Hans kalliwoda portfolio 2015 by Helder Mendes

Hans Kalliwoda Portfolio

Index Bio Artworks Intervention artworks Publications in press Art installations Participatory paintings Publications in press Installation images Sculptures Etchings/screenprints on paper Paintings (above include images of presentations in musea and galleries) Publishing CV Patrons on projects Sponsors Hans Kalliwoda PhD.c / researcher at the University of Leiden/KABK pobox 1136 NL - 1000 BC Amsterdam atelier Nieuwe Teertuinen 17 NL - 1013LV Amsterdam e-mail hans@blindpainters.org ďŹ x 020 4194949 mob 06 55356343 http://www.phdarts.eu/DoctoralStudents/HansKalliwoda http://www.blindpainters.org/ http://www.worldinashell.net Hans Kalliwoda - Portfolio

Bio Hans Kalliwoda Hans Kalliwoda's work has since the mid 80's focused on the integration of the spectators into his art works, installations and interventions. His potent mixture of aesthetic and conceptual work has over the years been exhibited in numerous Galleries, Musea and public spaces around the world. His latest project the World in a Shell - polliniferous project (WiaS) is also a highly personal accomplishment, in which Kalliwoda continues decades-long tradition of travel and exchange. Much has happened since he ﬁrst bicycled across Africa in 1984. His participatory painting he sold to a blind lady at a gallery showing, 'The mobile artist and his drive-in residence' and 'Living in a shoebox in the middle of the road' installations, the 'European-art-train project' showing on 23 European railway stations. Also, his intervention projects that stimulated Delft University for Technology new paradigms and programs revealing the thrill of exchange and always invites people into his art. Indeed, his WiaS turns conventional notions of visitor-and-host on its head as he offers hospitality to those who ﬁnd his extraordinary vehicle - a sort of Earth-bound spaceship - in their back yard. In the framework of autonomy and mobility he plays the guinea pig of his own experiments. New ambiguous ventures with the San (Bushmen) and the Inuit people will bring a new facet of his work to life. As he creates low threshold situations, aiming the works to be accessible to a truly broad audience, these distant cultures are ready to receive him and offered to host his projects. Thanks to his curatorial experiences, he also invents and tests innovative mediation formats that lead us to experience new models of exhibition making that are relevant to our time. He describes WiaS as being a dream-box where visitors start to fantasise and discover the treasures he creates and collects. With his interactive art and symbiotic adventures, Kalliwoda brings romanticism and utopia into the reality of the here and now. In 1995 Kalliwoda decided to turn his back to the commercial art market, co-funded the Blindpainters Foundation and since created independent projects. Currently he is a PhDArts candidate and researcher at the University of Leiden, the Netherlands. Hans Kalliwoda - Portfolio

‘Good art inspires, brilliant art brings about changes’ Hans Kalliwoda ‘In business life they (Hans) are called product-champions. People who are appointed to get something difﬁcult done in a large cooperation, and they go all the way to get it right. I like his attitude and the project is technologically very interesting, also for me’. Ir Theo Wolters Director Fabrique Invent, Delft

‘Hans helped a lot to create a Delft (University for Technology) where we have now projects through different faculties, where not science is the only thing that counts or research output, or education, but where working together between faculties for society is the main goal. ...Thank you very much for what you did for Delft’. Prof. Dr. Ir Han Brezet Head of Sustainability Department Delft University for Technology 2

Polliniferous - PhD research Hans Kalliwoda The polliniferous project is an investigation into the essential building blocks for a sustainable ‘lifestyle’ in the 21-century. It considers diverse sources of knowledge fields and questions how these findings might be compiled and enacted in order to effectively engage in discourses surrounding impending global, ecological and systemic crises. One potential way to respond to these challenges is found in actively researching two related phenomena that present a case of non-sustainability and self-destruction through monoculture in a human and agricultural sense: the Colony Collapse Disorder (CCD) within honeybee populations; and an epidemic of suicide within indigenous groups like the San and Inuit, whose languages lack the term ‘suicide’. The underlying reason to link the two phenomena is that they are both valuable examples of a sustainable lifestyle proven in historical terms, however the existence of both populations has come under pressure of advancing monocultures to which they seemingly have no natural remedy. Polliniferous [poliniferus] adj., derives from the biological sciences, meaning bearing or yielding of pollen and adapted for carrying pollen. It is here that we find a metaphor for the artist as an agent for the dissemination of ideas between separate cultural and specialist foci. Just as the survival of the organic ecosystem is predicated on the spread of pollen so too, that of human civilization is dependent on cross-pollination between the conceptions and practices of Indigenous cultures and those of industrialized, urbancentric culture. Both of these cultures are in a state of collapse, the former at the hands of the latter, and the latter from apparent unsustainability.

