UCL Bartlett Application Portfolio 2021_Harry Kershaw

POR TFO L I O H A R R Y K E R S H A W

2:1 BA(Hons) Northumbria University Newcastle 2020 harry.kershaw@icloud.com

CONTENTS

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PERSONALITY

REFERENCES

A PLACE OF LEARNING

An introduction into who I am and my passion for architecture and design.

Professional and academic references provided by my current employer and stage 3 design module tutors.

Work completed for Design Project I of Stage 3. A ‘place of learning,’ bringing new lifte to a market town in the north east of England.

07+08+09+10+11+12 EXPLORATION Work completed for Design Project II of Stage 3. A ‘Centre for Exploration’ focused on encouraging visitors to explore the Northumbrian landscape and study its always shifting nature.

13+14 PRACTICE Experience gained working in a charted practice, applying my skills developed whilest at University to a broad spectrum of projects and situations in proffesional practice.

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PERSONALITY I consider myself extremely fortunate that I was able to spend a lot of time with my Grandfather when I was younger. He worked as an Architect in the North East of England for his entire professional career. One of my earliest memories with him was a visit to the Apollo Pavilion in Peterlee, County Durham. He had taken me to tell me of his intention to restore the beautiful sculpture, later resulting in him being awarded an RIBA prize for his efforts to preserve the Pavilion.

Fighting to emphasise the cultural and historic significance of the project in an area of the Country many viewed as neglected. From that point onward I developed a fascination for Architecture and design, inspired by his tenacity and passion.

My study of Architecture began in Newcastle at Northumbria University.

Here I developed key skills in deepening my understanding of design and its impact on our lives. Working on a wide range of projects at various scales to test my ability to create interesting and functional Architecture.

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REFERENCES

ICR / HDR 20 January 2021

Tutor Reference for Harry Kershaw To whom it may concern As Harry’s studio tutor in his third year at Northumbria University, I enjoyed working with him on a weekly basis through his final year.

Harry is an engaged and very capable student with a natural ability to resolve space in plan and section. Harry impressed me with his approach to developing design through rapid reiteration and refinement of key drawings. He was able to quickly develop his work from the conceptual stage through to well resolved proposals. The rendered drawings which formed the basis for his final presentation show the maturity and clarity that has developed in Harry’s communication techniques.

Whilst working with Harry, he responded very well to guidance and was able to coherently discuss and develop proposals through weekly tutorials, bringing his own thought processes and ideas to the table. He had a keen eye for spatial planning and a sound understanding of how to develop controlled architectural proposals.

At this early stage of his career, Harry showed an eagerness to understand and learn from precedent, which is influenced in some of his final project work.

Faithfully,

Currently I am working as a Part I Architectural Assistant at SPX Architects in Harrogate, North Yorkshire. The nature of working in a new, smaller practice provided an exciting opportunity for me to experience greater responsibility. At SPX I have worked on projects at all of the RIBA work stages, conversing with clients in design team meetings, creating and submitting planning applications, working up tender documents and discussing them with Contractors and Engineers, etc.

Working with such responsibility has made me feel a valued and respected member of the team. I look forward to further developing my skills in my remaining months in practice.

12th February 2021 To whom it may concern SPX Architects Reference | Harry Kershaw Harry joined the practice as a Part 1 Architectural Assistant in August 2020, having impressed us at interview with not only his thoughtful and well-presented degree work but also his personable nature and positive attitude.

He has proven to be an excellent addition to our small team, providing extremely valuable support across a wide range of project types and sizes. He works conscientiously, is always good humoured and produces top results time and time again.

Perhaps most impressively, we have had complete faith in Harry to work diligently from home during the unique circumstances which we have faced in recent months. He has worked independently and has always maintained good and regular communication with the team, showing a degree of maturity and professionalism well beyond his years.

I am certain that Harry’s design skills, his level of understanding, his determination to succeed and his ingrained work ethic make him an excellent candidate for the Part II degree programme. We wish him the very best of luck and would gladly welcome him back in 2023.

Yours sincerely Ian Crow BA(Hons) DipArch RIBA Director ICrow@ryderarchitecture.com T: +44 191 269 5454 M: +44 7976224885

STEVE PEXTON BA(Hons) BArch RIBA ARCHITECT | DIRECTOR For and on behalf of SPX Architects Limited

SPX Architects Limited Company Registration Number | 10187483 VAT Registration Number | 269 1552 80

A E T W

Regal Chambers, 22a Oxford Street, Harrogate, HG1 1PU office@spx-architects.co.uk 01423 520100 www.spx-architects.co.uk

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A PLACE OF LEARNING

An understanding of the site was of paramount importance. Visiting on multiple occasions I created a photographic study of the area. I was particularly fascinated by a picturesque set of steppingstones that crossed the river. The bold and dense rectangular forms of the stones created a contrast with the fast-flowing water beneath them. They were dependable and unchanging. I tried to explore this concept of density through my photographic style using a monochromatic filter.

