Architecture Portfolio / English version // 2017

Page 1

Architecture portfolio EnglISH VERSION

hASSENE jELJELI tn 2017


Cover illustration: This is a visual art exercise done during my course, it’s my picture worked in the cubist manner.


Hassene Jeljeli

2017 Portfolio architecture



Contents

Curriculum vitae

school

2016

The training center in stone construction techniques

07-08

2015

The center 3A : Art, artisanat* and architecture

09-10

2014

mixed-use building

11-12

2013

inhabited bridge

13

Villa architects

14

Toujane Study trip

15-16

Mimar Sinan Prize 2016

2012

Internship 2017

Wadi Rum extension Professional Internship

17-18

Dar xp

19-20

Loubia Attacks !

21-22

BibliotĂ´le

23-24

artisanat*

IS french word to say CRAFT.


"This portfolio has a collection of some

of my academic architecture work during my studies at the ENAU and my personal projects. The projects are presented through drawings and models that illustrate the idea generator and developed tools and modes of representation. They are organized in a chronological logic and explanations are in English

"


Hassene Jeljeli

Architect-designer

Tunis, 23-08-1991 hassene.jeljeli@hotmail.fr 06, Rue de Gafsa, Menzah V, 2091,Tunis, Tunisie (+216) 21 411 979

Education 2017 2016 2010

Autodesk National school of architecture and urbanism of Tunis Professional Internship defence - June 2017 - With Honors National school of architecture and urbanism of Tunis End of study memory - March 2016 - With Honors Hight school - Menzah VI [Tunis] - Bachelor - Technical section - With honors

Experiences

Autocad 2D Autocad 3D 3DS MAX Revit

Adobe Photoshop Illustrator Indesign

Other

2016

Khammash architects [Amman] - Professional internship (4 months) Aris architects [Tunis] - Professional internship (4 months)

Archicad Lumion Sketchup

2015

Founder - Loubiaattacks Design

Languages

2017

DWATT [Tunis] - Freelance (3 months)

French English Arabic

2014

Fakher & Fakher architects - Professional internship (1 month)

Models

2006

Sellmax, Tunisie-concept et Arkea - Worker Internship

Traveling Netherlands, Italy, France, Germany, Spain, Algeria, Jordan, Kuwait, Portugal.

Restauration [Uva, Bragança, Portugal] restauration of a pigeon house (PALOMBAR). Ecoconstruction [Tunis] realization of an eco-dome (L'ombre du palmier). Ecoconstruction Theoretical intoduction and realization of an eco-dome with superadobe (Mornag ECO FARM). Dream city [The kasbah of Tunis] Creating cardboard structures for children

Sport Horse riding

Studi international [Tunis] - Freelance (2 months)

Workshops 2017 2015 2014 2010

Award

Cinéma actor, «Fattaras» (short film), 2015, TN. Certification 3DS MAX Level 2 Autocad Level 2 Revit Level 1

2016

Honourable mention [Istanbul] Mediterranean Mimar Sinan Prize 2016

www.pinterest.com/hassenejeljeli/

2015

Laureate [Tunis] Design competition Nijma't Dar Déco 2015

www.behance.net/Hassenej


To the rescue of the heritage and the environment in degradation Shusira: a training center in stone construction techniques Honourable mention Mediterranean Mimar Sinan Prize 2016

End of study memory / ENAU. Theme : Environment Memory manager : Alia SELLAMI BEN AYED Mention : with honors. https://issuu.com/hassenejeljeli/docs/shusira_007 This vocational training center While the center provides dedicated to stone construction would welcome anyone curious, who wants to discover these millennium-old construction techniques. This approach involves the creation of an architectural proposal that will revive the village, its history, heritage, architecture, and crafts, and involve the villagers in the project activities, including the construction.

information on traditional and new stone construction techniques, the design of the center itself is a showcase of masonry techniques today and demonstrates that it is still possible to exhibit contemporary architecture while using ancestral materials to minimize environmental impact.

"

"

Due to a serious lack of skilled labor in the field of restoration and invasion of new industrial building materials, many extremely rich vernacular architectural heritage sites, including the ones in the Mediterranean countries such as Tunisia, are under threat of degradation. This project comes from the case study of the old Shusira; Kesra, a village in the governorate of Siliana, whose strikingly beautiful landscape stone, an abundant natural resource, has gradually disfigured. In a context where sustainability becomes a necessity, the use of local materials is essential.


