Portfolio 2012_20 by Harsh Shah

DESIGN PORTFOLIO 2012 2020

academic + professional works HARSH MANISH SHAH

PERSONAL PROFILE

academic + professional works

LIST OF CONTENTS

thought process + learning curve

present

I am studying the M.Arch - Masters in Architecture specilisation in Design for Manufacture at the Bartlett School of Architecture, UCL, London. Previously, I was part of the online MACAD - Masters in Advanced Computation in Architecture and Design masters programme from IAAC, Spain with an accomplished module that focused on ‘emerging crafts’ - involved design studios based 䄀刀䌀䠀䤀吀䔀䌀吀唀刀䄀䰀䐀䔀匀䤀䜀一䔀刀 on computational techniques optimised structurally and performative design.

䠀䄀刀匀䠀䴀䄀一䤀匀䠀匀䠀䄀䠀

Meanwhile, I have had a keen insight into computational design applications with a hands-on diploma course with Ar. Sushant Verma, Ratlab Architects, New Delhi where 倀䔀刀匀伀一䄀䰀䤀一䘀伀⸀ 倀刀伀䘀䤀䰀䔀 NAME the key line of research was on ‘advanced crafts’. In 2020, multiple online collaborative HARSH MANISH SHAH platforms like Digital Futures, AA Visiting Schools which focused on ‘progressive crafts’, 瀀爀攀猀攀渀琀愀爀栀愀爀猀栀洀猀栀愀栀䀀 helped equip computational and programming skills aid in architectural design. EMAIL ID 最洀愀椀氀⸀挀漀洀䌀甀爀爀攀渀琀氀礀Ⰰ 䤀 etc 愀洀愀猀猀漀挀椀愀琀攀搀眀椀琀栀愀猀琀愀爀琀甀瀀搀攀猀椀最渀昀椀爀洀Ⰰ 倀漀漀樀愀匀栀愀栀䄀爀挀栀椀琀攀挀琀猀

VERTICAL WINERY PROTOTYPE

URBAN AGORA - PUBLIC PLAZA

projects involving intense collaborative detailing, first hand site倀爀攀瘀椀漀甀猀氀礀Ⰰ work 䤀栀愀瘀攀瀀爀愀挀琀椀猀攀搀愀䨀甀渀椀漀爀䄀爀挀栀椀琀攀挀琀 ᠠ椀渀搀甀猀琀爀椀愀氀挀爀愀昀琀猀ᤠ with https://www.linkedin.com/in/ and 愀猀 ‘studio craft’椀渀愀渀 exposure craftsmen and industry.

INTERIOR/SPATIAL/PRODUCTS

HIGH RISE RESIDENCE DESIGN

ADAPTIVE REUSE - HERITAGE

PAVILION - DIGITAL FABRICATE

PERSONAL INFO

椀渀䴀甀洀戀愀椀Ⰰ 䤀渀搀椀愀猀椀渀挀攀一漀瘀㈀㄀㠀⸀ 䤀栀愀瘀攀戀攀攀渀琀栀攀瀀爀漀樀攀挀琀愀爀挀栀椀琀攀挀琀漀昀 arharshmshah@gmail.com洀甀氀琀椀瀀氀攀猀瀀愀琀椀愀氀搀攀猀椀最渀瀀爀漀樀攀挀琀猀椀渀瘀漀氀瘀椀渀最椀渀琀攀渀猀攀挀漀氀氀愀戀漀爀愀琀椀瘀攀搀攀琀愀椀氀椀渀最Ⰰ harsh.shah.20@ucl.ac.uk 昀椀爀猀琀栀愀渀搀猀椀琀攀眀漀爀欀 past 愀渀搀 ᠠ猀琀甀搀椀漀挀爀愀昀琀ᤠ 攀砀瀀漀猀甀爀攀眀椀琀栀挀爀愀昀琀猀洀攀渀愀渀搀椀渀搀甀猀琀爀礀⸀ ⬀㤀㄀㤀㔀㐀㌀㈀㐀㄀㐀㤀 harsh.shah@students.iaac.net with a startup design firm, Pooja Shah Architects in Mumbai, 䤀栀愀瘀攀栀愀搀愀 associated 欀攀攀渀椀渀猀椀最栀琀椀渀琀漀挀漀洀瀀甀琀愀琀椀漀渀愀氀搀攀猀椀最渀愀瀀瀀氀椀挀愀ⴀ 䴀攀愀渀眀栀椀氀攀ⰀPreviously, 琀椀漀渀猀眀椀琀栀愀栀愀渀搀猀ⴀ漀渀搀椀瀀氀漀洀愀挀漀甀爀猀攀眀椀琀栀䄀爀⸀ 匀甀猀栀愀渀琀嘀攀爀洀愀Ⰰ 刀愀琀氀愀戀䄀爀挀栀椀ⴀ India since Nov 2018. I have been the project CONTACT 琀攀挀琀猀Ⰰ 一攀眀䐀攀氀栀椀眀栀攀爀攀琀栀攀欀攀礀氀椀渀攀漀昀爀攀猀攀愀爀挀栀眀愀猀漀渀 ᠠ攀洀攀爀最椀渀最挀爀愀昀琀猀ᤠ⸀ architect of multiple spatial design

+44-7765453518 䤀渀搀椀愀

harsh-shah-74362a187/ ㈀㄀⸀㄀㈀⸀㄀㤀㤀㐀

DOB/NATIONALITY 21.12.1994 / INDIAN 㐀㤀☀㔀 Ⰰ 伀刀䴀䔀匀刀䐀Ⰰ ㈀䄀Ⰰ 伀刀䴀䔀匀嘀䤀䰀䰀䄀Ⰰ ADDRESS 306, 䬀䤀䰀倀䄀唀䬀Ⰰ䌀䠀䔀一一䄀䤀 Ravensbourne 倀䤀一䌀伀䐀䔀ⴀ 㘀㄀

瀀愀猀琀

戀愀猀攀搀猀琀甀搀椀漀愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀甀渀搀攀爀琀栀攀最甀椀搀愀渀挀攀漀昀䈀椀樀甀䬀甀爀椀愀欀漀猀攀愀渀搀䬀椀猀栀漀爀攀倀愀渀椀欀欀愀爀椀渀㈀㄀㜀ⴀ㄀㠀Ⰰ 眀栀攀爀攀椀渀Ⰰ 䤀眀愀猀愀挀琀椀瘀攀氀礀椀渀瘀漀氀瘀攀搀椀渀琀栀攀搀攀猀椀最渀 I have practised as a Junior Architect in an ‘industrial crafts’ based studio architectur瀀爀漀挀攀猀猀Ⰰ 爀攀猀攀愀爀挀栀眀漀爀欀Ⰰ 猀椀琀攀眀漀爀欀愀渀搀搀攀琀愀椀氀攀搀搀爀愀眀椀渀最猀昀漀爀愀挀漀甀瀀氀攀漀昀栀椀最栀爀椀猀攀爀攀猀椀搀攀渀琀椀愀氀椀渀猀琀椀琀甀琀椀漀渀愀氀搀攀瘀攀氀漀瀀洀攀渀琀猀匀漀甀琀栀 and 䤀渀搀椀愀⸀Kishore Panikkar in 2017-18, wherein, I eRED愀渀搀 under the guidance of Biju愀挀爀漀猀猀 Kuriakose

was actively involved in the design 椀渀process, researchwork, sitework and detailed draw䄀洀椀搀猀琀瀀爀漀昀攀猀猀椀漀渀愀氀挀漀洀洀椀琀洀攀渀琀猀Ⰰ 䤀栀愀瘀攀瀀愀爀琀椀挀椀瀀愀琀攀搀愀琀爀愀瘀攀氀搀攀猀椀最渀猀琀甀搀椀漀 ᠠ倀愀渀䤀渀搀椀愀吀爀愀瘀攀氀匀琀甀搀椀漀ᤠ 眀椀琀栀琀栀爀攀攀攀砀攀洀瀀氀愀爀礀洀攀渀琀漀爀猀Ⰰ 䄀爀⸀ 倀爀愀琀礀甀猀栀 ings for a couple of high rise residential, institutional developments across South India. 匀栀愀渀欀愀爀Ⰰ 䄀爀⸀ 䴀漀渀愀倀椀渀最攀氀 ☀ 䄀爀⸀ 䜀甀爀樀椀琀匀椀渀最栀䴀愀琀栀愀爀漀漀Ⰰ 瘀愀爀礀椀渀最最攀漀最爀愀瀀栀椀挀愀氀挀漀渀琀攀砀琀猀 ጠ 䰀攀栀Ⰰ 䄀甀爀漀瘀椀氀氀攀 ☀ 䄀栀洀攀搀愀戀愀搀琀栀愀琀最愀瘀攀洀攀椀渀猀椀最栀琀猀椀渀瘀愀爀椀攀搀 Amidst professional commitments, I 洀礀 have participated in a travel design studio 洀攀琀栀漀搀漀氀漀最椀攀猀漀昀搀攀猀椀最渀愀瀀瀀爀漀愀挀栀攀猀 ☀ 愀戀攀琀琀攀爀搀椀爀攀挀琀椀漀渀椀渀挀愀爀攀攀爀⸀

House, 6, India Travel with 琀爀愀椀渀椀渀最 three 攀砀瀀漀猀甀爀攀⸀ exemplary mentors, 䐀甀爀椀渀最洀礀 ‘Pan 甀渀搀攀爀最爀愀搀挀愀爀攀攀爀Ⰰ 䤀栀愀瘀攀 Studio’ 栀愀搀琀眀漀瀀爀愀挀琀椀挀愀氀 Forrester Way, London E15 1GH 䴀礀攀砀瀀攀爀椀攀渀挀攀眀椀琀栀䄀爀挀栀椀琀攀挀琀甀爀攀倀愀爀愀搀椀最洀椀渀挀氀甀搀攀猀挀漀洀瀀攀琀椀琀椀漀渀攀渀琀爀椀攀猀 WEBSITE 栀琀琀瀀猀㨀⼀⼀椀猀猀甀甀⸀挀漀洀⼀栀愀爀猀栀洀猀栀愀栀㤀㐀 https://issuu.com/ harshmshah94 䌀䄀⼀㈀㄀㜀⼀㠀㘀㘀㄀㠀 REGISTRATION

䌀漀甀渀挀椀氀漀昀 CA/2017/86618 䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 䤀渀搀椀愀⸀

Council of Architecture,

Ar. Pratyush Shankar, Ar. Mona Pingel & Ar. Gurjit Singh Matharoo, varying geographi愀渀搀爀攀猀攀愀爀挀栀眀漀爀欀昀漀爀琀栀攀䈀嘀䐀漀猀栀椀 ጠ 琀栀攀䈀愀渀最愀氀漀爀攀圀漀爀欀猀栀漀瀀椀渀挀漀氀氀愀戀漀爀愀ⴀ 琀椀漀渀眀椀琀栀䠀甀渀搀爀攀搀䠀愀渀搀猀愀爀挀栀椀琀攀挀琀猀⸀ 䄀琀匀愀洀椀爀愀刀愀琀栀漀搀䐀攀猀椀最渀䄀猀猀漀挀椀愀琀攀猀Ⰰ 䤀 cal contexts – Leh, Auroville & Ahmedabad that gave me insights in var栀愀瘀攀眀漀爀欀攀搀漀渀搀攀琀愀椀氀猀漀昀眀攀攀欀攀渀搀栀漀洀攀猀愀渀搀瀀爀椀瘀愀琀攀爀攀猀椀搀攀渀挀攀猀⸀ ied methodologies of design approaches & a better direction in my career.

progressive crafts

emerging crafts

studio crafts

industrial crafts

recognised crafts

攀搀甀挀愀琀椀漀渀愀渀搀攀愀爀氀礀攀砀瀀攀爀椀攀渀挀攀

䤀栀愀瘀攀猀琀甀搀椀攀搀愀琀䴀䔀䄀匀䤀䄀挀愀搀攀洀礀漀昀䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 䌀栀攀渀渀愀椀 includes competition entries and My 愀爀挀栀椀琀攀挀琀甀爀攀 experience with Architecture Paradigm ⠀愀昀昀椀⸀ 䄀渀渀愀唀渀椀瘀攀爀猀椀琀礀⤀⸀ 䤀栀愀瘀攀戀攀攀渀瀀愀爀琀漀昀洀甀氀琀椀瀀氀攀渀愀琀椀漀渀愀氀氀攀瘀攀氀挀漀洀瀀攀琀椀ⴀ researchwork for the V Doshi – 䴀礀 the琀栀攀猀椀猀 Bangalore Workshop in collaboration with 琀椀漀渀猀Ⰰ 昀攀眀爀攀猀攀愀爀挀栀搀漀挀甀洀攀渀琀愀琀椀漀渀猀愀渀搀B洀愀最愀稀椀渀攀眀漀爀欀⸀ 眀漀爀欀眀愀猀漀渀琀栀攀氀椀渀攀猀漀昀䠀攀爀椀琀愀最攀 ☀ 䄀爀挀栀椀琀攀挀琀甀爀攀 ጠ 䄀搀愀瀀琀愀琀椀漀渀 ☀ 攀砀琀攀渀猀椀漀渀漀昀愀 Hundred Hands architects. At Samira Rathod Design Associates, I have worked on 琀爀愀搀椀琀椀漀渀栀愀瘀攀氀椀瀀爀攀挀椀渀挀琀眀栀椀挀栀眀愀猀愀渀搀攀砀琀攀渀猀椀瘀攀瀀爀漀挀攀猀猀漀昀爀攀猀攀愀爀挀栀眀漀爀欀Ⰰ 搀漀挀甀洀攀渀琀愀琀椀漀渀Ⰰ 搀攀猀椀最渀搀攀瘀攀氀漀瀀洀攀渀琀愀渀搀椀琀攀爀愀琀椀漀渀猀愀渀搀椀渀琀爀椀渀猀椀挀搀攀琀愀椀氀椀渀最⸀ details of weekend homes and private residences. 吀栀攀爀攀昀漀爀攀Ⰰ 椀琀猀琀爀漀渀最氀礀攀渀最愀最攀搀椀渀琀栀攀椀搀攀愀漀昀 ᠠ瀀爀漀最爀攀猀猀椀瘀攀挀爀愀昀琀猀ᤠ⸀ India. 漀琀栀攀爀

advanced crafts

education and early experience

䠀愀爀猀栀䴀匀栀愀栀Ⰰ 䌀䄀⼀㈀㄀㜀⼀㠀㘀㘀㄀㠀Ⰰ 栀愀猀戀攀攀渀愀洀攀洀戀攀爀漀昀䌀伀䄀 ⠀䌀漀甀渀挀椀氀漀昀䄀爀ⴀ LANGUAGES䔀一䜀䰀䤀䜀䠀挀栀椀琀攀挀琀甀爀攀⤀I 猀椀渀挀攀㄀㜀⸀ 䤀挀漀渀琀椀渀甀攀猀 at 琀漀猀攀攀欀搀攀猀椀最渀攀砀瀀漀猀甀爀攀of Architecture, Chennai. I have been have伀挀琀漀戀攀爀 studied㈀ architecture MEASI Academy 䠀䤀一䐀䤀琀栀爀漀甀最栀瘀愀爀椀漀甀猀氀漀挀愀氀愀渀搀渀愀琀椀漀渀愀氀昀漀爀甀洀猀Ⰰ 氀攀挀琀甀爀攀猀Ⰰ 搀椀猀挀甀猀猀椀漀渀猀氀椀欀攀一䄀匀䄀Ⰰ English, Hindi, Gujarati, Tamil. 䜀唀䨀䄀刀䄀吀䤀

吀䄀䴀䤀䰀

䌀䄀䘀Ⰰ 䤀一吀䄀䌀䠀Ⰰ 䬀愀氀愀of䜀栀漀搀愀愀猀眀攀氀氀 national 愀猀搀攀猀椀最渀眀漀爀欀猀栀漀瀀猀 ⠀匀圀匀䌀漀甀爀猀攀猀⤀ 愀琀 part multiple level competitions, 䌀䔀倀吀唀渀椀瘀攀爀猀椀琀礀眀椀琀栀琀栀攀欀攀礀氀攀愀爀渀椀渀最猀戀愀猀攀搀漀渀 ᠠ爀攀挀漀最渀椀猀攀搀挀爀愀昀琀猀ᤠ⸀

#architectural design #structural design #spatial design #furniture design #performative design #product design #bim #heritage conservation #crafts & technology

few research documentations and magazine work. My thesis work was on the lines of Heritage – Adaptation & extension of a tradition haveli precinct which was and extensive process of research work, documentation, design development and iterations and intrinsic detailing. It is strongly engaged in the idea of ‘recognised crafts’.

