VISIBLE inviting attention into the landscape
Hayden King hayden.cary.king@gmail.com 518-588-1591
CONTENTS RESUME VISIBLE CITIES VISIBLE RESTORATION VISIBLE ECOLOGY VISIBLE CRAFTSMANSHIP VISIBLE COLLABORATION VISIBLY PUBLIC
Grid, Interrupted: Manhattan NY Queensway Market: Queens NY Dam Removal, Spencer NY Mundy Wildflower Garden, Ithaca NY Performing Arts Center: Ithaca NY Yardworks, Point Chautauqua NY Finger Lakes Museum, Branchport NY Delaware Botanic Gardens, Dagsboro DE Waveny Park, New Canaan CT
4 6 14 17 18 20 24 26 28 29
“ your shoes you would arrive at your destination much more quickly.
One day someone discovered that if you walk as fast as possible and looked at nothing but
Soon everyone was doing it... No one paid any attention to how things looked, and as they moved faster and faster everything grew uglier and dirtier, and as everything grew uglier and dirtier they moved faster and faster... Day by day the buildings grew fainter and fainter, and the streets faded away, until at last
“ Norton Juster, The Phantom Tollbooth
it was entirely invisible. There was nothing to see at all.
EDUCATION Cornell University, Ithaca NY Master of Landscape Architecture, Dec 2015 Concentration: Horticulture ‘Gardens to Ecology; Seductive Systems’ GPA 3.97 Hampshire College, Amherst MA Bachelor of Arts Degree in Fine Arts, Dec 2009 Thesis Show, Dec 2009; 25 pen and ink drawings ‘The End of Epic; Uninhabited Spaces’ Coursework included Fine Arts, History, and Languages
Chicago Botanic Garden, Chicago IL Healthcare Garden Design Certificate Program SUNY Albany, Albany NY Coursework in Chemistry, Mathematics and Environmental Science Pont Aven School of Contemporary Art, Pont Aven, France Coursework in Oils and Mixed Media, recipient of PASCA scholarship Self Portrait
Hayden King hayden.cary.king@gmail.com 518-588-1591
2012 to 2015
2005 to 2009
Summer 2015
2010 to 2011
Summer 2006
EXPERIENCE Winterthur Garden Archives Intern, Wilmington DE Created an archival system for historic records of the garden, Organized 100+ years of garden records
Summer 2015
Winterthur Horticultural Intern, Wilmington DE Pruning, weeding, garden installation, assisting GIS specialist with documentation of gardens using ARCGIS and AUTOCAD
Summer 2014
Cornell Student Weekend Arborist Tree identification and preliminary health evaluation for small communities in upstate New York Crisan Edible Art Gallery, Albany NY Assisted pastry chefs, consulted with customers for custom desert orders, served guests
Fall 2013, 2014
2010-2011
Triple Brook Farm Nursery, South Hadley MA Assisted customers in selecting plants Cared for a variety of perennials, organized office
2009
Hampshire College Community Garden, Amherst MA Reestablished herb garden, put in paths and planted new fruit trees Rincoln de la Tierra Orchard, Mendoza, Argentina Assisted in establishing nut trees on local root stock
Hampshire College Farm, Amherst MA Cared for cows, chickens, turkeys, pigs and bees, cut and baled hay
2008 to 2009
2008
Summer 2007
SKILLS & INTERESTS Professional Computer Programs Geographic Information Systems (ARCGIS), AutoCAD, Rhinoceros, Adobe Suite (Photoshop, Illustrator, InDesign), Microsoft Office Representational drawing Pen, water color, oil and printmaking Pen Drawing
Public Gardens - Children’s Gardens - Therapeutic Landscapes Cultural Landcapes - Streetscape Design - Ecological Restoration Agriculture & Permaculture Projects - Hiking and Cycling
REFERENCES Peter Trowbridge Professor, Dept Chair - Cornell Landscape Architecture Linda Eirhart Director of Horticulture - Winterthur Museum & Garden Don Rakow Associate Professor - Cornell Public Garden Management Iggy Calabria Owner - Crisan Bakery & Edible Art Gallery, Albany NY
Contact Information Available upon Request
Hayden King hayden.cary.king@gmail.com 518-588-1591
Permeable Paving
Tree Planter
Street Diet Infiltration Practice
Bikeway
Permeable Paving
Infiltration Practice
[Parking]
Tree Planter
Permeable Paving
Proposed Typical Street Section 28th Street Looking South
VISIBLE CITIES ‘Grid, Interrupted’, Broadway 27th-22nd St, Manhattan, NY Solo Studio Project, Fall 2015
This is a proposal for making Broadway safer, more distinctive, and more ecologically functional. It is part of a book of proposals presented to the New York Department of Transportation and the Flatiron Business Improvement District.
