DESIGN
p o r t f o l i o
HARSHITA DIXIT
5250 mm height Future opportunity for roof garden
PLAN - Second Floor
Page 28
4880 mm height Private Incubator Studio 1 Private Incubator Studio 2 Private Incubator Studio 3 Private Incubator Studio 4 Artificial Incubators Common Space Meditation Space Pantry Area
0
0.5m
0
0.5m
0
0.5m
2m
4m
PLAN - First Floor
Page 26
2m
4m
4610 mm height 7 Incubation chamber 4 Changing station Staff Space Toilets
PLAN - Ground Floor
Page 24
2m
4m
4300 mm height Family Space Exhibition Area Waiting Space Entrance Conference Space Workshop Children Play Space Day care Toilets
PLAN - Basement 0
Page 22
0.5m
2m
4m
KING STREET
Interactive videography explaining setup on the basement floor
00 mm height Growth experience Children Play Space Counseling rooms Research and Development Staff Space Meeting Room Pantry Toilets
RFL +59.17
“THE GROWTH EXPERIENCE CENTER”
3FL
+56.13
2FL
+52.48
FFL
+48.80
HLL
+46.10
GFL +43.04
Page 32
SECTION AA' 0
0.5m
2m
4m
2 0 2 3 “The Nurturing Oasis” - Hospital Design Proposal for Future Al Incubation Centers
Masters’ final project, confronts the declining young population in European countries, particularly the UK, envisioning a transformative society by 2040. Centered around an Artificial Incubation Center, the project redefines our built environment through innovative design principles, fostering inclusivity, equal opportunities, and well-being. With a focus on family planning, early education, and accessible healthcare, the typology promotes personal growth, connection, and sustainability. Embracing the concept of Metamorphosis, it aims to cultivate a community that celebrates intergenerational interactions, creating a future where inclusivity, sustainability, and well-being thrive within a vibrant society.
ENTS OF NATURE ELEMENTS OF NATURE
CREATING THE LINE CREATING OF SIGHT THE LINE OF SIGHT
THE FLOW OF THE BENTLY BROOK ENCE TO SITE AND ANALYSING T
S
TRENGTH Openings can frame the views of B Brook from different places
W
EAKNESS Number of trees surrounding the s ing sunlight and views
O
PPORTUNITIES Retaining the trees on site can hel control of ventilation and shade
T
HREATS The structure is old, weathering m weaker need to be strengthened
SENSES OF HUMANSENSES OF HUMAN
CIRCUMSCRIBED TO CIRCUMSCRIBED PROTECT EXISTING THE RUINS TO PROTECT VEGETATION EXISTING THE RUINS VEGETATION
BASIC MASSING ZONING OF SPACES GEOMETRY EVOLVED GEOMETRY RESPONSING EVOLVED THE SITE RESPONSING INITIAL THE SITE
K IN REFERTHE SWOT
Bentley
site restrict-
lp in natural
Spaces in the frame - Office space combined with child care viewing the landscape
made it
THE FLOW OF THE BENTLY BROOK IN REFERENCE TO SITE AND ANALYSING THE SWOT
S
TRENGTH Openings can frame the views of Bentley Brook from different places
W
EAKNESS Number of trees surrounding the site restricting sunlight and views
O
PPORTUNITIES Retaining the trees on site can help in natural control of ventilation and shade
T
HREATS The structure is old, weathering made it weaker need to be strengthened
THE FLOW OF THE BENTLY BROOK IN REFER ENCE TO SITE AND ANALYSING THE SWOT
S
TRENGTH Openings can frame the views of Bentley Brook from different places
2 0 2 3 W
EAKNESS the frame - Interioe Number ofSpaces treesinsurrounding the site restrictlandscape looking towards commuing sunlight and views nity school
“The Lost Dog” - Residential Design for Community Living
In Module 2 of the MA the design manifesto embodies a profound understanding of the interplay OPPORTUNITIES between static and dynamic memories within the human experience. The concept seeks toon integrate Retaining the trees site can help in natura control of ventilation and shade the equilibrium present in an individual’s habitat, building upon the site’s exploration of the relationship between built and unbuilt elements. By juxtaposing the four natural elements and engaging THREATS the five human senses, the design aims to etch lasting impressions into individuals’ minds, creating The structure is old, weathering made it weaker need to be strengthened memories that evolve and shape experiences. Focused on the hierarchy of human life stages, the design takes occupants on a journey of recollection. This approach informs spatial planning and enhances everyday functions, establishing a harmonious line of balance of design and memory recall.
