 for 2 flutes, calchedon, strings & bc in B minor (Dresden Version) 9-11 Concerto TWV 44: 43 for 3 oboes, 3 violins & bc in B flat major 12-15 Sonata TWV 44: 32 for 2 violins, 2 violas, violoncello & bc in F minor 16-18 Concerto TWV 53: F1 for mandolin, hammered dulcimer, harp, strings & bc in F major (from “Musique de Table, II. Production, No.3”, arr. Peter Huth) 19-22 Concerto TWV 53: d1 for 2 oboes, bass, strings & bc in D minor 23-25 Concerto TWV 54: D2 for 3 horns, violin, strings & bc in D major 26 | Adagio from the Concerto TWV 43: G5 1’29 for 2 violins, viola, violoncello & bc in G major

RELEASE DATE 28TH APRIL 2017

SCHUBERT: Trio Op. 100 D929, Trout Quintet Op. 114 Catalogue CD 2017

Trio Wanderer The Wanderers are among the elite piano, violin and cello combinations, and these great works are signature pieces: they take their name from the Schubert song and these pieces are cornerstones of their repertoire [previously available separately].

"The Wanderers and their friends play both works with irresistible freshness and brio, making one listen afresh to the glories of Schubert." The Sunday Times [The Trout] “This is a finely controlled, highly polished performance of the Trout, and the recorded sound is excellent, too…

Altogether, the performance is most impressive in the way that its verve is matched with such a strong sense of integration and balance.” Gramophone, September 2003 [The Trout]

Label: harmonia mundi File Under: Classical/Chamber music Catalogue No: HMX2908748 Barcode: 3149020874844 BUDGET Price Format: 1 CD Packaging: cd book Trio Wanderer: Jean-Marc Phillips-Varjabédian [violin] Raphaël Pidoux [cello] Vincent Coq [piano] Christophe Gaugué [viola] Stephane Logerot [double bass]

”If the playing weren’t so delicate, refined, intelligent and colourful it might have felt more than a bit one-sided. As it is Trio Wanderer convince that this is a fully valid view of Schubert, brilliantly and feelingly executed.”

Chamber Choice, BBC Music Magazine, April 2008 [Trio]

RELEASE DATE 28TH APRIL 2017

COSTANZI: Sinfonie per violoncello SOLLIMA: The Hunting Sonata

Giovanni Sollima Arianna Art Ensemble

Label: Glossa File Under: Classical/Instrumental Catalogue No: GCD923802 Barcode: 8424562238022 NORMAL Price Format: 1 CD Packaging: digipack Giovanni Sollima [cello] Monika Leskovar [cello] Gianluca Ubaldi [timpani & tamburello] Arianna Art Ensemble: Cinzia Guarino [harpsichord] Andrea Rigano [cello] Paolo Rigano [archlute & baroque guitar]

With a disc of Giovanni Battista Costanzi's cello sonatas behind him for Glossa, Giovanni Sollima demonstrates further the melodic inventiveness and harmonic liberties to which Costanzi was given, together with a virtuoso’s capacity to relish the technical demands imposed by a Roman musician who was clearly also a star player on the instrument himself.

Together with the Arianna Art Ensemble, Sollima has recorded five sinfonias for cello and continuo, and a sonata for two cellos where he is joined once again by Monika Leskovar. The four-movement structure favoured by Corelli is still apparent in some of these sinfonias but there is evidence of influences coming from Europe although Costanzi did not venture far outside the Eternal City. It is also likely that he taught the young Boccherini, who had made the considerable journey from Lucca for lessons with 'Giovannino del Violoncelo'.

A new composition, 'The Hunting Sonata', by Sollima himself, takes off from where Costanzi’s almost programmatic Sonata for two cellos, “ad uso di corni da caccia� left off.