GRID, INTERRUPTED The city grid is physically interrupted by Broadway, creating a set of unique conditions for pedestrians, cyclists, and motorists. We can use this as an opportunity to interrupt the experience of the grid, emphasizing these unique conditions and making Broadway even more memorable.
Existing Conditions
Madison Square Park
3 Characteristics of the Grid Subverted as Design Principles Prioritizing Pedestrians & Cyclists
The grid is continuous for vehicles, but fragmented for pedestrians. This project subverts the hierarchy of the grid, making pedestrians and cyclists the primary users. Union Square Park
Participatory Design
The grid is an example of top-down design. By engaging users we can create a more participatory, bottom up design.
Site Responsive Design
A grid is uniform, as though the landscape were a blank slate. By emphasizing adjacencies we can treat the grid in a non-uniform way, making each site responsive to its surroundings. Manhattan Street Grid
ยง
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
Motorist
Pedestrian
Cyclist
ยง 27th Street
ยง
Madision Square Plaza
0 10 20
40
60
ft 80
Madison Square Plaza Plan
User Responsive Design: Loose Parts
22nd Street
0 50 100
200
300
ft 400
ยง
0 50 100
Master Plan
200
300
ft 400
ยง
Madison Square Plaza
Madison Square Plaza
Along the bike and pedestrian corridor of Broadway are a series of destination plazas. In Madison Square Plaza, the focus is on creating a user responsive design, while responding to the adjacent Madison Square Park and Flatiron Building.
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
Moving Parts
‘Loose Parts’
Components on sliding tracks can be moved around the design. They stay on site even in the evening when other movable furniture is usually removed.
- Simon Nicholson
They allow users to respond to local conditions, seeking sun or shade, to build sociable clusters, and to be active participants in the design. These components are inspired by the architect Simon Nicholson’s ideas about ‘Loose Parts’.
Warm Weather Shade
Cool Weather Sun
Splitting the Grid: Reinforcing Connections
In this area, the grid has been inserted into the pedestrian plaza, and then split and shifted, reinforcing the sense that Broadway is a special place where things work differently. This creates a unique view of the iconic Flatiron Building, the namesake of the Flatiron District, while providing a home for amenities to heighten pedestrian comfort. Madison Square Plaza Perspective Looking East from West 24th St & 5th Avenue
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
§
27th Street
Site Responsive Design: Emphasizing Adjacencies 22nd Street Plaza
This site is all about adjacencies: Flatiron Building - Plaza - Street. It combines the strategies used in the two sites above, a streetscape and a plaza, to create a hybrid site. In this site, Mondrian’s painting ‘Broadway Boogie Woogie’ serves as inspiration. The planter-desks are obstructions to invite stopping and stillness, and frame the plaza.
Madision Square Plaza
The plaza adjacency also allows the streetscape to expand and become more playful, with the inclusion of swinging furniture, another form of moveable part.