RESUME/CURRICULUM VITAE

academic + professional profile EDUCATION Sept.2021 - current

London, UK

GRADUATE DEGREE

Oct.2020 - Dec. 2020

Barcelona, Spain

POSTGRADUATE DIPLOMA Nov 2018 - May 2019

New Delhi, India

POSTGRADUATE DIPLOMA Aug 2012 - May 2017

Chennai, India

UNDERGRADUATE DEGREE

M.Arch - Masters of Architecture in Design for Manufacture, Bartlett School of Architecture, UCL

https://www.ucl.ac.uk/bartlett/architecture/programmes/ postgraduate/march-design-for-manufacture

MACAD - Postgraduate in Advanced Computation for Environmental and Structural Design, IAAC

Mumbai, India

PROJECT ARCHITECT Oct 2017 - June 2018

Chennai, India

JUNIOR ARCHITECT July 2015 - Dec 2015

Bengaluru, India

ARCHITECTURAL INTERN

https://www.instagram.com/p/CHHo0Z5JLk-/

July 2020

AAVS Barcelona, London, UK

Mar-Apr 2020

Woodworking & Metalworking, Maker’s FABLAB

Sept 2019

Intro to DigiFab & Technical Design

Oct 2018

NPTEL Diploma - Craft & Technology in Interiors

Parametric Competition Digital Fabrication

https://barcelona.aaschool.ac.uk/ https://www.makersasylum.com/

SMARTLABS 2.0 - Diploma in Computational Design & Digital Fabrication, Ratlab Education and RVS School of Architecture, Chennai

Interior Architecture

Sept 2018

PITS - Pan India Travel Studio

https://www.rat-lab.org/smartlabs2

Jun-July 2018

ACEDGE - ‘In Search of an Experience’

June 2017

NASA, INTACH & CoA National Thesis Award

June 2016

Geoffrey Bawa Study, DICRC, CEPT, Sri Lanka

Nov 2015

Contextual Design - Latitudes, London, UK

May 2015

‘shelter trek’ - CEPT Research Travel Workshop

Jun 2013 - 14

Masters Diploma in Building Design - BIM Course

B. ARCH (5 years) - Bachelors in Architecture, MEASI Academy of Architecture, Anna University https://www.measiarch.in

Travel based Design Studio Spatial Design Hands-on Thesis Competition Publication

Pooja Shah Architects (Interior, Furniture & Product) https://www.instagram.com/poojashah456/

architectureRED studio (Architectural Design & Housing) https://www.architecturered.com/ https://www.instagram.com/studioarchitecturered/

Architecture Paradigm (Township & Institutions)

International Competition Summer School

Software Training

https://www.kadenze.com/programs/digifab https://nptel.ac.in/courses/124107006

http://matharooassociates.com/pitstudio http://www.acedge.in/courses/STU-MR-ISE

https://www.coa.gov.in/show_img.php?fid=234

https://issuu.com/shailajashah/docs/architecturecrafted-summerschool http://blog.westminster.ac.uk/latitudes-design/

https://banduksmithstudio.in/content/shelter-trek-cept-summer-school-himalayaed-summerschool https://www.cadd.co.in/courses/building-design.php

https://www.architectureparadigm.com/

Samira Rathod Design Associates (Architectural Design)

DESIGN INTERN

https://www.srda.co/ https://www.instagram.com/samira_rathod/

SOFTWARE PROFICIENCY 2D Drafting (ADVANCED)

Python Scripting Workshop, Voxelscapes, India

Computational Software

Fabrication Hardware

Jan 2016 - May 2016

Mumbai, India

Aug-Sept 2020

https://iaac.net/educational-programmes/ masters-programmes/macad/

WORK EXPERIENCE Nov 2018 - Aug 2021

COURSES, WORKSHOPS, SEMINARS & COMPETITIONS

Autodesk Autocadd, Autodesk Revit

3D Modelling (ADVANCED) McNeel Rhino, Google Sketchup, Blender

SOFTWARE PROFICIENCY 3D Visualisation

V-Ray, Keyshot, Lumion & Enscape

Presentation (ADVANCED)

Adobe Illustrator, Photoshop, InDesign

Analysis (INTERMEDIATE)

Karamba, Ladybug, Eddy, EnergyPlus

Visual Programming

Grasshopper with plugins

Organisation (ADVANCED)

MS Office Suite

Scripting (BASIC)

Python Script for Rhino, GH

PROGRESSIVE CRAFTS VERTICAL WINERY PROTOTYPE

The 7 steps of winemaking (vineyard, harvest, fermentation, ageing in bottle, coupage, ageing in barrels and logistics) and its 8th, the tasting, form the vertical back bone of a structural and functional productive machine that makes wine over time as an architectural metabolic apparatus.

With a reverse drawing approach, at the intersection of science, design and architecture, the project was developed integrating numerous needs, some spatial, other infrastructural, biological, material, structural, to develop the building until its potential construction.

2. WineMaking Manufacturing Process

1. Axonometric view of the Space 8, tasting area

DATE

July 2020 (10 day competition) TYPE

Group Work (Krishna Vijay, Harsh Shah, Nandini Goel, Vasundhara Goyal) COURSE

Academic Summer School MENTORS

Edouard Cabay, edouard@appareil.es Carles Sala, sala@salaferusic.com Relja Ferusic, ferusic@salaferusic.com

designer designs, craftsman creates. how do we integrate the elements craft, context and construction in different times and domains?

CONTRIBUTION

Architectural Development - Scheme Design Structural Evolution - Optimisation & Iterations Layout Design - WineMaking & Viticulture #structural design #metabolism #spatial design #infrastructure #performance #industrial design #steel #landscape #graphical design (Credits: Figure 3,4 - Previous Year Research Team)

an apposition approach 3. Winery Design set in the countryside landscape

01A

STRUCTURAL EVOLUTION VERTICAL WINERY PROTOTYPE DESIGN

Vertical Winery

Structure / planning

1. Bottom-up view of the overall structure

By studying different design iterations, we optimized a homogeneous three-dimensional grid system composed of standard profiles joined mainly by pinned joints. It makes a lightweight and transparent composition that is at the same time strong enough to support loads up to 1.000kg/m2

2. Proposed structural plans

The whole design process pursued an aggregation system that is easy to assemble without welding on site. Thus, all the structure will be assembled by screws with only two types of joints.

3. Development of the steel structural grid

4. Overall structure

Vertical Winery

Structure / details

In conclusion, the main design challenge in terms of structure was to achieve the lightweight structure capable of holding a high-weight load on top of it. (Credits: Figure 5,6 - Relja Ferusic)

5. Conceptual Sketch

6. Steel L & U-angle connections

7. Pinned joint connection details

Structure 04

Structure 03

Structure 02

Structure 01

ENOLOGY WORKFLOW

600

120

VERTICAL WINERY PROTOTYPE DESIGN

120

300 100

Understanding the Metabolism Vertical Winery

100

300

Vertical Winery

200

Level 08

200

01B

100

1. Vineyard 2. Harvest 3. Fermentation 4. Ageing in Barrels 5. Coupage 6. Ageing in Bottle 7. Logistics 8. Tasting

100

300

200

8 momenta

200

Level 07

200 300 100

100

300

200

Level 06

1. Industrial Metabolism

200 300 100

100

300

200

Level 05

200 300

2745

100

300 100

2730

200

Level 04

200 100

100

300

3. Functional & Spatial Configuration

300

200

Level 03

300 100

100

300

200

Level 02

200

After eight years of thorough research in viticulture, enology and architectural design, we propose an innovative project in the field of food and beverage production: ‘The Vertical Winery’. From the eight momenta of winemaking and wine tasting, a distributed network relates Architecture and Enology in a new vertical diagram by the force of gravity.

200 300 100

100

300

200

Level 01

330

Level 00

390

Level -1

Vertical Winery Prototype 3

2. Fermentation Process (Credits: Figure 1 - Vasundhara Goyal)

4. Structure & Circulation

section - 2

5. Winery Cross Section

01C

VITICULTURE FARMING VERTICAL WINERY PROTOTYPE DESIGN

Vertical Winery

Design around the Vineyard

1. Vineyard Growth Pattern

Starting with the study of the conditions, dimensions and rhythm, necessary for the ideal growth of a vineyard, we have designed different iterations that, without altering these conditions, allow us to compose a melody that expresses vertical dematerialization. A terroir without a terrain. With a dense base in plant units such as the land itself to the vapor of its essence that merges with the sky.

5. Spatial development

3. Vineyard Position Variations

2. Vineyard & Circulation

(Credits: Figure 2 - Nandini Goel)

4. Viniculture and Structure

6. Chosen Layout

ARCHITECTURAL DEVELOPMENT VERTICAL WINERY PROTOTYPE DESIGN

Structure D

Structure C

Structure B

Structure D

Structure C

Structure B

Structure A

Structure D

Structure C

Structure B

Structure A

Structure D

Structure B

Structure C

Circulation

Structure A

Form

Structure A

01D

600

120 120

120

600

90 600

120

600

120

90 600

120

Structure 04

120

105

120

Structure 04

Structure 03

90 30

120

330

120

Structure 04

120

90 120

120

600

120

600

120

Structure 03

Structure 02

Structure 03

120

600

Vertical Winery Prototype 3

plan - level -1

Vertical Winery Prototype 3

plan - level +5

plan - level +8

plan - level +1

(Credits: Enology - Prev Research)

120

Structure 01

90 30

120

Structure 02 30

Structure 01

105

120

Structure 01

120

Structure D

Structure C

Structure B

Structure A

120

600

120

Being in the midst of a mechanical forest with no immediate exit in sight. The whirring of the machines, the aroma of the wines, and dappled light filtering through green screens and diaphanous materials. Sheltered, able to slow down and focus on the senses.

1. Plan - Level -1

2. Plan - Level +1

3. Plan - Level +5

4. Plan - Level +8

EMERGING CRAFTS

URBAN AGORA - PUBLIC PLAZA The design manifesto is to propose a community space using timber, structurally optimised and performative, and acts as an open public plaza – an ‘urban agora’ on the street level with a facade designed according to the extreme continental climate. The proposal includes addressing the challenges of designing a building which integrates climatic methods and strategies in form finding, and reducing the heat gain.

1. Rendered view - Optimised Public Centre Design

DATE

Oct to Dec 2020 (10 weeks) TYPE

Group Work

(Nataliya Voinova, Harsh Shah, Sachin Dabas) COURSE

Academic Studio Project & Seminar

(Masters in Advanced Computation in Architecture & Design)

MENTORS

Rodrigo Aguirre, rodrigo.aguirre@iaac.net Oana Taut, oana.taut@iaac.net Manja van de Worp, manja.vdworp@iaac.net Angelos Chronis, manja.vdworp@iaac.net Arthur Mamou Mani, manja.vdworp@iaac.net

designer designs, designer creates. With current architectural process, developing space and structure in context with materials and methods, to cater market demands, can we integrate digital design in the construction process?

a denotation approach 2. PseudoCode - parametric workflow

CONTRIBUTION

Architectural Development - Concept to Design Environmental Performance - Analyse and apply. Contextual Study - Functional/Spatial Organisation Structural Optimisation - with Informed Variations Complex Forming Non-traditional form conception. #advanced computation #digital simulation #parametric workflow #performative design #timber concrete hybrids #stability systems #geometric variations #grasshopper tools (Credits: Figure 1 - Nataliya Voinova)

3.Computational, Environmental & Structural Performance Strategy

02A

ENVIRONMENTAL PERFORMANCE URBAN AGORA - PUBLIC PLAZA

Concept Design

Form Finding Exercise

1. Form responding to environment

The proposal includes addressing the challenges of designing a building in the cold as well as harsh summer climate of Moscow protecting from direct sunlight and glare by timber screens that can be operated as per need. The proposal resolves two research questions – How can climatic design influence the form finding strategy for the optimized design? How to tackle harsh sun as well as high winds in the Moscow region?

2. Psychometric Chart, Moscow, Russia

3. Comparing Alternatives as per Baseline data

4. Most suitable variants

1. Maximizing flat roof to create public lifted garden with nice viewpoints. 2. Minimizing north facade to reduce the heat loss in the building. 3. Reduce Building shadows on the surrounding buildings. 4. Maximize the ground canopy to create a shaded space for pedestrians. The final optimised massing was re-assessed with the studies and it was noted how in the cooling period, the self shading helps block high angle sun and in the heating peiord, the huge roof and ESW facades help in solar gain. 5. Sun-path Diagram study

6. Radiation Rose Analysis in different seasons

02B

CONTEXT ANALYSIS URBAN AGORA - PUBLIC PLAZA

Urban Study

Design Development

1. Historical Site - View

Daylight Analysis

Glare Study

Location of Light wells

2. Siteplan highlighting key locations

Wind directions Light wells

Shading SKin

CFD Analysis

Facade Design

Recessed Plaza

As per daylight studies, light wells were required in the centre – an atrium was hence created. Concluding from our Climatic Analysis that Wind is a huge issue in Moscow, we decided to wrap our building in a skin of structural timber. Creating a Public plaza on the Ground and the Lower Level. After mapping the Pedestrian Movement around our site and thermal comfort of the users using CFD, a recessed plaza was developed on the ground level.

Pedestrian Movement

Annual Variation - Wind Speeds

Urban Plaza Development

02C

STRUCTURAL OPTIMISATION URBAN AGORA - PUBLIC PLAZA

Stability Elements

Structural Design

Envelope Concrete Shells

Holodeck Slab

Timber facade

3. Proposed Design

It is observed that beam elements work harder than the shell elements in transferring loads. It is a very heterogeneous system and the nodal displacements are not in the permissible limits.

Interior Systems

1. Cores, Facades & Slabs

It is crucial to how each stability system work with respect to each other in load transfer and how geometric & material variations inform the overall optimisation of the structure. Since it is a public space, the intent was to make the floors lightweight and a continuous shell, thereby making the vertical cores/light wells and the facade the major structural system.

The structure became lightweight and the mass of the structure reduced by 65%. The displacements are within the permissible limits. The beams work better and transfer forces. This reduces the load on the shell elements.

Superstructure

4. Optimised Design

Cores

Substructure

Diagrid Frames

Lightweight Waffle Slab

Reinforced with Steel Cables

2. Stress-Force Flow Diagrams

02D

ARCHITECTURAL DEVELOPMENT URBAN AGORA - PUBLIC PLAZA

1. Building Section - Optimised Design

http://www.iaacblog.com/programs/public-plaza/

2. Functional Levels

http://www.iaacblog.com/programs/continental-inland-climate/

The building is designed as the new agora, the multilevel gathering space, with multiple social functions stacked vertically. the lower level is the recessed and sheltered semi-outdoor space. it is open from all sides and not artificially heated or cooled but the projection of the building’s skirt canopy protects it from the elements and creates a more comfortable microclimate. (Credits: Figure 3 - Sachin Dabas)

3. Floor Plans

4. Contextual rendered view

http://www.iaacblog.com/programs/structural-stability-systems/

琀爀愀渀猀氀愀琀椀漀渀瘀猀⸀ 琀爀愀渀猀氀愀猀琀愀渀搀愀爀搀椀猀愀琀椀漀渀㼀猀琀愀渀搀愀爀

STUDIO CRAFTS

INTERIOR/SPATIAL/PRODUCTS

琀栀攀挀爀愀昀琀猀洀愀渀椀猀

挀漀渀猀琀爀愀椀渀琀猀愀渀搀瀀愀琀栀攀挀爀愀昀琀猀洀愀渀椀猀眀攀氀氀愀眀愀爀攀漀昀琀栀攀戀攀愀搀攀爀椀瘀愀琀椀瘀攀漀昀挀漀渀猀琀爀愀椀渀琀猀愀渀搀瀀愀爀愀洀攀琀攀爀猀 ⴀ 挀愀渀挀爀愀昀琀琀椀洀攀昀漀爀琀栀攀挀爀愀戀攀愀搀攀爀椀瘀愀琀椀瘀攀漀昀愀渀攀眀氀愀渀最甀愀最攀㼀椀琀猀圀椀琀栀琀栀攀漀渀最漀椀琀椀洀攀昀漀爀琀栀攀挀爀愀昀琀椀琀猀攀氀昀琀漀 ᠠ攀瘀漀氀瘀攀ᤠ℀ 攀砀瀀氀漀爀愀琀椀漀渀眀椀琀栀

1. Products & Ergonomics

DATE

Jan 2019 to Jun 2019 TYPE

Group Work

(Akanksha Salunke, Harsh Shah) NAME

the tinted club - RETAIL STORE

愀搀瘀愀渀挀攀搀昀愀戀爀椀挀瀀爀漀瀀攀爀琀椀攀猀漀昀琀栀圀椀琀栀琀栀攀漀渀最漀椀渀最爀攀猀攀愀爀挀栀愀渀搀琀爀愀渀猀昀漀爀洀琀栀攀洀愀渀甀渀搀攀爀猀琀愀渀搀椀渀最洀愀琀攀爀椀愀氀椀琀礀愀渀搀椀琀猀愀瀀瀀氀椀ⴀ挀愀渀攀砀瀀氀漀爀愀琀椀漀渀眀椀琀栀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 挀愀渀洀愀挀栀椀渀攀猀挀愀琀椀漀渀椀渀琀栀攀猀瀀愀琀椀愀氀搀攀猀椀最渀瀀爀漀挀攀猀猀椀渀愀挀甀猀琀漀洀椀猀愀琀椀漀渀愀渀搀猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀戀愀猀攀搀瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ 琀栀攀愀搀瘀愀渀挀攀搀昀愀戀爀椀挀愀琀椀漀渀栀愀爀渀攀猀猀刀愀瀀椀搀䴀愀渀甀昀愀挀琀甀爀 ᠠ搀椀最椀琀愀氀樀漀椀渀攀爀礀洀愀琀攀爀椀愀氀猀 ᤠ ⴀ 攀渀栀愀渀挀攀搀挀愀爀瀀攀渀琀爀礀愀渀搀爀攀瀀氀愀挀攀挀漀洀瀀氀攀砀瀀爀漀瀀攀爀琀椀攀猀漀昀甀猀椀渀最琀栀攀最攀渀攀爀愀琀椀瘀攀搀攀猀椀最渀琀漀搀攀洀漀渀ⴀ 琀攀挀琀漀渀椀挀猀昀漀爀猀瀀猀琀爀愀琀攀琀栀攀愀搀瘀愀渀琀愀最攀猀漀昀瀀爀漀挀攀猀猀㼀愀栀礀戀爀椀搀琀爀愀渀猀昀漀爀洀琀栀攀洀愀渀甀昀愀挀琀甀爀椀渀最瀀爀漀搀猀礀猀琀攀洀 ⴀ 䄀洀椀琀娀漀爀愀渀 ☀ 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀ 漀瀀琀椀洀椀猀攀搀

琀爀愀渀猀氀愀琀椀漀渀瘀猀⸀ 甀渀搀攀爀猀琀愀渀搀椀渀最洀愀琀攀爀椀愀氀椀琀礀愀渀搀猀琀愀渀搀愀爀搀椀猀愀琀椀漀渀㼀椀琀猀愀瀀瀀氀椀ⴀ 挀愀渀洀愀挀栀椀渀攀猀 2. Building Element Design

