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July / Augu st 2016 Asia

联系 斯蒂芬·兰姆人 Stephen Lum 斯顿 总经理 邮箱：slum sden President sden@inte rmusica.co. uk 彼得·安塞尔 Peter Ansel 巡演总监 l Director, Tou 邮箱：pans rs & Projec ell@intermu ts sica.co.uk 何青 中国 区代 Qing He Chi 表 na Represe nta 邮箱：qing he@intermu tive sica.co.uk

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Intermusica Crystal Wharf, 36 Graham Street, London N1 8GJ Intermu sica.co.uk/ 全新20中文 T: +44 7608官方 9900 tours 网站： http://ww E: mail@intermusica.co.uk w.intermusic a.co.uk/ch ina intermusica.co.uk Contact

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ARTIST LIST

David Stout (w)

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BRANDING GUIDE

CONTENTS 3 Colours LOGO USAGE 4 FONTS

inc vertical scale on all headers and titles STYLES 6 shapes and images 9 BROCHURE DESIGN: Composer Tours instrumentalists CONDUCTOR 11 screen & score 13 Other designs:

Artists list Highlights templates (in InDesign) Multiple ARTIST highlights templates (in InDesign)

Artist templates (in InDesign)

Word templates - inc Biography, Press quotes, discography

A5 Flyers FOLD-UPS

2 | INTERMUSICA

BRANDING GUIDE

DESIGN & brand guidelines Colours

PANTONE ORANGE 021 U (CMYK VALUE = 0,53,100,0) LOGO RED WITH 20% BLACK ADDED (CMYK VALUE = 0,94,84,20) PANTONE RHODAMINE RED U (CMYK VALUE = 3,89,0,0) PANTONE 259 U (CMYK VALUE = 55,100,0,15) PANTONE PROCESS BLUE U (CMYK VALUE = 100,10,0,10) PANTONE 562 U (CMYK VALUE = 85,0,50,31) PANTONE 347 U (CMYK VALUE = 100,0,86,3) PANTONE COOL GRAY 9 U (CMYK VALUE = 0,1,0,51) RICH BLACK (CMYK VALUE =70,50,30,100)

PLEASE NOTE: The colours can be used on a variety of artists, as long as they are limited to one colour per artist, to keep design clean and classic. These colours are set in PANTONE so they can be used if a spot colour needs to be used for future printing, they are set in Ink Manager to convert to process colours in InDesign.

The colours should be used in above order throughout brochures to compliment colours sitting next to each other (exceptions if colour doesn't work with image, black or grey can sit in between and some colours can be missed out if conflicting with image). Rich black can be used for large blocks of black to allow for uncoated paper stock (not on body copy).

Logo USAGE The logo should be kept the same size on all brochure covers, different colour variations of logo can be used, white on black, full colour and black versions. The size can be reduced for intro pages and advertisements and inside marketing items. (Do not reduce logo more then 40mm in width, preferably keep at the size featured below). Logo can be placed on full colour or mono images, for example on Flyer cover image, but only on a plain part of an image. Logo should always be on clean clear background to be seen and print clearly. The logo should never be more then 60mm in width (logo is then too large). Please see below.

Cover size for logo on all branding.

Intro and advert logo size and use of smaller sized logo.

Please note: the logo should align with end of picture or text box. Logo needs 3mm of space left around area of logo. With covers using slant top on image, the logo should sit at top right with alignment to edge of image, or at left alignment of slant depending on design used. Please see examples of this on pages 13-15. This should not sit at bottom if cover has a slant on image (logo is designed to sit at top right/left of slant). The logo should also be given the space of half the character height of the Intermusica ‘e’ , approx 3mm space left all round.

Approximately 3mm space all round

INTERMUSICA | 3

BRANDING GUIDE

Fonts The fonts used for all Intermusica print work is Myriad Pro font family. For all Chinese design Heiti TC font is used, with all English text in Myriad Pro.

Myriad Pro

Heiti TC

STYLES There are paragraph and character styles set up for each brochure, flyer and highlights templates etc. There are character styles and nested paragraph styles to use in some instances, they are set up in groups relating to various pages within the template/InDesign file. See character styles in groups below as example.

4 | INTERMUSICA

BRANDING GUIDE

Vertical scale on all headers and titles Myriad is the only font family used for Intermusica branding. All large headers and titles have a 90% vertical scale added to reduce the height of the characters. At 100% they look stretched in this font.

COMPOSER PERFORMERS

COMPOSER PERFORMERS

90% vertical scale reduction (PLEASE USE)

At 100% - looks stretched (DO NOT USE)

Advert Example Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

ARTISTS TOURS PROJECTS MEDIA CELEBRATING 30 YEARS intermusica.co.uk

INTERMUSICA | 5

BRANDING GUIDE

SHAPES & IMAGES IMAGES - Intermusica sources the best and most high-impact photography and images available, whether from project partners, artists’ photoshoots or image libraries such as Getty Images. An important message in Intermusica’s visual language is that it does not compromise on quality or style. 300dpi CMYK for print work.

SHAPES - When using coloured shapes, the diamond shape is used to compliment images, and colour border/ shapes gives colour and dynamism to design.

The shape design tends to stem from the diamond - using colours from the palette, often used with black or white backgrounds. There are two versions of this, one with overlaps and one sold diamond shape. (See below).

If photos are used next to each other, especially with bleed images, they need to be complimentary where possible.

The shapes are used in uniform throughout inside brochure page designs, see right of page. (Shapes used and use of divider shapes alternating in colour palette).

Photos can be used in different shapes for cover designs, like the diamond shape design used for Instrumentalists.

Different shaped image boxes can be used with the design to give more impact when using lots of images together for example.

Overlaps diamond:

In use below:

COMPOSER PERFORMERS BRETT DEAN ⁄ HK GRUBER ⁄ JAMES MACMILLAN ⁄ SIR PETER MAXWELL DAVIES ⁄ MICHEL VAN DER AA

intermusica.co.uk/beyond-the-score Contact: Kate Caro T: +44 20 7608 9932 E: kcaro@intermusica.co.uk Sam Rigby T: +44 20 7608 9918 E: srigby@intermusica.co.uk Intermusica represents Beyond the Score® in the UK, Europe, Australia and New Zealand.

“multi-sensory engagement at its finest” Chicago Classical Music

‘Incomparably stimulating’ Beyond the Score concert attender

“The ‘Beyond The Score’ productions are a real success – Gerard McBurney has created them with great sensitivity and understanding, allowing these extraordinary scores to be opened up to new listeners in a compelling and inventive way, without compromising the music. I look forward to more journeys ‘Beyond the Score’ in the future.”

Jaap van Zweden

In use below:

“If Beyond the Score® can achieve anything, I hope it makes the people that come feel that these pieces belong to them.”

Gerard McBurney, Creative Director

Solid diamond:

“An exhilarating experience – the actors, film and artworks complement the orchestra’s performance superbly, bringing each work and the circumstances of its composition vividly to life.”

Vladimir Jurowski

‘One of the best musical experiences of my life’ Beyond the Score concert attender

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

Beyond the Score®

A PRODUCTION OF THE CHICAGO SYMPHONY ORCHESTRA

THE WORLD’S LEADING MULTIMEDIA ORCHESTRAL PROJECT MASTERPIECES OF THE CLASSICAL REPERTOIRE SET IN THEIR ARTISTIC, SOCIAL, POLITICAL AND CULTURAL CONTEXT

Created by the Chicago Symphony Orchestra

Orchestral performance Moving image Actors Soloists Narration

Gerard McBurney, Creative Director Martha Gilmer, Executive Producer

“a runaway hit” Chicago Tribune

6 | INTERMUSICA

BRANDING GUIDE

Grawemeyer and Kagel prize-winning composer and director, Michel van der Aa is a truly multidisciplinary figure in contemporary music. His works combine composition with film, electronics and stage direction, challenging perceptions and philosophical ideals.

Delightful animation Magic Piano and award-winning animated shorts accompanied by solo pianist performing Chopin’s much-loved études. Suitable for family and education programmes.

Timeless tale depicted by Oscar®-winning animation from Suzie Templeton, accompanied by on-stage orchestra playing Prokofiev’s original score. Suitable for family and education programmes.

INSTRUMENTALISTS PIANO

PIANO

“Biss has that perfectly natural, yet immediately communicative presence granted to few artists.

When he plays, it is to the accompaniment of absolute silence in the room, the rapt attention that audiences pay to only the best music-making.” Washington Post

“...she possesses effortless and brilliant technique... Her phrasing was beautifully shaped, but also deeply interior, as if she were oblivious to the audience in the hall. She attacked the finale with lightning quick articulation that sparkled and was never steely.” Cincinnati Enquirer

Jonathan Biss is recognised as one of the great Classical and early Romantic pianists both in the USA and Europe. He has also established a reputation as a writer and thinker of considerable depth and has written two essays as Kindle Singles. Beethoven’s Shadow became a top-selling music e-book in the USA and the UK, while A Pianist Under the Influence accompanied the recital and chamber music series ‘Schumann: Under the Influence’, which he curated for London’s Wigmore Hall, the Concertgebouw Amsterdam, San Francisco Performances and Carnegie Hall.

Jonathan Biss

© Benjamin Ealovega

4

Recital engagements • Perelman Theater, Kimmel Center, Philadelphia • Zankel Hall, Carnegie Hall • Concertgebouw (Kleine Zaal), Amsterdam • Kammersaal, Phiharmonie Berlin • Teatro La Pergola, Florence • Auditorium du Louvre, Paris • Piano Jacobins, Toulouse • Stockholm Concert Hall, Stockholm

Concerto engagements • Hong Kong Philharmonic/ de Wit/ Saint-Saëns 2 • Monte Carlo Philharmonic/ Boreyko/ Schumann • Danish Royal Symphony Orchestra/ Mena/ Beethoven 3 • Netherlands Philharmonic Orchestra/ Rizzi/ Ravel • Royal Stockholm Philharmonic Orchestra/ Mena/ Chopin 2 • Swedish Chamber Orchestra/ Weilerstein/ Chopin 2 • Sydney Symphony Orchestra/ Steinberg/ Chopin 2 • Houston Symphony Orchestra/ Graf/ Mozart 23 • Indianapolis Symphony Orchestra/ Märkl/ Mozart 23 • Saint Paul Chamber Orchestra/ de Waart/ Beethoven 2 • Brussels Philharmonic/ Guerrero/ Ravel • Royal Flanders Philharmonic/ de Waart/ Mozart 23

Recordings EMI Schumann Fantasie, Kreisleriana & Arabeske (2007) Winner Diapason d’Or de L’Année Onyx Beethoven sonatas Vol. 1 (2012) and Vol. 2 (2013) Dvořák & Schumann Piano Quintets Elias Quartet (2012) Gramophone Editor’s choice Conductors Bělohlávek, Sir Colin Davis, Denève, Iván Fischer, Hrůša, Mälkki, Morlot, Ticciati, Valčuha Contact Jessica Ford jford@intermusica.co.uk +44 20 7608 9925 Representation: Europe intermusica.co.uk/biss jonathanbiss.com facebook.com/jonathanbiss

“[Schumann’s Fantasy in C Major] swept all before it...Biss never does anything just for effect, and everything here had a point and musical purpose. He has few peers as a Schumann pianist today.” Guardian

Ingrid Fliter

“...one of the finest in a new generation of Chopin performers... Fliter’s miraculous blend of spontaneity, poetry and sincerity were the ideal match for its fragile Romanticism and turbulent emotions... her bell-like melodies felt as light as air.” Scotsman