22nd Street ‘Broadway Boogie Woogie’ - Mondrian
0 50 100
200
300
ft 400
§
Site 3 Location - 22nd Street
0
15
30
ft 60
§
22nd Street Plan
Opposite: 22nd Street Plaza Perspective Looking South from 23rd Street
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
New York Street Design Manual Street Design Policy Goals (Pages 21-24). Social Benefits
Existing
Proposed
Eco-Benefits
Extended Public Seating
Tree Canopy
“Expand the availability of public seating”
“Reduce streets’ rate of heat absorption by maximizing tree canopy cover”
Continuous Bicycle Network “Design streets to encourage physical activity for all ages and populations by making bicycling attractive and convenient”
Expanded Pedestrian Space
x1.6, +77K sq ft “Expand usable public open space by reallocating underutilized roadway space for pedestrian plazas”
Street Diet
-50% -86,445 sq ft “Design local streets for slower speeds to reduce the number of crashes and to discourage cutthrough traffic”
Existing
x3
Planted Infiltration Practices
x40, +27K sq ft “Street designs should use stormwater source controls wherever possible”
Permeable Pavements
+192,000 sq ft “Minimize impermeable surfaces”
Pervious Surface
x1884 +220,000 sq ft “Minimize impermeable surfaces and maximize vegetation on streets”
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
Proposed
Plant Selection Site Responsive Planting: Using Broadcasted Seed Allows Plants to Participate in the Design Shade Tolerance - Drought Tolerance - Propagated by Seed - NY Native Species selected for Pollinator Benefits
Common Names
Latin Names
Flowering Calendar
Wild Ginger
Asarum canadense
Canada Onion
Allium canadense var. canadense
Pearly Everlasting
Anaphalis margaritacea
Thimbleweed
Anemone virginiana
Spreading Dogbane
Apocynum androsaemifolium
Red Columbine
Aquilegia canadensis
Pricklepoppy
Argemone albiflora
Canadian Milkvetch
Astragalus canadensis
Redring Milkweed
Asclepias variagata
Whorled Milkweed
Asclepias verticillata
Harebell
Campanula rotundifolia
Star Thistle
Centaurea americana
Sensitive Plant
Chamaecrista fasciculata
Rocky Mountain Bee Plant
Cleome serrulata
Dayflower
Commelina erecta
Lanceleaf Coreopsis
Coreopsis lanceolata
Pale Corydalis
Corydalis sempervirens
Threadleaf Coreopsis
Coreopsis verticillata
Purple Coneflower
Echinacea purpurea
White Trout Lily
Erythronium albidum
Beach Strawberry
Fragaria chiloensis
Indian Blanket
Gaillardia pulchella
Beetleweed
Galax urceolata
White Avens
Geum canadense
Downy Gentian
Gentiana puberulenta
Prairie Smoke
Geum triflorum
Liverleaf
Hepatica nobilis
Paleleaf Sunflower
Helianthus strumosus
M
A
M
J
J
A
S
O
GRID, INTERRUPTED - STUDIO - SOLO PROJECT - FALL 2015
Farmers Market Section
VISIBLE CITIES Queensway, Queens NY Studio Project with Huan Liu and Akshali Ghandi Fall 2013
This project was for a competition to convert an elevated railway in Queens into a part of the street fabric. We proposed a moving marketplace which would appear along different parts of the Queensway on different days of the week.
Concept Development
Slowing Down Eating gives us an opportunity to slow down and make connections to our region and our community. Though there are many farmers markets in Manhattan and Brooklyn, unfortunately there are only 13 in all of Queens. Our group worked closely on concept and design. I spearheaded the model building for Rhino and GIS. My team mates were in charge of graphic design and planning.
QUEENSWAY - STUDIO - GROUP PROJECT - FALL 2013
90
View of Project Entry during Rain Event
67.5
Perforated Roof
61.9
The roof plane in this part of the Queensway has been replaced by a perforated surface that lets in brilliant points of sunlight.
56.3
50.7
45
39.4
The perforations are cut in many different angles based on the angle of sunlight throughout the day and year, which creates a constantly changing pattern of light. The roof lets in more light on a winter morning and creates shade on a sunny summer afternoon.
33.8
28.1
22.5
16.9
11.3
0
Changing Shadows and Azimuth
SOUTH
QUEENSWAY - STUDIO - GROUP PROJECT - FALL 2013
Watershed Land Use
Stream Channel Design Watershed Topography Spencer Lake
VISIBLE RESTORATION Dam Removal, Spencer NY Restoration Ecology Group Project, Spring 2015
Our team worked closely with local landowners to determine the best strategy for removing a 95 year old dam while minimizing ecological risks and maximizing ecological benefits.
Corridor
Patch Mundy Site
Empty Hub
Dowtown Ithaca
Broken Wheel Rim
Concept Drawing: A Broken Bicycle Wheel
VISIBLE ECOLOGY Mundy Wildflower Garden: Ithaca, NY Design & Environmental Analysis Group Project with Mark Schrader & Yiying Bao, Fall 2015
This is a semester long in-depth investigation of a single site, a wildflower garden and adjacent water filtration plant - from geology and soils to hydrology, landscape ecology and plant communities to bird habitat.
