Harrods Magazine June/July 2014

JUNE / JULY 2014

ÂŁ3 JUNE/JULY 2014

A SHADE

MORE DARING A SHADE MORE DARING

Hothouse colours explode into summer

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MAGAZINE DIRECTOR OF CREATIVE MARKETING DEBORAH BEE DIRECTOR OF CREATIVE OPERATIONS BETH HODDER ART DIRECTOR BARNEY PICKARD

EDITORIAL DEPUTY EDITOR FLEUR FRUZZA ACTING BEAUTY EDITOR JAN MASTERS FASHION WRITER LINDSAY MACPHERSON STAFF WRITER AMY BROOMFIELD CONTRIBUTING WRITER MARIA MILANO ASSISTANT BEAUTY EDITOR REBECCA BAIO CHIEF SUB-EDITORS LISA HILLMAN, NICOLETTE THOMPSON SENIOR SUB-EDITOR CAROLINE HUNT

ART DEPUTY ART DIRECTOR SONJA BURRI ART EDITOR NATALIE BOO MOSQUERA SENIOR DESIGNER RACHEL ESCUDIER JUNIOR DESIGNER OLIVER JAMIESON ART ASSISTANT JENNIFER KAY PRODUCER EMILY SELLERS PHOTOGRAPHY BOOKINGS EDITOR WENDY HINTON PICTURE ASSISTANT KIAAN ORANGE PHOTOGRAPHY BOOKINGS ADMINISTRATOR LAIDE PITAN

FASHION FASHION EDITOR VICTORIA GAIGER DEPUTY FASHION EDITOR POPPY ROCK SENIOR FASHION ASSISTANT BECKY BRANCH JUNIOR FASHION ASSISTANT OLIVIA HALSALL

DIGITAL DIGITAL MANAGER CLAUDIA ORRELL ACTING DIGITAL MANAGER ARNAUD BURTIN HEAD OF DIGITAL DESIGN BOB DEVSI DIGITAL DESIGNER JAIME RIVERA JUNIOR DIGITAL DESIGNER TAK YEUNG CHEUNG DIGITAL SUB-EDITORS JANICE MORTON, ROSE VICKERS

PUBLISHING ASSOCIATE PUBLISHER ALETHEA QUARTEY ACTING MANAGING EDITOR SUZY CHAPMAN PUBLISHING ASSISTANT PHOEBE FISHER

PRODUCTION PRODUCTION MANAGER HAYLEY YOUNG PRODUCTION ASSISTANT CAMILLA JOSEPHS

HARRODS STORE IMAGE GROUP DIRECTOR OF CORPORATE AFFAIRS KATHARINE WITTY DIRECTOR OF CUSTOMER RELATIONSHIP MANAGEMENT AND PERSONAL SHOPPING CHIARA

VARESE

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T H E F I N E J E W E L L E RY R O O M , G RO U N D F LO O R

124,957 Period: 1st July 2013 to 31st December 2013

EDITOR’ S LE T TER

Main photo Rachel Escudier; cover image Iain Crawford

Call it a serious case of wanderlust but, this season, fashion is ready to hit the trail and put laid-back luxe on the map.

Bold, billowing dresses take the contemporary road to hippy chic with vibrant, floaty fabrics and flirty fringing (p64). Beauty brands, too, are tempting us with tropical colours as hi-tech powders explode onto the scene (p89). Time to jettison the taupe eye shadow and come on strong.

Meanwhile, menswear has gone west (p80), and when the dust settles, there’s plenty of perfectly dressed-down denim and rugged leather to inspire a spot of James Dean styling (loving the Stetson). The gold rush continues with metallics (p41) as designers seduce us with their alchemic allure, dreaming up very different approaches to the shiny stuff. Think Lanvin’s copper-toned basketball tops in sand-washed lamé and Stella McCartney’s cropped coat with its chrome-like lustre that glints in certain lights. Diane von Furstenberg has even given us shorts with the full-on Midas touch. The big priority, naturally, is how to pack it all. For the globetrotter who wants to travel light without leaving style behind, we’ve selected backpacks with quilted details and impossibly gorgeous trims (p54). Enjoy the journey.

Editor-in-Chief

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CONTENTS

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COVER

Photographer IAIN CRAWFORD Beauty Editor JAN MASTERS Hair JAY ZHANG at DWM using Shu Uemura Art of Hair Make-up LINDA ÖHRSTRÖM at Link Details Model EDDA OSCARS at Select For more information, download the Harrods Magazine app

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BEAUTY

27 TOP 20 Launches, special offers and events for June and July 31 ZEITGEIST People and places in the air this summer 37 IT’S A WONDERFUL LIFE She has a successful career, a high-profile marriage, two children and a transcontinental social calendar. But Helen McCrory’s down-to-earth humour and take-it-or-leave-it attitude mean the drama stays on screen

89 COLOUR EXPLOSION Peacock blues, hothouse greens and fuchsia pinks make an impact this summer, as powder cosmetics go hi-tech 97 GET SET FOR SUMMER Innovative in-store beauty events – and exclusive gifts 98 WALKING ON SUNSHINE Reinvent your make-up for the new season. Sasha Ghodstinat, International Make-up Artist for Laura Mercier, puts on a happy face 102 HIGH FIVE Top five fragrance treats for June and July 104 BEAUTY NEWS Gentle facial cleansers from Kiehl’s and Murad; customisable creams from Ioma; Le Labo’s pure perfumes; the delicately blended Carven L’Eau de Toilette; 1980s pop-themed nail varnish from Deborah Lippmann 105 MISS HEAVEN SCENT Wears oud for summer

FASHION 41 THE NEW GILDED AGE Metallics are bringing a bold new magnetism to the SS14 collections, as designers cast their creations in copper, gold and silver 44 KANE AND ABLE In eight years, Christopher Kane has gone from promising student to a designer whose label is set to be the next global powerhouse 48 TREND WATCH: PASTELS Wearing colours reminiscent of sugared almonds doesn’t mean adopting a sickly-sweet demeanour 50 WOMENSWEAR NEWS Chloé’s super-feminine SS14 collection; the Chanel J12-365 ceramic watch; Barrie Scottish cashmere; a few of Monica Vinader’s favourite things 52 SUITED UP The new collections are awash with arresting swimwear and super-luxe poolside accessories. Prepare to make a splash 54 SUMMER BREEZE Globetrotting backpackers beware: the fashion world has designs on your essentials. But this season ditch the practicalities in favour of compact styles, exotic skins, quilted details and gorgeous trims 56 WOMENSWEAR NEWS Maje’s latest collection in indigo; MAC opens in Fashion Lab; G London’s nature-inspired fine jewellery; traditionally crafted clothing from Holland & Holland 60 MENSWEAR NEWS The Maurice Lacroix Pontos S sports watch; Alexander McQueen’s Gothic-inspired AW14 collection; the S.T. Dupont classic Bogie holdall; the Grooming Guru goes for gold 62 BEACH BOYS The scene on the sand is all about fun; this season’s swimwear reflects the rays with impossibly bold brights 64 LOSE YOURSELF The contemporary road to hippy chic mixes tribal motifs and jewellery with vibrant colours 72 LARGER THAN LIFE Long summer days bring all manner of miniature fashions for kids with big personalities, as well as the odd oversized creepy-crawly 80 ONCE UPON A TIME IN THE WEST Layers of this season’s denim, leather and checks add up to a look that has stepped straight out of the Wild West

FOOD, INTERIORS & LIFESTYLE 107 LUCKY COW Welsh Wagyu cows are massaged, fed the best grass, and given two pints of ale a day. The resulting beef is abundantly marbled, and thus supremely juicy, tender and flavoursome 112 UPTOWN GRILL Enhance the flavour of your favourite meat with savoury sauces, rubs and relishes 114 FOOD NEWS The Coravin wine-decanting device; sushi-shaped chocolates from Visibilia; gluten- and gelatine-free confectionery from Jealous Sweets; the latest seasonal exotic fruits 117 ITALIAN MASTERS Based in Italy’s furniture heartland, both Giorgetti and Baxter combine tradition with innovation in collections designed to stand the test of time 120 INSIDE STORY Bottega Veneta’s home collection echoes the discreet luxury – as well as the distinctive weave pattern – of its fashion and accessories ranges, says Creative Director Tomas Maier 122 INTERIORS NEWS L’Objet’s 10th-anniversary collection; the Escapade sofa from Roche Bobois and Missoni; Villari’s magical creatures; the Villeroy & Boch Lumière Pure range; June Cookshop events 125 LIFESTYLE NEWS Xperia’s Z2 waterproof tablet; the chic and durable Geo Aluminium luggage range from Zero Halliburton; Montegrappa’s limited-edition Quincy Jones fountain pen; summer travel books 130 MY STYLE: MIROSLAVA DUMA Clocking up more photos than practically any front row-er, the Russian fashionista’s latest role is as digital campaign ambassador for Fabergé HAR RODS M AGAZINE

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3H\UJOLZ ZWLJPHS VăLYZ HUK L]LU[Z MVY 1\UL 1\S` 1. Zenith El Primero Calibre 410 Loyal to the original El Primero but with a new shape, the Calibre 410 chronograph has a calendar and a moonphase indicator. £7,200.

The Fine Watch Room, Ground Floor

2. Bulgari Intarsio earrings Pavé diamonds and onyx outlined with white gold depict Byzantine mosaics in Bulgari’s Mediterranean-inspired design. £10,900.

The Fine Jewellery Room, Ground Floor 3. Paul Smith AW14 Deconstructed suits and sequin-panelled shirts stole the show at Paul Smith’s AW14 catwalk show. Shirt £350. Men’s International Gallery, Lower Ground Floor

4. De Beers diamond watch Like a dress flaring around a twirling dancer, De Beers’ diamond watch is an eddy of white diamonds set in white gold. £33,900. The Fine Jewellery Room, Ground Floor

5. RedValentino eveningwear The RedValentino aesthetic gets a fairytale makeover this season in tulle with silk flowers. Gown £699; exclusive to Harrods.

Designer Collections, First Floor

6. Crème de la Mer World Oceans Day Crème de la Mer supports World Oceans Day conservation efforts with a limited-edition jar of Moisturizing Cream. 100ml, £290. The Cosmetics Hall, Ground Floor

7. Boucheron Quatre cuff The latest addition to Boucheron’s Quatre collection is an open-work high jewellery cuff in 18kt white gold with white princesscut diamonds. Price on request. The Fine Jewellery Room, Ground Floor

8. Bella Freud sweaters Beloved for her playful slogan sweaters, Bella Freud has taken inspiration from her greatgrandfather, Sigmund, for her latest designs.

Sweater £260. Fashion Lab, Fourth Floor

9. Philosophy Brighten My Day Philosophy’s latest trio of products aims to reduce blemishes with a breakthrough brightening and perfecting complex. From £32. The Beauty Apothecary, Ground Floor

10. Analeena Amuse Bouche bags In a rainbow of colours, Analeena’s Amuse Bouche crocodile-skin clutches are as petite and lighthearted as their name implies. £7,280. Luxury Accessories, Ground Floor HAR RODS M AGAZINE

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11. Georg Jensen Moonrise pendant In 18kt yellow gold with blue topaz, the Georg Jensen Moonrise pendant symbolises a “blue moon” – the rarely occurring second full moon within one month. £1,550.

Luxury Jewellery, Ground Floor 12. Ralph Lauren Home Off Sunset In navy and white patterns, the latest bed-linen range from Ralph Lauren Home references Lauren’s Purple Label menswear collection.

From £299. Bed Linens, Second Floor 13. 3.1 Phillip Lim AW14 With a nod to Nudie Cohn – the tailor to ’60s American country-music stars – Lim presented floral-embroidered jackets for AW14. Jacket £1,025. Men’s International Gallery, Lower Ground Floor

14. The original Mackintosh From the brand whose name is synonymous with the rainproof coat comes the ’60sinspired Banton ladies’ mac, available – incongruously – in a range of bright colours. £725. Luxury Collections, First Floor

15. Can à Suc A spoonful of sugar is passé. This season it’s all about a Can à Suc sculpted sugar fan to accompany your Darjeeling. £19.95; exclusive to Harrods. Food Halls, Ground Floor

16. Michael Kors Jet Set tote A summer essential, Kors’ Jet Set tote is made of saffiano leather, which is not only beautifully textured but also scratch-resistant. £310.

Designer Accessories, Lower Ground Floor

17. Fendi By the Way bag With adaptable straps that allow it to be worn four ways, Fendi’s new By the Way bag will be available in a pop-up shop from 4th to 29th June. £1,430. Fendi pop-up shop, Door 9, Ground Floor

18. Summer Furniture Sale From 7th to 27th June, savings of up to 25% can be found on dozens of furniture and bed brands on the Third Floor.

19. Bee Goddess Eros hand bracelet An arrow from Eros’ bow is made from 18kt rose gold with black diamonds in the Bee Goddess Eros hand bracelet, from the Secret Garden collection. £1,150. Luxury Jewellery, Ground Floor

20. Clarins gift with purchase From 19th June to 5th July, Clarins is offering four complimentary samples with the purchase of two or more products, one of which must be skincare. Exclusive to Harrods.

The Cosmetics Hall, Ground Floor

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PEOPLE & PLACES in the air in June & July BY LINDSAY MACPHERSON & BEN FELSENBURG

Michael Hill, responsible for maintaining the high standards at Drake’s

Portrait Benjamin McMahon

FASHION Drake’s of London “It’s an old company, but it feels like a new beginning,” says Michael Hill, the co-owner and designer behind Drake’s, the British accessories brand known for its superior-quality scarves, ties and pocket squares. Michael Drake, who founded the firm in 1977, stepped down in 2010, but it’s common consensus that he couldn’t have found a better successor than Hill. “I inherited a wonderful firm,” says Hill, who started as Drake’s understudy 12 years ago and worked his way up to head designer. “I want to maintain those exceptional standards.” The son of a tie maker, Hill spent his late teens working in weaving mills in Como, Italy, before cutting his teeth in tailoring at Savile Row’s Richard James. It’s this mix of British tradition and Italian sprezzatura that defines the Drake’s aesthetic. “But we’re not just about design,” says Hill, who opened a new atelier and factory in London’s Haberdasher Street last year. “Our skilled artisans – some of whom have been with us for 30 years – make the products by hand. That’s what we’re really proud of.” Available from Men’s Shirts & Ties, Lower Ground Floor HAR RODS M AGAZINE

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ZEI T GEIST

MUSIC Liza Minnelli

There’s a trophy cabinet in Liza Minnelli’s home that holds an Emmy, two Golden Globes, four Tony Awards, a Grammy Legend Award and – of course – a Best Actress Oscar for her role as Sally )V^SLZ PU [OL ÄST ]LYZPVU of Cabaret. Now she comes to London, for one night only, to tell stories and sing the hits from her legendary repertoire.

2nd July at the Royal Albert Hall

The athleticism and charisma of Cuban dancer (and Royal Ballet Principal Guest Artist) Carlos Acosta have made him a superstar. Cubanía melds his classical past with a vibrant contemporary style of dance.

