High Intelligence Magazine #7

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CONTENT FEATURES

PG. 28

The Entrepreneurial Spirit of Hip Hop: Building Empires through Creativity

PG. 26 Hip Hop Culture’s Influential Reach: Transforming Other Industries

The Hustlers:

PG. 32 These are the hustlers of hustlers. The most influential hustlers in Hip Hop.

420 WAY

PG. 12

STRAIN OF THE MONTH

PG. 14

EROTIQ XOTIX Specializing in only the Aphrodisiacs of Cannabis

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Issue #7

politics as usual

PG. 44

Diverging Paths: Understanding the Nuances of Black Political Ideology in America

PG. 48 The Drug Act of 1986: Unintended Consequences and its Impact on Urban America

the essentials

PG. 20 The Resurgence of Boom Bap

PG. 22 Cannabis culture in the UK

PG. 26 Israeli Hip Hop

INTELLIGENCE MAGAZINE

The definitive resource for all things Hip Hop and Cannabis.

EDITOR IN CHIEF

HECTOR RICHARDSON

PHOTO DIRECTOR

Maayan Richardson fux

SENIOR EDITOR

Kalimah Richardson

ASSISTANT EDITOR

Maayan Richardson Fux

DESIGN EDITOR

Hector Richardson

EDITORIAL

Wesley Sherman

ART DIRECTOR

hector Richardson

RESEARCHERS

Mikael Shimshon

CONTRIBUTING WRITERS

Desure Kernell Maayan Richardson Fux mikael shimshon hector richardson tzvy FUX

EDITORIAL OFFICE 3106 W. VOGEL AVE SUITE F116 PHOENIX AZ 85051 PRINTED BY MIXAM USA 1515 Woodfield Rd, Schaumburg, IL 60173

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LETTER FROM THE EDITOR

Welcome to another edition of High Intelligence Magazine!!! This Is Our Hustlers Issue!!!

Showcasing The Best Of Hip Hop Entrepreneurship, Entrepreneurs, Trendsetters, Visionaries That Changed The Game And Made An Impact. Weed Culture In The UK, The Best Streetwear Brands In 2023, We brieftly discuss Hip Hop in Israel and the most impactful artist.

The resurgence of Boom Bap and what it means to the landscape of the culture. Make sure to read our articles in Politics As Usual very thought provoking and informative as always, We have a Miami Dade legend in our Artist Spotlight. We are also introducing a new section called EROTIQ XOTIC that you don’t wanna miss. Can’t forget about our High Fashion and High Art!!! This is our best issue yet with better ones to come. So grinded, roll it and spark it as you enjoy issue #7!

Sincerily, Hector Richardson Editor in Chief

HIGH NEWS Few shops in New York result in low legal marijuana sales that cost the state millions in taxes

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hen it comes to collecting money from legal marijuana sales, New York isn’t among the states doing well. A new study endorsed by New York medical marijuana businesses claims that the Empire State is not even on track to generate the expected $56 million in its first year of legal marijuana sales, which is a pittance compared to what other states made following legalization.

The research focuses on complaints from the medical marijuana sector that state cannabis regulations are overly onerous for legitimate marijuana sellers while allowing an illicit market to thrive.

The 2021 Marijuana Regulation & Taxation Act, which gave priority to individuals who had been harmed by prohibition, including as those who had been imprisoned for marijuana-related charges, legalized recreational marijuana in New York.

“The current state of the cannabis market in New York is an unmitigated disaster,” said Rev. Kirsten Foy from the Coalition for Access to Regulated & Safe Cannabis.

Earlier this year, Governor Kathy Hochul forecasted that a legal marijuana market would generate $1.25 billion in income over the following six years, including $56 million in revenue from the first year — $40 million of which would come from license fees rather than sales taxes.

But given that just 15 dispensaries are operational statewide since December 2022, when legal sales began, and that hundreds of illicit stores continue to thrive in New York City, it’s possible that the $56 million goal won’t be accomplished.

Research Finds Cannabis Is ‘Significantly Associated’ With Less Addiction To Illegal Opioids

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ccording to a recent federally sponsored study, weed is “substantially” linked to fewer opioid cravings in persons who use these drugs recreationally. This finding raises the possibility that legalizing cannabis might offer a safer alternative to more people.

In order to test the hypothesis that marijuana serves as an effective harm reduction strategy in the midst of the overdose epidemic, researchers from the UCLA School of Medicine and the British Columbia Centre on Substance Use conducted a survey of 205 persons who use cannabis and opioids without a prescription from December 2019 to November 2021.

According to the study, which was written up in the International Journal of Drug Policy, 58 percent of individuals said they used marijuana to quell their opioid cravings. Additionally, a multivariable analysis revealed that marijuana usage “was significantly associated with self-reported reductions in opioid use.”

According to the researchers, this is the first study of its kind that specifically looks at “outcomes of intentional cannabis use to manage opioid cravings” in people who are taking painkillers and may be purchasing them illegally, where there is a chance of getting contaminated products. “These findings indicate that cannabis use to manage opioid cravings is a prevalent motivation for cannabis use among [people who use unregulated opioids] and is associated with self-assessed reductions in opioid use during periods of cannabis use,” the study authors wrote.

HIGH NEWS Cannabis cafes coming to Massachusetts soon as regulators finalize guidelines

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s Massachusetts state officials strive to complete the regulations prior to their implementation, so-called “cannabis cafes” are arriving to the state. “We legalized cannabis and didn’t give anybody a place to actually smoke,” said former Boston City Councilor Tito Jackson, who now owns Apex Noire in downtown Boston.

Why Canopy Growth, Aurora Cannabis, and Curaleaf Stocks All Popped

On the seventh level of Jackson’s cannabis store, there is a retractable rooftop that can be used to transform the store into a lounge. He only lacks a social consumption permit.

On the seventh level of Jackson’s cannabis store, there is a retractable rooftop that can be used to transform the store into a lounge. He only lacks a social consumption permit.

a location where people over the age of 21 may smoke, eat edibles, or drink anything that have been infused with cannabis.

The Cannabis Control Commission (CCC) has been attending public meetings all summer long to hear people’s worries.

A handful are listed by the Massachusetts Chiefs of Police Association. How they will manage driving while intoxicated is our first priority.

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tocks of marijuana just keep rising. Cannabis companies like Aurora Cannabis (ACB 14.75%), Canopy Growth (CGC 22.61%), and Curaleaf Holdings (CURLF 8.88%) have been experiencing progressively higher highs and lower lows ever since the U.S. Department of Health and Human Services informed the Drug Enforcement Agency last month that it believes cannabis should be downgraded from a Schedule I narcotic to Schedule III status.

This Friday is no different.

Shares of Aurora Cannabis are up 9.4% as of 2:25 p.m. ET, Curaleaf are up 14.4%, and Canopy Growth is increasing faster than everyone else at 16.4%.

ATF: Until recreational cannabis is federally legalized, pot users cannot own guns

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espite a new state legislation allowing recreational usage, the federal agency that oversees the weapons industry warned Minnesotans on Tuesday that they cannot lawfully own firearms if they consume marijuana.

There are now 23 states where adult use of marijuana is legal, and more have medicinal cannabis programs. However, it remains a Schedule I restricted narcotic under federal law, much like heroin and LSD.

Why then is there still so much excitement surrounding news that is now more than a week old?

It’s because the news for marijuana investors just keeps getting better and better. For instance, President Biden endorsed the legalization of medicinal marijuana last weekend. Additionally, on Wednesday, Senate Majority Leader Chuck Schumer, a Democrat from New York, expressed optimism that the Secure and Fair Enforcement (SAFE) Banking Act, which would make it simpler for marijuana firms to obtain banking services, will be passed this session. On both of those fronts, there is now even more positive news. According to a late-day post from the marijuana news website Marijuana Moment, a recent Australian research on medicinal marijuana suggests that users have “improved quality of life, and lower pain, anxiety, and depression.”

“Until marijuana is legalized federally, firearms owners and possessors should be mindful that it remains federally illegal to mix marijuana with firearms and ammunition,” said Jeff Reed, ATF’s acting special agent. Rob Doar, vice president of the Minnesota Gun Owners Caucus and an advocate for Second Amendment rights, is concerned by the ATF’s warning.

He claimed to be well aware of the state-federal conflict over cannabis usage, whether it be for therapeutic or recreational purposes. Although according to the state’s new legislation, sheriffs may not deny individuals a license to carry just because they are enrolled in the medicinal cannabis program or are an adult consuming marijuana, Doar cautions gun owners to be mindful of the risk factors. “I think if [the ATF agents] weren’t planning on enforcing it, they may have just let it go and it would kind of be a wink-wink, nudge-nudge that yes it’s illegal, but much like other federal cannabis prohibitions, we’re not going to be enforcing it,” Doar said. “The fact that they sent out the notice is cause for some raised eyebrows.”

According to Jason Tarasek, a cannabis lawyer at Vicente LLP, the federal government has often “left states alone” when it comes to legalizing pot. However, he recognized the difficulty facing those who own guns.

US Department of Health and Human Services Recommends Cannabis Rescheduling from Schedule I to Schedule III

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By Maayan Richardson Fux

he US Department of Health and Human Services HHS’s recommendation to reschedule cannabis has been forward(HHS), a prominent government agency, has stirred ed to the DEA in response to President Biden’s directive to HHS, significant attention within the cannabis industry by as confirmed by a spokesperson from the DEA. recommending a change in the classification of cannabis from Schedule I to Schedule III, a move that has Explaining the process, the DEA spokesperson stated that HHS been well-received by bipartisan lawmakers, including Senator John conducted a scientific and medical evaluation for the DEA’s conFetterman (D-PA) and Representative Dave Joyce (R-OH). This sideration. Ultimately, the DEA holds the authority to determine decision by HHS comes after a review request made by the Biden the scheduling of drugs under the Controlled Substances Act, and Administration last year. they are now commencing their review.

Senator Fetterman expressed his approval of this development, calling it a significant victory for the Biden administration and a positive step in the direction of more sensible marijuana policies.

He emphasized that marijuana should not continue to be categorized as a Schedule I substance.

Currently, cannabis is categorized as a Schedule I drug under the Controlled Substances Act, a classification reserved for substances with a high potential for abuse and no recognized medical utility.

