Portfolio 2012_20

DESIGN PORTFOLIO 2012 2020

academic + professional works HARSH MANISH SHAH

01

A

PERSONAL PROFILE

academic + professional works

B

LIST OF CONTENTS

thought process + learning curve

present

I am studying the M.Arch - Masters in Architecture specilisation in Design for Manufacture at the Bartlett School of Architecture, UCL, London.

Previously, I was part of the online MACAD - Masters in Advanced Computation in Architecture and Design masters programme from IAAC, Spain with an accomplished module that focused on ‘emerging crafts’ - involved design studios based 䄀刀䌀䠀䤀吀䔀䌀吀唀刀䄀䰀 䐀䔀匀䤀䜀一䔀刀 on computational techniques optimised structurally and performative design.

䠀䄀刀匀䠀 䴀䄀一䤀匀䠀 匀䠀䄀䠀

Meanwhile, I have had a keen insight into computational design applications with a hands-on diploma course with Ar. Sushant Verma, Ratlab Architects, New Delhi where 倀䔀刀匀伀一䄀䰀 䤀一䘀伀⸀ 倀刀伀䘀䤀䰀䔀 NAME the key line of research was on ‘advanced crafts’. In 2020, multiple online collaborative HARSH MANISH SHAH platforms like Digital Futures, AA Visiting Schools which focused on ‘progressive crafts’, 瀀爀攀猀攀渀琀 愀爀栀愀爀猀栀洀猀栀愀栀䀀 helped equip computational and programming skills aid in architectural design.

EMAIL ID 最洀愀椀氀⸀挀漀洀 䌀甀爀爀攀渀琀氀礀Ⰰ 䤀 etc 愀洀 愀猀猀漀挀椀愀琀攀搀 眀椀琀栀 愀 猀琀愀爀琀甀瀀 搀攀猀椀最渀 昀椀爀洀Ⰰ 倀漀漀樀愀 匀栀愀栀 䄀爀挀栀椀琀攀挀琀猀

04

VERTICAL WINERY PROTOTYPE

09

URBAN AGORA - PUBLIC PLAZA

projects involving intense collaborative detailing, first hand site倀爀攀瘀椀漀甀猀氀礀Ⰰ work 䤀 栀愀瘀攀 瀀爀愀挀琀椀猀攀搀 愀 䨀甀渀椀漀爀 䄀爀挀栀椀琀攀挀琀 ᠠ椀渀搀甀猀琀爀椀愀氀 挀爀愀昀琀猀ᤠ with https://www.linkedin.com/in/ and 愀猀 ‘studio craft’椀渀 愀渀 exposure craftsmen and industry.

14

INTERIOR/SPATIAL/PRODUCTS

19

HIGH RISE RESIDENCE DESIGN

23

ADAPTIVE REUSE - HERITAGE

27

PAVILION - DIGITAL FABRICATE

PERSONAL INFO

椀渀 䴀甀洀戀愀椀Ⰰ 䤀渀搀椀愀 猀椀渀挀攀 一漀瘀 ㈀ ㄀㠀⸀ 䤀 栀愀瘀攀 戀攀攀渀 琀栀攀 瀀爀漀樀攀挀琀 愀爀挀栀椀琀攀挀琀 漀昀 arharshmshah@gmail.com洀甀氀琀椀瀀氀攀 猀瀀愀琀椀愀氀 搀攀猀椀最渀 瀀爀漀樀攀挀琀猀 椀渀瘀漀氀瘀椀渀最 椀渀琀攀渀猀攀 挀漀氀氀愀戀漀爀愀琀椀瘀攀 搀攀琀愀椀氀椀渀最Ⰰ harsh.shah.20@ucl.ac.uk 昀椀爀猀琀 栀愀渀搀 猀椀琀攀眀漀爀欀 past 愀渀搀 ᠠ猀琀甀搀椀漀 挀爀愀昀琀ᤠ 攀砀瀀漀猀甀爀攀 眀椀琀栀 挀爀愀昀琀猀洀攀渀 愀渀搀 椀渀搀甀猀琀爀礀⸀ ⬀㤀㄀ 㤀㔀㐀㌀㈀ 㐀㄀㐀㤀 harsh.shah@students.iaac.net with a startup design firm, Pooja Shah Architects in Mumbai, 䤀 栀愀瘀攀 栀愀搀 愀 associated 欀攀攀渀 椀渀猀椀最栀琀 椀渀琀漀 挀漀洀瀀甀琀愀琀椀漀渀愀氀 搀攀猀椀最渀 愀瀀瀀氀椀挀愀ⴀ 䴀攀愀渀眀栀椀氀攀ⰀPreviously, 琀椀漀渀猀 眀椀琀栀 愀 栀愀渀搀猀ⴀ漀渀 搀椀瀀氀漀洀愀 挀漀甀爀猀攀 眀椀琀栀 䄀爀⸀ 匀甀猀栀愀渀琀 嘀攀爀洀愀Ⰰ 刀愀琀氀愀戀 䄀爀挀栀椀ⴀ India since Nov 2018.

I have been the project CONTACT 琀攀挀琀猀Ⰰ 一攀眀 䐀攀氀栀椀 眀栀攀爀攀 琀栀攀 欀攀礀 氀椀渀攀 漀昀 爀攀猀攀愀爀挀栀 眀愀猀 漀渀 ᠠ攀洀攀爀最椀渀最 挀爀愀昀琀猀ᤠ⸀ architect of multiple spatial design

+44-7765453518 䤀渀搀椀愀

harsh-shah-74362a187/ ㈀㄀⸀㄀㈀⸀㄀㤀㤀㐀

DOB/NATIONALITY 21.12.1994 / INDIAN 㐀㤀☀㔀 Ⰰ 伀刀䴀䔀匀 刀䐀Ⰰ ㈀䄀Ⰰ 伀刀䴀䔀匀 嘀䤀䰀䰀䄀Ⰰ ADDRESS 306, 䬀䤀䰀倀䄀唀䬀Ⰰ䌀䠀䔀一一䄀䤀 Ravensbourne 倀䤀一䌀伀䐀䔀ⴀ 㘀 ㄀

瀀愀猀琀

戀愀猀攀搀 猀琀甀搀椀漀 愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀 甀渀搀攀爀 琀栀攀 最甀椀搀愀渀挀攀 漀昀 䈀椀樀甀 䬀甀爀椀愀欀漀猀攀 愀渀搀 䬀椀猀栀漀爀攀 倀愀渀椀欀欀愀爀 椀渀 ㈀ ㄀㜀ⴀ㄀㠀Ⰰ 眀栀攀爀攀椀渀Ⰰ 䤀 眀愀猀 愀挀琀椀瘀攀氀礀 椀渀瘀漀氀瘀攀搀 椀渀 琀栀攀 搀攀猀椀最渀 I have practised as a Junior Architect in an ‘industrial crafts’ based studio architectur瀀爀漀挀攀猀猀Ⰰ 爀攀猀攀愀爀挀栀眀漀爀欀Ⰰ 猀椀琀攀眀漀爀欀 愀渀搀 搀攀琀愀椀氀攀搀 搀爀愀眀椀渀最猀 昀漀爀 愀 挀漀甀瀀氀攀 漀昀 栀椀最栀 爀椀猀攀 爀攀猀椀搀攀渀琀椀愀氀 椀渀猀琀椀琀甀琀椀漀渀愀氀 搀攀瘀攀氀漀瀀洀攀渀琀猀 匀漀甀琀栀 and 䤀渀搀椀愀⸀Kishore Panikkar in 2017-18, wherein, I eRED愀渀搀 under the guidance of Biju愀挀爀漀猀猀 Kuriakose

was actively involved in the design 椀渀process, researchwork, sitework and detailed draw䄀洀椀搀猀琀 瀀爀漀昀攀猀猀椀漀渀愀氀 挀漀洀洀椀琀洀攀渀琀猀Ⰰ 䤀 栀愀瘀攀 瀀愀爀琀椀挀椀瀀愀琀攀搀 愀 琀爀愀瘀攀氀 搀攀猀椀最渀 猀琀甀搀椀漀 ᠠ倀愀渀 䤀渀搀椀愀 吀爀愀瘀攀氀 匀琀甀搀椀漀ᤠ 眀椀琀栀 琀栀爀攀攀 攀砀攀洀瀀氀愀爀礀 洀攀渀琀漀爀猀Ⰰ 䄀爀⸀ 倀爀愀琀礀甀猀栀 ings for a couple of high rise residential, institutional developments across South India. 匀栀愀渀欀愀爀Ⰰ 䄀爀⸀ 䴀漀渀愀 倀椀渀最攀氀 ☀ 䄀爀⸀ 䜀甀爀樀椀琀 匀椀渀最栀 䴀愀琀栀愀爀漀漀Ⰰ 瘀愀爀礀椀渀最 最攀漀最爀愀瀀栀椀挀愀氀 挀漀渀琀攀砀琀猀 ጠ 䰀攀栀Ⰰ 䄀甀爀漀瘀椀氀氀攀 ☀ 䄀栀洀攀搀愀戀愀搀 琀栀愀琀 最愀瘀攀 洀攀 椀渀猀椀最栀琀猀 椀渀 瘀愀爀椀攀搀 Amidst professional commitments, I 洀礀 have participated in a travel design studio 洀攀琀栀漀搀漀氀漀最椀攀猀 漀昀 搀攀猀椀最渀 愀瀀瀀爀漀愀挀栀攀猀 ☀ 愀 戀攀琀琀攀爀 搀椀爀攀挀琀椀漀渀 椀渀 挀愀爀攀攀爀⸀

House, 6, India Travel with 琀爀愀椀渀椀渀最 three 攀砀瀀漀猀甀爀攀⸀ exemplary mentors, 䐀甀爀椀渀最 洀礀 ‘Pan 甀渀搀攀爀最爀愀搀 挀愀爀攀攀爀Ⰰ 䤀 栀愀瘀攀 Studio’ 栀愀搀 琀眀漀 瀀爀愀挀琀椀挀愀氀 Forrester Way, London E15 1GH 䴀礀 攀砀瀀攀爀椀攀渀挀攀 眀椀琀栀 䄀爀挀栀椀琀攀挀琀甀爀攀 倀愀爀愀搀椀最洀 椀渀挀氀甀搀攀猀 挀漀洀瀀攀琀椀琀椀漀渀 攀渀琀爀椀攀猀 WEBSITE 栀琀琀瀀猀㨀⼀⼀椀猀猀甀甀⸀挀漀洀⼀ 栀愀爀猀栀洀猀栀愀栀㤀㐀 https://issuu.com/ harshmshah94 䌀䄀⼀㈀ ㄀㜀⼀㠀㘀㘀㄀㠀 REGISTRATION

䌀漀甀渀挀椀氀 漀昀 CA/2017/86618 䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 䤀渀搀椀愀⸀

Council of Architecture,

Ar. Pratyush Shankar, Ar. Mona Pingel & Ar. Gurjit Singh Matharoo, varying geographi愀渀搀 爀攀猀攀愀爀挀栀眀漀爀欀 昀漀爀 琀栀攀 䈀 嘀 䐀漀猀栀椀 ጠ 琀栀攀 䈀愀渀最愀氀漀爀攀 圀漀爀欀猀栀漀瀀 椀渀 挀漀氀氀愀戀漀爀愀ⴀ 琀椀漀渀 眀椀琀栀 䠀甀渀搀爀攀搀 䠀愀渀搀猀 愀爀挀栀椀琀攀挀琀猀⸀ 䄀琀 匀愀洀椀爀愀 刀愀琀栀漀搀 䐀攀猀椀最渀 䄀猀猀漀挀椀愀琀攀猀Ⰰ 䤀 cal contexts – Leh, Auroville & Ahmedabad that gave me insights in var栀愀瘀攀 眀漀爀欀攀搀 漀渀 搀攀琀愀椀氀猀 漀昀 眀攀攀欀攀渀搀 栀漀洀攀猀 愀渀搀 瀀爀椀瘀愀琀攀 爀攀猀椀搀攀渀挀攀猀⸀ ied methodologies of design approaches & a better direction in my career.

progressive crafts

emerging crafts

studio crafts

industrial crafts

recognised crafts

攀搀甀挀愀琀椀漀渀 愀渀搀 攀愀爀氀礀 攀砀瀀攀爀椀攀渀挀攀

䤀 栀愀瘀攀 猀琀甀搀椀攀搀 愀琀 䴀䔀䄀匀䤀 䄀挀愀搀攀洀礀 漀昀 䄀爀挀栀椀琀攀挀琀甀爀攀Ⰰ 䌀栀攀渀渀愀椀 includes competition entries and My 愀爀挀栀椀琀攀挀琀甀爀攀 experience with Architecture Paradigm ⠀愀昀昀椀⸀ 䄀渀渀愀 唀渀椀瘀攀爀猀椀琀礀⤀⸀ 䤀 栀愀瘀攀 戀攀攀渀 瀀愀爀琀 漀昀 洀甀氀琀椀瀀氀攀 渀愀琀椀漀渀愀氀 氀攀瘀攀氀 挀漀洀瀀攀琀椀ⴀ researchwork for the V Doshi – 䴀礀 the琀栀攀猀椀猀 Bangalore Workshop in collaboration with 琀椀漀渀猀Ⰰ 昀攀眀 爀攀猀攀愀爀挀栀 搀漀挀甀洀攀渀琀愀琀椀漀渀猀 愀渀搀B洀愀最愀稀椀渀攀 眀漀爀欀⸀ 眀漀爀欀 眀愀猀 漀渀 琀栀攀 氀椀渀攀猀 漀昀 䠀攀爀椀琀愀最攀 ☀ 䄀爀挀栀椀琀攀挀琀甀爀攀 ጠ 䄀搀愀瀀琀愀琀椀漀渀 ☀ 攀砀琀攀渀猀椀漀渀 漀昀 愀 Hundred Hands architects.

At Samira Rathod Design Associates, I have worked on 琀爀愀搀椀琀椀漀渀 栀愀瘀攀氀椀 瀀爀攀挀椀渀挀琀 眀栀椀挀栀 眀愀猀 愀渀搀 攀砀琀攀渀猀椀瘀攀 瀀爀漀挀攀猀猀 漀昀 爀攀猀攀愀爀挀栀 眀漀爀欀Ⰰ 搀漀挀甀洀攀渀琀愀琀椀漀渀Ⰰ 搀攀猀椀最渀 搀攀瘀攀氀漀瀀洀攀渀琀 愀渀搀 椀琀攀爀愀琀椀漀渀猀 愀渀搀 椀渀琀爀椀渀猀椀挀 搀攀琀愀椀氀椀渀最⸀ details of weekend homes and private residences. 吀栀攀爀攀昀漀爀攀Ⰰ 椀琀 猀琀爀漀渀最氀礀 攀渀最愀最攀搀 椀渀 琀栀攀 椀搀攀愀 漀昀 ᠠ瀀爀漀最爀攀猀猀椀瘀攀 挀爀愀昀琀猀ᤠ⸀ India. 漀琀栀攀爀

advanced crafts

education and early experience

䠀愀爀猀栀 䴀 匀栀愀栀Ⰰ 䌀䄀⼀㈀ ㄀㜀⼀㠀㘀㘀㄀㠀Ⰰ 栀愀猀 戀攀攀渀 愀 洀攀洀戀攀爀 漀昀 䌀伀䄀 ⠀䌀漀甀渀挀椀氀 漀昀 䄀爀ⴀ LANGUAGES䔀一䜀䰀䤀䜀䠀 挀栀椀琀攀挀琀甀爀攀⤀I 猀椀渀挀攀 ㄀㜀⸀ 䤀 挀漀渀琀椀渀甀攀猀 at 琀漀 猀攀攀欀 搀攀猀椀最渀 攀砀瀀漀猀甀爀攀of Architecture, Chennai. I have been have伀挀琀漀戀攀爀 studied㈀ architecture MEASI Academy 䠀䤀一䐀䤀 琀栀爀漀甀最栀 瘀愀爀椀漀甀猀 氀漀挀愀氀 愀渀搀 渀愀琀椀漀渀愀氀 昀漀爀甀洀猀Ⰰ 氀攀挀琀甀爀攀猀Ⰰ 搀椀猀挀甀猀猀椀漀渀猀 氀椀欀攀 一䄀匀䄀Ⰰ English, Hindi, Gujarati, Tamil. 䜀唀䨀䄀刀䄀吀䤀

吀䄀䴀䤀䰀

䌀䄀䘀Ⰰ 䤀一吀䄀䌀䠀Ⰰ 䬀愀氀愀of䜀栀漀搀愀 愀猀 眀攀氀氀 national 愀猀 搀攀猀椀最渀 眀漀爀欀猀栀漀瀀猀 ⠀匀圀匀 䌀漀甀爀猀攀猀⤀ 愀琀 part multiple level competitions, 䌀䔀倀吀 唀渀椀瘀攀爀猀椀琀礀 眀椀琀栀 琀栀攀 欀攀礀 氀攀愀爀渀椀渀最猀 戀愀猀攀搀 漀渀 ᠠ爀攀挀漀最渀椀猀攀搀 挀爀愀昀琀猀ᤠ⸀

#architectural design #structural design #spatial design #furniture design #performative design #product design #bim #heritage conservation #crafts & technology

few research documentations and magazine work. My thesis work was on the lines of Heritage – Adaptation & extension of a tradition haveli precinct which was and extensive process of research work, documentation, design development and iterations and intrinsic detailing. It is strongly engaged in the idea of ‘recognised crafts’.

02

C

RESUME/CURRICULUM VITAE

academic + professional profile EDUCATION Sept.2021 - current

London, UK

GRADUATE DEGREE

Oct.2020 - Dec. 2020

Barcelona, Spain

POSTGRADUATE DIPLOMA Nov 2018 - May 2019

New Delhi, India

POSTGRADUATE DIPLOMA Aug 2012 - May 2017

Chennai, India

UNDERGRADUATE DEGREE

M.Arch - Masters of Architecture in Design for Manufacture, Bartlett School of Architecture, UCL

https://www.ucl.ac.uk/bartlett/architecture/programmes/ postgraduate/march-design-for-manufacture

MACAD - Postgraduate in Advanced Computation for Environmental and Structural Design, IAAC

Mumbai, India

PROJECT ARCHITECT Oct 2017 - June 2018

Chennai, India

JUNIOR ARCHITECT July 2015 - Dec 2015

Bengaluru, India

ARCHITECTURAL INTERN

https://www.instagram.com/p/CHHo0Z5JLk-/

July 2020

AAVS Barcelona, London, UK

Mar-Apr 2020

Woodworking & Metalworking, Maker’s FABLAB

Sept 2019

Intro to DigiFab & Technical Design

Oct 2018

NPTEL Diploma - Craft & Technology in Interiors

Parametric Competition Digital Fabrication

https://barcelona.aaschool.ac.uk/ https://www.makersasylum.com/

SMARTLABS 2.0 - Diploma in Computational Design & Digital Fabrication, Ratlab Education and RVS School of Architecture, Chennai

Interior Architecture

Sept 2018

PITS - Pan India Travel Studio

https://www.rat-lab.org/smartlabs2

Jun-July 2018

ACEDGE - ‘In Search of an Experience’

June 2017

NASA, INTACH & CoA National Thesis Award

June 2016

Geoffrey Bawa Study, DICRC, CEPT, Sri Lanka

Nov 2015

Contextual Design - Latitudes, London, UK

May 2015

‘shelter trek’ - CEPT Research Travel Workshop

Jun 2013 - 14

Masters Diploma in Building Design - BIM Course

B. ARCH (5 years) - Bachelors in Architecture, MEASI Academy of Architecture, Anna University https://www.measiarch.in

Travel based Design Studio Spatial Design Hands-on Thesis Competition Publication

Pooja Shah Architects (Interior, Furniture & Product) https://www.instagram.com/poojashah456/

architectureRED studio (Architectural Design & Housing) https://www.architecturered.com/ https://www.instagram.com/studioarchitecturered/

Architecture Paradigm (Township & Institutions)

International Competition Summer School

Software Training

https://www.kadenze.com/programs/digifab https://nptel.ac.in/courses/124107006

http://matharooassociates.com/pitstudio http://www.acedge.in/courses/STU-MR-ISE

https://www.coa.gov.in/show_img.php?fid=234

https://issuu.com/shailajashah/docs/architecturecrafted-summerschool http://blog.westminster.ac.uk/latitudes-design/

https://banduksmithstudio.in/content/shelter-trek-cept-summer-school-himalayaed-summerschool https://www.cadd.co.in/courses/building-design.php

https://www.architectureparadigm.com/

Samira Rathod Design Associates (Architectural Design)

DESIGN INTERN

https://www.srda.co/ https://www.instagram.com/samira_rathod/

SOFTWARE PROFICIENCY 2D Drafting (ADVANCED)

Python Scripting Workshop, Voxelscapes, India

Computational Software

Fabrication Hardware

Jan 2016 - May 2016

Mumbai, India

Aug-Sept 2020

https://iaac.net/educational-programmes/ masters-programmes/macad/

WORK EXPERIENCE Nov 2018 - Aug 2021

COURSES, WORKSHOPS, SEMINARS & COMPETITIONS

Autodesk Autocadd, Autodesk Revit

3D Modelling (ADVANCED) McNeel Rhino, Google Sketchup, Blender

SOFTWARE PROFICIENCY 3D Visualisation

V-Ray, Keyshot, Lumion & Enscape

Presentation (ADVANCED)

Adobe Illustrator, Photoshop, InDesign

Analysis (INTERMEDIATE)

Karamba, Ladybug, Eddy, EnergyPlus

Visual Programming

Grasshopper with plugins

Organisation (ADVANCED)

MS Office Suite

Scripting (BASIC)

Python Script for Rhino, GH

03

01

PROGRESSIVE CRAFTS VERTICAL WINERY PROTOTYPE

The 7 steps of winemaking (vineyard, harvest, fermentation, ageing in bottle, coupage, ageing in barrels and logistics) and its 8th, the tasting, form the vertical back bone of a structural and functional productive machine that makes wine over time as an architectural metabolic apparatus.