The first project of my final year of undergraduate study required me to design a Library space in the town of Morpeth, Northumberland. Morpeth is a town with a rich and intriguing history, once one of the major market towns of the North East of England, Morpeth was perfect for trade as it lay on the line of a trade route between London and Edinburgh, serving as a bridge between the two. One of the key features of the town that made it such a lucrative location is the river flowing through it, the river Wansbeck.

Despite the prosperity of the town in the past, Morpeth became fairly quiet and less prevalent location.

During the twentieth century, Morpeth and many other towns in the North East struggled due to a reduction in industry. Once thriving areas socioeconomic strength decreased, resulting in lower employment rates and higher levels of poverty. Today the town is better known for its weekly markets and agricultural trade however it is the consensus of the community that the area would be greatly improved by increasing tourism and finding new and innovative ways of attracting people to the town.

Exterior perspective of Morpeth Library.

A Public Library would serve as the perfect means to improve the lives of those in the community, bringing people together in a space that accommodates various activities and offers a new attraction for those wishing to visit the town. It was clear the Library needed to form a bold piece of Architecture, a statement of the intent to achieve prosperity once again in the area.

Images collected from the photographic study of the site.

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Morpeth Library floor plans.

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Utrecht University Library section.

Taking my concept of density, I looked to find a precedent to study.

The Utrecht University Library

by Weil Arets Architects features many characteristics the I believed, demonstrated a sense of density.

The building is monolithic, taking a rectangular form, featuring a façade comprised of modular panels of either black concrete or glazing. The modular nature of the fabric of the building is particularly interesting as it also continues to the interior. Despite the buildings simple exterior form.

Exterior perspective of Morpeth Library.

The interior is made up of an intricate series of floors seemingly floating over one and other like trays.

One of the most successful concepts behind the design of the Library was to separate the busier community activity areas from the quieter study spaces.

This was achieved by creating a larger monolithic component, housing multiple floors for study space. The Activity spaces were kept separate in a ‘pavilion like,’ branch of accommodation, stretching to the east of the site. Inspired by the steppingstones just downstream from the site. A calm body of water becoming full of motion when passing through a series of steppingstones.

I created the section to explore the various atmospheric conditions within the building. Investigating how Weil Arets Architects had used the materiality of the building to indicate the use of spaces within.

Exploring the internal spaces in further detail I created a 1:50 scale model of one of the interior spaces, demonstrating how the floors, formed as trays, ‘floated’ over one and other to create dramatic and unique spaces.

1:50 Scale model of a space within the Utrech University Library.

Interior perspective of Morpeth Library.

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Sections and elevations of the Northumberland Exploration Centre.

CONCEPT AND EXPLORATION

The Northumberland Exploration Centre was the final project of my undergraduate degree, a museum space in the Northumberland landscape. I chose to design the in the small, historic village of Bothal. The Village was quaint and rarely visited however, it was home to a beautiful 11th century castle; Bothal Castle. The castle provided the perfect backdrop for the museum and was clearly a location that featured prevalently on the site however, Bothal castle is now a stately home and so my approach toward design had to be respectful towards the current occupiers and their privacy.

The museum’s form was inspired by the agricultural sheds that were scattered across the Northumberland Landscape, a form that would not impede on the existing vernacular within the area. Large, zinc clad forms stretch out toward the River Wansbeck that flows past the site.

Exterior perspective of the Northumberland Exploration Centre.

Given that the Site is situated in such a beautiful and scenic part of the Northumberland landscape, the Museum is designed to reflect and exhibit the rich history of the area.

Situated next to the historic Bothal Castle, the building will celebrate its surroundings while paying respect to the cultural heritage of the area.

The Museum will be used as an exploration hub or ‘the start of a journey’. It will encourage visitors to set off into the landscape and further their understanding of the area by seeing it for themselves. The Museum will describe how the landscape has come to be and what events have taken place over the hills, fields and forests that visitors are encouraged to explore.

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Initial proposal sketch.

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SITE DIAGRAMS

When deciding where to locate the museum several factors influenced its position. The museum had to be positioned far enough from the roads that they would not cause any disturbance from the traffic.