Screen & Score

Recital engagements • International Piano Series, London • London Piano Forte Series, Wigmore Hall • Sydney Symphony Orchestra • Shanghai Oriental Art Center • Rudolfinum, Prague • Fryderyk Chopin Institute, Warsaw Conductors Boreyko, Gardner, Graf, Gaffigan, Guerrero, Kocsis, Märkl, Mena, Ono, Oundjian, Takács-Nagy

CELEBRATING FILM, MUSIC & TECHNOLOGY Innovative and flexible formats for new audiences

Recordings EMI Chopin Complete Waltzes (2009) Editor’s Choice: Gramophone and Classic FM magazine Chopin Piano Works (2008) Linn Records Chopin Piano Concerti Nos. 1 & 2/ Märkl, Scottish Chamber Orchestra (2013)

Trailer: intermusica.co.uk/screen_score Contact Helen Roden hroden@intermusica.co.uk

Contact Jessica Ford jford@intermusica.co.uk +44 20 7608 9925 Representation: Europe intermusica.co.uk/fliter ingridfliter.com

© Sussie Ahlburg

Concerto engagements • Philadelphia Orchestra/ Runnicles/ Mozart 13 • San Francisco Symphony/ Roberto Abbado/ Schumann • Boston Symphony Orchestra/ Bělohlávek/ Beethoven 4 • Gewandhausorchester Leipzig/ Sir Colin Davis/ Bernard Rands • NDR Radiophilharmonie/ Bringuier/ Beethoven 4 • Royal Concertgebouw/ Ticciati/ Mozart 22 • Orchestre Philharmonique de Radio France/ Dausgaard/ Mozart 17 • Orchestre National du Capitole de Toulouse/ Sokhiev/ Brahms 1 • Swedish Radio Symphony Orchestra Mälkki/ Schumann • Rotterdam Philharmonic Orchestra/ Valcuha/ Mozart 13 • Prague Philharmonia/ Hrůša / Schumann

Ingrid Fliter is a graceful and charismatic performer and is recognised as one of the great interpreters of Chopin’s music. Every performance is deeply personal and shines with charm and poetry. Her enthusiasm on stage is always infectious and audiences are captivated by her musicianship and warmth.

5

Examples of images used in shapes above, using colours from diamond in fold-up Screen & Score 3-fold, and Instrumentalists cover and inside spread featuring shaped images and use of uniform colours from palette. Below: Asia Tours 2013-2016 A3-A7 fold-up.

China 2 March-15 March 2015

GEWANDHAUSORCHESTER LEIPZIG AND THOMANERCHOR LEIPZIG

Martyn Brabbins, conductor Colin Currie, percussion December 14 /January 2015

BBC SCOTTISH SYMPHONY ORCHESTRA

英国古乐学会乐团 Japan Director/soloist Alina Ibragimova, violin 24 October-1 November 2015

ACADEMY OF ANCIENT MUSIC

2016年7月 指挥待确定

瑞士罗曼德管弦乐团 中国巡演 China Conductor to be confirmed July 2016

ORCHESTRE DE LA SUISSE ROMANDE

BBC 音乐会管弦乐团 上海，深圳，广州，北京， 天津

2015年10月24日- 11月1日 日本 指挥/小提琴：艾丽娜•伊波拉吉莫娃

Shanghai, Shenzhen, Guangzhou, Beijing, Tianjin Conductor Laureate Barry Wordsworth Julian Lloyd Webber, cello and Valentina Naforniţă, soprano

BBC苏格兰交响乐团

BBC CONCERT ORCHESTRA

15-26 July 2013

2014/15 新年音乐会巡演（2014年12月 底-2015年1月初） 指挥：马丁·布拉宾斯 打击乐独奏：柯林·克里

2013年6月14日-30日 首尔，香港，上海，北京 指挥/小提琴：帕沃罗•贝兹诺斯基 独唱：伊莲•曼纳汉•托马斯（女高音）

中国 莱比锡格万特豪斯管弦乐团与莱 比锡圣托马斯教堂童声合唱团

英国古乐学会乐团

Seoul, Hong Kong, Shanghai, Beijing Director/Violin Pavlo Beznosiuk Soloist Elin Manahan Thomas, soprano

2015年3月2日-3月15日

ACADEMY OF ANCIENT MUSIC

14-30 June 2013

2013年7月15日-26日 指挥：巴瑞•沃兹沃斯 独奏：朱利安•劳伊德•韦伯（大提琴） 独唱：瓦伦蒂娜•纳芙妮塔 （女高音）

July 2014

ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA

2015年7月或9月 指挥：彼得•安震恒

皇家苏格兰国立交响乐团 亚洲巡演 Asia Music Director Peter Oundjian July or September 2015

ROYAL SCOTTISH NATIONAL ORCHESTRA

2015年2月/3月 日本/澳大利亚 指挥：法比奥•比昂迪 独唱：薇薇卡•洁娜丝（女中音）

欧洲嘉兰古乐团

Japan and Australia Director Fabio Biondi Vivica Genaux, mezzosoprano February/March 2015

EUROPA GALANTE

2013年12月19日-23日 香港 音乐总监：安东尼•帕帕诺爵士

China Music Director Vasily Petrenko

罗马圣切契利亚学院交响 乐团

Seoul, Beijing, Hong Kong, Singapore Director of Music Stephen Cleobury

皇家利物浦爱乐乐团 中国巡演

Hong Kong Music Director Sir Antonio Pappano

CHOIR OF KING’S COLLEGE, CAMBRIDGE

7-18 August 2013

2014年7月 音乐总监：瓦西里•佩特连科

ACCADEMIA NAZIONALE DI SANTA CECILIA

19-23 December 2013

剑桥大学国王学院合唱团 2013年8月7日-18日 首尔，北京，香港，新加坡 指挥：斯蒂芬•克利伯瑞

欧洲嘉兰古乐团

China & Australia Director/soloist Daniel Dodds, violin

Korea and China Director Fabio Biondi May 2014

琉森节日弦乐团

EUROPA GALANTE

2014年3月 中国/澳大利亚 首席/独奏：丹尼尔•多茨 （小提琴）

London Mozart Players Francesco Piemontesi, piano

FESTIVAL STRINGS LUCERNE

March 2014

Three days of concerts, masterclasses, recitals and education projects. Repertoire includes Mozart piano concerti & the last three symphonies.

2013年12月底-2014年1月初 中国 首席指挥：迈克尔•波登

魔力莫扎特音乐节

丹麦皇家交响乐团

2014年5月 韩国/中国 指挥：法比奥•比昂迪

China Principal Conductor Michael Boder

2014年5月 伦敦莫扎特室内乐团与钢琴家弗朗西斯•毕蒙 德斯 三天由音乐会，大师班，独奏会，教育项目组 成的莫扎特主题周末。曲目将包含莫扎特钢琴 协奏曲，和莫扎特最后三部交响乐作品。

ROYAL DANISH ORCHESTRA

End December 2013-beginning of January 2014

May 2014

THE MAGIC OF MOZART FESTIVAL SCREEN & SCORE

多媒体项目

BUDAPEST FESTIVAL ORCHESTRA

3-16 March 2014

Hong Kong, Beijing, Shanghai, Taipei Music Director Iván Fischer Renaud Capuçon, violin

布达佩斯节日管弦乐团 2014年3月3日-16日 香港，北京，上海，台北 指挥：伊万•费舍尔 小提琴：雷诺德•卡普松

Introducing award-winning projects, celebrating film and media in live performance.

Accessible concert models: uniquely tailored to venues, performers and diverse audiences.

GEWANDHAUSORCHESTER LEIPZIG

12-17 March 2014

Korea Gewandhauskapellmeister Riccardo Chailly

莱比锡格万特豪斯管弦乐团 2014年3月12日-17日 韩国 指挥：里卡多•夏伊

Visit www.intermusica.co.uk/screen-score Contact projects@intermusica.co.uk Intermusica为您介绍越来越多的多媒体音乐 项目。他们通过多媒体的方式，将现场音乐 演出和获奖影视作品相结合。我们可以根据 场馆需求的不同，为您和您的观众量身定制 最合适的项目模式。

Intermusica.co.uk/tours 全新中文官方网站： http://www.intermusica.co.uk/china Contact 联系人 斯蒂芬·兰姆斯顿 总经理 Stephen Lumsden President 邮箱：slumsden@intermusica.co.uk 彼得·安塞尔 巡演总监 Peter Ansell Director, Tours & Projects 邮箱：pansell@intermusica.co.uk

ASIA TOURS

亚洲巡演项目

2013 - 2016

何青 中国区代表 Qing He China Representative 邮箱：qinghe@intermusica.co.uk 英国音达艺术经纪公司

英国音达艺术经纪公司

更多信息请参考： www.intermusica.co.uk 或发送邮件 至：projects@intermusica.co.uk

INTERMUSICA | 7

BRANDING GUIDE

TABS USED IN ARTWORK The colour tabs that run down the left hand side of the page in various marketing materials can be used in different ways. For example in the Artist List they are used as section headers and in the brochures they are used as colour dividers to distinguish between the pages of artists.

See examples of use of tabs below.

Tab 1: VIOLIN

“Midori played with such soft-grained lustre and delicate inflection that the sound itself seemed almost disembodied… I have rarely heard the sognando (dreamy) quality of this exotic, sun-kissed, music so sensuously addressed.” Independent Midori performs at the highest level worldwide. She has also been recognised by the United Nations and the World Economic Forum for her exceptional commitment to education and community engagement throughout the USA, Europe, Asia and the developing world. More recently, Midori has been making a sustained commitment to the violin repertoire of the future, commissioning several new concerto and recital works.

Key engagements • Lucerne Festival • Philharmonia Orchestra/ BBC Proms/ Salonen • Edinburgh International Festival • Wiener Konzerthaus • New York Philharmonic/ Gilbert • Munich Philharmonic/ Mehta • Gewandhausorchester Leipzig/ Nagano • Orchestre Philharmonique de Radio France/ Eötvös Sample recital programmes Hindemith Sonata for Violin and Piano in E Flat Franck Violin Sonata in A major Mozart Violin Sonata in E minor, K. 304 Strauss Violin Sonata

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Midori SOPRANO

Mary Bevan (w) Jeanne-Michèle Charbonnet (w) Inger Dam-Jensen Sofia Fomina (w) Venera Gimadieva (w) Soile Isokoski Solveig Kringelborn (w) Elizabeth Llewellyn (w) Pumeza Matshikiza (w) Karita Mattila Elisabeth Meister (w) Valentina Naforniţa (w) Eri Nakamura (w) Soula Parassidis (w) Ann Petersen Lyubov Petrova Marita Sølberg (w) Sarah Tynan (w) Corinne Winters MEZZO-SOPRANO

Susan Bickley (w) Rebecca de Pont Davies (w) Elizabeth DeShong Joyce DiDonato (w) Ruxandra Donose Diana Montague (w) Kelley O’Connor Dame Felicity Palmer DBE (w) Renata Pokupić (w) Julia Riley (w)

8 | INTERMUSICA

© Timothy Greenfield-Sanders

Schubert Duo in A major Lutosławski Partita Bach Sonata for Violin and Keyboard in C minor, BWV 1017 Beethoven Violin Sonata in G Major, Op. 96 Concerto repertoire Bartók, Beethoven, Berg, Brahms, Britten, Eötvös, Elgar, Hindemith, Mendelssohn, Strauss,Tchaikovsky, Walton

Education work • Distinguished Professor of Music, Chair of Strings Department and Jascha Heifetz Chair at University of Southern California • Midori and Friends Providing music education in New York City inner city schools • Music Sharing Providing music education opportunities in Japan • Orchestra Residencies Programme

Providing support to community orchestras and youth orchestras in the USA • Partners in Performance Creating concert opportunities in smaller communities • International Community Engagement Program Annual performance and music education projects in the developing world (recent projects include work in Vietnam, Cambodia, Indonesia and Bangladesh) Contact Sam Rigby srigby@intermusica.co.uk +44 20 7608 9918 Representation: Europe intermusica.co.uk/midori gotomidori.com