Hans Kalliwoda - Portfolio

‘I was inspired by the concept of the project as a whole, because it is not only about technology and innovation but also about the mixture of different disciplines and cultures and by the travelling around with the container and realize projects on different locations. So you can say he is designing a micro-cosmos for a better world from the environmental point of view as well as the intermingling of different cultures and people’. Ir Gabriëlle Muris Advisor to the Delft University for technology Board of Directors

The World in a Shell (WiaS) 2000-2010 Description the World in a Shell is a walk in sculpture. It was developed as part of an intervention project at the Delft University for Technology in a four-year time period. The manufacturing processes were posing a challenge to many sophisticated and progressive engineering companies and manufacturers in The Netherlands and Germany. The installation is mobile, adaptive, off the grid and draws on renewable natural energy to power and facilitate the modular interior and infrastructure. An estimated 50 men-years of labour and 75 grants and sponsors have been contributing.

Intervention art Artwork details 3d, mixed media, utilising supreme materials only. Freestanding structure, on exhibition - 17.5 x 10 x 10 m WiaS can open to expand the usable surface area. Packaged 6 x 2.5 x 2.5 m, based on 20-foot ISO shipping container. Multifunctional and ďŹ&#x201A;exible interior, UNESCO patronage Manufacturing value: 1.3 ml euro Website: http://www.worldinashell.net

Image: Exhibition location Amsterdam/Westerpark / Photography: Michi Meier, courtesy of Blindpainters Foundation Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 3 mil. (with conditions) 4

World in a Shell intervention

Articles in the press

Articles: ID Magazine New York / Parool, Dutch Newspaper Hans Kalliwoda - Portfolio

Europartrain 1995-2000 Description What happens if artists from different cultures work together on a theme ‘territory’ during two weeks? What happens if artists with a different background, language, ideology and discipline install one large space? What happens if this space grows in every country? Which borders can art possibly cross in a time zone that is dominated by a uniting or even a globalizing Europe? Let’s put a laboratory on rails and let it roll in an environment where ﬂexibility, tolerance and respect towards any cultural difference is the key to its growth; society’s fundamental fear for change included.

Intervention art Artwork details Flux performance, mixed media installation A travelling train crossing Europe with location art performances, exhibitions and other activities on railway stations. Train dynamically expending by one wagon in every country. 23 train stations between Thessaloniki and Amsterdam. Art ﬁlm, publishing of six books Project value: € 4 mil. http://www.blindpainters.org/europartrain

Image: Exhibition location Amsterdam / Photography: Sasha Andjic courtesy of Blindpainters Foundation Hans Kalliwoda - Portfolio

Selling price: not for sell 6

Europartrain interventions

Articles in the press

Articles: Kunstbeeld / Dutch Art magazine and Canadian Daily / Weekend Post ARTS Hans Kalliwoda - Portfolio

Underground in Amsterdam 1995 Description Intervention with pole-drivers at diverse building sites to create pieces of art by using pole-drivers equipment for printing. The actions have been ďŹ lmed and photographed. The captured images are in combination part of the artworks that are presented in an installation format.

Intervention art Artwork details Flux performances, mixed media installation, ďŹ lm, photography

Image: Pole driver in action / Photography: Rodney Sinclair courtesy of Blindpainters Foundation Hans Kalliwoda - Portfolio

Selling price: negotiable 8

Underground in Amsterdam, 1997 Description Suspended (alarm clock) prints from the ceiling in-between suspended wooden logs to visualise the interventions with pole-drivers. Photographs of pole drivers in the back of the prints. Sound and motion pictures as loop projected on the wall.