01-04 Sinfonia in D major for cello & basso continuo 05-08 Sinfonia in B flat major for cello & bc 09-11 Sonata da Camera for two cellos & bc “ad uso di corni da caccia�

12-14 Sinfonia in G major for cello & bc 15-17 Sinfonia in E flat major for cello & bc 18-20 Giovanni Sollima: The Hunting Sonata 21-23 Sinfonia in C major for cello & bc ALSO AVAILABLE: *&' &RVWDQ]L &HOOR 6RQDWDV “Master of the Choir at St Peter’s, Rome in the 18th Century, little of Constanzi’s work is recorded. The stylish performances accompanied by excellent programme notes make this a worthwhile recording.â€? BBC Music Magazine, October 2016 **** “Constanzi clearly wasn’t known as ‘John of the Cello’ for nothing, because the stylistic and virtuosic variety is extraordinary to the point of feeling experimental‌the tone produced by Sollima on his 18th-century Venetian instrument has a slightly ‘dirty’ quality, heavy on energetic panache, which perhaps won’t appeal to everyone but is certainly dispatched with wizardly skillâ€? Gramophone Magazine, July 2016

RELEASE DATE 28TH APRIL 2017

Fernand de la TOMBELLE: Mélodies Tassis Christoyannis

Label: Aparté File Under: Classical/Secular Vocal music Catalogue No: AP148 Barcode: 3149028099829 NORMAL Price Format: 1 CD Packaging: digipack Tassis Christoyannis [baritone] Jeff Cohen [piano]

This little-known composer of almost 600 works was also a poet writer, folklorist, chronicler, photographer and painter, and an enthusiast for astronomy, archaeology, cycling and motor cars . . .

Until now Fernand de La Tombelle [1854-1928] has remained little known, even to the music lovers of oddities. Yet he was a virtuoso organ player, a much valued teacher (cofounder of the Schola Cantorum with Vincent d'Indy) and a challenging and sophisticated composer. Relevant examples of this are his mélodies that cover a long period of his life and friendships, leading from Saint-Saëns' romanticism to Poulenc's post-war years. His musical language favours the vocal style of Massenet which is not surprising: in 1880 Tombelle married Henriette Delacoux de Marivault, a woman of letters who published, under the pseudonym of Camille Bruno, numerous plays and poems, some of which were set to music by Massenet. Although Tombelle won several major prizes in Paris (the Prix Pleyel in 1887 and 1894, the Prix Chartier in 1896), he spent a large part of his time at Fayrac Castle, his property in the Dordogne village of Castelnaud-la-Chapelle, and in Sarlat, where he took a keen interest in the local Périgourdin folklore. The harmonic richness and the variety of atmospheres in the mélodies prove Tombelle was not merely a follower of more famous compatriots.

The Palazetto Bru Zane website contains comprehensive background on Tombelle and his contemporaries: http://www.bru-zane.com/2016/?page_id=17602&lang=en 1 Hier au soir | 2 Les Larmes | 3 Il me l'a dit | 4 Ischia | 5 Croyez-moi! | 6 La Croix de bois | 7 Les Papillons 8 Passez nuages roses | 9 Cavalier mongol | 10 Souvenir | 11 Promenade nocturne | 12 Elle est loin 13 Sans toi | 14 Sonnet | 15 Veux-tu les chansons de la plaine? | 16 Ha ! Les bœufs 17 Chant-Prière pour les Morts de France | 18 Vieille Chanson | 19 Si le roi m'avait donné 20 La Pernette | 21 Couplets de Chérubin | 22 Ballade | 23 Pourquoi ?

ALSO AVAILABLE: $3 /DOR 6RQJV “The arrival of a fine melodie singer is always a cause of celebration. Tassis Christoyannis has a baritone voice that moves smoothly from the most elegant, caressing pianissimo, at times reminiscent of Gerard Souzay, to a commanding fortissimo. In addition, his words are the clearest I've heard in this repertory for a very long time, and he uses them with great intelligence…” BBC Music Magazine, January 2016 “Christoyannis is an outstanding communicator here, admirably aware of textual and musical subtleties, without over-dramatising. The Hugo settings gleam with wit...Cohen is a fine accompanist, weighty yet detailed, formidably coming into his own in the Béranger Romances... It’s essential listening if you care for French song.” Gramophone Magazine, February 2016

RELEASE DATE 28TH APRIL 2017

Fauré Piano Works Michel Dalberto Michel Dalberto first came to prominence when, between 1975 and 1978, he won the 1st Mozart Competition in Salzburg, the Clara Haskil Prize in Vevey (Switzerland) and 1st Prize at the Leeds International Piano Competition (whose previous winners include Radu Lupu, Murray Perahia or Andras Schiff). When he was 12, he was introduced to Vlado Perlemuter, a favourite pupil of the late Alfred Cortot, and entered his class at the Paris Conservatoire where he completed his studies in nine years.