Landscape Ecological Network, Canopy Cover
14
8
Sycamore Cottonwood
8
14
6 81 6 81
900
900
2 84
0 83
0 83
860
852 834 836
852 834 836
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6 87
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N RD
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6 81
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DR E M O H ST
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89 8
928
6 91
884
894
894
Drain Infrastructure Drain Infrastructure
856 856
850
848
850
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6 884 88
850
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8 86
856
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Fall Creek Fall Creek Catchment Catchment
870 870
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Fall Creek Catchment Fall Fall Creek Creek Catchment Catchment
FO
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As a result, the site has been functioning less and less like a floodplain. The Sycamores and Cottonwoods in the canopy are being replaced with drier understory volunteers, such as Beech and Birch.
SOIL SURVEY, MUNDY WILDFLOWER GARDEN
14
886
Outlet Outlet
Mundy Site - Base Map 14
888
924
866
866
112.5 250250 0 0 112.5
908
878
878
Watersheds & Catchments - Figure 1 Watersheds & Catchments - Figure 1 Plant Communities
6 87
6 91
91 6
Catchment Map Catchment Map
908 920 920 914 926
As the watershed was developed the site became increasingly prone to flooding. To ‘solve’ this problem, Cornell built a flood wall along the creek, and a series of drains at the top of the ridge along the Surface southern InletInlet edge of the site. Surface FlowFlow
914
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918896
926 91 0
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918
1990
Making Connections: Making Space
88 0
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Specimen Trees
85 4
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4
0 86
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Woody Ruderals
Piped Catchments Piped Catchments 9
8 85 8 85
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830
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840 842 848
850
850 838 8 54 844
Herbaceous Ruderals
8 86
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Cattail Open Wetlands
4 83
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83 0
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Open Wetlands
1954
C C
826 832 844
826 832 844
Sedge-grass
822
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Dry Upland Forest
A A B B
Small Streams Catchment Small Streams Catchment
1951
928
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1938
848
856
856
Hemlock Maple Moist Upland Forest Mixed Oak
850
828
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Creek Fall Fall Creek Catchment Catchment
870
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Moist Upland Forest
818 822 820
866 8 62
8 86
866 8 62
8 86
with Garden Understory Hemlock Beech Birch
4 86 818 822 820
4 86
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Floodplain Forest
824
838
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Sycamore Cottonwood
848
840
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Floodplain Forest
848
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4
85
4 85
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M RD RETU
Surface Flow Surface Surface Flow Flow Drain Infrastructure Drain Drain Infrastructure Infrastructure
Site Boundary Building
Impervious Surface Water Feature
Road
1 1
pH 8.2 Bore 1
2 pH 6.0
884
5 Bore 5
Soil Testing
70
140
280
´´
Feet
00
112.5 112.5
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1:1680 450 450
Feet Feet
µ
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4 Bore 4
Watersheds & Catchments Catchments -- Figure Figure11
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884 884 886
894
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Bath, Valois, Lansing
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Plantations5 3 Service Building
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Watersheds Watersheds & Catchments & Catchments - Figure - Figure 1 1
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Inlet Inlet
Surface Flow Surface Flow
Outlet Outlet
Drain Infrastructure Drain Infrastructure
MUNDY WILDFLOWER GARDEN - DESIGN & ENVIRONMENTAL ANALYSIS - GROUP PROJECT - FALL 2015
4"x2'x4' Marble cope
Bluestone wall #4 bars 18" OC, typ 4000 psd concrete #2 Crushed granular base, typ
+Wall height 741'10"+
+Wall height740'6"+
30" 14"
+ Wall height 739'6"+
+Top of stair 739'4"+
20" +Bottom of stair 737'10"+
1'
4'
8"
8"
9c
8"
8"
8"
Stair Construction Detail
STAIR 2 SECTION ELEVATION FROM NORTH (B) (FOR REFERENCE ONLY)
VISIBLE CRAFTSMANSHIP L702
8"
8"
Performing Arts Center, Ithaca NY Site Construction Solo Project MASONRY SCHEDULE Spring 2014 FOR STAIR 2
1.5"
SCALE: 1"=2'
A generic concrete plaza surrounding a Renaissance inspired building? With attention to detail, beautiful material choices, and a more playful relationship 16"
1'
with nearby buildings - a once bleak space can 1'9"
become a place to remember. 1'4 " H
9"
I
18"
16"
7"
1'
2'
1 4
J
2 81 "
7
K
1121 " 1'1121 "
A B
1' x 2' x 6" 16" x 2' x 6"
7
All marble treads to be heat treated for grip.