Image: installation view at DeLeon White Gallery, Toronto, CA / Photography: Hans Kalliwoda Hans Kalliwoda - Portfolio

Art installation Artwork details Mixed media installation, art ďŹ lm, variable size

Selling price: negotiable 9

Underground in Amsterdam 1995

Intervention art Artwork details Size: 35 cm Ă&#x2DC; / two sided Creation place and date: Cape Town, April 1988 Materials: tin alarm clock print on stainless steel plate, varnish photograph Mounting system: raw bolts, suspended from the ceiling

Images: Alam clock prints / Photography: Hans Kalliwoda Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 2500 per piece 10

Only 52 Shopping days left before Xmas, ...rush, 1995 Description Installation work to critique the consumption society

Image: installation view at Eelswoud, Haarlem, NL / Photography: Hans Kalliwoda Hans Kalliwoda - Portfolio

Art installation Artwork details Size: 3m x 3m x 3m Creation place and date: Haarlem, November 1995 Materials: Wood, wrapping paper, rope and synthetic cloth

Selling price: not for sell 11

Calimero, l love you, 1995 Description Installation work at the Museum for Fine Art, Oostend, Belgium

Art installation Artwork details Diverse materials, oil on canvas, mirror, motor, stuffed chicken, eggs

Image: installation view at Museum voor de schoonen Kunsten, Oostend, Belgium / Photography: Hans Kalliwoda Hans Kalliwoda - Portfolio

Selling price: various 12

Beam me up, Scotty Description

Installations Artwork details Size: 3.50 m x 70 cm x 50 cm Creation place and date: Haarlem, 1994 Materials: human placentas, various materials

Images: installation view at De Vleeshal, Haarlem, NL / Photography: Alexandra Dementieva, Brussels Hans Kalliwoda - Portfolio

Selling price: negotiable 13

Living in a shoebox in the middle of the road, 1992 Description Image as starting point and for invitations to the exhibition

Art installation Artwork details Diverse materials

Image: Photo image for the installation at Langenberg Gallery, Amsterdam, NL / Photography: Rodney Sinclair Hans Kalliwoda - Portfolio

Selling price: not for sell 14

Living in a shoebox in the middle of the road, 1992 Description Interactive installation, spectators need to climb over the ladder to access and view the â&#x20AC;&#x2DC;25 hours a dayâ&#x20AC;&#x2122; paintings in the shoebox.

Art installations Artwork details Diverse materials

Image: Photos from the installation at Langenberg Gallery, Amsterdam, NL / Photography: Rodney Sinclair Hans Kalliwoda - Portfolio

Selling price: not for sell 15

In suspension, 1989 Description: hanging in mid air, suspended in time ... between spring and fall in a state of eternal summer ... between cradle and grave, forever young ... a seat-swing holds us in the realm of possibility. The floating painting of endless vacations ... the tire-swing of knock-kneed childhood ... the flying carpet of Oriental fantasies ... all allow us to play the armchair voyager ... dreaming of faraway destinations while being supported by the familiar security of a seat ... feet swinging free, cut loose from the pull of

Image: Malibu, Los Angeles, USA / Photography: Tracey Derrick Hans Kalliwoda - Portfolio

Participatory paintings gravity and other earthly cares ... in a painting that radiates the energies and spirits of past creative moments ... surrounded by fabric and rope we sit aloft, floating on air, surreally ... a pause made manifest. Artwork details: Canvas +/- 2.20 x 1.5 m / 4.5 m in mounted situation Materials: acrylic screen print on both sides of a heavy cotton canvas Handmade mounting structures included

Selling price: â&#x201A;Ź 7000 - â&#x201A;Ź 15000 16

Sunny side up, 1992 Description: Installation at the Open Haven Museum, Amsterdam. The ďŹ ve years Kalliwoda spent in Africa are evident in this works. He overlays a formal design structure above simpler intuitive images drawn from African tribal or ancient cultures and enriches it with a modern sensibility. Both sides of the canvas are separately painted completing a story and ďŹ nally framed with a rope like structure. The artworks go beyond touching ones visual senses as one ought to submerge in it and becomes one with the painting. Wall mounting of leather, wood and