Despite this classification, research has shown that cannabis offers therapeutic benefits for various health conditions, including cancer and post-traumatic stress disorder (PTSD). HHS aims However, Senator Fetterman also issued a cautionary note, highto reclassify cannabis to a less restrictive category because they lighting that similar scientific arguments in favor of rescheduling have been put forth in the past, only to be obstructed by the Drug believe it exhibits “moderate to low potential for dependence and Enforcement Administration’s (DEA) entrenched “War on Drugs” a lower abuse potential,” similar to substances like ketamine and testosterone. mentality. He emphasized the importance of avoiding a repeat of Steph Sherer, the founder of Americans for Safe Access, the largest such obstacles. member-based organization advocating for medical cannabis and It’s worth noting that despite approximately 40 states legalizing can- patients in the United States, emphasized that regardless of the nabis for either recreational, medicinal, or both purposes, cannabis outcome, the FDA has acknowledged the accepted medical use remains illegal at the federal level. This federal prohibition has been of cannabis in the country. She anticipates that this recognition a significant impediment to the cannabis industry’s progress and re- will help reduce the stigma surrounding medical cannabis, foster search efforts. Currently, cannabis is grouped in Schedule I, along- greater acceptance among medical professionals, employers, state regulators, and hopefully influence Congress positively in the side substances like heroin, LSD, and ecstasy, despite the majority of Americans supporting its reclassification due to its relatively low future. harm potential compared to Schedule I drugs.

Steph Sherer also highlighted that the DEA does not have a specific timeline for issuing its own recommendations, and it retains the authority to make determinations that may differ from those of HHS. Edward Conklin of the US Cannabis Council, a nonprofit organization advocating for the regulated cannabis industry, expressed the belief that rescheduling cannabis to Schedule III would represent a monumental step in federal cannabis reform. He characterized President Biden’s approach as effectively putting an end to the failed war on cannabis initiated during the Nixon era and setting the nation on a course toward ending prohibition.

The reclassification of cannabis at the federal level would have positive implications for both US and foreign companies. In the US, major stock exchanges would be able to list cannabis industry corporations, and foreign companies would gain the opportunity to market their products in the US market. White House Press Secretary Karine Jean-Pierre emphasized that the administration’s process is independent, led by HHS and the Department of Justice, and guided by evidence. She indicated that they would allow this process to continue unfolding.

Canada has already legalized cannabis, making it a popular destination for the North American cannabis industry. Reclassifying cannabis in the US could enable companies to expand their operations into the United States once federal legalization is sanctioned. Many companies, including Canopy Growth, Verano Holdings, Tilray Brands, Sunburn Cannabis, and Cronos Group, have expressed their support for HHS’s recommendation.

“For far too long, cannabis prohibition and its outdated status as a schedule I substance have unduly harmed countless individuals affected by the failed War on Drugs,” said George Archos, Veranos CEO (1).

Following Wednesday’s announcement of the rescheduling recommendation, shares of several cannabis firms rose

HIGH RECIPES

How to make a delicious cannabis smoothie

How to make a cannabis smoothie There actually are a number of options to making a cannabis smoothie, and none of them need to be too challenging. In each instance, you would essentially prepare a smoothie like you normally would, but instead of adding regular ingredients, you would use cannabis-infused ones like cannabis milk, cannabis sugar, cannabis honey, or cannabis-infused coconut oil.

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Cannabis-infused milk, aka “Cannamilk” Cannabis-infused milk is Ingredients a very easy to use base that can be used for making weed ice cream, weed mac and cheese, or just to add a little extra fun to your coffee.

Making it is a cinch, you simply decarboxylate some cannabis and Servings: 4 then simmer it in a saucepan for around 30-45 minutes, making sure it doesn’t scorch.

Cannabis-infused honey, aka “Cannahoney” Cannabis-infused 2 cup plain yogurt honey is perfect for making all types of edibles like weed honey cake, or just as a really easy way to kick your morning muesli or tea up a few notches. You make it by using a crockpot and infusing decarbox- 8 cups strawberries frozen ylated cannabis directly into the honey.

Cannabis-infused sugar, aka “Cannasugar” Cannabis sugar can be a great way to make stoney sugar cookies or just to make a cup of cof- 4 banana fresh or frozen fee or tea a whole lot more interesting. Making it requires decarboxylating some cannabis and soaking it in grain alcohol before starting and then baking.

4 cup milk or almond milk Try this very easy strawberry banana smoothie recipe from Spendwithpennies.com that you can easily tweak with cannabis.

8 teaspoons honey (optional) 2 teaspoon chia seeds (optional)

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Place all ingredients in a blender and blend until smooth Serve immediately

Simply replace the two teaspoons of honey in the recipe with cannabis honey, or if you like a milder batch, combine one teaspoon of cannabis honey with one teaspoon of ordinary honey.

Depending on how potent you want it to be, replace the milk with a half cup, quarter cup, or full cup of cannabis milk.

Two tablespoons of cannabis sugar should be used in place of the honey if you’re using it.

Make the recipe as directed, but use a spoonful of melted cannabis-infused coconut oil for the cannabis oil. Two tablespoons of oil should be a good blend for two smoothies, depending on the intensity you choose.

STRAIN OF THE MONTH

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imosa is a sativa dominant-indica hybrid with a 70/30 ratio that normally measures at 25% THC and 1% CBG. Just a few puffs of this energizing, sunny strain will leave you feeling rejuvenated, pleased, and prepared to cheerfully take on whatever the day may bring. Its intensity and wonderfully revitalizing effects.

Your brain will begin to experience a clear-headed buzz as the effects of mimosa begin to take effect, giving you a sensation of laser-sharp focus and a huge boost of drive. Additionally, a light tingling sensation will gradually spread from your head to your toes, relaxing your body and easing any lingering muscular tension.

Mimosa, the offspring of the sativa-dominant Purple Punch and Clementine strains, is well-known for its sweet and tangy flavor as well as its upbeat, energizing, and focused high. Mimosa’s enlivening high will provide you with everything you need, whether you’re trying to put yourself in a good mood, prepare yourself for a concentrated work session, or just want to have a nice day.

Mimosa can put you to sleep and calm you when consumed in excessive amounts. The flavor and aroma of this strain are robust and reminiscent of its namesake, with hints of fruit and citrus aromas coming through.

This strain is used by medical marijuana users to ease the symptoms of stress and despair. The Tangie family’s signature drink is mimosa. A enhanced Mimosa known as Mimosa v6 has been developed by the breeder Symbiotic Genetics.

Mimosa strain helps with Anxiety 22% of people say it helps with anxiety Stress 20% of people say it helps with stress Depression 19% of people say it helps with depression

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y name is Desure (say it out loud). D’jour! I’m an artist, entrepreneur, and nude model. I was born and raised in Pasadena, California . I graduated high school at age 15, proceeded to college, and at age 19 earned a bachelor’s degree in business and computer science. Also at the age of 19, I gave birth to my first child. As a single mother, I needed money quickly, so I started dancing. By the time I was 25, I was touring the nation and performing abroad! recognized for my extravagant performances and artistic creations. I became a well-known dancer and adult entertainer. Apart from that, I started appearing in music videos. In the late 1990s and early 2000s, I performed in videos alongside some of your favorite artists, such as Tupac, Snoop Dogg, Usher, and many others. I was in an accident in May 2012 and became paralyzed from the neck down. My dancing days were over. I was heartbroken and started to pray, and by God’s grace, I was able to leave rehabilitation 39 days later.

My physical condition changed because I took a bunch of medications, without medication, I was no longer excited or aroused, which caused numerous problems in both my career and relationship. After some time, I made the decision to go from using opioids to smoking marijuana. I stumbled upon a strain of weed named “Forbidden Fruit” as I continued to smoke more of it; the smell was so enticing that I found myself aroused after smoking it. In quest of the aphrodisiacs, the “ECSTASY” of cannabis, I began researching different strains and their effects on both genders. From there I developed my Company Erotiq Xotix! Specializing in only the aphrodisiacs of cannabis.

Cannabis, sometimes known as marijuana, is known for enhancing senses.

When under the influence of cannabis, the quality of food, the sound of music, and the curiosity around individuals all enhance, and these sensory amplifications can also result in better sex. Although it is still unknown how cannabis stimulates arousal, mary jane has been used for many years to improve sex between men and women. It’s acceptable for people to think that marijuana use and sexual behavior are connected. Cannabis is well known for enhancing mood, boosting energy, and enhancing focus while lowering anxiety. Combine this with the scientific finding that you will almost certainly enjoy in sex at this initial period. This allows you to function well and enjoy sex more.

Several well known strains can help you feel more confident about opening up to your partner and satisfy their sexual needs. The following are some of the most popular and pleasurable cannabis strains for arousal and sex drive as per anecdotal reports

THE COOKIES STRAINS The Cookie strains have become increasingly very popular in the cannabis industry. You may now discover crosses of the cookie strain all over your local dispensary. So finding the ideal strain for sex before any special day would not be a problem.

Some people find that the cookie strain and its many crosses are a great choice before intercourse because of the euphoric, calming qualities it’s known to provide. The atmosphere can be exceptionally well set with cookie strains, many crosses and exotic flavors such as Sunset Sherbert, Gelati, and Cereal Milk.

ARTIST SPOTLIGHT

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seasoned MC from Miami Dade county 305, Money Mogly has more than ten years as part of the underground music scene as a solo MC and part of the Wxlf Gang collective. Mogly had a busy year in 2023, releasing three great albums, including “A Lone Wxllf ” on Bandcamp, Soundcloud, and Amazon Music.

Mogly has a highly distinctive and amazing flow, delivery, and cadence. When you mix it with his beat selections, you wouldn’t guess he is from the South.

In the realm of hip-hop, finding true gems that resonate with the authentic essence of the genre can be a rare and delightful experience. “A Lone Wxlf,” the latest solo effort by this truely gifted MC, is undeniably one of those treasures that demands recognition.

From the first track to the last, this album takes listeners on a journey through the heart and soul of real hip-hop. Its lyrical prowess, impeccable flow, and powerful beats make it an instant classic for fans of the genre.

Notable tracks “Falling Down” (Feat Art Morera, Produced by IVN): This track is a standout, featuring compelling lyrics and a captivating production. The collaboration with Art Morera adds depth to the narrative, making it a must-listen.

What’s striking about this album is not only its musical excellence but also the artist’s ability to craft an authentic hip-hop experience. It leaves you wondering why we haven’t heard more from this MC before.

“Loup$” (Produced by Zero): “Loup$” is a testament to Mogly’s ability to ride a beat with finesse. The production by Zero complements the MC’s delivery, creating a seamless synergy that hip-hop enthusiasts will appreciate.

In conclusion, if you’re a fan of real hip-hop, “A Lone Wxlf ” is a must-listen. It’s a testament to Mogly’s skill, and its notable tracks promise an experience that will keep you coming back for more. Don’t miss out on this gem.

“Di$h Wa$her$” (Produced by K English): With “Di$h Wa$her$,” Mogly delivers a track that’s both thought-provoking and musically engaging. K English’s production adds an enticing backdrop to the lyrical exploration within the song.

The dedication and artistry poured into “A Lone Wxlf ” make it a piece of work that deserves to be in heavy rotation for hip-hop enthusiasts. It’s a reminder of what the genre can achieve when talent and passion converge.

As the beats and verses of this album reverberate through speakers, it’s clear that the MC behind “A Lone Wxlf ” is a force to be reckoned with in the world of hip-hop.