Recordings • Shostakovich Violin Sonata, Janáček Violin Sonata, Bloch Violin Sonata No.2 (Onyx Classics, 2013) • Hindemith Violin Concerto, NDR

Sinfonieorchester with Eschenbach (Ondine, 2013)

Kai Rüütel (w) Anna Smirnova (w) Kitty Whately (w) Elena Zhidkova COUNTER-TENOR

Tim Mead (w)

Tab2:

Jacques Imbrailo (w) Leigh Melrose (w) Anthony Michaels-Moore Benedict Nelson (w) Henk Neven (w) Brett Polegato (w)

ARTIST LIST

David Stout (w) BASS-BARITONE

TENOR

Michael Colvin Eric Cutler (w) Sam Furness (w) Julian Gavin (w) Anthony Gregory (w) Thomas Hobbs (w) Ben Johnson (w) Gregory Kunde Bogdan Mihai (w) Marco Panuccio (w) Marcel Reijans Norman Reinhardt (w) Bryan Register (w) Boris Rudak (w) BARITONE

George von Bergen (w) Russell Braun John Chest (w) Igor Golovatenko (w) Scott Hendricks (w) Jason Howard

SPRING 2013

Iain Paterson (w) Gidon Saks (w) BASS

Matthew Best (w) Vitalij Kowaljow Vuyani Mlinde (w) STAGE DIRECTOR

David Alden (w) Stephen Barlow (w) Paul Curran Jack Furness (w) James Robinson (w) Alessandro Talevi (w) Jean-Romain Vesperini (w) PIANO ACCOMPANIST

Roger Vignoles (w)

Intermusica Crystal Wharf, 36 Graham Street, London N1 8GJ T: +44 20 7608 9900 E: mail@intermusica.co.uk intermusica.co.uk

BRANDING GUIDE

BROCHURE DESIGN Composer brochure design The brochures all use shapes and colours behind the image (see shapes section for reference), this design gives a modern feel to the branding. The background coloured shapes are created in illustrator and some colours overlap to create depth within the design with use of transparency. When designing covers, the illustrator files sit at the back in the InDesign document and there is a picture box for the colour photograph to sit on top. This needs to sit exactly as positioned for the Composer Performers as pictured below. The next version of Composer Performers can then just change the image each time.

COMPOSER PERFORMERS BRETT DEAN ⁄ HK GRUBER ⁄ JAMES MACMILLAN ⁄ SIR PETER MAXWELL DAVIES ⁄ MICHEL VAN DER AA

Brett Dean

Sample performance programmes Royal Stockholm Philharmonic, Composer Festival on Brett Dean DEAN Violin Concerto The Lost Art of Letter Writing [Dean, conductor] DEAN Viola Concerto [Dean, viola] Chamber concert with orchestral musicians DEAN Recollections (2006) [ensemble and Dean, conductor] DEAN Three Caprichos after Goya (2004) [guitar] DEAN Voices of Angels (1996) [piano quintet]

Composer / Viola / Conductor

Brett Dean (born 1961) studied in Brisbane before moving to Germany in 1984 where he was a permanent member of the Berlin Philharmonic Orchestra for fourteen years. Dean returned to his native Australia in 2000 to concentrate on his growing compositional activities. Now one of the most internationally performed composers of his generation, much of Dean’s work draws from literary, political or visual stimuli and he is a composer of vivid, colourful, intelligently expressive music.

Brett Dean won the 2009 Grawemeyer Award for music composition for his violin concerto The Lost Art of Letter Writing and received the Elise L. Stoeger Prize from the Chamber Music Society of Lincoln Centre, New York, in 2011. intermusica.co.uk/dean

Selected work highlights

Current commission highlights

Amphitheatre (2000) 11’ Symphony orchestra

Choral-orchestral work commissioned by the Rundfunkchor Berlin for Sir Simon Rattle and the Berlin Philharmonic, LA Philharmonic and Melbourne Symphony orchestras

Ariel’s Music (1995) 25’ Clarinet concerto Beggars and Angels (1999) 26’ Symphony orchestra Bliss (2009) 150’ Opera in three acts Carlo (1997) 20’ Strings, sampler and tape or live chorus (2011 revision) Fire Music (2011) 20’ Symphony orchestra The Lost Art of Letter Writing (2006) 38’ Violin concerto Pastoral Symphony (2001) 17’ Chamber orchestra and electronics Testament (2002) 14’ Chamber orchestra / version for 12 violas

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

Vexations and Devotions (2005) 35’ Orchestra, SATB choir, children’s choir

“Brett Dean Day”, Wigmore Hall, London Chamber concerts with soloists and ensembles DEAN Eclipse (2003) [string quartet] DEAN Demons (2004) [flute solo] DEAN Epitaphs (2010) [string quartet & Dean, viola] CLARA SCHUMANN Four Romances [piano solo] DEAN Recollections [ensemble and Dean, conductor] DEAN Intimate Decisions (1996) [Dean, viola solo] BRAHMS Quintet No.2 [string quartet & Dean, viola]

Trumpet Concerto for Håkan Hardenberger, commissioned by the Grafenegg Festival, Leipzig Gewandhaus, Danish National Symphony and City of Birmingham Symphony orchestras

“Dean is a voice of fertile imagination, originality and expressive subtlety”

Gothenburg Symphony, March 2011 STRAUSS, RICHARD Till Eulenspiegel MOZART Sinfonia Concertante DEAN Beggars and Angels

Chicago Tribune

Adelaide Symphony, May 2012 STRAVINSKY Four Etudes for Orchestra HAYDN Symphony No. 86 SIBELIUS Scene with Cranes DEAN Fire Music Northern Sinfonia, May 2013 BEETHOVEN Adagio molto e mesto (from Rasumovsky Quartet No. 1, op. 59), arr. Dean DEAN Testament BEETHOVEN Symphony No. 3 Eroica Melbourne Symphony’s Metropolis Festival: “Brett Dean’s Vienna” May 2011 LUKE PAULDING the air a bright shatter of wings STAUD Incipit III (Esquisse retouché II) WEBERN Symphony op. 21 DEAN Viola Concerto [Dean, viola solo]

Concerto for chamber orchestra commissioned by the Mahler Chamber Orchestra and Cologne Philharmonie Electric Violin Concerto commissioned by the Australian Chamber Orchestra and Maribor Festival

Dean: Viola Concerto (2004) 27’ Commissioned by the BBC Symphony, Los Angeles Philharmonic & Sydney Symphony orchestras.

Conductors championing the music of Brett Dean include Marin Alsop, Andrey Boreyko, Martyn Brabbins, Andrew Davis, Charles Dutoit, Sir Mark Elder, HK Gruber, Daniel Harding, Manfred Honeck, Sebastian Lang-Lessing, Reinbert de Leeuw, Marko Letonja, Hannu Lintu, James MacMillan, Susanna Mälkki, Jonathan Nott, Sakari Oramo, Sir Simon Rattle, Lawrence Renes, David Robertson, Esa Pekka Salonen, Markus Stenz, Joseph Swensen, Edo de Waart, Hugh Wolff, François-Xavier Roth, Simone Young.

Other performances by Dean as soloist in his Viola Concerto include the Rundfunk-Sinfonieorchester Berlin, Orchestre National de Lyon, Danish National Symphony, Melbourne Symphony, BBC Philharmonic, Dresden Philharmonic and Malaysian Philharmonic orchestras.

For an audio clip of the Viola Concerto visit www.intermusica.co.uk/dean

“Dean is a top-flight viola player as well as an upwardly mobile composer. His Viola Concerto is a substantial affair, elegantly proportioned and full of colourful musical imagery.”

The Guardian

© Pawel Kopczynski

Introduction

Sample conducting programmes

4

TOURS brochure design The Tours brochure has part of the image bleed off the bottom, the logo sits to the top right of image where the slant is located and in alignment with the image colours. This may not always work with future images bleeding off bottom of page, dependant upon image used. All margins are set at 10mm with inner margin at 12mm (except for cover and back which is 10mm all sides.) This needs to sit exactly as positioned for the Composer Performers as pictured below. The next version of Composer Performers can then just change the image each time.

TOURS PROJECTS MEDIA 2011-13

GEWANDHAUSORCHESTER LEIPZIG

TOUR

After the enormous success of the Beethoven symphony cycle residencies with Riccardo Chailly at Barbican Centre, London, and Salle Pleyel, Paris, in autumn 2011 (in conjunction with a Decca Classics release), we continue to deepen our relationship with this historic ensemble.

In September 2012, the orchestra returns to the BBC Proms to perform Mendelssohn, Messiaen and Mahler over two concerts.

This is followed by future tours throughout Europe and Asia.

“Riccardo Chailly’s Barbican Beethoven cycle with his storied Leipzig orchestra has been one of the musical pinnacles of the year.”

Martin Kettle, The Guardian

Riccardo Chailly © Decca Classics / Mat Hennek

LONDON SYMPHONY ORCHESTRA – PARIS RESIDENCY

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Launched in 2006, the London Symphony Orchestra’s international residency at Salle Pleyel, Paris, continues to thrive. It has featured an array of notable artists such as Sir Colin Davis, Bernard Haitink, Sir John Eliot Gardiner, Maria-João Pirès and Vadim Repin, among others.

Projects have included a three-year Beethoven cycle, two-part Prokofiev

series and Gergiev’s acclaimed Mahler cycle, in collaboration with the Orchestra of the Mariinsky Theatre.

The residency also involves collaborative outreach work, adding a further dimension to a relationship that is set to continue to the opening of the new Philharmonie in 2014.

London Symphony Orchestra © Alberto Venzago

TOUR

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

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INTERMUSICA | 9

BRANDING GUIDE

INSTRUMENTALISTS brochure design

PIANO

“Biss has that perfectly natural, yet immediately communicative presence granted to few artists.

When he plays, it is to the accompaniment of absolute silence in the room, the rapt attention that audiences pay to only the best music-making.” Washington Post

PIANO

This design uses overlapping images in a diamond shape on cover incorporating all artists within brochure. The inside uses the divider style shapes on each page with alternating colours from palette.

“...she possesses effortless and brilliant technique... Her phrasing was beautifully shaped, but also deeply interior, as if she were oblivious to the audience in the hall. She attacked the finale with lightning quick articulation that sparkled and was never steely.” Cincinnati Enquirer

Jonathan Biss is recognised as one of the great Classical and early Romantic pianists both in the USA and Europe. He has also established a reputation as a writer and thinker of considerable depth and has written two essays as Kindle Singles. Beethoven’s Shadow became a top-selling music e-book in the USA and the UK, while A Pianist Under the Influence accompanied the recital and chamber music series ‘Schumann: Under the Influence’, which he curated for London’s Wigmore Hall, the Concertgebouw Amsterdam, San Francisco Performances and Carnegie Hall.