SECTION B Scale - 1:100
1
14
DETAIL A
DETAIL B
1:5
1:5
16 DETAIL B
DETAIL C
11 14 5 10
15
1 1 DETAIL A 1:5
11
17
1:5
1:5
14 TECHNICAL SECTION
2 15
1 2 3 1 3
1 16 DETAIL B 1:5 17
13
DETAIL C 1:5
12
4 14
4 5
5
6 5 A 6 7 A
DETAIL C 1:5
7
DETAIL B DETAIL B 6 6 6 6
10
2
h rt 1 ea N ed IO em mm CT ul 3 ra SE gl L k er k CA ic of re ic mb NI th op ctu th ti CH u t e m k m TE tr 0mm 0m n ic ra f 15 d o r s 15 r th e l s 1. lle mbe x imb 0mm ta as fi ti 0mm t 20 me gl n 25 ood x m ed io d m en ct 2. rdw 0mm 50 re gh se x th ha 25 m ou x i n t o 3. am 0mm w Bo ea ti ck m I-B be 25 hed l ec e hi 0m a 4 4. nis int t 15 mm tur x s te ur fi pa mm x 50 uc Bo re uct c r am zo 12 mm x st 0MM con str be rra 5. 75 mm er 15 - ne en te 6. 75 liv X on to od h s i 7. nti 0MM at ng wo wit ca 15 und ti mm d sh l 75 she 8. Fo xis 5 ni ma i x r fi th w 9. . E m fin he r ear ndo t 10 ll 50m t 6 te wi ck wa . 1 ois as ed hi pl mm um 11 d j ing t ra min o st an or mm n uc k u o i 0 l c t o al j fl . 6 ati S hi IL k t en 12 sul 0mm m hic g TA in od DE in . 2 50m t az wo 13 . 4 5mm th gl mm ng 14 . 7 wi le 75 ofi o 15 me ub x a do mm rpr e fr 75 ate cap s w . 16 th and wi . L 17
1. 150mm thick rammed earth filled on top of TECHNICAL timber SECTION structure 2. 250mm x 150mm thick glulem 1. 150mm timber thick rammed earth hardwood filled on x top of thick timber 3. 250mm 200mm timber structure beam 2. 250mm 250mm x x 50mm 150mm metal thick frame glulem 4. hardwood with timber finished red 3. paint 250mm x 200mm thick timber beam 5. 12 mm thick toughened glass 4. 75 250mm x 150mm 50mm Box metal frame 6. mm x section finished with red I-Beam 7. 75 mm x 50 mm paint cantiliver structure 5. 150MM 12 mm X thick toughened glass 8. 150MM Box section 6. Foundation 75 mm x 150mm Box section 9. - concrete 7. 75 mm x 50 stone mm I-Beam 10. Existing structural cantiliver structure wall 8. 150MM Box section 11. 150mm X x 150MM 75mm wooden beam 9. Foundation - concrete and joist finished with terrazo 10. Existing stone structural flloring wall 60mm thick thermal 12. 11. 150mm x 75mm wooden beam insulation and 20mm joist Stuco finished with finish terrazo 13. plaster flloring 14. 450mm thick rammed earth 12. 60mm thick thermal 15. 75mm thick aluminum window insulation frame with 13. 20mm Stuco plaster finish double glazing 14. 16. 450mm 75mm x thick 75mm rammed wooden earth joist 15. thick aluminum window with 75mm waterproofing frame with 17. Landscape DETAIL double glazing 16. 75mm x 75mm wooden joist with waterproofing 17. Landscape DETAIL
1 11 14
15
A 7
8
DE
9 8 DETAIL C 9
TA IL B
DETAIL C
1 16
6
17
6
Creating a sensual space using
rigidity
rigidity
Creating a sensual space using the concept: degree of privacy is inspired by the context of street. The site is narrowed down as we move towards the fred perry (existing use of the site) from the exchange. Another inspiration from Precedent 1 FUN FACTORY which deals with female: body curves to depict fluidity in the space complementing the existing rigidity present in the site geometry.