This project stands as a testament to the enduring power of the genre and the talent that continues to push its boundaries.

the resurgence of hip hop' hop's boom bap sound

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n the ever-evolving landscape of music, trends come and go, and genres rise and fall. However, amidst the constant change, some sounds have a timeless quality that transcends generations. One such sound is the iconic Boom Bap, a foundational element of Hip Hop that has experienced a remarkable resurgence in 2023.

We are going to explore the revival of the Boom Bap sound, its origins, and its significance in today’s Hip Hop landscape.

The resurgence of Hip Hop’s Boom Bap sound in 2023 signifies more than just a yearning for nostalgia; it represents a cultural shift and a return to the core values of the genre. As the mainstream music industry becomes saturated with cookie-cutter trap beats and repetitive hooks, artists and listeners alike are seeking something different, something that harkens back to the golden era of Hip Hop. The significance of Boom Bap’s revival lies in its ability to capture the attention and imagination of a diverse audience. While older fans who experienced the birth of Hip Hop may revel in the familiar beats and samples, younger listeners who were raised on modern sub-genres now have the opportunity to appreciate the roots of the music they love. This cross-generational appeal not only bridges the gap between the old and the new but also helps preserve the authenticity and timelessness of the Boom Bap sound.

In an era where music production has become heavily reliant on digital software and pre-made loops, the return of Boom Bap breathes new life into the art of beatmaking. Producers and beatmakers are rediscovering the craftsmanship and creativity required to construct drum patterns and sample-based compositions. The meticulous process of crate-digging, chopping samples, and arranging intricate drum sequences fosters a renewed appreciation for the art of music production

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By Mikael Shimshon

Moreover, the resurgence of Boom Bap has also led to a renewed emphasis on collaboration and collective creativity. In the past, producers and emcees often worked closely together, bouncing ideas off each other and crafting a cohesive sonic experience. With the revival of Boom Bap, this collaborative spirit has re-emerged, with artists forming tight-knit collectives, such as producer-rapper duos or larger groups, to create cohesive and thematically consistent projects. This sense of community and artistic synergy not only enhances the quality of the music but also fosters a supportive environment for emerging talents.

The revival of Boom Bap also reestablishes the importance of sampling as an art form. In an age of copyright restrictions and sample clearance hurdles, many producers have shied away from using samples in their music. However, Boom Bap embraces the practice, recognizing that sampling is not only a means of creating music but also a form of paying homage to the rich musical history that came before. By incorporating samples from soul, funk, jazz, and other genres, Boom Bap producers weave a tapestry of sonic nostalgia that resonates with listeners on a deep emotional level.

Hip Hop’s Boom Bap sound in 2023 signifies more than just a yearning for nostalgia; it represents a cultural shift and a return to the core values of the genre. As the mainstream music industry becomes saturated with cookie-cutter trap beats and repetitive hooks, artists and listeners alike are seeking something different, something that harkens back to the golden era of Hip Hop. The significance of Boom Bap’s revival lies in its ability to capture the attention and imagination of a diverse audience.

While older fans who experienced the birth of Hip Hop may revel in the familiar beats and samples, younger listeners who were raised on modern sub-genres now have the opportunity to appreciate the roots of the music they love. This cross-generational appeal not only bridges the gap between the old and the new but also helps preserve the authenticity and timelessness of the Boom Bap sound. Another significant aspect of Boom Bap’s revival is its potential to expand the boundaries of Hip Hop. While Boom Bap has its roots in traditional sample-based production, artists today are finding innovative ways to infuse the sound with modern elements. They blend Boom Bap aesthetics with electronic textures, live instrumentation, and experimental sonic landscapes, pushing the sound into new and unexplored territories. This fusion of old and new breathes fresh life into the genre and allows for artistic experimentation while still honoring the essence of Boom Bap. The lyrical prowess displayed in Boom Bap is a breath of fresh air in an era where lyrics often take a backseat to catchy melodies. Boom Bap MCs understand the power of words and use them as a tool for storytelling, social commentary, and self-reflection. The intricate wordplay, metaphors, and vivid imagery displayed in Boom Bap lyrics challenge listeners to engage more deeply with the music. The revival of this lyricism-oriented approach fosters a renewed appreciation for the art of emceeing and brings Hip Hop back to its roots as a vehicle for personal expression and social critique.

Ultimately, the resurgence of Hip Hop’s Boom Bap sound in 2023 is not simply a trend or a fleeting moment; it represents a renaissance of values, aesthetics, and cultural significance within the genre. It signifies a return to the roots of Hip Hop, where creativity, authenticity, and social consciousness reign supreme.

The revival of Boom Bap is a testament to the enduring power of the sound and its ability to captivate and inspire listeners across generations. As artists and listeners continue to embrace and explore its depths, the Boom Bap sound will undoubtedly shape the future of Hip Hop for years to come.

Curren$y and Harry Fraud

Alchemist and Freddie Gibbs

The Best Boom Bap Albums in 2023

The Mind Of A Saint Skyzoo

The Great Escape Larry June x The Alchemist

Won’t He Do It

Conway the Machine

Prisoner of Circumstance

Boldy James

College Park Logic

Champagne For Breakfast

Madlib

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he more Brits and Americans interact with one another, the more they realize how many differences in culture there are between them. To examine vocabulary, smoking practices, and the process of purchasing cannabis, we spoke with smokers from both sides of the Atlantic in an effort to understand the origins of these disparities. Naturally, one of the main ways in which the two cultures diverge is in the language we use to talk about marijuana. For instance, cannabis may be referred to as skunk, draw, piff, or peng in the UK. Words like “pot” or “Mary Jane” are often used in the US. In all civilizations, weed, chronic, and flower are also used.

A “roach” is a thin piece of cardboard that is sometimes pulled from the back of rolling sheets in the UK. It helps the smoker hold the joint while also removing any shooters, or tiny fragments of tobacco or cannabis that may be inhaled. However, use caution while using that phrase in America, where “roach” refers to the burnt end of the joint!

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By Hector Richardson An expert smoker who has evaluated marijuana competitions in both nations, Billy the Goat of Golden State Labs, stated, “When someone [in the UK] first asked me for a roach, I’d look for a roach clip or hand them the end of a joint, all confused!” Americans and Brits both “roll” joints, but a British person can also “build” one. And although that joint will undoubtedly contain tobacco (or a tobacco substitute), for an American, it could only contain marijuana. A blunt is the term used in the UK for a joint that simply contains cannabis.

Americans need a blunt wrap for a blunt. In the UK, what are known as buckets in the US as gravity bongs. Even our measures vary; a “box” weighs a kilo in the UK but 100 pounds in America. After all, it’s only a plant, so I don’t need to talk in code. “Terms like bud, hash, shatter, oil, wax, etc. are common place on both sides of the pond (among cannaseurs), it’s more the absence of certain terms like skunk, spliff, doobie, etc.

On both sides of the Atlantic, smoking practices and behaviors vary greatly. Everything is larger in the US, as you might imagine - supersize my joint, please! A Brit may choose seven smaller joints, but an American is more likely to smoke two or three larger ones. As was already established, Americans really don’t like to put tobacco in their joints, although the British do. Americans also like using bongs, pipes, and vaporizers as alternative smoking methods. A Brit, though, is more likely to choose a traditional joint. Patrick James Wong, an American who spent two years living in the UK, told leafie that “almost everyone [in the US] smokes out of pipes or bongs.” In the UK, puff puff pass isn’t truly a thing. That is vital where I was raised. You get two hits before passing it on. In the UK, puff puff pass is not very common. “I remember hanging out with these two or three guys, I took two hits and passed it to them.

By the time I got it back, it was dead,” Patrick said. “The cool thing is you don’t have to rush with it. But at the same time, it depends on who you’re with. Some people will smoke half a joint then pass it, some people are a bit more considerate.”

Cannabis is already legal in 21 US states and has been decriminalized in another 10, but purchasing marijuana in the UK, where it is still a Class B substance, is rather different. In the UK, you may frequently discover dealers in run-down taverns, on the street, or through friends of friends. While in much of America, you can visit your neighborhood dispensary or even order delivery using an app similar to UberEats. There are several cannabis strains available in the United States.

More than the iconic Stardawg or the fabled “cali weed” are uncommon in Britain.

The picking-up procedure in Britain is difficult to describe since it varies so greatly from region to region and dealer to dealer.

However, the majority of British dealers will come 30 minutes beyond their two-hour delivery window, leaving you to brave the gloomy weather on an unplanned suburban corner. Some dealers are competent, arriving on time with a flawless transaction.

It’s obvious that the federal government’s resistance to pot legalization has stifled British marijuana culture beyond lingo and certain of our smoking rituals. You may discover marijuana tournaments, a larger selection of strains, and communities that are simple to create on the other side of the Atlantic. While in the UK everything must be done in secret, contests are held but are less likely to draw large audiences or media attention, a legitimate selection of strains is expensive, and cannabis groups find it difficult to grow due to the danger of legal action. Matthew remarked, “I think we should all have more ownership and pride over the community in the UK. “We have the chance to create something truly amazing, and we should call out negativity everywhere we see it. When we stand together and help one another, we are stronger. Smokers in Britain run the danger of sounding repetitive, but legalization might genuinely mark the beginning of something wonderful. When cannabis events and strain quality comparisons can be made side by side, perhaps comparing the two cultures will be simpler.

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Canna Culture Evolution The U.K

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By Mikael Shimshon

ue to the existence of sites devoted only to media content surrounding weed, social media has opened up a completely fresh market for the distribution of cannabis-related information. As a result, there has been a recent influx of social media influencers and even apparel companies centered around the substance.

The consensus on whether marijuana should be permitted to be discussed publicly on social media in the US is somewhat complicated by the various state restrictions on marijuana usage. Why should the cannabis sector be any different from other businesses where social media is an essential tool for marketing?

In the United Kingdom, the prevailing negative perception surrounding cannabis usage is often attributed to the media’s consistent unfavorable portrayal of the drug, which is particularly prevalent due to the concentrated ownership of the country’s newspaper market by only three publishers. When asked about the increasing marijuana consumption among teenagers, Wallis attributed it to “the recent destigmatization of weed.” There are “countless pages across all [social media] platforms that are dedicated to education and advocacy for decriminalization and safe use,” he continues, adding that cannabis is a “hot topic right now.” There’s not so much of an out and proud culture like there is in Brighton, but there’s still networks and social groups of people but they’re kind of over run with Cali peddlers.

You’ve got your normal street dealers usually doing 1.7 / 1.8 for £20 but you’ve got some that do 3.5s for £25 it’s really luck of the draw really and you just need to get a good link.

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Still a lot of cheese / lemon but with the rise of Cali weed the strains selection is more varied. Stardawg (which blew up in Manchester first) is very common, for example.

There’s a few Coffeeshops, some ranging from traditional east end hash bars that sell bars of 20 bits of hash or small 20 bags, to invite only “Cali” bars, that sell 3.5s for dumb money.