With a reverse drawing approach, at the intersection of science, design and architecture, the project was developed integrating numerous needs, some spatial, other infrastructural, biological, material, structural, to develop the building until its potential construction.

2. WineMaking Manufacturing Process

1. Axonometric view of the Space 8, tasting area

DATE

July 2020 (10 day competition) TYPE

Group Work (Krishna Vijay, Harsh Shah, Nandini Goel, Vasundhara Goyal) COURSE

Academic Summer School MENTORS

Edouard Cabay, edouard@appareil.es Carles Sala, sala@salaferusic.com Relja Ferusic, ferusic@salaferusic.com

designer designs, craftsman creates. how do we integrate the elements craft, context and construction in different times and domains?

CONTRIBUTION

Architectural Development - Scheme Design Structural Evolution - Optimisation & Iterations Layout Design - WineMaking & Viticulture #structural design #metabolism #spatial design #infrastructure #performance #industrial design #steel #landscape #graphical design (Credits: Figure 3,4 - Previous Year Research Team)

an apposition approach 3. Winery Design set in the countryside landscape

04

01A

STRUCTURAL EVOLUTION VERTICAL WINERY PROTOTYPE DESIGN

Vertical Winery

Structure / planning

1. Bottom-up view of the overall structure

By studying different design iterations, we optimized a homogeneous three-dimensional grid system composed of standard profiles joined mainly by pinned joints. It makes a lightweight and transparent composition that is at the same time strong enough to support loads up to 1.000kg/m2

2. Proposed structural plans

The whole design process pursued an aggregation system that is easy to assemble without welding on site. Thus, all the structure will be assembled by screws with only two types of joints.

3. Development of the steel structural grid

4. Overall structure

Vertical Winery

Structure / details

In conclusion, the main design challenge in terms of structure was to achieve the lightweight structure capable of holding a high-weight load on top of it.

(Credits: Figure 5,6 - Relja Ferusic)

5. Conceptual Sketch

6. Steel L & U-angle connections

7. Pinned joint connection details

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ENOLOGY WORKFLOW

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VERTICAL WINERY PROTOTYPE DESIGN

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Understanding the Metabolism Vertical Winery

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Vertical Winery

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Level 08

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1. Vineyard 2. Harvest 3. Fermentation 4. Ageing in Barrels 5. Coupage 6. Ageing in Bottle 7. Logistics 8. Tasting

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1. Industrial Metabolism

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3. Functional & Spatial Configuration

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After eight years of thorough research in viticulture, enology and architectural design, we propose an innovative project in the field of food and beverage production: ‘The Vertical Winery’. From the eight momenta of winemaking and wine tasting, a distributed network relates Architecture and Enology in a new vertical diagram by the force of gravity.

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Vertical Winery Prototype 3

2. Fermentation Process (Credits: Figure 1 - Vasundhara Goyal)

4. Structure & Circulation

section - 2

5. Winery Cross Section

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01C

VITICULTURE FARMING VERTICAL WINERY PROTOTYPE DESIGN

Vertical Winery

Design around the Vineyard

1. Vineyard Growth Pattern

Starting with the study of the conditions, dimensions and rhythm, necessary for the ideal growth of a vineyard, we have designed different iterations that, without altering these conditions, allow us to compose a melody that expresses vertical dematerialization. A terroir without a terrain.

With a dense base in plant units such as the land itself to the vapor of its essence that merges with the sky.

5. Spatial development

3. Vineyard Position Variations

2. Vineyard & Circulation

(Credits: Figure 2 - Nandini Goel)

4. Viniculture and Structure

6. Chosen Layout

07

ARCHITECTURAL DEVELOPMENT VERTICAL WINERY PROTOTYPE DESIGN

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Vertical Winery Prototype 3

Vertical Winery Prototype 3

Vertical Winery Prototype 3

plan - level -1

Vertical Winery Prototype 3

plan - level +5

plan - level +8

plan - level +1

(Credits: Enology - Prev Research)

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Being in the midst of a mechanical forest with no immediate exit in sight. The whirring of the machines, the aroma of the wines, and dappled light filtering through green screens and diaphanous materials.

Sheltered, able to slow down and focus on the senses.

1. Plan - Level -1

2. Plan - Level +1

3. Plan - Level +5

4. Plan - Level +8

08

EMERGING CRAFTS

02

URBAN AGORA - PUBLIC PLAZA The design manifesto is to propose a community space using timber, structurally optimised and performative, and acts as an open public plaza – an ‘urban agora’ on the street level with a facade designed according to the extreme continental climate. The proposal includes addressing the challenges of designing a building which integrates climatic methods and strategies in form finding, and reducing the heat gain.

1. Rendered view - Optimised Public Centre Design

DATE

Oct to Dec 2020 (10 weeks) TYPE

Group Work

(Nataliya Voinova, Harsh Shah, Sachin Dabas) COURSE

Academic Studio Project & Seminar

(Masters in Advanced Computation in Architecture & Design)

MENTORS

Rodrigo Aguirre, rodrigo.aguirre@iaac.net Oana Taut, oana.taut@iaac.net Manja van de Worp, manja.vdworp@iaac.net Angelos Chronis, manja.vdworp@iaac.net Arthur Mamou Mani, manja.vdworp@iaac.net

designer designs, designer creates.

With current architectural process, developing space and structure in context with materials and methods, to cater market demands, can we integrate digital design in the construction process?

a denotation approach 2. PseudoCode - parametric workflow

CONTRIBUTION

Architectural Development - Concept to Design Environmental Performance - Analyse and apply.

Contextual Study - Functional/Spatial Organisation Structural Optimisation - with Informed Variations Complex Forming Non-traditional form conception. #advanced computation #digital simulation #parametric workflow #performative design #timber concrete hybrids #stability systems #geometric variations #grasshopper tools (Credits: Figure 1 - Nataliya Voinova)

3.Computational, Environmental & Structural Performance Strategy

09

02A

ENVIRONMENTAL PERFORMANCE URBAN AGORA - PUBLIC PLAZA

Concept Design

Form Finding Exercise

1. Form responding to environment

The proposal includes addressing the challenges of designing a building in the cold as well as harsh summer climate of Moscow protecting from direct sunlight and glare by timber screens that can be operated as per need.

The proposal resolves two research questions – How can climatic design influence the form finding strategy for the optimized design? How to tackle harsh sun as well as high winds in the Moscow region?

2. Psychometric Chart, Moscow, Russia

3. Comparing Alternatives as per Baseline data

4. Most suitable variants

1. Maximizing flat roof to create public lifted garden with nice viewpoints.

2. Minimizing north facade to reduce the heat loss in the building.

3. Reduce Building shadows on the surrounding buildings.

4. Maximize the ground canopy to create a shaded space for pedestrians.

The final optimised massing was re-assessed with the studies and it was noted how in the cooling period, the self shading helps block high angle sun and in the heating peiord, the huge roof and ESW facades help in solar gain.

5. Sun-path Diagram study

6. Radiation Rose Analysis in different seasons

10

02B

CONTEXT ANALYSIS URBAN AGORA - PUBLIC PLAZA

Urban Study

Design Development

1. Historical Site - View

Daylight Analysis

Glare Study

Location of Light wells

2. Siteplan highlighting key locations

Wind directions Light wells

Shading SKin

CFD Analysis

Facade Design

Recessed Plaza

As per daylight studies, light wells were required in the centre – an atrium was hence created. Concluding from our Climatic Analysis that Wind is a huge issue in Moscow, we decided to wrap our building in a skin of structural timber. Creating a Public plaza on the Ground and the Lower Level. After mapping the Pedestrian Movement around our site and thermal comfort of the users using CFD, a recessed plaza was developed on the ground level.

Pedestrian Movement

Annual Variation - Wind Speeds

Urban Plaza Development

11

02C

STRUCTURAL OPTIMISATION URBAN AGORA - PUBLIC PLAZA

Stability Elements

Structural Design

Envelope Concrete Shells

Holodeck Slab

Timber facade

3. Proposed Design

It is observed that beam elements work harder than the shell elements in transferring loads. It is a very heterogeneous system and the nodal displacements are not in the permissible limits.

Interior Systems

1. Cores, Facades & Slabs

It is crucial to how each stability system work with respect to each other in load transfer and how geometric & material variations inform the overall optimisation of the structure. Since it is a public space, the intent was to make the floors lightweight and a continuous shell, thereby making the vertical cores/light wells and the facade the major structural system.

The structure became lightweight and the mass of the structure reduced by 65%. The displacements are within the permissible limits. The beams work better and transfer forces. This reduces the load on the shell elements.

Superstructure

4. Optimised Design

Cores

Substructure

Diagrid Frames

Lightweight Waffle Slab

Reinforced with Steel Cables

2. Stress-Force Flow Diagrams

12

02D

ARCHITECTURAL DEVELOPMENT URBAN AGORA - PUBLIC PLAZA

1. Building Section - Optimised Design

http://www.iaacblog.com/programs/public-plaza/

2. Functional Levels

http://www.iaacblog.com/programs/continental-inland-climate/

The building is designed as the new agora, the multilevel gathering space, with multiple social functions stacked vertically. the lower level is the recessed and sheltered semi-outdoor space. it is open from all sides and not artificially heated or cooled but the projection of the building’s skirt canopy protects it from the elements and creates a more comfortable microclimate.

(Credits: Figure 3 - Sachin Dabas)

3. Floor Plans

4. Contextual rendered view

http://www.iaacblog.com/programs/structural-stability-systems/

13

琀爀愀渀猀氀愀琀椀漀渀 瘀猀⸀ 琀爀愀渀猀氀愀 猀琀愀渀搀愀爀搀椀猀愀琀椀漀渀㼀 猀琀愀渀搀愀爀

STUDIO CRAFTS

03

INTERIOR/SPATIAL/PRODUCTS

琀栀攀 挀爀愀昀琀猀洀愀渀 椀猀

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1. Products & Ergonomics

DATE

Jan 2019 to Jun 2019 TYPE

Group Work

(Akanksha Salunke, Harsh Shah) NAME

the tinted club - RETAIL STORE

愀搀瘀愀渀挀攀搀 昀愀戀爀椀挀 瀀爀漀瀀攀爀琀椀攀猀 漀昀 琀栀 圀椀琀栀 琀栀攀 漀渀最漀椀渀最 爀攀猀攀愀爀挀栀 愀渀搀 琀爀愀渀猀昀漀爀洀 琀栀攀 洀愀渀 甀渀搀攀爀猀琀愀渀搀椀渀最 洀愀琀攀爀椀愀氀椀琀礀 愀渀搀 椀琀猀 愀瀀瀀氀椀ⴀ挀愀渀 攀砀瀀氀漀爀愀琀椀漀渀 眀椀琀栀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 挀愀渀 洀愀挀栀椀渀攀猀 挀愀琀椀漀渀 椀渀 琀栀攀 猀瀀愀琀椀愀氀 搀攀猀椀最渀 瀀爀漀挀攀猀猀 椀渀 愀 挀甀猀琀漀洀椀猀愀琀椀漀渀 愀渀搀 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 戀愀猀攀搀 瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ 琀栀攀 愀搀瘀愀渀挀攀搀 昀愀戀爀椀挀愀琀椀漀渀 栀愀爀渀攀猀猀 刀愀瀀椀搀 䴀愀渀甀昀愀挀琀甀爀 ᠠ搀椀最椀琀愀氀 樀漀椀渀攀爀礀洀愀琀攀爀椀愀氀猀 ᤠ ⴀ 攀渀栀愀渀挀攀搀 挀愀爀瀀攀渀琀爀礀愀渀搀 爀攀瀀氀愀挀攀 挀漀洀瀀氀攀砀 瀀爀漀瀀攀爀琀椀攀猀 漀昀 甀猀椀渀最 琀栀攀最攀渀攀爀愀琀椀瘀攀 搀攀猀椀最渀 琀漀 搀攀洀漀渀ⴀ 琀攀挀琀漀渀椀挀猀 昀漀爀 猀瀀 猀琀爀愀琀攀 琀栀攀 愀搀瘀愀渀琀愀最攀猀 漀昀 瀀爀漀挀攀猀猀㼀 愀 栀礀戀爀椀搀 琀爀愀渀猀昀漀爀洀 琀栀攀 洀愀渀甀昀愀挀琀甀爀椀渀最 瀀爀漀搀 猀礀猀琀攀洀 ⴀ 䄀洀椀琀 娀漀爀愀渀 ☀ 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀ 漀瀀琀椀洀椀猀攀搀

琀爀愀渀猀氀愀琀椀漀渀 瘀猀⸀ 甀渀搀攀爀猀琀愀渀搀椀渀最 洀愀琀攀爀椀愀氀椀琀礀 愀渀搀猀琀愀渀搀愀爀搀椀猀愀琀椀漀渀㼀 椀琀猀 愀瀀瀀氀椀ⴀ 挀愀渀 洀愀挀栀椀渀攀猀 2. Building Element Design

3. Site Details

愀搀瘀愀渀挀攀搀 昀愀戀爀椀挀愀琀椀漀渀 栀愀爀渀攀猀猀 琀栀攀 Pooja 漀昀 Shah, 琀栀攀 poojashah@devotie.us 洀愀琀攀爀椀愀氀猀 愀渀搀 Pooja Shah, poojashah@devotie.us Om Prakash, 琀爀愀渀猀昀漀爀洀 琀栀攀 洀愀渀甀昀愀挀琀甀爀椀渀最 瀀爀漀挀攀猀猀㼀 jeevaram.suthar@gmail.com Rameshwar Bhadhwa, omjisuthar@gmail.com 甀渀搀攀爀猀琀愀渀搀椀渀最 洀愀琀攀爀椀愀氀椀琀礀 愀渀搀 椀琀猀 愀瀀瀀氀椀ⴀ 挀愀渀 洀愀挀栀椀渀攀猀 愀椀搀 椀渀 洀愀猀猀 mortarconstruction.2019@gmail.com 挀愀琀椀漀渀CONTRIBUTION 椀渀 琀栀攀 猀瀀愀琀椀愀氀 搀攀猀椀最渀 瀀爀漀挀攀猀猀 椀渀 愀 挀甀猀琀漀洀椀猀愀琀椀漀渀 CONTRIBUTION 愀渀搀 䐀䤀夀 挀甀氀琀甀爀攀㼀 䌀愀渀 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 戀愀猀攀搀 瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ Spatial Design/Conservation - Assessment Architectural 吀攀挀栀渀椀焀甀攀猀 Development 琀栀愀琀 CONTRIBUTION 刀愀瀀椀搀 䴀愀渀甀昀愀挀琀甀爀椀渀最 Furniture Design - Modelling & Details ᠠ搀椀最椀琀愀氀Services - Coordination Detailed Drawings - Construction 樀漀椀渀攀爀礀 Drawings ᤠ ⴀ 攀渀栀愀渀挀攀搀 挀愀爀瀀攀渀琀爀礀Managemt. 爀攀瀀氀愀挀攀 挀漀洀瀀氀攀砀 琀爀愀搀椀琀椀漀渀愀氀 猀礀猀琀攀洀 Supervision - Workshop, Site Coordinate 甀猀椀渀最Presentation - Schematic Design & Modelling Specifications BOQ Estimation 最攀渀攀爀愀琀椀瘀攀 搀攀猀椀最渀 琀漀 搀攀洀漀渀ⴀ 琀攀挀琀漀渀椀挀猀 昀漀爀 猀瀀愀挀攀 愀渀搀 洀愀琀攀爀椀愀氀 猀琀爀愀琀攀 琀栀攀 愀搀瘀愀渀琀愀最攀猀 漀昀 愀 栀礀戀爀椀搀 漀瀀琀椀洀椀猀攀搀 #interior 瀀爀漀搀甀挀琀椀漀渀 瀀爀漀挀攀猀猀㼀 ⴀ 䄀洀椀琀 娀漀爀愀渀 ⠀戀漀琀琀漀洀⤀⸀ #product design #natural materials 猀礀猀琀攀洀 #spatial design☀ 琀攀愀洀 #heritage documentadesign #finishing #site MENTORS

#customisation #fabrication #crafts #detailing #industrial design #joinery (Credits: Figure 1 - Pooja Shah Architects)

4. Design-Making Process

愀椀搀 椀渀 洀愀猀猀 Experimental Architectural DATE 椀渀 琀栀攀 猀瀀愀琀椀愀氀 搀攀猀椀最渀 瀀爀漀挀攀猀猀 椀渀 愀DATE 挀愀琀椀漀渀 挀甀猀琀漀洀椀猀愀琀椀漀渀 愀渀搀 Constructs 䐀䤀夀 挀甀氀琀甀爀攀㼀 – studio cum 䌀愀渀 workshop 琀栀攀 挀爀愀昀琀猀洀愀渀 椀猀 眀攀氀氀 漀昀 琀栀攀 July 2019 to March 2020 Nov 2018 to Nov愀眀愀爀攀 2019 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 戀愀猀攀搀 瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ that included multiple spatial design 挀漀渀猀琀爀愀椀渀琀猀 愀渀搀 瀀愀爀愀洀攀琀攀爀猀 ⴀ 挀愀渀 挀爀愀昀琀 吀攀挀栀渀椀焀甀攀猀 琀栀愀琀 TYPE TYPE 刀愀瀀椀搀 projects involving intense collabo戀攀 愀 搀攀爀椀瘀愀琀椀瘀攀 漀昀 愀 渀攀眀 䴀愀渀甀昀愀挀琀甀爀椀渀最 氀愀渀最甀愀最攀㼀 椀琀猀 Individual Work ᤠ ⴀ 攀渀栀愀渀挀攀搀 Individual Work rative detailing, first hand sitework 琀椀洀攀 昀漀爀 琀栀攀 挀爀愀昀琀 椀琀猀攀氀昀 琀漀 挀漀洀瀀氀攀砀 ᠠ攀瘀漀氀瘀攀ᤠ℀ ᠠ搀椀最椀琀愀氀 樀漀椀渀攀爀礀 挀愀爀瀀攀渀琀爀礀 爀攀瀀氀愀挀攀 琀爀愀搀椀琀椀漀渀愀氀 猀礀猀琀攀洀 and ‘studio craft’ exposure 甀猀椀渀最 NAME 最攀渀攀爀愀琀椀瘀攀 搀攀猀椀最渀 琀漀 搀攀洀漀渀ⴀNAME 琀攀挀琀漀渀椀挀猀 昀漀爀 猀瀀愀挀攀 愀渀搀 洀愀琀攀爀椀愀氀 with craftsmen and industry. 圀椀琀栀 琀栀攀 mehra 爀攀猀攀愀爀挀栀 thakkar house HOUSE INTERVENTIONS residence - INTERIORS 愀渀搀 猀琀爀愀琀攀 琀栀攀 -愀搀瘀愀渀琀愀最攀猀 漀昀 愀 栀礀戀爀椀搀漀渀最漀椀渀最 攀砀瀀氀漀爀愀琀椀漀渀 眀椀琀栀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 挀愀渀 漀瀀琀椀洀椀猀攀搀 瀀爀漀搀甀挀琀椀漀渀 瀀爀漀挀攀猀猀㼀 猀礀猀琀攀洀 MENTORS ⴀ 䄀洀椀琀 娀漀爀愀渀 ☀ 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀MENTORS Pooja Shah, poojashah@devotie.us 瀀爀漀瀀攀爀琀椀攀猀 Jeevaram Suthar,

tion #oldandnew #modern interventation #studio crafts #handmade vs industry

craftsman designs, designer creates.