Art installation steel allow the artworks to be easily installed in any room of the house. Artwork details: diverse materials

Images: installation view at the Open Haven Museum, Amsterdam, NL / Photography: Tom Ras Hans Kalliwoda - Portfolio

Selling price: various 17

Recycling the jungle

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, April 1988 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Recycling the jungle, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 15000 18

Love of circular motion

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, July 1988 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Love of circular motion, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 12000 19

Roadblock in Sokobe

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, February 1988 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Roadblock in Sokobe, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 13500 20

Mirage = (seasick camel)2

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, March 1988 Technique: acrylic screen print / air brush on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Mirage = (seasick camel)2, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 11000 21

Storm

Participatory paintings Artwork details Size: 2.40 m x 1.80 m / two sided Overall length: +/- 5.20 m Creation place and date: Cape Town, February 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Storm, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 8000 22

If Mohammed doesn’t settle with the ants, the ants will settle with Mohammed

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, November 1987 Materials: acrylic screen print / air brush on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: If Mohammed doesn’t settle with the ants, the ants will settle with Mohammed, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: € 12500 23

Distorted view

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, November 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Distorted view, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 9000 24

African enlightenment

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, October 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: African enlightenment, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 12000 25

Neptune takes care

Participatory paintings Artwork details Size: 2.10 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, April 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Neptune takes care, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 8000 26

San narratives

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, November 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: San narratives, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 13000 27

Child grows up

Participatory paintings Artwork details Size: 1.80 m x 1.20 m / two sided Overall length: +/- 3.70 m Creation place and date: Cape Town, November 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Child grows up, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 7000 28

Timeâ&#x20AC;&#x2122;s gone out

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, June 1988 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Timeâ&#x20AC;&#x2122;s gone out, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: 11000 29

Steve roadrunner

Images: Steve roadrunner, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 13000 30

Snake in the box

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, September 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Snake in the box, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 12500 31

Sybil and the snake

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, July 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Sybil and the snake, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 13000 32

Rat race

Images: Rat race, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 6000 33

New year

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, September 1986 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: New year, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 10500 34

Sybil and the snake

Images: Sybil and the snake, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 9000 35

Balloons v/s saucers

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, December 1987 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Balloons v/s saucers, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 10500 36

Just hang on

Participatory paintings Artwork details Size: 2.20 m x 1.50 m / two sided Overall length: +/- 4.50 m Creation place and date: Cape Town, May 1988 Materials: acrylic screen print on both sides of a heavy cotton canvas Limited edition of: seven Frame: custom prepared rope and binding Mounting system: raw bolts, leather, wood and steel

Images: Just hang on, side A and side B / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 13000 37

Performative opening, Sunny Side Up, 1992 Description Performative action for the opening at the Open Haven Museum, Amsterdam, by cutting a painting and make way to get into the installation.

Art installations Artwork details Diverse materials Mounting structures tested breaking point 3500 Newton. Depending on wall composition in swinging situation reliable for +/- 150 kg.

Images: installation view at the Open Haven Museum, Amsterdam, NL / Photography: Anneke Peereboom and Mounting system / Photography:Tracey Derrick Hans Kalliwoda - Portfolio

Sheer Galley London, 1990/1 Description Installation view at the Sheer Gallery, London

Art installation Artwork details Diverse materials

Images: installation view at Sheer Galley, Tobacco Docks, Docklands, , London, UK / Photography: Hans Kalliwoda Hans Kalliwoda - Portfolio

Selling price: various 39

Participatory paintings installations

Articles: House and Garden and New York Magazine Hans Kalliwoda - Portfolio

Articles in the press

American collectors (selection): Mrs. Walter (Josephine) B. Ford II, Detroit / Robin Douglas Leach, NY 40

Participatory paintings installations

Articles in the press

Article: Next, Italian Art Magazine / English section Hans Kalliwoda - Portfolio

Miami airport palm

Sculptures Artwork details Size: 60 cm x 60 cm x 35 cm Creation place and date: Cape Town/London, 1990 Materials: Bronze on copper Mounting system: raw bolt