Dalberto is currently embarked with the French label Aparté in an important project of several recordings of French repertoire including Debussy, Ravel, Franck and Fauré. Every program shall be recorded “live” on different pianos (Steinway, Fazioli, Bechstein..) and accompanied by a video. This second release was recorded on a Bechstein piano at the Conservatoire d’ Art Dramatique-Paris on 7 January 2017.

Label: Aparté File Under: Classical/Instrumental Catalogue No: AP150 Barcode: 3149028100020 NORMAL Price Format: 1 CD Packaging: digipack Michel Dalberto [Bechstein piano]

1 Ballade in F sharp major for solo piano or piano & orchestra, Op. 19 2 Impromptu No. 3 in A flat major Op. 34 3 Nocturne No. 6 in D flat major, Op. 63 4 Nocturne No. 7 in C sharp minor, Op. 74 5 Thème & Variations, Op. 73 6 Nocturne No. 9 in B minor, Op. 97 7 Nocturne No. 11 in F sharp minor, Op. 104 No. 1 8 Nocturne No. 13 in B minor, Op. 119 ALSO AVAILABLE: AP111 Debussy

RELEASE DATE 28TH APRIL 2017

Kind of Satie New music around Erik Satie

Andrea Pandolfo / Paolo Pandolfo / Michelangelo Rinaldi

Label: Glossa File Under: Classical/Instrumental Catalogue No: GCDP30416 Barcode: 8424562304161 NORMAL Price Format: 1 CD Packaging: digipack Andrea Pandolfo [trumpet, flugelhorn, voice] Paolo Pandolfo [violas da gamba, voice] Michelangelo Rinaldi [piano, toy piano, accordion]

Every once in a while Paolo Pandolfo likes to slip away from the world of Baroque-era manuscripts for virtuoso compositions on the viola da gamba in order to create a free-form improvisatory programme surrounded by like-minded musical spirits: and so, away from stylistic rules and regulations, 'Kind of Satie' has come into being for Glossa. Subtitled 'new music around Erik Satie', Pandolfo embarks on a journey around the eccentricity-laden life of that 'transcendent idealist', in the company of his brother Andrea, and with Michelangelo Rinaldi.

Andrea Pandolfo, who worked with Paolo on the 'Travel notes' programme, is a trumpet and flugelhorn player as well as a composer (in world music, contemporary, folk, jazz and early music), whilst the multi-instrumentalist Rinaldi acquits himself admirably on this new recording in playing piano, accordion and toy piano. Paolo Pandolfo is to be heard on both his usual and on an electro-acoustic viola da gamba.

Satie’s musical scores frequently bore markings designed solely for performers, but in some of the pieces included in 'Kind of Satie' these are openly presented for listeners by the Pandolfo brothers.

The music for the 'Trois Sonneries de la Rose+Croix' and 'Sports et Divertissements' provide the trio with starting points for their own modern-day musical compositions, as does Baroque music (pace Marin Marais). The draughtswoman Tinka Volaric provides a series of illustrations created specifically in the context of this innovative project.

01 La mosca cieca (A. Pandolfo) | 02 Il corale (Erik Satie, A. Pandolfo) 03 Morbidamente rosacrociano (M. Rinaldi) | 04 Brothers (P. Pandolfo) 05 Albertone sui baffi di Satie (A. Pandolfo) | 06 Sonnerie de la Rose+Croix (Erik Satie) 07 Il flirt (Marin Marais, Erik Satie, A. Pandolfo) | 08 Respiro (P. Pandolfo) 09 Impassibile infiammato (A. Pandolfo) | 10 Sogno coniugale (M. Rinaldi) 11 La caccia (A. Pandolfo) | 12 La maritata (Erik Satie, Marin Marais) 13 Preghiera rosacrociana (M. Rinaldi) | 14 Valzer rosacrociano (M. Rinaldi) 15 Commiato (A. Pandolfo)

RELEASE DATE 28TH APRIL 2017

Vote For Me! Votez pour Moi!