with the ongoing research and 甀渀搀攀爀猀琀愀渀搀椀渀最 洀愀琀攀爀椀愀氀椀琀礀 愀渀搀 椀琀猀 愀瀀瀀氀椀ⴀ 挀愀琀椀漀渀 椀渀 琀栀攀 猀瀀愀琀椀愀氀 瀀爀漀挀攀猀猀can 椀渀 愀 exploration with 搀攀猀椀最渀 prototypes, 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 戀愀猀攀搀 harness 瀀爀愀挀琀椀挀攀 ⠀琀漀瀀⤀⸀ advanced fabrication the material樀漀椀渀攀爀礀 properties and 挀愀爀瀀攀渀琀爀礀 transᠠ搀椀最椀琀愀氀 ᤠ ⴀ 攀渀栀愀渀挀攀搀 form the manufacturing 甀猀椀渀最 最攀渀攀爀愀琀椀瘀攀 搀攀猀椀最渀 琀漀process? 搀攀洀漀渀ⴀ 猀琀爀愀琀攀 琀栀攀 愀搀瘀愀渀琀愀最攀猀 漀昀 愀 栀礀戀爀椀搀 a translation 猀礀猀琀攀洀 ⴀ 䄀洀椀琀 娀漀爀愀渀 ☀approach 琀攀愀洀 ⠀戀漀琀琀漀洀⤀⸀

琀爀愀 猀琀愀

琀栀攀 挀爀愀昀琀 挀漀渀猀琀爀愀椀渀 戀攀 愀 搀攀爀 琀椀洀攀 昀漀爀

圀椀琀栀 琀栀 攀砀瀀氀漀爀愀琀椀 愀搀瘀愀渀挀攀 瀀爀漀瀀攀爀琀椀攀 琀爀愀渀猀昀漀爀洀 挀愀渀 洀 挀甀猀琀漀洀椀猀 刀愀瀀椀搀 䴀 爀攀瀀氀愀挀攀 琀攀挀琀漀渀椀挀 漀瀀琀椀洀椀猀攀搀

#modelling #material specifics #workshop #furniture & spatial

14

03A

PRODUCT - FURNITURE DESIGN the tinted club - RETAIL STORE

Compact Design

Spatial Elements

㈀

猀琀甀搀椀漀 挀爀愀昀琀猀

倀伀伀䨀䄀 匀䠀䄀䠀 䄀刀䌀䠀⸀

刀䌀䌀 匀氀愀戀 䰀䔀䐀 氀椀最栀琀 愀猀 瀀攀爀 猀攀氀攀挀琀椀漀渀 䌀倀吀圀 昀爀愀洀攀眀漀爀欀 瀀愀椀渀琀攀搀 椀渀 眀栀椀琀攀⸀

㈀ ㄀㤀

刀䌀䌀 匀氀愀戀

㐀洀洀 琀栀欀 戀爀愀猀猀 爀椀渀最 ㌀㄀洀洀 搀椀愀 愀挀爀礀氀椀挀 爀漀搀 㐀洀洀 琀栀欀 戀爀愀猀猀 瀀攀最 㐀洀洀 琀栀欀 戀爀愀猀猀 挀氀椀瀀 琀漀 栀漀氀搀 㘀洀洀 最氀愀猀猀

Completed Installation

䰀䔀䐀 瀀攀爀 挀氀椀瀀 㐀洀洀氀椀最栀琀 琀栀欀愀猀 戀爀愀猀猀 猀攀氀攀挀琀椀漀渀 琀漀 栀漀氀搀 㘀洀洀 最氀愀猀猀 刀䌀䌀 匀氀愀戀 䌀倀吀圀 昀爀愀洀攀眀漀爀欀 䰀䔀䐀 氀椀最栀琀 愀猀 瀀攀爀 瀀愀椀渀琀攀搀 椀渀 眀栀椀琀攀⸀ 猀攀氀攀挀琀椀漀渀

1. Furniture Organisation

An eyewear boutique interior design that involves resolving additive and subtractive geometries in a simple 3D volumetric space. The simple white frame and stone structure juxtaposed with lightweight detailed free-standing elements and heavy, strong sculptural forms with focus on details.

㘀ⴀ㠀洀洀 愀挀爀礀氀椀挀 瀀愀渀攀氀

挀爀愀昀琀猀洀愀渀 搀攀猀椀最渀猀 搀攀猀椀最渀攀爀 挀爀攀愀琀攀猀

䄀渀 攀礀攀眀攀愀爀 戀漀甀琀椀焀甀攀 猀攀琀琀氀攀搀 椀渀 戀甀猀礀 䈀愀渀搀爀愀Ⰰ 䰀䔀䐀 氀椀最栀琀 愀猀 瀀攀爀 猀攀氀攀挀琀椀漀渀 䴀甀洀戀愀椀 ⴀ 椀琀 椀渀瘀漀氀瘀攀搀 爀攀猀漀氀瘀椀渀最 愀搀搀椀琀椀瘀攀 愀渀搀 䌀倀吀圀 昀爀愀洀攀眀漀爀欀 瀀愀椀渀琀攀搀 猀甀戀琀爀愀挀琀椀瘀攀 最攀漀洀攀琀爀椀攀猀 椀渀 愀 猀椀洀瀀氀攀 ㌀䐀 瘀漀氀甀洀攀琀爀椀挀 椀渀 眀栀椀琀攀⸀ 㘀ⴀ㠀洀洀 愀挀爀礀氀椀挀 瀀愀渀攀氀 猀瀀愀挀攀⸀ 吀栀攀 猀椀洀瀀氀攀 眀栀椀琀攀 昀爀愀洀攀 愀渀搀 猀琀漀渀攀 㐀洀洀 琀栀欀 戀爀愀猀猀 爀椀渀最 攀砀瀀爀攀猀猀椀渀最 琀栀攀 猀栀攀氀氀 愀渀搀 猀琀爀甀挀琀甀爀攀 眀椀琀栀 琀栀攀 䜀爀愀瀀栀椀挀 猀琀爀甀挀琀甀爀攀 樀甀砀琀愀瀀漀猀攀搀 眀椀琀栀 氀椀最栀琀眀攀椀最栀琀 搀攀琀愀椀氀攀搀 ㌀㄀洀洀 搀椀愀 搀攀琀愀椀氀攀搀 愀挀爀礀氀椀挀 爀漀搀 愀渀搀 挀爀愀昀琀攀搀 洀愀琀攀爀椀愀氀猀 愀渀搀 昀漀爀洀猀 ⠀琀漀瀀⤀⸀ 昀爀攀攀ⴀ猀琀愀渀搀椀渀最 攀氀攀洀攀渀琀猀 愀渀搀 栀攀愀瘀礀Ⰰ 猀琀爀漀渀最 1:1椀渀挀氀甀搀攀 Detailed愀Drawing Architectural 䌀漀渀琀爀愀猀琀椀渀最 最攀漀洀攀琀爀椀挀 昀椀砀攀搀 昀漀爀洀Drawing 愀渀搀 昀爀攀攀猀琀愀渀搀椀渀最 㐀洀洀 琀栀欀 戀爀愀猀猀 瀀攀最 栀愀渀最椀渀最 猀挀甀氀瀀琀甀爀愀氀 昀漀爀洀猀⸀ 䘀攀眀 搀攀琀愀椀氀猀 昀氀漀愀琀椀渀最 猀栀攀氀昀 挀爀攀愀琀椀渀最 搀爀愀洀愀 愀洀椀搀猀琀 愀 猀攀爀攀渀攀 愀渀搀 刀䌀䌀 匀氀愀戀 猀栀攀氀昀Ⰰ 愀 猀甀猀瀀攀渀搀攀搀 爀愀挀欀 愀渀搀 愀 昀氀漀愀琀椀渀最 搀攀挀欀⸀ 猀甀戀琀氀攀 氀愀渀搀猀挀愀瀀攀 ⠀氀攀昀琀⤀⸀

㐀洀洀 琀栀欀 戀爀愀猀猀 瀀椀渀

The entire process is based on䌀倀吀圀 昀爀愀洀攀眀漀爀欀 㘀ⴀ㠀洀洀 愀挀爀礀氀椀挀瀀愀椀渀琀攀搀 瀀愀渀攀氀椀渀 眀栀椀琀攀⸀ the potential of artisanship - it㘀ⴀ㠀洀洀 㐀洀洀 㐀洀洀 琀栀欀 琀栀欀 戀爀愀猀猀 戀爀愀猀猀 爀椀渀最 瀀椀渀 愀挀爀礀氀椀挀 瀀愀渀攀氀 㐀洀洀爀漀搀 琀栀欀 戀爀愀猀猀 爀椀渀最 involves 1:1 drawing ㌀㄀洀洀 details, 搀椀愀 愀挀爀礀氀椀挀 ㌀㄀洀洀 搀椀愀 愀挀爀礀氀椀挀 爀漀搀 testing with end user products. 㐀洀洀 琀栀欀 戀爀愀猀猀 瀀攀最

㘀ⴀ㠀洀洀 琀栀欀 最氀愀猀猀 ⼀愀挀爀礀氀椀挀 猀栀攀氀昀 戀爀愀猀猀 瀀氀愀琀攀 猀挀爀攀眀攀搀 漀渀琀漀 ㄀㠀洀洀 琀栀欀 眀栀椀琀攀 椀渀搀椀愀渀 洀愀爀戀氀攀⸀

㘀ⴀ㠀洀洀 琀栀欀 最氀愀猀猀 㐀洀洀 琀栀欀 戀爀愀猀猀 瀀攀最 ⼀愀挀爀礀氀椀挀 猀栀攀氀昀

㐀洀洀 琀栀欀 戀爀愀猀猀 挀氀椀瀀 Followed by studio-workshop 㐀洀洀 挀氀椀瀀㘀洀洀 最氀愀猀猀 戀爀愀猀猀 琀栀欀 瀀氀愀琀攀戀爀愀猀猀 猀挀爀攀眀攀搀 琀漀 栀漀氀搀 琀漀 栀漀氀搀 㘀洀洀 漀渀琀漀 ㄀㠀洀洀最氀愀猀猀琀栀欀 iterations of mock ups and 眀栀椀琀攀 椀渀搀椀愀渀 洀愀爀戀氀攀⸀ prototypes with market㐀洀洀 琀栀欀 戀爀愀猀猀 瀀椀渀 study, models and forms. 㐀洀洀 琀栀欀 戀爀愀猀猀 瀀椀渀 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀 匀愀氀甀渀欀攀 㘀ⴀ㠀洀洀 琀栀欀 最氀愀猀猀 with the overall idea of a⼀愀挀爀礀氀椀挀 猀栀攀氀昀 吀栀攀 攀渀琀椀爀攀 瀀爀漀挀攀猀猀 椀猀 戀愀猀攀搀 漀渀 䘀漀氀氀漀眀攀搀 戀礀 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 圀椀琀栀 琀栀攀 漀瘀攀爀愀氀氀 椀搀攀愀 漀昀 愀 挀漀渀猀琀爀甀挀ⴀ constructive spatial㘀ⴀ㠀洀洀 ex戀爀愀猀猀 瀀氀愀琀攀漀昀 猀挀爀攀眀攀搀 琀栀攀琀栀欀瀀漀琀攀渀琀椀愀氀 愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀 椀琀攀爀愀琀椀漀渀猀 漀昀 洀漀挀欀 甀瀀猀 愀渀搀 琀椀瘀攀 猀瀀愀琀椀愀氀 攀砀瀀攀爀椀攀渀挀攀 昀漀爀 琀栀攀 甀猀攀爀 最氀愀猀猀 漀渀琀漀 ㄀㠀洀洀 琀栀欀 猀栀攀氀昀 眀栀椀琀攀㄀㨀㄀ 椀渀瘀漀氀瘀攀猀 搀爀愀眀椀渀最 搀攀琀愀椀氀猀Ⰰ 瀀爀漀琀漀琀礀瀀攀猀 眀椀琀栀 洀愀爀欀攀琀 猀琀甀搀礀Ⰰ ⴀ 戀愀猀攀搀 漀渀 欀攀礀 挀漀氀氀愀戀漀爀愀琀椀漀渀 眀椀琀栀 椀渀搀椀愀渀 洀愀爀戀氀攀⸀ perience for the ⼀愀挀爀礀氀椀挀 user.

琀攀猀琀椀渀最 眀椀琀栀 攀渀搀 甀猀攀爀 瀀爀漀搀甀挀琀猀⸀ 眀漀漀搀攀渀 洀漀搀攀氀Ⰰ 猀愀洀瀀氀攀猀Ⰰ 昀漀爀洀猀⸀⸀ 琀栀攀 搀攀猀椀最渀攀爀Ⰰ 挀爀愀昀琀猀洀愀渀 愀渀搀 挀氀椀攀渀琀Ⰰ 戀爀愀猀猀 瀀氀愀琀攀 猀挀爀攀眀攀搀 漀渀琀漀 ㄀㠀洀洀 琀栀欀 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀 匀愀氀甀渀欀攀 眀栀椀琀攀 椀渀搀椀愀渀 洀愀爀戀氀攀⸀ 吀栀攀 攀渀琀椀爀攀 瀀爀漀挀攀猀猀 椀猀 戀愀猀攀搀 漀渀 琀栀攀 瀀漀琀攀渀琀椀愀氀 漀昀 愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀 椀渀瘀漀氀瘀攀猀 ㄀㨀㄀ 搀爀愀眀椀渀最 搀攀琀愀椀氀猀Ⰰ 琀攀猀琀椀渀最 眀椀琀栀 攀渀搀 甀猀攀爀 瀀爀漀搀甀挀琀猀⸀

䘀漀氀氀漀眀攀搀 戀礀 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 椀琀攀爀愀琀椀漀渀猀 漀昀 洀漀挀欀 甀瀀猀 愀渀搀 瀀爀漀琀漀琀礀瀀攀猀 眀椀琀栀 洀愀爀欀攀琀 猀琀甀搀礀Ⰰ 眀漀漀搀攀渀 洀漀搀攀氀Ⰰ 猀愀洀瀀氀攀猀Ⰰ 昀漀爀洀猀⸀⸀

圀椀琀栀 琀栀攀 漀瘀攀爀愀氀氀 椀搀攀愀 漀昀 愀 挀漀渀猀琀爀甀挀ⴀ 琀椀瘀攀 猀瀀愀琀椀愀氀 攀砀瀀攀爀椀攀渀挀攀 昀漀爀 琀栀攀 甀猀攀爀 ⴀ 戀愀猀攀搀 漀渀 欀攀礀 挀漀氀氀愀戀漀爀愀琀椀漀渀 眀椀琀栀 琀栀攀 搀攀猀椀最渀攀爀Ⰰ 挀爀愀昀琀猀洀愀渀 愀渀搀 挀氀椀攀渀琀Ⰰ

䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䄀爀⸀ 䄀愀欀愀渀欀猀栀愀 匀愀氀甀渀欀攀

吀栀攀 攀渀琀椀爀攀 瀀爀漀挀攀猀猀 椀猀 戀愀猀攀搀 漀渀 琀栀攀 瀀漀琀攀渀琀椀愀氀 漀昀 愀爀琀椀猀愀渀猀栀椀瀀 ⴀ 椀琀 椀渀瘀漀氀瘀攀猀 ㄀㨀㄀ 搀爀愀眀椀渀最 搀攀琀愀椀氀猀Ⰰ 琀攀猀琀椀渀最 眀椀琀栀 攀渀搀 甀猀攀爀 瀀爀漀搀甀挀琀猀⸀

2. Graphic showcasing the interventations

㈀

猀琀甀搀椀漀 挀爀愀昀琀猀 Salunke) (Credits: Figure 1 - Akanksha 倀伀伀䨀䄀 匀䠀䄀䠀 䄀刀䌀䠀⸀

㈀ ㄀㤀

䄀渀 攀礀攀眀攀愀爀 戀漀甀琀椀焀甀攀 猀攀琀琀氀攀搀 椀渀 戀甀猀礀 䈀愀渀搀爀愀Ⰰ 䴀甀洀戀愀椀 ⴀ 椀琀 椀渀瘀漀氀瘀攀搀 爀攀猀漀氀瘀椀渀最 愀搀搀椀琀椀瘀攀 愀渀搀 猀甀戀琀爀愀挀琀椀瘀攀 最攀漀洀攀琀爀椀攀猀 椀渀 愀 猀椀洀瀀氀攀 ㌀䐀 瘀漀氀甀洀攀琀爀椀挀 猀瀀愀挀攀⸀ 吀栀攀 猀椀洀瀀氀攀 眀栀椀琀攀 昀爀愀洀攀 愀渀搀 猀琀漀渀攀

挀爀愀昀琀猀洀愀渀 搀攀猀椀最渀猀 搀攀猀椀最渀攀爀 挀爀攀愀琀攀猀

Mock-up & Trial

Industrial Joinery

䘀漀氀氀漀眀攀搀 戀礀 猀琀甀搀椀漀ⴀ眀漀爀欀猀栀漀瀀 椀琀攀爀愀琀椀漀渀猀 漀昀 洀漀挀欀 甀瀀猀 愀渀搀 瀀爀漀琀漀琀礀瀀攀猀 眀椀琀栀 洀愀爀欀攀琀 猀琀甀搀礀Ⰰ 眀漀漀搀攀渀 洀漀搀攀氀Ⰰ 猀愀洀瀀氀攀猀Ⰰ 昀漀爀洀猀⸀⸀

Craftsmanship

圀椀琀栀 琀栀攀 漀瘀攀爀愀氀氀 椀搀攀愀 漀昀 愀 挀漀渀猀琀爀甀挀ⴀ 琀椀瘀攀 猀瀀愀琀椀愀氀 攀砀瀀攀爀椀攀渀挀攀 昀漀爀 琀栀攀 甀猀攀爀 ⴀ 戀愀猀攀搀 漀渀 欀攀礀 挀漀氀氀愀戀漀爀愀琀椀漀渀 眀椀琀栀 琀栀攀 搀攀猀椀最渀攀爀Ⰰ 挀爀愀昀琀猀洀愀渀 愀渀搀 挀氀椀攀渀琀Ⰰ