The centrepiece of the programme is his “Tocoroco” Suite. First presented in 2003, but now completely reimagined, the piece is semi-autobiographical and features members of the Havana-based Danza Contemporánea de Cuba. From 21st to 23rd July at the Royal Opera House

BOOK Bowie Duffy: Five Sessions

by Kevin Cann and Chris Duffy Think of David Bowie and it’s likely that an image by photographer Brian Duffy will spring to mind. Duffy was pivotal in helping Bowie forge his changing personae, and this book – by the photographer’s son Chris, and written with Bowie biographer Kevin Cann – looks back at five landmarks in the singer’s career: as glamrock alter-egos Ziggy Stardust and Aladdin Sane; as the star of The Man Who Fell to Earth; and in the shoots for the covers of Lodger and Scary Monsters. Alongside copious illustrations, there are interviews with director Nicolas Roeg, Bowie’s manager, Tony Defries, and a variety of other pivotal figures. £17.99. Available from The Harrods Bookshop, Second Floor

MUSIC Royal Philharmonic Classical Gala and Fireworks As midsummer approaches, Hampton Court is the setting for a star-studded, fortnight-long festival of music – and, for romantics, the highlight is the Classical Gala and Fireworks. Arrive early to sip Champagne and picnic in the grounds of Henry VIII’s regal residence before the Royal Philharmonic performs a programme featuring Elgar’s “Enigma Variations”, Debussy’s “Clair de Lune” and Tchaikovsky’s “1812 Overture”. 14th June at Hampton Court Palace

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David Bowie Courtesy of ACC Editions; Carlos Acosta Laurie Lewis; Royal Philharmonic Orchestra Getty

DANCE Cubanía

Ben Miles as Thomas Cromwell in Bring Up the Bodies

EXHIBITION Dennis Hopper: The Lost Album The star of Easy Rider and Apocalypse Now may have been a notorious Hollywood hell-raiser, but Dennis Hopper was also a keen collector of 20th- and 21st-century art, as well as a photographer, painter and sculptor. The Lost Album brings together more than 400 photos, taken from 1961 to 1967 but only discovered after his death in 2010, offering the unique perspective of an iconoclast who was also a Hollywood insider; among his subjects are Andy Warhol, Paul Newman and Jane Fonda. From 26th June to 19th October at the Royal Academy

THEATRE Wolf Hall / Bring Up the Bodies

Few would have thought it possible to capture Hilary Mantel’s brilliance on stage, but that’s what the RSC did in 2013 with its adaptation of her two Man Booker Prizewinners, Wolf Hall and Bring Up the Bodies. The production is now in the West End, with Ben Miles reprising his role as Thomas Cromwell.

Irving Blum and Peggy Moffitt (1964)

by Dennis Hopper

THEATRE

“London society is full of women of the very highest birth who have, of their own free choice, remained 35 for years.”

“It is a terrible thing for a man to find out suddenly that all his life he has been speaking nothing but the truth.” In this Oscar Wilde farce, just about every line is a zinger. The “trivial comedy for serious people” is returning to the West End (where it debuted in 1895) with a sparkling cast, in which Siân Phillips as the pitilessly barbed Lady Bracknell is the jewel in the crown.

From 27th June at the Harold Pinter Theatre

Until 6 September at the Aldwych Theatre

EXHIBITION

Disobedient Objects

Larger-than-life puppets, inflatable plastic cobblestones and a graffiti-writing robot are just a small sample of the wonders on offer as the Victoria and Albert Museum explores how protesters from 1980 to the present have given creative expression to their causes. Looking back over movements from the last few decades, the exhibition features animation, video games and customised bicycles among a wild variety of art and artefacts. The exhibition celebrates creativity at its most playful, and is sure to engage and amuse visitors – regardless of their politics. From 26th July to 1st February 2015 at the Victoria and Albert Museum

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Ben Miles as Cromwell Keith Pattison; Irving Blum and Peggy Moffitt The Hopper Art Trust

The Importance of Being Earnest

I N TFEAR SV HIIE OW N

It’s a wonderful life

She has a successful career, a high-profile marriage, two children and a transcontinental social calendar. But Helen McCrory’s down-to-earth humour and take-it-or-leave-it attitude mean the drama stays on screen

Credits TK Images

BY HARVEY MARCUS / PHOTOGRAPHER JON GORRIGAN DEPUTY FASHION EDITOR POPPY ROCK

Roland Mouret dress £1,799; Boodles Flora ring £2,400 HAR RODS M AGAZINE

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M

ost actresses of a certain pedigree might take offence were you to question their ability to cause a rubber-necking frenzy each time they stepped out of their front door. Not Helen McCrory. Despite being one of Britain’s leading lights of stage and screen, she considers it the ultimate compliment that she’s able to walk down the street unnoticed.

“People don’t recognise me,” she says. “I was talking to somebody the other day about Peaky Blinders [the BBC Two series in which she plays gangland matriarch Aunt Polly], and they were asking if I’d seen it. He was from Birmingham, where it’s set, and he was saying, ‘Who’s that real hard nut in it? That woman!’ It’s hugely flattering.

What interested me about acting from the start was losing yourself, losing your ego and telling somebody else’s story.

Which is maybe the antithesis of being a film star.”

Even her own children – seven-year-old Manon and six-year-old Gulliver – need, on occasion, to be reminded what she does for a living. “They kind of know now,” she says. “They used to think Damian put up shelves and changed lightbulbs, and I did the laundry and cuddled people. That’s what we did. Gulliver was very excited to discover – as he told everybody – that his father was a rock star playing in a band called Homeland. And mummy dressed up in the evenings.”

Oh, yes. Homeland. Neither she nor her husband of seven years, actor Damian Lewis, could have predicted the success of the multi-award-winning TV series, which earned Lewis both a Golden Globe and an Emmy. That must have made a difference to your public profile, I say.

“Well, if we’re walking down the street as a family,” she says, “people see Damian, and they won’t notice me or the children. And if it’s just Damian and me, then people notice us as a couple. It’s quite interesting how many people will film you. Not just take photographs, but film you as if you are not there – a foot away from your face, as if you don’t exist. It’s quite bizarre.”

It’s probably healthy for both her professional life and her personal life that she is so genuinely perplexed and unmoved by the whole notion of fame: “I’ve never needed approval from people I don’t know,” she says.

“I’m very neurotic about my work, but not about me.”

McCrory’s approach – letting her work do the talking and, at times, turning down commercial opportunities in favour of more fulfilling theatre work – might be oldschool, but it’s a strategy that has served her well. Her career, which spans more than 20 years, has included turns with the Royal Shakespeare Company and the National Theatre, the role of Narcissa Malfoy in the Harry Potter films, and starring roles in Martin Scorsese’s Hugo and the most recent Bond movie, Skyfall. In the next 12 months, a head-spinning slate of projects will undoubtedly add weight to the comments of admirers who have long had McCrory down as the next Judi Dench.

While Peaky Blinders has been bought by Harvey Weinstein, another series in which McCrory features – Penny Dreadful, which features some of Victorian London’s most terrifying literary characters – has just premiered in the US. Produced by Sam Mendes, the series also stars Eva Green, Josh Hartnett and Timothy Dalton.

In addition to the two TV series, she is shooting four

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“When I walk on set or go into a rehearsal room, it’s when I’m most excited… to be in that moment is total liberation”

THIS PAGE Michael Kors dress £1,899; Boodles Vintage Lace earrings, price on request; OPPOSITE PAGE, TOP Dolce & Gabbana dress £1,210; Christian Dior shoes £600; BOTTOM Lanvin dress £1,775; Boodles Sweet Pea ring, price on request

films, including A Little Chaos, in which she and Kate Winslet star as landscape gardeners competing to design a fountain for Louis XIV at Versailles.

Trained at London’s Drama Centre – an education she has described as akin to “sliding down a razorblade” – McCrory attributes much of her stamina and verve to her upbringing, and in particular her relationship with her father, who rose through the ranks of the Foreign Office to become a British diplomat.

“What I share with my father is that we both work hard and play hard,” she says. “I’ve always been unapologetically hedonistic. I don’t have that puritan streak of denying myself wine or cigarettes or cheese. Life is too short. We both like talking and telling stories and listening to stories. I think that’s where my love of acting came from: my father and mother telling fantastic stories.”

Why do you act? I ask. “I don’t know,” she says. “But

I N T E RV I E W

Did she learn anything about acting from living out there? “Yes, how good the British are at doing the job!

Mainly because we don’t earn the money to be able to do just one film a year. So we work so hard at it. If a British actor did one job a year, he wouldn’t eat.”

Of course, the success of Homeland has meant that McCrory and Lewis have had to travel to the US much more often for award ceremonies – as well as for a state dinner at the White House. Has she found the industry treating her differently this time around?

“Well, I don’t expect anybody to know my work,” she says. “But they do know the American [TV] industry; they all do their homework. So when we go out, I’m more than happy to sit beside Damian and listen to him being praised, because I agree with them. I think Homeland is fantastic; nobody’s prouder than I am.”

With Lewis now a free agent, and her career reaching new heights, I wonder if they would ever consider moving back to LA. “I never say never,” McCrory says. “But it becomes more complicated because of our children. We want them to have stability. There’s a lot of discussion about what we’re doing, and making sure one of us is here for them.”

The interview returns to Manon and Gulliver’s view of their parents’ occupation. Would she encourage them to act? “Not that you should have a choice,” she smiles, “but, I always used to think, Why would anybody allow their children to do it? But the fact is, they probably realise that if you’re lucky enough to make it, it’s a nice life. It’s a very privileged life. I couldn’t have asked for a better place to be than where I am right now.” HMN Harvey Marcus has written for Elle and Marie Claire, and now runs his own film company, Pigtail Productions when I walk on set or go into a rehearsal room, it’s when I’m most excited. Taking on a character... it’s so safe, and it makes sense of the world. There’s a beginning, a middle and an end. To be in that moment is total liberation.”

She cuts herself short for a moment. “I’m not a tortured, complex depressive at all. I’m actually... I say low-maintenance, though I don’t think my husband would agree. But I’m not a tortured soul. It’s totally selfish, acting. It’s all about you and that moment.”

I wonder if she brings that focus and intensity home with her. “You mean, is it like a Pinter play?!” she laughs. “No, because we’re both working and therefore we’re both satisfied. We communicate. I mean, I don’t watch television – not because I don’t like television, but because I can’t stop talking to Damian. We’ll spend most evenings cooking and chatting or having a bottle of wine and chatting. It’s all about communication.”

Seven years ago, when McCrory was pregnant, Lewis was cast in the US TV series Life, and the couple relocated to Hollywood.

“Los Angeles is the perfect place to bring up children, because everybody acts as if they’re lactating or about to give birth,” McCrory laughs. “They’re in bed at six, they don’t smoke or drink, and they do quite a lot of yoga. So for a pregnant woman, it’s the best place in the world.”

Hair PETER LUX at Frank Agency Make-up CLARE READ at Caren using Estée Lauder Senior Fashion Assistant BECKY BRANCH Photographer’s Assistants CICCI FEINSTEIN and NICK MARTIN Available from The Fine Jewellery Room, Ground Floor; International Designer and The Shoe Salon, First Floor; and harrods.com To watch a video of this feature, download the Harrods Magazine app HAR RODS M AGAZINE

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THE LATEST LOOKS FROM THE INTERNATIONAL CATWALKS

THE NEW GILDED AGE

Catwalking.com

Metallics are bringing a bold new magnetism to the SS14 collections, as designers cast their creations in copper, gold and silver

BY LINDSAY MACPHERSON

Proenza Schouler dress ÂŁ1,999 HAR RODS M AGAZINE

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FA S H I O N

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Available from Luxury Accessories, Ground Floor; Luxury Jewellery, Ground Floor; Christian Louboutin, Designer Studio, International Designer and Studio, First Floor; and harrods.com . For more information, download the Harrods Magazine app

Roberto Cavalli jacket £34,190, shirt £925 and trousers £7,330

Versace top £1,550

Versace gown £10,350

Lanvin & Tom Ford backstage photos Jason Lloyd Evans

show, liquid-gold leather, laser cut to look like filigree, was used on casual tunic dresses and tailored shorts.

Sometimes the charm was in the contrast: consider Versace’s collection, where Donatella gave the Midas touch to crisp white dresses by draping them in sinuous swathes of chainmail. Christian Louboutin’s strappy stiletto sandals were a mash-up of metallics, while Jimmy Choo’s slouchy bags clashed zinc-coloured python with silver hardware.

Head-to-toe shine can be brash, but there was nothing ostentatious about the high-octane options at Dolce & Gabbana. Last season, the Cathedral of Monreale’s Byzantine mosaics provided inspiration; for SS14, Sicily was again the muse, with artisanal designs taking their cues from the island’s ancient Syracusan currency. Bronze coins and antique bracteates – gold medals – were translated into fluted-sleeve skirt suits with ornate buttons and polishedgold brocade dresses that were so finely perforated, they looked like lace. Roberto Cavalli was another proponent of all-over metallic: in the outfit that shone brightest in his collection, silver-beaded patchwork trousers were paired with a palladium python-skin jacket. Of course there are easier shades to master than metallics – but none match up in the glamour stakes to striking silver, bronze or gold. HMN

Annoushka earrings £8,200

Versace

Zoë Jordan dress £450

Roberto Cavalli

Tom Ford

Diane von Furstenberg

Jimmy Choo bag £2,495

Dolce & Gabbana

Dolce & Gabbana dress £4,775

Stella McCartney

Lanvin

Stella McCartney coat £999

Christian Louboutin shoes £675

Diane von Furstenberg shirt £290 and shorts £625

Zoë Jordan

T

Diane von he alchemic allure of precious metals has Furstenberg captivated designers since ancient times; the dress £1,625 Old Testament alludes to gold spun into textiles, with gold and silver being sewn onto garments to denote status as far back as the Bronze Age. Yet this season the synergy between metallics and design metamorphosed into something gratifyingly different, as a wealth of glittering new possibilities came to the fore. Some designers gave their metallic fabrics ingenious new textures; others opted to show an easier, more everyday glamour.

Not all that glittered in the SS14 collections was gold or silver, either. Lanvin’s Alber Elbaz raised the bar in this respect, embracing the full spectrum of high-shine shades.

Shown at the Left Bank’s historic École des Beaux-Arts, his collection encompassed copper-toned basketball tops in sand-washed lamé; fluid, pleated-front trousers rendered in rose gold; pewter taffeta tuxedos; and second-skin sheath dresses emitting an otherworldly silvery-green glow. Other designers used just a smattering of gunmetal silver or a sliver of gold to give minimalist designs a jolt of modernity.

Some of the new-season metallics were so subtle, they had an almost mercurial quality. For example, Stella McCartney’s cropped coat had a chrome-like lustre that only showed up in a certain light. At Proenza Schouler – where boundary-pushing fabrics are often the point of difference – the designer’s sun-ray skirts had paper-sharp pleated edges overlaid with foil, giving a flash of platinum.

Zoë Jordan’s clean-lined day dresses with silver patch pockets were suffused with a Courrèges-style cool, and over at Diane von Furstenberg’s disco-safari-themed SS14

FA S H I O N I N T E R V I E W

In just eight years, Christopher Kane has gone from a promising student to a designer whose label is set to be the next global powerhouse

BY LINDSAY MACPHERSON

C

hristopher Kane doesn’t do social media. He doesn’t even have a website. “People keep telling me, ‘Just do a website, any website’,” he says. Perhaps his indifference to the matter is understandable; he doesn’t exactly need to selfpromote. In an industry paved with pitfalls, where merely becoming profitable seems to elude most, Christopher Kane – whose brand was recently snapped up by Parisian luxury goods conglomerate Kering, owner of Saint Laurent, Gucci and Balenciaga – is a true anomaly.

He somehow manages to combine craftsmanship with hyper-modernity, high concepts with wearability. His work is never dull, never derivative, and – apart from the odd homage to early Versace – he steers clear of referencing other designers. “I’d rather just stay true to myself,” he explains from his design studio in Dalston, east London. “I don’t want to make clothes that people have seen before. In my mind, that’s just lazy.” Another point that sets Kane apart from his contemporaries is that he has never paid attention to the dictates of conventional good taste. In his hands, the most unlikely fabric – tiedyed velvet or rainbow taffeta, for example – is rendered exquisite, and his unbridled imagination allows him to elevate the banal to the extraordinary.