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Centre 3art, architecture et artisanat

2015

This is the final project for the the elective seminar entitled «vernacular architecture» taken during the first semester of the fifth year. The prompt included choosing a site studied during the research trip entitled «Environment,» defining a problem and addressing it through a project.

Level : fifth year. Theme: Environment Teachers :Ayed SRIHA et Hayet BADRANI Location : Kesra, Siliana, Tunisie.

A cultural transplant

Design in a contemporary vernacular architectural style constructed with local stone. Know more and make known the riches of the territory. Transmit knowledge and expertise


approach involves " This creation of an architectural proposal that will support the upgrading of the village, its history, heritage and architecture, and revive its reborn crafts.

The idea is to restore an abandoned house with a dry stone vernacular architecture and a heritage dating back to centuries, and turn it into a space for crafts and insert a perched library, attracting the residents, especially the youth, to come and cultivate themselves.

"

Plan center 3A

Detail of a stone wall, an abundant local resource in Kesra. It is removable and translucent, and acts as a filler material to be placed inside metal boxes, as a revisited gabion. Section detail of the structural system (load-bearing stone and wooden frame roof), the roof is vegetated.

Section center 3A

Detail removable wall Gabion

10


mixed-use building

2014

The prompt was to design a multifunctional building; an initial study concerns the choice of a program. With the intention to work the project in its various phases (APS , APD, Execution). Level: Fourth year. Teacher : Dora IsmaĂŻl. Theme : bioclimatic architecture. Location : The lakeshore, Tunis, Tunisie.

Bend to the BIOCLIMATIC to bring a cultural dimension to the site by offering a library and an auditorium for a rather well-off society hungry for culture. It also contributes a commercial dimension by instilling quality organic food stores, all on the ground floor.

This project was for me an introduction to an architecture respectful of the environment; the design was done according to the bioclimatic chart taking the solar orientation and prevailing winds into consideration, and also included a natural ventilation system. The building has a metal structure, made out of recyclable steel.

"

"This project, initially analyzed at a macroscopic scale, aims

Model multifunctional building


Panoramic photo of the site

detailed plan of a cell

Bioclimatic elevation/ B-B

ground floor plan

12


inhabited bridge 2013 is the year of the seminar structure, which "This consists of designing an inhabited bridge. I

Schematic section of the inhabited bridge

was immediately reminded of the ÂŤinvisible cityÂť imagined in the novel by Italo Calvino. A kind of suspended homes with views of the turquoise Mediterranean Sea.

"

Level : third year Professor : Slim Kraiem Location : Bizerte, Tunisia

Solid / Void Materialization/ Immaterialization

Schematic sketch of the inhabited bridge


architects's Villa

2013

The project consists of designing an habitat for a family of an architect couple and their two children. Level : third year Professor : Slim Kraiem Location : Marsa, Tunis, Tunisia Ground : slope

Photos of the intervention site

attention to have a superior integration to the surroundings pushes me to take maximum advantage of the "The setting. Here the ground is sloping where possible so as to have a clear view of the Mediterranean.

"

Section A-A

14


Sketch demonstrating the vernacular architecture of Ksar Hadada, Tataouine, TUNISIA.

this trip I confirmed that I was, am and will always "On be attracted to the architecture without architects, ingenious architecture, representing the perfect combination of reflection and intuition of man. Vernacular architecture or the seed which arises spontaneously from its soil.

"

Plan and elevation of a troglodytic habitation in Douiret, Tataouine, Tunisia, 2012


Skecth of a semi-troglodytic habitation, Toujane, Gabès, Tunisia, 2012.

ToujaneTunisie, voyage d'étude 2012 research trip was for the exploration and analysis of a spe"This cific type of vernacular architecture in southern Tunisia using different tools .(sketches, reading housing plans etc.) The analytical work was followed by an exercise in designing a house that included an atelier and exhibition and sale spaces for a family of artisans, whose architecture must consider the specified architectural vocabulary and settings of the region.

"

Toujane, Gabès, Tunisia, 2012.

Model of the project in Toujane, Gabès, TUNISIA.