Images: Miami airport Palm 1 (Bronze) / Photography: Denis G. Tatoo, Nice, France / Hans Kalliwoda Hans Kalliwoda - Portfolio

Selling price: sold 42

Miami airport palm

Sculptures Artwork details Size: 65 cm x 65 cm x 50 cm Creation place and date: Cape Town/London, 1990 Materials: bronze, stainless steel and copper on marble

Images: Miami airport palm 2 (Bronze) / Photography: Denis G. Tatoo, Nice, France Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 18000 43

Miami airport palm

Sculptures Artwork details Size: 3.30 m x 2.50 m x 2.20 m Creation place and date: Cape Town/London, 1990 Materials: Stainless steel Mounting system: raw bolts

Images: Miami airport palm 1 (Stainless steel) / Photography: Tom Ras Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 55000 44

Inner journey

Sculptures Artwork details Size: 60 cm x 50 cm x 20 cm Creation place and date: Amsterdam, 1995 Materials: suitcase, polystyrene, map, motor Mounting system: hanging from the ceiling

Image: Inner journey / Photography: Rodney Sinclair Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 5000 45

Works in 4D

Screen prints / etchings Artwork details Size: 3.30 m x 2.50 m x 2.20 m Creation place and date: Cape Town/San Francisco, 1990 Materials: etching and screen print on paper Limited edition of: sixty Frame: custom framed or unframed

Images: Works in 4D / Photography: Tom Ras / Rodney Sinclair Hans Kalliwoda - Portfolio

Selling price without frame: â&#x201A;Ź 2500 46

Die Axt im Bild erspart den Bildhauer

Paintings Artwork details Size: 120 cm x 85 cm x 50 cm Creation place and date: Amsterdam, 1991 Materials: oil on canvas, metal and wood Unframed

Images: Die Axt im Bild erspart den Bildhauer / Photography: Rodney Sinclair, Amsterdam Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 85000 47

Sense unique

Paintings Artwork details Size: 2.20 m x 2.20 m x 35 cm Creation place and date: Amsterdam, 1993 Materials: oil, stones, sand and wooden ladder on canvas Frame: special designed and crafted wooden frame Mounting system: raw bolts

Images: Sense unique / Photography: Denis G. Tatoo, Nice, France / Hans Kalliwoda Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 25000 48

Untitled

Paintings Artwork details Size: 1.80 m x 1.80 m Creation place and date: Amsterdam, 1993 Materials: oil on canvas Frame: wooden frame Foreground left: Loner/Sculpture

Images: Untiteled / Photography: Rodney Sinclair, Amsterdam Hans Kalliwoda - Portfolio

Selling price: â&#x201A;Ź 17000 49

Geen storm in een glaasje water / No storm in a glass of water

Paintings Artwork details Size: 1.80 m x 1.00 m Creation place and date: Amsterdam, 1992 Materials: oil on canvas Frame: wooden frame

Image: Geen storm in een glaasje water / Photography: Rodney Sinclair, Amsterdam Hans Kalliwoda - Portfolio

Selling price: sold 50

cv Hans Kalliwoda PhD c. PhDArts PhD c. Researcher at the University of Leiden/NL Conceptional intervention artist, installations, multimedia, performative. 11.07.1959 Altötting/Obb. Germany German nationality

Residential address: Holznerweg 3, 84508 Burgkirchen, Germany Contact address: c/o Blindpainters Foundation Nieuwe Teertuinen 17, 1013 Amsterdam, NL PObox 1136 - 1000 BC Amsterdam, NL ﬁx + 31 20 419 4949 mobile + 31655356343 hans@blindpainters.org http://www.phdarts.eu/DoctoralStudents/HansKalliwoda http://www.blindpainters.org

Interventions BeeCare Amsterdam Intervention project to create ﬁrst Bee-sanctuary in an inner-city neighbourhood and a manual for reproduction. Including biological Beekeeping, workshops, street performances and new media. 2011 - ongoing