“His final collection was all about making things that weren’t cool, cool,” remembers Louise Wilson, the Central Saint Martins Fashion MA professor who mentored the likes of Alexander McQueen, Mary Katrantzou and Jonathan Saunders.

“I’ve never really understood the whole concept of good or bad taste,” Kane says. “I think a lot of it comes down to snobbery or small-mindedness. I’ve always gone with my gut feeling rather than what other people are doing.

It’s quite weird when I see people ripping off my designs now, especially when it’s things that they never would’ve touched before. It’s like, really, you thought that was bad taste before – why are you suddenly doing it now?”

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Kane might be one of Britain’s most copied designers – those metallic camouflage prints currently flooding the high street are testament to that – but his profusion of admirers is unlikely to ever hurt his business’s bottom line.

The scope of his collections (each show is a smörgåsbord of off-the-wall ideas and esoteric concepts) and the frenetic speed at which he creates allow him to outpace even the most committed plagiarists.

“I’ve certainly got a lot of ideas,” Kane agrees. “Each season it’s a case of cutting back because we’ve got too much.” That surfeit of creativity and unwillingness to play it safe mean the direction a new collection will go in is almost impossible to predict, even for the designer himself.

“Sometimes I take myself by surprise,” he admits. “I’m very prone to making mistakes and, in my experience, they usually end up being the most exciting part, so I just go with them. If you’ve never tried something before, then how can you know?”

Kane’s strength of conviction has always served him well. Growing up in the early ’90s in Newarthill, a post-industrial suburban Scottish town, forging a career in fashion wasn’t exactly a well-trodden path. But Kane began plotting his big break when his parents upgraded their television and gave him access to the satellite channel Fashion TV. “People say that TV is bad for kids, but for me it was an insight into a completely different world,” he says. “I can remember recording Donatella and Gianni Versace on Fashion TV when I was 10 or so, and just thinking, wow, these people are total rock stars.

I was instantly addicted.”

Kane describes himself as “pretty single-minded… one of those kids at school who always knew what they wanted to do in life”. His parents – Thomas, a draughtsman, and Christine, a housewife – approved of both his ambitions and his tenacity, but it was his sister Tammy who was the biggest influence on Kane. “She was my best friend and my first backer,” he says. X

CLOCKWISE FROM FAR LEFT

Christopher Kane dress £950, sweatshirt £1,799, skirt £599 and skirt £650

Five years older, Tammy left the family home at 18 to study fashion at Heriot-Watt University’s School of Textiles & Design. “I remember going to stay in her flat with all these fashion girls,” says Kane. “I didn’t want to go back to school after that. I didn’t want to talk to anyone else.” Still, as ambitious as he undoubtedly was, surely back then he couldn’t have anticipated the scale of the success he’s now achieved?

“I don’t want this to sound big-headed, but I always knew it was going to happen,” he admits. “I just didn’t know it was going to be so soon. Fashion was always this huge, huge dream for me, and I’m just so lucky that it came true. I worked my arse off in college, though,” he adds. “That definitely helped.”

“He was an absolute pleasure to teach because he worked incredibly hard,” remembers Professor Wilson, who taught Kane on the MA course after he’d completed the womenswear design degree at Central Saint Martins.

“He had this innate talent and he had skills in everything – cutting, draping, working with fabric – not just design.

He wasn’t afraid to experiment.”

As a student, Kane’s work had already piqued the interest of several high-profile stockists. In spring 2006, he won the coveted Harrods Design Award followed, that autumn, by the British Fashion Council’s New Generation sponsorship (an award he also picked up for his three subsequent shows). He was courted by a host of supporters including Donatella Versace, fashion critic Sarah Mower and Vogue’s Anna Wintour – who invited him to tea. His first collection (produced in his

Credits TK Images

“I’m very prone to making mistakes and, in my experience, they usually end up being the most exciting part, so I just go with them”

Christopher Kane sweatshirt £330 and skirt £1,499

scruffy student flat), of fluorescent frills and lace-edged bandage dresses, caused a sensation when it was shown on the SS07 catwalk – and his star has been on an upward trajectory ever since.

“Having our own label is something Tammy and I had always planned for,” he says. And while Donatella Versace championed his work (his label was financed by part-time consultancy work at Versace ready-to-wear label Versus), Kane’s sister has always been his secret weapon – as model, muse and constant collaborator (she’s often painted as the business brains, but in reality, they juggle the design duties). “Everyone wishes they had a Tammy,” quips Kane.

By common consent, Kane’s SS14 season was a tour de force. He took on flowers – which surely must rank as fashion’s most done-to-death motif – and looked at them through the lens of a mad scientist. Slouchy cutout sweaters had their petal-shaped holes trimmed with holographic PVC, and T-shirts were emblazoned with cross-section sketches showing photosynthesis.

After the show, Mower asked him to talk through his starting points. His explanation – “biology textbooks and Jean-Léon Gérôme’s paintings of girls being sold in a marketplace in Roman times, with all this drapery, X

Christopher Kane sweatshirt £550

Christopher Kane dress £2,299

HAR RODS M AGAZINE

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Trend watch: PASTELS Wearing colours reminiscent of sugared almonds doesn’t mean adopting a sickly-sweet demeanour

and hands plucking their clothes off” – was classic Kane; the subtext is often as fascinating as the actual fashion. “Each season we do something that’s new, where we have to learn new technologies and new techniques. Tammy and I are easily bored.”

It seems unlikely that the duo will be bored in the near future.

Last year it was announced that the Kanes had sold a 51 per cent stake in their label to Kering, a deal that’s set to catapult the brand into another league. Investment on that scale is a major coup for any designer, yet some in the industry expressed surprise that Kane would part with a controlling stake. “I don’t get that,” he says. “We liked the fact that they wanted us. Why would we be opposed to that? The last British brands that they invested in were Stella [McCartney] and [Alexander] McQueen, and what they’ve done for them is really something special. We’re in the very best hands now.”

Aside from the obvious benefits that investment brings, the Kanes can now hire extra help. “We’ve literally been doing everything,” Christopher says. “All the paperwork and emails were really eating up our time.” Right now, they have more pressing matters, including a first accessories collection, a flagship store and a move into the Asian market. The scope for expansion seems limitless.

However, when quizzed on his plans for the future, Kane wouldn’t be drawn into specifics. “I’m quite a superstitious person, so I don’t want to tempt fate. I think a part of me is worried that if I tell you what I want, it won’t come true. I’m a really strong believer in positive thinking, though. You just need to think positively and it’ll happen. After all, that’s how I started.” HMN Available from International Designer, First Floor; and harrods.com . For more information, download the Harrods Magazine app

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Available from International Designer, First Floor. To watch a video of this feature, download the Harrods Magazine app Laura Barton is a feature writer for The Guardian. She also writes for Q, The Word, Vogue and Red

FROM TOP Oscar de la Renta dress £2,350; Matthew Williamson skirt £1,350; J Mendel dress £2,560 and fur gilet £2,080; Chanel dress £5,125; Fendi dress £1,720; Burberry Prorsum coat £1,995 and dress £895

Credits TK Images

Christopher Kane dress £1,599

The perils of pastels are familiar to many women – the danger of leaving the house resembling a bowl of Neapolitan ice cream is simply too terrifying to contemplate. But might there be a way to wear, say, a lemon ’50s-style Oscar de la Renta gown without onlookers addressing you as Sandra Dee? Initial findings would suggest the trick lies in the determined harnessing of a certain brutishness; something salty to counteract all that sweetness.

Think of the most ferocious thing you have ever seen: Melati the tiger at London Zoo, for instance, or 3am on a Friday night outside a provincial branch of Yates’s Wine Lodge. With this image fixed firmly in your mind, step into your Matthew Williamson floral pencil skirt, in its shades of sherbet, and stride about the house.

The aim here is to appear as heartless as you can. So slam those doors, stomp down those stairs, and refuse to tell the cleaner where you stashed the new bottle of Windolene.

Studies suggest that there’s an 84 per cent chance of a woman wearing pastels being treated as a dainty little princess incapable of picking up even a cup and saucer.

So if you feel patronised by all and sundry while wearing your pale-lemon J Mendel dress or your pale-blue Chanel tweed mini-frock, your mode of operation should combine the perfecting of a sweet-as-pie demeanour with everything you ever learned from Barry White’s Greatest Hits. Bat your eyelashes, pout your lips and unleash the most earthquaking growl of a voice. You’ll find it complements your outfit perfectly.

A growing number of women are, though, choosing to embrace pastels in a controversially fulsome fashion, declaring that – at long last – items such as Fendi’s short, sweet, strapless pink dress have allowed them to flutter about like a popsicle, and Burberry Prorsum’s soft-green coat and diaphanous underdress have granted them the opportunity to fulfil their latent flower-fairy fantasies.

For those who concur with this radical way of thinking, the path here is clear: charge into your local patisserie and gorge yourself on crème anglaise and raspberry délices before rolling along to the nearest sweet emporium to dance among the bonbons. A word of caution, however, for those intent on going wild fuelled by a sugar high: steer clear of the liquorice wheels and Black Jacks if you want to maintain your look of delectable sweetness.

Credits TK Images

By LAURA BARTON

NEWS

COOL summer

MONICA VINADER

My favourite things

For the Chloé girl who likes nothing more than flirty shapes and transparent layers, summer is the season.

Clare Waight Keller’s selfassured collections have been expanded to include a capsule collection for high summer, where spring’s favourite pieces can be revisited with a taste of what’s to come for autumn. Georgette layers create fluttering ruffles for eveningwear, while geometric cotton lace gives a modern riff to a cool classic. Chloé dress £1,899 and jacket £1,475.

Available from International Designer, First Floor

Spanish-born, British-based jeweller Monica Vinader launched her business in 2006 and soon gained a cult following for her custom-cut, semiprecious pendants, silver and gold stacking rings, and friendship bracelets.

She talks to Harrods Magazine about the ancient coin that inspires her.

TIME signature In tune with the many elegant qualities of Mademoiselle Chanel, the J12-365 is designed to suit the ever-changing moods of women. The watch is a mix of the traditional and the innovative, using black or white ceramic paired with steel or precious metals and diamonds. The new J12 comes in a 36.5mm-diameter case making it easy on the wrist, but with a dash of boyish charm to give it a nuanced Chanel signature. From left Chanel J12-365 in steel £3,750 and in 18kt beige gold with diamonds £12,500. Available from The Fine Jewellery Room, Ground Floor

A modern YARN Barrie has had the classic knitwear market stitched up since 1903, having earned a reputation for producing high-quality cashmere. These days, however, thanks to a helping hand from Chanel’s Métiers d’Art foundation, the knitwear specialist has shed its twinset-and-pearls image in favour of more fashion-forward styles.

Odile Massuger, who oversees knitwear designs for Karl Lagerfeld at Chanel, has devised ultra-modern shapes, including a pastel-pink fern intarsia sweater. Barrie cardigan £750 and skirt £500. Available from International Designer, First Floor

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“My parents owned an art and antiques business, and an auction house, in San Sebastiàn, Spain, so I grew up surrounded by amazing objets d’art. I must have inherited the collecting gene – my parents inspired me from an early age to ABOVE Monica collect corals, minerals Vinader Atlantis bracelet £145; BELOW, FROM LEFT and unusual rocks. I remember always being Monica Vinader Atlantis pendant £95, Atlantis Stela on the lookout for pendant £80 with Atlantis treasures. I love their Gem Mini pendant organic shapes and £60, and Atlantis Eye incredibly vivid colours. pendant £130; BOTTOM My collections mostly Ultimate Fiji Full Diamond Friendship bracelet £2,500, encompass pieces exclusive to Harrods.

I’ve picked up on my Available from Luxury travels to places such as Jewellery, Ground Floor; Morocco, India, the Far and harrods.com East and remote parts of Chile. I even used to scour the beach when I lived in Mexico.

I also collect historical artefacts, especially ancient coins. A favourite is one that a dear friend gave me for the birth of my daughter, Scarlett, around the time I started the business. It’s a symbol of good luck and prosperity. I’m not sure where it originated, but it’s beautifully engraved and it’s so worn that you just know it’s been passed down through generations and touched by a thousand hands. I love that.

It inspired the design for one of my first pieces, a coin pendant, which I named Marie, after my friend. I wanted to draw inspiration from history without a typical historical reproduction; when I began designing, I put Marie’s gift at the centre of my mood board, and the necklace has proved so popular that I’ve now expanded my range of coin pendants with the Atlantis collection.”

– By Lindsay Macpherson

FA S H I O N Stella McCartney sunglasses £156

WILD SIDE From bold zebra stripes to more subtle snakeskin, SS14’s animal prints add bite to bikinis, sandals and sunglasses La Perla bikini £169

RIVIERA CHIC Nautical stripes and 1950s-era shapes bring to mind the refined glamour of the Côte d’Azur Maryan Mehlhorn swimsuit £165

Melissa Odabash hat £120

Heidi Klein bikini top £105 and bottoms £85 Anya Hindmarch bag £495

Kurt Geiger sandals £75 Melissa Odabash swimsuit £195

Suited UP

Seafolly swimsuit £94.95

The new collections are awash with arresting swimwear and super-luxe poolside accessories. Prepare to make a splash Shourouk cuff £325

Seafolly bikini top £54.95 and bottoms £44.95

FLOWER POWER The latest crop of ditsy floral prints and abstract blooms is the perfect pick for pin-up-style beachwear

What says summer better than acid brights? Vibrant shades are the obvious choice for highimpact bikinis and one-pieces

Zimmermann bikini £200

Zimmermann

LIGHT BRIGHTS

Milly Cabana bikini top £115 and bottoms £74.95

Maryan Mehlhorn bikini £175

Christian Louboutin sandals £465 Ondademar bikini top £79 and bottoms £65

Tory Burch bag £375

Zimmermann bikini £190

Available from Designer Accessories, Lower Ground Floor; Luxury Accessories and Sunglasses, Ground Floor; Christian Louboutin, The Shoe Salon and Swim & Sunglasses, First Floor; and harrods.com . For more information, download the Harrods Magazine app

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Stylist Olivia Halsall; travel posters Corbis

Melissa Odabash

Zimmermann bikini £205

Hervé Léger bikini £700

SUMMER BREEZE Globetrotting backpackers beware: the fashion world has designs on your essentials. But this season ditch the practicalities in favour of compact styles, exotic skins, quilted details and gorgeous trims ILLUSTRATOR JESSICA MAY UNDERWOOD

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NEWS

Mood INDIGO

The founder of Maje believes that each of her garments has a soul and tells a story. Judith Milgrom’s French-Moroccan mother and grandmother treated fashion as an art form; no surprise, then, that Milgrom is having a blue period. Her new summer capsule collection is signature Maje: feminine silhouettes, luxurious fabrics, kooky jackets and embellished trims, all in indigo, appeal to spirited women with an eye for something glamorous, but with a bit of attitude. Maje jacket £1,800. Available from Fashion Lab, Fourth Floor

Welcome to PLAYLAND They fit hand in glove. MAC cosmetics is setting up home in the Fashion Lab, making it easy to experiment with the latest make-up colours while browsing some of the world’s best contemporary fashion brands. The summer collection that kicks off this new alliance is, appropriately, Playland. Toy with brilliant purples, neon oranges, hot pinks and sherbet lemons. “Inspired by carousels, amusement arcades and all the fun of the fair, Playland is the perfect collection for a fun day out,” says MAC Senior Artist Dominic Skinner.