Jonathan Biss

© Benjamin Ealovega

INSTRUMENTALISTS 4

Recital engagements • Perelman Theater, Kimmel Center, Philadelphia • Zankel Hall, Carnegie Hall • Concertgebouw (Kleine Zaal), Amsterdam • Kammersaal, Phiharmonie Berlin • Teatro La Pergola, Florence • Auditorium du Louvre, Paris • Piano Jacobins, Toulouse • Stockholm Concert Hall, Stockholm

Concerto engagements • Hong Kong Philharmonic/ de Wit/ Saint-Saëns 2 • Monte Carlo Philharmonic/ Boreyko/ Schumann • Danish Royal Symphony Orchestra/ Mena/ Beethoven 3 • Netherlands Philharmonic Orchestra/ Rizzi/ Ravel • Royal Stockholm Philharmonic Orchestra/ Mena/ Chopin 2 • Swedish Chamber Orchestra/ Weilerstein/ Chopin 2 • Sydney Symphony Orchestra/ Steinberg/ Chopin 2 • Houston Symphony Orchestra/ Graf/ Mozart 23 • Indianapolis Symphony Orchestra/ Märkl/ Mozart 23 • Saint Paul Chamber Orchestra/ de Waart/ Beethoven 2 • Brussels Philharmonic/ Guerrero/ Ravel • Royal Flanders Philharmonic/ de Waart/ Mozart 23

Recordings EMI Schumann Fantasie, Kreisleriana & Arabeske (2007) Winner Diapason d’Or de L’Année Onyx Beethoven sonatas Vol. 1 (2012) and Vol. 2 (2013) Dvořák & Schumann Piano Quintets Elias Quartet (2012) Gramophone Editor’s choice Conductors Bělohlávek, Sir Colin Davis, Denève, Iván Fischer, Hrůša, Mälkki, Morlot, Ticciati, Valčuha Contact Jessica Ford jford@intermusica.co.uk +44 20 7608 9925 Representation: Europe intermusica.co.uk/biss jonathanbiss.com facebook.com/jonathanbiss

“[Schumann’s Fantasy in C Major] swept all before it...Biss never does anything just for effect, and everything here had a point and musical purpose. He has few peers as a Schumann pianist today.” Guardian

Ingrid Fliter

“...one of the finest in a new generation of Chopin performers... Fliter’s miraculous blend of spontaneity, poetry and sincerity were the ideal match for its fragile Romanticism and turbulent emotions... her bell-like melodies felt as light as air.” Scotsman

Recital engagements • International Piano Series, London • London Piano Forte Series, Wigmore Hall • Sydney Symphony Orchestra • Shanghai Oriental Art Center • Rudolfinum, Prague • Fryderyk Chopin Institute, Warsaw Conductors Boreyko, Gardner, Graf, Gaffigan, Guerrero, Kocsis, Märkl, Mena, Ono, Oundjian, Takács-Nagy Recordings EMI Chopin Complete Waltzes (2009) Editor’s Choice: Gramophone and Classic FM magazine Chopin Piano Works (2008) Linn Records Chopin Piano Concerti Nos. 1 & 2/ Märkl, Scottish Chamber Orchestra (2013) Contact Jessica Ford jford@intermusica.co.uk +44 20 7608 9925 Representation: Europe intermusica.co.uk/fliter ingridfliter.com

© Sussie Ahlburg

Concerto engagements • Philadelphia Orchestra/ Runnicles/ Mozart 13 • San Francisco Symphony/ Roberto Abbado/ Schumann • Boston Symphony Orchestra/ Bělohlávek/ Beethoven 4 • Gewandhausorchester Leipzig/ Sir Colin Davis/ Bernard Rands • NDR Radiophilharmonie/ Bringuier/ Beethoven 4 • Royal Concertgebouw/ Ticciati/ Mozart 22 • Orchestre Philharmonique de Radio France/ Dausgaard/ Mozart 17 • Orchestre National du Capitole de Toulouse/ Sokhiev/ Brahms 1 • Swedish Radio Symphony Orchestra Mälkki/ Schumann • Rotterdam Philharmonic Orchestra/ Valcuha/ Mozart 13 • Prague Philharmonia/ Hrůša / Schumann

Ingrid Fliter is a graceful and charismatic performer and is recognised as one of the great interpreters of Chopin’s music. Every performance is deeply personal and shines with charm and poetry. Her enthusiasm on stage is always infectious and audiences are captivated by her musicianship and warmth.

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CONDUCTOR brochure design This brochure again incorporates all artists within the booklet. The cover uses overlapping colours from the Intermusica palette with transparency for effect.

CONDUCTORS Martyn Brabbins

“...it was a sense of great emotional undercurrent that Brabbins brought out most vividly” Guardian

Martyn Brabbins is held in the highest regard by top orchestras such as the Philharmonia Orchestra, Bavarian Radio Symphony and Royal Concertgebouw Orchestra (Ligeti, Birtwistle and a MacMillan world premiere).

He appears at the BBC Proms every year, and as part of the 2012 festival conducted Elgar Symphony No.1 with the BBC Symphony Orchestra, Pierrot Lunaire with the Nash Ensemble and his debut at the 'First Night of the Proms'.

Baldur Brönnimann

“Adams’s melismatic choruses unfurl, their blue-gold orchestral accompaniments meticulously balanced by Baldur Brönnimann.”

Independent on Sunday (The Death of Klinghoffer, ENO)

Baldur Brönnimann is established at the highest level for the most demanding contemporary music projects, working with composers such as Birtwistle, Chin, Saariaho, and Adès. A brilliant and dynamic programmer, Brönnimann seeks out fresh collaborative opportunities and is invited increasingly to conduct programmes combining contemporary and more standard repertoire.

Orchestral highlights

Recording highlights

• Walton symphonies / BBC Scottish Symphony / Hyperion / “rivals the classic Previn version of the 1960s” (Gramophone) • Birtwistle The Mask of Orpheus / BBC Symphony Orchestra / NMC (Gramophone Award) • Korngold Die Kathrin / BBC Concert Orchestra / CPO (Midem Opera Award) • Havergal Brian Gothic Symphony / live from BBC Proms 2011 / Hyperion / “...the performance did what was humanly possible against almost inhuman odds” (Independent)

• Oslo Philharmonic • BBC Symphony Orchestra • Bergen Philharmonic • Seoul Philharmonic

Opera highlights

Opera highlights

Contact

Susie McLeod smcleod@intermusica.co.uk + 44 20 7608 9920

intermusica.co.uk/brabbins

• Artistic Director, BIT20 Ensemble (Bergen) • Music Director, National Symphony Orchestra of Colombia, 2009 -12

Brönnimann works regularly in the opera house: he has conducted three productions to date at English National Opera, including the highly acclaimed new production of The Death of Klinghoffer in 2012, and makes his Komische Oper Berlin debut in 2012-13 with Le Grand Macabre. Semi-staged productions include Chin Alice in Wonderland at London’s Barbican Centre and Saariaho L’Amour de Loin at the Bergen Festival.

Contact

“His approach to Zemlinsky’s First Symphony was insightful, pointing up its symphonic workings, as well as underlining both the technical facility and fertile imagination.” Guardian

Leyla Güneş lgunes@intermusica.co.uk +44 20 7608 9927

intermusica.co.uk/bronnimann baldur.info

© Julieta Schildknecht

Bavarian State Opera Oper Frankfurt Opéra de Lyon English National Opera Netherlands Opera Flanders Opera

© Chris Christodoulou

• • • • • •

• Strasbourg Philharmonic • Scottish Chamber Orchestra • London Sinfonietta • Klangforum Wien

Titled positions

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011 6

10 | INTERMUSICA

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INTERMUSICA | 11 Contact Helen Roden hroden@intermusica.co.uk Trailer: intermusica.co.uk/screen_score CELEBRATING FILM, MUSIC & TECHNOLOGY Innovative and flexible formats for new audiences

Screen & Score 3 fold-up cover Flyer Trailer www.intermusica.co.uk/screen-score Elizabeth Hayllar Manager Tours & Projects ehayllar@intermusica.co.uk +44 (0)7500 085 066

“a runaway hit” Chicago Tribune

Timeless tale depicted by Oscar®-winning animation from Suzie Templeton, accompanied by on-stage orchestra playing Prokofiev’s original score. Suitable for family and education programmes.

Helen Roden Associate Director Projects & Creative Development hroden@intermusica.co.uk +44 (0)7747 487 995

Gerard McBurney, Creative Director Martha Gilmer, Executive Producer

Find us at IAMA

Orchestral performance Moving image Actors Soloists Narration

Created by the Chicago Symphony Orchestra

Delightful animation Magic Piano and award-winning animated shorts accompanied by solo pianist performing Chopin’s much-loved études. Suitable for family and education programmes.

CONCERTS FOR NEW AUDIENCES Celebrating film, music and technology

MASTERPIECES OF THE CLASSICAL REPERTOIRE SET IN THEIR ARTISTIC, SOCIAL, POLITICAL AND CULTURAL CONTEXT

THE WORLD’S LEADING MULTIMEDIA ORCHESTRAL PROJECT

Beyond the Score®

A PRODUCTION OF THE CHICAGO SYMPHONY ORCHESTRA

fold “An exhilarating experience – the actors, film and artworks complement the orchestra’s performance superbly, bringing each work and the circumstances of its composition vividly to life.”

Vladimir Jurowski

“If Beyond the Score® can achieve anything, I hope it makes the people that come feel that these pieces belong to them.”

Gerard McBurney, Creative Director

“multi-sensory engagement at its finest” Chicago Classical Music

“The ‘Beyond The Score’ productions are a real success – Gerard McBurney has created them with great sensitivity and understanding, allowing these extraordinary scores to be opened up to new listeners in a compelling and inventive way, without compromising the music. I look forward to more journeys ‘Beyond the Score’ in the future.”

Jaap van Zweden

‘One of the best musical experiences of my life’ Beyond the Score concert attender

‘Incomparably stimulating’ Beyond the Score concert attender

Screen & Score

Contact: Kate Caro T: +44 20 7608 9932 E: kcaro@intermusica.co.uk Sam Rigby T: +44 20 7608 9918 E: srigby@intermusica.co.uk Intermusica represents Beyond the Score® in the UK, Europe, Australia and New Zealand.

intermusica.co.uk/beyond-the-score

Grawemeyer and Kagel prize-winning composer and director, Michel van der Aa is a truly multidisciplinary figure in contemporary music. His works combine composition with film, electronics and stage direction, challenging perceptions and philosophical ideals.

Advert

2-Fold flyer

Screen & Score predominantly uses a black background with colour shapes overlapping images. Use of shapes depends on what works visually for images and composition. Lots of Screen & Score designs have been fold- ups which uses shapes to work over folds, as shown on the below 2-fold.

SCREEN & SCORE BRANDING GUIDE

BRANDING GUIDE

3 fold-up inside

Multi award-winning film with Oscar®winning score by Ludovic Bource.

Hollywood’s silent-film era brought to life in the concert hall, with live orchestra.

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Spine-tingling programmes of Hollywood’s most celebrated film-musical classics, with scores reconstructed exclusively by John Wilson. Now available internationally, following unparalleled success at the BBC Proms four years running.

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One of the most successful pioneer audience-development concepts in classical music, weaving historical narrative with live actors, multimedia and musical examples. Chicago Symphony Orchestra’s unique concert format, now available to license internationally, guides the audience through a musical masterpiece, engaging the imagination and the ear.

12 | INTERMUSICA

BRANDING GUIDE

OTHER DESIGN WORK ARTIST LIST Artist list below is a 4 panel layout with no photographic images. The artwork is created in illustrator and is designed using rich black (70,50,30,100) except for body text, for printing on uncoated paper, and uses Intermusica colour palette, and gets updated frequently. There are in-house printing versions available for A4 and A3 sizes.