Les Lunaisiens / Arnaud Marzorati Louis XIV and Napoléon were well aware of music as an effective means of propaganda. The 19th century saw a succession of antagonistic governments, creating an infinite repertoire of satirical and demagogic works dedicated to elections and sovereignty.

La Clique des Lunaisiens, directed by Arnaud Marzorati, specialises in bringing forgotten French chansons back to life.

This 'Vote for me!' recital commissioned by the Palazzetto Bru Zane in 2016, is an escapade worth relishing into the world of politics. Witness the exercise of rhetoric, popular complaint and deceitful manipulation. Any resemblance to current political upheaval is purely coincidental.

Label: Aparté File Under: Classical/Secular Vocal music Catalogue No: AP146 Barcode: 3149028099621 NORMAL Price Format: 1 CD Packaging: digipack Laura Neumann, Ingrid Perruche, La Clique des Lunaisiens, Ensemble soliste XXI, Arnaud Marzorati

Teaser video here: https://www.youtube.com/watch?v=nSzI5y8B8t8 Soundcloud clip: https://soundcloud.com/apartemusic/frederic-boissiere-un-vrai-republicain-la-clique-des-lunaisiens-arnaud-marzorati 1. « Le Toast du Président » Vincent Hyspa (1865-1938) 2. « Droite, Gauche, Centre » Gustave Nadaud (1820-1893) 3. « La Chambre et le Sénat » Léon Xanrof (1867-1953) 4. « Les Complots » Vincent Hyspa (1865-1938) 5. « Un Bal chez le Ministre » Jules Jouy (1855-1897) 6. « Plus d’patrons » Aristide Bruant (1851-1925) 7. « Quand on n’a pas le sou » Nicolas Boileau (1636-1711) 8. « Un Vrai Républicain » Frédéric Boissière (?-1889) 9. « L’Affiche électorale » sur un air de André-Ernest-Modeste Grétry (1741-1813) 10. « L’impôt sur les célibataires » Charles Pourny (1839-1905) 11. « Le Galant Siffleur » Adrien-Francis Rodel (?-1926) 12. « Le Métingue des femmes » sur un air de Maurice Mac-Nab (1856-1889) 13. « La Prière de Jeanne d’Arc » Joseph-André Vignix 14. « A Jeanne d’Arc » sur un air d’Aimé Maillart (1817-1871) 15. « Notre Coq » Pierre-Jean de Béranger (1780-1857) 16. « Le Prisonnier de l’Elysée » Vincent Hyspa (1865-1938) 17. « La Marseillaise des locataires par le Rouget du cinquième » sur un air de Claude Joseph Rouget de Lisle (1760-1836)

RELEASE DATE 28TH APRIL 2017

BRUCKNER: Symphonies 9 & 7 [Adagio]

Wilhelm Furtwängler has left us with 112 live concert recordings. Many connoisseurs consider that his most unforgettableperformance was that of 7th October 1944 in the Berlin Beethoven-Saal, attended by Hermann Göring. The programmefeatured Bruckner’s last (unfinished) symphony, and closed with the adagio from Symphony No 7. This slow movement is heavy with Wagnerian Weltschmerz. It was written in the weeks preceding Wagner’s death in February 1883, and whennews reached Bruckner that Wagner had indeed died in Venice, he added the deeply poignant coda as an explicit tribute.This original recording represents Furtwängler's most inspired performance and is a compelling testimony to his legacy. It took Furtwängler to recognise and recreate an absolutely perfect depiction of Bruckner's tortured mind and, by extension, an entire world on the brink of collapse.