Level : Second year Instructors : Nabila LAKHOUA / Mohsen BEN HADJ SALEM Location : Toujane, Gabès, TUNISIA.

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Photos of the intervention site

Wadi Rum extension

Internship 2017

Agency : Khammash architects Duration : 4 months. Location : Wadi Rum, Jordan. The current massing of the building in separate blocks has created orientation and circulation hierarchy problems, which required placing large signs marking the reception block and other facilities. (“good architecture needs no signs�) The continuous entering and exiting of blocks has also created annoying dramatic shifts of light from the indoor artificial lighting to the outdoor sun glare, as well as climate-control, security, and visitor management difficulties. As a result, the current building fails in its most important functions:

Problem Photo of the intervention site

Solution proposed solution

- A proper reception, which is too small and difficult to find. - Interpretation space, which is isolated in a far separate block. Visitor centers should always start with reception/ interpretation, preferably as one continuous space that is visually connected to a refreshment area, and administration is normally hidden behind reception and research and other offices can be tucked away anywhere away from direct visitors traffic.


Continuous view of Rum mountains

Proposed frame relationship with adjacent buildings

Proposed frame viewing Rum's mountains

The monumental frame functions also as a shaded area and strong guidance to the indoor reception, which functions as both; reception and interpretation, keeping in mind that some interpretation starts outside under the frame, or even the large courtyard Before.

frame section

18


dAR XP

Freelance 2016

Project : Villa Area : 450m² Localisation : Bir Mroua, Soliman, Tunisia

Sketch cONCEPT

couple in a pleasant living space with a cheerful, boosting atmosphere. The idea is that all the spaces benefit from a view, hence creating two microclimates, in order to integrate the garden inside the house and to multiply the shaded spaces. The project aims to respect nature, it takes shape in relation to the bioclimatic curve with the openings on the east and south-east.

Ground Plan

Self-sufficient project is equipped with a heat pump powered by solar energy and a system of rainwater harvesting. The house uses the local stone as a building material, trying to integrate the reflection of a showcase architecture encouraging visitors to do the same in order to reduce the harmful impact caused by the industrial materials.

"

"The concept is about housing a young


The site

20


a very young age in the detail, which often lead me to rethink some devices, far and wide. My working approach is to be a part of sustainable development, including the design phase as well as the implementation phase through the material choice.

2016 These are demountable table legs, easily transportable and ergonomically adjustable on any flat surface. The advantage of its use is its lightness, flexibility and design. This is a response to the great mass of industry, whose products meet expectations, yet no longer hold any identity.

Thus, those, who will use these table legs, can vary their support and thus, choose the design of their board work. This is the result of a long research, a unique design and local manufacture in Tunisia. With a little help, I finally founded Loubia Attacks, the product brand.

"

Loubia attacks ! a technical baccalaureate and son of "Being a mechanical engineer, I was interested from


legs made of steel sheet, a "Monolithic recyclable material to infinity, democratizes the use of the table by leaving the choice to the user to pick any media they wish, through recovery or DIY. Often one has old objects loaded with symbols and history in his garage, this table leg revitalizes and restores the chance to communicate them. Thus, each table object tells a story. With this project in December 2015, I was the winner of the national competition Nijma’t Dar Deco, as a young Tunisian designer.

"

"With this project in De-

cember 2015, I was the winner of the national competition Nijma’t Dar Deco, as a young Tunisian designer.

"

facebook.com/loubiaattacks/ instagram.com/loubiaattacks/

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the space with a translucent screen with a grid system. I immediately thought of the QR CODE, then trying to test its degrees of freedom for an interest in art, culture and environment, I envisaged filling the void with a library without

2015 limiting the view. Therefore, to combine a library and the screen, the idea of a monolithic object out from the same sheet to meet all these requirements was implemented.

"

Bibliotôle is a response to several pa"BIBLIOTÔLE rameters; the client wanted to occupy

This product is visible in Cozette, The Colosseum, center Tunis, Tunisia.


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Hassene Jeljeli hassene.jeljeli@hotmail.fr pinterest.com/hassenejeljeli/ behance.net/Hassenej soundcloud.com/hassene-jeljeli +216 21 411 979

2016 06, Rue de Gafsa 2091 Menzah V, Ariana, TUNISIE



HJ

Potfolio Hassene Jeljeli


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