People smoke it everywhere, if you walk around London you’re bound to catch a whiff, but it’s not normal to be seen smoking incredibly open in public. You will attract unwanted attention if you’re not keeping your wits about you. If you are keeping your wits about you, you can smoke almost anywhere.

So the issue is, where does marijuana fit into London culture? The fact is that it lies at its very core. You may hear it called anything in London, including cannabis, weed, reefa, bud, Mary Jane, ganja, and marijuana.

While The Crown and Bridgerton may seem to characterize London, the reality is that Top Boy and Skins are far closer to the truth. There is a far more lively grassroots culture among the working class and middle class behind the stiff upper lip upper class environment. In London, there is an abundance of music, art, and cooperation that is all influenced by the beauty of cannabis.

Cannabis and grime music are frequently associated since many of the genre’s top musicians find the cannabis plant to have calming and creative benefits. Of course, many outdated News Outlets will spend their time attempting to make this connection seem nefarious, just like Jazz music did before it. One of: Harmful influences and adverse impacts on youngsters. The fact is that the establishment dislikes both cannabis and grime music because both are significant aspects of London culture that they are powerless to regulate. a subculture of London that sprang from the working class and is run by and for the people. It was Stomzy who said: “What I’m doing is British. It stems from the same culture as U.S. hip-hop, but the way we dress, the way we speak, the way we perform is so different. It’s U.K. street culture.”

One of the finest nightlife scenes in the world is definitely in London. Everybody can find something to like. Ecstasy pills at Fabric, acid in The Box, ketamine in Blues Kitchen, or smoking a joint and listening to jazz music in Shoreditch—all are options. The greatness of London culture is due to this. Because of the diversity, there are many distinct passions. The cannabis culture is so vibrant because of its variety. The same way that it is essential to Grime, weed is essential to London’s nightlife. everything complements everything perfectly and is always easy to locate. In some respects, finding a dealer to buy some cannabis in London is simpler than purchasing a drink. Don’t forget to have a night out with your reliable green pal if you’re ever in the city.

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hen one thinks of hip hop, cities like New York, Los Angeles, and Atlanta often come to mind. However, halfway across the globe, in the heart of the Middle East, Israel has been quietly cultivating its own vibrant hip hop scene. As a melting pot of cultures and identities, this tiny nation has witnessed the rise of a unique hip hop subculture that reflects the complexities of its society. From political expressions to social issues and identity struggles, Israeli hip hop has emerged as a powerful medium for artists to tell their stories.

Israeli hip hop’s roots can be traced back to the late 1980s and early 1990s when the genre first gained popularity in the United States.

The influence of American hip hop was immediate, and young Israelis began experimenting with the art form, blending it with their own cultural experiences and Hebrew language. Initially, the genre faced some resistance, with critics questioning its relevance in Israeli society. However, it soon found its footing and began resonating with a diverse group of artists and listeners alike. One of the most compelling aspects of Israeli hip hop is its ability to fuse various cultural elements. Israel, being home to a rich tapestry of backgrounds and identities, allows artists to draw from a multitude of traditions.

Jewish, Arab, Ethiopian, and Russian communities, among others, contribute their unique perspectives, languages, and rhythms to the mix, resulting in a rich and eclectic sound.

Moreover, the Israeli-Palestinian conflict has played a significant role in shaping the content of many hip hop songs. For some artists, hip hop has become a means to voice their opinions on the political situation, expressing their frustrations, hopes, and dreams for a peaceful coexistence.

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By Tzvi Fux Israeli hip hop often serves as a platform for social commentary, addressing issues such as economic disparities, racism, and inequality. Artists tackle subjects that resonate deeply with their audiences, allowing them to connect on a personal and emotional level. Themes like urban life, the struggle for social justice, and the challenges faced by marginalized communities feature prominently in the genre’s lyrics.

Additionally, many artists use hip hop to explore their own identities, grappling with questions of Israeli nationalism, Jewish heritage, and cultural identity. This introspection allows listeners to gain insight into the complexities of living in a country that continues to evolve amid a backdrop of historical and contemporary tensions. Over the years, Israeli hip hop has gained considerable momentum, with several artists achieving mainstream success and international recognition. Talented acts like Subliminal, Shi 360 and Nechi Nech have garnered significant followings and have contributed to the genre’s growth both within Israel and abroad.

In recent years, the internet and social media have played a vital role in promoting Israeli hip hop to a global audience. Music-sharing platforms and social networking sites have enabled artists to reach listeners far beyond the nation’s borders, leading to collaborations with artists from different parts of the world.

Hip hop in Israel has evolved into a vibrant and diverse subculture that resonates with the nation’s youth and reflects the complexities of its society. Fusing various cultural elements and addressing pertinent social and political issues, Israeli hip hop provides a powerful medium for artists to express themselves and connect with their audiences. As the genre continues to grow and evolve, it further solidifies its place as an integral part of Israel’s contemporary cultural landscape, making a significant impact on the global hip hop scene. Hip-hop gives the underprivileged a platform to discuss their experiences and share their interpretation of history. This is also true for hip-hop in Israel: Children from Ethiopia who have recently had enough to eat, immigrants from Russia, and foreign workers from all around the world will be the future. Hip-hop will become even better and more authentic than it already is when they come out and rap about what they know and how they know it. To be regarded as such, professional rappers must be fluent in the symbolic and material assets of world hip hop. Rappers are still motivated to change the stylistic templates with, what Kaplan termed, “cultural erasures,” integrating them with local infrastructure of significance as they apply the fundamental principles of hip hop.

International rappers need to physically manage competing forces, while yet being drawn to certain geographic and cultural regions.

Notable Israeli hip hop crews and rappers DAM

The acronym DAM, which stands for “Da Arabian MCs,” is made up of the Arabic word meaning “to last forever/eternity” and the Hebrew word meaning “blood.” One may argue that DAM is the left-wing antithesis of Subliminal. Known as the first Arab-Israeli hip-hop group, DAM was founded in 1998 and is made up of Palestinians with Israeli citizenship. The rappers create songs in Hebrew and English as well, despite the fact that they rap mostly in Arabic, to make sure they reach all of their target audiences. Their lyrics frequently discuss the numerous disputes between Israel and the Palestinians, particularly the Palestinians’ perception of being treated unfairly by their government.

Hadag Nahash One of the earliest rap groups to gain popularity in Israel was Hadag Nachash, which was founded in 1996. Alongside them, a Palestinian scene began to emerge. Their music is a fusion of jazz, funk, world music, and western pop. Hadag Nakhash’s music is frequently humorous and occasionally has a left-wing stance, in contrast to the nationalistic “Zionist” hip-hop of musicians like Subliminal. Their songs “Gabi & Debi” (Hebrew), which parodies right-wing Zionist rap music, and “Little Man” (English), which portrays the sadness caused by religious clashes in the city of Jerusalem, are two instances of that.

Subliminal Rapper Kobi Shimoni, well known by his stage name Subliminal (Hebrew: ), is a household name in Israel. The double Platinum album “The Light and the Shadow” with artist The Shadow has sold 80,000 Records in Israel. Subliminal originating from Tel Aviv. At the age of 15, he met Yoav Eliasi, who would go on to perform with him as “The Shadow” (Ha’Tzel). The two started performing in Israeli bars in 1995 while sporting loose clothing and gold chains. They released their debut album, “The Light From Zion,” and soon gained popularity among the country’s young. They composed patriotic songs when the violent revolt began in 2000. They gained notoriety as the founders of “Zionist hip-hop”.

SHI 360 Shai Haddad was raised in Montreal, Canada, before relocating to Haifa, Israel when he was eleven years old. SHI 360 (Hebrew: 360) is its name. SHI, or the Supreme Hebrew Intelekt, stands for his arrival in Israel after living in Canada. The political and social issues in SHI 360’s lyrics contrast with the feel-good music that predominates on Israeli radio. In the song “Break the Silence,” he encourages children to speak up about abuse in the home. He views himself as an aware MC. SHI 360 wants to alter Israelis’ perceptions of what radio should sound like.

TEDDY NEGUSE

TUNA

Rapper Teddy Neguse, an Ethiopian-Israeli, already put out three albums and a number of songs before the age of 27. He has also contributed his own creativity, either on acoustic basslines or rapid-fire 808s, as a featured guest on a variety of tracks by other rappers. Teddy frequently shares highly personal experiences in his songs and isn’t hesitant to express his point of view. His music deals with complicated social themes. He begins a creative journey by pushing himself and confronting his deepest anxieties. He encourages people to watch his articulate, linguistically acrobatic journey as he develops new music and pushes his boundaries.

Itay Zvulun is an Israeli rapper, singer, composer, and actor better known by his stage name Tuna. This rapper, who makes us all remember why the 1990s were so great, has been in the music business for 16 years, but he is only now, at the age of 30, with the help of his latest song, receiving the attention he so well deserves. Tuna genuinely blazes his own trail by fusing the genres of Rap, Israeli heritage and culture, and Reggae in his most recent album. Israeli youths’ top pick for a concert before to IDF duty was Tuna, demonstrating the effectiveness of Israeli music in attracting certain target populations.

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Hip Hop Culture’s Influential Reach: Transforming Other Industries

By Hector Richardson

ip hop, born in the Bronx during the 1970s, has transcended its musical origins to become a cultural phenomenon with a profound impact on various industries. From fashion and art to film and advertising, hip hop’s influence has permeated multiple facets of society, shaping trends, attitudes, and even business strategies. This article explores the transformative power of hip hop culture and how it has propelled other industries to embrace its energy, creativity, and authenticity.

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Fashion: Defining Urban Style:

Art and Graffiti: From Streets to Galleries:

Hip hop has long been synonymous with fashion, pushing boundaries and redefining urban style. The genre’s artists have always prioritized self-expression through their attire, and this has resonated with fans worldwide. From the iconic tracksuits and sneakers of the 1980s to the luxurious streetwear and urban fashion collaborations of today, hip hop artists have been trendsetters in the fashion world. Influential figures like Run DMC, who famously adorned Adidas tracksuits and sneakers, not only created a distinctive look but also secured an endorsement deal with the brand. This collaboration marked a significant moment, as it bridged the gap between street culture and mainstream fashion.

Jay-Z’s Rocawear brand is another example of hip hop’s impact on fashion, achieving enormous success by blending urban aesthetics with high-end style.

Graffiti, an integral part of hip hop culture, has evolved from illegal street art to a respected and influential art form. Artists like Jean-Michel Basquiat, who emerged from the New York hip hop scene, blurred the lines between street art and fine art. Basquiat’s raw and expressive style, infused with cultural references and social commentary, garnered critical acclaim and propelled him into the elite art world.

The rise of streetwear labels like Supreme, Off-White, and Fear of God owes much to hip hop culture. Celebrities and artists often wear these brands, making them aspirational for their fan base. Streetwear’s popularity has soared to such heights that luxury fashion houses, including Gucci, Balenciaga, and Louis Vuitton, have incorporated urban aesthetics into their collections, recognizing the power and influence of hip hop on the fashion landscape.