Workshop & Tools

挀愀渀 愀 搀甀愀氀Ⰰ 搀椀猀琀椀渀挀琀 愀渀搀 挀漀氀氀攀挀琀椀瘀攀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 戀攀 攀猀琀愀戀氀椀猀栀攀搀㼀 ⴀ 漀渀攀 眀栀椀挀栀 甀猀攀猀 琀栀攀 搀甀愀氀Ⰰ 搀椀猀琀椀渀挀琀 挀漀氀氀攀挀琀椀瘀攀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀挀漀洀瀀攀琀攀渀挀攀 戀攀 攀猀琀愀戀氀椀猀栀攀搀㼀 ⴀ 漀昀 漀渀攀 琀栀攀 眀栀椀挀栀挀爀愀昀琀猀洀愀渀 甀猀攀猀 琀栀攀 漀瀀瀀漀爀琀甀渀椀琀礀挀愀渀 琀漀 愀 瀀甀猀栀 琀栀攀 愀渀搀 昀愀戀爀椀挀愀琀椀漀渀 猀欀椀氀氀 愀渀搀 眀栀椀氀攀 漀瀀瀀漀爀琀甀渀椀琀礀 琀漀 瀀甀猀栀 琀栀攀 眀椀琀栀 昀愀戀爀椀挀愀琀椀漀渀 猀欀椀氀氀 愀渀搀 挀漀洀瀀攀琀攀渀挀攀 漀昀 琀栀攀 挀爀愀昀琀猀洀愀渀 眀栀椀氀攀 瀀爀漀琀漀琀礀瀀椀渀最瀀爀漀琀漀琀礀瀀椀渀最 眀椀琀栀 攀渀最愀最攀洀攀渀琀 猀漀瀀栀椀猀琀椀挀愀琀攀搀 搀椀最椀琀愀氀 洀漀搀攀氀氀椀渀最 琀漀漀氀猀 ☀ 琀攀挀栀渀椀焀甀攀猀⸀ 眀椀琀栀 攀渀最愀最攀洀攀渀琀 眀椀琀栀 猀漀瀀栀椀猀琀椀挀愀琀攀搀 搀椀最椀琀愀氀 洀漀搀攀氀氀椀渀最 琀漀漀氀猀 ☀ 琀攀挀栀渀椀焀甀攀猀⸀

䴀攀渀琀漀爀

吀栀攀 攀渀琀椀爀攀 瀀爀漀挀攀猀猀 椀猀 戀愀猀攀 琀栀攀 瀀漀琀攀渀琀椀愀氀 漀昀 愀爀琀椀猀愀渀猀栀椀瀀 椀渀瘀漀氀瘀攀猀 ㄀㨀㄀ 搀爀愀眀椀渀最 搀攀 琀攀猀琀椀渀最 眀椀琀栀 攀渀搀 甀猀攀爀 瀀爀漀搀

Working Drawing

can a dual, distinct and collective definition of craft be established? - one which uses the opportunity to push the fabrication skill and competence of the craftsman while prototyping with engagement with sophisticated digital modelling & techniques. 挀愀渀 愀 搀甀愀氀Ⰰtools 搀椀猀琀椀渀挀琀 愀渀搀 挀漀氀氀攀挀琀椀瘀攀 搀攀昀椀渀椀

漀瀀瀀漀爀琀甀渀椀琀礀 琀漀 瀀甀猀栀 琀栀攀 昀愀戀爀椀挀愀琀椀漀渀 猀 瀀爀漀琀漀琀礀瀀椀渀最 眀椀琀栀 攀渀最愀最攀洀攀渀琀 眀椀琀栀 猀漀瀀

15

03B

SPATIAL DESIGN - CONSERVATION

吀栀攀 愀最攀 漀氀搀 栀漀甀猀攀 椀猀 愀 洀愀稀攀 漀昀 椀渀琀攀爀瘀攀渀琀椀漀渀猀 漀瘀攀爀 愀 瀀攀爀椀漀搀 漀昀 琀椀洀攀 ⴀ 椀琀 爀攀焀甀椀爀攀搀 欀攀礀 猀瀀愀琀椀愀氀 愀渀搀 猀琀爀甀挀琀甀爀愀氀 thakkar house - RESIDENTIAL 爀攀猀瀀漀渀猀攀猀 琀漀 猀攀爀瘀攀 愀 氀漀渀最攀爀 琀攀渀甀爀攀Ⰰ 戀攀 椀琀Ⰰ 椀渀 昀漀爀洀 漀昀 昀愀挀愀搀攀 爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀 瀀氀愀渀渀椀渀最 愀琀 琀眀漀vs氀攀瘀攀氀猀 old new ⠀猀椀搀攀⤀ 愀渀搀 猀瀀愀琀椀愀氀 爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

吀栀攀 愀最攀 漀氀搀 栀漀甀猀攀 椀猀 愀 洀愀稀攀 漀昀 椀渀琀攀爀瘀攀渀琀椀漀渀猀 漀瘀攀爀 愀 INTERVENTIONS 瀀攀爀椀漀搀 漀昀 琀椀洀攀 ⴀ 椀琀 爀攀焀甀椀爀攀搀 欀攀礀 猀瀀愀琀椀愀氀 愀渀搀 猀琀爀甀挀琀甀爀愀氀

Heritage Interventions

爀攀猀瀀漀渀猀攀猀 琀漀 猀攀爀瘀攀 愀 氀漀渀最攀爀 琀攀渀甀爀攀Ⰰ 戀攀 椀琀Ⰰ 椀渀 昀漀爀洀 漀昀 昀愀挀愀搀攀 爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀 瀀氀愀渀渀椀渀最 愀琀 琀眀漀 氀攀瘀攀氀猀 ⠀猀椀搀攀⤀ 愀渀搀 猀瀀愀琀椀愀氀 爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

吀栀攀 愀最攀 漀氀搀 栀漀甀猀攀 椀猀 愀 洀愀稀攀 漀昀 椀渀琀攀爀瘀攀渀琀椀漀渀猀 漀瘀攀爀 愀 瀀攀爀椀漀搀 漀昀 琀椀洀攀 ⴀ 椀琀 爀攀焀甀椀爀攀搀 欀攀礀 猀瀀愀琀椀愀氀 愀渀搀 猀琀爀甀挀琀甀爀愀氀 爀攀猀瀀漀渀猀攀猀 琀漀 猀攀爀瘀攀 愀 氀漀渀最攀爀 琀攀渀甀爀攀Ⰰ 戀攀 椀琀Ⰰ 椀渀 昀漀爀洀 漀昀 昀愀挀愀搀攀 爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀 瀀氀愀渀渀椀渀最 愀琀 琀眀漀 氀攀瘀攀氀猀 ⠀猀椀搀攀⤀ 愀渀搀 猀瀀愀琀椀愀氀 爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

吀栀攀 愀最攀 漀氀搀 栀漀甀猀攀 椀猀 愀 洀愀稀攀 漀昀 椀渀琀攀爀瘀攀渀琀椀漀渀猀 漀瘀攀爀 愀 瀀攀爀椀漀搀 漀昀 琀椀洀攀 ⴀ 椀琀 爀攀焀甀椀爀攀搀 欀攀礀 猀瀀愀琀椀愀氀 愀渀搀 猀琀爀甀挀琀甀爀愀氀 爀攀猀瀀漀渀猀攀猀 琀漀 猀攀爀瘀攀 愀 氀漀渀最攀爀 琀攀渀甀爀攀Ⰰ 戀攀 椀琀Ⰰ 椀渀 昀漀爀洀 漀昀 昀愀挀愀搀攀 爀攀搀攀瘀攀氀漀瀀洀攀渀琀 ⠀琀漀瀀⤀Ⰰ 猀琀爀愀琀攀最椀挀 瀀氀愀渀渀椀渀最 愀琀 琀眀漀 氀攀瘀攀氀猀 ⠀猀椀搀攀⤀ 愀渀搀 猀瀀愀琀椀愀氀 爀攀ⴀ漀爀最愀渀椀猀琀椀漀渀 ⠀戀漀琀琀漀洀⤀⸀

3. Proposed Upper Level Plan 1. Series of staircases - old n new

Rightly said by Richard Sennetti in ‘The Craftsman’ - set in a socio-economic structure, it requires a process based approach involving reclamation of a time tested model, revealing technologies and techniques.

This project, set in the eras of the 1960s, an elevated bungalow is a potential testing lab 刀椀最栀琀氀礀 猀愀椀搀 刀椀挀栀愀爀搀 匀攀渀渀攀琀琀椀 椀渀complementing ᠠ吀栀攀 䌀爀愀昀琀猀洀愀渀ᤠ with for戀礀critical innovations ⴀ 猀攀琀 椀渀 愀the 猀漀挀椀漀ⴀ攀挀漀渀漀洀椀挀 猀琀爀甀挀琀甀爀攀Ⰰ 愀 fundamental strata 椀琀of爀攀焀甀椀爀攀猀 the house.

瀀爀漀挀攀猀猀 戀愀猀攀搀 愀瀀瀀爀漀愀挀栀 椀渀瘀漀氀瘀椀渀最 爀攀挀氀愀洀愀琀椀漀渀 漀昀 愀 琀椀洀攀 琀攀猀琀攀搀 洀漀搀攀氀Ⰰ 爀攀瘀攀愀氀椀渀最 琀攀挀栀渀漀氀漀最椀攀猀 愀渀搀 琀攀挀栀渀椀焀甀攀猀⸀ 吀栀椀猀 瀀爀漀樀攀挀琀Ⰰ 猀攀琀 椀渀 琀栀攀 攀爀愀猀 漀昀 琀栀攀 ㄀㤀㘀 猀Ⰰ 愀渀 攀氀攀瘀愀琀攀搀 戀甀渀最愀氀漀眀 椀猀 愀 瀀漀琀攀渀琀椀愀氀 琀攀猀琀椀渀最 氀愀戀 昀漀爀 挀爀椀琀椀挀愀氀 椀渀渀漀瘀愀琀椀漀渀猀 挀漀洀瀀氀攀洀攀渀琀椀渀最 眀椀琀栀 琀栀攀 昀甀渀搀愀洀攀渀琀愀氀 猀琀爀愀琀愀 漀昀 琀栀攀 栀漀甀猀攀⸀

.4. Proposed Lower Level Plan

The age old house is a maze of while responding to heriinterventions over a period of tage - should one interpret time - it required key and extrapolate general ⴀ 猀攀琀spatial 椀渀 愀 猀漀挀椀漀ⴀ攀挀漀渀漀洀椀挀 猀琀爀甀挀琀甀爀攀Ⰰthe 椀琀 爀攀焀甀椀爀攀猀 愀 瀀爀漀挀攀猀猀stra戀愀猀攀搀principles 愀瀀瀀爀漀愀挀栀 椀渀瘀漀氀瘀椀渀最 爀攀挀氀愀洀愀琀椀漀渀 and structural responses, in the new space 漀昀 愀 levels 琀椀洀攀琀漀 琀攀猀琀攀搀 洀漀搀攀氀Ⰰ 爀攀瘀攀愀氀椀渀最 爀攀猀瀀漀渀搀椀渀最 栀椀猀琀漀爀椀挀 愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀 漀渀攀 椀渀琀攀爀瀀爀攀琀 愀渀搀 攀砀琀爀愀瀀漀氀愀琀攀 琀栀攀 最攀渀攀爀愀氀 tegic眀栀椀氀攀 planning at two and time with 琀攀挀栀渀漀氀漀最椀攀猀 emphasis 愀渀搀 琀攀挀栀渀椀焀甀攀猀⸀ 吀栀椀猀 瀀爀漀樀攀挀琀Ⰰ 猀攀琀 椀渀 琀栀攀 攀爀愀猀 瀀爀椀渀挀椀瀀氀攀猀 椀渀 琀栀攀 渀攀眀 猀瀀愀挀攀 愀渀搀 琀椀洀攀 眀椀琀栀 and spatial re-organisation. form organisation? 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰon䌀愀爀瀀⸀ 伀洀 and 倀爀愀欀愀猀栀 匀礀琀栀愀爀漀昀 琀栀攀攀洀瀀栀愀猀椀猀 漀渀 昀漀爀洀Ⰰ 洀愀琀攀爀椀愀氀 愀渀搀 漀爀最愀渀椀猀愀琀椀漀渀㼀 眀栀椀氀攀 爀攀猀瀀漀渀搀椀渀最 琀漀 栀椀猀琀漀爀椀挀 愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀 漀渀攀 椀渀琀攀爀瀀爀攀琀 愀渀搀 攀砀琀爀愀瀀漀氀愀琀攀 琀栀攀 最攀渀攀爀愀氀 瀀爀椀渀挀椀瀀氀攀猀 椀渀 琀栀攀 渀攀眀 猀瀀愀挀攀 愀渀搀 琀椀洀攀 眀椀琀栀 攀洀瀀栀愀猀椀猀 昀漀爀洀Ⰰ戀礀 洀愀琀攀爀椀愀氀 愀渀搀 匀攀渀渀攀琀琀椀 漀爀最愀渀椀猀愀琀椀漀渀㼀 刀椀最栀琀氀礀漀渀猀愀椀搀 刀椀挀栀愀爀搀 椀渀 ᠠ吀栀攀 䌀爀愀昀琀猀洀愀渀ᤠ

㄀㤀㘀 猀Ⰰ 愀渀 攀氀攀瘀愀琀攀搀 戀甀渀最愀氀漀眀 椀猀 愀 瀀漀琀攀渀琀椀愀氀 琀攀猀琀椀渀最 氀愀戀 昀漀爀 挀爀椀琀椀挀愀氀 椀渀渀漀瘀愀琀椀漀渀猀 挀漀洀瀀氀攀洀攀渀琀椀渀最 眀椀琀栀 琀栀攀 昀甀渀搀愀洀攀渀琀愀氀 猀琀爀愀琀愀 漀昀 琀栀攀 栀漀甀猀攀⸀

5. Exploded Existing Documentation

䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 眀栀椀氀攀 爀攀猀瀀漀渀搀椀渀最 琀漀 栀椀猀琀漀爀椀挀 愀爀挀栀椀琀攀挀琀甀爀攀 ⴀ 猀栀漀甀氀搀 漀渀攀 椀渀琀攀爀瀀爀攀琀 愀渀搀 攀砀琀爀愀瀀漀氀愀琀攀 琀栀攀 最攀渀攀爀愀氀 瀀爀椀渀挀椀瀀氀攀猀 椀渀 琀栀攀 渀攀眀 猀瀀愀挀攀 愀渀搀 琀椀洀攀 眀椀琀栀 攀洀瀀栀愀猀椀猀 漀渀 昀漀爀洀Ⰰ 洀愀琀攀爀椀愀氀 愀渀搀 漀爀最愀渀椀猀愀琀椀漀渀㼀

2. Site View - Penthouse levels

6a. Current Strong Room & Library

6b. Proposed Master Bathroom

7a. Reading room/Master bathroom

䌀愀爀瀀⸀ 伀洀 倀爀愀欀愀猀栀 匀礀琀栀愀爀

7b. Kitchen and Dining Space

16

03C

INTERIOR DESIGN mehra residence - SPATIAL RENOVATIONS 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀 倀爀愀欀愀猀栀 匀礀琀栀愀爀 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀 倀爀愀欀愀猀栀 匀礀琀栀愀爀

‘house on clouds’ - A small, 1000 sqft contemporary residence on the 17th floor was made in relevence to present day context, where the tangible layer lends a personal entity to the built form by re-interpretation of the old.

䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀Ⰰ 䌀愀爀瀀⸀ 伀洀 倀爀愀欀愀猀栀 匀礀琀栀愀爀

The architect is in constant touch with the craftsman and this approach involves high degree of research, conceptualisation and thought process goes into it prior to the actual structuring of the house. 愀 搀椀猀瀀氀愀礀 漀昀 搀椀猀琀椀渀挀琀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 眀栀攀爀攀 攀砀瀀攀爀椀洀攀渀琀猀 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀 洀愀琀攀爀椀愀氀 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 琀栀爀漀甀最栀 椀渀渀漀瘀愀ⴀ 琀椀漀渀 愀渀搀 昀攀攀搀戀愀挀欀 瘀椀愀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀 洀漀搀攀氀猀 愀渀搀 洀漀挀欀 甀瀀猀 琀漀 最爀愀猀瀀 琀栀攀 椀洀瀀愀挀琀 漀昀 琀栀攀 搀攀琀愀椀氀 愀琀 琀栀攀 栀甀洀愀渀 猀挀愀氀攀 氀攀瘀攀氀⸀

taking forward this deep association with craft that is relevent to context, can materials transform and change meaning with the function of technology?

2. Mock-ups

1. Convertible Space Design

倀爀漀挀攀猀猀 眀椀琀栀 瘀愀爀椀漀甀猀 琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 猀椀琀攀 瀀爀漀最爀攀猀猀⸀

3. Door Detail Drawing

ᠠ栀漀甀猀攀 漀渀 挀氀漀甀搀猀ᤠ ⴀ 䄀 猀洀愀氀氀Ⰰ ㄀ 猀焀昀琀 挀漀渀琀攀洀瀀漀爀愀爀礀 爀攀猀椀搀攀渀挀攀 漀渀 琀栀攀 ㄀㜀琀栀 昀氀漀漀爀 眀愀猀 洀愀搀攀 椀渀 爀攀氀攀瘀攀渀挀攀 琀漀 瀀爀攀猀攀渀琀 搀愀礀 挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀 琀栀攀 琀愀渀最椀戀氀攀 氀愀礀攀爀 氀攀渀搀猀 愀 瀀攀爀猀漀渀愀氀 攀渀琀椀琀礀 琀漀 琀栀攀 戀甀椀氀琀 昀漀爀洀 戀礀 爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀 漀昀 琀栀攀 漀氀搀⸀ 䠀攀爀攀 琀栀攀 愀爀挀栀椀琀攀挀琀 椀猀 椀渀 挀漀渀猀琀愀渀琀 琀漀甀挀栀 眀椀琀栀 琀栀攀 挀爀愀昀琀猀洀愀渀 愀渀搀 琀栀椀猀 愀瀀瀀爀漀愀挀栀 椀渀瘀漀氀瘀攀猀 栀椀最栀 搀攀最爀攀攀 漀昀 爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀 愀渀搀 琀栀漀甀最栀琀 瀀爀漀挀攀猀猀 最漀攀猀 椀渀琀漀 椀琀 瀀爀椀漀爀 琀漀 琀栀攀 愀挀琀甀愀氀 猀琀爀甀挀琀甀爀椀渀最 漀昀 琀栀攀 栀漀甀猀攀⸀

搀椀猀瀀氀愀礀 漀昀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 眀栀攀爀攀 搀椀猀瀀氀愀礀 漀昀 搀椀猀琀椀渀挀琀 搀攀昀椀渀椀琀椀漀渀 挀爀愀昀琀 眀栀攀爀攀 a愀display of愀搀椀猀琀椀渀挀琀 distinct definition of漀昀craft where 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀 洀愀琀攀爀椀愀氀 攀砀瀀攀爀椀洀攀渀琀猀攀砀瀀攀爀椀洀攀渀琀猀 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀 洀愀琀攀爀椀愀氀 experiments are co-created in material 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 椀渀渀漀瘀愀ⴀ 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 琀栀爀漀甀最栀琀栀爀漀甀最栀 椀渀渀漀瘀愀ⴀ 琀椀漀渀愀猀猀漀挀椀愀琀椀漀渀 愀渀搀 昀攀攀搀戀愀挀欀 瘀椀愀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ research and construction through inno琀愀欀椀渀最 昀漀爀眀愀爀搀 搀攀攀瀀 眀椀琀栀 琀椀漀渀 愀渀搀琀栀椀猀昀攀攀搀戀愀挀欀 瘀椀愀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀猀挀愀氀攀 挀爀愀昀琀 琀栀愀琀 椀猀 爀攀氀攀瘀攀渀琀 琀漀洀漀搀攀氀猀 氀漀挀愀氀攀 愀渀搀 挀漀渀琀攀砀琀Ⰰ 愀渀搀 洀漀挀欀 甀瀀猀 琀漀 最爀愀猀瀀 琀栀攀 椀洀瀀愀挀琀 挀愀渀 洀愀琀攀爀椀愀氀猀and 琀爀愀渀猀昀漀爀洀 愀渀搀 挀栀愀渀最攀 洀漀搀攀氀猀 愀渀搀 洀漀挀欀 甀瀀猀 琀漀 最爀愀猀瀀 琀栀攀 椀洀瀀愀挀琀 vation feedback via prototypes, scale 漀昀 琀栀攀 搀攀琀愀椀氀 愀琀 琀栀攀 栀甀洀愀渀 猀挀愀氀攀 氀攀瘀攀氀⸀ 洀攀愀渀椀渀最 眀椀琀栀 琀栀攀 昀甀渀挀琀椀漀渀 漀昀 琀攀挀栀渀漀氀漀最礀㼀 漀昀 琀栀攀 搀攀琀愀椀氀 琀栀攀 栀甀洀愀渀 氀攀瘀攀氀⸀ models and 愀琀mock ups to猀挀愀氀攀 grasp the im倀爀漀挀攀猀猀 眀椀琀栀 瘀愀爀椀漀甀猀 琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ pact of the搀爀愀眀椀渀最猀Ⰰ detail at the human scale level. 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 猀椀琀攀 瀀爀漀最爀攀猀猀⸀ 倀爀漀挀攀猀猀 眀椀琀栀 瘀愀爀椀漀甀猀㄀㨀㄀ 琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 猀椀琀攀 瀀爀漀最爀攀猀猀⸀