Key views around the site that would influence the positioning of each of the components were assessed to locate the optimum position on the site. Allowing for optimal views of the Castle and meandering Wansbeck.

Potential flood zones prevented the building from being positioned directly next to the river, forcing it up the site towards Bothal bank road.

A challenge later overcome through the architecture.

Site Map of the Northumberland Exploration Centre.

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Site Section of the Northumberland Exploration Centre.

A copper clad, cantilevered space acts as an event space for the museum.

Glass gables offer opposing views of the Castle and river, contrasting the orientation of the other zinc clad components of the building. This cantilevered space sits atop a concrete plinth that houses accommodation for long-stay visitors to the museum.

One of the advantages of using an aging material like copper is that it has an ever-changing aesthetic that ages with the building. This reflects the purpose of the building, showing to visitors how the surroundings have changed due to the effects of time and climate.

Exterior perspective of the Northumberland Exploration Centre.

To overcome the complications presented by the flood zones, the museum features a subterranean layer. The area of the museum is formed from sweeping concrete walls with various openings housing various exhibits on the history of the area. Given the nature of the concrete, the space is designed to flood.

Offering a level of water retention that allows the complex to move closer to the River.

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Interior perspectives of the Northumberland Exploration Centre.

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PRACTICE Do not scale from this drawing - use figured dimensions only All set-out dimensions, levels, building positions and site boundaries to be checked by the Contractor, with any discrepancies reported before work starts All works to be carried out to the satisfaction of the Local Authority and in accordance with Building Regulations, British Standards, CDM Regulations, Codes of Practice, Acts & Bylaws, manufacturers recommendations, specialist information and good building practice References to Local Authority are also intended to read as for Approved Inspectors This drawing is the copyright of SPX Architects and should only be reproduced with their written permission

RWP

KITCHEN

PAVING & GRAVEL MARGIN

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ENSURE ALL NEW OPENINGS FORMED ARE ADEQUATELY PROPPED DURING DEMOLITION WORKS

OFFICE

ENSURE ALL NEW OPENINGS FORMED ARE ADEQUATELY PROPPED DURING DEMOLITION WORKS

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LOBBY

PRODUCTION AREA

45 1150

ENSURE ALL NEW OPENINGS FORMED ARE ADEQUATELY PROPPED DURING DEMOLITION WORKS

ENSURE ALL NEW OPENINGS FORMED ARE ADEQUATELY PROPPED DURING DEMOLITION WORKS

FORMER DOOR OPENING RESTORED BY LANDLORD CONTRACTOR

900

ACCESS WC SVP

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RWP RWP IC CONTRACTOR TO CHECK IF INSPECTION COVER HAS BEEN MOVED

CONTRACTOR TO CHECK IF INSPECTION COVER HAS BEEN MOVED

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GRASSED AREA

GRASSED AREA

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Sketch plans for a housing development project

EXISTING GROUND FLOOR PLAN | DEMOLITIONS

KEY FLOOR TYPES F1 - VINYL POLYFLOR POLYSAFE ASTRAL PUR - LOW VOC ADHESIVE F2 - CARPET TILE - TYPE AND RANGE TO BE CONFIRMED SKIRTING TYPES S1 - 100mm VINYL COVER FORMER S2 - HARDWOOD - PROFILE AND HEIGHT TO BE CONFIRMED WALL TYPES WALL - 100mm CONCRETE BLOCKWORK, 25mm DOT & DAB PLASTER BOARD & SKIM TO EACH SIDE

P R O P O S E D R E S I D E N T I A L D E V E LO P M E N T | R E A R O F O L D S W A N | H A R R O G AT E A S P R O P O S E D P L A N S ( S E M I - D E TA C H E D U N I T S ) | 1 - 1 0 0 S C A L E @ A 3 | 0 2 0 7 7 - S K 0 2

WALL - 100 x 50 TIMBER STUDS @ 400mm C, 12.5mm PLASTER BOARD & SKIM TO EACH SIDE WALL - 75 x 50 TIMBER STUD @ 400mm C, 9mm PLY PATTRESS, 12.5mm PLASTER BOARD & SKIM WALL FINISH TYPES W1 - BIOCLAD PVC CLADDING UPTO 1340mm AFFL WITH EGGSHELL PAINT FINISH ABOVE - COLOUR TO BE CONFIRMED W2 - EGGSHELL PAINT FINISH - COLOUR TO BE CONFIRMED W3 - CERAMIC TILES - FINAL SPECIFICATION TO BE CONFIRMED