Label: Praga Digitals File Under: Classical/Orchestral Catalogue No: DSD350125 Barcode: 3149028086423 Price: £9.48 Format: 1 SACD Packaging: cristal Berlin Philharmonic Orchestra Wilhelm Furtwängler

1-4 SYMPHONY No.9 in D minor (Robert Haas Edition) 57:59 Recorded live, Berlin, Radio DDR, 7 October 1944 5 SYMPHONY No.7 in E major , II. Adagio. Sehr feierlich und sehr langsam 21:43 Recorded live, Berlin, Radio DDR, 7 April 1942 Wilhelm Furtwängler (January 25, 1886 - Berlin, November 30, 1954)

RELEASE DATE 28TH APRIL 2017

Tribute to Gregor Piatigorsky BRAHMS: Double concerto Op.102, SAINT-SAENS: Concerto n°1 Op.33, BLOCH: Schelomo Piatigorsky, only 18 years old, traveled from USSR to Germany, studied with Becker and Klengel and found employment playing in a trio in a Russian cafe in Berlin, frequented by Feuermann and Furtwängler, who hired him as principal cellist of the Berlin Philharmonic. He kept that post until 1929 (now 26 years old), when he decided to pursue a career as a traveling concert artist. When Richard Strauss heard him, he said, "I have finally heard my Don Quixote as I thought him to be." That same year he made his debuts with the Philadelphia Orchestra under Stowkowski, and the New York Philharmonic, with Mengelberg. He loved the United States, and became a citizen in 1942 . The first Russian cellist of the last century to be world-acclaimed before Rostropovich.

BRAHMS: Concerto for Violin, Cello and Orchestra in A minor, op.102 (1887) 29:59 1. I. Allegro | 2. II. Andante | 3. III. Vivace non troppo Recorded in New York, June 1961, Angel

Label: Praga Digitals File Under: Classical/Instrumental Catalogue No: PRD250368 Barcode: 3149028107920 NORMAL Price Format: 1 CD Packaging: cristal Gregor Piatigorsky [cello] Nathan Milstein [violin, 1-3] RCA Victor SO / Reiner [1-6] Boston SO / Charles Munch [7]

SAINT-SAENS: Concerto for Violoncello and Orchestra in A minor, op.33 (1887) 19:21 4. I. Allegro non troppo | 5. II. Allegretto con moto | 6. III.Allegro non troppo Recorded in New York, June 1961, Angel 7. Ernest BLOCH: Schelomo, Hebraic Rhapsody for Cello and Orchestra (1915-6) 22:06 Recorded in Boston, 30 January 1957, Angel

RELEASE DATE 28TH APRIL 2017

STRAVINSKY: Works for Two Pianos

A generous compilation [80mins] of Stravinsky’s two-piano works, including his 'Rite of Spring'. The Sacrifice is a tribute to the household gods who assemble to celebrate the inexorable dance of death, played on a Bösendorfer and a Steinway, their exquisite respective craftsmanship proffered for our humble admiration.

1. Scherzo à la Russe (1944), arranged for two pianos by the composer (1954) 03:40 Vitya Vronsky & Viktor Babin, Recorded in New York, 1961 The Rite of Spring, four-hands composition arranged for 2 pianos, by John-Patrick Millow 33:32 2 I. L’Adoration de la terre | 3. II. Le Sacrifice | Recorded in Paris, 18 June 1982

Label: Praga Digitals File Under: Classical/Instrumental Catalogue No: PRD250379 Barcode: 3149028109023 NORMAL Price Format: 1 CD Packaging: cristal on Bösendorfers (2-3, 8-15) Bernard Job, John-Patrick Millow on Steinways (1, 4-7, 19) Vitya Vronsky & Viktor Babin (16-18) Alfons & Aloys Kontarsky

Concerto for Two Pianos 19:51 4. Con moto | 5. Notturno (Adagietto) | 6. Quattro variazioni | 7. Preludio e fuga (Lento) Recorded in New York, 1962 Five Easy pieces 05:31 8. Andante | 9. Espanola | 10. Balalaika | 11. Napolitana | 12. Galop Recorded in Paris, 9-10 February, 1991 Three Easy Pieces 03:48 13. Marche (à Casella) | 14. Valse/ (à Satie) | 15. Polka (à Dhiagilev) Recorded in Paris, 9-10 February, 1991 Sonata for Two Pianos 10:48 16 Moderato | 17. Thema with variations (Largo) | 18. Allegretto Recorded at Bavaria Atelier, Munich, November 1962 19. Tango, arranged for two pianos by Viktor Babin) 02:47 Vitya Vronsky & Viktor Babin, Recorded in New York, 1961