3. Site Details

愀搀瘀愀渀挀攀搀昀愀戀爀椀挀愀琀椀漀渀栀愀爀渀攀猀猀琀栀攀 Pooja 漀昀 Shah, 琀栀攀 poojashah@devotie.us 洀愀琀攀爀椀愀氀猀愀渀搀 Pooja Shah, poojashah@devotie.us Om Prakash, 琀爀愀渀猀昀漀爀洀琀栀攀洀愀渀甀昀愀挀琀甀爀椀渀最瀀爀漀挀攀猀猀㼀 jeevaram.suthar@gmail.com Rameshwar Bhadhwa, omjisuthar@gmail.com 甀渀搀攀爀猀琀愀渀搀椀渀最洀愀琀攀爀椀愀氀椀琀礀愀渀搀椀琀猀愀瀀瀀氀椀ⴀ 挀愀渀洀愀挀栀椀渀攀猀愀椀搀椀渀洀愀猀猀 mortarconstruction.2019@gmail.com 挀愀琀椀漀渀CONTRIBUTION 椀渀琀栀攀猀瀀愀琀椀愀氀搀攀猀椀最渀瀀爀漀挀攀猀猀椀渀愀挀甀猀琀漀洀椀猀愀琀椀漀渀 CONTRIBUTION 愀渀搀䐀䤀夀挀甀氀琀甀爀攀㼀䌀愀渀猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀戀愀猀攀搀瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ Spatial Design/Conservation - Assessment Architectural 吀攀挀栀渀椀焀甀攀猀 Development 琀栀愀琀 CONTRIBUTION 刀愀瀀椀搀䴀愀渀甀昀愀挀琀甀爀椀渀最 Furniture Design - Modelling & Details ᠠ搀椀最椀琀愀氀Services - Coordination Detailed Drawings - Construction 樀漀椀渀攀爀礀 Drawings ᤠ ⴀ 攀渀栀愀渀挀攀搀挀愀爀瀀攀渀琀爀礀Managemt. 爀攀瀀氀愀挀攀挀漀洀瀀氀攀砀琀爀愀搀椀琀椀漀渀愀氀猀礀猀琀攀洀 Supervision - Workshop, Site Coordinate 甀猀椀渀最Presentation - Schematic Design & Modelling Specifications BOQ Estimation 最攀渀攀爀愀琀椀瘀攀搀攀猀椀最渀琀漀搀攀洀漀渀ⴀ 琀攀挀琀漀渀椀挀猀昀漀爀猀瀀愀挀攀愀渀搀洀愀琀攀爀椀愀氀猀琀爀愀琀攀琀栀攀愀搀瘀愀渀琀愀最攀猀漀昀愀栀礀戀爀椀搀漀瀀琀椀洀椀猀攀搀 #interior 瀀爀漀搀甀挀琀椀漀渀瀀爀漀挀攀猀猀㼀 ⴀ 䄀洀椀琀娀漀爀愀渀 ⠀戀漀琀琀漀洀⤀⸀ #product design #natural materials 猀礀猀琀攀洀 #spatial design☀ 琀攀愀洀 #heritage documentadesign #finishing #site MENTORS

#customisation #fabrication #crafts #detailing #industrial design #joinery (Credits: Figure 1 - Pooja Shah Architects)

4. Design-Making Process

愀椀搀椀渀洀愀猀猀 Experimental Architectural DATE 椀渀琀栀攀猀瀀愀琀椀愀氀搀攀猀椀最渀瀀爀漀挀攀猀猀椀渀愀DATE 挀愀琀椀漀渀挀甀猀琀漀洀椀猀愀琀椀漀渀愀渀搀 Constructs 䐀䤀夀挀甀氀琀甀爀攀㼀 – studio cum 䌀愀渀 workshop 琀栀攀挀爀愀昀琀猀洀愀渀椀猀眀攀氀氀漀昀琀栀攀 July 2019 to March 2020 Nov 2018 to Nov愀眀愀爀攀 2019 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀戀愀猀攀搀瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ that included multiple spatial design 挀漀渀猀琀爀愀椀渀琀猀愀渀搀瀀愀爀愀洀攀琀攀爀猀 ⴀ 挀愀渀挀爀愀昀琀吀攀挀栀渀椀焀甀攀猀琀栀愀琀 TYPE TYPE 刀愀瀀椀搀 projects involving intense collabo戀攀愀搀攀爀椀瘀愀琀椀瘀攀漀昀愀渀攀眀䴀愀渀甀昀愀挀琀甀爀椀渀最氀愀渀最甀愀最攀㼀椀琀猀 Individual Work ᤠ ⴀ 攀渀栀愀渀挀攀搀 Individual Work rative detailing, first hand sitework 琀椀洀攀昀漀爀琀栀攀挀爀愀昀琀椀琀猀攀氀昀琀漀挀漀洀瀀氀攀砀 ᠠ攀瘀漀氀瘀攀ᤠ℀ ᠠ搀椀最椀琀愀氀樀漀椀渀攀爀礀挀愀爀瀀攀渀琀爀礀爀攀瀀氀愀挀攀琀爀愀搀椀琀椀漀渀愀氀猀礀猀琀攀洀 and ‘studio craft’ exposure 甀猀椀渀最 NAME 最攀渀攀爀愀琀椀瘀攀搀攀猀椀最渀琀漀搀攀洀漀渀ⴀNAME 琀攀挀琀漀渀椀挀猀昀漀爀猀瀀愀挀攀愀渀搀洀愀琀攀爀椀愀氀 with craftsmen and industry. 圀椀琀栀琀栀攀 mehra 爀攀猀攀愀爀挀栀 thakkar house HOUSE INTERVENTIONS residence - INTERIORS 愀渀搀猀琀爀愀琀攀琀栀攀 -愀搀瘀愀渀琀愀最攀猀漀昀愀栀礀戀爀椀搀漀渀最漀椀渀最攀砀瀀氀漀爀愀琀椀漀渀眀椀琀栀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 挀愀渀漀瀀琀椀洀椀猀攀搀瀀爀漀搀甀挀琀椀漀渀瀀爀漀挀攀猀猀㼀猀礀猀琀攀洀 MENTORS ⴀ 䄀洀椀琀娀漀爀愀渀 ☀ 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀MENTORS Pooja Shah, poojashah@devotie.us 瀀爀漀瀀攀爀琀椀攀猀 Jeevaram Suthar,

tion #oldandnew #modern interventation #studio crafts #handmade vs industry

craftsman designs, designer creates.

with the ongoing research and 甀渀搀攀爀猀琀愀渀搀椀渀最洀愀琀攀爀椀愀氀椀琀礀愀渀搀椀琀猀愀瀀瀀氀椀ⴀ 挀愀琀椀漀渀椀渀琀栀攀猀瀀愀琀椀愀氀瀀爀漀挀攀猀猀can 椀渀愀 exploration with 搀攀猀椀最渀 prototypes, 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀戀愀猀攀搀 harness 瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ advanced fabrication the material樀漀椀渀攀爀礀 properties and 挀愀爀瀀攀渀琀爀礀 transᠠ搀椀最椀琀愀氀 ᤠ ⴀ 攀渀栀愀渀挀攀搀 form the manufacturing 甀猀椀渀最最攀渀攀爀愀琀椀瘀攀搀攀猀椀最渀琀漀process? 搀攀洀漀渀ⴀ 猀琀爀愀琀攀琀栀攀愀搀瘀愀渀琀愀最攀猀漀昀愀栀礀戀爀椀搀 a translation 猀礀猀琀攀洀 ⴀ 䄀洀椀琀娀漀爀愀渀 ☀approach 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀

琀爀愀猀琀愀

琀栀攀挀爀愀昀琀挀漀渀猀琀爀愀椀渀戀攀愀搀攀爀琀椀洀攀昀漀爀

圀椀琀栀琀栀攀砀瀀氀漀爀愀琀椀愀搀瘀愀渀挀攀瀀爀漀瀀攀爀琀椀攀琀爀愀渀猀昀漀爀洀挀愀渀洀挀甀猀琀漀洀椀猀刀愀瀀椀搀䴀爀攀瀀氀愀挀攀琀攀挀琀漀渀椀挀漀瀀琀椀洀椀猀攀搀

#modelling #material specifics #workshop #furniture & spatial

03A

PRODUCT - FURNITURE DESIGN the tinted club - RETAIL STORE

Compact Design

Spatial Elements

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猀琀甀搀椀漀挀爀愀昀琀猀

倀伀伀䨀䄀匀䠀䄀䠀䄀刀䌀䠀⸀

刀䌀䌀匀氀愀戀䰀䔀䐀氀椀最栀琀愀猀瀀攀爀猀攀氀攀挀琀椀漀渀䌀倀吀圀昀爀愀洀攀眀漀爀欀瀀愀椀渀琀攀搀椀渀眀栀椀琀攀⸀

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刀䌀䌀匀氀愀戀

㐀洀洀琀栀欀戀爀愀猀猀爀椀渀最㌀㄀洀洀搀椀愀愀挀爀礀氀椀挀爀漀搀㐀洀洀琀栀欀戀爀愀猀猀瀀攀最㐀洀洀琀栀欀戀爀愀猀猀挀氀椀瀀琀漀栀漀氀搀㘀洀洀最氀愀猀猀

Completed Installation

䰀䔀䐀瀀攀爀挀氀椀瀀㐀洀洀氀椀最栀琀琀栀欀愀猀戀爀愀猀猀猀攀氀攀挀琀椀漀渀琀漀栀漀氀搀㘀洀洀最氀愀猀猀刀䌀䌀匀氀愀戀䌀倀吀圀昀爀愀洀攀眀漀爀欀䰀䔀䐀氀椀最栀琀愀猀瀀攀爀瀀愀椀渀琀攀搀椀渀眀栀椀琀攀⸀ 猀攀氀攀挀琀椀漀渀

1. Furniture Organisation

An eyewear boutique interior design that involves resolving additive and subtractive geometries in a simple 3D volumetric space. The simple white frame and stone structure juxtaposed with lightweight detailed free-standing elements and heavy, strong sculptural forms with focus on details.

㘀ⴀ㠀洀洀愀挀爀礀氀椀挀瀀愀渀攀氀

挀爀愀昀琀猀洀愀渀搀攀猀椀最渀猀搀攀猀椀最渀攀爀挀爀攀愀琀攀猀

䄀渀攀礀攀眀攀愀爀戀漀甀琀椀焀甀攀猀攀琀琀氀攀搀椀渀戀甀猀礀䈀愀渀搀爀愀Ⰰ 䰀䔀䐀氀椀最栀琀愀猀瀀攀爀猀攀氀攀挀琀椀漀渀䴀甀洀戀愀椀 ⴀ 椀琀椀渀瘀漀氀瘀攀搀爀攀猀漀氀瘀椀渀最愀搀搀椀琀椀瘀攀愀渀搀䌀倀吀圀昀爀愀洀攀眀漀爀欀瀀愀椀渀琀攀搀猀甀戀琀爀愀挀琀椀瘀攀最攀漀洀攀琀爀椀攀猀椀渀愀猀椀洀瀀氀攀㌀䐀瘀漀氀甀洀攀琀爀椀挀椀渀眀栀椀琀攀⸀ 㘀ⴀ㠀洀洀愀挀爀礀氀椀挀瀀愀渀攀氀猀瀀愀挀攀⸀ 吀栀攀猀椀洀瀀氀攀眀栀椀琀攀昀爀愀洀攀愀渀搀猀琀漀渀攀㐀洀洀琀栀欀戀爀愀猀猀爀椀渀最攀砀瀀爀攀猀猀椀渀最琀栀攀猀栀攀氀氀愀渀搀猀琀爀甀挀琀甀爀攀眀椀琀栀琀栀攀䜀爀愀瀀栀椀挀猀琀爀甀挀琀甀爀攀樀甀砀琀愀瀀漀猀攀搀眀椀琀栀氀椀最栀琀眀攀椀最栀琀搀攀琀愀椀氀攀搀㌀㄀洀洀搀椀愀搀攀琀愀椀氀攀搀愀挀爀礀氀椀挀爀漀搀愀渀搀挀爀愀昀琀攀搀洀愀琀攀爀椀愀氀猀愀渀搀昀漀爀洀猀 ⠀琀漀瀀⤀⸀ 昀爀攀攀ⴀ猀琀愀渀搀椀渀最攀氀攀洀攀渀琀猀愀渀搀栀攀愀瘀礀Ⰰ 猀琀爀漀渀最 1:1椀渀挀氀甀搀攀 Detailed愀Drawing Architectural 䌀漀渀琀爀愀猀琀椀渀最最攀漀洀攀琀爀椀挀昀椀砀攀搀昀漀爀洀Drawing 愀渀搀昀爀攀攀猀琀愀渀搀椀渀最㐀洀洀琀栀欀戀爀愀猀猀瀀攀最栀愀渀最椀渀最猀挀甀氀瀀琀甀爀愀氀昀漀爀洀猀⸀ 䘀攀眀搀攀琀愀椀氀猀昀氀漀愀琀椀渀最猀栀攀氀昀挀爀攀愀琀椀渀最搀爀愀洀愀愀洀椀搀猀琀愀猀攀爀攀渀攀愀渀搀刀䌀䌀匀氀愀戀猀栀攀氀昀Ⰰ 愀猀甀猀瀀攀渀搀攀搀爀愀挀欀愀渀搀愀昀氀漀愀琀椀渀最搀攀挀欀⸀ 猀甀戀琀氀攀氀愀渀搀猀挀愀瀀攀 ⠀氀攀昀琀⤀⸀

㐀洀洀琀栀欀戀爀愀猀猀瀀椀渀

The entire process is based on䌀倀吀圀昀爀愀洀攀眀漀爀欀㘀ⴀ㠀洀洀愀挀爀礀氀椀挀瀀愀椀渀琀攀搀瀀愀渀攀氀椀渀眀栀椀琀攀⸀ the potential of artisanship - it㘀ⴀ㠀洀洀㐀洀洀㐀洀洀琀栀欀琀栀欀戀爀愀猀猀戀爀愀猀猀爀椀渀最瀀椀渀愀挀爀礀氀椀挀瀀愀渀攀氀㐀洀洀爀漀搀琀栀欀戀爀愀猀猀爀椀渀最 involves 1:1 drawing ㌀㄀洀洀 details, 搀椀愀愀挀爀礀氀椀挀㌀㄀洀洀搀椀愀愀挀爀礀氀椀挀爀漀搀 testing with end user products. 㐀洀洀琀栀欀戀爀愀猀猀瀀攀最

㘀ⴀ㠀洀洀琀栀欀最氀愀猀猀⼀愀挀爀礀氀椀挀猀栀攀氀昀戀爀愀猀猀瀀氀愀琀攀猀挀爀攀眀攀搀漀渀琀漀㄀㠀洀洀琀栀欀眀栀椀琀攀椀渀搀椀愀渀洀愀爀戀氀攀⸀

㘀ⴀ㠀洀洀琀栀欀最氀愀猀猀㐀洀洀琀栀欀戀爀愀猀猀瀀攀最⼀愀挀爀礀氀椀挀猀栀攀氀昀

㐀洀洀琀栀欀戀爀愀猀猀挀氀椀瀀 Followed by studio-workshop 㐀洀洀挀氀椀瀀㘀洀洀最氀愀猀猀戀爀愀猀猀琀栀欀瀀氀愀琀攀戀爀愀猀猀猀挀爀攀眀攀搀琀漀栀漀氀搀琀漀栀漀氀搀㘀洀洀漀渀琀漀㄀㠀洀洀最氀愀猀猀琀栀欀 iterations of mock ups and 眀栀椀琀攀椀渀搀椀愀渀洀愀爀戀氀攀⸀ prototypes with market㐀洀洀琀栀欀戀爀愀猀猀瀀椀渀 study, models and forms. 㐀洀洀琀栀欀戀爀愀猀猀瀀椀渀䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀匀愀氀甀渀欀攀㘀ⴀ㠀洀洀琀栀欀最氀愀猀猀 with the overall idea of a⼀愀挀爀礀氀椀挀猀栀攀氀昀吀栀攀攀渀琀椀爀攀瀀爀漀挀攀猀猀椀猀戀愀猀攀搀漀渀䘀漀氀氀漀眀攀搀戀礀猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀圀椀琀栀琀栀攀漀瘀攀爀愀氀氀椀搀攀愀漀昀愀挀漀渀猀琀爀甀挀ⴀ constructive spatial㘀ⴀ㠀洀洀 ex戀爀愀猀猀瀀氀愀琀攀漀昀猀挀爀攀眀攀搀琀栀攀琀栀欀瀀漀琀攀渀琀椀愀氀愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀椀琀攀爀愀琀椀漀渀猀漀昀洀漀挀欀甀瀀猀愀渀搀琀椀瘀攀猀瀀愀琀椀愀氀攀砀瀀攀爀椀攀渀挀攀昀漀爀琀栀攀甀猀攀爀最氀愀猀猀漀渀琀漀㄀㠀洀洀琀栀欀猀栀攀氀昀眀栀椀琀攀㄀㨀㄀椀渀瘀漀氀瘀攀猀搀爀愀眀椀渀最搀攀琀愀椀氀猀Ⰰ 瀀爀漀琀漀琀礀瀀攀猀眀椀琀栀洀愀爀欀攀琀猀琀甀搀礀Ⰰ ⴀ 戀愀猀攀搀漀渀欀攀礀挀漀氀氀愀戀漀爀愀琀椀漀渀眀椀琀栀椀渀搀椀愀渀洀愀爀戀氀攀⸀ perience for the ⼀愀挀爀礀氀椀挀 user.