Today, graffiti-inspired styles and themes have found their way into galleries, museums, and even corporate settings. The fusion of street art and fine art is evident in the works of artists like Banksy and Shepard Fairey, whose politically charged murals have become global sensations. Additionally, major brands have embraced graffiti and street art aesthetics in their advertising campaigns, tapping into the authenticity and urban energy that hip hop culture represents.

Film and Television: Hip Hop Narratives: Hip hop’s influence extends to the realms of film and television, where it has provided fresh narratives and authentic representations of urban life. From early classics like “Wild Style” and “Boyz n the Hood” to recent critically acclaimed works like “Straight Outta Compton” and “Hamilton,” hip hop has lent its voice, stories, and cultural nuances to the big and small screens.

Filmmakers have realized the power of hip hop storytelling, using it to shed light on social issues, showcase the struggles and triumphs of marginalized communities, and offer a platform for diverse voices. The success of these films has sparked a demand for more authentic and inclusive narratives, leading to increased opportunities for hip hop artists and creatives in the film industry.

Beyond acting, hip hop artists have also crossed over into film production, composing soundtracks, and exploring their creative talents behind the camera. Notable examples include Ice Cube, who successfully transitioned from rap to acting and producing, and the multi-talented Lin-Manuel Miranda, whose hip hop-infused musical “Hamilton” became a global sensation.

Advertising and Branding: Authenticity and Cultural Relevance: Recognizing the power of hip hop’s influence, brands and advertisers have embraced the culture to connect with diverse and younger audiences. Hip hop artists have become brand ambassadors, collaborating on campaigns, and influencing marketing strategies. This cross-pollination has brought authenticity and cultural relevance to products and messages, reflecting the values and aspirations of hip hop communities.

Entrepreneurship and Business: Creating Empires: Hip hop’s impact extends beyond music and artistry; it has inspired a new generation of entrepreneurs and business moguls. Artists like Jay-Z, Diddy, and Dr. Dre have not only built successful music careers but also leveraged their influence to create empires encompassing fashion, spirits, technology, and media. Their ventures have demonstrated that hip hop culture is not just a creative force but also a powerful economic engine.

These hip hop entrepreneurs have used their platforms to promote financial literacy, business ownership, and economic empowerment within their communities. They have shattered stereotypes and proven that success can be achieved by merging creative expression with astute business acumen.

Major brands like Nike, Coca-Cola, and Apple have all tapped into hip hop culture to create impactful and memorable advertising campaigns. These collaborations often involve incorporating hip hop music, dance, and fashion, enabling brands to connect with consumers on a deeper level by aligning themselves with the culture’s authenticity, creativity, and rebellious spirit.

Hip hop culture’s influence on other industries is undeniable and continues to evolve. From its roots in the Bronx to its global reach, hip hop has shaped fashion trends, art movements, film narratives, advertising strategies, and entrepreneurial endeavors. Its energy, authenticity, and ability to resonate with diverse audiences have made it a force to be reckoned with. As we move forward, it is evident that hip hop will continue to push boundaries and inspire innovation in industries far beyond the realm of music, leaving an indelible mark on our cultural landscape.

The transformative power of hip hop is a testament to the enduring influence and relevance of this vibrant and dynamic cultural movement.

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The Hustlers: Hip Hop Entreprenuers

The Entrepreneurial Spirit of Hip Hop: Building Empires through Creativity

By Hector Richardson

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ip hop, a cultural movement that emerged in the Bronx in the 1970s, has transcended its origins to become a global force, influencing music, fashion, art, and even entrepreneurship. Throughout its history, hip hop has consistently demonstrated a remarkable entrepreneurial spirit, with artists transforming their creative talents into thriving business ventures. From record labels and fashion lines to tech startups and media empires, the world of hip hop has provided fertile ground for entrepreneurial success stories. In this article, we explore the dynamic relationship between entrepreneurship and hip hop, highlighting the ways in which artists have leveraged their creativity to build influential and profitable enterprises.

Entrepreneurship has always been intertwined with hip hop culture. In its early days, artists faced limited opportunities for success due to a lack of mainstream recognition and institutional support. Consequently, hip hop pioneers embraced entrepreneurship as a means to take control of their careers. They founded independent record labels, organized grassroots marketing campaigns, and pioneered innovative distribution methods.

One of the most iconic examples is the rise of Def Jam Recordings, founded by Russell Simmons and Rick Rubin.

Def Jam played a pivotal role in elevating hip hop from a niche genre to a global phenomenon. Through astute business strategies and innovative marketing, Simmons and Rubin built a powerhouse label that launched the careers of legendary artists like LL Cool J, Beastie Boys, and Public Enemy.

As hip hop’s influence expanded, artists recognized the potential to extend their entrepreneurial endeavors beyond music. Many began diversifying their portfolios by venturing into fashion, branding, and other industries.

By leveraging their personal brands and creative identities, artists established themselves as tastemakers and entrepreneurs, creating lucrative opportunities outside of the recording studio.

Jay-Z, one of the most prominent examples of an entrepreneurial hip hop artist, transformed his success in music into a multifaceted business empire. From co-founding Rocawear, a highly successful urban clothing line, to launching Roc Nation, a full-service entertainment company encompassing talent management, music publishing, and sports agency, Jay-Z’s entrepreneurial journey epitomizes the crossover between hip hop and business.

Rappers used the term “hustler” early on as it started to develop a lot like many slang words do, so people sometimes associate the Rap & Hippy movement with it. The term “hustler” is now used to describe someone who can get money from someone else, whether that’s through selling a thing that they really shouldn’t be or knowing how to “ sell ” to an individual who’s not sure they are even interested in making an investment. When you come from that setting, it’s not seen as glamorizing. The terms “positive” and “negative” can be seen from two perspectives. The term Hustle has significant shortcomings, including the representation of a pimp and a drug dealer as well as someone attempting to con you. A person who is “on their hustle” who is diligent and willing to go above and beyond to achieve also has a positive connotation.

The term “hustler” has a long history dating back to the 17th century and is derived from the Dutch verb “Husseln,” which meaning “to shake, throw.” Indeed, it has been used to designate dishonest people, but, like many other terms, its meaning has changed with time. Such progression is typical of terms with “cool” connotations. They gain a following, and their meaning evolves in step with the prevalent usage among their influencers. One such is the word “pimping,” which still refers to what it originally meant but also has several other meanings that indicate an entity’s capacity for situational management.

The digital revolution presented new avenues for entrepreneurship within the hip hop industry. Artists harnessed the power of social media, streaming platforms, and online marketing to connect directly with their fans and monetize their art. This shift empowered independent artists to bypass traditional gatekeepers and seize control over their creative destinies.

A prime example is Chance the Rapper, who gained widespread acclaim and commercial success without signing to a major label. By releasing his music independently and utilizing social media platforms to connect with fans, Chance built a loyal following and secured lucrative endorsement deals. His success demonstrated that artists could thrive through innovative entrepreneurial approaches that harness the digital landscape.

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Entrepreneurship within hip hop has also manifested itself through social impact and philanthropic efforts. Artists have used their influence and resources to address systemic issues and support marginalized communities. Initiatives like JAY-Z’s Reform Alliance, which aims to reform the criminal justice system, and Meek Mill’s Dream Chasers Foundation, which focuses on youth empowerment, highlight the dedication of hip hop entrepreneurs to effect positive change.

Hip hop has always been more than just music; it is a culture that encompasses entrepreneurship, innovation, and the pursuit of success. From the early days of independent labels to the digital age of streaming and social media, hip hop artists have continually demonstrated their entrepreneurial acumen and adaptability. Through their creativity, branding, and business ventures, they have built empires and transformed the music industry.

As hip hop continues to evolve, the entrepreneurial spirit within the culture will undoubtedly remain a driving force, shaping the future of both music and business.

Collaborations and partnerships have played a significant role in the entrepreneurial landscape of hip hop.

Artists have recognized the power of joining forces with like-minded individuals and companies to expand their reach and diversify their revenue streams.

For instance, Dr. Dre’s partnership with Jimmy Iovine led to the creation of Beats Electronics, a company that revolutionized the audio industry with its high-quality headphones and later expanded into music streaming.

The successful collaboration between the two entrepreneurs ultimately resulted in Apple’s acquisition of Beats for a staggering $3 billion.

Additionally, hip hop artists have forged partnerships with major brands, leveraging their influence and creativity to develop unique product lines and marketing campaigns. Examples include Kanye West’s collaboration with Adidas on the Yeezy brand and Rihanna’s partnership with Puma for her Fenty line. These ventures not only generate substantial revenue but also solidify the artists’ positions as influential entrepreneurs and trendsetters.

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One of the most inspiring aspects of entrepreneurship in hip hop is its ability to empower artists and communities. Through their business endeavors, artists have achieved financial independence and control over their creative output. This newfound autonomy allows them to shape their own narratives, challenge industry norms, and uplift those around them.

Nipsey Hussle, a beloved hip hop artist and entrepreneur, embodied the spirit of empowerment through his dedication to his community. He opened Marathon Clothing, a flagship store in his hometown of Los Angeles, which served as a hub for local entrepreneurs and a symbol of economic empowerment. Nipsey’s tragic passing only magnified his impact and highlighted the immense potential of hip hop entrepreneurship to create lasting change.

Hip hop entrepreneurs have consistently pushed boundaries and disrupted traditional models, leading to innovative approaches within the industry. From the rise of streaming platforms like Tidal, co-founded

by Jay-Z, to the emergence of multimedia companies like Quality Control Music, founded by Kevin “Coach K” Lee and Pierre “Pee” Thomas, entrepreneurs in hip hop have embraced technology and new media to redefine the rules of the game.

Best Hip Hop Business Moves

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hen compared to other musical genres, hip hop has consistently maintained a unique connection with economics.

The culture frequently honors the hustler’s decisions in the same way as it does the music.

Consider the hip-hop moguls Puffy, 50, Dr. Dre, Hov, and how much value rap fans place on their business moves. We’re going to take a look at some of hip hop cultures best business moves to honor these hustlers.

The emergence of social media platforms has also democratized the music industry, allowing aspiring artists to build their brands, connect with audiences, and monetize their content directly. Platforms like SoundCloud and YouTube have served as launchpads for countless hip hop careers, bypassing the need for major label deals and traditional gatekeepers.

Master P signs an 80-20 distribution deal withPriority Records.

• Run Dmc signs first endorsement deal with Adidas.

• 50 Cent changes the mixtape game.

• Nipsey sells his “Crenshaw” mixtape for $100.