SOPRANO

Mary Bevan (w) Jeanne-Michèle Charbonnet (w) Inger Dam-Jensen Sofia Fomina (w) Venera Gimadieva (w) Soile Isokoski Solveig Kringelborn (w) Elizabeth Llewellyn (w) Pumeza Matshikiza (w) Karita Mattila Elisabeth Meister (w) Valentina Naforniţa (w) Eri Nakamura (w) Soula Parassidis (w) Ann Petersen Lyubov Petrova Marita Sølberg (w) Sarah Tynan (w) Corinne Winters MEZZO-SOPRANO

Susan Bickley (w) Rebecca de Pont Davies (w) Elizabeth DeShong Joyce DiDonato (w) Ruxandra Donose Diana Montague (w) Kelley O’Connor Dame Felicity Palmer DBE (w) Renata Pokupić (w) Julia Riley (w)

CONDUCTOR

Kai Rüütel (w) Anna Smirnova (w) Kitty Whately (w) Elena Zhidkova COUNTER-TENOR

Tim Mead (w)

ARTIST LIST

David Stout (w) BASS-BARITONE

TENOR

Michael Colvin Eric Cutler (w) Sam Furness (w) Julian Gavin (w) Anthony Gregory (w) Thomas Hobbs (w) Ben Johnson (w) Gregory Kunde Bogdan Mihai (w) Marco Panuccio (w) Marcel Reijans Norman Reinhardt (w) Bryan Register (w) Boris Rudak (w) BARITONE

George von Bergen (w) Russell Braun John Chest (w) Igor Golovatenko (w) Scott Hendricks (w) Jason Howard

Rory Macdonald (w) Andrew Manze (w)

Marin Alsop (w)

Music Director, Baltimore Symphony Orchestra Principal Conductor, São Paulo Symphony Orchestra Artist in Residence, Southbank Centre, London Music Director, Cabrillo Festival of Contemporary Music Conductor Emeritus, Bournemouth Symphony Orchestra Music Director Laureate, Colorado Symphony

Jacques Imbrailo (w) Leigh Melrose (w) Anthony Michaels-Moore Benedict Nelson (w) Henk Neven (w) Brett Polegato (w)

Principal Conductor, NDR Radiophilharmonie Hannover (from 2014/15) Principal Conductor, Helsingborg Symphony Orchestra Associate Guest Conductor, BBC Scottish Symphony Orchestra

Gianluca Marcianò (w)

SPRING 2013

Iain Paterson (w) Gidon Saks (w) BASS

Matthew Best (w) Vitalij Kowaljow Vuyani Mlinde (w) STAGE DIRECTOR

David Alden (w) Stephen Barlow (w) Paul Curran Jack Furness (w) James Robinson (w) Alessandro Talevi (w) Jean-Romain Vesperini (w) PIANO ACCOMPANIST

Roger Vignoles (w)

Intermusica Crystal Wharf, 36 Graham Street, London N1 8GJ T: +44 20 7608 9900 E: mail@intermusica.co.uk intermusica.co.uk

COMPOSER/CONDUCTOR

VIOLA

Brett Dean (w)

Brett Dean (w) Antoine Tamestit

Artist in Residence, Swedish Chamber Orchestra Composer in Residence, Grafenegg Festival 2013

Musical Director and Principal Conductor, Tbilisi State Opera & Ballet Theatre (Georgia) Artistic Director, Al Bustan Festival (Beirut)

HK Gruber (w)

CELLO

Michael Boder (w)

Jun Märkl (w)

James MacMillan CBE (w)

Martyn Brabbins (w)

Paul McCreesh (w)

Principal Guest Conductor, Netherlands Radio Kamer Filharmonie Associate Composer, Orchestre de Chambre de Paris

Gautier Capuçon

Principal Conductor and Artistic Adviser, Royal Danish Opera Chief Conductor, Nagoya Philharmonic Orchestra Principal Guest Conductor, Royal Flemish Philharmonic

Baldur Brönnimann (w)

Artistic Director, BIT20 Ensemble

Michal Dworzynski (w)

Principal Conductor, Szczecin Philharmonic Principal Conductor and Artistic Adviser, Cracow Philharmonic (from September 2013) Principal Guest Conductor, Yamagata Symphony Orchestra

Richard Egarr (w)

Music Director, Academy of Ancient Music Associate Artist, Scottish Chamber Orchestra Principal Guest Conductor, Residentie Orkest, The Hague (from September 2013)

Principal Conductor and Artistic Adviser, Gulbenkian Orchestra (from 2013/14) Artistic Director, Gabrieli Consort & Players

Jamie Phillips (w)

Assistant Conductor, The Hallé

Evelino Pidò (w) Jérémie Rhorer (w)

Founder & Music Director, Le Cercle de l’Harmonie

Vassily Sinaisky (w)

Chief Conductor & Music Director, Bolshoi Theatre Conductor Emeritus, BBC Philharmonic

Stanisław Skrowaczewski (w)

Thierry Fischer (w)

Music Director, Utah Symphony Orchestra Honorary Guest Conductor, Nagoya Philharmonic Orchestra

Principal Guest Conductor, Deutsche Radio Philharmonie Honorary Conductor Laureate, Yomiuri Nippon Symphony Orchestra Conductor Laureate, Minnesota Orchestra

Giancarlo Guerrero

Jean-Christophe Spinosi (w)

Music Director, Nashville Symphony Principal Guest Conductor, Cleveland Orchestra Miami Residency

Simon Halsey (w)

Chief Conductor, Berlin Radio Choir Chorus Director, City of Birmingham Symphony Orchestra Choral Director, London Symphony Orchestra and Chorus Artistic Director, Berlin Philharmonic Youth Choral Programme Director, BBC Proms Youth Choir

Leo Hussain (w)

Music Director, Landestheater Salzburg

Marek Janowski (w)

Chief Conductor and Artistic Director, Rundfunk Sinfonieorchester Berlin

Leonidas Kavakos (w)

Artistic Director, Ensemble Matheus

Gilbert Varga (w) Joshua Weilerstein

Assistant Conductor, New York Philharmonic

Mark Wigglesworth (w)

Composer/Conductor, BBC Philharmonic

Sir Peter Maxwell Davies CBE (w) Master of the Queen’s Music

Narek Hakhnazaryan (w)

Gold Medal Winner, International Tchaikovsky Competition

Mischa Maisky

PIANO

PERCUSSION

Jonathan Biss Richard Egarr (Period & Modern) (w) Ingrid Fliter Boris Giltburg (w) Richard Goode Andreas Haefliger (w) Denis Kozhukhin (w) Francesco Piemontesi (w)

Colin Currie (w)

Daniil Trifonov

Pavel Haas Quartet (w)

Artistic Director, Settimane Musicali di Ascona Grand Prix Winner, International Tchaikovsky Competition

VIOLIN Renaud Capuçon

Artistic Director, Aix-en-Provence Easter Festival

SPECIAL PROJECTS

James Ehnes

Charles Hazlewood (w)

Artist in Residence, Berliner Philharmoniker 2012/13 UBS Soundscapes LSO Artist Portrait, London Symphony Orchestra

Artist in Residence, Southbank Centre, London

CHANSONNIER/NARRATOR HK Gruber (w) STRING QUARTET Artists in Residence, Glasgow’s Concert Halls

CHOIR/VOCAL ENSEMBLE Choir of King’s College, Cambridge (w)

Leonidas Kavakos (w) Conductor

Michel van der Aa (w)

Multimedia composer and stage director

Midori Ning Feng (w) Eugene Ugorski (w)

KEY

(w) = worldwide representation

INTERMUSICA | 13

BRANDING GUIDE

HIGHLIGHTS templates The highlights templates are A4 in size. They are created so all eight colours can be used with various design layouts for a variety of artists. There is a two-page template for more information when needed. Examples below.

Single page layouts RUXANDRA DONOSE

Ruxandra Donose is one of the most prolific concert and recording artists, and has captured critical and popular acclaim in leading opera houses and concert halls around the world.

She has worked with many of the world’s greatest conductors, including Claudio Abbado, Sergiu Celibidache, Pierre Boulez, Sir Colin Davis, Christoph von Dohnanyi, James Conlon, Vladimir Fedoseyev, Marek Janowski, Mariss Jansons, Fabio Luisi, Zubin Mehta, Kent Nagano, Seiji Ozawa, Donald Runnicles, Wolfgang Sawallisch, Jeffrey Tate and Marcello Viotti.

“Mezzo-soprano Ruxandra Donose was simply sublime, with a warm, full-bodied voice powerfully projected. She produced the most exquisitely eloquent sounds. Her deeply expressive voice was complemented by the crystal clarity of her diction.”

Seen and Heard

Contact: Maria Mot T: +44 20 7608 9904 E: mmot@intermusica.co.uk

“Ruxandra Donose has a caressing, velvety-smooth voice, and a way of harnessing her stage energy to a point of stillness that makes her mesmerizing” Warwick Thompson, Bloomberg, November 2012

MEZZO-SOPRANO

OPERA HIGHLIGHTS

2013/14 CONCERT PERFORMANCES

Carmen (title role) English National Opera

Schönberg Gurrelieder

Dona Elvira Don Giovanni Deutsche Oper

Berlin, Royal Opera House Covent Garden, Opera de Dijon Octavian Der Rosenkavalier

Orquestra Sinfonica de Mineria and Carlos Miguel Prieto Verdi Requiem

Mozart Requiem

La Grande-Duchesse de Gérolstein (title role)

Philharmonia Orchestra and Edward Gardner

BBC Scottish Symphony Orchestra and Donald Runnicles La mort de Cléopâtre Das Lied von Erde

Oregon Symphony Orchestra and Carlos Kalmar

RECENT CONCERT PERFORMANCES

Les Nuits d’Ete

Le Mort de Cléopâtre BBC Scottish Symphony

Damnation de Faust

Orchestra and Ilan Volkov Rossini Stabat Mater London Philharmonic Orchestra and Yannik Nézet-Séguin and in Vienna with Anna Netrebko L’Heure Espagnole Barbican, London, with Josep Pons La Damnation de Faust Symphonieorchester des Bayerischen Rundfunks in Munich, Tokyo, San Francisco, London, Amsterdam and staged performances with the Seattle Symphony Orchestra at Benaroya Hall

Iain Paterson has firmly established himself as one of world’s leading bassbaritones of his generation. Since his critically acclaimed debut at the 2007 Salzburg Easter Festival in Das Rheingold under Sir Simon Rattle, his operatic engagements have taken him to the most prestigious theatres in the world.

Czech Philharmonic Orchestra and Fabio Luisi

Bayerische Staatsoper, Cincinnati Opera Komponist Ariadne auf Naxos Royal Opera House Covent Garden Grand Théâtre de Genève

IAIN PATERSON

Liege Philharmonie on tour in Europe Chales Dutoit at the Verbier Festival

RECORDINGS Schubert Ständchen for mezzo-soprano and male chorus (Philips), Dvorak Stabat Mater with Giuseppe Sinopoli (Deutsche Grammophon), Mahler Das Lied von der Erde with Michael Halasz (Naxos), Cherubino in Le nozze di Figaro with Bertrand de Billy (Arte Nova), La Cenerentola (DVD, Opus Arte), Songs by Nicolae Bretan (Nimbus), Vivaldi Il Farnace (EMI/Virgin) and many others.

www.intermusica.co.uk/donose

CONDUCTORS Daniel Barenboim, Sir Simon Rattle, Sir Antonio Pappano, James Levine, Sir Mark Elder, Christian Thielemann, Christoph von Dohnányi, Andris Nelsons, Vasily Petrenko, Philippe Jordan, Gianandrea Noseda and Edward Gardner

“I was spellbound by the most warmly and firmly sung chief god I’ve heard, able to pull out all the stops… at Wotan’s last-minute bright idea of heroic salvation.”

The Arts Desk

“The technical ease and stylistic authority of his singing, as well as his imposing stage presence, suggest that international stardom is on the cards.”