Available from The Colour Hall, Ground Floor; and Fashion Lab, Fourth Floor

Super natural In an age when everyone wants what no-one else has, Glenn Spiro’s G London is emerging in the world of fine jewellery with apposite timing. Having flown under the radar with his elegant collections for more than 30 years, Spiro now has workshops in Geneva and Mayfair. What sets G London apart is that the gems dictate the design. “Most of the work is done by mother nature,” Spiro says. “We just put these gemstones in the settings that make the most of their magnificence.” The Reveal poppy brooch is a fine example, set with more than 4,900 unheated Burma rubies across petals which, when rotated, reveal a brilliant-cut 10.14ct diamond. Price on request. Available from The Fine Jewellery Room, Ground Floor

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An interview with NIELS VAN ROOYEN

by Deborah Bee The only gunmaker to hold a British Royal Warrant, Holland & Holland expanded its repertoire in the 1980s by introducing ready-to-wear clothing. Creative Director Niels van Rooyen tells Harrods Magazine about the company’s commitment to craftsmanship and its Indian-inspired SS14 collection.

Everything we make has to be useful, practical and the best of its kind.

That was the philosophy of our founder, Harris Holland, in the 19th century, and it’s an ethos that goes to the core of the brand’s philosophy today. We only work with skilled craftsmen, to retain our reputation for quality.

Holland & Holland has a long association with India – from the days of the Raj when we were suppliers to the maharajahs. The SS14 collection celebrates this bygone era; we wanted to take those elaborate gold- ABOVE, FROM TOP Holland and jewel-studded & Holland shirt £225 and elements and transfer trousers £295; jacket £595, shirt £170 and trousers them onto clothing £295; BELOW, FROM TOP and accessories.

Holland & Holland shirt I was keen to reflect £225, jacket £595 and the craftsmanship skirt £295. Available from Outdoor of the time. That pursuit of excellence Luxury, Fifth Floor took me to India, where I met renowned designer Umang Hutheesing.

The headquarters of his company in Ahmedabad houses an incredible collection of clothing from the maharajah era.

Inspired by this – and using Ahmedabad’s skilled craftsmen – we created exclusive pieces using the finest cloth and embroidered with delicate gold thread.

Symbolism is ingrained within Indian culture; that’s something I’m intrigued by. We reflected the significance of animals and birds in the patterns, colours and prints. Peacocks – representing patience, kindness and fortune – are on silk waistcoats and blouses, while tigers – symbolising energy and power – provide the prints for ladies’ skirts and the detailing on men’s shirts.

THE PASSION OF THE ROSE

Inspired by Joséphine de Beauharnais, Piaget’s new Rose Passion high-jewellery collection pays tribute to the French empress and her lifelong devotion to roses

PROMO T ION

T

o say that Piaget has a love of roses would be something of an understatement. For nearly 50 years, “The Queen of Flowers” has been one of the acclaimed Swiss watch and jewellery house’s greatest influences, as evidenced by the countless precious pieces that Piaget’s master craftsmen have infused with reflections of the flower’s beauty.

The Maison’s fascination with roses dates back to the 1960s, when the flower was first used to inspire its much-loved creations. Diamond-set golden petals quickly became a much-coveted feature of Piaget’s rose-themed pieces, and when company President Yves Piaget was given the chance to create the winner’s trophy for the Geneva International New Rose Contest in 1979, he presented a magnificent golden rose, crafted in Piaget’s workshops. Three years later, at the same event, his passion for the flower was recognised when the winning rose was christened the Yves Piaget Rose.

Having enriched Piaget watch and jewellery collections for decades – and become something of an emblem for the Maison – the rose continues to cast its spell.

One of the rose’s most famous admirers was Joséphine de Beauharnais, the fondly remembered wife of Napoléon Bonaparte, whose story has become entwined with that of Piaget. Separated from the French emperor in 1810, Joséphine sought solace in the gardens of her beautiful home, Château de Malmaison just outside Paris, where one of her greatest comforts was admiring the roses. She amassed an impressive 250 of them, and in turn created a significant collection.

Up until recently the old rose garden had disappeared, but all was not lost, because – with Piaget’s support – the museum at Malmaison is bringing it back to life, by planting 750 rose bushes. It is an ambitious project aimed at reviving Joséphine de Beauharnais’ greenfingered work in the year that marks the 200th anniversary of her death. Finally, the botanical balance at Malmaison is to be restored.

Entwining the destinies of both Piaget – which celebrates its 140th anniversary this year – and Joséphine de Beauharnais, the rose is also the inspiration for the exquisite new Rose Passion collection.

This collection of 100 magnificent creations includes 75 jewellery pieces and 25 watches, and represents a bold, contemporary and glamorous milestone in the company’s rich history, with the spirit of the rose evident in a thousand tiny details. There are decadent necklaces and brooches, statement earrings and secret watches – and the spirit of Joséphine has influenced every piece.

Hand-crafted in Piaget’s workshops in Switzerland, the Rose Passion collection incorporates a feast of precious stones, from verdant emeralds and bewitching pink sapphires to exquisite yellow diamonds and enchanting lavender spinels, all carefully selected to bring the collection’s delicate floral palette to life.

Launched at a magical event in Geneva in January, the collection is a celebration of the joy that “The Queen of Flowers” gave to Joséphine, and reflects three distinct features of the empress herself: Rose Garden reflects Joséphine’s love of nature; Rose Elegance captures her sophisticated, elegant style; and Exotic Rose is an evocative tribute to Martinique, the Caribbean island where Joséphine spent her childhood.

“For nearly 50 years, ‘The Queen of Flowers’ has been one of Piaget’s greatest influences”

THIS PAGE, FROM TOP

Piaget Rose pink-gold earrings with diamonds, pink and lavender spinels, green and indigo tourmalines, and purple and pink sapphires, price on request, Limelight Blooming Rose watch £34,200 and Rose Elegance pink-gold ring with diamonds and pink opals, price on request; OPPOSITE PAGE Piaget Rose Elegance white-gold necklace with diamonds and yellow diamonds, price on request

“Exotic Rose is a reminder of the origins of Joséphine, who throughout her life longed for her native Martinique,” says Piaget CEO Philippe Léopold-Metzger. “The jewellery’s colourful, exuberant and exotic nature is a tribute to Martinique, also known as ‘Madinina’, meaning ‘flower island’. It features vibrantly coloured gemstones such as orange garnets, rubellites, blue and yellow sapphires, and green tourmalines.”

Three Rose Passion jewellery sets have not been unveiled; they have been kept under lock and key at Piaget’s High Jewellery atelier since their creation. However, in May, they will be available exclusively at Harrods.

“These three sets are a showcase of Piaget’s fine craftsmanship in high-jewellery making, and are a collection of statement white-gold and diamond pieces,” says the Maison’s Jewellery Marketing Director, JeanBernard Forot. “There is a necklace and bracelet from the Rose Elegance collection; there are also two necklace-andearring sets from the Rose Garden collection. With Rose Garden, we are following Joséphine’s footsteps through her beautiful oasis of flowers, birds and fountains.”

Understated yet bold, every piece in the collection is a celebration of the rose and one of its most cherished devotees. And of a Maison that will simply never tire of the timeless beauty of “The Queen of Flowers”.

Available from The Fine Jewellery Room, Ground Floor

NEWS

To dive for

The Grooming Guru

goes for gold

The sporty guy goes with snazzy stripes on his wristwatch; the classic guy goes for a stainless-steel-bracelet style. What if you can’t be pigeon-holed? Buy two different watches – or get a Maurice Lacroix Pontos S, which comes with two straps to suit both sides of your personality. Fans of the Pontos S will tell you that it’s about so much more than these mere accessories.

They’ll mention the self-winding Valjoux 7750 movement (hugely reliable), and water resistance to 200 metres, making it perfect for athletes and divers. And what about the soon-to-be-patented modern design? We love that too. But the straps are, frankly, brilliant. £2,950. Available from The Fine Watch Room, Ground Floor

BAD BOYS

The Gothic references in Sarah Burton’s latest menswear for Alexander McQueen – black feather headdresses and kohl-lined eyes – were there merely to underscore a higher purpose.

Burton was channelling John Deakin, a street photographer in the 1950s and ’60s who belonged to the same art set as Francis Bacon and Lucien Freud. Using portraits as prints and developing a palette inspired by blackand-white photography, Burton also chose high-cheekboned models to carry something of the hauteur of Deakin’s original subjects. But it was the searing honesty and the lack of rhetoric in his photography that struck his fans, and this shone through in Burton’s severe coats, ’50s suiting and bold stripes.

Left T-shirt £425; right Coat £3,550.

Available from Men’s International Collections, Ground Floor

Bogie’s BAG In 1947, Humphrey Bogart stepped into the Paris branch of S.T. Dupont and ordered a lightweight bag to make plane travel simpler; thus the Bogie was born.

This season, the brand is revisiting the creation with a new range of oiled-cotton canvas holdalls. Today’s version carries the same design codes, but allows for personalisation – your choice of canvas and leather colours, plus hardware, engraving and strap. From £1,250.

Available from Travel Goods & Luggage, Second Floor

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Perhaps it was the models’ hair at the Miharayasuhiro runway show that did it. It was adorned with gold leaf, which gave it a serious Apollo touch. The designer is a keen surfer, and he wanted the gold to look like the sand that clings to his hair after a day at the beach.

Or maybe it was the gold suit at the Dolce & Gabbana show that sealed the deal. Either way, this summer I’ve been tempted to take a grooming gilt trip.

It starts with êShave’s 3 Blade Razor.

With a black handle topped with 18kt-gold plating, it’s the perfect way to add some sophistication to your daily shave. I’ve also stashed Tweezerman’s Ultra Precision Cuticle Nipper in my grooming bag. It works beautifully, and as it comes in a golden finish, I couldn’t resist.

I’m also going for FROM TOP êShave 3 Blade Razor £58; gold in another way, Tweezerman Ultra with Chantecaille’s Precision Cuticle Nipper Nano Gold Energizing £42; Chantecaille Nano Eye Serum. The 24ktGold Energizing Eye Serum 15ml, £179; nano-gold particles Bentley For Men have an anti-ageing Absolute eau de parfum effect, and help 100ml, £110; Atkinsons reduce dark circles Oud Save The King eau and puffiness (and de parfum 100ml, £140; Clive Christian No 1 don’t worry, it won’t For Men perfume 50ml, leave you looking like £450. Available from Tutankhamun).

The Perfumery Hall, When it comes to Ground Floor; and fragrance, the new harrods.com Bentley For Men Absolute is a wonderful indulgence.

Housed in a gold and black bottle that reflects the richness of the fragrance, it’s a sensual mix of oud, papyrus and frankincense. Likewise, Atkinsons’ Oud Save The King is deliciously warm, and the scent is matched by an opulent golden bottle.

For the ultimate splash of gold, how about Clive Christian No 1 For Men, with its golden crown stopper? Sheer luxury in a bottle, it includes one of my favourite notes – sandalwood – along with smooth amber. Gilt trip achieved.

Lee Kynaston is the Online Grooming Editor of menshealth.co.uk and has his own blog at groomingguru.co.uk

FA S H I O N

The FLORALS Brand item £xxxx

Ralph Lauren trunks £100

The GRAPHICS

Etro trunks £125

Hackett trunks £70

BEACH BOYS

The scene on the sand is all about fun; this season’s swimwear reflects the rays with impossibly bold brights Orlebar Brown trunks £245

Orlebar Brown trunks £245

The PAISLEYS

Etro trunks £125

Etro trunks £125

Etro trunks £125

Frescobol Carioca trunks £145

Paul Smith trunks £89.95

Frescobol Carioca trunks £125

Available from Urban Sports, Fifth Floor; and harrods.com .

For more information, download the Harrods Magazine app

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Stylist Becky Branch

The PATTERNED

LOSE YOURSELF The contemporary road to hippy chic mixes tribal motifs and jewellery with vibrant colours

PHOTOGRAPHER SEAN MCMENOMY / FASHION EDITOR VICTORIA GAIGER

FA S H I O N

Ralph Lauren Collection gown £3,190; Christian Dior necklace £2,800; Ashiana ring £39.95; Sam Edelman shoes £150 HAR RODS M AGAZINE

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FA S H I O N

THIS PAGE Issa gown £1,099; Ashiana cuff £69.95 and ring £34.95; Jimmy Choo shoes £650; OPPOSITE PAGE Roberto Cavalli jacket £4,895 and top £1,355; Alice + Olivia shorts £430; Mawi ring from a selection

FA S H I O N

THIS PAGE Valentino cape £12,000 and dress £4,525; Ashiana cuff £69.95; Shamballa Jewels ring from a selection; OPPOSITE PAGE Tom Ford dress £3,775; Rosantica necklace £279; Monica Vinader thin cuff £255 and thick cuff £370; Ashiana ring £39.95; Jimmy Choo shoes £595

Hair & Make-up LIZ DAXAUER at Caren Model MAGDA MAYER at Women Management Fashion Assistant OLIVIA HALSALL Photographer’s Assistant ANDREW MAYFIELD

Credits TK Images

Special thanks to James English Productions Available from The Fine Jewellery Room and Luxury Jewellery, Ground Floor; International Designer, The Shoe Salon, Studio and Swim & Sunglasses, First Floor; and harrods.com .

To watch a video of this feature, download the Harrods Magazine app HAR RODS M AGAZINE

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LARGER THAN LIFE

Long, hot summer days bring all manner of marvellous miniature fashions for kids with big personalities – as well as the odd oversized creepy-crawly PHOTOGRAPHER ULLA NYEMAN / SENIOR FASHION ASSISTANT BECKY BRANCH

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FA S H I O N

ON HER Christian Dior dress from

£3,200; Start-rite shoes from £69; Harrods of London bow £9.95; ON HIM Paul Smith shirt £99.95; Ralph Lauren shorts £55; Harrods of London sweater £149 and shoes £140; FURNITURE Moooi Paper floor lamp £2,269

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FA S H I O N OPPOSITE PAGE, ON HER Lesy dress £890; Equerry shoes £145; Harrods of London headbands £19.95 each; ON HIM Hackett shirt £72.95; Paul Smith shorts £84.95; Il Gufo braces £34.95; Harrods of London shoes £140; Falke socks £6.95; FURNITURE Talisman bespoke armchair £4,800; THIS PAGE Paul Smith sweater £99.95; Dsquared2 shirt £140; Turnbull & Asser bow tie £37.95; Pepe Jeans shorts £35; Andrea Montelpare shoes from £120; Falke socks £6.95

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FA S H I O N ON HER Simonetta dress £300; Start-rite shoes from £69; Harrods of London bow £12.95; ON HIM Harrods of London shirt £49.95; Christian Dior shorts £240; Marie-Chantal jacket £200; Turnbull & Asser bow tie £37.95; Harrods of London shoes £140; Falke socks £6.95; FURNITURE Talisman bespoke sofa £7,080

Grooming HELEN WALSH at S:Management Models JAMES BOOTH and MEADOW NORBREGA at Bruce & Brown Photographer’s Assistants LORNA ALLAN and ZOE SALT Propmaker LUCY BUTLER Available from Moooi and Talisman, Third Floor; Children’s Designer, Fourth Floor; . To watch a video of this and harrods.com feature, download the Harrods Magazine app

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FA S H I O N Scotch & Soda trench coat £219 and leather jacket £449; Marc by Marc Jacobs shirt £199; Stetson hat from a selection

ONCE UPON A TIME IN THE WEST Layers of this season’s denim, leather and checks add up to a look that has stepped straight out of the Wild West PHOTOGRAPHER RICHARD PHIBBS / FASHION EDITOR VICTORIA GAIGER

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FA S H I O N THIS PAGE Harrods of London trench

coat £545; Jacob Cohën jacket £575; The Kooples shirt £160; Barbour jeans £89.95; Stetson hat from a selection; Ariat boots £174.99; OPPOSITE PAGE Jacob Cohën shirt £199; Louis Vuitton bandana £200 for two; Stetson hat from a selection