Entrepreneurship in hip hop embodies the essence of • Dr. Dre sells “Beats By Dre” to Apple for $3 the culture—innovation, resilience, and the pursuit Billion. of success against all odds. Artists have transformed their talents into thriving businesses, transcending the • Berner starts Cookies brand. boundaries of music and making their mark in various industries. Through collaborations, diversification, and • Suge Knight and Dr. Dre launch Death Row. social impact initiatives, hip hop entrepreneurs have • 50 Cent deal with Vitamin Water. not only achieved financial prosperity but also inspired • Rick Ross launches Maybach Music Group. generations, empowered communities, and disrupted • Jay Z acquires Tidal for $56 Million and sold established norms. it for $297 Million to Square As hip hop continues to evolve, the entrepreneur• Russel Simmons and Rick Rubin launch Def ial spirit within the culture will undoubtedly fuel new ventures, create groundbreaking partnerships, Jam and lead to even greater social impact. The fusion of creativity, business acumen, and a passion for change • Roc-a-fella Records partners with Def Jam positions hip hop as a formidable force in the entrefor distribution deal •

preneurial landscape, shaping the future of not just the music industry but also global business as a whole.

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The Hustlers These are the hustlers of hustlers. The most influential hustlers in Hip Hop. Their business moves forever changed the game and inspired generations of hustlers. These hustlers were able to defy the odds and transend beyond the music

EMINEM

ICE CUBE 50 Cent

Master p

DAMON DASH

BENZINO

NIPSEY HUSSLE

EMINEM Eminem, whose real name is Marshall Mathers, is not only known for his incredible skills as a rapper and songwriter but also for his successful ventures in entrepreneurship within the hip-hop industry. His entrepreneurship journey is a testament to his business acumen and ability to diversify his interests. Here are some key aspects of Eminem’s entrepreneurship in hip-hop: 1.

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Shady Records: In 1999, Eminem co-founded Shady Records along with his manager Paul Rosenberg. Shady Records is an independent record label that has signed several successful hiphop artists, including 50 Cent, D12, and Yelawolf. This label has been a platform for Eminem to support and promote emerging talents in the hip-hop industry.

8 Mile Soundtrack and Shady Clothing Line: Line Eminem’s success in the movie “8 Mile” extended beyond the screen. He released the soundtrack for the film, which included the hit song “Lose Yourself.” The soundtrack became a commercial success and showcased Eminem’s ability to curate music for a broader audience. Additionally, he launched the Shady Ltd. clothing line, which featured urban streetwear styles and further expanded his brand into the fashion industry.

Shade 45 SiriusXM Radio: Radio Eminem launched Shade 45, a hiphop radio station on SiriusXM, in 2004. The station features a mix of music, talk shows, and exclusive content related to hiphop culture. This venture allowed Eminem to tap into the radio industry and connect directly with his fan base.

Revival of Shady Records and Artists: After a period of relative silence, Eminem revived Shady Records and his own music career in the late 2000s. He signed new artists to the label, like Yelawolf and Slaughterhouse, and released successful albums of his own, demonstrating his ability to adapt to changing musical landscapes and maintain his relevance in the industry.

Ventures Beyond Music: While not directly tied to hip-hop, Eminem’s entrepreneurship extends beyond music. He has invested in various tech startups, such as Genius, the lyrics annotation website. This shows his interest in technology and his willingness to explore opportunities beyond the confines of the music industry.

Eminem’s brand and image have had a significant impact on hip-hop culture. His merchandise, style, and influence on the genre have led to partnerships with various companies, further solidifying his role as an influential entrepreneur in the hip-hop world.

Eminem’s entrepreneurship in hip-hop showcases his ability to leverage his artistic talents and brand to create successful ventures in various industries. His business decisions have not only contributed to his own success but have also played a role in shaping the broader landscape of hip-hop culture and entertainment.

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BENZINO Benzino, a name synonymous with the hip-hop industry, has not only left an

indelible mark as a rapper, producer, and reality TV star but has also carved a niche for himself in the world of entrepreneurship. With an innate business acumen, Benzino has ventured beyond the realm of music, successfully diversifying his portfolio through a range of ventures. We will explore Benzino’s entrepreneurial journey in more depth, shedding light on his notable achievements outside of the music industry.

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The Source Magazine: Benzino co-founded The Source magazine in 1988 along with David Mays. The magazine was initially intended to provide a platform for underground and independent hip-hop artists, as well as offer critical analysis of the hip-hop culture. It gained prominence in the 1990s as a reputable source for hip-hop news, album reviews, and interviews. However, over time, Benzino’s involvement led to accusations of bias, conflict of interest, and controversies surrounding the magazine’s credibility.

Hip-Hop Weekly Magazine: One of Benzino’s most significant entrepreneurial achievements is the establishment of Hip-Hop Weekly Magazine.

Launched in 2006, the magazine swiftly gained traction and emerged as a go-to source for the latest hip-hop news, exclusive celebrity interviews, and captivating lifestyle features. Under Benzino’s guidance, Hip-Hop Weekly became a prominent platform for artists and a trusted voice in the hip-hop community. His vision, coupled with unwavering dedication, played a pivotal role in the magazine’s success and its continued influence on the industry.

ZNO Retales: Benzino’s entrepreneurial prowess extends beyond music and media into the world of fashion. He founded ZNO Retales, a clothing line that offers urban-inspired apparel for both men and women. With a keen eye for design, Benzino ensures that ZNO Retales stands out in the crowded fashion landscape. The brand has gained recognition for its high-quality fabrics, unique aesthetics, and streetwear appeal. Benzino’s hands-on involvement in the brand’s creative direction has helped solidify its position as a sought-after clothing line within the urban fashion scene.

Benzino’s Crab Trap: In recent years, Benzino has diversified his business ventures by stepping into the culinary arena. He opened Benzino’s Crab Trap, a seafood restaurant that brings together his passion for food and his entrepreneurial spirit. Nestled in the heart of Atlanta, the restaurant offers a diverse menu featuring fresh seafood dishes and Benzino’s signature recipes. Benzino’s Crab Trap has rapidly become a popular dining destination, renowned for its inviting ambiance, gastronomic delights, and exceptional service. Benzino’s vision for the restaurant goes beyond providing a memorable dining experience; he aims to create a space where people can connect, unwind, and savor delicious cuisine.

Benzino’s entrepreneurial ventures showcase not only his diverse skill set but also his ability to excel in various industries outside of music. From Hip-Hop Weekly Magazine, which became an influential voice in the hip-hop community, to ZNO Retales, a fashion line that captures urban culture, and Benzino’s Crab Trap, a thriving seafood restaurant, his ventures exemplify his versatility and keen business acumen. As Benzino continues to explore new opportunities, he serves as an inspiration for aspiring entrepreneurs, underscoring the significance of passion, vision, and perseverance in achieving entrepreneurial success.

50 cent Curtis Jackson, known by his stage name “50 Cent,” has left an indelible mark not only on the hip-hop music scene but also in the world of entrepreneurship.

Rising from a tumultuous background to become one of the most influential figures in the entertainment industry, 50 Cent’s journey is a testament to his resilience, business acumen, and ability to leverage his brand to create a multifaceted empire. In this article, we will delve into 50 Cent’s entrepreneurial ventures within the hip-hop realm and beyond.

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Music Industry Success: 50 Cent’s journey to entrepreneurship began with his breakthrough in the music industry. His debut album “Get Rich or Die Tryin’” was a massive hit, catapulting him into the mainstream hip-hop scene. The album’s success not only established 50 Cent as a formidable rapper but also laid the foundation for his future business endeavors. His music became a vehicle for branding and building a loyal fan base, which he would later leverage for his entrepreneurial ventures.

G-Unit Records: Recognizing the power of his brand and artistic vision, 50 Cent founded G-Unit Records in 2003. The record label served as a platform not only for his own music but also for emerging artists within the hip-hop genre. Under G-Unit Records, acts like Lloyd Banks and Young Buck gained prominence, showcasing 50 Cent’s knack for identifying talent and cultivating success beyond his own performances.

Vitamin Water Deal: One of 50 Cent’s most iconic entrepreneurial moves came with his investment in Vitamin Water. In 2004, he partnered with the beverage company and created the “Formula 50” drink, which was not only a nod to his stage name but also a reflection of his branding prowess. When Coca-Cola acquired Vitamin Water for a reported $4.1 billion, 50 Cent’s minority stake in the company translated into a substantial financial windfall, showcasing his ability to leverage his influence for lucrative business deals.

Film and Television Ventures: Ventures Beyond music and beverages, 50 Cent ventured into the world of film and television production. He produced the hit TV series “Power,” which became a cultural phenomenon and demonstrated his versatility as a media mogul. The show’s success led to spin-offs, further cementing 50 Cent’s position as a creative force in entertainment. His ability to seamlessly transition from music to television underscores his entrepreneurial adaptability.

50 Cent’s business acumen extended to the realm of branded merchandise and endorsements. From clothing lines like “G-Unit Clothing” to partnerships with brands like Reebok, 50 Cent leveraged his persona and influence to create products that resonated with his fan base. This approach demonstrated his understanding of his audience’s preferences and his ability to diversify revenue streams. 50 Cent’s journey from a rising rapper to a multifaceted mogul exemplifies the power of combining artistic talent with entrepreneurial vision.

Through his music, record label, beverage deal, film and television ventures, branded merchandise, and endorsements, he has built an empire that transcends the boundaries of the hip-hop world. His ability to adapt, innovate, and seize opportunities has solidified his legacy as a true hip-hop entrepreneur.

Aspiring artists and businesspeople alike can draw inspiration from 50 Cent’s journey, emphasizing the importance of resilience, strategic thinking, and leveraging one’s brand for long-term success.

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NIPSEY HUSSLE Nipsey Hussle, whose real name was Ermias Joseph Asghedom, was a prolific rapper and entrepreneur. He was deeply involved in his community and had a strong interest in various business ventures beyond his music career. Unfortunately, Nipsey Hussle was tragically shot and killed in March 2019. Here are some of his notable entrepreneur ventures: 1.

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The Marathon Clothing Store: One of Nipsey Hussle’s most prominent ventures was the Marathon Clothing store, located in his hometown of Los Angeles. The store was part of his broader vision to promote his “Marathon” brand and encourage the idea of pursuing long-term goals, hence the name. The store offered a variety of streetwear and accessories, and it became a hub for the local communityVector 90: Nipsey was a co-founder of Vector 90, a co-working space and community center located in South Central Los Angeles.

Vector 90 aimed to provide resources, opportunities, and mentorship to underprivileged youth interested in entrepreneurship and technology.

STEM Advocacy: Nipsey Hussle was also involved in promoting science, technology, engineering, and mathematics (STEM) education in his community. He recognized the importance of these fields for the future and worked to inspire young people to pursue careers in STEM. Real Estate Development: Nipsey was known to invest in real estate projects in his community, with the goal of revitalizing the neighborhoods where he grew up. He aimed to create sustainable and positive change through property investments.

Music Label and Production Company: In addition to his own music career, Nipsey Hussle established All Money In, No Money Out, his own record label and production company. He used this platform to release his music independently and support other artists.

Smart Store Technology: Nipsey Hussle was also working on implementing smart store technology at The Marathon Clothing store. He envisioned using technology to enhance the shopping experience and engage customers in new and innovative ways.