RECENT HIGHLIGHTS

Wotan Der Ring des Nibelungen Berlin Staatsoper at BBC Proms (role debut) Fasolt Das Rheingold Teatro alla Scala (house debut) Hans Sachs Die Meistersinger von Nürnberg Hallé Orchestra (role debut) Forester The Cunning Little Vixen Bergen National Opera (role debut) Gunther Götterdämmerung Metropolitan Opera, Bayerische Staatsoper, Opéra de Paris Fasolt Das Rheingold Royal Opera House, Covent Garden, Staatsoper Berlin, Opéra de Paris Jochanaan Salome Salzburg Easter Festival, Berlin Philharmonic Amonasro Aida Bregenz Festival

BASS-BARITONE

Capital Times

PERCUSSION

SELECTED ROLES Faust Mephistopheles Don Giovanni Don Giovanni Count Le nozze di Figaro Four Villains Les contes d’Hoffmann* Scarpia Tosca* Title role Boris Godunov* Orest Elektra Jokanaan Salome Barak Die Frau ohne Schatten* Mandryka Arabella* Nick Shadow The Rake’s Progress Kurwenal Tristan & Isolde Wotan Der Ring des Nibelungen Golaud Pelléas et Mélisande*

COLIN CURRIE PERFORMS JENNIFER HIGDON’S PERCUSSION CONCERTO Baltimore Symphony Conductor Marin Alsop “As the concerto proceeds, Higdon, a Pulitzer Prize winner, builds a vibrant atmosphere, with the strings creating shaded textures, the horns contributing bright lines and the woodwinds intermittently emerging above the fray. The music roiled and flared, and Currie’s performance grew increasingly energetic; a serene song for xylophone and celesta cooled the temperature a bit, but the work surged again with a riotous cadenza and an outsized finale.... Currie distinguished himself throughout, and Higdon joined the conductor and her soloist onstage to an enthusiastic ovation.”

San Jose Mercury News, March 2012

*In preparation

CURRENT & FUTURE ENGAGEMENTS

SELECTED CONCERT REPERTOIRE

Oreste Elektra Royal Opera House, Covent Garden Amfortas Parsifal Beijing Festival (first production in China) Captain Balstrode Peter Grimes Wiener Staatsoper Wotan Der Ring des Nibelungen Houston Grand Opera

Bach St. Matthew Passion Beethoven Symphony No. 9 Berlioz La Damnation de Faust Elgar The Kingdom, Dream of Gerontius Haydn The Creation Mendelssohn Elijah Rossini Stabat Mater Shostakovich Symphony No.13 Verdi Requiem

Contact: Julia Maynard T: +44 20 7608 9902 E: jmaynard@intermusica.co.uk

“Astonishing musicality”

COLIN CURRIE

The Telegraph

New Zealand Symphony Orchestra Conductor Alexander Shelley “The Edinburgh-born soloist makes a big impression with his astonishing musicality...centred around his love for marimba, Higdon’s Percussion Concerto had him front-of-stage with marimba, percussion and drum kit, and moving around the

instruments. The piece included wafting marimba, bowed sounds, and full tilt drum kit solos, a la rock bands ... Currie’s cadenza was vibrant and there was particular interest in the dialogue and interplay, like echoes and “duels” between the soloist and the orchestral percussion players.”

Capital Times, September 2010 Cabrillo Festival 2010 Conductor Marin Alsop “More impressive was Higdon’s 2005 Percussion Concerto, written for the phenomenal Colin Currie and displaying his talent for drawing a wide spectrum of sounds from intractable instruments: in his hands, the marimba coos and a drum set thunders.”

Financial Times, August 2010 London Philharmonic Orchestra Conductor Marin Alsop world premiere “Jennifer Higdon’s Percussion Concerto is a brilliantly crafted, brilliantly theatrical, display piece

Contact: Catherine Gibbs T: +44 20 7608 9946 E: cgibbs@intermusica.co.uk

www.intermusica.co.uk/paterson

Two page layout Friday 13 September 2013

BALDUR BRÖNNIMANN

CONDUCTOR

The Herald

Porto Symphony Orchestra Casa da Música, Porto Schoenberg Freide auf Erden, Op.13 Schoenberg Ein Uberlebender aus Warschau Janáček The Eternal Gospel

Friday 20 - Tuesday 24 September 2013

Grieg Two Elegiac Melodies Saariaho L’aile du songe Sibelius Rakastava Lindberg Arena 2 Hakola Arara Sunday 29 September 2013 BIT20, Logen Teater, Bergen Debussy La Cathédrale Engloutie Bent Sørensen Deserted Churchyards George Crumb Black Angels Djuro Zivkovic On the Guarding of the Heart (Norwegian premiere) Sunday 6 October 2013

London Sinfonietta

Royal Festival Hall Stockhausen Gruppen Wednesday 9 October 2013

Copenhagen Philharmonic Orchestra Den Grå Hal, Copenhagen Christensen Concerto for a movie loop Worsaae Zuglendos Glerup Piano Concerto Excerpt Glerup Intermezzi Saturday 12 October 2013

2013/14

Copenhagen Philharmonic Orchestra Den Grå Hal, Copenhagen Music by Danish composers inspired by Carl Nielsen and “The Danish Song”

“Conductor Baldur Brönnimann and the Bergen Philharmonic brilliantly navigate their way through this musical melange with aplomb”

Friday 18 October 2013

Helsinki Philharmonic Orchestra Helsinki Music Centre Staern Jubilate Virtaperko Kuru Buene Scherzophrenia Nordin Residues Steen-Andersen Double up

Bergen National Opera/ Tan Dun Marco Polo, Financial Times

16 & 17 November 2013

Teatro Colón / London Sinfonietta

Teatro Colón, Buenos Aires Nono Promoteo

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

14 | INTERMUSICA

www.intermusica.co.uk/bronnimann

Friday 25 April 2014

Danish National Chamber Orchestra DR Byen Frandsen Beauty and the Beast Abrahamsen Ten Sinfonias

Orchestre Philharmonique de Strasbourg

“...every note of the Three Places in New England, magnificently played by the SCO and conductor Baldur Brönnimann, trumpeted his singularity, his brashness, his nostalgia, his warmth and his sheer rambunctiousness”

Saturday 30 November 2013

Oslo Philharmonic Orchestra Oslo Concert Hall Grenager VEV (premiere) Ives Songs (arr. Hass & Adams) Ives Three Places in New England Zappa Sad Jane

Sunday 8 December 2013

London Sinfonietta

Queen Elizabeth Hall Part of The New Music Show series Friday 10 January 2014

Porto Symphony Orchestra Casa da Música, Porto Martin Petite Symphonie Concertante Tchaikovsky Symphony No. 5 Saturday 18 January 2014 BIT20, Bergen Kjøtt, Bergen Steen-Andersen Chambered Music Ruben Sverre Gjertsen Miniatures 2 Dai Fujikura The 5th Station Sir Harrison Birtwistle Secret Theatre Thursday 30 January 2014 Klangforum Wien, Theater an der Wien Romitelli An index of metals Barbara Hannigan, soprano Friday 7 & Sunday 9 February 2014 Norwegian Opero, Oslo Opera House Saariaho L’amour de loin Thursday 20 February 2014

Iceland Symphony Orchestra, Harpa Askell Percussion Concerto Barber Essay No.1 Adams Dr Atomic Symphony Colin Currie, percussion 15 & 16 March 2014

Teatro Colón, Buenos Aires Lachenmann Little Match Girl Saturday 22 March 2014 BIT20, USF Røkeriet, Bergen Romitelli An Index of Metals (Norwegian premiere) Christina Daletska, soprano Thursday 10 & Saturday 12 April 2014

Royal Stockholm Philharmonic

Stockholm Concert Hall Nordin Residues Nordin Fist of Fury Lindwall/ Nordin Improvisation for organ and laptop JS Bach Passacaglia and Fugue in C minor (arr. Stokowski) Lanza Negativo Nordin Premiere of new work

Saturday 26 April 2014

Porto Symphony Orchestra

Casa da Música, Porto Lopes-Graça Em Louvor da Paz Berg 3 Bruchstücke aus “Wozzeck” Wednesday 30 April 2014

London Sinfonietta

Queen Elizabeth Hall Van der Aa Memo Van der Aa Clarinet Concerto (world premiere) Van der Aa Here Trilogy (UK Premiere of complete work) Friday 9 & Saturday 10 May 2014

Royal Scottish National Orchestra Usher Hall, Edinburgh Glasgow Royal Concert Halls Beethoven Symphony No. 5 Friday 30 May 2014

Britten Sinfonia

Milton Court, Barbican Vaughan Williams Fantasia on a theme of Thomas Tallis Holst Songs Birtwistle Fields of Sorrow Birtwistle Melancolia I Vaughan Williams Flos Campi Thursday 29 May 2014

Britten Sinfonia

Barbican Birtwistle Yan Tan Tethera Thursday 31 July 2014

Philharmonia / Three Choirs Festival

Worcester Cathedral Elgar Spirit of England Vaughan Williams The Lark Ascending Torsten Rasch New Work for chorus, children’s choir, orchestra, and soprano and baritone solo

intermusica.co.uk/bronnimann

for its splendid dedicatee, the British percussion soloist Colin Currie. Progressing from throbbing marimba through clattering woodblocks to a drum kit from hell, Currie always found beauty in precision…Elegance too.”

Times, December 2007 Philadelphia Orchestra Conductor Christoph Eschenbach Carnegie Hall world premiere “The performance elicited a cheering ovation for the extraordinary percussion soloist, Colin Currie, and for the composer. Once the first section really takes off, the music is nonstop in its energy. There are frenzied outbursts and flourishes for the soloist on the marimba, vibraphone, blocks and drum sets.

The concerto certainly provided a vehicle for the brilliant Mr. Currie, a limber, young virtuoso born in Edinburgh…The jazzy and vehement cadenza, played on the drum set, gave Mr. Currie his Max Roach moment. “ New York Times, December 2006

intermusica.co.uk/currie

BRANDING GUIDE

HIGHLIGHTS multiple ARTIST templates The highlights multiple templates are A4 in size. They also use the Intermusica colour palette. They are designed so a number of artists can be used on one template.

SINGERS

SINGERS

SOPRANO

SOPRANO

SOPRANO

MEZZO-SOPRANO

MEZZO-SOPRANO

MEZZO-SOPRANO

INGER DAM-JENSEN

SOFIA FOMINA

VALENTINA NAFORNIŢĂ

ELIZABETH DESHONG

RUXANDRA DONOSE

KELLEY O’CONNOR

www.intermusica.co.uk/dam-jensen

www.intermusica.co.uk/fomina

www.intermusica.co.uk/nafornita

www.intermusica.co.uk/deshong

www.intermusica.co.uk/donose

www.intermusica.co.uk/oconnor

Engagements: New York Philharmonic, Danish National Radio Symphony, Deutsches Symphonie-Orchester Berlin, Malmö Symphony, Hong Kong Philharmonic, City of Birmingham Symphony and the Royal Liverpool Philharmonic.

Repertoire: Mahler, Beethoven, Strauss, Berlioz and Brahms.

Background: supported by Wagner Association, Bayreuth and winner of Mozart Competition, Salzburg.

Engagements: Will join Oper Frankfurt in September 2013, roles will include Zerbinetta Ariadne auf Naxos, Blonde Die Entführung aus dem Serail and Sophie Der Rosenkavalier. She has performed with the London Philharmonic Orchestra at the invitation of Vladimir Jurowski.

Background: Winner of the 2011 Car World competition.

Engagements: Member of Wiener Staatsoper. Recent La Scala debut as Gilda Rigoletto with Dudamel, re-invited for Violetta La Traviata with LA Philharmonic.

Repertoire: Mozart, Rossini, Strauss and Russian repertoire.

Engagements: Beethoven Missa Solemnis with John Nelson and the Chamber Orchestra of Europe, Bach with the LA Philharmonic under Dudamel and Beethoven 9 with the Cleveland Orchestra under Giancarlo Guerrero. She sings the title role La Cenerentola for the Wiener Staatsoper next season.