C
18" x 2' x 2"
5
Provide one each of H-M and one each of mirror copies for opposite edge of stair.
L
1'1041 "
14 41 "
M
1" SS rail, square SS rails welded at joints Wooden rail, see detail 9i-j 701
1.5" 1" 4"
(4) 41 "x4" Expansion masonry bolts
(3) 1" SS rail, square
1"
1 8"
SS cable see detail 9h 701 1" SS rail, square
3'
3 116 "
Surface mounted, 41 " SS plate see detail 9e-f 701 1"
R=24"
4 41 "
9e
L701
stainless steel plate
1" stainless steel rail
1" stainless steel rail
1 4"x6"x6"
1 4"x6"x6"
stainless steel plate
(4) 41 "x 8" Expansion masonry bolts
SS 43" dome cap SS beveled washer
stainless steel plate
SS 41 "diameter, 3" screw SS cable 81 "
(4) 41 "x 4" Expansion masonry bolts
1" stainless steel rail
358"
2'
5 21 "
R=30"
3 116 " 6 21 "
3 " 116
TOP OF STAIR
HANDRAIL SURFACE MOUNT PLAN
9f
L701
1'
358"
9g
L701
Scale: 2"=1'
BOTTOM OF STAIR
HANDRAIL SURFACE MOUNT SECTION Scale: 2"=1'
9h
L701
CABLE SYSTEM Scale: 4"=1'
HANDRAIL SECTION Scale: 1"=2'
4"x2'x4' Marble cope
Wood handrail rounded at end
Bluestone wall
6" rise, 1' run, 81 "wash 3'
#4 bars 18"OC, typ 4000 psi concrete Bottom of stair +738'2"+
1 16" SS band around wooden rail, Radius of wooden rail 161 "of an inch narrower under SS band Edges of SS band are flush with wood
4000 psi concrete footer Wall height +741'10"+
16"x6" marble treads variable width see detail 9d-701 set in 21 " mortar bed with pins 12" OC
Top of stair +739'8"+
2"
HC&K LA
3 " 116
3 41 "
3 41 "
5 41 "
1 4"x6"x6"
#4 bar, 18" OC, typ
#2 Crushed granular base, typ
2'2"
Marble veneer (existing) - Performing Arts Center
Hayden King Cornell University Ithaca, NY Dept. of Landscape Architecture
Top of stair +739'8"+ Wall height +739'6"+
16"
#2 Crushed Granular Base, typ
9i
Bottom of stair +738'2"+
4'
L701
WOODEN RAIL Scale: 2"=1'
4'
8"
4'
8"
2"
8" r=21 "
6"
9
L701
Schwartz Performing Arts Center Cornell University
1'
8"
6"
STAIR 1 SECTION
8"
8"
8"
8"
Perimeter=6.15"
'A Select' grade cedar with clear finish
1 21 "
STAIR 1 SECTION ELEVATION FROM NORTH (A) (FOR REFERENCE ONLY)
9b
L701
Scale: 1"=2'
8"
1 2"
SS rail
Scale: 1"=2'
2"
Heat treated marble tread stairs staggered joints 2" diameter stainless steel handrail see details 9e-j 701 Surface mount stainless steel plate, see detail 9f-g 701
Bottom of stair +738'2"+
Top of stair +739'8"+
4"x2'x4' Marble cope 1 8"
Bluestone wall
mortar joint
Wall height +741'10"+
L701
WOODEN RAIL SECTION Scale: 1"=1"
#4 bar, 18" 0C, typ
#2 Crushed granular base, typ
Bottom of stair +738'2"+
Top of stair +739'8"+
9j
4000 psi concrete footer
2'2" 1 8"
Marble veneer (existing) - Performing Arts Center
mortar joint Top of stair +739'8"+
1'
6'
4'
3'8"
8"
8"
L701
B
5"
16"x6" marble treads variable width see detail 9d-701 11.5"
L
D
1'6"
MASONRY SCHEDULE FOR STAIR 1
1'4" 1'
L701
3 4"
1'
1'6"
Scale: 1"=2'
9d
L701
E
2'
11.5" 2'
F
1'
6"
G
1.5"
H
9"
A B
1' x 2' x 6" 16" x 2' x 6"
11
C
18" x 2' x 2"
5
7
1'9"
4" overlap
Checked By Peter Trowbridge
2/13/2014 2/18/2014 2/24/2014
3/9/2014
3/9/2014 3/10/2014 3/25/2014
3/18/2014 3/27/2014
3/30/2014 4/8/2014
D-K 6" depth L 2" depth
4/15/2014 4/21/2014
18"
16"
7"
mortar bed
4" pins 12" OC
Provide one each of D-L and one each of mirror copies for opposite edge of stair.