Hans Kalliwoda - Portfolio

the polliniferous project (WiaS) 'While the Gods are absent' By invitation of Kuru Trust and the San (Bushmen) community in D’Kar, Botswana. Location scouting and preparations for cross-cultural educational media project with the San. Intercultural swap-shop situations with performance and multi-media installations, docu-ﬁctive ﬁlm. UNESCO patronage. Botswana/EU 2011 - ongoing Preparatory phase Ilulissat, Greenland By patronage and invitation of the Mayor of Ilulissat, Greenland homerule, Katuak and Napa 2011 - ongoing WiaS - polliniferous project (B-phase) Chaos management, bottleneck squeezing and product championeering Regulating and streamlining of manufacturing processes, from Aluminum and steel, to plastics and paint, electric and hydraulic, electronics and software compression. Castings and assemblage, construction and building of foldout unit. Documentation of the processes Delft, Amsterdam, Rotterdam, Arnhem, The Netherlands, Düren/Cologne, Germany. 2004 till 2010 WiaS - polliniferous project (A-phase) Artist intervention at an University for Technology concepting and implementing an interactive communication zone to bridge and assimilate knowledge at the TUDelft. Involving more then 50 students, (11 graduates) their mentors and professors, with bachelors and masters projects through direct guidance and workshops. Participating faculties, Civil, Electro, Mechanical

and Aerospace Engineering, ITC department, Architecture and Industrial Design. 'Polliniferous studio' at the TUDelft. Documentation of the processes. Delft, The Netherlands 2000 till 2005

Prizes and grants EU Kaleidoscope Program ECF Soros fond VSB fond Apex changes Mondriaan foundation Stichting Doen AFK 2010, 2007 Prins Bernhard fonds 2010, 2012 SNS fond City of Delft City of Rotterdam Napa/Katuak Greenland research grant

exhibitions/creations The europartrain/valigiatrain Concept, intervention and curator A traveling train crossing Europe with location art performances, exhibitions and other activities on railway stations. Train dynamically expending by one wagon in every country. 23 train stations between Thessaloniki and Amsterdam. 1996 till 2000 These interventions on train stations including the preparations opened my mind on the possibilities and impossibilities. Having to deal with a wide va51

riety of stakeholders, railway companies, transport ministries, artists and curators, local governments and station masters gave me a great insight on production work. Inviting the local artists and curators in every country, including the preparation works on the catalogues provided me with curatorial expertise. Cultural differences and working ethics have been the necessary reason to reinvent the wheel in every country, since none of these had the same challenge and ultimately needed a different remedy to make it turn. The temporary autonomous space solutions created by the train provided a series of realization including the possibilities to implement a healthy dose of anarchy that inspired further steps and upgraded my art practise enormously. Presenting the project to the public as a low threshold exhibition also made me understand the importance to include new public to contemporary art shows.. 'Underground in Amsterdam' art interventions on construction sites. Amsterdam 1995 With this intervention on a construction site I realized that the ﬁnal product is inferior to the working processes. However it is a slow development that leads to such experiments where lots of thinking is involved and one has to get ready for it. Therefore previous project and self-initiated experiences also contribute to these realizations, which should not be underestimated. .

Installations 'Kalimero, l love you', with the 'Air Cruciﬁx', 'Sunny side up', 'Amandla', the painting for the lazy painter, 'Living in a Shoe box in the middle of the road', 'Bananas from Germany', 'Beam me up Hans Kalliwoda - Portfolio

Scotty' - the placenta laboratory, 'Landscaping Schalkwijk', 'Only 52 Shopping days left before Xmas, ...rush', 1992 till 1995 'The mobile artist and his drive-in residence' 'Drive-in' installations, custom made sleep-in vehicle VW Golf Camper. Paris, Madrid, Milan. 1990-91 One year on the road with a yellow School bus. Rebuilt school bus for transport to exhibitions in the US and Canada. NY-SF / Miami-Vancouver 1988-89 Art commissions Cape Town, S.A studio 1985 till 1988 Crossing the African continent on a bicycle, visit local artists 1984/85

Symposia, seminars and lecturing ‘Art and research at the outer most limits of location speciﬁcituy’, Conference speaker Parsons School of Art and Technology, NY, NY November 2014 ‘The inner city as nature reserve’ Symposium, concept arrangements and speaker Amsterdam, NL April 2014