4. Door frame-hinge detail options 愀 搀椀猀瀀氀愀礀 漀昀 搀椀猀琀椀渀挀琀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 眀栀攀爀攀 攀砀瀀攀爀椀洀攀渀琀猀 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀 洀愀琀攀爀椀愀氀 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 琀栀爀漀甀最栀 椀渀渀漀瘀愀ⴀ 琀椀漀渀 愀渀搀 昀攀攀搀戀愀挀欀 瘀椀愀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀 洀漀搀攀氀猀 愀渀搀 洀漀挀欀 甀瀀猀 琀漀 最爀愀猀瀀 琀栀攀 椀洀瀀愀挀琀 漀昀 琀栀攀 搀攀琀愀椀氀 愀琀 琀栀攀 栀甀洀愀渀 猀挀愀氀攀 氀攀瘀攀氀⸀ 倀爀漀挀攀猀猀 眀椀琀栀 瘀愀爀椀漀甀猀 琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 猀椀琀攀 瀀爀漀最爀攀猀猀⸀

ᠠ栀漀甀猀攀 漀渀 挀氀漀甀搀猀ᤠ ⴀ 眀栀攀爀攀 䄀 猀洀愀氀氀Ⰰ ㄀ 猀焀昀琀 挀漀渀琀攀洀瀀漀爀愀爀礀 愀 搀椀猀瀀氀愀礀 漀昀 搀椀猀琀椀渀挀琀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 眀栀攀爀攀 愀 搀椀猀瀀氀愀礀 漀昀 搀椀猀琀椀渀挀琀 搀攀昀椀渀椀琀椀漀渀 漀昀 挀爀愀昀琀 攀砀瀀攀爀椀洀攀渀琀猀 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀 洀愀琀攀爀椀愀氀 漀渀 琀栀攀 昀氀漀漀爀 眀愀猀 洀愀搀攀 椀渀 爀攀氀攀瘀攀渀挀攀 琀漀 爀攀猀椀搀攀渀挀攀 攀砀瀀攀爀椀洀攀渀琀猀 愀爀攀 挀漀ⴀ挀爀攀愀琀攀搀 椀渀㄀㜀琀栀 洀愀琀攀爀椀愀氀 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 琀栀爀漀甀最栀 椀渀渀漀瘀愀ⴀ 爀攀猀攀愀爀挀栀 愀渀搀 挀漀渀猀琀爀甀挀琀椀漀渀 琀栀爀漀甀最栀 椀渀渀漀瘀愀ⴀ 瀀爀攀猀攀渀琀 挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀 琀栀攀 琀愀渀最椀戀氀攀 氀愀礀攀爀 氀攀渀搀猀 愀 琀椀漀渀 琀椀漀渀 愀渀搀愀渀搀 昀攀攀搀戀愀挀欀 瘀椀愀 搀愀礀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀 昀攀攀搀戀愀挀欀 瘀椀愀 瀀爀漀琀漀琀礀瀀攀猀Ⰰ 猀挀愀氀攀 洀漀搀攀氀猀 愀渀搀愀渀搀 洀漀挀欀 甀瀀猀甀瀀猀 琀漀 攀渀琀椀琀礀 最爀愀猀瀀 琀栀攀 椀洀瀀愀挀琀 瀀攀爀猀漀渀愀氀 琀漀琀栀攀 琀栀攀椀洀瀀愀挀琀 戀甀椀氀琀 昀漀爀洀 戀礀 爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀 漀昀 洀漀搀攀氀猀 洀漀挀欀 琀漀 最爀愀猀瀀 漀昀 琀栀攀 搀攀琀愀椀氀 愀琀 琀栀攀 栀甀洀愀渀 猀挀愀氀攀 氀攀瘀攀氀⸀ 漀昀 琀栀攀 搀攀琀愀椀氀 愀琀 琀栀攀 栀甀洀愀渀 猀挀愀氀攀 氀攀瘀攀氀⸀ 琀栀攀 漀氀搀⸀ 䠀攀爀攀 琀栀攀 愀爀挀栀椀琀攀挀琀 椀猀 椀渀 挀漀渀猀琀愀渀琀 琀漀甀挀栀 眀椀琀栀 琀栀攀

挀爀愀昀琀猀洀愀渀 愀渀搀 琀栀椀猀 愀瀀瀀爀漀愀挀栀 椀渀瘀漀氀瘀攀猀 栀椀最栀 搀攀最爀攀攀 漀昀 倀爀漀挀攀猀猀 眀椀琀栀眀椀琀栀 瘀愀爀椀漀甀猀 琀爀椀愀氀猀琀爀椀愀氀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 倀爀漀挀攀猀猀 瘀愀爀椀漀甀猀 ⴀ 爀攀渀搀攀爀猀Ⰰ 搀攀琀愀椀氀猀Ⰰ 搀爀愀眀椀渀最猀Ⰰ ㄀㨀㄀ ㄀㨀㄀ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 猀椀琀攀 猀椀琀攀 瀀爀漀最爀攀猀猀⸀ 爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀 搀爀愀眀椀渀最猀Ⰰ 椀琀攀爀愀琀椀漀渀猀Ⰰ 愀渀搀 瀀爀漀最爀攀猀猀⸀ 愀渀搀 琀栀漀甀最栀琀 瀀爀漀挀攀猀猀 最漀攀猀

椀渀琀漀 椀琀 瀀爀椀漀爀 琀漀 琀栀攀 愀挀琀甀愀氀 猀琀爀甀挀琀甀爀椀渀最 漀昀 琀栀攀 栀漀甀猀攀⸀

琀愀欀椀渀最 昀漀爀眀愀爀搀 琀栀椀猀 搀攀攀瀀 愀猀猀漀挀椀愀琀椀漀渀 眀椀琀栀 挀爀愀昀琀 琀栀愀琀 椀猀 爀攀氀攀瘀攀渀琀 琀漀 氀漀挀愀氀攀 愀渀搀 挀漀渀琀攀砀琀Ⰰ 挀愀渀 洀愀琀攀爀椀愀氀猀 琀爀愀渀猀昀漀爀洀 愀渀搀 挀栀愀渀最攀 洀攀愀渀椀渀最 眀椀琀栀 琀栀攀 昀甀渀挀琀椀漀渀 漀昀 琀攀挀栀渀漀氀漀最礀㼀

Site Progress (Credits: Figure 4 - Pooja Shah)

Proposed Design

Spatial Study

Site Application

Final Outcome

17

03D

THE DESIGN-MAKING PROCESS STUDIO-WORKSHOP-SITE

䴀攀渀琀漀爀猀㨀 䄀爀⸀ 倀漀漀樀愀 匀栀愀栀Ⰰ 䌀愀爀瀀⸀ 䨀攀攀瘀愀爀愀洀 匀甀琀栀愀爀

With the ease in production and manufacturing, can the merger of craft and technology help in the making of complex forms, geometries and inclusion of newer materials? furniture and products are developed with a to-an-fro process between the handmade and technology with the main intent lying in exploring the material potential to its fullest.

while approaching design based on technical know-how搀攀猀椀最渀 of construction 眀栀椀氀攀 愀瀀瀀爀漀愀挀栀椀渀最 戀愀猀攀搀 漀渀 琀攀挀栀渀椀挀愀氀 欀渀漀眀ⴀ栀漀眀 漀昀 挀漀渀猀琀爀甀挀琀椀漀渀 and developing a modern language, 愀渀搀 搀攀瘀攀氀漀瀀椀渀最 洀漀搀攀爀渀 氀愀渀最甀愀最攀氀 there is a need 愀to understand the 琀栀攀爀攀 椀猀 愀 渀攀攀搀 琀漀 甀渀搀攀爀猀琀愀渀搀 琀栀攀 needs and fulfilling the complexities. 渀攀攀搀猀 愀渀搀 昀甀氀昀椀氀氀椀渀最 琀栀攀 挀漀洀瀀氀攀砀椀琀椀攀猀⸀ (Credits: Figure 3,4 - Previou eam)

18

圀攀猀琀 攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀 漀昀 猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀 愀渀搀 氀漀甀瘀攀爀猀 最攀漀洀攀琀爀礀 猀琀甀搀礀 ⴀ 欀攀礀 樀漀椀渀攀爀礀 搀攀琀愀椀氀猀 漀昀 氀漀甀瘀攀爀猀 眀椀琀栀 琀栀攀 昀漀爀洀 猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

INDUSTRIAL CRAFTS

04

HIGH-RISE ARCHITECTURAL DESIGN

琀礀瀀椀挀愀氀 挀爀漀猀猀 猀攀挀琀椀漀渀 愀挀爀漀猀猀 琀栀攀 氀椀渀攀愀爀 猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀 猀攀爀瘀椀挀攀猀 爀攀猀漀氀瘀攀搀 椀渀 琀栀攀 挀漀爀渀攀爀 瀀漀挀欀攀琀猀 愀猀 瀀攀爀 琀栀攀 38 & Banyan is猀挀漀漀瀀攀搀 set on 昀愀挀愀搀攀 a green眀椀琀栀 1.1琀栀攀 acre 琀爀攀攀plot. ⠀猀椀搀攀⤀⸀

Apartments, comprising 3 BHKs and 4 BHKs, surround 150 栀椀最栀氀椀最栀椀琀渀最 yr old banyan tree. ⴀ 欀攀礀a 瀀氀愀渀 琀栀攀 猀挀漀漀瀀 挀爀漀猀猀 猀攀挀琀椀漀渀 椀猀 挀甀琀 ⠀戀漀琀琀漀洀 爀椀最栀琀⤀⸀

Large scoops across the building to accommodate挀漀渀猀琀爀甀挀琀椀漀渀 the banyan猀椀琀攀 and瀀椀挀琀甀爀攀猀 the rain搀攀瀀椀挀琀椀渀最 tree. 搀攀瘀攀氀漀瀀洀攀渀琀 漀昀 琀栀攀 昀愀挀愀搀攀 Designed as a 琀栀攀 porous structure, it 猀挀漀漀瀀 stretches ⴀ 猀瀀攀挀椀昀椀挀 最攀漀洀攀琀爀椀挀 瀀愀爀愀洀攀琀攀爀猀 愀爀攀 from east to west, to accentuate wind flow. 椀渀瘀漀氀瘀攀搀 椀渀 猀椀琀攀 搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

匀挀栀攀洀愀琀椀挀 挀漀洀瀀漀猀椀琀椀漀渀 搀攀昀椀渀椀渀最 愀氀氀 琀栀攀 攀氀攀瘀愀琀椀漀渀猀 漀昀 琀栀攀 戀甀椀氀搀椀渀最 ⠀琀漀瀀⤀⸀

匀挀栀攀洀愀琀椀挀 挀漀洀瀀漀猀椀琀椀漀渀 搀攀昀椀渀椀渀最 愀氀氀 琀栀攀 攀氀攀瘀愀琀椀漀渀猀 漀昀 琀栀攀 戀甀椀氀搀椀渀最 ⠀琀漀瀀⤀⸀

䜀爀愀瀀栀椀挀 搀攀瀀椀挀琀椀渀最 琀栀攀 爀攀氀愀琀椀漀渀 漀昀 琀栀攀 戀甀椀氀搀椀渀最 愀渀搀 琀栀攀 琀爀攀攀 ⠀氀攀昀琀⤀⸀

䜀爀愀瀀栀椀挀 搀攀瀀椀挀琀椀渀最 琀栀攀 爀攀氀愀琀椀漀渀 漀昀 琀栀攀 戀甀椀氀搀椀渀最 愀渀搀 琀栀攀 琀爀攀攀 ⠀氀攀昀琀⤀⸀

㌀䐀 爀攀渀搀攀爀 攀砀瀀氀愀椀渀椀渀最 琀栀攀 昀愀挀愀搀攀 搀攀猀椀最渀 椀渀猀椀搀攀ⴀ漀甀琀猀椀搀攀 琀漀眀愀爀搀猀 琀栀攀 琀爀攀攀 猀挀漀漀瀀 眀椀琀栀 挀爀漀猀猀 瘀攀渀琀猀 ☀ 猀栀愀搀攀搀 氀漀甀瘀爀攀 搀攀瘀椀挀攀猀 ⠀搀漀眀渀⤀⸀

㌀䐀 爀攀渀搀攀爀 攀砀瀀氀愀椀渀椀渀最 琀栀攀 昀愀挀愀搀攀 搀攀猀椀最渀 椀渀猀椀搀攀ⴀ漀甀琀猀椀搀攀 琀漀眀愀爀搀猀 琀栀攀 琀爀攀攀 猀挀漀漀瀀 眀椀琀栀 挀爀漀猀猀 瘀攀渀琀猀 ☀ 猀栀愀搀攀搀 氀漀甀瘀爀攀 搀攀瘀椀挀攀猀 ⠀搀漀眀渀⤀⸀

1. Section - Developing building form

㌀㠀 ☀ 䈀愀渀礀愀渀 椀猀 猀攀琀 漀渀 愀 最爀攀攀渀 ㄀⸀㄀ 愀挀爀攀 瀀氀漀琀⸀ 䄀瀀愀爀琀洀攀渀琀猀Ⰰ 挀漀洀瀀爀椀猀椀渀最 ㌀ 䈀䠀䬀猀 愀渀搀 㐀 䈀䠀䬀猀Ⰰ 猀甀爀爀漀甀渀搀 DATE 愀 ㄀㔀 礀爀 漀氀搀 戀愀渀礀愀渀 琀爀攀攀⸀ 䰀愀爀最攀 猀挀漀漀瀀猀 愀挀爀漀猀猀 琀栀攀 戀甀椀氀搀椀渀最 琀漀 愀挀挀漀洀洀漀搀愀琀攀 琀栀攀 戀愀渀礀愀渀 愀渀搀 琀栀攀 爀愀椀渀 琀爀攀攀⸀ 䐀攀猀椀最渀攀搀 愀猀 愀 瀀漀爀漀甀猀 猀琀爀甀挀琀甀爀攀Ⰰ 椀琀 猀琀爀攀琀挀栀攀猀 昀爀漀洀 攀愀猀琀 琀漀 眀攀猀琀Ⰰ 琀漀 愀挀挀攀渀琀甀愀琀攀 眀椀渀搀 昀氀漀眀⸀ TYPE 吀栀攀 搀眀攀氀氀椀渀最 甀渀椀琀猀 愀爀攀 椀渀猀攀爀琀攀搀 戀攀琀眀攀攀渀 琀眀漀 (Oveas Ahmed, Sindhura 挀漀洀洀甀渀愀氀 稀漀渀攀猀 漀渀 琀栀攀 最爀漀甀渀搀 愀渀搀 琀栀攀 爀漀漀昀⸀

Jan 2019 to Jun 2019 Group Work

Harsh Shah, Harshal Telrandhe)

㌀

The dwelling units are inserted between two 椀渀搀甀猀琀爀椀愀氀 挀爀愀昀琀猀 communal zones on the ground and the roof. 愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀 猀琀甀搀椀漀 ㈀ ㄀㜀ⴀ㄀㠀

椀渀搀甀猀琀爀椀愀氀 挀爀愀昀琀猀

愀爀挀栀椀琀攀挀琀甀爀攀刀䔀䐀 猀琀甀搀椀漀 ㈀ ㄀㜀ⴀ㄀㠀

VS,

In terms of technology, new vectors were charted - fast modular constructs like ‘myvan’ fulfilled both economic and social demands. can high tech augmented digital solutions be provided?

3. Rendered view - facade design

Conceptual Design - Spatial, Landscape Structural Evolution - Planning Layout, Sizes Facade Design - Material Study and detailing Services Design - Distribution, 3d Modelling #masterplan #highrise development #site #landscape design #facade design #trees #detailing #structural design #services plan

1. axonometric view of the Space 8,

4. The banyan tree (Credits: Figure 3 - Rendering, Oveas Ahmed)

搀攀猀椀最渀攀爀 搀攀猀椀最渀猀 搀攀猀椀最渀攀爀 挀爀攀愀琀攀猀

a standardisation approach

MENTORS

CONTRIBUTION

㌀

is ir fair to follow a quick approach of crafts as a layer limited to visual effects and ignoring its deeper meanings?

38 & Banyan - G+10 MULTISTOREY

kishore@architecturered.com

2. Create spaces in relation with the landscape.

designer designs, designer creates.

搀攀猀椀最渀攀爀 搀攀猀椀最渀猀 搀攀猀椀最渀攀爀 挀爀攀愀琀攀猀

NAME

Biju Kuriakose, biju@architecturered.com Kishore Panikkar,

㌀㠀 ☀ 䈀愀渀礀愀渀 椀猀 猀攀琀 漀渀 愀 最爀攀攀渀 ㄀⸀㄀ 愀挀爀攀 瀀氀漀琀⸀ 䄀瀀愀爀琀洀攀渀琀猀Ⰰ 挀漀洀瀀爀椀猀椀渀最 ㌀ 䈀䠀䬀猀 愀渀搀 㐀 䈀䠀䬀猀Ⰰ 猀甀爀爀漀甀渀搀 愀 ㄀㔀 礀爀 漀氀搀 戀愀渀礀愀渀 琀爀攀攀⸀ 䰀愀爀最攀 猀挀漀漀瀀猀 愀挀爀漀猀猀 琀栀攀 戀甀椀氀搀椀渀最 琀漀 愀挀挀漀洀洀漀搀愀琀攀 琀栀攀 戀愀渀礀愀渀 愀渀搀 琀栀攀 爀愀椀渀 琀爀攀攀⸀ 䐀攀猀椀最渀攀搀 愀猀 愀 瀀漀爀漀甀猀 猀琀爀甀挀琀甀爀攀Ⰰ 椀琀 猀琀爀攀琀挀栀攀猀 昀爀漀洀 攀愀猀琀 琀漀 眀攀猀琀Ⰰ 琀漀 愀挀挀攀渀琀甀愀琀攀 眀椀渀搀 昀氀漀眀⸀ 吀栀攀 搀眀攀氀氀椀渀最 甀渀椀琀猀 愀爀攀 椀渀猀攀爀琀攀搀 戀攀琀眀攀攀渀 琀眀漀 挀漀洀洀甀渀愀氀 稀漀渀攀猀 漀渀 琀栀攀 最爀漀甀渀搀 愀渀搀 琀栀攀 爀漀漀昀⸀

5. Site excavation

6. Facade progress

7. Understanding periphery structure

19

04A

CONCEPTUAL DEVELOPMENT HIGH-RISE ARCHITECTURAL DESIGN

甀渀椀琀 昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀 猀瀀愀挀攀猀

Wrapping the tree

Scheme development 甀渀椀琀 昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀 猀瀀愀挀攀猀

甀渀椀琀 昀漀漀琀瀀爀椀渀琀 ⴀ 漀瀀攀渀 ☀ 挀氀漀猀攀搀 猀瀀愀挀攀猀

愀爀琀椀挀甀氀愀琀椀漀渀 漀昀 挀氀漀猀攀搀 猀瀀愀挀攀猀

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䄀 ⠀昀爀漀渀琀⤀

愀爀琀椀挀甀氀愀琀椀漀渀 漀昀 挀氀漀猀攀搀 猀瀀愀挀攀猀

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䄀 ⠀昀爀漀渀琀⤀

爀攀猀瀀漀渀搀椀渀最 琀漀 琀栀攀 渀愀琀甀爀愀氀 挀漀渀琀攀砀琀

愀爀琀椀挀甀氀愀琀椀漀渀 漀昀 挀氀漀猀攀搀 猀瀀愀挀攀猀 爀攀猀瀀漀渀搀椀渀最 琀漀 琀栀攀 渀愀琀甀爀愀氀 挀漀渀琀攀砀琀

Different programs

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䄀 ⠀昀爀漀渀琀⤀

挀爀漀猀猀 瘀攀渀琀椀氀愀琀椀漀渀 搀椀愀最爀愀洀 挀爀漀猀猀 瘀攀渀琀椀氀愀琀椀漀渀 搀椀愀最爀愀洀

Distribution of Units

爀攀猀瀀漀渀搀椀渀最 琀漀 琀栀攀 渀愀琀甀爀愀氀 挀漀渀琀攀砀琀 洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䈀 ☀ 䌀 ⠀猀椀搀攀⤀

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䈀 ☀ 䌀 ⠀猀椀搀攀⤀

Moulding Unit Footprint

氀漀甀瘀攀爀攀搀 愀猀瀀爀椀瘀愀挀礀 瀀爀椀瘀愀挀礀 搀攀瘀椀挀攀 氀漀甀瘀攀爀攀搀 昀愀挀愀搀攀 昀愀挀愀搀攀 愀猀 搀攀瘀椀挀攀

1. Schematic graphics - in response to existing ‘context’

Vertical sculptural growth of the The marketing drawings explain form is developed - framing and the layouts of various units in articulating focals in order to rensponse to their immediate derive the building footprint. natural context. The footprint Also, the unit footprint is articu- encapsulates open and closed 洀愀爀欀攀琀椀渀最according 搀爀愀眀椀渀最 ⴀ 唀渀椀琀to 䈀 ☀ 䌀spaces ⠀猀椀搀攀⤀ articulated in accordance lated and moulded the tree location. They are dis- to the facade such that they tributed considering a locus loca- allow cross ventilation and the tion and various focal viewpoints. louvers also act as privacy device.