琀攀猀琀椀渀最眀椀琀栀攀渀搀甀猀攀爀瀀爀漀搀甀挀琀猀⸀ 眀漀漀搀攀渀洀漀搀攀氀Ⰰ 猀愀洀瀀氀攀猀Ⰰ 昀漀爀洀猀⸀⸀ 琀栀攀搀攀猀椀最渀攀爀Ⰰ 挀爀愀昀琀猀洀愀渀愀渀搀挀氀椀攀渀琀Ⰰ 戀爀愀猀猀瀀氀愀琀攀猀挀爀攀眀攀搀漀渀琀漀㄀㠀洀洀琀栀欀䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀匀愀氀甀渀欀攀眀栀椀琀攀椀渀搀椀愀渀洀愀爀戀氀攀⸀ 吀栀攀攀渀琀椀爀攀瀀爀漀挀攀猀猀椀猀戀愀猀攀搀漀渀琀栀攀瀀漀琀攀渀琀椀愀氀漀昀愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀椀渀瘀漀氀瘀攀猀㄀㨀㄀搀爀愀眀椀渀最搀攀琀愀椀氀猀Ⰰ 琀攀猀琀椀渀最眀椀琀栀攀渀搀甀猀攀爀瀀爀漀搀甀挀琀猀⸀

䘀漀氀氀漀眀攀搀戀礀猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀椀琀攀爀愀琀椀漀渀猀漀昀洀漀挀欀甀瀀猀愀渀搀瀀爀漀琀漀琀礀瀀攀猀眀椀琀栀洀愀爀欀攀琀猀琀甀搀礀Ⰰ 眀漀漀搀攀渀洀漀搀攀氀Ⰰ 猀愀洀瀀氀攀猀Ⰰ 昀漀爀洀猀⸀⸀

圀椀琀栀琀栀攀漀瘀攀爀愀氀氀椀搀攀愀漀昀愀挀漀渀猀琀爀甀挀ⴀ 琀椀瘀攀猀瀀愀琀椀愀氀攀砀瀀攀爀椀攀渀挀攀昀漀爀琀栀攀甀猀攀爀 ⴀ 戀愀猀攀搀漀渀欀攀礀挀漀氀氀愀戀漀爀愀琀椀漀渀眀椀琀栀琀栀攀搀攀猀椀最渀攀爀Ⰰ 挀爀愀昀琀猀洀愀渀愀渀搀挀氀椀攀渀琀Ⰰ

䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀匀愀氀甀渀欀攀

吀栀攀攀渀琀椀爀攀瀀爀漀挀攀猀猀椀猀戀愀猀攀搀漀渀琀栀攀瀀漀琀攀渀琀椀愀氀漀昀愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀椀渀瘀漀氀瘀攀猀㄀㨀㄀搀爀愀眀椀渀最搀攀琀愀椀氀猀Ⰰ 琀攀猀琀椀渀最眀椀琀栀攀渀搀甀猀攀爀瀀爀漀搀甀挀琀猀⸀

2. Graphic showcasing the interventations

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猀琀甀搀椀漀挀爀愀昀琀猀 Salunke) (Credits: Figure 1 - Akanksha 倀伀伀䨀䄀匀䠀䄀䠀䄀刀䌀䠀⸀

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䄀渀攀礀攀眀攀愀爀戀漀甀琀椀焀甀攀猀攀琀琀氀攀搀椀渀戀甀猀礀䈀愀渀搀爀愀Ⰰ 䴀甀洀戀愀椀 ⴀ 椀琀椀渀瘀漀氀瘀攀搀爀攀猀漀氀瘀椀渀最愀搀搀椀琀椀瘀攀愀渀搀猀甀戀琀爀愀挀琀椀瘀攀最攀漀洀攀琀爀椀攀猀椀渀愀猀椀洀瀀氀攀㌀䐀瘀漀氀甀洀攀琀爀椀挀猀瀀愀挀攀⸀ 吀栀攀猀椀洀瀀氀攀眀栀椀琀攀昀爀愀洀攀愀渀搀猀琀漀渀攀

挀爀愀昀琀猀洀愀渀搀攀猀椀最渀猀搀攀猀椀最渀攀爀挀爀攀愀琀攀猀

Mock-up & Trial

Industrial Joinery

Craftsmanship

Workshop & Tools

挀愀渀愀搀甀愀氀Ⰰ 搀椀猀琀椀渀挀琀愀渀搀挀漀氀氀攀挀琀椀瘀攀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀戀攀攀猀琀愀戀氀椀猀栀攀搀㼀 ⴀ 漀渀攀眀栀椀挀栀甀猀攀猀琀栀攀搀甀愀氀Ⰰ 搀椀猀琀椀渀挀琀挀漀氀氀攀挀琀椀瘀攀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀挀漀洀瀀攀琀攀渀挀攀戀攀攀猀琀愀戀氀椀猀栀攀搀㼀 ⴀ 漀昀漀渀攀琀栀攀眀栀椀挀栀挀爀愀昀琀猀洀愀渀甀猀攀猀琀栀攀漀瀀瀀漀爀琀甀渀椀琀礀挀愀渀琀漀愀瀀甀猀栀琀栀攀愀渀搀昀愀戀爀椀挀愀琀椀漀渀猀欀椀氀氀愀渀搀眀栀椀氀攀漀瀀瀀漀爀琀甀渀椀琀礀琀漀瀀甀猀栀琀栀攀眀椀琀栀昀愀戀爀椀挀愀琀椀漀渀猀欀椀氀氀愀渀搀挀漀洀瀀攀琀攀渀挀攀漀昀琀栀攀挀爀愀昀琀猀洀愀渀眀栀椀氀攀瀀爀漀琀漀琀礀瀀椀渀最瀀爀漀琀漀琀礀瀀椀渀最眀椀琀栀攀渀最愀最攀洀攀渀琀猀漀瀀栀椀猀琀椀挀愀琀攀搀搀椀最椀琀愀氀洀漀搀攀氀氀椀渀最琀漀漀氀猀 ☀ 琀攀挀栀渀椀焀甀攀猀⸀ 眀椀琀栀攀渀最愀最攀洀攀渀琀眀椀琀栀猀漀瀀栀椀猀琀椀挀愀琀攀搀搀椀最椀琀愀氀洀漀搀攀氀氀椀渀最琀漀漀氀猀 ☀ 琀攀挀栀渀椀焀甀攀猀⸀

䴀攀渀琀漀爀

吀栀攀攀渀琀椀爀攀瀀爀漀挀攀猀猀椀猀戀愀猀攀琀栀攀瀀漀琀攀渀琀椀愀氀漀昀愀爀琀椀猀愀渀猀栀椀瀀椀渀瘀漀氀瘀攀猀㄀㨀㄀搀爀愀眀椀渀最搀攀琀攀猀琀椀渀最眀椀琀栀攀渀搀甀猀攀爀瀀爀漀搀

Working Drawing

can a dual, distinct and collective definition of craft be established? - one which uses the opportunity to push the fabrication skill and competence of the craftsman while prototyping with engagement with sophisticated digital modelling & techniques. 挀愀渀愀搀甀愀氀Ⰰtools 搀椀猀琀椀渀挀琀愀渀搀挀漀氀氀攀挀琀椀瘀攀搀攀昀椀渀椀

漀瀀瀀漀爀琀甀渀椀琀礀琀漀瀀甀猀栀琀栀攀昀愀戀爀椀挀愀琀椀漀渀猀瀀爀漀琀漀琀礀瀀椀渀最眀椀琀栀攀渀最愀最攀洀攀渀琀眀椀琀栀猀漀瀀

03B

SPATIAL DESIGN - CONSERVATION

吀栀攀愀最攀漀氀搀栀漀甀猀攀椀猀愀洀愀稀攀漀昀椀渀琀攀爀瘀攀渀琀椀漀渀猀漀瘀攀爀愀瀀攀爀椀漀搀漀昀琀椀洀攀 ⴀ 椀琀爀攀焀甀椀爀攀搀欀攀礀猀瀀愀琀椀愀氀愀渀搀猀琀爀甀挀琀甀爀愀氀 thakkar house - RESIDENTIAL 爀攀猀瀀漀渀猀攀猀琀漀猀攀爀瘀攀愀氀漀渀最攀爀琀攀渀甀爀攀Ⰰ 戀攀椀琀Ⰰ 椀渀昀漀爀洀漀昀昀愀挀愀搀攀爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀瀀氀愀渀渀椀渀最愀琀琀眀漀vs氀攀瘀攀氀猀 old new ⠀猀椀搀攀⤀ 愀渀搀猀瀀愀琀椀愀氀爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

吀栀攀愀最攀漀氀搀栀漀甀猀攀椀猀愀洀愀稀攀漀昀椀渀琀攀爀瘀攀渀琀椀漀渀猀漀瘀攀爀愀 INTERVENTIONS 瀀攀爀椀漀搀漀昀琀椀洀攀 ⴀ 椀琀爀攀焀甀椀爀攀搀欀攀礀猀瀀愀琀椀愀氀愀渀搀猀琀爀甀挀琀甀爀愀氀

Heritage Interventions

爀攀猀瀀漀渀猀攀猀琀漀猀攀爀瘀攀愀氀漀渀最攀爀琀攀渀甀爀攀Ⰰ 戀攀椀琀Ⰰ 椀渀昀漀爀洀漀昀昀愀挀愀搀攀爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀瀀氀愀渀渀椀渀最愀琀琀眀漀氀攀瘀攀氀猀 ⠀猀椀搀攀⤀ 愀渀搀猀瀀愀琀椀愀氀爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

吀栀攀愀最攀漀氀搀栀漀甀猀攀椀猀愀洀愀稀攀漀昀椀渀琀攀爀瘀攀渀琀椀漀渀猀漀瘀攀爀愀瀀攀爀椀漀搀漀昀琀椀洀攀 ⴀ 椀琀爀攀焀甀椀爀攀搀欀攀礀猀瀀愀琀椀愀氀愀渀搀猀琀爀甀挀琀甀爀愀氀爀攀猀瀀漀渀猀攀猀琀漀猀攀爀瘀攀愀氀漀渀最攀爀琀攀渀甀爀攀Ⰰ 戀攀椀琀Ⰰ 椀渀昀漀爀洀漀昀昀愀挀愀搀攀爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀瀀氀愀渀渀椀渀最愀琀琀眀漀氀攀瘀攀氀猀 ⠀猀椀搀攀⤀ 愀渀搀猀瀀愀琀椀愀氀爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

3. Proposed Upper Level Plan 1. Series of staircases - old n new

Rightly said by Richard Sennetti in ‘The Craftsman’ - set in a socio-economic structure, it requires a process based approach involving reclamation of a time tested model, revealing technologies and techniques. This project, set in the eras of the 1960s, an elevated bungalow is a potential testing lab 刀椀最栀琀氀礀猀愀椀搀刀椀挀栀愀爀搀匀攀渀渀攀琀琀椀椀渀complementing ᠠ吀栀攀䌀爀愀昀琀猀洀愀渀ᤠ with for戀礀critical innovations ⴀ 猀攀琀椀渀愀the 猀漀挀椀漀ⴀ攀挀漀渀漀洀椀挀猀琀爀甀挀琀甀爀攀Ⰰ 愀 fundamental strata 椀琀of爀攀焀甀椀爀攀猀 the house.

瀀爀漀挀攀猀猀戀愀猀攀搀愀瀀瀀爀漀愀挀栀椀渀瘀漀氀瘀椀渀最爀攀挀氀愀洀愀琀椀漀渀漀昀愀琀椀洀攀琀攀猀琀攀搀洀漀搀攀氀Ⰰ 爀攀瘀攀愀氀椀渀最琀攀挀栀渀漀氀漀最椀攀猀愀渀搀琀攀挀栀渀椀焀甀攀猀⸀ 吀栀椀猀瀀爀漀樀攀挀琀Ⰰ 猀攀琀椀渀琀栀攀攀爀愀猀漀昀琀栀攀㄀㤀㘀猀Ⰰ 愀渀攀氀攀瘀愀琀攀搀戀甀渀最愀氀漀眀椀猀愀瀀漀琀攀渀琀椀愀氀琀攀猀琀椀渀最氀愀戀昀漀爀挀爀椀琀椀挀愀氀椀渀渀漀瘀愀琀椀漀渀猀挀漀洀瀀氀攀洀攀渀琀椀渀最眀椀琀栀琀栀攀昀甀渀搀愀洀攀渀琀愀氀猀琀爀愀琀愀漀昀琀栀攀栀漀甀猀攀⸀

.4. Proposed Lower Level Plan

The age old house is a maze of while responding to heriinterventions over a period of tage - should one interpret time - it required key and extrapolate general ⴀ 猀攀琀spatial 椀渀愀猀漀挀椀漀ⴀ攀挀漀渀漀洀椀挀猀琀爀甀挀琀甀爀攀Ⰰthe 椀琀爀攀焀甀椀爀攀猀愀瀀爀漀挀攀猀猀stra戀愀猀攀搀principles 愀瀀瀀爀漀愀挀栀椀渀瘀漀氀瘀椀渀最爀攀挀氀愀洀愀琀椀漀渀 and structural responses, in the new space 漀昀愀 levels 琀椀洀攀琀漀琀攀猀琀攀搀洀漀搀攀氀Ⰰ 爀攀瘀攀愀氀椀渀最爀攀猀瀀漀渀搀椀渀最栀椀猀琀漀爀椀挀愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀漀渀攀椀渀琀攀爀瀀爀攀琀愀渀搀攀砀琀爀愀瀀漀氀愀琀攀琀栀攀最攀渀攀爀愀氀 tegic眀栀椀氀攀 planning at two and time with 琀攀挀栀渀漀氀漀最椀攀猀 emphasis 愀渀搀琀攀挀栀渀椀焀甀攀猀⸀ 吀栀椀猀瀀爀漀樀攀挀琀Ⰰ 猀攀琀椀渀琀栀攀攀爀愀猀瀀爀椀渀挀椀瀀氀攀猀椀渀琀栀攀渀攀眀猀瀀愀挀攀愀渀搀琀椀洀攀眀椀琀栀 and spatial re-organisation. form organisation? 䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰon䌀愀爀瀀⸀ 伀洀 and 倀爀愀欀愀猀栀匀礀琀栀愀爀漀昀琀栀攀攀洀瀀栀愀猀椀猀漀渀昀漀爀洀Ⰰ 洀愀琀攀爀椀愀氀愀渀搀漀爀最愀渀椀猀愀琀椀漀渀㼀眀栀椀氀攀爀攀猀瀀漀渀搀椀渀最琀漀栀椀猀琀漀爀椀挀愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀漀渀攀椀渀琀攀爀瀀爀攀琀愀渀搀攀砀琀爀愀瀀漀氀愀琀攀琀栀攀最攀渀攀爀愀氀瀀爀椀渀挀椀瀀氀攀猀椀渀琀栀攀渀攀眀猀瀀愀挀攀愀渀搀琀椀洀攀眀椀琀栀攀洀瀀栀愀猀椀猀昀漀爀洀Ⰰ戀礀洀愀琀攀爀椀愀氀愀渀搀匀攀渀渀攀琀琀椀漀爀最愀渀椀猀愀琀椀漀渀㼀刀椀最栀琀氀礀漀渀猀愀椀搀刀椀挀栀愀爀搀椀渀 ᠠ吀栀攀䌀爀愀昀琀猀洀愀渀ᤠ

㄀㤀㘀猀Ⰰ 愀渀攀氀攀瘀愀琀攀搀戀甀渀最愀氀漀眀椀猀愀瀀漀琀攀渀琀椀愀氀琀攀猀琀椀渀最氀愀戀昀漀爀挀爀椀琀椀挀愀氀椀渀渀漀瘀愀琀椀漀渀猀挀漀洀瀀氀攀洀攀渀琀椀渀最眀椀琀栀琀栀攀昀甀渀搀愀洀攀渀琀愀氀猀琀爀愀琀愀漀昀琀栀攀栀漀甀猀攀⸀

5. Exploded Existing Documentation

䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 眀栀椀氀攀爀攀猀瀀漀渀搀椀渀最琀漀栀椀猀琀漀爀椀挀愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀漀渀攀椀渀琀攀爀瀀爀攀琀愀渀搀攀砀琀爀愀瀀漀氀愀琀攀琀栀攀最攀渀攀爀愀氀瀀爀椀渀挀椀瀀氀攀猀椀渀琀栀攀渀攀眀猀瀀愀挀攀愀渀搀琀椀洀攀眀椀琀栀攀洀瀀栀愀猀椀猀漀渀昀漀爀洀Ⰰ 洀愀琀攀爀椀愀氀愀渀搀漀爀最愀渀椀猀愀琀椀漀渀㼀

2. Site View - Penthouse levels

6a. Current Strong Room & Library

6b. Proposed Master Bathroom

7a. Reading room/Master bathroom

䌀愀爀瀀⸀ 伀洀倀爀愀欀愀猀栀匀礀琀栀愀爀

7b. Kitchen and Dining Space

03C

INTERIOR DESIGN mehra residence - SPATIAL RENOVATIONS 䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀倀爀愀欀愀猀栀匀礀琀栀愀爀䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀倀爀愀欀愀猀栀匀礀琀栀愀爀

‘house on clouds’ - A small, 1000 sqft contemporary residence on the 17th floor was made in relevence to present day context, where the tangible layer lends a personal entity to the built form by re-interpretation of the old.

䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀倀爀愀欀愀猀栀匀礀琀栀愀爀

The architect is in constant touch with the craftsman and this approach involves high degree of research, conceptualisation and thought process goes into it prior to the actual structuring of the house. 愀搀椀猀瀀氀愀礀漀昀搀椀猀琀椀渀挀琀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀眀栀攀爀攀攀砀瀀攀爀椀洀攀渀琀猀愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀洀愀琀攀爀椀愀氀爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀琀栀爀漀甀最栀椀渀渀漀瘀愀ⴀ 琀椀漀渀愀渀搀昀攀攀搀戀愀挀欀瘀椀愀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀洀漀搀攀氀猀愀渀搀洀漀挀欀甀瀀猀琀漀最爀愀猀瀀琀栀攀椀洀瀀愀挀琀漀昀琀栀攀搀攀琀愀椀氀愀琀琀栀攀栀甀洀愀渀猀挀愀氀攀氀攀瘀攀氀⸀

taking forward this deep association with craft that is relevent to context, can materials transform and change meaning with the function of technology? 2. Mock-ups

1. Convertible Space Design

倀爀漀挀攀猀猀眀椀琀栀瘀愀爀椀漀甀猀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀猀椀琀攀瀀爀漀最爀攀猀猀⸀

3. Door Detail Drawing

ᠠ栀漀甀猀攀漀渀挀氀漀甀搀猀ᤠ ⴀ 䄀猀洀愀氀氀Ⰰ ㄀猀焀昀琀挀漀渀琀攀洀瀀漀爀愀爀礀爀攀猀椀搀攀渀挀攀漀渀琀栀攀㄀㜀琀栀昀氀漀漀爀眀愀猀洀愀搀攀椀渀爀攀氀攀瘀攀渀挀攀琀漀瀀爀攀猀攀渀琀搀愀礀挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀琀栀攀琀愀渀最椀戀氀攀氀愀礀攀爀氀攀渀搀猀愀瀀攀爀猀漀渀愀氀攀渀琀椀琀礀琀漀琀栀攀戀甀椀氀琀昀漀爀洀戀礀爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀漀昀琀栀攀漀氀搀⸀ 䠀攀爀攀琀栀攀愀爀挀栀椀琀攀挀琀椀猀椀渀挀漀渀猀琀愀渀琀琀漀甀挀栀眀椀琀栀琀栀攀挀爀愀昀琀猀洀愀渀愀渀搀琀栀椀猀愀瀀瀀爀漀愀挀栀椀渀瘀漀氀瘀攀猀栀椀最栀搀攀最爀攀攀漀昀爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀愀渀搀琀栀漀甀最栀琀瀀爀漀挀攀猀猀最漀攀猀椀渀琀漀椀琀瀀爀椀漀爀琀漀琀栀攀愀挀琀甀愀氀猀琀爀甀挀琀甀爀椀渀最漀昀琀栀攀栀漀甀猀攀⸀

搀椀猀瀀氀愀礀漀昀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀眀栀攀爀攀搀椀猀瀀氀愀礀漀昀搀椀猀琀椀渀挀琀搀攀昀椀渀椀琀椀漀渀挀爀愀昀琀眀栀攀爀攀 a愀display of愀搀椀猀琀椀渀挀琀 distinct definition of漀昀craft where 愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀洀愀琀攀爀椀愀氀攀砀瀀攀爀椀洀攀渀琀猀攀砀瀀攀爀椀洀攀渀琀猀愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀洀愀琀攀爀椀愀氀 experiments are co-created in material 爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀椀渀渀漀瘀愀ⴀ 爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀琀栀爀漀甀最栀琀栀爀漀甀最栀椀渀渀漀瘀愀ⴀ 琀椀漀渀愀猀猀漀挀椀愀琀椀漀渀愀渀搀昀攀攀搀戀愀挀欀瘀椀愀瀀爀漀琀漀琀礀瀀攀猀Ⰰ research and construction through inno琀愀欀椀渀最昀漀爀眀愀爀搀搀攀攀瀀眀椀琀栀琀椀漀渀愀渀搀琀栀椀猀昀攀攀搀戀愀挀欀瘀椀愀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀猀挀愀氀攀挀爀愀昀琀琀栀愀琀椀猀爀攀氀攀瘀攀渀琀琀漀洀漀搀攀氀猀氀漀挀愀氀攀愀渀搀挀漀渀琀攀砀琀Ⰰ 愀渀搀洀漀挀欀甀瀀猀琀漀最爀愀猀瀀琀栀攀椀洀瀀愀挀琀挀愀渀洀愀琀攀爀椀愀氀猀and 琀爀愀渀猀昀漀爀洀愀渀搀挀栀愀渀最攀洀漀搀攀氀猀愀渀搀洀漀挀欀甀瀀猀琀漀最爀愀猀瀀琀栀攀椀洀瀀愀挀琀 vation feedback via prototypes, scale 漀昀琀栀攀搀攀琀愀椀氀愀琀琀栀攀栀甀洀愀渀猀挀愀氀攀氀攀瘀攀氀⸀ 洀攀愀渀椀渀最眀椀琀栀琀栀攀昀甀渀挀琀椀漀渀漀昀琀攀挀栀渀漀氀漀最礀㼀漀昀琀栀攀搀攀琀愀椀氀琀栀攀栀甀洀愀渀氀攀瘀攀氀⸀ models and 愀琀mock ups to猀挀愀氀攀 grasp the im倀爀漀挀攀猀猀眀椀琀栀瘀愀爀椀漀甀猀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ pact of the搀爀愀眀椀渀最猀Ⰰ detail at the human scale level. 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀猀椀琀攀瀀爀漀最爀攀猀猀⸀ 倀爀漀挀攀猀猀眀椀琀栀瘀愀爀椀漀甀猀㄀㨀㄀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀猀椀琀攀瀀爀漀最爀攀猀猀⸀

4. Door frame-hinge detail options 愀搀椀猀瀀氀愀礀漀昀搀椀猀琀椀渀挀琀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀眀栀攀爀攀攀砀瀀攀爀椀洀攀渀琀猀愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀洀愀琀攀爀椀愀氀爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀琀栀爀漀甀最栀椀渀渀漀瘀愀ⴀ 琀椀漀渀愀渀搀昀攀攀搀戀愀挀欀瘀椀愀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀洀漀搀攀氀猀愀渀搀洀漀挀欀甀瀀猀琀漀最爀愀猀瀀琀栀攀椀洀瀀愀挀琀漀昀琀栀攀搀攀琀愀椀氀愀琀琀栀攀栀甀洀愀渀猀挀愀氀攀氀攀瘀攀氀⸀ 倀爀漀挀攀猀猀眀椀琀栀瘀愀爀椀漀甀猀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀猀椀琀攀瀀爀漀最爀攀猀猀⸀

ᠠ栀漀甀猀攀漀渀挀氀漀甀搀猀ᤠ ⴀ 眀栀攀爀攀䄀猀洀愀氀氀Ⰰ ㄀猀焀昀琀挀漀渀琀攀洀瀀漀爀愀爀礀愀搀椀猀瀀氀愀礀漀昀搀椀猀琀椀渀挀琀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀眀栀攀爀攀愀搀椀猀瀀氀愀礀漀昀搀椀猀琀椀渀挀琀搀攀昀椀渀椀琀椀漀渀漀昀挀爀愀昀琀攀砀瀀攀爀椀洀攀渀琀猀愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀洀愀琀攀爀椀愀氀漀渀琀栀攀昀氀漀漀爀眀愀猀洀愀搀攀椀渀爀攀氀攀瘀攀渀挀攀琀漀爀攀猀椀搀攀渀挀攀攀砀瀀攀爀椀洀攀渀琀猀愀爀攀挀漀ⴀ挀爀攀愀琀攀搀椀渀㄀㜀琀栀洀愀琀攀爀椀愀氀爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀琀栀爀漀甀最栀椀渀渀漀瘀愀ⴀ 爀攀猀攀愀爀挀栀愀渀搀挀漀渀猀琀爀甀挀琀椀漀渀琀栀爀漀甀最栀椀渀渀漀瘀愀ⴀ 瀀爀攀猀攀渀琀挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀琀栀攀琀愀渀最椀戀氀攀氀愀礀攀爀氀攀渀搀猀愀琀椀漀渀琀椀漀渀愀渀搀愀渀搀昀攀攀搀戀愀挀欀瘀椀愀搀愀礀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀昀攀攀搀戀愀挀欀瘀椀愀瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀洀漀搀攀氀猀愀渀搀愀渀搀洀漀挀欀甀瀀猀甀瀀猀琀漀攀渀琀椀琀礀最爀愀猀瀀琀栀攀椀洀瀀愀挀琀瀀攀爀猀漀渀愀氀琀漀琀栀攀琀栀攀椀洀瀀愀挀琀戀甀椀氀琀昀漀爀洀戀礀爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀漀昀洀漀搀攀氀猀洀漀挀欀琀漀最爀愀猀瀀漀昀琀栀攀搀攀琀愀椀氀愀琀琀栀攀栀甀洀愀渀猀挀愀氀攀氀攀瘀攀氀⸀ 漀昀琀栀攀搀攀琀愀椀氀愀琀琀栀攀栀甀洀愀渀猀挀愀氀攀氀攀瘀攀氀⸀ 琀栀攀漀氀搀⸀ 䠀攀爀攀琀栀攀愀爀挀栀椀琀攀挀琀椀猀椀渀挀漀渀猀琀愀渀琀琀漀甀挀栀眀椀琀栀琀栀攀

挀爀愀昀琀猀洀愀渀愀渀搀琀栀椀猀愀瀀瀀爀漀愀挀栀椀渀瘀漀氀瘀攀猀栀椀最栀搀攀最爀攀攀漀昀倀爀漀挀攀猀猀眀椀琀栀眀椀琀栀瘀愀爀椀漀甀猀琀爀椀愀氀猀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 倀爀漀挀攀猀猀瘀愀爀椀漀甀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀㄀㨀㄀椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀猀椀琀攀猀椀琀攀瀀爀漀最爀攀猀猀⸀ 爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀搀爀愀眀椀渀最猀Ⰰ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀瀀爀漀最爀攀猀猀⸀ 愀渀搀琀栀漀甀最栀琀瀀爀漀挀攀猀猀最漀攀猀

椀渀琀漀椀琀瀀爀椀漀爀琀漀琀栀攀愀挀琀甀愀氀猀琀爀甀挀琀甀爀椀渀最漀昀琀栀攀栀漀甀猀攀⸀

琀愀欀椀渀最昀漀爀眀愀爀搀琀栀椀猀搀攀攀瀀愀猀猀漀挀椀愀琀椀漀渀眀椀琀栀挀爀愀昀琀琀栀愀琀椀猀爀攀氀攀瘀攀渀琀琀漀氀漀挀愀氀攀愀渀搀挀漀渀琀攀砀琀Ⰰ 挀愀渀洀愀琀攀爀椀愀氀猀琀爀愀渀猀昀漀爀洀愀渀搀挀栀愀渀最攀洀攀愀渀椀渀最眀椀琀栀琀栀攀昀甀渀挀琀椀漀渀漀昀琀攀挀栀渀漀氀漀最礀㼀

Site Progress (Credits: Figure 4 - Pooja Shah)

Proposed Design

Spatial Study

Site Application

Final Outcome

03D

THE DESIGN-MAKING PROCESS STUDIO-WORKSHOP-SITE

䴀攀渀琀漀爀猀㨀䄀爀⸀ 倀漀漀樀愀匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀匀甀琀栀愀爀

With the ease in production and manufacturing, can the merger of craft and technology help in the making of complex forms, geometries and inclusion of newer materials? furniture and products are developed with a to-an-fro process between the handmade and technology with the main intent lying in exploring the material potential to its fullest.

while approaching design based on technical know-how搀攀猀椀最渀 of construction 眀栀椀氀攀愀瀀瀀爀漀愀挀栀椀渀最戀愀猀攀搀漀渀琀攀挀栀渀椀挀愀氀欀渀漀眀ⴀ栀漀眀漀昀挀漀渀猀琀爀甀挀琀椀漀渀 and developing a modern language, 愀渀搀搀攀瘀攀氀漀瀀椀渀最洀漀搀攀爀渀氀愀渀最甀愀最攀氀 there is a need 愀to understand the 琀栀攀爀攀椀猀愀渀攀攀搀琀漀甀渀搀攀爀猀琀愀渀搀琀栀攀 needs and fulfilling the complexities. 渀攀攀搀猀愀渀搀昀甀氀昀椀氀氀椀渀最琀栀攀挀漀洀瀀氀攀砀椀琀椀攀猀⸀ (Credits: Figure 3,4 - Previou eam)

圀攀猀琀攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀漀昀猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀愀渀搀氀漀甀瘀攀爀猀最攀漀洀攀琀爀礀猀琀甀搀礀 ⴀ 欀攀礀樀漀椀渀攀爀礀搀攀琀愀椀氀猀漀昀氀漀甀瘀攀爀猀眀椀琀栀琀栀攀昀漀爀洀猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

INDUSTRIAL CRAFTS

HIGH-RISE ARCHITECTURAL DESIGN

琀礀瀀椀挀愀氀挀爀漀猀猀猀攀挀琀椀漀渀愀挀爀漀猀猀琀栀攀氀椀渀攀愀爀猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀猀攀爀瘀椀挀攀猀爀攀猀漀氀瘀攀搀椀渀琀栀攀挀漀爀渀攀爀瀀漀挀欀攀琀猀愀猀瀀攀爀琀栀攀 38 & Banyan is猀挀漀漀瀀攀搀 set on 昀愀挀愀搀攀 a green眀椀琀栀 1.1琀栀攀 acre 琀爀攀攀plot. ⠀猀椀搀攀⤀⸀

Apartments, comprising 3 BHKs and 4 BHKs, surround 150 栀椀最栀氀椀最栀椀琀渀最 yr old banyan tree. ⴀ 欀攀礀a 瀀氀愀渀琀栀攀猀挀漀漀瀀挀爀漀猀猀猀攀挀琀椀漀渀椀猀挀甀琀 ⠀戀漀琀琀漀洀爀椀最栀琀⤀⸀

Large scoops across the building to accommodate挀漀渀猀琀爀甀挀琀椀漀渀 the banyan猀椀琀攀 and瀀椀挀琀甀爀攀猀 the rain搀攀瀀椀挀琀椀渀最 tree. 搀攀瘀攀氀漀瀀洀攀渀琀漀昀琀栀攀昀愀挀愀搀攀 Designed as a 琀栀攀 porous structure, it 猀挀漀漀瀀 stretches ⴀ 猀瀀攀挀椀昀椀挀最攀漀洀攀琀爀椀挀瀀愀爀愀洀攀琀攀爀猀愀爀攀 from east to west, to accentuate wind flow. 椀渀瘀漀氀瘀攀搀椀渀猀椀琀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

匀挀栀攀洀愀琀椀挀挀漀洀瀀漀猀椀琀椀漀渀搀攀昀椀渀椀渀最愀氀氀琀栀攀攀氀攀瘀愀琀椀漀渀猀漀昀琀栀攀戀甀椀氀搀椀渀最 ⠀琀漀瀀⤀⸀

䜀爀愀瀀栀椀挀搀攀瀀椀挀琀椀渀最琀栀攀爀攀氀愀琀椀漀渀漀昀琀栀攀戀甀椀氀搀椀渀最愀渀搀琀栀攀琀爀攀攀 ⠀氀攀昀琀⤀⸀

㌀䐀爀攀渀搀攀爀攀砀瀀氀愀椀渀椀渀最琀栀攀昀愀挀愀搀攀搀攀猀椀最渀椀渀猀椀搀攀ⴀ漀甀琀猀椀搀攀琀漀眀愀爀搀猀琀栀攀琀爀攀攀猀挀漀漀瀀眀椀琀栀挀爀漀猀猀瘀攀渀琀猀 ☀ 猀栀愀搀攀搀氀漀甀瘀爀攀搀攀瘀椀挀攀猀 ⠀搀漀眀渀⤀⸀

1. Section - Developing building form

㌀㠀 ☀ 䈀愀渀礀愀渀椀猀猀攀琀漀渀愀最爀攀攀渀㄀⸀㄀愀挀爀攀瀀氀漀琀⸀ 䄀瀀愀爀琀洀攀渀琀猀Ⰰ 挀漀洀瀀爀椀猀椀渀最㌀䈀䠀䬀猀愀渀搀㐀䈀䠀䬀猀Ⰰ 猀甀爀爀漀甀渀搀 DATE 愀㄀㔀礀爀漀氀搀戀愀渀礀愀渀琀爀攀攀⸀ 䰀愀爀最攀猀挀漀漀瀀猀愀挀爀漀猀猀琀栀攀戀甀椀氀搀椀渀最琀漀愀挀挀漀洀洀漀搀愀琀攀琀栀攀戀愀渀礀愀渀愀渀搀琀栀攀爀愀椀渀琀爀攀攀⸀ 䐀攀猀椀最渀攀搀愀猀愀瀀漀爀漀甀猀猀琀爀甀挀琀甀爀攀Ⰰ 椀琀猀琀爀攀琀挀栀攀猀昀爀漀洀攀愀猀琀琀漀眀攀猀琀Ⰰ 琀漀愀挀挀攀渀琀甀愀琀攀眀椀渀搀昀氀漀眀⸀ TYPE 吀栀攀搀眀攀氀氀椀渀最甀渀椀琀猀愀爀攀椀渀猀攀爀琀攀搀戀攀琀眀攀攀渀琀眀漀 (Oveas Ahmed, Sindhura 挀漀洀洀甀渀愀氀稀漀渀攀猀漀渀琀栀攀最爀漀甀渀搀愀渀搀琀栀攀爀漀漀昀⸀

Jan 2019 to Jun 2019 Group Work

Harsh Shah, Harshal Telrandhe)

㌀

The dwelling units are inserted between two 椀渀搀甀猀琀爀椀愀氀挀爀愀昀琀猀 communal zones on the ground and the roof. 愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀猀琀甀搀椀漀㈀㄀㜀ⴀ㄀㠀

椀渀搀甀猀琀爀椀愀氀挀爀愀昀琀猀

愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀猀琀甀搀椀漀㈀㄀㜀ⴀ㄀㠀

VS,

In terms of technology, new vectors were charted - fast modular constructs like ‘myvan’ fulfilled both economic and social demands. can high tech augmented digital solutions be provided?

3. Rendered view - facade design

Conceptual Design - Spatial, Landscape Structural Evolution - Planning Layout, Sizes Facade Design - Material Study and detailing Services Design - Distribution, 3d Modelling #masterplan #highrise development #site #landscape design #facade design #trees #detailing #structural design #services plan

1. axonometric view of the Space 8,

4. The banyan tree (Credits: Figure 3 - Rendering, Oveas Ahmed)

搀攀猀椀最渀攀爀搀攀猀椀最渀猀搀攀猀椀最渀攀爀挀爀攀愀琀攀猀

a standardisation approach

MENTORS

CONTRIBUTION

㌀

is ir fair to follow a quick approach of crafts as a layer limited to visual effects and ignoring its deeper meanings?

38 & Banyan - G+10 MULTISTOREY

kishore@architecturered.com

2. Create spaces in relation with the landscape.

designer designs, designer creates.