Nipsey Hussle’s entrepreneurship was closely tied to his commitment to his community and his desire to create positive change through economic empowerment and education. His tragic passing was a loss not only to the music industry but also to the world of entrepreneurship and community development.

ice cube Ice Cube, a name synonymous with West Coast hip-hop, has transcended his role as a groundbreaking rapper and actor to establish himself as a multifaceted entrepreneur. Beyond his iconic contributions to the music and film industries, Ice Cube has ventured into various business endeavors, showcasing his strategic acumen and determination to leave an indelible mark as a true hustler. Ice Cube’s entrepreneurial ventures and highlight his achievements in building a diverse and successful business portfolio.

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Big3 Basketball League: Ice Cube co-founded the Big3 basketball league in 2017. The Big3 is a professional 3-on3 basketball league featuring retired NBA players. Ice Cube played a significant role in its creation and promotion.

Lench Mob Records: Ice Cube established Lench Mob Records in the early 1990s as an independent record label. He used the label to release his own music as well as albums by other artists.

Film and Television Production: Ice Cube has been involved in producing and acting in several films and TV shows. He has his own production company, Cube Vision, which has been responsible for producing movies such as the “Friday” series, “Barbershop” series, and “Are We There Yet?” series.

Cube Vision Fund: a venture capital initiative focused on investing in technology startups led by underrepresented entrepreneurs. This move exemplified his commitment to fostering innovation and inclusion within the tech sector, demonstrating his desire to make a lasting impact in multiple industries.

Ice Cube’s entrepreneurial journey is characterized not only by his business acumen but also by his dedication to social and economic empowerment. Through his ventures, he has aimed to uplift communities, amplify diverse voices, and challenge traditional norms. His efforts highlight the potential for celebrities and influencers to use their platforms to drive positive change and create opportunities for underrepresented groups.

Damon Dash Damon Dash is a music producer, and media personality known for his involvement in the hip-hop and entertainment industries. He co-founded Roc-A-Fella Records alongside Jay-Z and Kareem “Biggs” Burke, which played a significant role in shaping the music landscape in the late 1990s and early 2000s. Besides Roc-A-Fella Records, Damon Dash has been involved in various entrepreneurial ventures throughout his career.

Here are some notable ones:

5. Poppington: Poppington is a lifestyle brand founded by Damon Dash. It includes a clothing line, art gallery, and various creative projects. Poppington has aimed to encompass Dash’s diverse interests, from fashion to art and beyond.

6. Streaming Services and Media Ventures: In more recent years, Damon Dash has explored opportunities in streaming platforms and media. He launched Dame Dash Studios, which focused on producing and distributing original content. He’s expressed interest in the democratization of media and creating alternatives to traditional distribution channels.

1. Rocawear: Rocawear Damon Dash, along with Jay-Z, co-founded Rocawear in 1999, a streetwear clothing brand that became very popular in the early 2000s. The brand expanded to include clothing lines for men, women, and children, as well as accessories. Rocawear’s success contributed to Dash’s reputation as a savvy entrepreneur.

2. Roc-A-Fella Films and Dash Films: Damon Dash ventured into film production through Roc-A-Fella Films and later his own company, Dash Films.

One of his notable productions is “State Property,” a crime drama film released in 2002 and the cult classic “Paid in Full”. He also worked on other projects, although his success in the film industry was more modest compared to his music ventures.

3. Dame Dash Music Group: After Roc-A-Fella Records split, Damon Dash founded Dame Dash Music Group. However, this venture didn’t achieve the same level of success as Roc-A-Fella Records, and Dash faced financial challenges.

4. DD172: DD172 was a creative collective and gallery space that Dash founded in 2010. It served as a platform for artists, musicians, and creatives to collaborate and showcase their work. It included an art gallery, music studio, and a hub for various artistic endeavors.

It’s worth noting that Damon Dash’s entrepreneurial journey has been marked by both successes and challenges. He was a key figure in Roc-A-Fella Records’ success, but his business relationships with partners, including Jay-Z, eventually faced strains, leading to legal disputes and the eventual dissolution of some ventures. Additionally, financial difficulties and legal issues have at times impacted his ability to sustain his various ventures.

Master p Percy Miller, better known as Master P, is a highly successful hustler and hip-hop artist. He is known for his numerous entrepreneurial ventures across various industries. Here are some of his notable ventures: 1. No Limit Records: Master P’s most significant success comes from his record label, No Limit Records. He founded it in the early 1990s and turned it into one of the most successful independent hip-hop labels of all time. No Limit Records was known for its unique business model that prioritized ownership and distribution control. The label released albums from Master P himself, as well as other notable artists like Snoop Dogg, Mystikal, and C-Murder.

2. Music Production: In addition to No Limit Records, Master P was also heavily involved in music production. He produced beats and tracks for many of his label’s artists, contributing to the distinctive sound of No Limit Records.

3. Clothing Line: Line: Master P launched a clothing line called “P. Miller Designs” that included urban fashion and athletic wear. The clothing line reflected his personal style and resonated with his fan base.

4. Film and Television: Master P expanded into the film and television industry. He acted in and produced several movies, including “I Got the Hook-Up” and “Foolish.” He also had a reality TV show called “Master P’s Family Empire,” which gave viewers a glimpse into his life and business endeavors.

5. Sports Management: Master P ventured into sports management by signing Ricky Williams, a former NFL player, and negotiating his contracts. He also expressed interest in buying an NBA team and has been involved in various basketball-related activities.

6. Food and Beverages: Master P launched his own line of food and beverages, including Rap Snacks (potato chips featuring packaging with images of popular hiphop artists) and Uncle P’s Louisiana Seasoned Rice.

7. Book Publishing: He authored a book titled “Guaranteed Success When You Never Give Up,” which shared his insights on entrepreneurship and success.

Overall, Master P’s success as an entrepreneur comes from his ability to diversify his ventures while leveraging his personal brand and influence in the hip-hop community. He’s known for his determination, business acumen, and willingness to take risks in various industries.

POLITICS A Diverging Paths: Understanding the Nuances of Black Political Ideology in America.

AS USUAL The Drug Act of 1986: Unintended Consequences and its Impact on Urban America

Diverging Paths: Understanding the Nuances of Black Political Ideology in America

By Hector Richardson

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n the colorful tapestry of American politics, the voices of Black Americans resonate with a rich diversity of opinions and ideas.

While their racial identity unites them, their political affiliations and beliefs often span a wide spectrum. In this article, we delve into the contrasting worldviews of Black liberals and Black conservatives in the United States, shedding light on the differences that make up this intricate mosaic.

Political Affiliation: A Partisan Divide

Social Issues: Where Beliefs Collide

Black Liberals: For many Black liberals, the Democratic Party provides a home for their political ideals. They advocate for robust government intervention in various facets of society, championing policies that address income inequality, healthcare access, and social welfare. Progressive taxation, safety nets, and affirmative action are key pillars of their platform.

Black Liberals: Black liberals tend to embrace progressive stances on social issues. They stand in favor of LGBTQ+ rights, women’s reproductive rights, and stringent gun control measures. Advocating for criminal justice reform and police reform is a common thread among them.

Black Conservatives: On the other side of the aisle, Black conservatives more frequently align with the Republican Party. They lean towards limited government involvement, lower taxes, and the free market as engines of economic growth.

In their worldview, individual responsibility reigns supreme, and they often call for less government interference in the economy.

Black Conservatives: In contrast, Black conservatives often espouse more traditional or conservative views on social matters. Some may resist same-sex marriage, support restrictions on abortion rights, and argue for gun rights with vigor. It’s important to note, however, that diversity exists within this group, and not all Black conservatives share these positions.

Economic Policy: A Fundamental Divide

Education: Bridging the Opportunity Gap

Black Liberals: Economic policies favored

by Black liberals seek to address income inequality and provide economic aid to marginalized communities. They advocate for progressive taxation, a higher minimum wage, and increased government spending on social programs.

Black Liberals: Black liberals frequently endorse

Black Conservatives: Black conservatives are champions of free-market principles and deregulation, asserting that economic growth and job creation thrive in market-driven environments.

They emphasize that excessive government intervention stifles economic prosperity.

Civil Rights: Perspectives on Progress Black Liberals: The Black liberal perspective often accentuates the significance of civil rights legislation, affirmative action, and systemic racism mitigation policies.

Black Conservatives: Black conservatives may contend that affirmative action perpetuates racial disparities and advocate for color-blind policies that treat all individuals equally under the law.

increased funding for public education and may push for affirmative action policies in higher education to rectify historical disparities.

Black Conservatives: Conversely, Black conservatives may lean towards school choice and voucher programs, believing they empower parents with choices and can lead to improved educational outcomes.

Religion: A Spectrum of Belief Black Liberals: Religious diversity exists within the Black liberal community, with many accepting secularism and religious pluralism.

Black Conservatives: Many Black conservatives are deeply religious, incorporating faith-based values into their political and social views.

It’s essential to recognize that while these distinctions between Black liberals and Black conservatives provide a broad overview of their differing perspectives, individuals within each group exhibit a spectrum of opinions. Moreover, the Black community, like any other, is not monolithic, and its members hold a multitude of beliefs and ideologies. As we continue to engage in political discourse, it’s crucial to appreciate the complexities of these viewpoints that make up the tapestry of Black political thought in America.

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By Hector Richardson

he Drug Act of 1986, officially known as the Anti-Drug Abuse Act of 1986, was a significant piece of legislation in the United States aimed at combating the rising tide of drug abuse and related crimes.

This comprehensive law ushered in a new era of drug policy, with the intent of addressing the drug epidemic that had swept through American cities. However, as time has shown, the Act had both intended and unintended consequences, particularly in urban America.

In this article, we will explore the Drug Act of 1986 and its impact on urban communities.

The act’s provisions, including as the mandatory minimum sentences and the confiscation of property after being convicted, have a much greater impact on the African American community than on other groups of people. In the United States, actions taken to combat the “drug problem” led to the establishment of official tools for systemic racism. The ADAA ushered in a period of mass imprisonment that targets African Americans in the United States. Even though statistics from the 2012 National Survey on Drug Use and Health reveals that 55% of crack users are really white, the NAACP claimed that in 2002, over 80% of persons convicted under the drug laws were black and served “substantially more time in prison” than white people.

Len Bias’s death, a well-known NBA player, had unintendBeyond the initial jail time, this rise in prison sentences has repered repercussions that encouraged inequalities of race in cussions. According to Title I Subtitle D of the Anti Drug Abuse Act the US. During a moment of political unrest, the Demoof 1986, landlords can reject to rent to a tenant based on a felony crats publicly announced a new campaign to combat the drug conviction, and in the event of an arrest, Congress may be able “drug problem” in the US in order to acquire electoral to confiscate assets which is “no longer on hand or accessible,” advantage for the following election. The Anti-Drug such as a person’s bank account [Drug Policy Alliance]. Although Abuse Act of 1986 is the strategy in question. The Anti this clause was included to prevent crime, it actually simply serves Drug Abuse Act’s (ADAA) stated goal of keeping citizens to raise recidivism rates [Fried]. People are returned to society with from being exposed to dangerous substances may appear a criminal record and little hope for a brighter future, which is less asymptomatic, but the way the act was crafted and than what they had before. implemented raises suspicions that racial prejudice was a concealed goal.