挀爀漀猀猀 瘀攀渀琀椀氀愀琀椀漀渀 搀椀愀最爀愀洀

氀漀甀瘀攀爀攀搀 昀愀挀愀搀攀 愀猀 瀀爀椀瘀愀挀礀 搀攀瘀椀挀攀

2. Axonometric planning

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䐀 ⠀戀愀挀欀⤀

3. Marketing Floor Plans

洀愀爀欀攀琀椀渀最 搀爀愀眀椀渀最 ⴀ 唀渀椀琀 䐀 ⠀戀愀挀欀⤀

㌀䐀 爀攀渀搀攀爀 ⴀ 唀渀椀琀 䄀 昀愀挀愀搀攀 ⠀琀漀瀀⤀⸀

4.

Render - Unit A Facade ㌀䐀 爀攀渀搀攀爀 ⴀ 唀渀椀琀 䄀 昀愀挀愀搀攀 ⠀琀漀瀀⤀⸀

20

04B

ARCHITECTURAL DESIGN DEVELOPMENT HIGH-RISE ARCHITECTURAL DESIGN

Presentation - 2D/3D

Developed drawings

Detailed 3d models were developed from the basement to site to the penthouse level resolving various MEP and structural issues.

The elevation involves juxtaposition of solids and voids with geometric studies of windows and louvers, thereby developing joinery details.

Cross sections helped resolved key services distribution in the corner pockets aroung scoops.

2. West Elevation - Solids and Voids 圀攀猀琀 攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀 漀昀圀攀猀琀 攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀 漀昀 猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀 愀渀搀 氀漀甀瘀攀爀猀猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀 愀渀搀 氀漀甀瘀攀爀猀 最攀漀洀攀琀爀礀 猀琀甀搀礀 ⴀ 欀攀礀 樀漀椀渀攀爀礀 搀攀琀愀椀氀猀 漀昀最攀漀洀攀琀爀礀 猀琀甀搀礀 ⴀ 欀攀礀 樀漀椀渀攀爀礀 搀攀琀愀椀氀猀 漀昀 氀漀甀瘀攀爀猀 眀椀琀栀 琀栀攀 昀漀爀洀 猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

氀漀甀瘀攀爀猀 眀椀琀栀 琀栀攀 昀漀爀洀 猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

琀礀瀀椀挀愀氀 挀爀漀猀猀 猀攀挀琀椀漀渀 愀挀爀漀猀猀 琀栀攀 氀椀渀攀愀爀 猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀 猀攀爀瘀椀挀攀猀 爀攀猀漀氀瘀攀搀 椀渀琀礀瀀椀挀愀氀 挀爀漀猀猀 猀攀挀琀椀漀渀 愀挀爀漀猀猀 琀栀攀 氀椀渀攀愀爀 琀栀攀 挀漀爀渀攀爀 瀀漀挀欀攀琀猀 愀猀 瀀攀爀 琀栀攀 猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀 猀攀爀瘀椀挀攀猀 爀攀猀漀氀瘀攀搀 椀渀 猀挀漀漀瀀攀搀 昀愀挀愀搀攀 眀椀琀栀 琀栀攀 琀爀攀攀 ⠀猀椀搀攀⤀⸀

琀栀攀 挀漀爀渀攀爀 瀀漀挀欀攀琀猀 愀猀 瀀攀爀 琀栀攀 昀愀挀愀搀攀 眀椀琀栀 琀栀攀 琀爀攀攀 ⠀猀椀搀攀⤀⸀

欀攀礀 瀀氀愀渀 栀椀最栀氀椀最栀椀琀渀最 琀栀攀 猀挀漀漀瀀 ⴀ猀挀漀漀瀀攀搀 挀爀漀猀猀 猀攀挀琀椀漀渀 椀猀 挀甀琀 ⠀戀漀琀琀漀洀 爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀 猀椀琀攀 瀀椀挀琀甀爀攀猀 搀攀瀀椀挀琀椀渀最 琀栀攀 搀攀瘀攀氀漀瀀洀攀渀琀 漀昀 琀栀攀 猀挀漀漀瀀 昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀 最攀漀洀攀琀爀椀挀 瀀愀爀愀洀攀琀攀爀猀 愀爀攀 椀渀瘀漀氀瘀攀搀 椀渀 猀椀琀攀 搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

圀攀猀琀 攀氀攀瘀愀琀椀漀渀 ⴀ 樀甀砀琀愀瀀漀猀椀琀椀漀渀 漀昀 猀漀氀椀搀猀 ☀ 瘀漀椀搀猀 ⴀ 眀椀渀搀漀眀猀 愀渀搀 氀漀甀瘀攀爀猀 最攀漀洀攀琀爀礀 猀琀甀搀礀 ⴀ 欀攀礀 樀漀椀渀攀爀礀 搀攀琀愀椀氀猀 漀昀 氀漀甀瘀攀爀猀 眀椀琀栀 琀栀攀 昀漀爀洀 猀琀甀搀椀攀搀 ⠀琀漀瀀⤀⸀

欀攀礀 瀀氀愀渀 栀椀最栀氀椀最栀椀琀渀最 琀栀攀 猀挀漀漀瀀 ⴀ 挀爀漀猀猀 猀攀挀琀椀漀渀 椀猀 挀甀琀 ⠀戀漀琀琀漀洀 爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀 猀椀琀攀 瀀椀挀琀甀爀攀猀 搀攀瀀椀挀琀椀渀最 琀栀攀 搀攀瘀攀氀漀瀀洀攀渀琀 漀昀 琀栀攀 猀挀漀漀瀀 昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀 最攀漀洀攀琀爀椀挀 瀀愀爀愀洀攀琀攀爀猀 愀爀攀 椀渀瘀漀氀瘀攀搀 椀渀 猀椀琀攀 搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

琀礀瀀椀挀愀氀 挀爀漀猀猀 猀攀挀琀椀漀渀 愀挀爀漀猀猀 琀栀攀 氀椀渀攀愀爀 猀琀爀甀挀琀甀爀攀 ⴀ 欀攀礀 猀攀爀瘀椀挀攀猀 爀攀猀漀氀瘀攀搀 椀渀 琀栀攀 挀漀爀渀攀爀 瀀漀挀欀攀琀猀 愀猀 瀀攀爀 琀栀攀 猀挀漀漀瀀攀搀 昀愀挀愀搀攀 眀椀琀栀 琀栀攀 琀爀攀攀 ⠀猀椀搀攀⤀⸀ 欀攀礀 瀀氀愀渀 栀椀最栀氀椀最栀椀琀渀最 琀栀攀 猀挀漀漀瀀 ⴀ 挀爀漀猀猀 猀攀挀琀椀漀渀 椀猀 挀甀琀 ⠀戀漀琀琀漀洀 爀椀最栀琀⤀⸀ 挀漀渀猀琀爀甀挀琀椀漀渀 猀椀琀攀 瀀椀挀琀甀爀攀猀 搀攀瀀椀挀琀椀渀最 琀栀攀 搀攀瘀攀氀漀瀀洀攀渀琀 漀昀 琀栀攀 猀挀漀漀瀀 昀愀挀愀搀攀 ⴀ 猀瀀攀挀椀昀椀挀 最攀漀洀攀琀爀椀挀 瀀愀爀愀洀攀琀攀爀猀 愀爀攀 椀渀瘀漀氀瘀攀搀 椀渀 猀椀琀攀 搀攀瘀攀氀漀瀀洀攀渀琀 ⠀戀漀琀琀漀洀⤀

1. Amenities Floor Plan (Credits: Figure 4 - Groupwork)

3. Typical Cross sectional elevation across scoops

4. Detailed Level Model

21

04C

DETAILED WORKING DRAWINGS HIGH-RISE ARCHITECTURAL DESIGN

Aesthetics vs Function

Structure / services

匀琀愀最攀猀 漀昀 挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀 猀挀漀漀瀀 眀爀愀瀀瀀椀渀最 愀爀漀甀渀昀搀 琀栀攀 戀愀渀礀愀渀 琀爀攀攀⸀

洀漀氀搀椀渀最 琀栀攀 甀渀椀琀 愀挀挀漀爀搀椀渀最氀礀

匀琀愀最攀猀 漀昀 挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀 猀挀漀漀瀀 眀爀愀瀀瀀椀渀最 愀爀漀甀渀昀搀 琀栀攀 戀愀渀礀愀渀 琀爀攀攀⸀

愀爀琀椀挀甀氀愀琀椀渀最 琀栀攀 昀漀漀琀瀀爀椀渀琀 眀⸀爀⸀琀 琀栀攀 1. 琀爀攀攀 Detailed Services Planning

甀渀椀琀 昀漀漀琀瀀爀椀渀琀

ᠠ栀漀甀猀攀 漀渀 挀氀漀甀搀猀ᤠ ⴀ 䄀 猀洀愀氀氀Ⰰ ㄀ 猀焀昀琀 挀漀渀琀攀洀瀀漀爀愀爀礀 爀攀猀椀搀攀渀挀攀 漀渀 琀栀攀 ㄀㜀琀栀 昀氀漀漀爀 眀愀猀 洀愀搀攀 椀渀 爀攀氀攀瘀攀渀挀攀 琀漀 瀀爀攀猀攀渀琀 搀愀礀 挀漀渀琀攀砀琀Ⰰ 眀栀攀爀攀 琀栀攀 琀愀渀最椀戀氀攀 氀愀礀攀爀 氀攀渀搀猀 愀 昀氀漀漀爀 ⴀ 眀漀爀欀椀渀最 匀琀愀最攀猀 漀昀氀攀瘀攀氀 挀漀渀猀琀爀甀挀琀椀漀渀 ⴀ 琀栀攀搀爀愀眀椀渀最 猀挀漀漀瀀 2.猀琀椀氀琀 Stages of瀀氀愀渀 Construction 眀爀愀瀀瀀椀渀最 愀爀漀甀渀昀搀 琀栀攀 戀愀渀礀愀渀 琀爀攀攀⸀ 瀀攀爀猀漀渀愀氀 攀渀琀椀琀礀 琀漀 琀栀攀 戀甀椀氀琀 昀漀爀洀 戀礀 爀攀ⴀ椀渀琀攀爀瀀爀攀琀愀琀椀漀渀 漀昀 琀栀攀 漀氀搀⸀ 䠀攀爀攀 琀栀攀 愀爀挀栀椀琀攀挀琀 椀猀 椀渀 挀漀渀猀琀愀渀琀 琀漀甀挀栀 眀椀琀栀 琀栀攀 挀爀愀昀琀猀洀愀渀 愀渀搀 琀栀椀猀 愀瀀瀀爀漀愀挀栀 椀渀瘀漀氀瘀攀猀 栀椀最栀 搀攀最爀攀攀 漀昀 爀攀猀攀愀爀挀栀Ⰰ 挀漀渀挀攀瀀琀甀愀氀椀猀愀琀椀漀渀 愀渀搀 琀栀漀甀最栀琀 瀀爀漀挀攀猀猀 最漀攀猀 洀漀氀搀椀渀最 琀栀攀 甀渀椀琀 愀挀挀漀爀搀椀渀最氀礀 椀渀琀漀 椀琀 瀀爀椀漀爀 琀漀 琀栀攀 愀挀琀甀愀氀 猀琀爀甀挀琀甀爀椀渀最 漀昀 琀栀攀 栀漀甀猀攀⸀

洀漀氀搀椀渀最 琀栀攀 甀渀椀琀 愀挀挀漀爀搀椀渀最氀礀 琀栀攀 搀椀猀琀爀椀戀甀琀椀漀渀 漀昀 甀渀椀琀猀 漀渀 琀栀攀 昀氀漀漀爀 瀀氀愀琀攀 3. Understanding spatial configurations

琀愀欀椀渀最 昀漀爀眀愀爀搀 琀栀椀猀 搀攀攀瀀 愀猀猀漀挀椀愀琀椀漀渀 眀椀琀栀 挀爀愀昀琀 琀栀愀琀 椀猀 爀攀氀攀瘀攀渀琀 琀漀 氀漀挀愀氀攀 愀渀搀 挀漀渀琀攀砀琀Ⰰ 挀愀渀 洀愀琀攀爀椀愀氀猀 琀爀愀渀猀昀漀爀洀 愀渀搀 挀栀愀渀最攀 洀攀愀渀椀渀最 眀椀琀栀 琀栀攀 昀甀渀挀琀椀漀渀 漀昀 琀攀挀栀渀漀氀漀最礀㼀

愀爀琀椀挀甀氀愀琀椀渀最 琀栀攀 昀漀漀琀瀀爀椀渀琀 眀⸀爀⸀琀 琀栀攀 琀爀攀攀

猀琀椀氀琀 氀攀瘀攀氀 昀氀漀漀爀 ⴀ 瀀愀爀琀 猀攀挀琀椀漀渀 ⴀ 眀漀爀欀椀渀最 搀爀愀眀椀渀最 4. Sections - Community Spaces

(Credits: Figure 4 - Sindhura VS)

椀猀 琀栀攀 攀瘀漀氀甀琀椀漀渀 愀渀搀 椀渀渀漀瘀愀琀椀漀渀 漀昀 琀栀攀ᠠ挀爀愀昀琀ᤠ 爀漀甀琀攀 ⴀ 搀椀昀昀甀猀椀渀最 昀漀爀最攀搀 戀漀甀渀搀愀爀椀攀猀 戀攀琀眀攀攀渀 琀栀攀 椀渀 愀渀搀 琀栀攀 漀甀琀 ⴀ 愀搀搀爀攀猀猀椀渀最 ᠠ洀愀欀椀渀最ᤠ 眀椀琀栀 愀 洀椀渀椀洀愀氀椀猀琀 愀瀀瀀爀漀愀挀栀㼀 甀渀椀琀 昀漀漀琀瀀爀椀渀琀

猀琀椀氀琀 氀攀瘀攀氀 昀氀漀漀爀 瀀氀愀渀 ⴀ 眀漀爀欀椀渀最 搀爀愀眀椀渀最

5. Detailed Ground Floor Plan with site

22

RECOGNISED CRAFTS

05

ADAPTIVE REUSE & HERITAGE EXTENSION

Heritage Conservaation

Documenting the existing

搀攀猀椀最渀攀爀 搀攀猀椀最渀猀 挀爀愀昀琀猀洀愀渀 挀爀攀愀琀攀猀

3. Literature Research

The intent is to re-define the identity of a haveli, in the contemporary context – to design a public realm that discusses a pattern of place making based on an Indian tradition – involving appraisal of tangible & intangible heritage.

Continental Inland Climate

1. Background Study

DATE

Oct 2016 to May 2017 TYPE

Individual Work COURSE

Final Year Thesis Project

(B.Arch - Bachelors in Architecture - 5 yrs)

MENTORS

Chetna Nathani, chetna@measiarch.net Joseph Thomas, joseph@measiarch.net Shikha Jain, dronah@gmail.com CONTRIBUTION

Architectural Development - Detailed Design Contextual Research - Culture and Urban Study Documentation - Measured Drawings, Materials Spatial Design - Adaptive Reuse & Extension Dwg #adaptive reuse #heritage documentation #tourism #architecture extension #material #built vs unbuilt #contemporary context #tangible (Credits: Figure 3 - Literary Sources)

2. Haveli documentation - space for ritual activities

㐀 瀀爀漀最爀攀猀猀椀瘀攀 挀爀愀昀琀猀

designer designs,䄀刀䌀䠀䤀吀䔀䌀吀唀刀䄀䰀 吀䠀䔀匀䤀匀 craftsman creates. 吀栀攀 椀渀琀攀渀琀 椀猀 琀漀 爀攀ⴀ搀攀昀椀渀攀 琀栀攀 椀搀攀渀琀椀琀礀

㈀ ㄀㘀 ⴀ ㄀㜀

漀昀 愀 栀愀瘀攀氀椀Ⰰ 椀渀 琀栀攀 挀漀渀琀攀洀瀀漀爀愀爀礀 挀漀渀琀攀砀琀 ጠ 琀漀 搀攀猀椀最渀 愀 瀀甀戀氀椀挀 爀攀愀氀洀 琀栀愀琀 搀椀猀挀甀猀猀攀猀 愀 瀀愀琀琀攀爀渀 漀昀 瀀氀愀挀攀 洀愀欀椀渀最 戀愀猀攀搀 漀渀 愀渀 䤀渀搀椀愀渀 琀爀愀ⴀ 搀椀琀椀漀渀 ጠ 椀渀瘀漀氀瘀椀渀最 愀瀀瀀爀愀椀猀愀氀 漀昀 琀愀渀最椀戀氀攀 ⠀渀愀琀甀爀愀氀Ⰰ 戀甀椀氀琀 栀攀爀椀琀愀最攀 ☀ 漀瀀攀渀 猀瀀愀挀攀猀⤀ ☀ 椀渀琀愀渀最椀戀氀攀 ⠀挀爀愀昀琀猀 愀渀搀 昀漀氀欀 愀爀琀猀Ⰰ 琀爀愀搀椀琀椀漀渀愀氀 昀攀猀琀椀瘀愀氀猀 愀渀搀 昀愀椀爀猀Ⰰ 挀甀椀猀椀渀攀猀⤀ 栀攀爀椀琀愀最攀⸀ 吀漀 搀攀猀椀最渀 攀砀琀攀渀猀椀漀渀猀 ☀ 愀搀愀瀀琀椀瘀攀 爀攀甀猀攀 漀昀 搀攀爀攀氀椀挀琀 栀攀爀椀琀愀最攀 戀甀椀氀搀椀渀最猀⸀

how do we approach crafts today?

Should it be or replication of the traditonal techniques or should technology overpower the craftsmen or can we strike a balance?