Engagements: A favourite of Charles Dutoit she sings Marguerite Damnation de Faust with him and the Royal Philharmonic next month, a role she has sung on tour with Symphonieorchester des Bayerischen Rundfunks. Other engagements include Concepción L’heure espagnole with London Symphony Orchestra and Josep Pons.

Background: Renowned for interpretations of contemporary music, and a muse for composers including Peter Lieberson and John Adams.

Engagements: all major US orchestras, London Symphony, City of Birmingham Symphony Orchestra, Philharmonia, London Philharmonic, Netherlands Radio Orchestra, Berlin Philharmoniker, Zürich Tonhalle-Orchester.

SOPRANO

SOPRANO

MEZZO-SOPRANO

MEZZO-SOPRANO

MEZZO-SOPRANO

MEZZO-SOPRANO

ERI NAKAMURA

MARITA SØLBERG

SUSAN BICKLEY

ERI NAKAMURA

KAI RÜÜTEL

ELENA ZHIDKOVA

www.intermusica.co.uk/nakamura

www.intermusica.co.uk/solberg

www.intermusica.co.uk/bickley

www.intermusica.co.uk/nakamura

www.intermusica.co.uk/ruutel

www.intermusica.co.uk/zhidkova

Engagements: Member of Bayerische Staatsoper. Recent orchestral appearances include Rossini Stabat Mater with London Philharmonic under Nézet-Séguin, next season performs Gounod’s Messe de Sainte Cécile with Orchestre National de France.

Repertoire: Brahms, Mahler, Rossini and Mozart.

Background: Was a member of the Staatstheater Stuttgart.

Engagements: Les Musiciens de Louvre and Orchestre de Paris, BBC Symphony, Mahler Chamber, Bergen Phiharmonic and Gotenburg Symphony Orchestras.

Repertoire: includes Mozart, Bach, Mahler and Berlioz.

Engagements: NDR Hamburg, Hamburg Symphoniker, Rotterdam Philharmonic, BBC Symphony and LA Philharmonic under Dudamel. Recent opera engagements for Oper Frankfurt, Berlin Staatsoper and Royal Opera House.

Repertoire: broad range including Bach, Handel, Mahler, Britten, Berlioz, Wagner and alsoin demand for contemporary works.

Engagements: Deutsches SinfonieOrchester Berlin, Rotterdam Philharmonic, Orches-tre de Chambre de Paris and BBC Proms. Other engagements include City of Birming-ham Symphony, Orchestre Philharmonique deå Strasbourg, Scottish Chamber, London Philharmonic and Orchestre National de France.

Repertoire: Bach, Beethoven, Berlioz, Dvořák, Mahler, Mendelssohn and Mozart.

Background: Estonian who was Jette Parker Young Artist at Royal Opera House.

Engagements: Wellgunde in recent Der Ring des Nibelungen under Pappano at Royal Opera House. Recent debuts with St Louis Symphony and the City of Birmingham Symphony.

Repertoire: Mozart, Mahler, Russian repertoire, Rossini and Strauss.

Background: favourite of Gergiev’s and regular collaborator with Claudio Abbado.

Engagements: Has had much success in the role of Judith Bluebeard’s Castle with the London Symphony Orchestra, Orchestre de Paris and La Scala, Milan.

Invited to perform for three consecutive seasons at the Bayreuth Festival.

Repertoire: Beethoven, contemporary repertoire, Mahler and Wagner.

Contact: Hannah Cooke T: +44 20 7608 9917 E: hcooke@intermusica.co.uk

www.intermusica.co.uk/singers

SINGERS

Contact: Hannah Cooke T: +44 20 7608 9917 E: hcooke@intermusica.co.uk

www.intermusica.co.uk/singers

SINGERS

TENOR

TENOR

TENOR

BARITONE

BASS-BARITONE

BASS

ERIC CUTLER

BEN JOHNSON

GREGORY KUNDE

HENK NEVEN

IAIN PATERSON

VITALIJ KOWALJOW

www.intermusica.co.uk/cutler

www.intermusica.co.uk/johnson

www.intermusica.co.uk/kunde

www.intermusica.co.uk/neven

www.intermusica.co.uk/paterson

www.intermusica.co.uk/kowaljow

Engagements: Recent concert engagements include Rossini Stabat Mater with Boston Symphony under Frühbeck de Burgos, Berlioz Requiem with LA Philharmonic under Salonen, Mozart Mass in C Minor and Beethoven 9 for the BBC Proms, and Steuermann Der fliegende Hollander with San Francisco Symphony under Tilson Thomas.

Background: Former BBC Radio 3 New Generation Artist, will represent England in the Car World in 2013.

Engagements: Sigt recent and future debuts include London Philharmonic, City of Birmingham Symphony and Residentie Orkest.

Repertoire: Includes Mozart, Britten and Bach.

Background: Accomplished ‘bel canto’ tenor singing heroic Italian and grand French repertoire.

Engagements: Enée Les Troyens for La Scala, Milan. Conductor collaborations include Abbado, Gardiner, Davis, Muti, Plasson, Prêtre, Rattle, Nelson and Dutoit.

Operatic engagements this season include roles for Zürich and the Liceu.

Engagements: Accomplished concert artist whose engagements include the Rotterdam Philharmonic, Das Beethoven Orchester Bonn, L’Orchestre National de France, Staatskapelle Berlin and the BBC Philharmonic and BBC Symphony Orchestras. In August sings Brahms Requiem with Marin Alsop at the BBC Proms.

Repertoire: Mozart, Berlioz, Bach and Brahms.

Engagements: performs regularly with Sir Mark Elder and the Hallé. Other engagements include concerts with the Los Angeles Philharmonic, Cleveland, London Symphony, BBC Symphony and BBC Philharmonic Orchestras. Conductors include Levine, Barenboim, Rattle, Nagano, Dohnányi and Noseda.

Repertoire: Beethoven, Elgar and Wagner.

Engagements: Sang Wotan and Der Wanderer in Wagner Der Ring des Nibelungen at Los Angeles Opera and reprised the role for La Scala under Barenboim. In concert he has performed Verdi Requiem with Deutsches SymphonieOrchester Berlin and the San Francisco and Chicago Symphony Orchestras.

Repertoire: Russian repertoire, Beethoven, Verdi, Wagner and Mahler.

BARITONE

BARITONE

BARITONE

JOHN CHEST

JACQUES IMBRAILO

ANTHONY MICHAELS-MOORE

www.intermusica.co.uk/chest

www.intermusica.co.uk/imbrailo

www.intermusica.co.uk/michaels-moore

Background: Winner of the 2010 Stella Maris competition. Graduate of Opera Studio of the Bayerische Staatsoper.

Engagements: From 13/14 on Fest at Deutsche Opera, roles include title role Billy Budd, Conte Le nozze di Figaro and Papageno Die Zauberflote. Orchestral engagements include Oslo Philharmonic and Mahler Chamber Orchestra.

Engagements: Recent concerts include Christ The Apostles with the Hallé and Sir Mark Elder at the BBC Proms and Carmina Burana with New York Philharmonic.

Opera engagements for Royal Opera House, Glyndebourne, De Nederlandse Opera and Houston.

Repertoire: Mozart, Beethoven, Elgar, Mahler, Britten, Bach and Mendelssohn.

Engagements: performed with conductors including Jurowski, Luisi, Muti, Tilson-Thomas, Runnicles, Haitink, and Harding. Recent performances for Royal Concertgebouw Orkest, London Symphony, Wiener Philharmoniker and Symphonieorchester des Bayerischen Rundfunk.

Repertoire: Mahler, Beethoven and Verdi.

Contact: Hannah Cooke T: +44 20 7608 9917 E: hcooke@intermusica.co.uk

www.intermusica.co.uk/singers

Contact: Hannah Cooke T: +44 20 7608 9917 E: hcooke@intermusica.co.uk

www.intermusica.co.uk/singers

INTERMUSICA | 15

BRANDING GUIDE

Artist cover sheets The artist cover sheets are designed to be sent out with marketing materials created in-house using the designed Word templates. See next page.

BALDUR BRÖNNIMANN

CONDUCTOR

BALDUR BRÖNNIMANN

CONDUCTOR

“By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

“By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

Classicalmusicguide.com

Classicalmusicguide.com

2013/14 “By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

2013/14

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

Classicalmusicguide.com

www.intermusica.co.uk/bronniman

BALDUR BRÖNNIMANN

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

CONDUCTOR

“By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

Classicalmusicguide.com

2013/14 “By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

“By the time Tiempo had ended with his two encores, the enthralled listeners felt that a true keyboard wizard had appeared, a musician of probing intellect and Latin temperament in the manner of the Chilean master Claudio Arrau.”

Classicalmusicguide.com

Classicalmusicguide.com

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

16 | INTERMUSICA

www.intermusica.co.uk/bronniman

www.intermusica.co.uk/bronniman

BRANDING GUIDE

Word artist templates The Word artist templates are created so sheets can be created and printed in-house. They use the font Arial and reflect the design and look & feel of all Intermusica marketing materials, using colours from palette.

JAMES EHNES

IAIN PATERSON

DISCOGRAPHY

VIOLIST

PRESS QUOTES

BASS-BARITONE

Adams

Music for Violin and Piano Eduard Laurel, piano

Black Box BBM 1098

Bach

6 Sonatas & Partitas for Solo Violin Sonatas for Violin & Harpsichord Vol.1 Luc Beauséjour, harpsichord

Analekta FL 2 3147-8 Analekta AN 2 9829

Bartok

Violin Concertos Nos 1 & 2, Viola Concerto BBC Philharmonic, Gianandrea Noseda Violin Sonata Nos 1 & 2; Rhapsodies Nos 1 & 2; Andante in A major Andrew Armstrong Solo Violin Sonata Sz117; Violin Sonata Sz20; Hungarian Folksongs; Hungarian Folk Tunes; Romanian Folk Dances Andrew Armstrong

Chandos CHAN 10690 Chandos CHAN 10705 Chandos CHAN 10752

Britten, Shostakovich

Britten Violin Concerto Op.15; Shostakovich Violin Concerto No.1 Op. 77 Bournemouth Symphony Orchestra, Kirill Karabits

ONYX Classics 4113

Bruch

1st and 3rd Violin Concertos Montreal Symphony Orchestra, Charles Dutoit 2nd Violin Concerto & Scottish Fantasy Montreal Symphony Orchestra, Mario Bernardi

CBC Records SMCD5207 CBC Records SMCD5222

Dallapiccola

Tartiniana BBC Philharmonic Orchestra, Gianandrea Noseda

Chandos CHAN 10258

Wotan Das Rheingold / BBC Proms Cond. Daniel Barenboim “Paterson made an impressive, lyrical debut.”

Fiona Maddocks, Guardian, July 2013 “Iain Paterson made a Wotan of unforced dignity, endowing the role with a voice of quality…”

Independent, July 2013

“I was spellbound by the most warmly and firmly sung chief god I’ve heard, able to pull out all the stops… at Wotan’s last-minute bright idea of heroic salvation.”

Huffington Post, July 2013

“Iain Paterson an eloquent and cultivated Wotan…”

Daily Telegraph, July 2013

“Iain Paterson proved a brilliant Wotan. Alongside his firm, and nuanced, baritone voice he radiated a strong sense of flawed authority. When the Giants first confronted him his face revealed his position of weakness and desperation at having no solution, alongside a total refusal to project anything other than a sense of superiority over his adversaries. Similarly, after he paid off the Giants and witnesed Fasolt’s demise, his outward show of victory was so clearly mixed with feelings of guilt and shame.”

Financial Times, July 2013

“Iain Paterson got Wotan spot on as a result. His was a subtle and brooding god, rather than the striding leader that you might have expected…It's shame not to see Paterson being given the opportunity to develop the character in the following operas.”