Inspiration session for Workshops 'Genius Loci' Interfaculty Art/Science, Royal Academie of Arts Den Hague Horst Rickels and Gosse de Kort Dordtyard, Doordrecht March 2012 'While the Gods are absent' Böll Stiftung, Radius of Art, project presentation Berlin, Germany February 2012 'Art, Architecture and Science collaboration in Sustainability' with Prof. Dr. Ir. Han Brezet, Head of the sustainability Department at the Delft University for Technology, Ute Meta Bauer Director of the visual arts program at the MIT and Rob Zwijnenberg Professor of Art history in relation to the development of Science and Technology at the University of Leiden and Maastricht V2_ Institute for Unstable media, Rotterdam, The Netherlands April 2010 'Blueprints of Tomorrow, Starship Earth - Designing the Environment” Designmai Symposium 2005 Berlin, Germany May 2005 'Techniek van de Toekomst' (Future Technologies) book introduction and discussion. Premsela, Dutch Design Institute Amsterdam, the Netherlands March 2004

Nomination for 'Ode aan de Techniek' Price at the NEMO (Science Museum Amsterdam) May 2003 'Creating Interactive Communication Zones' Sietar Europe 2000 Congress Brussels, Belgium, March 2000 'Next 5 minutes' ['art after activism?'] Tactical Media Conference Amsterdam, The Netherlands March 1999 'Cultural dynamic in one Europe' Organisation and speaker at 'Arti et Amicitiae', Amsterdam, The Netherlands Nov.1998

Camera work of interviews Marina Abramovic, Karel Appel, etc. Van Gogh Museum, Amsterdam Feb. till May 2003 ‘It’s the most beautiful day today’ Interviews of Inuit Nuuk, Greenland 2003 'europartrain' 40 min. (in collaboration with Michi Meier / NoRiskNoFun production) Screened at the 'INVIDEO' festival Milan, Italy November 2002 'Arbeit macht Frei' 3 min. Amsterdam, NL. 1996 'Colours Out' 5 min. Cape Town, SA. 1988

Guest lecturer at San Francisco Art College. 1990

Film and multimedia productions Blindpainters website http://www.blindpainters.org Concept, ﬁlm work, etc. 1998 - 2010 ongoing

Publishing World in a Shell - polliniferous project Dynamic project and exhibition catalogue Publishing of 6 bilingual catalogues part of the europartrain/valigiatrain March 1997 - October 2000

Professional activities "Wonders of Imperial Japan" Meiji art from the Khalili collection Film production (camera work, editing and DVD creation) Van Gogh Museum, Amsterdam July/October 2006 "Van Gogh goes modern" Hans Kalliwoda - Portfolio

Co-initiator of Blindpainters Foundation, 1994

Museumpark Rotterdam Netherlands Architecture Institute and V2_ March/April 2010 DeLeon White Gallery Kingstreet W., Toronto, Canada October/Nov.1997 Forte - Pianofabriek Fortstraat, Brussels, Belgium April/May 1997 Galerie Dialoog Zwaluwenstraat, Oostende, Belgium July 1996 Galerie Langenberg Korte Prinsengracht, Amsterdam, The Netherlands April/May 1993 Open Haven Museum KNSM-Laan, Amsterdam, The Netherlands May/June 1992 Galerie Tatoo Rue Veillon, Nice, France March/April 1992 De Bijenkorf Damrak, Amsterdam, The Netherlands June 1991

Solo exhibitions / installations

Cher Gallery Tobacco Docks, Wapping Lane, Docklands, London, England Nov.1990/Jan.1991

Culture Park - Westerpark With performances at PICNIC September/October 2010

Eyes Gallery South Street, Philadelphia, Pennsylvania, U. S. A. June/July 1989 53

Group exhibitions (selection) Winsor-Betts Gallery West San Francisco Street, Santa Fe, New Mexico, U. S. A. May/June 1989 Elaine Potter Gallery Hayes Street, San Francisco, U. S. A. April/May 1989 La Mama's 'La Galeria' E. First Street, New York City, U. S. A. Jan./Feb. 1989 La Galerie des Foufonnes Rue St. Catherine, Montreal, Canada Dec. 1988