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EXERCISE & FIRE EXIT 946

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C2 - 600x600mm ARMSTRONG 'TATRA' BOARD TILE, TEGULAR GRID WITH 25mm SHADOW GAP DRAINAGE

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DELIVERIES & FIRE EXIT

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C1 - 600x600mm ARMSTRONG 'BIOGUARD' ACOUSTIC TILE, TEGULAR GRID WITH 25mm SHADOW GAP

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CEILING TYPES

3290

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INDICATIVE DRAINAGE CHANNEL TO RUN ABOVE GROUND

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RECEPTION (20.4m2)

CONCRETE BASE

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(22.0m2) 240

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X-RAY (11.6m2)

BOXED IN DRAINAGE CHANNEL 150mm FROM NEW WALL

LAB ROOM (11.6m2)

STORE (11.6m2)

CAT WARD (11.6m2)

PREP ROOM

THEATRE

(10.4m2)

(12.6m2) 1620

(9.8m2)

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(4.0m2)

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1575 75

3535

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(8.5m2) 1155

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DG04 100

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580

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810

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SR (2.8m2)

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1155

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(8.0m2)

(74.6m2)

630

(10.3m2)

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(8.0m2)

7820

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(5.8m2)

CONSULT 1

1732

100

1310

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LOBBY

STAFF ENTRY & FIRE EXIT

XD01

1010

1010

NEW ENTRANCE CANOPY OVER

3860

ISOLATION WARD

DG21

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DG09

16no F R LOCKERS 2450

3540

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(2.6m2)

970

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I feel that throughout my undergraduate studies I struggled most with my understanding of construction and project delivery. However, at SPX working with senior Architectural Technologists I have really improved this skill and now feel far more competent in this area.

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(29.2m2)

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TEA ROOM

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570 45

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REMOVE ALL EXISTING WALL LININGS

950

OFFICE

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CONCRETE BASE

PRODUCTION AREA

CONCRETE WINDOW REMOVED AND BLOCKED UP BY LANDLORD CONTRACTOR

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WINDOW OPENING ADJUSTED

BY LANDLORD CONTRACTOR

FORMER WINDOW OPENING RESTORED BY LANDLORD CONTRACTOR

LOADING BAY

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Worked on various projects of different scales and budgets.

I have attended multiple design team meetings, voicing my ideas and helping to create clear briefs with our clients.

Worked up planning drawings and processing applications through the planning portal Created tender documents and discussing them with Building Control Officers, Engineers and Contractors.

Attended site visits with Architects and Architectural Technologists to discuss the progress of projects and ensure successful completion.

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Examples of work I have completed, •

LOBBY ENSURE ALL NEW OPENINGS FORMED ARE ADEQUATELY PROPPED DURING DEMOLITION WORKS

SHUTTER DOOR TO BE REMOVED AND OPENING MADE GOOD

1730

I have greatly enjoyed my time at SPX working with an expanding team, gaining valuable experience that I look forward to applying to my future studies.

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Currently I am working as a Part I Architectural Assistant at SPX Architects in Harrogate, North Yorkshire. This presented an exciting opportunity for me as in most small practices, the workload is shared between all of the staff, working as a team to complete projects for our clients. This has given me the chance to experience responsibility in undertaking numerous projects of various scales at all 0-7 of the RIBA work stages.

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PUBLIC ENTRY

YW SVP

OPAQUE GLASS

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NEW ENTRANCE CANOPY OVER

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1.5m TURNING CIRCLE

OPAQUE GLASS

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GRASSED AREA

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Site plan for a housing development.

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Ground floor detailed plan for a specialist vetinary practice.

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DETAILED GROUND FLOOR PLAN

client

SWIFT REFERRALS

scale

1|50 @ A0

status

TENDER

site

UNIT 659 AVENUE E WEST | THORP ARCH ESTATE | LS23 7GA

revision

B

date

JANUARY 2021

project

PROPOSED CRITICAL CARE VETERINARY CENTRE

revision notes

A | 21|01|21 | Addition of demo plan & elements separated onto separate sheets B | 28|01|21 | Alterations to wall types and minor alterations

number

02059-SK04

drawing

EXISTING 0F DEMOLITIONS PLAN & DETAILED GROUND FLOOR PLAN

ARCHITECTS a | Regal Chambers | 22a Oxford Street | Harrogate | HG1 1PU e | office@spx-architects.co.uk

t | 01423 520100 w | www.spx-architects.co.uk

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