PUBLIC
inserted consultation
enclosed
PODS”
enclosed
space
for
forming
mental enclosedwellbeing
mental Sh! wellbeing mental wellbeing
Sh! Sh!
is not only The client the brand to retail but also takesclient up initiativeistonot educate only The the to retail but also aboutbrand different sexual and takes up initiative to educate not only The client about different is sexual and from brand whichtothe program have the retail but also been derived, wellness space takes up initiative to educate from which the - program have in the clinic the “ADVISE about different sexual and been derived, wellness space PODS” inserted forming in the clinic - the “ADVISE PODS” inserted spaceforming for from which the program have consultation been derived, wellness space space for consultation in the clinic - the “ADVISE
present in the site geometry.
flowing, FLUID
the space complementing the
comfort, free
restricted
existing present existingin the site geometry.
private intimacy
partially
RIGID ,enclosed
fluidity rigidity fluidity
shared intimacy
share in public
to depict in existing to depict in the space complementing the present in the site geometry.
experience/talk
fluidity
structure
body body curves curves
TRANSFORM
body curves
DEVELOPMENT
Another inspiration from Precedent 1 FUN FACTORY which deals with female Another inspiration from Another inspiration from Precedent 1 1 FUN FUN FACTORY FACTORY which which Precedent deals with female deals with female to depict in the space complementing the
(existing use of the site).
inspired by the context of we move further from the degree ofnarrowed privacy site as it get as exchange towards thedown fred inspired by the context of we move further from the perryasstore site it get narrowed down as exchange towards fred (existing of thethe site). we move use further from the perry storetowards the fred exchange (existing use of the site). perry store
degree of privacy
Creating sensual using inspired a by the space context of concept: site as it get narrowed down as
degree of privacy
concept: a sensual space using Creating concept:
Idea of Metamorphosis
CHANGE
shape/form
PLANES restrict
STRIP sense of journey nature o
OPENING are the a space, cy.
Hence th with var
The client Sh! tail but also about differen from which th wellness space interested fo sultation.
VISUAL FROM THE PROPOSED DESIGN: Spaces in the frame - Meditation space and waiting area for counselling room
2 0 2 2 VISUAL FROM THE PROPOSED
“The Journey” - Retail Design and Community Awareness DESIGN:
First project for MA design studio designed to enhance experience with an ideatoof a SAFE Spacesof inusers the frame - Entrance the site, front facade, view of SPACE + DEGREE OF PRIVACY. Taking the inspiration from the thestreet ideology of both the brands encouraging women to explore the fantasies and to educate the community about the sexual and mental wellbeing, project was taken furhter to understand the nature of a womrn experiencing intimacy the process from desire to resolution.An aim to elevate and break the stereotype of the society about women appearance, hence developing the space for body positivity workshopfor women to express within a space that suits every age group. An imaginary tube of experience is created connecting all the transitional spaces of each floor as an experience of THE JOURNEY each one taking.
1. 1.
1.
1. 2.
The process of development of 2. wall on different levels of site A.
The process of development of wall on different levels of3. 3. site A.
3.
3. 4.
4. 5.
5. 6. 6.
A. A. B.
6.