10" 9.75"
1 2"
All marble treads to be heat treated for grip.
16"
1'4"
STAIR 1 PLAN
1'
1'
K J
G
D
1'
Revisions By Hayden King
SCALE: 1"=2'
C
I
H
F
9a
8"
8"
6'
A
E
8"
8"
STAIR 1 SECTION ELEVATION FROM NORTH (B) (FOR REFERENCE ONLY)
9c
3'8"
8"
2'
I
1'4 41 " J 7"
2 81 "
K
1121 "
L
1'1041 "
1'1121 "
MASONRY SCHEDULE SCALE: 1"=2'
9k
L701
MASONRY CONNECTION Scale: 2"=1'
STAIR 1 DETAILS L701
PERFORMING ARTS CENTER - SITE CONSTRUCTION - SOLO PROJECT - SPRING 2014
Top rail
Acorn top
Welded
#6 #1
2"x2" Wooden stakes, placed 8' OC
Heavy duty Interlocking Brick pavers 8"x4"x4"
Woven geotech fabric secured to stake with metal fasteners and reinforced between fasteners and fabric Dig trench, bury bottom flap of geotech under #2 stone, tamp in place. Drawstring along top of fabric
2' min
1 4"
Sand joint 1" Sand setting bed 4000 PSI Concrete, typ Geotextile fabric 1" Vertical weeps 3' OC #4 Bar 12" OC both ways 8" #2 Granular Stone Base
#1
#1 #6
Galvanized Chain Link #9 Rail or brace end
2' min
4"
6"
6"
2' min
#1
2' min
4" 8"
Tension bar #5 #1 8'
1
L700
Welded
#6
SILT FENCE Scale: 2"=1'
2
L700
CHAINLINK FENCE Scale: 1"=1'
2a
L700
CHAINLINK FENCE GATE Scale: 2"=1'
3
L700
PERMEABLE PAVING ON STREET Scale: 1"=1'
Existing Asphalt Permeable Paving on Street 5"X18"Granite curb
1 4"
Marble Border set into Permeable base
Sand joint
Geotextile Fabric 8" #2 Granular Stone Base 2" 2" 8"
4
PERMEABLE PAVING IN PLAZA Scale: 1"=1'
5
L700
CURB BETWEEN PLAZA AND PERMEABLE PAVING ON STREET
2" 3"
Concrete bead footer see detail 5-700
1'
L700
CURB BETWEEN PERMEABLE PAVING ON STREET AND ASPHALT Scale: 1" to 1'
Sawcut Granite curb with concrete bead footer below see detail 5-700
NYSDOT #7 Top course
Permeable pavers in plaza
Cast Iron Detectable Warning see 7-700 5x6 WW Mesh
NYSDOT #1 Base course Marble Border Permeable Paving in Plaza
1'x2"Marble Border with thermal finish Granite Curb Permeable pavers in street Granite Curb New Asphalt
Sawcut
1" 3"
Sawcut
8"
Existing Asphalt
7
1' #2 Granular stone base Granite curb
6
Scale: 1"=1'
NYSDOT #1 Base course
Cast Iron Detectable Warning Neenah Foundary Manufacturer Drop curb does not exceed 1:12 slope
Existing Asphalt
L700
NYSDOT #7 Top course
Permeable Paving in Plaza Concrete bead footer 1:3:6 Dry Mix Uniform piles at each end on 3' centers beneath curb for full length of curb
2" Sand setting bed
L700
Sawcut
Brick Brand and Model Brick pavers 8"x4"2" typ, and 1"x21 "x2"
ASPHALT REPAIR Scale: 1" to 1'
8
L700
DROP CURB PLAN Scale: 1" to 4'
4" 4000 PSI Concrete #2 Granular stone base 2/13/2014
1:12 slope
2/18/2014 2/24/2014
3/9/2014
3/9/2014
2" 3"
3/10/2014 3/25/2014
1'
4/21/2014
4/15/2014
8a
DROP CURB SECTION
L700
PERFORMING ARTS CENTER - SITE CONSTRUCTION - SOLO PROJECT - SPRING 2014
1"=1'
PAVING DETAILS L700
Layout Plan
Grading Plan
Lighting Plan
Planting Plan and Furniture Schedule
PERFORMING ARTS CENTER - SITE CONSTRUCTION - SOLO PROJECT - SPRING 2014
Memorial Fountain Park Perspective Looking East
VISIBLE COLLABORATION Yardworks Studio, Point Chautauqua, NY Solo Work, Spring 2014
Yardworks is a collaboration between the Cornell Lab of Ornithology and MLA program and towns in New York State to build ecologically resilient communities. I worked closely with a Home Owners Association and nearby residents to design two small parks which are currently under construction.