The Drug Act of 1986: An Overview The Drug Act of 1986 was a bipartisan response to the growing concern over drug abuse and its associated societal ills, such as violence and crime. President Ronald Reagan signed the Act into law on October 27, 1986, ushering in a wave of changes to the nation’s drug policies. The Act had several key components: Unintended Consequences in Urban America While the Drug Act of 1986 was intended to curb drug abuse and related crimes, its impact on urban America was complex and, in many ways, detrimental: 1.

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Mandatory Minimum Sentences: One of the most significant aspects of the Act was the introduction of mandatory minimum sentences for drug offenses. This meant that individuals convicted of certain drug-related crimes, particularly those involving crack cocaine, faced lengthy prison terms, often without the possibility of parole.

Disparate Sentencing for Crack Cocaine: The Act also established a notorious 100-to-1 sentencing disparity between crack cocaine and powder cocaine offenses. This meant that possessing just five grams of crack cocaine carried the same mandatory minimum sentence as 500 grams of powder cocaine, disproportionately impacting African American communities.

Increased Funding for Law Enforcement: The Act allocated substantial funding for law enforcement agencies to combat drug-related crimes. While this was intended to enhance public safety, it also led to a militarization of police forces, particularly in urban areas.

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Mass Incarceration: The implementation of mandatory minimum sentences led to a significant increase in the U.S. prison population. This had a disproportionate impact on urban communities, as African Americans and Hispanics were more likely to be arrested, convicted, and sentenced to long prison terms for drug offenses.

Racial Disparities: The 100-to-1 sentencing disparity between crack and powder cocaine offenses had a devastating impact on minority communities, particularly African Americans. This contributed to the already alarming racial disparities within the criminal justice system.

Breakdown of Communities: The harsh sentencing policies and aggressive law enforcement efforts eroded trust between law enforcement and urban communities. This strained relationship hindered community policing efforts and led to a breakdown in the social fabric of many neighborhoods.

Continued Drug Epidemic: Despite the tough sentencing policies, the Drug Act of 1986 did not effectively curb drug abuse. Instead, it led to a cycle of incarceration and recidivism without addressing the root causes of addiction.

The Drug Act of 1986 was a well-intentioned but flawed response to the drug epidemic in the United States.

While it sought to address drug abuse and related crimes, its impact on urban America was marked by mass incarceration, racial disparities, a breakdown of trust, and a failure to effectively address the underlying issues of addiction. In recent years, there has been a growing recognition of the need for criminal justice reform and a more compassionate approach to drug policy, aiming to rectify some of the unintended consequences of this legislation.

It is clear that the lessons learned from the Drug Act of 1986 continue to shape the discourse on drug policy in the United States today.

HIGH FASHION

Best Streetwear Brands to wear 2023

By Kalimah Richardson

Streetwear is a phrase used in the world of fashion to denote non-designer clothing that was worn regularly on, you guessed it, the streets. It was mostly focused on metropolitan locations around the United States and skateboarding culture, notably in California.

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he way collections and highly sought-after grails were produced, however, is where streetwear’s magic lies. Because there were such little amounts created, demand and, as a result, buzz around each drop were sparked. Wearing anything communicated to those in the know that you succeeded in obtaining a prize that many of your peers also sought. A brand like Supreme has become a billion-dollar business thanks to this technique.

Today, a high-end corporation may produce streetwear. Hell, Supreme is now a multi-national luxury company. Whatever the cost, it has come to define a feel and aesthetic. For example: Leather goods and streetwear tailoring are currently trends.

Additionally, it is not limited to the United States; companies that receive the same kind of attention and respect can also be found in Japan and Eastern Europe. Before continuing, it is important to reiterate that streetwear is a force unto itself. In addition, despite several predictions of the style’s demise from critics, it has continued to advance every year, much like those lines along Spring Street. All the key players are listed below for all time to know.

A BATHING APE Some of our favorite fellas, like Pharrell, Drake, and Robin Williams (yep, that one), have expressed a deep love for A Bathing Ape. However, they refer to it as Bape and are aware that the Japanese label has constantly provided the sexiest, trendiest, and most striking designs since 1993. Its pink camouflage t-shirts and Bapesta shoes, a less-than-subtle take on the Air Foce 1, are always top sellers.

AIMÉ LEON DORE Teddy Santis, a Queens native, founded Aimé Leon Dore in 2014. Since then, the label has had success after success and, yup, more success. No company does sophisticated streetwear quite like ALD: Santis filters his unique take on throwback style via incredibly precise cultural touchstones that somehow always appear like something new, infusing each collection with a vintage nostalgia that continually feels fresh.

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SUPREME What else is there to say about Supreme, the modest skate brand James Jebbia established in 1994 that was valued at $1 billion a few years ago, completely altering how the fashion business functions in the process? It has essentially been Supreme’s universe ever since the company launched its storied store on Lafayette Street (RIP). We are all only residing there. Supreme of New York has woven themselves into the long tradition of streetwear. One of the brands that boosted street style in high-end apparel is Supreme, which has collaborated with Rolex and Louis Vuitton. The American apparel and skateboarding brand has been seen on the backs of ballers and fash packs worldwide. The company has established itself as one of the most recognizable streetwear labels ever. Supreme releases a small selection of brand-new things weekly, reinventing the supply and demand cycle. So you know you can always change your outfit with a new interpretation of the classic red and white emblem.

OFFWHITE After its launch by the late Virgil Abloh, the artistic director of Louis Vuitton, Off-White has been creating waves on the runways and streets of haute couture. Off-White is almost entirely to blame for streetwear’s invasion of the luxury market and is just as likely to be spotted gracing the Paris Fashion Week runways as it is to be riding hype animals.

Before starting his own label in 2013, Abloh had experience working with artists like Kanye West and Fendi. His fusion of culture and couture gave rise to a company noted for its cutting-edge designs, progressive thinking, striking patterns, and fascinating partnerships. Off-White, although being a relative newcomer to the street-style world, has unquestionably earned its legendary reputation.

NON CLOTHING Non, a company located in London, sells mindful selvedge denim in understated all-gender shapes. Their emphasis is on loose, large fits, but what distinguishes them is their dedication to sustainability. To further reduce their environmental effect, the business exclusively works with ecologically friendly manufacturing companies and only employs recycled or organic products. They do not forgo style or quality in their pursuit of ecologically friendly streetwear fashion.

Every article of apparel is made with a contemporary, simplistic style, resulting in something ideal for any mindful fashion enthusiast.

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WTAPS As lethal as it gets is WTAPS. The military word for a fatal shot, “double taps,” is how the Japanese brand is pronounced.

Additionally, the brand’s designs are heavily influenced by the military: plenty of army green shirts and cargo trousers, all with a streetwise edge.

OSCAR DEEN A partnership between two close friends led to the creation of Oscar Deen, which aims to update time-honored classics for the current era. They comb the streets of Europe for vintage frames that may be transformed into something entirely new, fusing their passions for fashion and design. Each pair of OD sunglasses produces a modern yet classic aesthetic by drawing influence from dust-covered diamonds!

PALACE The entertaining irreverent label that Lev Tanju founded in 2009 rapidly became known as Supreme’s spiritual successor (the brand’s American retailers were among Palace’s first stockists domestically), yet it offers a uniquely British perspective on skate culture. At this moment, one of the most iconic cool-kid symbols out there is Palace’s ubiquitous tri-ferg logo.

STUSSY Stüssy, regarded as the first streetwear brand, started off in 1980 as a tiny manufacturer of graphic t-shirts. After his t-shirts created a lot of hype, Shawn Stussy extended his brand to include surf and skate clothing.

The California-born company has evolved into a streetwear juggernaut POLO SPORT after more than 40 years. The brand, which is well-known for its original Ralph Lauren launched the Polo and striking designs, is still going strong. James Jebbia got his start at Sport collection in 1991, drawing the company’s NYC shop before starting his own, but no discussion of inspiration from old photographs of the modern streetwear industry would be complete without mentioning Stüssy, the original brand Shawn Stussy founded in the 1980s on the track and field competitors. It had a West Coast. Despite the fact that Stussy, the person, is no longer asso- wide variety of vivid fits with sports designs and motifs, and street culciated with Stüssy, the brand, its products, especially its collection of ture quickly embraced it. Images like camp-collar shirts, continuously smack. the P-wing logo have earned their own status as iconic.

Fear Of God Despite being a company that is relatively fresh, Fear of God has completely taken over LA. Jerry Lorenzo founded the company in 2013, and celebrities like Justin Bieber are fans. It is most known for its uncomplicated tracksuit bottoms and hoodies, which are simple and fashionable options for men and boys of all ages. “When we started the collection, the intention was to chase perpetuity, timelessness, sophistication and elegance. As the collection developed, more and more it just felt eternal,” said Fear of God founder/creative director Jerry Lorenzo. “The collection didn’t feel like a number or a season, it felt like something that could live forever, so everything that was considered in this offering was designed with those guardrails.”

A-Cold-Wall A-Cold-Wall was started by Central Saint Martins alumnus and the late Virgil Abloh’s protege Samuel Ross. Ross drew inspiration from the streets of his native Britain while creating A-Cold-Wall. The designer has established himself as one of the top figures in British fashion with T-shirts, shoes, and accessories. Converse and Doc Martens are two of its most recent partners.

ALLSAINTS One of the top British shops, AllSaints has locations all over the world. Its origins may be traced back to Carnaby Street, one of London’s most important fashion districts, where it was founded in the 1990s. It specializes on items influenced by runway fashion and sells both men’s and women’s clothing. You can look the part and always be in style with timeless pieces like leather jackets and plain T-shirts.

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Cariuma

Leading the way in fashionable, cozy shoes that look beautiful and protect the environment is Cariuma. was established by David and Fernando with the intention of producing eco-friendly shoes without sacrificing design or comfort, something that was lacking from well-known sneaker manufacturers. These ethical trainers will help you stay ahead of the curve as you discover new streetwear trends with a variety of shoe shapes & colors.

Amiri Grunge and streetwear are infused by Amiri to produce a distinctive take on the wellliked look. The Californian attitude of the designer, who draws influence from 1990s street culture, gives it a contemporary twist that today’s fashion enthusiasts like.

Ksubi The beginning of Ksubi may be traced to Sydney’s northern beaches in the late ‘90s. This brand has become one of the most well-known names in Australia and the rest of the globe. It was inspired by the Y2K era’s street culture. It continues to be a hip and fashionable brand for fans of streetwear thanks to its unique denim line and skate culture-inspired clothing.

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