C. C. D.
E. E. F.
A.
C. B. C. B.
6. 7.
B. B.
C. D. D.
7. 8.
E. D. E. D.
B
D
8.
E. F. F.
F
A. The A. frames The frames on the on site the sit for F. F. A. The frames on the site for path
path Development Process ofpath Concept
B. Imaginary planes to give tht enclosure
B. Imaginary B. Imaginary planes planes to give to g tht enclosure tht enclosure
7. SPACE FOR EXHIBITION 8.
POP
UP
DISPLAY
AND
COLLECTION
COUNTER
C.Level 01: Semi public spaces 9. WELCOME COUNTER 10.BODY POSITIVITY WORKSHOPS/RAMP 11.TOILET AND CHANGING SPACE
D.Level 02: Closed and private spaces 12.OUTSIDE SITTING/GATHERING SPACE 13.WAITING SPACE 14.ADVISE ROOM 15.MEDITATION SPACE
Basement
L 00
Orthographics
L 01
L 02
Orthographics
Model Exploration for Executing the Concept on Site
2 0 2 1 “Hari Orgo Admin Design” - Corporate office Design
The Hari Orgo Chemical Company Corporate Design Studio Project was led by our team in collaboration with DesignNest, with a focus on interior architecture. Managing both laboratory and administrative spaces, the project was characterized by the strategic use of a grid system and a palette of basic primary colors, reflecting the raw industrial aesthetics synonymous with Hari Orgo’s identity. The design, implemented under the guidance of an Interior Architect, successfully harmonized functionality and visual appeal, creating a cohesive and dynamic environment that resonates with the innovative spirit of the chemical company.
s
Design Process
This study also is required to be done as to design functionally stable cast products with such techniques using minimal development time and tomaintain a balance between material and energy consumption. However,this technique of designing and creating castings is a complex job. Several considerations are required to define while crafting a framework of the cast but there's no particular rule to distinguish them. Thus, it involves a thorough analysis of cast-ability and other production
This study also is required to functionally stable cast produc using minimal development time balance between material and However,this technique of des castings is a complex job. Seve are required to define while c the cast but there's no partic them. Thus, it involves a thorough ana and other production
THESIS OVERVIEW - Bachelor’s Interior Design - Year 4
This thesis embarks on a comprehensive exploration of Aluminium casting, aiming to understand its nature, processes, and applications with a specific focus on designing a superior-quality furniture element. The research delves into various casting methods, utilizing case studies to identify optimal techniques that balance quality benchmarking and cost-effectiveness. With a framework emphasizing functionally stable cast products and minimal development time, the study scrutinizes considerations such as cast-ability and production stages during the design phase. On-site visits to local foundries provide firsthand insights into the scope and limitations of casting techniques, considering parameters like aesthetics, cost, and durability. Additionally, the thesis examines the properties and finishes of Aluminium processed through different casting methods, offering a detailed analysis. The ultimate goal is to propose a well-informed, innovative furniture design that showcases Aluminium’s potential in creating aesthetically pleasing and functionally robust elements, encapsulating a journey of exploration, analysis, and design innovation within the intersection of material science and furniture craftsmanship.
2 0 1 9
Bachelor of Design . 3rd year Studio
02.A
The site b located in
These are building is
porate off
The dimensti
area is 260
DATUM AND DEFLECTION: The line of balance and deflected axis create spaces for service and circulation.
SHOWING DEGREE OF PRIVACY IN CIRCULATION: LOWER FLOOR
SPATIAL ELEMENT: The curved walls give enclosure to the spaces.
SHOWING DEGREE OF PRIVACY IN CIRCULATION: UPPER FLOOR
PRIVATE
PRIVATE
SEMI PRIVATE
SEMI PUBLIC
SEMI PRIVATE
SEMI PUBLIC
ADVERTISEMENT
PUBLIC
PUBLIC
FINANCE
ENTRANCE SPACE
DISCUSSION
SPACE FOR HIRE
CONFFERENCE
MARKETING
LEGAL
R AND D
DATUM AND DEFLECTION: The line of balance and deflected axis create spaces for service and circulation.