FA S H I O N THIS PAGE Harrods of London trench coat £545; The Kooples shirt £160; Adriano Goldschmied jeans £229; Stetson hat from a selection; OPPOSITE PAGE Gucci cardigan £950; Jacob Cohën shirt £120; Prps jeans £210; Louis Vuitton bandana £200 for two; Stetson hat from a selection; Diesel belt £99.95; Ariat boots £154.99

FA S H I O N THIS PAGE Belstaff shirt £240; Adriano Goldschmied jeans £219; Stetson hat from a selection; Diesel belt £99.95; Holland & Holland falconry gloves £150; Ariat boots £154.99; OPPOSITE PAGE AllSaints trench coat £298; Jacob Cohën jacket £575; Adriano Goldschmied jeans £219; Stetson hat from a selection; Ariat boots £154.99

Grooming PAUL DONOVAN at CLM Hair & Make-up using Kiehl’s; Models CRISTIANO BASSO and GAVIN JONES at Models 1; Senior Fashion Assistant BECKY BRANCH; Photographer’s Assistants LISA BENNETT, GEORGIA NERHEIM and ADAM TYCLICKI Available from Louis Vuitton, Men’s International Gallery and The Men’s Shoe Salon, Lower Ground Floor; Men’s Casual Collections, Men’s Fashion Lab, Men’s Urban Casuals and Outdoor Luxury, Fifth . To watch Floor; and harrods.com a video of this feature, download the Harrods Magazine app

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SKINCARE / COSMETICS / FRAGRANCE

Colour EXPLOSION

Peacock blues, hothouse greens and fuchsia pinks make an impact this summer as powder cosmetics go hi-tech

BY JAN MASTERS / PHOTOGRAPHER

IAIN CRAWFORD

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BE AU T Y

Come on STRONG

MAC Pigment Ever So Yellow £17

Clinique All About Shadow Soft Shimmer in Lemongrass £16

MAC Pro Longwear Eye Shadow in Fresh Flare £17

Giorgio Armani Eyes to Kill Solo Eyeshadow in Green Viper £27.50

Dior 5 Couleurs Transat Edition Couture Colour Eyeshadow Palette in Atlantique £42

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V

ivid eye colours are in focus this season, especially after azure was swept over eyelids at the Marc by Marc Jacobs show. Many new eye shadows are benefitting from technological developments too. Check out those that give the richest pop of colour, such as Giorgio Armani’s new Eyes To Kill range, in which electric shades are heightened by transparent and multi-faceted kaleidoscopic pearls that continuously diffuse bright and luminous colour. “Women have always been afraid of wearing bright colours because they don’t find them in the right texture,” says Linda Cantello, Giorgio Armani International Make-up Artist. “In this new line, every shade has been custom-created in a wearable texture.

It’s the perfect accessory for the face.”

Credits TK Images

Dolce & Gabbana The Eyeshadow Smooth Eye Colour Quad in Bouquet £39.50

Credits TK Images

BE AU T Y

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BE AU T Y

Spare no BLUSHES

Dior Diorskin Nude Tan Transat Edition Golden Shimmer Powder £40

MAC Pro Longwear Eye Shadow in Sunny Outlook £17

Lancôme Blush Subtil Long Lasting Powder Blusher in Rouge in Love £27.50

Guerlain Terracotta Sun Celebration Bronzing Powder and Blush £47

M

ake the most of sculpting your features with new, pinch-your-cheeks pinks and sun-kissed bronzers. Lancôme’s classic Blush Subtil range has just been reinvented to give intense colour in a light texture for a second-skin effect, while Guerlain celebrates the 30th anniversary of its Terracotta line with a limited-edition bronzer in a single, universal harmony of shades that together illuminate all skin tones. For a glamorous finish, Dior’s Diorskin Nude Tan Transat Edition provides optimal shimmer. And if you like a powder with the comfort of a cream, Tom Ford Cheek Color is formulated with spherical pearls and rich emollients for a velvety feel.

Tip: A touch of goldish-yellow eyeshadow works well to neutralise show-through veins on pale lids.

Guerlain Météorites Voyage Exceptional Pressed Powder in Mythic £105

Tom Ford Cheek Color in Wicked £45 HAR RODS M AGAZINE

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BE AU T Y

The White STUFF

Tom Ford Illuminating Powder in Translucent £55

Giorgio Armani Eyes to Kill Macro-Color Eyeshadow in Ice £27.50

YSL Matt and Radiant Pressed Powder in Beige £35

MAC Prep+Prime Transparent Finishing Powder/Pressed £20

By Terry Hyaluronic Hydra-Powder £42

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I

Credits TK Images

Chantecaille Poudre Parfaite HD Perfecting Powder £62

t’s the highlight of summer… new complexion enhancers that make skin appear even and radiant.

By Terry Hyaluronic Hydra-Powder is the first loose powder formulated with hyaluronic acid, offering moisturising properties and an optimal filling action for a super-smooth finish. Think of it as a multi-zones corrector – and it works brilliantly to set foundation.

Likewise, Tom Ford Illuminating Powder contains specially coated pigments that create a diaphanous veil of light on the face, while Chantecaille Poudre Parfaite HD Perfecting Powder is designed to leave a matte finish and make pores appear invisible without settling into fine lines. Don’t forget to partner with a little white highlighter for eyes and brow bones.

Hair JAY ZHANG at DWM using Shu Uemura Art of Hair Make-up LINDA ÖHRSTRÖM at Link Details Make-up Assistant JEMMA GRACE Model EDDA OSCARS at Select Assistant Beauty Editor REBECCA BAIO Photographer’s Assistants SOFIE GYNNING and NEAL JACKSON Available from The Colour and Cosmetics Halls, Ground Floor; and harrods.com .

Dolce & Gabbana make-up is exclusive to Harrods.

To watch a video of this feature, download the Harrods Magazine app

BE AU T Y

GET SET FOR SUMMER

This June, celebrate the new season with exciting and innovative in-store beauty events – and a selection of exclusive gifts DECLÉOR 1st –30th June Celebrating 40 years of DeclÊor, a new one-hour treatment, Oressence Energy3, includes a custom combination of oils, a power mask and an aromatherapy full-body massage. £45 From 15th June you’ll also receive a pouch containing a selection of DeclÊor products with the purchase of two or more products (one to be from the Hydra Floral range).

CRĂˆME DE LA MER 1st –30th June To mark the opening of the brand’s new consultation room, enjoy a 30-minute treatment with the purchase of two products (one to be a moisturiser, eye product or serum).

ORIGINS 1st –30th June Discover the new GinZing Refreshing Scrub Cleanser when you book a free Energising Mini-Facial. And with any skincare purchase, you’ll receive a complimentary 30ml deluxe sample.

SENSAI Choose from two treatments using products from Sensai: 1st–15th June Indulge in the Pure Luxury Saho Facial and receive a gift worth £55. £40 7th–22nd June (weekends only) Enjoy a Holiday Make-over using Sensai’s new Silky Bronze suncare range. You’ll also take home a gift worth £30. £20

DIOR 5th–27th June (Thursdays and Fridays only) “The Dior Style Report� is a weekly masterclass on a leading summer trend. The season opens on 5th June with a session

by Jamie Coombes, Dior’s International Pro Team Artist.

Bookings are available from 11am to 7pm for the 5th June session. Other masterclasses are available during store hours.

BURBERRY 7th–8th June and 14th–15th June

SHU UEMURA 9th–16th June Discover the 21 shades of the new Drawing Pencil eyeliner a week before its national launch. And on 12th June, spend more than £50 (one item must be a Drawing Pencil) to receive a cosmetic pencil sharpener and a 50ml bottle of Cleansing Oil. LANCÔME 12th June For one day only, Elite team make-up artists Laura Pye and Fortunato Benavoli will hold masterclasses and one-to-one appointments, sharing their expert advice, tips and techniques.

SHISEIDO 12th–13th June Come and join the Shiseido Beauty Expert Day. The theme will be “sun education� and will showcase the new sun ranges.

Book an appointment or just stop by for a makeover.

CLINIQUE 13th–30th June Experience the worldwide launch of the Beyond Rose scent.

Clinique experts will also create your personal colour look, and from 7th to 22nd June, you will receive a summer gift with two purchases (one of which must be skincare).

GIVENCHY 15th–30th June Enjoy a Summer Look consultation and you will receive a complimentary mirror with the purchase of two products (one must be Noir Couture mascara or liner). Customers booking the Summer Look consultation will receive a luxury miniature Mister Radiant following their consultation (while stocks last).

EVE LOM 19th June (5–7pm) In The Wine Rooms, Lower Ground Floor, enjoy a skincare consultation with product recommendations, tips and samples; then purchase two or more products and get a goodie bag. £50

Join a Burberry make-up artist and discover the Summer Showers Collection of lip and blusher products. ÂŁ25 21st-22nd June and 27th-28th June Purchase two Burberry products and enjoy a complimentary Nail Shape & Colour.

ELIZABETH ARDEN 22nd, 23rd, 25th–28th June To enjoy the Red Door Experience, choose one of four facials, ranging from the exclusive Skin Illuminating Brightening Facial to the new Stress Relief Treatment. £30

CLARINS 8th–21st June Enjoy a complimentary facial or body treatment with the purchase of three or more skincare products. During this period, customers will also receive a thank-you treat of 30ml Beauty Flash Balm and 100ml Satin Smooth Body Lotion.

BOADICEA THE VICTORIOUS 25th June Join our Wine Room Masterclass for an evening Q&A session with the perfumer of the house, and a “teach-in� where you can discover some of the raw materials in the brand’s fragrances.

To book, please contact charlotte@boadiceathevictorious.com.

Background photograph Iain Crawford

BEAUTY MONTH GIFT

;OPZ TVU[OÂťZ ZWLJPHS NPM[ PZ H S\_\Y` JVZTL[PJZ JHZL Ă&#x201E;SSLK ^P[O [OL /HYYVKZ ILH\[` I\`LYZÂť [VW JOVPJLZ Âś H ZLSLJ[PVU VM KLS\_L TPUPZ M\SS ZPaLK WYVK\J[Z L_JS\ZP]L [V /HYYVKZ JVTWSPTLU[HY` ^OLU `V\ ZWLUK VY TVYL PU [OL /HYYVKZ )LH\[` /HSSZ PU 1\UL KVLZ UV[ PUJS\KL <YIHU 9L[YLH[ Booking fees are redeemable against purchases made on the dates of the events. One gift per customer, while stocks last.

For more information or to book, visit the relevant counter or call 020 7730 1234 and ask for the appropriate brand.

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STEP 2: Sweet talking

Walking on SUNSHINE

Reinvent your make-up for the new season.

Sasha Ghodstinat, International Make-up Artist for Laura Mercier, puts on a happy face

BY REBECCA BAIO / PHOTOGRAPHER RACHELL SMITH

LIGHT AND BRIGHT STEP 1: Glow get it “Give your skin a fresh glow with a wash of Radiance Bronze primer, blending it with your fingertips. Then smooth on Tinted Moisturizer for a translucent, natural finish, targeting any blemishes with High Coverage Concealer.

For staying power, add a touch of Secret Brightening Powder, keeping application light by using the Fan Powder brush. For sun-kissed sculpting, draw a line under the cheekbones with Bonne Mine Stick Face Colour in Bronze Glow, then add some more colour along the hairline and on the tips of the nose and chin. Blend with the Crème Cheek Colour brush. Add dimension with a delicate layer of Bonne Mine in Pink Glow, restricting it to the apples of your cheeks. And don’t forget to take bronzing down to your neck and décolleté, loading the Body Bronzer brush with Radiance Baked Body Bronzer.”

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“For sharp, sherbet pink lips, create a smooth base with Lip Silk, then paint on Gel Lip Colour in Heartbreaker with the Lip Colour brush, working it into the bow of the upper lip for a crisp outline. For added definition without outline overkill, draw a triangle under the bottom lip using the lighter shade from the Secret Camouflage palette and blend outwards with the Secret Camouflage brush; then draw an inverted triangle above the bow on the top lip and blend again. A dab of Lip Glacé in Kiss of Hope and a lick of Full Blown Volume Supreme Lash Building Mascara on the top lashes complete the look.”

Laura Mercier Foundation Primer, Radiance Bronze £29, Tinted Moisturizer £34, High Coverage Concealer £23, Secret Brightening Powder £18.50, Fan Powder brush £24.50, Bonne Mine Stick Face Colour in Bronze Glow and Pink Glow £26 each, Body Bronzer brush £52.50; Flawless Skin Lip Silk £18.50, Lip Colour brush £22.50, Secret Camouflage brush £22.50, Lip Glacé in Kiss of Hope £18.50, Full Blown Volume Supreme Lash Building Mascara £19.50; ABOVE, FROM LEFT Laura Mercier Crème Cheek Colour brush £29, Gel Lip Colour in Heartbreaker £17.50, Secret Camouflage concealer palette £26.50 and Radiance Baked Body Bronzer £42.50

BE AU T Y

THE EYES HAVE IT STEP 1: Colour chart “To achieve an immediate smoky effect, blend Crème Eye Liner in Espresso over the eyelids and along the lower lash line with the Smudge brush. Next, contour the eyes with a lighter shade of bronze to create a ‘sunrise’ effect, using the Bonne Mine Stick Face Colour in Bronze Glow; work it into the eye sockets using the Finishing Eye brush. When it comes to colour, violet is the new black. It’s softer, but still intense, and it flatters all eye colours. Apply Crème Eye Liner in Violet along the upper lash line using the Angled Eye Liner brush, and extend the colour slightly beyond the natural curve of the eyelid. Using the same eyeliner and brush, paint the tips of the lashes – it’s a great way to reflect the violet on the lids.”

STEP 2: Lining up Make-up SASHA GHODSTINAT, International Make-up Artist for Laura Mercier Hair KEIICHIRO HIRANO at David Artists Model NATASHA KASATKINA Photographer’s Assistants WILL BUNCE, JESSICA RALPH and LUBÈ SAVESKI THIS PAGE

AQ dress £235;

OPPOSITE PAGE

Ralph Lauren dress £1,890

“It’s very summer 2014 to play with coloured eyeliner, so why not use a complementary shade on the lower lash line? Longwear Crème Eye Pencil in Teal works perfectly with violet. It’s also great for picking out any turquoise tones in your eyes. This has the effect of making them look fresh and sparkly.

Layer this onto the lower waterline using a back-and-forth motion, working straight from the crayon. And there you have it – an instant summer update.”

Laura Mercier Finishing Eye brush £26; BELOW, FROM TOP Laura Mercier Crème Eye Liner in Espresso and Violet £19 each, Angled Eye Liner brush £16, Longwear Crème Eye Pencil in Teal £17, Smudge brush £20.50

Available from The Cosmetics Halls, Ground Floor; International Designer, First Floor; Fashion Lab, Fourth Floor; Urban Retreat at Harrods, Fifth Floor; and harrods.com . To watch a video of this feature, download the Harrods Magazine app

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PROMO T ION

No 1... and counting

Background Getty Images

Clive Christian is celebrating the 15th anniversary of his No 1 perfume.

To mark this milestone, he reveals a very special limited edition Distinctive and distinguished, Clive Christian perfumes are known worldwide as luxury in a bottle. Cost and rarity are never considerations. Instead, the fragrances are designed as scented works of art: complex, rich and sophisticated.

The story began when Clive Christian Esq OBE acquired the Crown Perfumery. During the house’s heyday, Queen Victoria had granted it the right to use a crown-shaped stopper but, over the decades, the line had languished. The creative designer set about reinventing and refining the brand, launching the Original Collection in 1999. No 1 is at the pinnacle of the collection, partly because it became known as the world’s most expensive perfume, but also because Clive Christian himself called it the perfume of his heart.