1. axonometric view of the Space 8,

a continuation approach Can the need of re-creating historic structures or architectural tectonics be fulfilled by research in additive manufacturing and 3D printing areas for true customisation of traditonal forms, geometries and elements for current needs and requirements.

1. axonometric view of the Space 8,

4. Cross section cut view of the existing haveli in Ajmer 愀渀 愀砀漀渀漀洀攀琀爀椀挀 瘀椀攀眀 漀昀 琀栀攀 搀漀挀甀洀攀渀琀攀搀 栀愀瘀攀氀椀 椀渀 䄀樀洀攀爀Ⰰ 琀栀攀 甀渀戀甀椀氀琀 ⴀ 琀栀攀 猀瀀愀挀攀 昀漀爀 爀椀琀甀愀氀猀 愀挀琀椀瘀椀琀椀攀猀 愀渀搀 椀渀琀攀爀愀挀琀椀漀渀猀

23

05A

CONTEXT & CONSTRUCT

ADAPTIVE REUSE & HERITAGE EXTENSION

Architectural Extension

Site Organisation and Levels Understanding the idea - courtyard as the primary space with built up areas evolving around it to keep the scale, proportion and modulation of the form intact. It involved layering for sequential unfolding of spaces - kinesthetics as the organisational and proportioning tool.

1. Masterplan - Isometric view with topography

搀攀琀愀椀氀攀搀 猀椀琀攀 猀攀挀琀椀漀渀 ⴀ 昀爀漀洀 栀愀瘀攀氀椀 琀漀 琀栀攀 猀琀攀瀀眀攀氀氀

2. Detailed cross section - from haveli to the stepwell

㄀⸀ 猀攀焀甀攀渀琀椀愀氀氀礀 瀀攀爀挀攀椀瘀攀搀 搀攀猀椀最渀 眀栀攀爀攀

3. 洀漀瘀攀洀攀渀琀 Conceptual琀栀爀漀甀最栀 sketches Events椀猀 and 琀栀攀 -猀瀀愀挀攀 洀漀猀琀Activities 挀爀椀琀椀挀愀氀 爀愀琀栀攀爀 琀栀愀渀 琀栀攀 攀砀琀攀爀渀愀氀椀琀椀攀猀 漀昀 昀漀爀洀 漀爀 琀栀攀 猀栀愀瀀攀 漀昀 琀栀攀 攀氀攀洀攀渀琀猀⸀

㈀⸀ 琀栀攀 攀氀攀洀攀渀琀猀 椀渀昀氀甀攀渀挀攀 猀瀀愀挀攀 愀渀搀 椀琀猀

4. Deconstructing the haveli: Public to Private

24

05B

PROPOSED REUSE & EXTENSION ADAPTIVE REUSE & HERITAGE EXTENSION

Designing for the unbuillt - sequentially perceived design where movement through the space is most critical rather than the externalities of form or the elements. The elements influence space and its experience, and the overall perception of the built environment - planning, composition and organisation of spaces and relation to the unbuilt.

Creation of experiential spaces with a sense of discovery by changing axes, layering of spaces and physical buffers.

Haveli Extension

Structure / details

1. Extension into a heritage hotel

2. Site plan at various levels

3. Evolution of the traditional joinery

25

05C

SPATIAL DESIGN - NEW vs OLD ADAPTIVE REUSE & HERITAGE EXTENSION

Haveli - Use & Resuse

Elements / details

䨀唀堀吀䄀倀伀匀䤀一䜀 吀䠀䔀 吀䠀䔀 䨀唀堀吀䄀倀伀匀䤀一䜀 ᠠ伀䰀䐀ᤠ 䄀一䐀 䄀一䐀 吀䠀䔀 吀䠀䔀 ᠠ一䔀圀ᤠ ᠠ一䔀圀ᤠ ᠠ伀䰀䐀ᤠ

4. Juxtaposing the ‘old’ and the ‘new’

栀愀瘀攀氀椀floor 昀氀漀漀爀瀀氀愀渀 瀀氀愀渀 椀渀琀漀to 猀瀀愀挀攀 栀愀瘀攀氀椀 昀氀漀漀爀 椀渀琀漀 愀愀瀀甀戀氀椀挀 猀瀀愀挀攀 haveli planⴀⴀ搀攀瘀攀氀漀瀀攀搀 -搀攀瘀攀氀漀瀀攀搀 developed a瀀甀戀氀椀挀 public space 昀漀爀wedding 眀攀搀搀椀渀最攀瘀攀渀琀猀 攀瘀攀渀琀猀 欀攀礀 漀爀最愀渀椀猀椀渀最 攀氀攀洀攀渀琀 昀漀爀 眀攀搀搀椀渀最 漀爀最愀渀椀猀椀渀最 攀氀攀洀攀渀琀 for eventsⴀⴀ欀攀礀 - key organising element

琀栀攀 渀漀琀椀漀渀of 漀昀transition 琀爀愀渀猀椀琀椀漀渀昀爀漀洀 昀爀漀洀 琀栀攀the 瀀甀戀氀椀挀 琀漀琀栀攀 琀栀攀 渀漀琀椀漀渀 漀昀 琀爀愀渀猀椀琀椀漀渀 琀栀攀 瀀甀戀氀椀挀 琀漀 the琀栀攀 notion from public to the 瀀爀椀瘀愀琀攀 ⴀ渀漀椀猀攀 渀漀椀猀攀琀漀 琀漀琀栀攀 琀栀攀 焀甀椀攀琀渀攀猀猀 欀攀礀 搀攀猀椀最渀⸀ 瀀爀椀瘀愀琀攀 ⴀⴀ欀攀礀 搀攀猀椀最渀⸀ private - ⴀnoise to the焀甀椀攀琀渀攀猀猀 quietness - key design.

猀攀焀甀攀渀琀椀愀氀unfolding 甀渀昀漀氀搀椀渀最 愀渀搀 愀渀搀 氀愀礀攀爀椀渀最 漀昀of 猀瀀愀挀攀猀 猀攀焀甀攀渀琀椀愀氀 甀渀昀漀氀搀椀渀最 漀昀 猀瀀愀挀攀猀 ⴀⴀ sequential and氀愀礀攀爀椀渀最 layering spaces 甀猀攀爀猀 最攀琀 洀甀氀琀椀瀀氀攀挀椀爀挀甀氀愀琀椀漀渀 挀椀爀挀甀氀愀琀椀漀渀愀渀搀 愀渀搀 洀漀瘀攀洀攀渀琀⸀ 甀猀攀爀猀 最攀琀 洀甀氀琀椀瀀氀攀 洀漀瘀攀洀攀渀琀⸀ users get multiple circulation and movement. 栀愀瘀攀氀椀 椀猀椀猀 猀椀琀甀愀琀攀搀 猀椀琀甀愀琀攀搀 愀琀 愀琀 琀栀攀 琀栀攀 栀椀最栀攀猀琀 栀椀最栀攀猀琀 瀀漀椀渀琀 瀀漀椀渀琀 ⴀⴀ 瀀栀礀猀椀挀愀氀 瀀栀礀猀椀挀愀氀 栀愀瘀攀氀椀 愀渀搀瘀椀猀甀愀氀 瘀椀猀甀愀氀愀砀攀猀 愀砀攀猀椀渀瘀漀氀瘀攀搀 椀渀瘀漀氀瘀攀搀椀渀 椀渀琀栀攀 琀栀攀稀漀渀椀渀最 稀漀渀椀渀最漀昀 漀昀猀瀀愀挀攀猀⸀ 猀瀀愀挀攀猀⸀ 愀渀搀

1. Hotel Rooms - Floor Plans

愀砀漀渀漀洀攀琀爀椀挀 猀攀挀琀椀漀渀猀 愀琀 瘀愀爀椀漀甀猀 愀砀漀渀漀洀攀琀爀椀挀 氀攀瘀攀氀猀 猀栀漀眀椀渀最 琀栀攀 猀攀挀琀椀漀渀猀 瘀愀爀椀漀甀猀愀琀 瘀愀爀椀漀甀猀 猀栀漀眀椀渀最 琀栀攀 瘀愀爀椀漀甀猀 猀瀀愀挀攀猀 漀昀 氀攀瘀攀氀猀 琀栀攀 渀攀眀 猀琀爀甀挀琀甀爀攀猀 愀砀漀渀漀洀攀琀爀椀挀漀昀猀攀挀琀椀漀渀猀 瘀愀爀椀漀甀猀 琀栀攀 渀攀眀愀琀 猀琀爀甀挀琀甀爀攀猀 ⠀琀漀漀洀猀 愀渀搀猀瀀愀挀攀猀 猀甀椀琀攀猀⤀ 搀攀瘀攀氀漀瀀攀搀 ⠀琀漀漀洀猀 愀渀搀 猀甀椀琀攀猀⤀ 氀攀瘀攀氀猀 猀栀漀眀椀渀最 琀栀攀 搀攀瘀攀氀漀瀀攀搀 瘀愀爀椀漀甀猀 愀搀樀愀挀攀渀琀 琀漀 琀栀攀 攀砀椀猀琀椀渀最 栀愀瘀攀氀椀Ⰰ 愀搀樀愀挀攀渀琀 琀漀 琀栀攀渀攀眀 攀砀椀猀琀椀渀最 栀愀瘀攀氀椀Ⰰ 猀瀀愀挀攀猀 漀昀 琀栀攀 猀琀爀甀挀琀甀爀攀猀 ⠀琀漀漀洀猀 愀渀搀 猀甀椀琀攀猀⤀ 搀攀瘀攀氀漀瀀攀搀 愀搀樀愀挀攀渀琀 琀漀 琀栀攀 攀砀椀猀琀椀渀最 栀愀瘀攀氀椀Ⰰ

愀 挀漀氀氀愀戀漀爀愀琀椀瘀攀 瀀氀愀琀昀漀爀洀瀀氀愀琀昀漀爀洀 ⴀ 琀栀攀 搀攀猀椀最渀攀爀 愀渀搀 琀栀攀 戀氀攀渀搀 琀栀攀琀栀攀 漀氀搀漀氀搀 愀渀愀渀 琀栀攀 渀攀眀 愀愀 愀 挀漀氀氀愀戀漀爀愀琀椀瘀攀 ⴀ 琀栀攀 搀攀猀椀最渀攀爀 愀渀搀挀爀愀昀琀猀洀愀渀 琀栀攀 挀爀愀昀琀猀洀愀渀 戀氀攀渀搀 琀栀攀 渀攀眀愀猀 2. Hotel Rooms Linear Section Axonometric at 氀攀瘀攀氀 various levels of愀猀 haveli 氀漀挀愀氀- 琀漀 猀漀氀甀琀椀漀渀 琀漀 琀栀攀 渀攀攀搀 最氀漀戀愀氀ⴀ渀攀攀搀 戀甀琀 樀甀猀琀 椀猀3.琀栀椀猀 樀甀猀琀 猀甀瀀攀爀昀椀挀椀愀氀 漀爀 瀀愀爀琀椀愀氀 椀渀琀攀最爀愀琀椀漀渀㼀㼀 氀漀挀愀氀 猀漀氀甀琀椀漀渀 琀栀攀 最氀漀戀愀氀 戀甀琀 椀猀ⴀ琀栀椀猀 猀甀瀀攀爀昀椀挀椀愀氀 漀爀sections 瀀愀爀琀椀愀氀 氀攀瘀攀氀 漀昀 漀昀 椀渀琀攀最爀愀琀椀漀渀㼀㼀 愀 挀漀氀氀愀戀漀爀愀琀椀瘀攀 瀀氀愀琀昀漀爀洀 ⴀ 琀栀攀 搀攀猀椀最渀攀爀 愀渀搀 琀栀攀 挀爀愀昀琀猀洀愀渀 戀氀攀渀搀 琀栀攀 漀氀搀 愀渀 琀栀攀 渀攀眀 愀猀 愀 氀漀挀愀氀 猀漀氀甀琀椀漀渀 琀漀 琀栀攀 最氀漀戀愀氀 渀攀攀搀 ⴀ 戀甀琀 椀猀 琀栀椀猀 樀甀猀琀 猀甀瀀攀爀昀椀挀椀愀氀 漀爀 瀀愀爀琀椀愀氀 氀攀瘀攀氀 漀昀 椀渀琀攀最爀愀琀椀漀渀㼀㼀

Continental Inland Climate

昀漀爀愀 愀挀漀氀氀攀挀琀椀瘀攀 挀漀氀氀攀挀琀椀瘀攀搀椀愀氀漀最甀攀 搀椀愀氀漀最甀攀愀渀搀 愀渀搀挀漀洀洀甀渀椀琀礀 挀漀洀洀甀渀椀琀礀椀渀渀漀瘀愀琀椀漀渀Ⰰ 椀渀渀漀瘀愀琀椀漀渀Ⰰ琀栀攀爀攀 琀栀攀爀攀椀猀椀猀愀 愀猀琀爀漀渀最 猀琀爀漀渀最渀攀攀搀 渀攀攀搀琀漀 琀漀洀攀爀最攀 洀攀爀最攀 昀漀爀 搀攀猀椀最渀☀ ☀琀攀挀渀漀氀漀最礀 琀攀挀渀漀氀漀最礀ⴀⴀ攀氀攀洀攀渀琀猀 攀氀攀洀攀渀琀猀漀昀 漀昀挀爀愀昀琀 挀爀愀昀琀愀搀搀攀搀 愀搀搀攀搀愀猀 愀猀氀愀礀攀爀猀 氀愀礀攀爀猀琀漀 琀漀琀栀攀 琀栀攀戀甀椀氀琀 戀甀椀氀琀攀渀瘀椀爀漀渀洀攀渀琀 攀渀瘀椀爀漀渀洀攀渀琀 搀攀猀椀最渀

26

吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀 昀爀漀洀 䌀栀愀氀洀攀 攀猀瀀攀挀椀愀氀氀礀 琀栀攀

ᠠ挀栀愀爀琀椀渀最 瘀攀挀琀漀爀猀ᤠ ⴀ 琀栀攀 挀栀愀氀氀攀渀最攀 昀愀挀攀搀 戀礀 䤀渀搀椀愀渀 礀漀甀渀最 愀爀挀栀椀琀攀挀琀猀 ⴀ 琀栀攀礀 愀爀攀 琀漀爀渀 戀攀琀眀攀攀渀 戀氀愀渀搀 最氀漀戀愀氀 琀攀洀瀀氀愀琀攀猀 愀渀搀 瘀椀戀爀愀渀琀 爀攀最椀漀渀 猀瀀攀挀椀昀椀挀 猀漀氀甀琀椀漀渀猀℀℀

ADVANCED CRAFTS

06

匀吀刀䔀䄀䴀䤀一䜀 吀刀䤀䄀一䜀䰀䔀匀 䄀 匀䔀䔀䴀䰀䔀匀匀 䘀䰀伀圀 伀䘀 吀刀䤀䄀一䜀唀䰀䄀吀䔀䐀 䜀䔀伀䴀䔀吀刀夀 ⸀

刀椀猀栀愀瘀 䨀愀椀渀Ⰰ 䌀䔀倀吀 唀渀椀瘀攀爀猀椀琀礀 ⴀ ᰠ吀爀愀搀椀琀椀漀渀 挀愀渀 渀攀椀琀栀攀爀 戀攀 挀漀洀ⴀ

PAVILION - DIGITAL FABRICATION 瀀爀漀洀椀猀攀搀 渀漀爀攀 椀最渀漀爀攀搀Ⰰ 椀琀 渀攀攀搀猀 琀漀 攀瘀漀氀瘀攀Ⰰ 渀攀攀搀猀 琀漀 昀椀渀搀 爀攀氀攀瘀ⴀ

攀渀挀攀 琀漀搀愀礀Ⰰ 渀攀攀搀猀 琀漀 戀攀 爀攀搀攀昀椀渀攀搀 椀渀 洀攀愀渀椀渀最 愀渀搀 椀渀 猀攀渀猀攀⸀ 䄀渀搀 琀栀攀 搀礀渀愀洀椀猀洀 椀渀 挀爀愀昀琀 椀猀 瀀爀漀戀愀戀氀礀 琀栀攀 漀渀氀礀 愀渀猀眀攀爀 琀漀 琀栀攀 exhibition installation 椀渀挀爀攀愀猀椀渀最 搀攀洀愀渀搀猀 漀昀 最氀漀戀愀氀椀猀愀琀椀漀渀 椀渀 洀漀搀攀爀渀 搀攀猀椀最渀⸀ᴠ

䌀爀攀搀椀琀猀 ⴀ 吀栀椀猀 攀砀栀椀戀椀琀椀漀渀 搀攀猀椀最渀 猀琀甀搀椀漀 眀愀猀 挀愀爀爀椀攀搀 昀漀爀眀愀爀搀 昀爀漀洀 琀栀攀 䴀愀猀琀攀爀猀 吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀氀 圀漀漀搀 戀礀 琀栀攀 猀琀甀搀攀渀琀猀 昀爀漀洀 䌀栀愀氀洀攀爀猀 唀渀椀瘀攀爀猀椀琀礀Ⰰ 匀眀攀搀攀渀 攀猀瀀攀挀椀愀氀氀礀 琀栀攀 欀攀爀昀椀渀最 爀攀猀攀愀爀挀栀 椀搀攀愀猀⸀

䌀刀䄀䘀吀 ᠠ琀栀椀渀欀椀渀最ᤠ 䐀䤀䜀䤀吀䄀䰀 ᠠ洀愀欀椀渀最ᤠ

Computational design

匀吀刀䔀䄀䴀䤀一䜀 吀刀䤀䄀一䜀䰀䔀匀 䄀 匀䔀䔀䴀䰀䔀匀匀 䘀䰀伀圀 伀䘀 吀刀䤀䄀一䜀唀䰀䄀吀䔀䐀 䜀䔀伀䴀䔀吀刀夀 ⸀

The culmination of the smartlabs studio involved application of digital fabrication technologies in the final exhibition. This project explored the potential of the inherent bending capacity of wood in the form of mdf in creaing dynamic temporary doubly curved spatial structures.

digifab and computa䌀爀攀搀椀琀猀 ⴀ 吀栀椀猀 攀砀栀椀戀椀琀椀漀渀 搀攀猀椀最渀 Through 猀琀甀搀椀漀 眀愀猀 挀愀爀爀椀攀搀 昀漀爀眀愀爀搀 昀爀漀洀 琀栀攀 䴀愀猀琀攀爀猀 tional design, one could challenge 吀栀攀猀椀猀 ⴀ 䐀椀最椀琀愀氀 圀漀漀搀 戀礀 琀栀攀 猀琀甀搀攀渀琀猀 the perfectly sheet material of 昀爀漀洀 䌀栀愀氀洀攀爀猀 唀渀椀瘀攀爀猀椀琀礀Ⰰ 匀眀攀搀攀渀 攀猀瀀攀挀椀愀氀氀礀 琀栀攀 欀攀爀昀椀渀最 爀攀猀攀愀爀挀栀 engineered 椀搀攀愀猀⸀ wood which is in-

herently dynamic, given its low cost, availability and free from grain direction imperfections.

designer designs, designer creates.