SHOWING DEGREE OF PRIVACY IN CIRCULATION: LOWER FLOOR PRIVATE
SEMI PRIVATE
SEMI PUBLIC
PUBLIC
DIRECTIONAL ELEMENT: Deflection given to the curved walls to create directional entrance to the spaces.
ORGANIDSATION OF DEPARTMENT:LOWER FLOOR
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COSTUMER SERVICE
PRODUCTION
DISCUSSION SECURITY
WAITING RECEPTION
MD'S
INVESTMENT
LEGAL
R AND D PRODUCT DESIGN
SPATIAL ELEMENT: The curved walls give enclosure to the spaces.
SHOWING DEGREE OF PRIVACY IN CIRCULATION: UPPER FLOOR PRIVATE
SEMI PRIVATE
ADVERTISEMENT
SEMI PUBLIC
FINANCE
PUBLIC
DIVISION OF LINEARITY: Horizontal walls introduced to give divisions to the linear spaces.
ORGANIDSATION OF DEPARTMENT:LOWER FLOOR
2 0 1 8 “BALANCE” - Corporate Office Design Proposal for AMUL
During the undergraduate design studio, a notable project was undertaken and subsequently selected as one of the top 10 student projects in India for the AYDA competition organized by Ethos. The project focused on the corporate office design for AMUL, utilizing the 1st floor of a building located at the Sabarmati riverfront in Ahmedabad, as provided by HCP Design Planning and Management. The designated floor, covers an area of 26,000 square feet The strategic use of this space aimed to create a dynamic and functional corporate environment for AMUL, contributing to the project’s recognition in a prestigious national competition.
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om.
2 0 1 7 DOCUMENTATION
The Mahabat Makbara Documentation Project encapsulates a meticulous on-site study, incorporating detailed plans and elevations that unveil the architectural splendor of this historical gem in Junagadh (362001). The focus lies on intricate carving details, bringing to life the distinctive onion-shaped domes, elegant French windows, evocative sculptures, and the masterful craftsmanship of marble tracery work, columns, jalis, and silver doorways. Notably, the minarets with winding staircases showcase the monument’s vertical dynamism. This section aims to present a comprehensive visual narrative, capturing the rich cultural and artistic heritage embedded in the Mahabat Makbara.
2 0 1 6 FURNITURE DESIGN
During the Bachelor of Design program, a focus on furniture design and joinery details was evident in various projects undertaken. The practical aspects of executing these projects were emphasized through hands-on work within the university workshop. This approach allowed for a comprehensive exploration of the intricacies involved in designing and crafting furniture. The projects aimed at imparting a nuanced understanding of joinery techniques, ensuring the development of skills in executing precise and functional furniture designs.
undation Studios
01(A.)Academic Studios . Workshops 1. Skethes : Cement Block Carving and Space making 2. Islamic Geometry Elective 3. Model making : Space Vocabulary 4. Pottery with Teracotta 5. Exhibitions Displays 6. Furniture : Replicating . Designing . Learning 7. Basic Design : Space Making by Fold and Swirl 8. Bamboo Workshop 9. Wood turning Workshop 10. RSP : Narsi ji pol , Vadodatra Mahabat Maqbara , Junagarh French Haveli , Ahmedabad
2 0 1 5 B.DES FOUNDATION STUDIOS
Throughout the Bachelor of Design program, a variety of projects were undertaken to develop an understanding of basic design principles. These included exercises like fold and swirl techniques, exhibitions, and the exploration of space vocabulary through concept development. The curriculum also incorporated practical experiences such as carving spacing in cement blocks and live sketching of carved blocks. These projects collectively contributed to a comprehensive education in design, emphasizing the intricacies of space making and fostering a holistic approach to design concepts.