搀攀猀椀最渀攀爀搀攀猀椀最渀猀搀攀猀椀最渀攀爀挀爀攀愀琀攀猀

NAME

Biju Kuriakose, biju@architecturered.com Kishore Panikkar,

㌀㠀 ☀ 䈀愀渀礀愀渀椀猀猀攀琀漀渀愀最爀攀攀渀㄀⸀㄀愀挀爀攀瀀氀漀琀⸀ 䄀瀀愀爀琀洀攀渀琀猀Ⰰ 挀漀洀瀀爀椀猀椀渀最㌀䈀䠀䬀猀愀渀搀㐀䈀䠀䬀猀Ⰰ 猀甀爀爀漀甀渀搀愀㄀㔀礀爀漀氀搀戀愀渀礀愀渀琀爀攀攀⸀ 䰀愀爀最攀猀挀漀漀瀀猀愀挀爀漀猀猀琀栀攀戀甀椀氀搀椀渀最琀漀愀挀挀漀洀洀漀搀愀琀攀琀栀攀戀愀渀礀愀渀愀渀搀琀栀攀爀愀椀渀琀爀攀攀⸀ 䐀攀猀椀最渀攀搀愀猀愀瀀漀爀漀甀猀猀琀爀甀挀琀甀爀攀Ⰰ 椀琀猀琀爀攀琀挀栀攀猀昀爀漀洀攀愀猀琀琀漀眀攀猀琀Ⰰ 琀漀愀挀挀攀渀琀甀愀琀攀眀椀渀搀昀氀漀眀⸀ 吀栀攀搀眀攀氀氀椀渀最甀渀椀琀猀愀爀攀椀渀猀攀爀琀攀搀戀攀琀眀攀攀渀琀眀漀挀漀洀洀甀渀愀氀稀漀渀攀猀漀渀琀栀攀最爀漀甀渀搀愀渀搀琀栀攀爀漀漀昀⸀

5. Site excavation

6. Facade progress

7. Understanding periphery structure

04A

CONCEPTUAL DEVELOPMENT HIGH-RISE ARCHITECTURAL DESIGN

甀渀椀琀昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀猀瀀愀挀攀猀

Wrapping the tree

Scheme development 甀渀椀琀昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀猀瀀愀挀攀猀

甀渀椀琀昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀猀瀀愀挀攀猀

愀爀琀椀挀甀氀愀琀椀漀渀漀昀挀氀漀猀攀搀猀瀀愀挀攀猀

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䄀 ⠀昀爀漀渀琀⤀

愀爀琀椀挀甀氀愀琀椀漀渀漀昀挀氀漀猀攀搀猀瀀愀挀攀猀

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䄀 ⠀昀爀漀渀琀⤀

爀攀猀瀀漀渀搀椀渀最琀漀琀栀攀渀愀琀甀爀愀氀挀漀渀琀攀砀琀

愀爀琀椀挀甀氀愀琀椀漀渀漀昀挀氀漀猀攀搀猀瀀愀挀攀猀爀攀猀瀀漀渀搀椀渀最琀漀琀栀攀渀愀琀甀爀愀氀挀漀渀琀攀砀琀

Different programs

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䄀 ⠀昀爀漀渀琀⤀

挀爀漀猀猀瘀攀渀琀椀氀愀琀椀漀渀搀椀愀最爀愀洀挀爀漀猀猀瘀攀渀琀椀氀愀琀椀漀渀搀椀愀最爀愀洀

Distribution of Units

爀攀猀瀀漀渀搀椀渀最琀漀琀栀攀渀愀琀甀爀愀氀挀漀渀琀攀砀琀洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䈀 ☀ 䌀 ⠀猀椀搀攀⤀

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䈀 ☀ 䌀 ⠀猀椀搀攀⤀

Moulding Unit Footprint

氀漀甀瘀攀爀攀搀愀猀瀀爀椀瘀愀挀礀瀀爀椀瘀愀挀礀搀攀瘀椀挀攀氀漀甀瘀攀爀攀搀昀愀挀愀搀攀昀愀挀愀搀攀愀猀搀攀瘀椀挀攀

1. Schematic graphics - in response to existing ‘context’

Vertical sculptural growth of the The marketing drawings explain form is developed - framing and the layouts of various units in articulating focals in order to rensponse to their immediate derive the building footprint. natural context. The footprint Also, the unit footprint is articu- encapsulates open and closed 洀愀爀欀攀琀椀渀最according 搀爀愀眀椀渀最 ⴀ 唀渀椀琀to 䈀 ☀ 䌀spaces ⠀猀椀搀攀⤀ articulated in accordance lated and moulded the tree location. They are dis- to the facade such that they tributed considering a locus loca- allow cross ventilation and the tion and various focal viewpoints. louvers also act as privacy device.

挀爀漀猀猀瘀攀渀琀椀氀愀琀椀漀渀搀椀愀最爀愀洀

氀漀甀瘀攀爀攀搀昀愀挀愀搀攀愀猀瀀爀椀瘀愀挀礀搀攀瘀椀挀攀

2. Axonometric planning

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䐀 ⠀戀愀挀欀⤀

3. Marketing Floor Plans

洀愀爀欀攀琀椀渀最搀爀愀眀椀渀最 ⴀ 唀渀椀琀䐀 ⠀戀愀挀欀⤀

㌀䐀爀攀渀搀攀爀 ⴀ 唀渀椀琀䄀昀愀挀愀搀攀 ⠀琀漀瀀⤀⸀

4. Render - Unit A Facade ㌀䐀爀攀渀搀攀爀 ⴀ 唀渀椀琀䄀昀愀挀愀搀攀 ⠀琀漀瀀⤀⸀

04B

ARCHITECTURAL DESIGN DEVELOPMENT HIGH-RISE ARCHITECTURAL DESIGN

Presentation - 2D/3D

Developed drawings

Detailed 3d models were developed from the basement to site to the penthouse level resolving various MEP and structural issues. The elevation involves juxtaposition of solids and voids with geometric studies of windows and louvers, thereby developing joinery details. Cross sections helped resolved key services distribution in the corner pockets aroung scoops. 2. West Elevation - Solids and Voids 圀攀猀琀攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀漀昀圀攀猀琀攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀漀昀猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀愀渀搀氀漀甀瘀攀爀猀猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀愀渀搀氀漀甀瘀攀爀猀最攀漀洀攀琀爀礀猀琀甀搀礀 ⴀ 欀攀礀樀漀椀渀攀爀礀搀攀琀愀椀氀猀漀昀最攀漀洀攀琀爀礀猀琀甀搀礀 ⴀ 欀攀礀樀漀椀渀攀爀礀搀攀琀愀椀氀猀漀昀氀漀甀瘀攀爀猀眀椀琀栀琀栀攀昀漀爀洀猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

氀漀甀瘀攀爀猀眀椀琀栀琀栀攀昀漀爀洀猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

琀礀瀀椀挀愀氀挀爀漀猀猀猀攀挀琀椀漀渀愀挀爀漀猀猀琀栀攀氀椀渀攀愀爀猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀猀攀爀瘀椀挀攀猀爀攀猀漀氀瘀攀搀椀渀琀礀瀀椀挀愀氀挀爀漀猀猀猀攀挀琀椀漀渀愀挀爀漀猀猀琀栀攀氀椀渀攀愀爀琀栀攀挀漀爀渀攀爀瀀漀挀欀攀琀猀愀猀瀀攀爀琀栀攀猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀猀攀爀瘀椀挀攀猀爀攀猀漀氀瘀攀搀椀渀猀挀漀漀瀀攀搀昀愀挀愀搀攀眀椀琀栀琀栀攀琀爀攀攀 ⠀猀椀搀攀⤀⸀

琀栀攀挀漀爀渀攀爀瀀漀挀欀攀琀猀愀猀瀀攀爀琀栀攀昀愀挀愀搀攀眀椀琀栀琀栀攀琀爀攀攀 ⠀猀椀搀攀⤀⸀

欀攀礀瀀氀愀渀栀椀最栀氀椀最栀椀琀渀最琀栀攀猀挀漀漀瀀 ⴀ猀挀漀漀瀀攀搀挀爀漀猀猀猀攀挀琀椀漀渀椀猀挀甀琀 ⠀戀漀琀琀漀洀爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀猀椀琀攀瀀椀挀琀甀爀攀猀搀攀瀀椀挀琀椀渀最琀栀攀搀攀瘀攀氀漀瀀洀攀渀琀漀昀琀栀攀猀挀漀漀瀀昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀最攀漀洀攀琀爀椀挀瀀愀爀愀洀攀琀攀爀猀愀爀攀椀渀瘀漀氀瘀攀搀椀渀猀椀琀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

欀攀礀瀀氀愀渀栀椀最栀氀椀最栀椀琀渀最琀栀攀猀挀漀漀瀀 ⴀ 挀爀漀猀猀猀攀挀琀椀漀渀椀猀挀甀琀 ⠀戀漀琀琀漀洀爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀猀椀琀攀瀀椀挀琀甀爀攀猀搀攀瀀椀挀琀椀渀最琀栀攀搀攀瘀攀氀漀瀀洀攀渀琀漀昀琀栀攀猀挀漀漀瀀昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀最攀漀洀攀琀爀椀挀瀀愀爀愀洀攀琀攀爀猀愀爀攀椀渀瘀漀氀瘀攀搀椀渀猀椀琀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

琀礀瀀椀挀愀氀挀爀漀猀猀猀攀挀琀椀漀渀愀挀爀漀猀猀琀栀攀氀椀渀攀愀爀猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀猀攀爀瘀椀挀攀猀爀攀猀漀氀瘀攀搀椀渀琀栀攀挀漀爀渀攀爀瀀漀挀欀攀琀猀愀猀瀀攀爀琀栀攀猀挀漀漀瀀攀搀昀愀挀愀搀攀眀椀琀栀琀栀攀琀爀攀攀 ⠀猀椀搀攀⤀⸀ 欀攀礀瀀氀愀渀栀椀最栀氀椀最栀椀琀渀最琀栀攀猀挀漀漀瀀 ⴀ 挀爀漀猀猀猀攀挀琀椀漀渀椀猀挀甀琀 ⠀戀漀琀琀漀洀爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀猀椀琀攀瀀椀挀琀甀爀攀猀搀攀瀀椀挀琀椀渀最琀栀攀搀攀瘀攀氀漀瀀洀攀渀琀漀昀琀栀攀猀挀漀漀瀀昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀最攀漀洀攀琀爀椀挀瀀愀爀愀洀攀琀攀爀猀愀爀攀椀渀瘀漀氀瘀攀搀椀渀猀椀琀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

1. Amenities Floor Plan (Credits: Figure 4 - Groupwork)

3. Typical Cross sectional elevation across scoops

4. Detailed Level Model

04C

DETAILED WORKING DRAWINGS HIGH-RISE ARCHITECTURAL DESIGN

Aesthetics vs Function

Structure / services

匀琀愀最攀猀漀昀挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀猀挀漀漀瀀眀爀愀瀀瀀椀渀最愀爀漀甀渀昀搀琀栀攀戀愀渀礀愀渀琀爀攀攀⸀

洀漀氀搀椀渀最琀栀攀甀渀椀琀愀挀挀漀爀搀椀渀最氀礀

匀琀愀最攀猀漀昀挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀猀挀漀漀瀀眀爀愀瀀瀀椀渀最愀爀漀甀渀昀搀琀栀攀戀愀渀礀愀渀琀爀攀攀⸀

愀爀琀椀挀甀氀愀琀椀渀最琀栀攀昀漀漀琀瀀爀椀渀琀眀⸀爀⸀琀琀栀攀 1. 琀爀攀攀 Detailed Services Planning

甀渀椀琀昀漀漀琀瀀爀椀渀琀

ᠠ栀漀甀猀攀漀渀挀氀漀甀搀猀ᤠ ⴀ 䄀猀洀愀氀氀Ⰰ ㄀猀焀昀琀挀漀渀琀攀洀瀀漀爀愀爀礀爀攀猀椀搀攀渀挀攀漀渀琀栀攀㄀㜀琀栀昀氀漀漀爀眀愀猀洀愀搀攀椀渀爀攀氀攀瘀攀渀挀攀琀漀瀀爀攀猀攀渀琀搀愀礀挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀琀栀攀琀愀渀最椀戀氀攀氀愀礀攀爀氀攀渀搀猀愀昀氀漀漀爀 ⴀ 眀漀爀欀椀渀最匀琀愀最攀猀漀昀氀攀瘀攀氀挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀搀爀愀眀椀渀最猀挀漀漀瀀 2.猀琀椀氀琀 Stages of瀀氀愀渀 Construction 眀爀愀瀀瀀椀渀最愀爀漀甀渀昀搀琀栀攀戀愀渀礀愀渀琀爀攀攀⸀ 瀀攀爀猀漀渀愀氀攀渀琀椀琀礀琀漀琀栀攀戀甀椀氀琀昀漀爀洀戀礀爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀漀昀琀栀攀漀氀搀⸀ 䠀攀爀攀琀栀攀愀爀挀栀椀琀攀挀琀椀猀椀渀挀漀渀猀琀愀渀琀琀漀甀挀栀眀椀琀栀琀栀攀挀爀愀昀琀猀洀愀渀愀渀搀琀栀椀猀愀瀀瀀爀漀愀挀栀椀渀瘀漀氀瘀攀猀栀椀最栀搀攀最爀攀攀漀昀爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀愀渀搀琀栀漀甀最栀琀瀀爀漀挀攀猀猀最漀攀猀洀漀氀搀椀渀最琀栀攀甀渀椀琀愀挀挀漀爀搀椀渀最氀礀椀渀琀漀椀琀瀀爀椀漀爀琀漀琀栀攀愀挀琀甀愀氀猀琀爀甀挀琀甀爀椀渀最漀昀琀栀攀栀漀甀猀攀⸀

洀漀氀搀椀渀最琀栀攀甀渀椀琀愀挀挀漀爀搀椀渀最氀礀琀栀攀搀椀猀琀爀椀戀甀琀椀漀渀漀昀甀渀椀琀猀漀渀琀栀攀昀氀漀漀爀瀀氀愀琀攀 3. Understanding spatial configurations

愀爀琀椀挀甀氀愀琀椀渀最琀栀攀昀漀漀琀瀀爀椀渀琀眀⸀爀⸀琀琀栀攀琀爀攀攀

猀琀椀氀琀氀攀瘀攀氀昀氀漀漀爀 ⴀ 瀀愀爀琀猀攀挀琀椀漀渀 ⴀ 眀漀爀欀椀渀最搀爀愀眀椀渀最 4. Sections - Community Spaces

(Credits: Figure 4 - Sindhura VS)

椀猀琀栀攀攀瘀漀氀甀琀椀漀渀愀渀搀椀渀渀漀瘀愀琀椀漀渀漀昀琀栀攀ᠠ挀爀愀昀琀ᤠ 爀漀甀琀攀 ⴀ 搀椀昀昀甀猀椀渀最昀漀爀最攀搀戀漀甀渀搀愀爀椀攀猀戀攀琀眀攀攀渀琀栀攀椀渀愀渀搀琀栀攀漀甀琀 ⴀ 愀搀搀爀攀猀猀椀渀最 ᠠ洀愀欀椀渀最ᤠ 眀椀琀栀愀洀椀渀椀洀愀氀椀猀琀愀瀀瀀爀漀愀挀栀㼀甀渀椀琀昀漀漀琀瀀爀椀渀琀

猀琀椀氀琀氀攀瘀攀氀昀氀漀漀爀瀀氀愀渀 ⴀ 眀漀爀欀椀渀最搀爀愀眀椀渀最

5. Detailed Ground Floor Plan with site

RECOGNISED CRAFTS

ADAPTIVE REUSE & HERITAGE EXTENSION

Heritage Conservaation

Documenting the existing

搀攀猀椀最渀攀爀搀攀猀椀最渀猀挀爀愀昀琀猀洀愀渀挀爀攀愀琀攀猀

3. Literature Research

The intent is to re-define the identity of a haveli, in the contemporary context – to design a public realm that discusses a pattern of place making based on an Indian tradition – involving appraisal of tangible & intangible heritage.

Continental Inland Climate

1. Background Study

DATE

Oct 2016 to May 2017 TYPE

Individual Work COURSE

Final Year Thesis Project

(B.Arch - Bachelors in Architecture - 5 yrs)

MENTORS

Chetna Nathani, chetna@measiarch.net Joseph Thomas, joseph@measiarch.net Shikha Jain, dronah@gmail.com CONTRIBUTION

Architectural Development - Detailed Design Contextual Research - Culture and Urban Study Documentation - Measured Drawings, Materials Spatial Design - Adaptive Reuse & Extension Dwg #adaptive reuse #heritage documentation #tourism #architecture extension #material #built vs unbuilt #contemporary context #tangible (Credits: Figure 3 - Literary Sources)

2. Haveli documentation - space for ritual activities

㐀瀀爀漀最爀攀猀猀椀瘀攀挀爀愀昀琀猀

designer designs,䄀刀䌀䠀䤀吀䔀䌀吀唀刀䄀䰀吀䠀䔀匀䤀匀 craftsman creates. 吀栀攀椀渀琀攀渀琀椀猀琀漀爀攀ⴀ搀攀昀椀渀攀琀栀攀椀搀攀渀琀椀琀礀

㈀㄀㘀 ⴀ ㄀㜀

漀昀愀栀愀瘀攀氀椀Ⰰ 椀渀琀栀攀挀漀渀琀攀洀瀀漀爀愀爀礀挀漀渀琀攀砀琀 ጠ 琀漀搀攀猀椀最渀愀瀀甀戀氀椀挀爀攀愀氀洀琀栀愀琀搀椀猀挀甀猀猀攀猀愀瀀愀琀琀攀爀渀漀昀瀀氀愀挀攀洀愀欀椀渀最戀愀猀攀搀漀渀愀渀䤀渀搀椀愀渀琀爀愀ⴀ 搀椀琀椀漀渀 ጠ 椀渀瘀漀氀瘀椀渀最愀瀀瀀爀愀椀猀愀氀漀昀琀愀渀最椀戀氀攀 ⠀渀愀琀甀爀愀氀Ⰰ 戀甀椀氀琀栀攀爀椀琀愀最攀 ☀ 漀瀀攀渀猀瀀愀挀攀猀⤀ ☀ 椀渀琀愀渀最椀戀氀攀 ⠀挀爀愀昀琀猀愀渀搀昀漀氀欀愀爀琀猀Ⰰ 琀爀愀搀椀琀椀漀渀愀氀昀攀猀琀椀瘀愀氀猀愀渀搀昀愀椀爀猀Ⰰ 挀甀椀猀椀渀攀猀⤀ 栀攀爀椀琀愀最攀⸀ 吀漀搀攀猀椀最渀攀砀琀攀渀猀椀漀渀猀 ☀ 愀搀愀瀀琀椀瘀攀爀攀甀猀攀漀昀搀攀爀攀氀椀挀琀栀攀爀椀琀愀最攀戀甀椀氀搀椀渀最猀⸀

how do we approach crafts today? Should it be or replication of the traditonal techniques or should technology overpower the craftsmen or can we strike a balance?

1. axonometric view of the Space 8,

a continuation approach Can the need of re-creating historic structures or architectural tectonics be fulfilled by research in additive manufacturing and 3D printing areas for true customisation of traditonal forms, geometries and elements for current needs and requirements.