It was natural, therefore, to mark the 15th anniversary of that 1999 launch with a special-edition No 1. The signature bottle has been lacquered in white and given a contemporary embellishment: a sketch of the crown stopper. Inside, both the serene floral oriental that is the women’s perfume, and the understated woody oriental that is the men’s scent, have had their qualities deepened and enhanced with even higher concentrations of essential oils and essences. Only 1,000 of the limited edition have been made; 500 for men, 500 for women, all individually numbered. Catch it while you can.

50ml, £750. Available from The Perfumery Hall, Ground Floor and Roja Dove Haute Parfumerie, Fifth Floor

BE AU T Y I’ve been testing whether oud fragrances can work for summer; see this month’s Miss Heaven Scent for more of my (successful) experiments. And this one from Bond No. 9 really caught my imagination. Shelter Island is a unisex “marine oud”, which sounds like something of a first.

Jaunty and clean with citrus zest and black pepper, the heart contains an algae extract for a shot of by-the-sea breeziness, on a base of precious woods and resins that warms and envelops as it dries down. The bottle is delightfully ship-shape too. 100ml, £210

HIGH

FIVE

Beauty Editor Jan Masters reveals her top five fragrance treats for June and July

I love Eau du Soir; it’s a big-hitting chypre created in 1990 by the founder of Sisley, Count Hubert d’Ornano, for his wife, Countess Isabelle d’Ornano, to remind her of the seringa flowers in the gardens at the Alhambra Palace that release their scent in the evening. Sparkling with grapefruit and mandarin, the glamorous green fragrance is perfect for summer, unfurling its floral heart to reveal oakmoss and juniper on a base of amber and musk. Even better, this year’s bottle comes in a dashing zebra print and is the shade of lapis lazuli. 100ml, £178

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Tuberose Angelica is the sumptuous new fragrance from Jo Malone London, joining the Cologne Intense collection.

Tuberose is known as the queen of white florals, and with good reason: it has an intoxicating scent. Here, its heady bouquet is touched with the aromatic, peppery spiciness of angelica.

The limited-edition bottle, reminiscent of traditional Jali screens, enhances its exotic aura.

100ml, £115

Celebrating the rich culture of the Middle East, Clinique’s new Beyond Rose blends a wild rose accord with the traditional and mysterious notes of cistus labdanum, amber and benzoin.

White pepper, freesia and South American maté leaves add a contemporary touch of clarity, and the bottle, with its golden and rose cabochon stone, hints at the precious contents.

100ml, £105 All products are exclusive to Harrods. Available from The Beauty Apothecary and The Cosmetics and Perfumery Halls, Ground Floor; and harrods.com

Flowers Alamy and Getty Images

In 1828, when the House of Guerlain first opened its doors, Pierre-François Pascal Guerlain created A Royal Extract of Flowers. This summer, Guerlain reminds us of the original scent with a new composition, simply called Royal Extract.

It’s a beguiling fragrance, bursting with rose, iris and white florals, surrounded by succulent notes of peach and comforting vanilla. Naturally, it comes in the legendary bee bottle that lends Guerlain’s creations such historical élan. 125ml, £280

NEWS

GENTLY DOES IT Shades of the ’80s

Fancy a sentimental journey back to the ’80s, when pop ruled the music scene?

Deborah Lippmann is ready to jog your memory with a summer collection of nail polishes in vivid creamy shades, every one set to top the colour charts this season.

Walking on Sunshine is a lively lemon; She Drives Me Crazy is a teasing teal; while Maniac gives you electro-pop purple. £16 each. Available from The Beauty Apothecary, Ground Floor

Carven

Healthy-looking skin begins with effective cleansing, but as the skin is a barrier, using harsh soap can result in tiny cracks appearing, increasing the chance of irritation.

The solution from Kiehl’s is the Calendula Deep Cleansing Foaming Face Wash. It combines an amino-acid-based formula that ensures a rich foam with a vegetable derivative that gently cleanses. There’s also soothing calendula flower extract, while glycerin attracts moisture from the air to enhance hydration.

New from Murad is Renewing Cleansing Oil, a blend of grape, pomegranate and sunflower-seed oils. “We know how difficult it can be to find a product that washes away impurities without stripping the skin of its natural oils,” says Jeff Murad, Vice President of New Product Development. “We developed Renewing Cleansing Oil to purify the skin while locking in moisture and relieving dryness. It even removes eye make-up.”

Kiehl’s 250ml, £22; Murad 180ml, £29. Available from The Beauty Apothecary, Ground Floor; and Urban Retreat at Harrods, Fifth Floor

Formula for ONE

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PURE indulgence

The mission of quirky Grasse- and NYCbased fragrance house Le Labo is to create lovingly hand-produced scents that deliver a sensory shock as soon as you open the bottle. Now, Le Labo is introducing a 100 per cent essential-oil version of its bestselling Rose 31 perfume. Pure Rose 31 harks back to the Middle Eastern tradition of using pure essences that come alive on the skin without the inclusion of alcohol. Supplied in an aluminium flacon, presented in a handmade silk-screened box, Pure Rose 31 comes with a funnel and an amber flint glass bottle – all yours to fill and flaunt.

50ml, £675; exclusive to Harrods. Available from Designer Studio, First Floor

LIGHT FANTASTIC

Following on from the success of Carven Le Parfum, perfumer Francis Kurkdjian has created a lighter, fresher scent – Carven L’Eau de Toilette. “I imagined it as a lightweight piece of clothing,” Kurkdjian says. “As easy to wear as Le Parfum, but made of a different fabric. More airy. Quite naturally, the original jasmine became freesia for its floral lightness. I also reworked the woody harmony so it would blend delicately with the musks.” The bottle echoes the original, but in a delicate shade of green, symbolic of freedom and vivacity. Its fabric label and golden-threaded neck are the perfect finishing touches for a fragrance by the elegant fashion house. 100ml, £68. Available from The Perfumery Hall, Ground Floor

Carven model Catwalking.com; splash iStockphoto

First came the MEMS micro-sensor in Ioma’s Youth Booster, which made it possible to evaluate the hydration levels in your skin at home; now comes Ma Crème – a personalised day or night cream – with MEMS technology again at its heart. By visiting an Ioma consultant to have your skin analysed, a formula can be tailor-made for your “skincode”.

There are actually 40,257 different versions, so when you return after using your product for four weeks, a new formula can be created, taking into consideration the benefits already achieved. This will encourage your skin to fulfil even more of its beautiful potential. 50ml, £149. Available from The Cosmetics Hall, Ground Floor

MISS HEAVEN SCENT wears oud for summer It’s clear that our collective passion for oud is still burning, given the imaginative new launches that keep on coming. What’s more, perfume houses are becoming ever more creative with this precious ingredient, mixing it with surprising and intriguing ingredients. Versace Pour Femme Oud Oriental is an interesting composition, with a leather-oud accord and the richness of rose shot through with lighter floral touches of vibrant freesias and powdery violet. There’s no denying this is one glamorous scent.

Floris, meanwhile, offers new Honey Oud. Sweetly gourmand, honey and vanilla bring a velvety softness to the scent. These kinds of twists have convinced me to experiment with wearing oud in summer. Sure, it’s easy to think of the rich, heavy aroma strictly as a winter warmer, but I wonder if that approach is limiting our enjoyment.

Master perfumer Roja Dove, who has recently released his exquisite H – The Exclusive Aoud and is a particular expert on this rare ingredient, agrees. “Oud has an extraordinary ability to hold other FROM TOP Versace Pour materials – it is in many ways peerless,” Femme Oud Oriental 100ml, £130; Floris Honey Oud he says. “In the summer, most scents dissipate quickly. Oud helps the materials 100ml, £160; Roja Parfums H –The Exclusive Aoud blended within it to last. If you think 50ml, £395; Cartier Oud about it, traditionally, oud fragrances & Oud 75ml, £270; Terry are used in the Middle East, where de Gunzburg Terryfic Oud 100ml, £135; Van Cleef & temperatures can reach 50ºC. Maybe Arpels Precious Oud 75ml, they know something the rest of the £128. Cartier, Floris, Roja world needs to learn. Try wearing oud Parfums, Van Cleef & Arpels in summer – you will be amazed by and Versace are exclusive how ‘right’ it feels.” to Harrods. Available from The Perfumery Hall and The I give it a try and discover that Dove’s Beauty Apothecary, Ground Aoud works splendidly and sensuously.

Floor; and harrods.com Inspired, I sample Cartier’s new trio of scents by perfumer Mathilde Laurent. Oud & Rose is a majestic and quite romantic scent, while Oud & Musc is surprisingly delicate and discreet, and works well on warm skin. But, for a certain singularity and purity of intent, there’s Oud & Oud, showcasing a sheer, unmasked take on this noble ingredient.

Somehow, this seems to retain a clarity that chimes with hot weather.

Terryfic Oud by Terry de Gunzburg is another example that I think blooms without overkill in the heat. Created in Grasse by Jean-Michel Santorini from Robertet, it is lively with sparkling Calabrian bergamot, a burst of red berries, and spices of saffron and cumin. The base also features invigorating Atlas cedar, along with the unusual dry note of papyrus. And Van Cleef & Arpels’ Precious Oud takes a walk on the summery side with a splash of bergamot, set off by pink peppercorn, while the heart is a vibrant bouquet of jasmine and tuberose; flowers that, to my mind, are the very essence of sultry nights. – By Jan Masters

Tap into a new experience The new Harrods Magazine app OUT NOW Desktop / Tablet / Mobile

Prop stylist Jennifer Kay

Lucky COW

Welsh Wagyu cows are massaged, fed the best grass, and given two pints of ale a day. The resulting beef is abundantly marbled, and thus supremely juicy, tender and flavoursome

BY PATRICK M C GUIGAN / PHOTOGRAPHER ANDERS SCHØNNEMANN FOOD STYLING & RECIPES SEIKO HATFIELD

Villeroy & Boch Anmut 27cm plates £21.95 each, Vinobile jug £52 and Sereno cutlery from £27; Rosenthal Suomi large bowl £27.95 and medium bowl £39.29, Studio-Line TAC Gropius small bowl £13.95 and Divino juice glasses £24.95 each

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ome of the best restaurants in Britain serve Ifor Humphreys’ beef, but the Welsh farmer would not be where he is today without a very special cow called Abramovich.

Named after the owner of Chelsea Football Club, the pedigree bull, which was born in 2007, was the first in what is now a 40-strong herd of Wagyu cattle. The term Wagyu, which means “Japanese cow”, covers several cattle breeds that originate from Japan and produce meat so tender that it makes chefs go weak at the knees.

The beef ’s price tag is also likely to make foodies feel a bit lightheaded; limited supply and high production costs mean Wagyu can retail for hundreds of pounds per kilo, which explains why Humphreys’ prize bull was named after a billionaire.

“I’m not a Chelsea fan,” he says. “I just wanted a name that was contemporary and prestigious.

Abramovich seemed to fit the bill.”

Humphreys has been a farmer all his life; he rears cattle and sheep on a 200-acre farm near Montgomery in Powys, but after becoming disillusioned with low prices for traditional beef breeds he decided to work with a better class of cow. “I’d heard that Wagyu tasted better than other beef, so I did a bit of research,” he says. “It’s been very successful in the US and Australia, so I jumped in at the deep end without a marketing plan or any customers.”

It was a risky move that has paid off, with Welsh Wagyu recently appearing on the menu at Heston Blumenthal’s Hinds Head gastropub and Jamie Oliver’s Barbecoa restaurant. The secret of the beef ’s success is the “marbling” of fat that runs through the muscle, making it as rich as butter. “Fat can be a dirty word, but it’s an essential part of our diet, and you need it for flavour,” Humphreys explains. “A lot of modern beef doesn’t have the taste it used to because farmers have been breeding ever leaner cattle.”

The marbling in Wagyu is mainly due to genetics, but diet and welfare also play their part. In Japan, the cows were traditionally kept indoors in relatively cramped conditions to help increase fat levels in the meat. Farmers would give their animals regular massages to help maintain muscle tone, and feed them beer or sake in hot weather to stimulate their appetites.

Humphreys’ cows are allowed to roam free and graze in abundant pastures, but he does maintain some Japanese customs, albeit with a Welsh twist. The cows are fed ale from local brewery Monty’s every day, and he still gives them a quick rub-down when he gets a chance.

“I’ve always been proud that we have quiet animals on our farm, because quiet cattle are contented cattle,” he says. “They get the occasional massage, and they always get a couple of pints a day. They really seem to enjoy it.”

Plying cows with beer might sound like a marketing ploy, but Jeannie Edgar and Rachel Goodwin, owners of Alternative Meats, which butchers and distributes Welsh Wagyu, are convinced the boozy diet makes a difference to the meat. “We didn’t know whether it was just a gimmick, but we really can smell hops when we go into the fridge where we hang the meat,” says Edgar.

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FROM TOP Ifor Humphreys, owner of Ifor’s Welsh Wagyu, gives his cows two pints of locally brewed Monty’s ale every day; Humphreys with one of his award-winning cows

Sirloin and fillet are always in demand, but the company has also carved out a market for lesser-known cuts, such as flat iron and Denver steaks, and even little pots of pure Wagyu fat. “We use the whole animal; nothing is wasted,” Edgar says. “The fat is the most incredible beef dripping you’ve ever tasted. It’s amazing for frying chips and for putting in pastry. One of the chefs we supply uses it to make Wagyu mayonnaise.”

Brisket is a favourite cut among American barbecue enthusiasts, who slow cook it with special spice rubs.

The supreme champion at last year’s epic barbecue competition Grillstock in Bristol cooked Welsh Wagyu brisket “low and slow” for more than 15 hours, using a brine injection to season the meat, and serving tender slices with charred chunks in barbecue sauce.

Speed is of the essence when it comes to prime steaks; a sprinkle of sea salt after a few minutes on the barbecue is enough to produce perfect results. Edgar believes it is important to make sure the meat is at room temperature before cooking, and to leave it to rest for 10 minutes afterwards. “It makes a world of difference to the texture and flavour, although you can’t guarantee people will have the patience to wait that long,” she says.

The only other question that remains is whether Humphreys’ beer-drinking bovines have ever been known to have one too many out in the fields. “I’ve never seen them drunk,” he laughs. “But even if they had a couple of gallons of beer, it wouldn’t affect them, because they’re huge animals. They’re a bit like me: once they’ve had a drink, they like to lie down and have a sleep.” HMN Available from Food Halls, Ground Floor. For more information, download the Harrods Magazine app Patrick McGuigan writes for Square Meal, ShortList and Restaurant

BEEF AND CHORIZO BURGERS WITH PAPRIKA MAYONNAISE Serves 4–6 4 tbsp olive oil 2 red peppers, cut lengthways 3 small onions, finely chopped 3 garlic cloves, chopped 100g chorizo (soft cooking chorizo if available), finely chopped 400g ground beef or veal ½ tsp fresh oregano, chopped A pinch of ground cumin 1 egg 15g breadcrumbs ¼ tsp mild smoked paprika A pinch of chilli powder 1 garlic clove, crushed 150ml mayonnaise Burger buns or rolls A handful of rocket 1 avocado, sliced

Serve with...

Remírez de Ganuza Trasnocho 2007, Spain, £86.95

1 Preheat the oven to 200ºC/400ºF/Gas 6. Spread 2 tablespoons of olive oil over the red peppers and place them on a baking sheet. Cook for 10 minutes, then turn over and cook for a further 10 minutes. Cover them with cling film for 5 minutes, then peel off the skins. Set aside.

2 In the meantime, heat 1 tablespoon of olive oil in a frying pan. Cook the onions and garlic over a low heat for around 30 minutes, until they are nicely browned and caramelised. Allow to cool slightly.

3 Place the chorizo, ground beef or veal, oregano, cumin, egg and breadcrumbs in a bowl, season with salt and pepper, and mix thoroughly. Divide into 4–6 patties. Set aside.