Site Analysis
Memorial Fountain Park Perspective Looking West
Technical Planting Plan
COMMON NAME
LATIN NAME
HEIGHT
SUN
WATER
HABITAT
BLOOMTIME, FRUITING TIME Mar.
BEARBERRY
1’
EASTERN RED CEDAR
Juniperus virginiana ‘Grey Owl’
2-3’
BLACK CHOKEBERRY
Photinia melanocarpa ‘Iriquois Beauty’
2-3’ 3’
NEW JERSEY TEA
Ceonothus americanus
SWEET CLETHRA
Clethra alnifolia ‘Sugartina’
3-4’
Cornus sericea ‘Arctic Fire’
3-4’
Gaylussacia baccata
1-2’
Rubus odoratus
3-6’
Spiraea tomentosa
2-4’
RED OSIER DOGWOOD BLACK HUCKLEBERRY FLOWERING RASPBERRY STEEPLEBUSH Proposal Development Drafts
Arctostaphylos uva-ursi
RED MAPLE
Acer rubrum
40-60’
YARDWORKS - STUDIO - SOLO PROJECT - SPRING 2014
Apr.
May
Jun.
Jul.
Aug.
Sept.
Oct.
Nov.
VISIBLY PUBLIC Finger Lakes Museum Keuka Lake, NY Solo Project, Spring 2013
Finger Lakes Museum Section
The Finger Lakes Museum is devoted to celebrating the Finger Lakes and educating visitors about stewardship. Turning the museum land into a bird habitat exhibit will showcase the biodiversity of the region, educate locals about ecological design, and entice the many birders who visit the area.
Mixed Forest Riparian Buffer Exhibit
Meadow Region located in the Atlantic Flyway
Wet Tolerant Plants
Children’s Garden Teaching Kids about
Boat Garden
Bird Watching
Boat House
Wildflower Garden Showing Wildflowers in A Formal setting Important Bird Breeding Areas in Region
Sun Loving Shrubs Block Less Desirable View
Finger Lakes Museum Plan
70 Protected species in 3 miles of the Museum
FINGER LAKES MUSEUM - STUDIO - SOLO PROJECT - SPRING 2013
VISIBLY PUBLIC Delaware Botanic Gardens at Pepper Creek, Sussex County DE Public Garden Management with Karen St. Clair & Danielle Park Spring 2015
Photographs from Participating Children’s Gardens
We contacted 20 children’s gardens throughout the country and interviewed their personnel to create a list of recommendations for the future Children’s Garden at Delaware Botanic Gardens. These recommendations will be used to design the new garden.
VISIBLY PUBLIC Waveny Cultural Landscape Report, New Canaan, CT Solo Project, Spring 2013
Historic and Contemporary Site Photographs
This garden, designed by the Olmsted Brothers in the 1910s, was converted into a public park in 1967. I worked with the Parks Department of New Canaan to create a Cultural Landscape Report for the garden which documents the evolution of Waveny and assesses its present condition.
HAND DRAWING Undergraduate fine art thesis, Drawing, painting, print making Uninhabited spaces
Hayden King hayden.cary.king@gmail.com 518-588-1591