Meet the Artist
Fiona Clucas Fiona Clucas has lived in Cumbria for 26 years and was born in Lancashire into a creative family where her artistic temperament was influenced by her mother’s discipline as a potter and painter. Her love of animals and wildlife inspired portraiture in pastel and her love of the countryside influenced her landscape drawings and paintings. She attained a BA in Fine Arts at Gloucestershire college of Arts and Technology in 1985. Fiona is a member of The Lake Artists Society, and was elected into the Society Of Wildlife Artists in 2013. We caught up with her over a virtual coffee.
What Inspires you, Fiona? The Landscape, wildlife and flora through the changing seasons, weather and light. First light and dusk are my most favourite times to paint ‘en plein air’ when contours and colours are softened and there is often a stillness to the air. My own garden, untamed and planted naturally to attract birds and insects also provides much inspiration. Where do you go to look for inspiration? The beautiful countryside at the head of Morecambe Bay provides a wealth of wildlife habitats living so close by, I am lucky enough to visit these places regularly. The estuary with its soft layering of colours of sea and sand, reflections in the channels and birdlife offers so much. The surrounding mosses, especially Lord’s Plain, where I walk most days, are constantly changing, often flooded, always interesting. Usually, I head up to Scotland for my annual intensive painting retreat, where I explore the magnificent habitats of cliff, sea and mountain expanses. Sadly, not since 2019.
a small pocket size sketchbook and I use my phone camera as a reminder. Sometimes I will make more involved studies in gouache and mixed media on tinted or heavy watercolour paper. I work quickly to capture the fleeting wildlife and transient elements. Sometimes I work directly from the landscape in oils on board. I love the richness and versatility of oil paint. What have been working on during lockdown? I am currently working on a large commission, an acrylic painting of a garden in mid-summer. Over the last two years, I have worked mainly in gouache on paper, overlaying thin washes to create depth. Now returning to the use of acrylics is interesting, but I am trying to apply the same technique, keeping the background very fluid, then slowly building up the layers of vegetation, flora, birds and insects. Alongside the commission, I am continuing to paint and draw still life. It might be a vase of spring flowers or a dried seed head. I am increasingly drawn to plant forms, their architecture and patterns. I was involved in several exhibitions in 2020- some for real others online. My solo show ‘Waterlands’ at Gallery 68 in Ulverston opened on 21 March but immediately
How do you work and gather your research? You’ll see me out and about making observations with 44