4 Mix together the paprika, chilli powder, garlic and mayonnaise. Set aside.

5 Place the remaining tablespoon of olive oil in a frying pan over a medium to high heat. Cook the burgers for 4–7 minutes on each side.

6 Slice the buns in half. On the base of each bun place some rocket, a burger, a slice of roasted pepper and two slices of avocado. Spread the paprika mayonnaise on the top half of the bun and serve immediately.

TACOS WITH SALSA AND GUACAMOLE Serves 4 as a snack or starter 1 ripe avocado 1 tbsp crème fraîche Juice of 1 lime 1 large tomato 2 spring onions, finely chopped ¼ small red onion, finely chopped ½ red chilli, deseeded and finely chopped Handful of coriander, chopped (keeping a few sprigs for a garnish) ½ tsp paprika ½ tsp cumin A few pinches of cayenne pepper ¼ beef stock cube 1 tbsp olive oil 400g lean beef mince 8 taco shells 2 heads of gem lettuce 150g grated mature cheddar cheese

1 For the guacamole, halve the avocado and take out the stone. Spoon the avocado into a bowl and mash with a fork. Add the crème fraîche and half of the lime juice, and season to taste. Mix thoroughly.

2 For the salsa, deseed and finely chop the tomato, then combine it with the spring onions, red onion, chilli, coriander and the rest of the lime juice. Season with salt and pepper, then set aside.

3 Combine the paprika, cumin and cayenne pepper in a small bowl. In a separate small bowl, dissolve the stock cube in a tablespoon of hot water.

4 Preheat the oven to 200ºC/400ºF/Gas 6. Heat the olive oil in a frying pan on a medium heat and fry the beef for a few minutes, until it starts to brown. Add the spices and stock, then continue to fry until most of the meat juice has evaporated.

5 Warm the taco shells on a baking sheet in the oven for 3–4 minutes, following the instructions on the packet.

6 Finally, roughly shred the lettuce and divide among the taco shells, add some beef and grated cheese, and top with the guacamole, salsa and a few sprigs of coriander. Serve immediately.

Serve with...

Catena White Stones Chardonnay 2010, Argentina, £51.50 Rosenthal Studio-Line TAC Gropius 7cm bowl £13.95 and Suomi cereal bowl £39.29

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STEAK SALAD WITH OLIVE, CAPER & PARSLEY DRESSING Serves 4

BEEF & VEGETABLE SKEWERS WITH STICKY WHISKEY BBQ SAUCE Serves 4

1 tbsp capers 10 pitted green olives, roughly chopped 3 tbsp extra-virgin olive oil 3 tbsp lemon juice 1 tsp honey 3 tbsp chopped parsley 1 red chilli, deseeded and finely chopped 1 sirloin steak, about an inch thick 1 tbsp vegetable oil 1 globe artichoke ½ lemon 150g mixed bitter salad leaves (parsley, chard, rocket, baby chicory, oak leaves, etc)

80ml ketchup 1 tbsp white wine vinegar 2 tbsp bourbon whiskey 2 tsp honey ½ tsp smoked paprika 5g brown sugar ½ tsp soy sauce 1 tsp Maldon sea salt 2 cloves of garlic, crushed 1 red chilli 500g beef steak 1 tbsp vegetable oil 1 tsp sesame seeds 1 red pepper, sliced into small chunks 1 yellow pepper, sliced into small chunks 1 large red onion, sliced into small chunks 1 large courgette, sliced into discs 1 lemon, cut into wedges

Serve with...

Domaine Leflaive Bourgogne Blanc 2011, France, £49.95

1 For the dressing, place the capers, olives, olive oil, lemon juice, honey, parsley and chilli into a food processor and combine until roughly mixed. Season to taste and set aside for at least 20 minutes.

2 Sprinkle a generous amount of salt and pepper onto both sides of the steak. Leave for 10 minutes. Preheat the oven to 220°C/425ºF/Gas 7.

3 Heat a frying pan until smoking hot and pour in the vegetable oil. Cook each side of the steak for a few minutes, until slightly browned. Then place the steak into the oven for a few minutes, until it is medium-rare. (If you prefer your steak well done, cook for a further 2 minutes or so.) Once cooked, allow the meat to rest for 10 minutes.

4 Cut the stem of the artichoke, leaving about an inch still attached, and peel away the petals until you reveal the heart. Cut into eighths, lengthways, and trim off any remaining tough parts of the stem. Rub lemon juice over the pieces to prevent discolouration. Set aside.

5 Just before serving, mix the salad leaves in a bowl with one-third of the dressing, and lightly toss.

Divide among four bowls or plates.

6 Cut the steak into 5mm-thick slices and arrange on the top of each plate of salad. Spoon on the extra dressing and serve immediately.

Serve with...

1 For the marinade, combine the ketchup, vinegar, whiskey, honey, paprika, sugar, soy sauce, salt, garlic and chilli in a pan and heat over a low to medium heat until the mixture has thickened (this should take around 10 minutes). Allow to cool completely.

2 Cut the beef into 3cm cubes and place in a bowl or freezer bag along with the marinade; place in the fridge to marinate for at least three hours.

3 Preheat the oven to 220°C/425ºF/Gas 7.

In a small bowl, combine the vegetable oil and sesame seeds.

4 Thread the meat cubes, red and yellow peppers, onion and courgette onto bamboo or metal skewers, and brush them with the oil/sesame seed mixture. (If you’re using a charcoal BBQ, light the charcoal and, if you like, add some lemon leaves, rosemary or thyme to the fire just before cooking the meat, as this will give a pleasant herbal scent.)

5 Cook the skewers in the oven for 15–20 minutes or, if you’re using a charcoal BBQ, place the skewers on a baking sheet and cook them in the oven for 10 minutes, then finish cooking them on the BBQ. Squeeze a little lemon juice over each skewer and serve immediately.

Hartenberg The Stork Shiraz 2008, South Africa, £44.95 Rosenthal Suomi sandwich tray £87.95

Rosenthal Suomi 26cm bowl £27.95; Villeroy & Boch Sereno knife £49 and fork £27; Chilewich napkin £15.95

Wine available from The Wine Rooms, Lower Ground Floor; Homewares available from Entertaining at Home and Villeroy & Boch, Second Floor HAR RODS M AGAZINE

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The STEAK RUBS

Eat17 Bacon Jam 110g, £3.95

The East India Company Bulldog Mustard 200g, £3.95

Fallot & Cie Moutarde de Dijon Gift Pail 16oz, £10.50

The Arabica Food & Spice Company Steak Rub 30g, £3.95

Gordon Rhodes A Good Old Fashioned Vigorous Rub 70g, £3.25

Gordon Rhodes Lazy Hazy Southern Sprinkle 70g, £3.25

Uptown GRILL Wildly Delicious Cranberry & Port Compote 240g, £4.10

Enhance the flavour of your favourite meat with savoury sauces, rubs and relishes

Gordon Rhodes The Firecracker Quick Hot Rub 70g, £3.25

Fendi dress £1,530

Rufus Teague Touch O’Heat BBQ sauce 16oz, £5.95

A L’Olivier Garlic & Thyme Infused Extra Virgin Olive Oil 250ml, £9.75

Atkins & Potts American Steak Sauce 220g, £2.95

Available from Food Halls, Ground Floor; and harrods.com

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Scarlett & Mustard Big Bear’s Honey Dressing 250ml, £4.95

NEWS

WINE TASTING

A new gadget is set to usurp traditional corkscrews and transform the way you enjoy your wine. The Coravin lets you sample your prized Bordeaux or Rioja vintages without committing to the whole bottle. It works by using a needle that pierces the foil and cork, thereby allowing the wine to be poured but, as the cork naturally reseals itself, there is no risk of oxidisation. The result is that vintage bottles can be opened but do not necessarily need to be finished in one go – perfect for experimental wine enthusiasts. £299.95. Available from The Spirits Room, Lower Ground Floor

Choco MAKI

Rest assured, this isn’t fish-flavoured chocolate. Innovative Italian brand Visibilia has had some fun in creating this range, proving that not all foods have to look exactly as they taste. The Sushi Chocolate Experience is a range of dark and light truffles that are made with unusual flavours such as puffed rice, pine nuts and coconut – but they look just like maki and temaki rolls. The packaging can be assembled to resemble a Japanese-inspired table, and the set even comes with a pair of bamboo chopsticks. From £32.95. Available from Food Halls, Ground Floor

Maracuyá A South American variety of the purple passion fruit, the maracuyá is tart and tangy with a sweet aroma.

Curuba Known as “banana passion fruit”, the curuba – high in fibre and vitamins A and C – has fruity, delicately floral orange flesh.

Lulo Eaten raw, the flesh inside the lulo tastes like a cross between rhubarb and limes. It’s also great for making jam, jelly and ice cream.

using natural fruit sugars. Jealous Sweets come in fruity, fizzy or gummy varieties, and are gluten- and gelatine-free.

From £11.95. Available from Food Halls, Ground Floor

Pepino Like the honeydew melon, the pepino is mild and lightly sweet. With a cucumber-like texture, it works well in salads.

Zapote The zapote’s soft, sweet, coral-coloured flesh tastes like a mix of papaya and pumpkin.

Chocolate-dipping service Customers can choose any fruit from the exotic fruit counter, then have it dipped in Harrods’ white, milk or dark couverture chocolate and wrapped in a gift box.

Available from Food Halls, Ground Floor

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Maracuyá iStock; curuba, lulo, pepino and zapote Alamy

Sweet by NATURE Not all sweets are bad for you. The Jealous Sweets range was created by two friends who noticed a gap in the market for confectionery that wasn’t packed with sugar and E-numbers, and created a collection

Seasonal exotic fruits

PROV ENA NCE

ITALIAN MASTERS

Based in Italy’s furniture heartland, both Giorgetti and Baxter combine tradition with innovation in collections designed to stand the test of time

BY DOMINIC LUTYENS

TOP, FROM LEFT Baxter George desk £8,259 and Paloma Revolving chair from a selection; Unique cabinet £7,089 and Misa armchair £2,619; ABOVE leather perfection by the Baxter artisans

Sink into the sumptuously sensuous Hug chair by Giorgetti or the smooth leather Housse sofa by Baxter, and you’ll probably feel too relaxed to wonder how they were made, or indeed how their fabrics came to be so sumptuous and smooth. In true Italian tradition, these two companies are family-owned and run, and their furniture shares some equally traditional principles: quality, craftsmanship and solid integrity. Both manufacture their pieces by selecting the best materials and using highly specialist skills; both combine an experimental approach to design with ultra-sophisticated production processes.

Baxter was founded in 1989 by entrepreneur Luigi Bestetti. Today, he is the company’s president, his nephew, Paolo Bestetti, is its CEO and Paolo’s brother Kicco, an architect, heads up its communications department.

“All our products are made in our factory in Italy,” Paolo says. “Our key raw material is leather, which we use to make entire pieces or to embellish details.”

Baxter’s English-sounding name seems surprising, but Paolo explains it was chosen because the firm originally made classic upholstered furniture “characterised by a quintessentially English mood”. He goes on to point out, though: “Our products also reflect the creativity, elegance and mastery typical of the Italian hand-crafting tradition.”

The Baxter head office is in the Brianza region of Lombardy – Italy’s epicentre of furniture production.

And the company’s success, says Paolo, hinges partly on it being able to tap into the area’s furniture-making infrastructure. “We’re lucky to be in Brianza, where a specialist labour force is one of its strongest points,” he says. “The true heritage of the leather industry lies in the knowledge its craftspeople have acquired over time.”

Baxter’s seating – a collaboration with designers such as Paola Navone, Matteo Thun, Piero Lissoni and Christophe Delcourt – includes the Bergère armchair in conker brown or claret-coloured leather; the plump, upholstered Chester Moon chesterfield; the whimsical, Navone-designed Nepal rocking chair with its shaggy, white Mongolian lambswool seat; and the Paris bed, with a luxuriously soft leather base and a headboard in dark grape, sage green or smoky blue.

Then there are tables, including the innovative Immagini and the Table-Au with its glossy, swimming-pool blue resin top, as well as desks, bookcases, mirrors and lamps – such as the oversized, lipstick-red Great JJ floor light.

Baxter’s main focus is leather, however. “We start by selecting the hides, 90 per cent of which come from bulls, since their skins are thick and large,” Paolo says. “The bulls come mainly from farms in Italy, Germany and Northern X HAR RODS M AGAZINE

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Europe, where they’re fed high-quality food, resulting in fewer defects in the hides. Our customers specify the hides they want, so our products are all custom-made. Then comes the tanning process, which transforms the hides into non-degradable, stronger, more malleable leather. The leather is tanned in large wooden barrels using ancient formulas, then re-tanned and dyed – also in these barrels – to help standardise it. Our dyes, which are all natural, cover the leather’s surface and completely penetrate it.”

The leather’s quality is verified by highly trained staff, after which it is painstakingly cut, sewn and assembled to create each of Baxter’s designs which take, on average, four months to make. But traditional manufacturing methods aside, Baxter – in collaboration with Navone – constantly researches new design trends: according to Paolo, supple leathers, which have “an enveloping effect”, are currently the most popular.

Giorgetti’s HQ and factories are also in Brianza – in the city of Meda and the nearby town of Lentate sul Seveso.

And the company’s president, Carlo Giorgetti, prefers a “Made in Meda” rather than “Made in Italy” slogan for its products – such as the Erasmo desk and the Ela chaise longue – to accentuate the region’s furniture-making heritage: the local industry’s roots stretch back to the eighth century, when a convent of Benedictine nuns near Meda first kindled a demand for high-quality furniture.

Founded in 1898, and renowned for its cabinetmaking, Giorgetti also has a rich heritage. “The company began exporting its goods in the 1920s,” Giorgetti says. “And in the ’80s, it launched its first designer collections.” One of these, Matrix, was co-created by avant-garde designers Massimo Morozzi and Paolo and Adriano Suman. With its tutti-frutti colours, the collection echoed the spirit of Memphis, the ’80s furniture design collective led by Ettore Sottsass. Then, in 1990, Giorgetti invited architects, urban

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planners and artists who’d never designed furniture before to explore new concepts. Although risky, the venture injected fresh ideas into the company and proved fruitful.

“It gave the company its unique style,” Giorgetti says.

Today, the brand produces pieces dreamed up by Toshiyuki Kita – creator of the indulgent Magica chair and footstool – and Rossella Pugliatti – designer of the Solemyidae sofa and Hug armchair, whose curves literally embrace the sitter. According to Giorgetti, these designers might have different styles, but their contributions to the company all embody its ideal: timeless objects.

The products start life in the Giorgetti Research Centre.

“Here our artisans’ hands create prototypes based on ideas by our designers,” Giorgetti says. The company cherrypicks the best timber – which includes pau ferro, a reddish wood found in Brazil and Bolivia – to make its furniture, with the raw planks of wood stacked under large, airy porticos (sheltered from the elements) for between six months and a year, to age naturally. They’re then dried in a humidity-controlled environment to stop the wood swelling or cracking, before being taken to a sawmill and roughly cut into various components, such as legs and armrests. Specialist machines then refine the components’ contours and, finally, they’re assembled and polished.