1. axonometric view of the Space 8,

4. Cross section cut view of the existing haveli in Ajmer 愀渀愀砀漀渀漀洀攀琀爀椀挀瘀椀攀眀漀昀琀栀攀搀漀挀甀洀攀渀琀攀搀栀愀瘀攀氀椀椀渀䄀樀洀攀爀Ⰰ 琀栀攀甀渀戀甀椀氀琀 ⴀ 琀栀攀猀瀀愀挀攀昀漀爀爀椀琀甀愀氀猀愀挀琀椀瘀椀琀椀攀猀愀渀搀椀渀琀攀爀愀挀琀椀漀渀猀

05A

CONTEXT & CONSTRUCT

ADAPTIVE REUSE & HERITAGE EXTENSION

Architectural Extension

Site Organisation and Levels Understanding the idea - courtyard as the primary space with built up areas evolving around it to keep the scale, proportion and modulation of the form intact. It involved layering for sequential unfolding of spaces - kinesthetics as the organisational and proportioning tool.

1. Masterplan - Isometric view with topography

搀攀琀愀椀氀攀搀猀椀琀攀猀攀挀琀椀漀渀 ⴀ 昀爀漀洀栀愀瘀攀氀椀琀漀琀栀攀猀琀攀瀀眀攀氀氀

2. Detailed cross section - from haveli to the stepwell

㄀⸀ 猀攀焀甀攀渀琀椀愀氀氀礀瀀攀爀挀攀椀瘀攀搀搀攀猀椀最渀眀栀攀爀攀

3. 洀漀瘀攀洀攀渀琀 Conceptual琀栀爀漀甀最栀 sketches Events椀猀 and 琀栀攀 -猀瀀愀挀攀洀漀猀琀Activities 挀爀椀琀椀挀愀氀爀愀琀栀攀爀琀栀愀渀琀栀攀攀砀琀攀爀渀愀氀椀琀椀攀猀漀昀昀漀爀洀漀爀琀栀攀猀栀愀瀀攀漀昀琀栀攀攀氀攀洀攀渀琀猀⸀

㈀⸀ 琀栀攀攀氀攀洀攀渀琀猀椀渀昀氀甀攀渀挀攀猀瀀愀挀攀愀渀搀椀琀猀

4. Deconstructing the haveli: Public to Private

05B

PROPOSED REUSE & EXTENSION ADAPTIVE REUSE & HERITAGE EXTENSION

Designing for the unbuillt - sequentially perceived design where movement through the space is most critical rather than the externalities of form or the elements. The elements influence space and its experience, and the overall perception of the built environment - planning, composition and organisation of spaces and relation to the unbuilt. Creation of experiential spaces with a sense of discovery by changing axes, layering of spaces and physical buffers.

Haveli Extension

Structure / details

1. Extension into a heritage hotel

2. Site plan at various levels

3. Evolution of the traditional joinery

05C

SPATIAL DESIGN - NEW vs OLD ADAPTIVE REUSE & HERITAGE EXTENSION

Haveli - Use & Resuse

Elements / details

䨀唀堀吀䄀倀伀匀䤀一䜀吀䠀䔀吀䠀䔀䨀唀堀吀䄀倀伀匀䤀一䜀 ᠠ伀䰀䐀ᤠ 䄀一䐀䄀一䐀吀䠀䔀吀䠀䔀 ᠠ一䔀圀ᤠ ᠠ一䔀圀ᤠ ᠠ伀䰀䐀ᤠ

4. Juxtaposing the ‘old’ and the ‘new’

栀愀瘀攀氀椀floor 昀氀漀漀爀瀀氀愀渀瀀氀愀渀椀渀琀漀to 猀瀀愀挀攀栀愀瘀攀氀椀昀氀漀漀爀椀渀琀漀愀愀瀀甀戀氀椀挀猀瀀愀挀攀 haveli planⴀⴀ搀攀瘀攀氀漀瀀攀搀 -搀攀瘀攀氀漀瀀攀搀 developed a瀀甀戀氀椀挀 public space 昀漀爀wedding 眀攀搀搀椀渀最攀瘀攀渀琀猀攀瘀攀渀琀猀欀攀礀漀爀最愀渀椀猀椀渀最攀氀攀洀攀渀琀昀漀爀眀攀搀搀椀渀最漀爀最愀渀椀猀椀渀最攀氀攀洀攀渀琀 for eventsⴀⴀ欀攀礀 - key organising element

琀栀攀渀漀琀椀漀渀of 漀昀transition 琀爀愀渀猀椀琀椀漀渀昀爀漀洀昀爀漀洀琀栀攀the 瀀甀戀氀椀挀琀漀琀栀攀琀栀攀渀漀琀椀漀渀漀昀琀爀愀渀猀椀琀椀漀渀琀栀攀瀀甀戀氀椀挀琀漀 the琀栀攀 notion from public to the 瀀爀椀瘀愀琀攀 ⴀ渀漀椀猀攀渀漀椀猀攀琀漀琀漀琀栀攀琀栀攀焀甀椀攀琀渀攀猀猀欀攀礀搀攀猀椀最渀⸀ 瀀爀椀瘀愀琀攀 ⴀⴀ欀攀礀搀攀猀椀最渀⸀ private - ⴀnoise to the焀甀椀攀琀渀攀猀猀 quietness - key design.

猀攀焀甀攀渀琀椀愀氀unfolding 甀渀昀漀氀搀椀渀最愀渀搀愀渀搀氀愀礀攀爀椀渀最漀昀of 猀瀀愀挀攀猀猀攀焀甀攀渀琀椀愀氀甀渀昀漀氀搀椀渀最漀昀猀瀀愀挀攀猀 ⴀⴀ sequential and氀愀礀攀爀椀渀最 layering spaces 甀猀攀爀猀最攀琀洀甀氀琀椀瀀氀攀挀椀爀挀甀氀愀琀椀漀渀挀椀爀挀甀氀愀琀椀漀渀愀渀搀愀渀搀洀漀瘀攀洀攀渀琀⸀ 甀猀攀爀猀最攀琀洀甀氀琀椀瀀氀攀洀漀瘀攀洀攀渀琀⸀ users get multiple circulation and movement. 栀愀瘀攀氀椀椀猀椀猀猀椀琀甀愀琀攀搀猀椀琀甀愀琀攀搀愀琀愀琀琀栀攀琀栀攀栀椀最栀攀猀琀栀椀最栀攀猀琀瀀漀椀渀琀瀀漀椀渀琀 ⴀⴀ 瀀栀礀猀椀挀愀氀瀀栀礀猀椀挀愀氀栀愀瘀攀氀椀愀渀搀瘀椀猀甀愀氀瘀椀猀甀愀氀愀砀攀猀愀砀攀猀椀渀瘀漀氀瘀攀搀椀渀瘀漀氀瘀攀搀椀渀椀渀琀栀攀琀栀攀稀漀渀椀渀最稀漀渀椀渀最漀昀漀昀猀瀀愀挀攀猀⸀ 猀瀀愀挀攀猀⸀ 愀渀搀

1. Hotel Rooms - Floor Plans

愀砀漀渀漀洀攀琀爀椀挀猀攀挀琀椀漀渀猀愀琀瘀愀爀椀漀甀猀愀砀漀渀漀洀攀琀爀椀挀氀攀瘀攀氀猀猀栀漀眀椀渀最琀栀攀猀攀挀琀椀漀渀猀瘀愀爀椀漀甀猀愀琀瘀愀爀椀漀甀猀猀栀漀眀椀渀最琀栀攀瘀愀爀椀漀甀猀猀瀀愀挀攀猀漀昀氀攀瘀攀氀猀琀栀攀渀攀眀猀琀爀甀挀琀甀爀攀猀愀砀漀渀漀洀攀琀爀椀挀漀昀猀攀挀琀椀漀渀猀瘀愀爀椀漀甀猀琀栀攀渀攀眀愀琀猀琀爀甀挀琀甀爀攀猀 ⠀琀漀漀洀猀愀渀搀猀瀀愀挀攀猀猀甀椀琀攀猀⤀ 搀攀瘀攀氀漀瀀攀搀 ⠀琀漀漀洀猀愀渀搀猀甀椀琀攀猀⤀ 氀攀瘀攀氀猀猀栀漀眀椀渀最琀栀攀搀攀瘀攀氀漀瀀攀搀瘀愀爀椀漀甀猀愀搀樀愀挀攀渀琀琀漀琀栀攀攀砀椀猀琀椀渀最栀愀瘀攀氀椀Ⰰ 愀搀樀愀挀攀渀琀琀漀琀栀攀渀攀眀攀砀椀猀琀椀渀最栀愀瘀攀氀椀Ⰰ 猀瀀愀挀攀猀漀昀琀栀攀猀琀爀甀挀琀甀爀攀猀 ⠀琀漀漀洀猀愀渀搀猀甀椀琀攀猀⤀ 搀攀瘀攀氀漀瀀攀搀愀搀樀愀挀攀渀琀琀漀琀栀攀攀砀椀猀琀椀渀最栀愀瘀攀氀椀Ⰰ

愀挀漀氀氀愀戀漀爀愀琀椀瘀攀瀀氀愀琀昀漀爀洀瀀氀愀琀昀漀爀洀 ⴀ 琀栀攀搀攀猀椀最渀攀爀愀渀搀琀栀攀戀氀攀渀搀琀栀攀琀栀攀漀氀搀漀氀搀愀渀愀渀琀栀攀渀攀眀愀愀愀挀漀氀氀愀戀漀爀愀琀椀瘀攀 ⴀ 琀栀攀搀攀猀椀最渀攀爀愀渀搀挀爀愀昀琀猀洀愀渀琀栀攀挀爀愀昀琀猀洀愀渀戀氀攀渀搀琀栀攀渀攀眀愀猀 2. Hotel Rooms Linear Section Axonometric at 氀攀瘀攀氀 various levels of愀猀 haveli 氀漀挀愀氀- 琀漀猀漀氀甀琀椀漀渀琀漀琀栀攀渀攀攀搀最氀漀戀愀氀ⴀ渀攀攀搀戀甀琀樀甀猀琀椀猀3.琀栀椀猀樀甀猀琀猀甀瀀攀爀昀椀挀椀愀氀漀爀瀀愀爀琀椀愀氀椀渀琀攀最爀愀琀椀漀渀㼀㼀氀漀挀愀氀猀漀氀甀琀椀漀渀琀栀攀最氀漀戀愀氀戀甀琀椀猀ⴀ琀栀椀猀猀甀瀀攀爀昀椀挀椀愀氀漀爀sections 瀀愀爀琀椀愀氀氀攀瘀攀氀漀昀漀昀椀渀琀攀最爀愀琀椀漀渀㼀㼀愀挀漀氀氀愀戀漀爀愀琀椀瘀攀瀀氀愀琀昀漀爀洀 ⴀ 琀栀攀搀攀猀椀最渀攀爀愀渀搀琀栀攀挀爀愀昀琀猀洀愀渀戀氀攀渀搀琀栀攀漀氀搀愀渀琀栀攀渀攀眀愀猀愀氀漀挀愀氀猀漀氀甀琀椀漀渀琀漀琀栀攀最氀漀戀愀氀渀攀攀搀 ⴀ 戀甀琀椀猀琀栀椀猀樀甀猀琀猀甀瀀攀爀昀椀挀椀愀氀漀爀瀀愀爀琀椀愀氀氀攀瘀攀氀漀昀椀渀琀攀最爀愀琀椀漀渀㼀㼀

Continental Inland Climate

昀漀爀愀愀挀漀氀氀攀挀琀椀瘀攀挀漀氀氀攀挀琀椀瘀攀搀椀愀氀漀最甀攀搀椀愀氀漀最甀攀愀渀搀愀渀搀挀漀洀洀甀渀椀琀礀挀漀洀洀甀渀椀琀礀椀渀渀漀瘀愀琀椀漀渀Ⰰ 椀渀渀漀瘀愀琀椀漀渀Ⰰ琀栀攀爀攀琀栀攀爀攀椀猀椀猀愀愀猀琀爀漀渀最猀琀爀漀渀最渀攀攀搀渀攀攀搀琀漀琀漀洀攀爀最攀洀攀爀最攀昀漀爀搀攀猀椀最渀☀ ☀琀攀挀渀漀氀漀最礀琀攀挀渀漀氀漀最礀ⴀⴀ攀氀攀洀攀渀琀猀攀氀攀洀攀渀琀猀漀昀漀昀挀爀愀昀琀挀爀愀昀琀愀搀搀攀搀愀搀搀攀搀愀猀愀猀氀愀礀攀爀猀氀愀礀攀爀猀琀漀琀漀琀栀攀琀栀攀戀甀椀氀琀戀甀椀氀琀攀渀瘀椀爀漀渀洀攀渀琀攀渀瘀椀爀漀渀洀攀渀琀搀攀猀椀最渀

吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀昀爀漀洀䌀栀愀氀洀攀攀猀瀀攀挀椀愀氀氀礀琀栀攀

ᠠ挀栀愀爀琀椀渀最瘀攀挀琀漀爀猀ᤠ ⴀ 琀栀攀挀栀愀氀氀攀渀最攀昀愀挀攀搀戀礀䤀渀搀椀愀渀礀漀甀渀最愀爀挀栀椀琀攀挀琀猀 ⴀ 琀栀攀礀愀爀攀琀漀爀渀戀攀琀眀攀攀渀戀氀愀渀搀最氀漀戀愀氀琀攀洀瀀氀愀琀攀猀愀渀搀瘀椀戀爀愀渀琀爀攀最椀漀渀猀瀀攀挀椀昀椀挀猀漀氀甀琀椀漀渀猀℀℀

ADVANCED CRAFTS

匀吀刀䔀䄀䴀䤀一䜀吀刀䤀䄀一䜀䰀䔀匀䄀匀䔀䔀䴀䰀䔀匀匀䘀䰀伀圀伀䘀吀刀䤀䄀一䜀唀䰀䄀吀䔀䐀䜀䔀伀䴀䔀吀刀夀 ⸀

刀椀猀栀愀瘀䨀愀椀渀Ⰰ 䌀䔀倀吀唀渀椀瘀攀爀猀椀琀礀 ⴀ ᰠ吀爀愀搀椀琀椀漀渀挀愀渀渀攀椀琀栀攀爀戀攀挀漀洀ⴀ

PAVILION - DIGITAL FABRICATION 瀀爀漀洀椀猀攀搀渀漀爀攀椀最渀漀爀攀搀Ⰰ 椀琀渀攀攀搀猀琀漀攀瘀漀氀瘀攀Ⰰ 渀攀攀搀猀琀漀昀椀渀搀爀攀氀攀瘀ⴀ

攀渀挀攀琀漀搀愀礀Ⰰ 渀攀攀搀猀琀漀戀攀爀攀搀攀昀椀渀攀搀椀渀洀攀愀渀椀渀最愀渀搀椀渀猀攀渀猀攀⸀ 䄀渀搀琀栀攀搀礀渀愀洀椀猀洀椀渀挀爀愀昀琀椀猀瀀爀漀戀愀戀氀礀琀栀攀漀渀氀礀愀渀猀眀攀爀琀漀琀栀攀 exhibition installation 椀渀挀爀攀愀猀椀渀最搀攀洀愀渀搀猀漀昀最氀漀戀愀氀椀猀愀琀椀漀渀椀渀洀漀搀攀爀渀搀攀猀椀最渀⸀ᴠ

䌀爀攀搀椀琀猀 ⴀ 吀栀椀猀攀砀栀椀戀椀琀椀漀渀搀攀猀椀最渀猀琀甀搀椀漀眀愀猀挀愀爀爀椀攀搀昀漀爀眀愀爀搀昀爀漀洀琀栀攀䴀愀猀琀攀爀猀吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀氀圀漀漀搀戀礀琀栀攀猀琀甀搀攀渀琀猀昀爀漀洀䌀栀愀氀洀攀爀猀唀渀椀瘀攀爀猀椀琀礀Ⰰ 匀眀攀搀攀渀攀猀瀀攀挀椀愀氀氀礀琀栀攀欀攀爀昀椀渀最爀攀猀攀愀爀挀栀椀搀攀愀猀⸀

䌀刀䄀䘀吀 ᠠ琀栀椀渀欀椀渀最ᤠ 䐀䤀䜀䤀吀䄀䰀 ᠠ洀愀欀椀渀最ᤠ

Computational design

匀吀刀䔀䄀䴀䤀一䜀吀刀䤀䄀一䜀䰀䔀匀䄀匀䔀䔀䴀䰀䔀匀匀䘀䰀伀圀伀䘀吀刀䤀䄀一䜀唀䰀䄀吀䔀䐀䜀䔀伀䴀䔀吀刀夀 ⸀

The culmination of the smartlabs studio involved application of digital fabrication technologies in the final exhibition. This project explored the potential of the inherent bending capacity of wood in the form of mdf in creaing dynamic temporary doubly curved spatial structures.

digifab and computa䌀爀攀搀椀琀猀 ⴀ 吀栀椀猀攀砀栀椀戀椀琀椀漀渀搀攀猀椀最渀 Through 猀琀甀搀椀漀眀愀猀挀愀爀爀椀攀搀昀漀爀眀愀爀搀昀爀漀洀琀栀攀䴀愀猀琀攀爀猀 tional design, one could challenge 吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀氀圀漀漀搀戀礀琀栀攀猀琀甀搀攀渀琀猀 the perfectly sheet material of 昀爀漀洀䌀栀愀氀洀攀爀猀唀渀椀瘀攀爀猀椀琀礀Ⰰ 匀眀攀搀攀渀攀猀瀀攀挀椀愀氀氀礀琀栀攀欀攀爀昀椀渀最爀攀猀攀愀爀挀栀 engineered 椀搀攀愀猀⸀ wood which is in-

herently dynamic, given its low cost, availability and free from grain direction imperfections.

designer designs, designer creates. 1. Partition fabricated for Smartlabs exhibition

DATE

Nov 2018 to May 2019 TYPE

Group Work (Amar Shetty, Harsh Shah, Karan Singh) COURSE

exploration of structural and physical properties of a conventional material using digital tooling and fabrication lead to dynamic spatial applications

a continuation approach ㄀⸀ 吀栀攀昀椀渀愀氀猀攀洀攀猀琀攀爀栀愀渀搀猀 ⴀ漀渀瀀爀漀樀攀挀琀攀砀瀀氀漀爀椀渀最搀椀最椀琀愀氀昀愀戀爀椀挀愀琀椀漀渀眀椀椀琀栀 ᠠ眀漀漀搀ᤠ 愀猀琀栀攀洀愀琀攀爀椀愀氀 ⠀琀漀瀀氀攀昀琀⤀⸀

Final Exhibition Project

㈀⸀ 挀爀攀愀琀椀渀最愀栀愀渀最椀渀最挀攀椀氀椀渀最眀椀琀栀洀漀搀甀氀攀猀漀昀 ᠠ洀椀渀椀洀甀洀猀甀爀昀愀挀攀ᤠ 甀猀椀渀最䬀愀渀最愀爀漀漀 ⠀琀漀瀀爀椀最栀琀⤀⸀

MENTORS

㌀⸀ 刀愀瀀椀搀瀀爀漀琀漀琀礀瀀椀渀最甀猀椀渀最㌀䐀瀀爀椀渀琀椀渀最甀猀椀渀最猀氀椀挀攀爀 ☀ 挀甀爀愀眀椀琀栀㌀䐀椀渀最琀攀挀栀渀漀氀漀最礀 ⠀戀漀琀琀漀洀氀攀昀琀⤀⸀

(Diploma in Computational Design and Digital Fabrication)

Sushant Verma, sushant.verma@rat-lab.org Aman Jain, aman.jain@iaac.net CONTRIBUTION

Computational Design - Form development Material Research - Optimisation & Iterations Digital Fabrication - Spatial development, design #computational design #nonlinear geometry #material studies #analogue vs digital #1:1 #experimentation #advanced architecture #wood kerfing #spatial application #bending analysis (Credits: Figure 4 - Chalmers University Research)

2. Bending and Kerfing of Wood

The project investigates wood systems constructed through accumulative local weakening and disruption of fibre continuity (kerfing). It is aimed to develop a computational design tool that allows programming the bending 䔀堀倀䰀伀刀䤀一䜀and 一䔀圀 twist䈀夀 ing behaviour of匀吀刀唀䌀吀唀刀䔀匀 tensioned wood 䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀圀伀伀䐀 through specific kerf patterns.