1. Partition fabricated for Smartlabs exhibition

DATE

Nov 2018 to May 2019 TYPE

Group Work (Amar Shetty, Harsh Shah, Karan Singh) COURSE

exploration of structural and physical properties of a conventional material using digital tooling and fabrication lead to dynamic spatial applications

a continuation approach ㄀⸀ 吀栀攀 昀椀渀愀氀 猀攀洀攀猀琀攀爀 栀愀渀搀猀 ⴀ漀渀 瀀爀漀樀攀挀琀 攀砀瀀氀漀爀椀渀最 搀椀最椀琀愀氀 昀愀戀爀椀挀愀琀椀漀渀 眀椀椀琀栀 ᠠ眀漀漀搀ᤠ 愀猀 琀栀攀 洀愀琀攀爀椀愀氀 ⠀琀漀瀀 氀攀昀琀⤀⸀

Final Exhibition Project

㈀⸀ 挀爀攀愀琀椀渀最 愀 栀愀渀最椀渀最 挀攀椀氀椀渀最 眀椀琀栀 洀漀搀甀氀攀猀 漀昀 ᠠ洀椀渀椀洀甀洀 猀甀爀昀愀挀攀ᤠ 甀猀椀渀最 䬀愀渀最愀爀漀漀 ⠀琀漀瀀 爀椀最栀琀⤀⸀

MENTORS

㌀⸀ 刀愀瀀椀搀 瀀爀漀琀漀琀礀瀀椀渀最 甀猀椀渀最 ㌀䐀 瀀爀椀渀琀椀渀最 甀猀椀渀最 猀氀椀挀攀爀 ☀ 挀甀爀愀 眀椀琀栀 ㌀䐀椀渀最 琀攀挀栀渀漀氀漀最礀 ⠀戀漀琀琀漀洀 氀攀昀琀⤀⸀

(Diploma in Computational Design and Digital Fabrication)

Sushant Verma, sushant.verma@rat-lab.org Aman Jain, aman.jain@iaac.net CONTRIBUTION

Computational Design - Form development Material Research - Optimisation & Iterations Digital Fabrication - Spatial development, design #computational design #nonlinear geometry #material studies #analogue vs digital #1:1 #experimentation #advanced architecture #wood kerfing #spatial application #bending analysis (Credits: Figure 4 - Chalmers University Research)

2. Bending and Kerfing of Wood

The project investigates wood systems constructed through accumulative local weakening and disruption of fibre continuity (kerfing).

It is aimed to develop a computational design tool that allows programming the bending 䔀堀倀䰀伀刀䤀一䜀and 一䔀圀 twist䈀夀 ing behaviour of匀吀刀唀䌀吀唀刀䔀匀 tensioned wood 䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀 圀伀伀䐀 through specific kerf patterns.

㐀⸀ 倀栀礀猀椀挀愀氀 挀漀洀瀀甀琀椀渀最 眀椀琀栀 唀渀椀琀礀㌀䐀 愀渀搀 嘀甀昀漀爀椀愀 愀渀搀 最甀椀搀愀渀挀攀 戀礀 吀爀攀稀椀Ⰰ 匀洀愀爀琀ⴀ 瘀椀稀砀 ⠀戀漀琀琀漀洀 爀椀最栀琀⤀⸀

3. Study of different kerf patterns

䔀堀倀䰀伀刀䤀一䜀 一䔀圀 匀吀刀唀䌀吀唀刀䔀匀 䈀 䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀 圀伀伀䐀 䔀堀倀䰀伀刀䤀一䜀 一䔀圀 匀吀刀唀䌀吀唀刀䔀匀 䈀夀 䴀䄀吀䔀刀䤀䄀䰀䤀匀䤀一䜀 圀伀伀䐀

4. Bending Radii and Kerfing Studies

27

06A

MATERIAL & GEOMETRY

䴀攀渀琀漀爀猀㨀䄀爀⸀䄀爀⸀ 匀甀猀栀愀渀琀嘀攀爀洀愀Ⰰ 嘀攀爀洀愀Ⰰ 䄀爀⸀ 䄀洀愀渀 䄀洀愀渀 䨀愀椀渀Ⰰ 䬀愀爀愀渀 匀椀渀最栀 䴀攀渀琀漀爀猀㨀 䄀爀⸀ 䨀愀椀渀Ⰰ䄀爀⸀ 䄀爀⸀䄀洀愀爀 䄀洀愀爀匀栀攀琀琀礀Ⰰ 匀栀攀琀琀礀Ⰰ䄀爀⸀䄀爀⸀ 䬀愀爀愀渀 匀椀渀最栀 PAVILION - 匀甀猀栀愀渀琀 DIGITAL FABRICATION

Material study

Kerfing-bending explorations

STEP 01

STEP 02

STEP 03 挀愀渀 琀栀攀 攀砀瀀氀漀爀愀琀椀漀渀 漀昀 猀琀爀甀挀琀甀爀愀氀 愀渀搀 瀀栀礀猀椀挀愀氀 瀀爀漀瀀攀爀琀椀攀猀 漀昀 愀 挀漀渀瘀攀渀琀椀漀渀愀氀 洀愀琀攀爀椀愀氀 甀猀椀渀最 搀椀最椀琀愀氀 琀漀漀氀椀渀最 愀渀搀 昀愀戀爀椀挀愀琀椀漀渀 氀攀愀搀 琀漀 搀礀渀愀洀椀挀 猀瀀愀琀椀愀氀 愀瀀瀀氀椀挀愀琀椀漀渀猀㼀

STEP 04

Fabrication

Form Generation

䤀琀攀爀愀琀椀瘀攀 瀀爀漀琀漀琀礀瀀椀渀最 愀琀 瘀愀爀椀漀甀猀 猀挀愀氀攀 琀漀 琀攀猀琀 瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀 愀渀搀 最攀漀洀攀琀爀椀攀猀 漀昀 琀栀攀 洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀

挀愀渀 琀栀攀 攀砀瀀氀漀爀愀琀椀漀渀 漀昀 猀琀爀甀挀琀甀爀愀氀 愀渀搀 瀀栀礀猀椀挀愀氀 瀀爀漀瀀攀爀琀椀攀猀 漀昀 愀 挀漀渀瘀攀渀琀椀漀渀愀氀 洀愀琀攀爀椀愀氀 Different kerf patterns were吀栀攀 stud-挀甀氀洀椀渀愀琀椀漀渀 漀昀 琀栀攀 猀洀愀爀琀ⴀ 甀猀椀渀最 搀椀最椀琀愀氀 琀漀漀氀椀渀最 愀渀搀 昀愀戀爀椀挀愀琀椀漀渀 氀攀愀搀 琀漀 搀礀渀愀洀椀挀 猀瀀愀琀椀愀氀 愀瀀瀀氀椀挀愀琀椀漀渀猀㼀 ied to understand the bend ing猀琀甀搀椀漀 椀渀 挀漀洀瀀甀琀愀琀椀漀渀愀氀 氀愀戀猀 䤀琀攀爀愀琀椀瘀攀 瀀爀漀琀漀琀礀瀀椀渀最 愀琀 瘀愀爀椀漀甀猀 猀挀愀氀攀 琀漀 琀攀猀琀 瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀 愀渀搀 最攀漀洀攀琀爀椀攀猀 漀昀 琀栀攀 洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀ 挀愀渀 琀栀攀 攀砀瀀氀漀爀愀琀椀漀渀 漀昀 猀琀爀甀挀琀甀爀愀氀 愀渀搀 瀀栀礀猀椀挀愀氀 瀀爀漀瀀攀爀琀椀攀猀 漀昀 愀吀栀攀挀漀渀瘀攀渀琀椀漀渀愀氀 洀愀琀攀爀椀愀氀 properties.

Initial studies were 搀攀猀椀最渀 挀甀氀洀椀渀愀琀椀漀渀 漀昀 琀栀攀 猀洀愀爀琀ⴀ 椀渀瘀漀氀瘀攀搀 愀瀀瀀氀椀挀愀琀椀漀渀 漀昀 甀猀椀渀最 搀椀最椀琀愀氀 琀漀漀氀椀渀最 愀渀搀 昀愀戀爀椀挀愀琀椀漀渀 氀攀愀搀 琀漀 搀礀渀愀洀椀挀 猀瀀愀琀椀愀氀 愀瀀瀀氀椀挀愀琀椀漀渀猀㼀 performed by laser 椀渀cutting 3mm 昀愀戀爀椀挀愀琀椀漀渀 琀攀挀栀渀漀氀漀最椀攀猀 氀愀戀猀 猀琀甀搀椀漀 挀漀洀瀀甀琀愀琀椀漀渀愀氀 搀椀最椀琀愀氀 䤀琀攀爀愀琀椀瘀攀 瀀爀漀琀漀琀礀瀀椀渀最 愀琀 瘀愀爀椀漀甀猀 猀挀愀氀攀 琀漀 琀攀猀琀 瀀愀琀琀攀爀渀猀Ⰰ 昀漀爀洀猀Ⰰ 猀琀爀甀挀琀甀爀攀猀 愀渀搀 最攀漀洀攀琀爀椀攀猀 漀昀 琀栀攀 洀愀琀攀爀椀愀氀 ⴀ 搀椀最椀琀愀氀 ☀ 瀀栀礀猀椀挀愀氀⸀ MDF sheet but 椀渀瘀漀氀瘀攀搀 due to uncertain搀攀猀椀最渀 愀瀀瀀氀椀挀愀琀椀漀渀 椀渀 琀栀攀漀昀 昀椀渀愀氀 攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀 瀀爀漀樀攀挀琀 搀椀最椀琀愀氀 昀愀戀爀椀挀愀琀椀漀渀 琀攀挀栀渀漀氀漀最椀攀猀 ties of scaling wood, full scale 吀栀攀 挀甀氀洀椀渀愀琀椀漀渀 漀昀攀砀瀀氀漀爀攀搀 琀栀攀 猀洀愀爀琀ⴀ 琀栀攀 瀀漀琀攀渀琀椀愀氀 漀昀 琀栀攀 椀渀ⴀ 椀渀 琀栀攀 昀椀渀愀氀 攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀 瀀爀漀樀攀挀琀 tests became early 氀愀戀猀 an 猀琀甀搀椀漀 椀渀 method 挀漀洀瀀甀琀愀琀椀漀渀愀氀 栀攀爀攀渀琀 戀攀渀搀椀渀最 挀愀瀀愀挀椀琀礀 漀昀 攀砀瀀氀漀爀攀搀 琀栀攀 瀀漀琀攀渀琀椀愀氀 漀昀 琀栀攀 椀渀ⴀ 搀攀猀椀最渀 椀渀瘀漀氀瘀攀搀 愀瀀瀀氀椀挀愀琀椀漀渀 for design栀攀爀攀渀琀 studies.

Itiretive pro-漀昀 椀渀 漀昀琀栀攀 昀漀爀洀 漀昀 洀搀昀 椀渀 眀漀漀搀 戀攀渀搀椀渀最 挀愀瀀愀挀椀琀礀 搀椀最椀琀愀氀 昀愀戀爀椀挀愀琀椀漀渀 琀攀挀栀渀漀氀漀最椀攀猀 typing at眀漀漀搀 various scales test椀渀 搀礀渀愀洀椀挀 琀攀洀瀀漀爀愀爀礀 椀渀 琀栀攀 昀漀爀洀 to 漀昀挀爀攀愀椀渀最 洀搀昀 STEP 05 椀渀 琀栀攀 昀椀渀愀氀 攀砀栀椀戀椀琀椀漀渀⸀ 吀栀椀猀 瀀爀漀樀攀挀琀 patterns, 挀爀攀愀椀渀最 form and geometries. 搀礀渀愀洀椀挀 琀攀洀瀀漀爀愀爀礀 搀漀甀戀氀礀 挀甀爀瘀攀搀 猀瀀愀琀椀愀氀 猀琀爀甀挀琀甀爀攀猀 1. Physical Prototype and Iterations

攀砀瀀氀漀爀攀搀 琀栀攀猀瀀愀琀椀愀氀 瀀漀琀攀渀琀椀愀氀 漀昀 琀栀攀 椀渀ⴀ 搀漀甀戀氀礀 挀甀爀瘀攀搀 猀琀爀甀挀琀甀爀攀猀 栀攀爀攀渀琀 戀攀渀搀椀渀最 挀愀瀀愀挀椀琀礀 漀昀 眀漀漀搀 椀渀 琀栀攀 昀漀爀洀 漀昀 洀搀昀 椀渀 挀爀攀愀椀渀最 搀礀渀愀洀椀挀 琀攀洀瀀漀爀愀爀礀 搀漀甀戀氀礀 挀甀爀瘀攀搀 猀瀀愀琀椀愀氀 猀琀爀甀挀琀甀爀攀猀

STEP 06 2. Digital Form Finding Process

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06B

WORKFLOW & DETAILS PAVILION - DIGITAL FABRICATION

1. A 1:5 scale model

236 pieces were lasercut on 5 sheets of A1 size. The loops were folded and connected using stapler. Subsequently, then loops were connected with ties to form overall structure.

Does testing physical prototypes help瀀栀礀猀椀挀愀氀 assess 瀀爀漀琀漀琀礀瀀攀猀 栀攀氀瀀 愀猀猀攀猀猀 眀栀攀琀栀攀爀 琀栀攀 挀漀洀瀀氀攀砀 搀漀攀猀 琀攀猀琀椀渀最 whether the complex 猀漀氀甀琀椀漀渀猀 漀昀昀攀爀 猀瀀愀琀椀愀氀Ⰰ 愀攀猀琀栀攀琀椀挀 愀渀搀 瀀爀漀最爀愀洀洀愀琀椀挀 焀甀愀氀椀琀椀攀猀㼀 solutions offer spa䐀椀最椀琀愀氀 昀愀戀爀椀挀愀琀椀漀渀 琀攀挀栀渀椀焀甀攀猀 氀椀欀攀 氀愀猀攀爀 挀甀琀琀椀渀最 愀渀搀 ㌀䐀 瀀爀椀渀琀椀渀最 眀攀爀攀 愀氀猀漀 椀渀挀漀爀瀀漀爀愀琀攀搀 琀漀 挀爀攀愀琀攀 欀攀爀昀 tial, aesthetic and pro瀀愀琀琀攀爀渀猀 漀渀 洀搀昀 愀渀搀 昀漀爀 昀漀爀洀 昀椀渀搀椀渀最 琀漀 搀攀瘀攀氀漀瀀 琀栀攀 搀漀甀戀氀礀 挀甀爀瘀攀搀 猀甀爀昀愀挀攀⸀ grammatic qualities? A full scale mock-up was 䐀椀最椀琀愀氀 昀愀戀爀椀挀愀琀椀漀渀 琀攀挀栀渀椀焀甀攀猀 氀椀欀攀 氀愀猀攀爀 挀甀琀琀椀渀最 愀渀搀 ㌀䐀 瀀爀椀渀琀椀渀最 眀攀爀攀 愀氀猀漀 椀渀挀漀爀瀀漀爀愀琀攀搀 琀漀 挀爀攀愀琀攀 欀攀爀昀 created which includ瀀愀琀琀攀爀渀猀 漀渀 洀搀昀 愀渀搀 昀漀爀 昀漀爀洀 昀椀渀搀椀渀最 琀漀 搀攀瘀攀氀漀瀀 琀栀攀 搀漀甀戀氀礀 挀甀爀瘀攀搀 猀甀爀昀愀挀攀⸀ ed the kerf patterns (varying bending radii), joint details and the unrolling of the units.

吀栀攀 挀漀洀瀀甀琀愀琀椀漀渀愀氀 瀀爀漀挀攀猀猀 椀渀瘀漀氀瘀攀搀 眀漀爀欀椀渀最 眀椀琀栀 愀渀 愀爀爀愀礀 漀昀 樀漀椀渀攀爀礀 琀攀挀栀渀椀焀甀攀猀 愀猀 瀀攀爀 琀栀攀 戀攀渀搀椀渀最 挀愀瀀愀挀椀琀礀 漀昀 洀搀昀⸀

吀栀攀 挀漀洀瀀甀琀愀琀椀漀渀愀氀 瀀爀漀挀攀猀猀 椀渀瘀漀氀瘀攀搀 眀漀爀欀椀渀最 眀椀琀栀 愀渀 愀爀爀愀礀 漀昀 樀漀椀渀攀爀礀 琀攀挀栀渀椀焀甀攀猀 愀猀 瀀攀爀 琀栀攀 戀攀渀搀椀渀最 挀愀瀀愀挀椀琀礀 漀昀 洀搀昀⸀

2. Full scale mock-up

Digital fabrication techniques like laser cutting and 3D printing were incorporated to create kerf patterns on MDF and for form 匀圀䤀吀䌀䠀 finding to develop the doubly curved surface. 䌀伀一吀䤀一唀伀唀匀 䈀䔀吀圀䔀䔀一 吀䠀䔀 䄀一䄀䰀伀䜀唀䔀 ☀ 吀䠀䔀 the 䐀䤀䜀䤀吀䄀䰀⸀ scope of the

3. 3D printing using slicer & cura with 3Ding technology (Credits: Figure 3 - Amar Shetty)

As research targeted the architectural qualities in relation 䌀伀一吀䤀一唀伀唀匀 匀圀䤀吀䌀䠀 to the materialisation of structure, the 䈀䔀吀圀䔀䔀一 吀䠀䔀 accuracy of structural modelling and simulation was depri䄀一䄀䰀伀䜀唀䔀 ☀ 吀䠀䔀 oritised䐀䤀䜀䤀吀䄀䰀⸀ and is recommended as focus for further research.

ᠠ挀栀愀爀琀椀渀最 瘀攀挀琀漀爀猀ᤠ ⴀ 琀栀攀 挀栀愀氀氀攀渀最攀 昀愀挀攀搀 琀漀爀渀 戀攀琀眀攀攀渀 戀氀愀渀搀 最氀漀戀愀氀 琀攀洀瀀氀愀琀攀猀

刀椀猀栀愀瘀 䨀愀椀渀Ⰰ 䌀䔀倀吀 唀渀椀瘀攀爀猀椀琀礀 ⴀ ᰠ吀爀愀搀椀琀椀漀渀 挀愀渀 渀攀 瀀爀漀洀椀猀攀搀 渀漀爀攀 椀最渀漀爀攀搀Ⰰ 椀琀 渀攀攀搀猀 琀漀 攀瘀漀氀瘀攀Ⰰ 渀攀攀搀 攀渀挀攀 琀漀搀愀礀Ⰰ 渀攀攀搀猀 琀漀 戀攀 爀攀搀攀昀椀渀攀搀 椀渀 洀攀愀渀椀渀最 䄀渀搀 琀栀攀 搀礀渀愀洀椀猀洀 椀渀 挀爀愀昀琀 椀猀 瀀爀漀戀愀戀氀礀 琀栀攀 漀渀氀礀 椀渀挀爀攀愀猀椀渀最 搀攀洀愀渀搀猀 漀昀 最氀漀戀愀氀椀猀愀琀椀漀渀 椀渀 洀漀

琀攀猀琀椀渀最 瀀栀礀猀椀挀愀氀 瀀爀漀琀漀琀礀瀀攀猀 栀攀氀瀀 愀猀猀攀猀猀 眀栀攀琀栀攀爀 琀栀攀 挀漀洀瀀氀攀砀 漀渀猀 漀昀昀攀爀 猀瀀愀琀椀愀氀Ⰰ 愀攀猀琀栀攀琀椀挀 愀渀搀 瀀爀漀最爀愀洀洀愀琀椀挀 焀甀愀氀椀琀椀攀猀㼀

4.Switch from analog to digital

搀漀 琀栀攀 瘀愀爀椀漀甀猀 愀猀瀀攀挀琀猀 漀昀 搀攀猀椀最渀 爀攀焀甀椀爀攀 氀愀戀漀爀愀琀漀爀礀 猀愀洀瀀氀椀渀最 ⴀ 愀氀琀攀爀渀愀琀椀瘀攀猀 漀昀 洀愀琀攀爀椀愀氀Ⰰ 樀甀渀挀琀椀漀渀 戀攀琀眀攀攀渀 琀眀漀 洀愀琀攀爀椀愀氀猀Ⰰ 攀砀瀀攀爀椀洀攀渀琀椀渀最 眀椀琀栀 椀琀猀 猀琀爀攀渀最琀栀 愀渀搀 猀琀愀戀椀氀椀琀礀㼀 搀漀 琀栀攀 瘀愀爀椀漀甀猀 愀猀瀀攀挀琀猀 漀昀 搀攀猀椀最渀 爀攀焀甀椀爀攀 氀愀戀漀爀愀琀漀爀礀 猀愀洀瀀氀椀渀最 ⴀ 愀氀琀攀爀渀愀琀椀瘀攀猀 漀昀 洀愀琀攀爀椀愀氀Ⰰ

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DESIGN PORTFOLIO

academic + professional works arharshmshah@gmail.com

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