Baxter and Giorgetti both draw on ancient traditions to craft their high-end furniture, but every piece is clearly designed to last well into the future. As Paolo Bestetti of Baxter puts it rather poetically, “We aim to make ‘evergreen’ pieces that will remain with their owners over time, becoming an integral part of their personality.” HMN Available from Baxter and Giorgetti, Third Floor Dominic Lutyens is an arts journalist who writes for The Guardian and the Financial Times

CLOCKWISE FROM TOP LEFT Giorgetti Magica

chair £6,079, Mobius chair £3,249 and Hug chair £6,889

INSIDE STORY Bottega Veneta’s home collection echoes the discreet luxury – as well as the distinctive weave pattern – of its fashion and accessories ranges, says Creative Director Tomas Maier BY AMY BROOMFIELD

ABOVE Tomas Maier; TOP, FROM LEFT Bottega

Veneta Reading Desk Lamp £3,024 and Meta 3-Seater sofa £15,984

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Not many designers would lay bare their creative process for the world to see. That, though, is exactly what Tomas Maier, Creative Director at Bottega Veneta, did back in 2008, when he commissioned behind-the-scenes photography of the making of the brand’s Autumn/Winter 2009 collection. The images, which showed the meticulous handiwork of tailors, cobblers and tanners, illustrated the reasons why, 42 years on from its launch, Bottega Veneta still needed no logo to highlight the quality of its design. “The product is the star,” enthuses Maier. Today, he reminds us, “our signatures are visual, like the most recognisable intrecciato weave.

Beyond that, there’s always a feeling of subtlety and inconspicuousness. There’s also a classicism that’s modern and functional.” That same discreet luxury appears across the brand’s lifestyle collection – not least in the furniture, crockery and glassware ranges.

Brushed steel is mixed with leather; desks and cabinets combine bronze and glass; deep-seated, smart leather sofas are stitched to perfection; and each piece is designed with quality and functionality at its core. Here, Maier shares the creative insights behind the collection.

How does the home collection incorporate Bottega Veneta’s signature style?

It was developed with a focus on imaginative designs that are also functional and refined – and it was adapted to meet our customers’ needs and desires. There are aesthetic crossover elements as well, such as the use of intrecciato parchment leather. But the signatures lie in its foundation of unique, yet pragmatic, design.

Where are the products made and by whom?

It depends on the piece. When we are planning to add categories that we may not specialise in, we look for partners who are the best in their field and who share our values. Essentially we must be philosophically aligned – two companies that share the same commitment to luxury, quality and exclusivity.

I’ve worked very closely with Poltrona Frau to design seating, and with KPM Berlin for porcelain, among others. Each experience has been extremely productive – a true collaboration.

Are the same manufacturing techniques used for the furniture as for the accessories?

Not technically, no, though we always apply the same emphasis to fine detail and quality. I usually start a design process with colour; when it comes to furniture, I begin with the material and function, and then a great deal of time and attention is given to developing innovative methods of construction.

Where do you get your inspiration?

Many things inspire me, including art, architecture, nature and music. Sometimes, though, the biggest inspirations come from day-to-day observations – seeing how people dress and move, for example.

Do you have a favourite piece in the collection?

That is a difficult question to answer – my taste is eclectic – though I’m quite fond of the armchair from the Meta range that we produce with Poltrona Frau, as well as pieces from the luggage-inspired collection such as the bookcases and desk.

Would you say that Bottega Veneta’s homeware collection fits within a particular trend?

No, it’s not driven by trends. The home collection is for people who want their living space to look and feel luxurious – and to reflect their style. HMN Available from Bottega Veneta, Third Floor. For more information, download the Harrods Magazine app

Portrait Collier Schorr

Q&A

COOKING MASTERCLASSES

This month, international kitchen experts Sage, Kai and SousVide Supreme are among those demonstrating how to produce the finest flavours from Welsh beef, whether for a sophisticated dinner party or a barbecue

Sage Sunday 1st June, 11–6pm, The Kitchen, Second Floor Appliances like the Kitchen Wizz Pro and Control Grip All in One

by Sage have been designed to make gourmet cooking easy. Here, the team will use these gadgets to show how to make the best beef nachos (complete with guacamole and salsa) and burgers.

SousVide Supreme Saturday 7th & Sunday 8th June, 11.30–5.30pm, The Gourmet Cookshop, Second Floor Ever tried a barbecue using the French water-bath technique?

Masterchef 2012 finalist Andrew Kojima has, and will show you how, preparing and cooking Welsh beef using the SousVide Supreme.

Kai Friday 13th June, 12–5pm, The Gourmet Cookshop, Second Floor Made with the same ancient techniques once used to produce Samurai swords, Kai knives are legendary in Japan. The brand will showcase the precision of the Yanagiba knife – commonly used to thinly slice meat – by making beef tataki sushi and steak with miso.

Wüsthof Saturday 14th June, 12–5pm, The Gourmet Cookshop, Second Floor The German company has been forging professional knives from steel for 200 years; the masterclass will be a lesson in knife skills, as well as a demonstration of how to care for and maintain your collection.

Tap into a new world of gourmet food Recipes from Harrods Magazine app OUT NOW

Scanpan Sunday 15th June, 12–5pm, The Gourmet Cookshop, Second Floor The secrets of perfectly cooked meat for a classic beef sandwich are revealed by the Scanpan team as they demonstrate the brand’s Classic sauté pan and multipurpose roaster.

Miele Friday 20th June, 12–5pm, The Kitchen, Second Floor Using the brand’s single oven, combination steam oven and induction hob, the Miele team will show how to make a number of meals including a Thai steak salad, a beef tagliata and mini Yorkshire puddings.

Desktop / Tablet / Mobile For more information, please call 020 7730 1234 and ask to speak to The Kitchen or The Gourmet Cookshop

NEWS

Magical creatures

EASTERN INSPIRATION

To mark Lâ&#x20AC;&#x2122;Objetâ&#x20AC;&#x2122;s 10th anniversary, the brandâ&#x20AC;&#x2122;s Creative Director, Elad Yifrach, has unveiled the Sous le Ciel collection, inspired by Imperial *OPUHÂťZ HÄ \LU[ /HU +`UHZ[` ([ P[Z OLHY[ PZ [OL /HU *VSSLJ[PVU KPUULY^HYL YHUNL PUJS\KPUN WSH[LZ ^P[O WH[[LYULK LKNLZ OHUKSLSLZZ [LHJ\WZ ^P[O SPKZ PU SPUL ^P[O *OPULZL J\Z[VT HUK JOVWZ[PJRZ PU ISHJR ^VVK HUK QHKL JHIVJOVU

Ornate candelabras in 24kt gold, bejewelled figurines and crystal-studded tableware; the ethos of Italian brand Villari has always been â&#x20AC;&#x153;more is moreâ&#x20AC;?. Husband-and-wife team Cesare and Silvia Villari personally sculpt the prototypes, which are typically flora- and fauna-inspired designs. They are then recreated in porcelain and gold by in-house artisans.

The latest arrivals, sculpted by their son Leone, include a turquoise panther and a purple elephant, both embellished with Swarovski crystallised elements; just one of each will be available in-store. Panther ÂŁ35,480.

Available from Luxury Home, Second Floor

From ÂŁ125. Available from Luxury Home, Second Floor

Laid BACK

Some pairings are just meant to be: Kate and William; Brie and cranberries; Roche Bobois and Missoni. Seven years after successfully collaborating on a vivid-print version of the Mah Jong sofa (a concept that was launched in 1971), the duo has reinforced its preeminence in furniture design by teaming up once more to create the three-seat Escapade, the perfect outdoor sofa on which to while away lazy summer days. Typically for Roche Bobois, versatility and functionality are key: movable backrests allow the low-lying, mattress-style Escapade to be configured in three ways: as a sofa, lounger or daybed.

It has removable covers, and the Missoni Papavero flower-print fabric is fully treated for outdoor use. Escapade sofa from ÂŁ2,490.

Available from Roche Bobois, Third Floor

GLASS ACT

As a creator of timeless tableware celebrated the world over, Villeroy & Boch has surprisingly humble origins. The brand sprung to life in the quaint French village of Audunle-Tiche, and has maintained its reputation for more than 265 years. Lumière Pure is its latest offering of high-quality art glass â&#x20AC;&#x201C; the production of which is limited to just 300 of each piece (vase, lamp and bowl; all come in three sizes). Every item is handblown, created using traditional cutting techniques, and one of a kind. From left 19cm hurricane lamp ÂŁ590 and 26cm vase ÂŁ490. Available from Villeroy & Boch, Second Floor HAR RODS M AGAZINE

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NEWS

New-wave BROWSING

for great escapes

Many tablets claim to be lighter than ever, but few are waterproof. The Xperia Z2 has an IP (Ingress Protection) rating of 55/58, guaranteeing resistance to both dust and water – so you can read a book by the pool. Sony’s Full HD Triluminos display gives increased colour depth, X-Reality technology delivers a supersharp picture, and the lightning-fast Qualcomm Snapdragon 801 processor loads web content instantly. From £399. Available from Harrods Technology, Third Floor

National Geographic. Open any page of the little yellow magazine and you’re sure to land on a jaw-dropping photograph or gripping story about some incredible place in the world… or beyond. Having informed its readers for one and a quarter centuries, the title is celebrating with Around the World in 125 Years. Publisher Taschen has had access to its archives to create three volumes – Americas and Antarctica; Europe and Africa; and Asia and Oceania – so you can go on a journey of discovery whenever the mood takes you.

It is but a short hop from some of the most challenging destinations to perhaps the ultimate chillout zone… Necker Island, the home of Sir Richard Branson. A Virgin Island (teNeues) is a photoessay-meets-love-letter to this piece of paradise by photographer Russell James, who has captured the essence of the island, from seascapes to portraits of beautiful women. Call it dream therapy.

With all eyes on June’s World Cup, Olaf Heine provides a cliché-free overview of the host nation in Brazil (teNeues).

What’s evocative is how he has shot this vibrant country in black and white, highlighting its thoughtful, even melancholic, moods.

If you’re in search of inspiration, Taschen’s 100 Getaways Around the World has plenty to offer.

Atmospheric shots of cool and quirky places to stay are curated without the hard sell of travel brochures. Even the most committed internet researcher will be tempted to curl up with this book. – By Jan Masters

features the producer’s personal “Q” logo on the cap, his signature is printed above the 18kt white-gold nib, and the barrel is finished to resemble a loudspeaker cone.

Only 1,933 – signifying the year of Jones' birth – have been made. From £1,705.

Available from The Great Writing Room, Second Floor

National Geographic: Around the World in 125 Years £349; A Virgin Island limited edition signed by Russell James £1,800; Brazil standard edition £80 and limited edition £1,800; 100 Getaways Around the World £34.99. Available from The Harrods Bookshop, Second Floor

TOUGH ACT TO FOLLOW

A distinctive aesthetic and a reputation for durability are the twin hallmarks of suitcase brand Zero Halliburton. With its futuristiclooking exteriors, the brand’s luggage has proved the perfect prop choice for more than 300 action films including Mission: Impossible, Inception, Men in Black and Ocean’s Eleven.

And the suitcases are among the toughest around: in 1969, NASA used them to carry moon rocks back to earth on Apollo 11.

For a limited period, the latest – incredibly light – Geo Aluminium design is available in a special bronze colour. From £1,095.

Available from Travel Goods & Luggage, Second Floor

QUINCY: king of the fountain Only superstars are immortalised by a Montegrappa pen. American music producer Quincy Jones – who in his illustrious career has worked with legendary artists, including Frank Sinatra, Ella Fitzgerald and Michael Jackson, and holds the record for the most Grammy nominations (79) – now joins that group. The Quincy Jones special-edition pen

SUMMER BOOKS

HAR RODS M AGAZINE

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THE BISHOPS AVENUE London, N2 A brand new, state-of-the-art mansion (10,750sq ft/ 999sq m) set in beautifully landscaped grounds is available in this renowned tree-lined avenue. The TVSTIVX] LEW WIZIR VIGITXMSR VSSQW E JYPP] ½XXIH kitchen, eight bedroom suites, a cinema, a gym, a wine GIPPEV ERH E FIEYX] VSSQ -X EPWS FIRI½XW JVSQ ER YTTIV terrace with a hot tub and an external sound system, an indoor/outdoor swimming pool and spa area, and separate staff quarters, as well as a car elevator and gated off-street parking for six cars. EPC rating B. Freehold Price: £16,000,000 020 7409 9346 jennifer.marwick@harrodsestates.com

HAR R O DSEST AT ES.CO M

CRANLEY PLACE South Kensington, SW7 This generously proportioned three-bedroom maisonette of 2,224sq ft (207sq m) is available in a stucco-fronted period FYMPHMRK MR 7SYXL /IRWMRKXSR 3R XLI KVSYRH ¾SSV XLI apartment has an impressive 22ft reception room, a second reception room, a cloakroom and a large kitchen/dining area with French doors leading onto the private patio garden. The PS[IV KVSYRH ¾SSV GSQTVMWIW E QEWXIV FIHVSSQ [MXL ER en-suite bathroom, two further double bedrooms with a shared bathroom, a utility room and an internal courtyard. Cranley Place is ideally located for the shops and restaurants of South Kensington, Chelsea and Knightsbridge. EPC rating C. Share of freehold Price: £4,750,000 020 7225 5911 andrew.gunnforbes@harrodsestates.com

KNIGHTSBRIDGE OFFICE: 82 BROMPTON ROAD LONDON SW3 1ER T: +44 (0)20 7225 6506 MAYFAIR OFFICE: 61 PARK LANE LONDON W1 1QF T: +44 (0)20 7409 9001 CHELSEA OFFICE: 58 FULHAM ROAD LONDON SW3 6HH T: +44 (0)20 7225 6700 HARRODSESTATES.COM

MY STYLE

My style

Clocking up more photos than practically any front row-er, the Russian fashionista’s latest role is as digital campaign ambassador for Fabergé.

Here, she reveals her style secrets BY MARIA MILANO You’re known for your fearless dress sense. How would you describe your style?

No matter what, it has to be eclectic and elegant – classy looks but with unusual texture.

You are constantly being photographed, especially during the fashion shows. How many times do you change your outfit in a day?

For me, fashion weeks are not just about watching the shows. I often have meetings in between, so it’s hard to change outfits several times a day.

How do you go about choosing your outfits?

I follow my instinct. Outfits should tell the story of you.

When people look at you, they don’t know you but they see your look, which, in my opinion, has to be readable and make other people happy or at least smile.

Do you have a style muse and, if so, what inspires you about them?

There are a lot of beautifully dressed women, and I’ve always respected people with a great sense of style. When I was a little girl, I discovered Jackie Kennedy, Grace Kelly and Raisa Gorbachev – all these ladies had an impeccable sense of style. Nowadays, I love to look at Tilda Swinton and Chloë Sevigny.

What’s your top style tip?

You wear the garment; don’t let the garment wear you.

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H A R RODS M AGA ZINE

Which designers are you loving right now?

Chanel, Louis Vuitton, Ralph Lauren, Stella McCartney and Valentino are some of my favourites. I also think designers like Vika Gazinskaya, Ulyana Sergeenko, Alexander Terekhov and Natasha Zinko will make Russian fashion really take off.

Which trends are you following?

No matter what is on trend, I need to feel feminine and confident in the clothes I wear.

Is there a specific era in history that you are drawn to, fashion-wise?

I love the Sixties.

What’s the best style advice you’ve ever been given?

Fashion is a game. Never say never to anything, and don’t be scared to experiment.

What’s your No. 1 wardrobe staple?

Céline oversized coats and flats.

What are your three favourite pieces from your wardrobe?

It’s impossible to choose!

Fabergé is available from The Fine Jewellery Room, Ground Floor. For more information, download the Harrods Magazine app

CLOCKWISE FROM FAR LEFT In the front row

at Paris Fashion Week AW14 with Anna Dello Russo and Giovanna Battaglia; in New York for the SS14 MercedesBenz Fashion Week; on the phone at the AW14 Paris Fashion Week; at London Fashion Week AW14; in Milan for Fashion Week AW14; and at the AW14 Paris Fashion Week

New York, Paris (on phone and last image) and Milan Fashion Week Rex Features; Paris (front row) and London Fashion Week Getty Images

MIROSLAVA DUMA