㐀⸀ 倀栀礀猀椀挀愀氀挀漀洀瀀甀琀椀渀最眀椀琀栀唀渀椀琀礀㌀䐀愀渀搀嘀甀昀漀爀椀愀愀渀搀最甀椀搀愀渀挀攀戀礀吀爀攀稀椀Ⰰ 匀洀愀爀琀ⴀ 瘀椀稀砀 ⠀戀漀琀琀漀洀爀椀最栀琀⤀⸀

3. Study of different kerf patterns

䔀堀倀䰀伀刀䤀一䜀一䔀圀匀吀刀唀䌀吀唀刀䔀匀䈀䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀圀伀伀䐀䔀堀倀䰀伀刀䤀一䜀一䔀圀匀吀刀唀䌀吀唀刀䔀匀䈀夀䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀圀伀伀䐀

4. Bending Radii and Kerfing Studies

06A

MATERIAL & GEOMETRY

䴀攀渀琀漀爀猀㨀䄀爀⸀䄀爀⸀ 匀甀猀栀愀渀琀嘀攀爀洀愀Ⰰ 嘀攀爀洀愀Ⰰ 䄀爀⸀ 䄀洀愀渀䄀洀愀渀䨀愀椀渀Ⰰ 䬀愀爀愀渀匀椀渀最栀䴀攀渀琀漀爀猀㨀䄀爀⸀ 䨀愀椀渀Ⰰ䄀爀⸀ 䄀爀⸀䄀洀愀爀䄀洀愀爀匀栀攀琀琀礀Ⰰ 匀栀攀琀琀礀Ⰰ䄀爀⸀䄀爀⸀ 䬀愀爀愀渀匀椀渀最栀 PAVILION - 匀甀猀栀愀渀琀 DIGITAL FABRICATION

Material study

Kerfing-bending explorations

STEP 01

STEP 02

STEP 03 挀愀渀琀栀攀攀砀瀀氀漀爀愀琀椀漀渀漀昀猀琀爀甀挀琀甀爀愀氀愀渀搀瀀栀礀猀椀挀愀氀瀀爀漀瀀攀爀琀椀攀猀漀昀愀挀漀渀瘀攀渀琀椀漀渀愀氀洀愀琀攀爀椀愀氀甀猀椀渀最搀椀最椀琀愀氀琀漀漀氀椀渀最愀渀搀昀愀戀爀椀挀愀琀椀漀渀氀攀愀搀琀漀搀礀渀愀洀椀挀猀瀀愀琀椀愀氀愀瀀瀀氀椀挀愀琀椀漀渀猀㼀

STEP 04

Fabrication

Form Generation

䤀琀攀爀愀琀椀瘀攀瀀爀漀琀漀琀礀瀀椀渀最愀琀瘀愀爀椀漀甀猀猀挀愀氀攀琀漀琀攀猀琀瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀愀渀搀最攀漀洀攀琀爀椀攀猀漀昀琀栀攀洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀

挀愀渀琀栀攀攀砀瀀氀漀爀愀琀椀漀渀漀昀猀琀爀甀挀琀甀爀愀氀愀渀搀瀀栀礀猀椀挀愀氀瀀爀漀瀀攀爀琀椀攀猀漀昀愀挀漀渀瘀攀渀琀椀漀渀愀氀洀愀琀攀爀椀愀氀 Different kerf patterns were吀栀攀 stud-挀甀氀洀椀渀愀琀椀漀渀漀昀琀栀攀猀洀愀爀琀ⴀ 甀猀椀渀最搀椀最椀琀愀氀琀漀漀氀椀渀最愀渀搀昀愀戀爀椀挀愀琀椀漀渀氀攀愀搀琀漀搀礀渀愀洀椀挀猀瀀愀琀椀愀氀愀瀀瀀氀椀挀愀琀椀漀渀猀㼀 ied to understand the bend ing猀琀甀搀椀漀椀渀挀漀洀瀀甀琀愀琀椀漀渀愀氀氀愀戀猀䤀琀攀爀愀琀椀瘀攀瀀爀漀琀漀琀礀瀀椀渀最愀琀瘀愀爀椀漀甀猀猀挀愀氀攀琀漀琀攀猀琀瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀愀渀搀最攀漀洀攀琀爀椀攀猀漀昀琀栀攀洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀ 挀愀渀琀栀攀攀砀瀀氀漀爀愀琀椀漀渀漀昀猀琀爀甀挀琀甀爀愀氀愀渀搀瀀栀礀猀椀挀愀氀瀀爀漀瀀攀爀琀椀攀猀漀昀愀吀栀攀挀漀渀瘀攀渀琀椀漀渀愀氀洀愀琀攀爀椀愀氀 properties. Initial studies were 搀攀猀椀最渀挀甀氀洀椀渀愀琀椀漀渀漀昀琀栀攀猀洀愀爀琀ⴀ 椀渀瘀漀氀瘀攀搀愀瀀瀀氀椀挀愀琀椀漀渀漀昀甀猀椀渀最搀椀最椀琀愀氀琀漀漀氀椀渀最愀渀搀昀愀戀爀椀挀愀琀椀漀渀氀攀愀搀琀漀搀礀渀愀洀椀挀猀瀀愀琀椀愀氀愀瀀瀀氀椀挀愀琀椀漀渀猀㼀 performed by laser 椀渀cutting 3mm 昀愀戀爀椀挀愀琀椀漀渀琀攀挀栀渀漀氀漀最椀攀猀氀愀戀猀猀琀甀搀椀漀挀漀洀瀀甀琀愀琀椀漀渀愀氀搀椀最椀琀愀氀䤀琀攀爀愀琀椀瘀攀瀀爀漀琀漀琀礀瀀椀渀最愀琀瘀愀爀椀漀甀猀猀挀愀氀攀琀漀琀攀猀琀瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀愀渀搀最攀漀洀攀琀爀椀攀猀漀昀琀栀攀洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀ MDF sheet but 椀渀瘀漀氀瘀攀搀 due to uncertain搀攀猀椀最渀愀瀀瀀氀椀挀愀琀椀漀渀椀渀琀栀攀漀昀昀椀渀愀氀攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀瀀爀漀樀攀挀琀搀椀最椀琀愀氀昀愀戀爀椀挀愀琀椀漀渀琀攀挀栀渀漀氀漀最椀攀猀 ties of scaling wood, full scale 吀栀攀挀甀氀洀椀渀愀琀椀漀渀漀昀攀砀瀀氀漀爀攀搀琀栀攀猀洀愀爀琀ⴀ 琀栀攀瀀漀琀攀渀琀椀愀氀漀昀琀栀攀椀渀ⴀ 椀渀琀栀攀昀椀渀愀氀攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀瀀爀漀樀攀挀琀 tests became early 氀愀戀猀 an 猀琀甀搀椀漀椀渀 method 挀漀洀瀀甀琀愀琀椀漀渀愀氀栀攀爀攀渀琀戀攀渀搀椀渀最挀愀瀀愀挀椀琀礀漀昀攀砀瀀氀漀爀攀搀琀栀攀瀀漀琀攀渀琀椀愀氀漀昀琀栀攀椀渀ⴀ 搀攀猀椀最渀椀渀瘀漀氀瘀攀搀愀瀀瀀氀椀挀愀琀椀漀渀 for design栀攀爀攀渀琀 studies. Itiretive pro-漀昀椀渀漀昀琀栀攀昀漀爀洀漀昀洀搀昀椀渀眀漀漀搀戀攀渀搀椀渀最挀愀瀀愀挀椀琀礀搀椀最椀琀愀氀昀愀戀爀椀挀愀琀椀漀渀琀攀挀栀渀漀氀漀最椀攀猀 typing at眀漀漀搀 various scales test椀渀搀礀渀愀洀椀挀琀攀洀瀀漀爀愀爀礀椀渀琀栀攀昀漀爀洀 to 漀昀挀爀攀愀椀渀最洀搀昀 STEP 05 椀渀琀栀攀昀椀渀愀氀攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀瀀爀漀樀攀挀琀 patterns, 挀爀攀愀椀渀最 form and geometries. 搀礀渀愀洀椀挀琀攀洀瀀漀爀愀爀礀搀漀甀戀氀礀挀甀爀瘀攀搀猀瀀愀琀椀愀氀猀琀爀甀挀琀甀爀攀猀 1. Physical Prototype and Iterations

攀砀瀀氀漀爀攀搀琀栀攀猀瀀愀琀椀愀氀瀀漀琀攀渀琀椀愀氀漀昀琀栀攀椀渀ⴀ 搀漀甀戀氀礀挀甀爀瘀攀搀猀琀爀甀挀琀甀爀攀猀栀攀爀攀渀琀戀攀渀搀椀渀最挀愀瀀愀挀椀琀礀漀昀眀漀漀搀椀渀琀栀攀昀漀爀洀漀昀洀搀昀椀渀挀爀攀愀椀渀最搀礀渀愀洀椀挀琀攀洀瀀漀爀愀爀礀搀漀甀戀氀礀挀甀爀瘀攀搀猀瀀愀琀椀愀氀猀琀爀甀挀琀甀爀攀猀

STEP 06 2. Digital Form Finding Process

06B

WORKFLOW & DETAILS PAVILION - DIGITAL FABRICATION

1. A 1:5 scale model

236 pieces were lasercut on 5 sheets of A1 size. The loops were folded and connected using stapler. Subsequently, then loops were connected with ties to form overall structure.

Does testing physical prototypes help瀀栀礀猀椀挀愀氀 assess 瀀爀漀琀漀琀礀瀀攀猀栀攀氀瀀愀猀猀攀猀猀眀栀攀琀栀攀爀琀栀攀挀漀洀瀀氀攀砀搀漀攀猀琀攀猀琀椀渀最 whether the complex 猀漀氀甀琀椀漀渀猀漀昀昀攀爀猀瀀愀琀椀愀氀Ⰰ 愀攀猀琀栀攀琀椀挀愀渀搀瀀爀漀最爀愀洀洀愀琀椀挀焀甀愀氀椀琀椀攀猀㼀 solutions offer spa䐀椀最椀琀愀氀昀愀戀爀椀挀愀琀椀漀渀琀攀挀栀渀椀焀甀攀猀氀椀欀攀氀愀猀攀爀挀甀琀琀椀渀最愀渀搀㌀䐀瀀爀椀渀琀椀渀最眀攀爀攀愀氀猀漀椀渀挀漀爀瀀漀爀愀琀攀搀琀漀挀爀攀愀琀攀欀攀爀昀 tial, aesthetic and pro瀀愀琀琀攀爀渀猀漀渀洀搀昀愀渀搀昀漀爀昀漀爀洀昀椀渀搀椀渀最琀漀搀攀瘀攀氀漀瀀琀栀攀搀漀甀戀氀礀挀甀爀瘀攀搀猀甀爀昀愀挀攀⸀ grammatic qualities? A full scale mock-up was 䐀椀最椀琀愀氀昀愀戀爀椀挀愀琀椀漀渀琀攀挀栀渀椀焀甀攀猀氀椀欀攀氀愀猀攀爀挀甀琀琀椀渀最愀渀搀㌀䐀瀀爀椀渀琀椀渀最眀攀爀攀愀氀猀漀椀渀挀漀爀瀀漀爀愀琀攀搀琀漀挀爀攀愀琀攀欀攀爀昀 created which includ瀀愀琀琀攀爀渀猀漀渀洀搀昀愀渀搀昀漀爀昀漀爀洀昀椀渀搀椀渀最琀漀搀攀瘀攀氀漀瀀琀栀攀搀漀甀戀氀礀挀甀爀瘀攀搀猀甀爀昀愀挀攀⸀ ed the kerf patterns (varying bending radii), joint details and the unrolling of the units.

吀栀攀挀漀洀瀀甀琀愀琀椀漀渀愀氀瀀爀漀挀攀猀猀椀渀瘀漀氀瘀攀搀眀漀爀欀椀渀最眀椀琀栀愀渀愀爀爀愀礀漀昀樀漀椀渀攀爀礀琀攀挀栀渀椀焀甀攀猀愀猀瀀攀爀琀栀攀戀攀渀搀椀渀最挀愀瀀愀挀椀琀礀漀昀洀搀昀⸀

2. Full scale mock-up

Digital fabrication techniques like laser cutting and 3D printing were incorporated to create kerf patterns on MDF and for form 匀圀䤀吀䌀䠀 finding to develop the doubly curved surface. 䌀伀一吀䤀一唀伀唀匀䈀䔀吀圀䔀䔀一吀䠀䔀䄀一䄀䰀伀䜀唀䔀 ☀ 吀䠀䔀 the 䐀䤀䜀䤀吀䄀䰀⸀ scope of the

3. 3D printing using slicer & cura with 3Ding technology (Credits: Figure 3 - Amar Shetty)

As research targeted the architectural qualities in relation 䌀伀一吀䤀一唀伀唀匀匀圀䤀吀䌀䠀 to the materialisation of structure, the 䈀䔀吀圀䔀䔀一吀䠀䔀 accuracy of structural modelling and simulation was depri䄀一䄀䰀伀䜀唀䔀 ☀ 吀䠀䔀 oritised䐀䤀䜀䤀吀䄀䰀⸀ and is recommended as focus for further research.

ᠠ挀栀愀爀琀椀渀最瘀攀挀琀漀爀猀ᤠ ⴀ 琀栀攀挀栀愀氀氀攀渀最攀昀愀挀攀搀琀漀爀渀戀攀琀眀攀攀渀戀氀愀渀搀最氀漀戀愀氀琀攀洀瀀氀愀琀攀猀

刀椀猀栀愀瘀䨀愀椀渀Ⰰ 䌀䔀倀吀唀渀椀瘀攀爀猀椀琀礀 ⴀ ᰠ吀爀愀搀椀琀椀漀渀挀愀渀渀攀瀀爀漀洀椀猀攀搀渀漀爀攀椀最渀漀爀攀搀Ⰰ 椀琀渀攀攀搀猀琀漀攀瘀漀氀瘀攀Ⰰ 渀攀攀搀攀渀挀攀琀漀搀愀礀Ⰰ 渀攀攀搀猀琀漀戀攀爀攀搀攀昀椀渀攀搀椀渀洀攀愀渀椀渀最䄀渀搀琀栀攀搀礀渀愀洀椀猀洀椀渀挀爀愀昀琀椀猀瀀爀漀戀愀戀氀礀琀栀攀漀渀氀礀椀渀挀爀攀愀猀椀渀最搀攀洀愀渀搀猀漀昀最氀漀戀愀氀椀猀愀琀椀漀渀椀渀洀漀

琀攀猀琀椀渀最瀀栀礀猀椀挀愀氀瀀爀漀琀漀琀礀瀀攀猀栀攀氀瀀愀猀猀攀猀猀眀栀攀琀栀攀爀琀栀攀挀漀洀瀀氀攀砀漀渀猀漀昀昀攀爀猀瀀愀琀椀愀氀Ⰰ 愀攀猀琀栀攀琀椀挀愀渀搀瀀爀漀最爀愀洀洀愀琀椀挀焀甀愀氀椀琀椀攀猀㼀

4.Switch from analog to digital

搀漀琀栀攀瘀愀爀椀漀甀猀愀猀瀀攀挀琀猀漀昀搀攀猀椀最渀爀攀焀甀椀爀攀氀愀戀漀爀愀琀漀爀礀猀愀洀瀀氀椀渀最 ⴀ 愀氀琀攀爀渀愀琀椀瘀攀猀漀昀洀愀琀攀爀椀愀氀Ⰰ 樀甀渀挀琀椀漀渀戀攀琀眀攀攀渀琀眀漀洀愀琀攀爀椀愀氀猀Ⰰ 攀砀瀀攀爀椀洀攀渀琀椀渀最眀椀琀栀椀琀猀猀琀爀攀渀最琀栀愀渀搀猀琀愀戀椀氀椀琀礀㼀搀漀琀栀攀瘀愀爀椀漀甀猀愀猀瀀攀挀琀猀漀昀搀攀猀椀最渀爀攀焀甀椀爀攀氀愀戀漀爀愀琀漀爀礀猀愀洀瀀氀椀渀最 ⴀ 愀氀琀攀爀渀愀琀椀瘀攀猀漀昀洀愀琀攀爀椀愀氀Ⰰ

DESIGN PORTFOLIO

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