1. International Architecture Biennale Rotterdam MOBILITY: A Room with a View Las Palmas, Rotterdam, the Netherlands May/July 2003

Oostend, Belgium April 1994 ‘La genie de Bastille’ Open ateliers, Paris, France October 1993

Amsterdam meets Vienna 'conﬂicts/resolution' for OSCE at Sammlung Essel Klosterneuburg/Vienna, Austria May/June 2003 Museum voor de schoonen Kunsten, Oostend, Belgium April 1996

Workshop Gallery Aliwal Street, Durban, South Africa May 1987

‘Kunstlijn’ Invitation at Landgut 'Eelswoud' Haarlem, NL November 1995

Garlicks Gallery Cavendish Square, Cape Town, South Africa April 1987

‘De Valigia’ Franz Josef Strauss Airport, Munich, Germany October 1995

Helen de Leeuw Gallery Hyde Park Corner, Johannesburg, South Africa October 1986

Sculpture Route Hilversum, The Netherlands September 1994 Parcours d’artistes de Saint Gilles Open studios, Brussels, Belgium May 1994 ‘It was already made’ Artist collective, Antwerp, Belgium May 1994 ‘Eastern in Oostend’ Art fair represented by Galerie van Sant

Hans Kalliwoda - Portfolio

World in a Shell / Europartrain Books details Edition of six books: 1200, 72/372 Pages, English, Binding: Unbound in box with colour coding, ISBN 978-94-90795-01-6 Because of the dynamic and long-term nature of the project, the decision was made not to hard-bind the catalog but to keep it ﬂ exible for later content additions. The initial print includes 72 pages, to be expanded to a maximum of 372 by the project‘s end.

Images: World in a Shell, 2010 / Europartrain books, 1997-2000 Hans Kalliwoda - Portfolio

Publishing Books details Edition of six books: 1600, Bilingual English and host country (Dutch, Greek, Serb, Hungarian Polish and German), +/- 88 pages each Binding: stiched and glued, ISBN 83-902 066-2-5 Collectors (selection): Stedelijk Museum, Amsterdam, Museum Boijmans van Beuningen, Rotterdam, Van Abbe Museum, Eindhoven, Koninklijke Bibliotheek, Den Haag, Spoorwegmuseum, Utrecht, Bundeskunsthalle, Bonn, Museum Moderner Kunst Stiftung Ludwig, Wien, Bibliothek Kunstmuseum, Basel, Tate Gallery, London

Selling price: € 100 / € 300 55

Patrons and advisors on projects Project patrons:

Projects advisors:

Mr. Koichiro Matsuura, former Director-General of UNESCO, Paris Mrs. Irena Burkova, Director-General of UNESCO, Paris Prof. Dr. ir. J.T. Fokkema, former Rector Magniﬁcus of the Delft University for Technology Mag. Victor Klima, former Austrian Prime Minister Mr. Jan Sawicki, former Director of Minister's Ofﬁce at the Ministry of Transport and Maritime Economy, Poland Mr. Andrzej Golas, former Mayor of the City of Krakow, Poland Mrs. Hedy d'Ancona, former Minister of Culture in the Netherlands and europarliamentarian, NL Mr. Rick v. d. Pleog, former Secretary of Culture in the Netherlands

Mr. Janwillem Schrofer, former director Rijksakademie Mr. Trevor Davies, director Copenhagen International Theatre, head of Copenhagen Cultural Capital 1996 and Århus Cultural Capital 2017 Mr. Charles Esche, Director Van Abbe Museum Mr. Rob Docter, former director Berlage Institute in Rotterdam, NL Mr. Jan Pronk, former Minister foreign affairs, prof. International Developments ISS, Den Haag, NL Mr. Paolo Bianchi, Art critic and independent curator, Baden, Switzerland Mr. Heiner Holtappels, former director Monte Video, Amsterdam Mr. Coen Stork, former Dutch Ambassador, Amsterdam

Hans Kalliwoda - Portfolio

Sponsors and grants (selection)

Hans Kalliwoda - Portfolio