Telegraph Blog, July 2013

“First of this Ring’s three Wotans was Iain Paterson…: he sings the music with great nobility and sensitivity…”

Music OMH, July 2013

“Iain Paterson proved a brilliant Wotan. Alongside his firm, and nuanced, baritone voice he radiated a strong sense of flawed authority. When the Giants first confronted him his face revealed his position of weakness and desperation at having no solution, alongside a total refusal to project anything other than a sense of superiority over his adversaries. Similarly, after he paid off the Giants and witnessed Fasolt’s demise, his outward show of victory was so clearly mixed with feelings of guilt and shame.”

Music OMH, July 2013

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

“The Scottish baritone Iain Paterson was singing his first Wotan… with finesse and tonal beauty: his Wotan is a smooth customer, charming his way through the deceptions that will lead to his destruction.”

Arts Desk, July 2013

RORY MACDONALD

BIOGRAPHY

CONDUCTOR

English National Orchestra / Donizetti The Elixir of Love “Balance, tempo, pace, idiom and warmth – every imaginable quality is exactly right and the musicians play like angels under his baton. Such a talent should be grabbed and glorified in some permanent capacity by one of the major houses.”

Whatsonstage.com, September 2011

•

Canadian Opera Company – Barber of Seville (March - May 2015) Lyric Opera of Chicago - Die Zauberflöte (November 2016 – January 2017

Current repertoire BEETHOVEN: Fidelio BIZET: Carmen; The Pearl Fishers

Recent and forthcoming productions •

• • • • • • • • • •

Canadian Opera Company – Carmen (January 2010) Lyric Opera of Chicago (US debut) - A Midsummer Night's Dream (December 2010) Royal Opera House - Hansel und Gretel.

(December 2010); Il Barbiere di Siviglia (February 2011) English National Opera L’elisir d’amore (September 2011) Houston Grand Opera (debut) - Rape of Lucretia (February 2012) San Francisco Opera (debut) Die Zauberflöte (May-June 2012) Wexford Festival (debut) - A Village Romeo and Juliet (October / November 2012) Den Nye Opera, Bergen (debut) - Cunning Little Vixen (March 2013) Wiener Konzerthaus – The Turn of the Screw (March 2014) Houston Grand Opera Carmen (April-May 2014) Santa Fé Opera Carmen (June-August 2014) Royal Danish Opera Die Zauberflöte (January – March 2015)

Contact: Leyla Güneş T: +44 20 7608 9927 E: lgunes@intermusica.co.uk

BRITTEN: Albert Herring; A Midsummer Night’s Dream; Owen Wingrave; Rape of Lucretia DELIUS: A Village Romeo and Juliet DONIZETTI: L’elisir d’amore GLASS: Orphée

HUMPERDINCK: Hansel und Gretel JANACEK: Cunning Little Vixen MOZART: Cosi fan tutte; Die Entführung aus dem Serail; Don Giovanni, Idomeneo; Die Zauberflöte ROSSINI: Il Barbiere di Siviglia WAGNER: Das Rheingold

Assisted / Music Staff BERG: Wozzeck DEBUSSY: Pelléas et Mélisande MOZART: Le Nozze di Figaro PUCCINI: Turandot; Tosca VERDI: Otello; La Traviata WAGNER: Siegfried; Götterdämmerung; Tristan und Isolde

INTERMUSICA | 17

BRANDING GUIDE

A5 Flyers The A5 flyer designs include full colour photographic image on cover with overlapping transparent colour shape and information on the back. There is usually a quote on the front and name is featured on coloured shape on front. This design uses two complimentary colours within the design, and features another image on back with colour shape behind (with complimentary alternate colour behind, using Intermusica colour palette.) See below for examples.

COLIN CURRIE PERCUSSION

COLIN CURRIE Highlights 2012-2013 New York Philharmonic, Los Angeles Philharmonic, London Philharmonic, Oslo Philharmonic, Gothenburg Symphony, Orchestre Philharmonique de Radio France, Philadelphia Orchestra, Houston Symphony, Baltimore Symphony, BBC Philharmonic, Orchestre National de Toulouse, Luxembourg Philharmonic, New Zealand Symphony, Melbourne Symphony, Sao Paulo Symphony.

Concerto Repertoire Highlights LOUIS ANDRIESSEN KALEVI AHO ELLIOTT CARTER NICO MUHLY UNSUK CHIN JOHN CORIGLIANO TAN DUN HK GRUBER JENNIFER HIGDON SIMON HOLT STEVEN MACKEY JAMES MACMILLAN EINOJUHANI RAUTAVAARA CHRISTOPHER ROUSE KURT SCHWERTSIK IANNIS XENAKIS

“He performed it with an authority that left mere virtuosity behind and turned everything into musical expression.”

Tap-Dance Concerto Sieidi Two Controversies and a Conversation Double Percussion Concerto Double Concerto Conjurer Concerto for Water Percussion Rough Music Percussion Concerto a table of noises Time Release Veni, Veni Emmanuel Incantations Der gerettete Alberich Now you hear me, now you don’t Aïs

“A solo percussionist is, of necessity, a musical athlete, and the brilliance of Currie’s playing is inseparable from the thrill of watching him perform acts of tremendous dexterity that seemingly draw on endless reserves of stamina.”

Guardian

intermusica.co.uk/currie Contact Catherine Gibbs cgibbs@intermusica.co.uk +44 20 7608 9946

Conductor relationships David Robertson Marin Alsop Andrey Boreyko Dougie Boyd Martyn Brabbins Christoph Eschenbach Thierry Fischer James Gaffigan

Guardian

Giancarlo Guerrero Hannu Lintu Yannick Nezet-Seguin Andrés Orozco-Estrada Andre de Ridder Donald Runnicles Jukka-Pekka Saraste

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

ANDREW MANZE CONDUCTOR

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

ANDREW MANZE REVIEWS BBC Proms 2012 Vaughan Williams Symphonies 4, 5 & 6 BBC Scottish Symphony Orchestra “Vaughan Williams may have written some of the nation’s most requested pop classics, but a concert consisting solely of three of his symphonies is still a gamble, even at the Proms. Just such a braveheart act of audacity, however, paid off absolutely for Andrew Manze and the BBC Scottish Symphony Orchestra in this Prom, with a gratifyingly packed Albert Hall treated to passionately committed conducting and playing and, most important of all, a huge affirmation of Vaughan Williams’s enduring symphonic achievement…

The credit for much of this belongs to Manze, whose direction never faltered. The fourth had an unflagging energy reminiscent of the composer’s own benchmark recorded performance of 1937, but with the hushed moments more ravishingly realised. The fifth showed what an influence Manze is having on the string playing of the BBCSSO, conjuring glowing pianissimos at the start of the third movement Romanza and in the resolution into the home key at the close of the finale. The sixth, difficult and enigmatic as ever, was boldly led and fearlessly played, with Manze even finding an unexpected inner tonal glow deep in the famously icy finale.”

Martin Kettle, Guardian, ***** August 2012 “Conductor Andrew Manze registered all the changes of mood, but he didn’t indulge any of them. He aimed for a fleet, urgent and transparent sound, which the orchestra certainly delivered.

The approach paid off, lightening Vaughan Williams’s sometimes over-heavy scoring, and mitigating what for me is the music’s over insistent emphasis on film score tension.”

Ivan Hewett, Telegraph, August 2012 “The Fifth has always been popular for its serenity… Manze’s heartfelt, insightful account, wonderfully delivered by the BBCSSO, patiently achieved the work’s spiritual resolution. The long, long silence in the hall after the final chord spoke volumes.

The Sixth Symphony evokes the horrors of war but Manze skilfully guided us too into that Whitmanesque Unknown Region — terrain that betokens Vaughan Williams at his most searching.

Performances as fine as these demonstrate that taken together, the three symphonies embrace existential anxiety as well as sublimity: turbulent modernity as well as reassuring traditionalism.

Readings, then, that decisively scotched the charge of parochialism.

Mission accomplished.”

Barry Millington, Evening Standard, August 2012 Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

18 | INTERMUSICA

Mostly Mozart Festival 2012 Lincoln Center New York Bach, Mendelssohn, Mozart “The performance was shining and tight, responsive and lively but never exaggerated… In Mozart’s Jupiter Symphony the orchestra was focused and bright... The audience was ready for anything under Mr. Manze’s exciting direction.”

Zachary Woolfe, New York Times, August 2012 “He [Manze] impressed… with his no-nonsense authority, his interpretive warmth and reluctance to dawdle over too familiar impulses.”

Martin Bernheimer, Financial Times, August 2012 “As a conductor, he has risen quickly in the ranks, and one can see why.… Mozart’s “Jupiter” Symphony received a vibrant, nearly electrifying interpretation. Manze conducted with his whole body.

He brought out some wonderful effects by revealing buried motives normally not heard, such as the whispering strings in the transitions of the first movement or the bright and breezy wind playing in the third movement Minuetto. The finale was a non-stop whirlwind of sounds redoubling with intensity at the coda’s conclusion.”

Seen and Heard International, August 2012

intermusica.co.uk/manze Contact Bridget Emmerson bemmerson@intermusica.co.uk +44 20 7608 9916

Winner of ABO/Rhinegold Artist Manager of the Year Award 2011

BRANDING GUIDE

FOLD-UP MARKETING MATERIALS

ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA

BBC SCOTTISH SYMPHONY ORCHESTRA

September / October 2014 China

December 2014 / January 2015 China

Vasily Petrenko music director Ning Feng violin

Martyn Brabbins conductor Denis Kozhukhin piano

皇家利物浦爱乐乐团

BBC苏格兰交响乐团 2014年12月底－2015年1月初

2014年9月/10月 中国

指挥：马丁•布拉宾斯 钢琴：丹尼斯•库祖金

音乐总监：瓦西里•佩特连科 小提琴独奏：宁峰

DRAMA QUEENS

April / May 2015 Asia

Joyce DiDonato mezzo-soprano Dmitry Sinkovsky violin / director With Il Pomo d’Oro’

EUROPA GALANTE

February / March 2015 Japan and China

歌剧女皇

Fabio Biondi director Vivica Genaux mezzo-soprano

2015年4月/5月 亚洲 女中音：乔伊斯•迪多纳托 指挥：德米特里•辛柯夫斯基 乐团：黄金苹果古乐团

欧洲嘉兰古乐团 2015年2月/3月 日本，中国

指挥：法比奥•比昂迪 女中音：薇薇卡•洁娜丝

ROYAL SCOTTISH NATIONAL ORCHESTRA

ACADEMY OF ANCIENT MUSIC – ‘THE EIGHT SEASONS’

OXFORD COLLEGE CHOIR

August 2015 China

June / July 2015 China and Korea

26 October – 13 November 2015 Japan

Peter Oundjian music director

Alina Ibragimova director / soloist

皇家苏格兰国立交响乐团

英国古乐学会乐团 – “八季”

牛津大学基督大教堂合 唱团

指挥：彼得•安震恒

指挥/小提琴独奏：艾琳娜•伊贝拉吉莫娃

指挥：史蒂夫•达灵顿

BBC CONCERT ORCHESTRA

GABRIELI CONSORT & PLAYERS

2016 Asia

BBC音乐会管弦乐团

Paul McCreesh artistic director

档期：2015年6月/7月 中国，韩国

December 2015 – January 2016 China

2015年12月-2016年1月 中国

2015年10月26日 – 11月13日 日本

March 2016 Hong Kong, China

加布里埃利合奏团 2016年3月 香港，中国

指挥：保罗•麦克瑞什

Stephen Darlington conductor

2015年8月 中国

COLIN CURRIE GROUP

Repertoire by Reich, including Drumming

柯林•克里打击乐团 2016年 亚洲

斯蒂夫•里奇 – “Drumming”

作曲家史蒂夫•里奇的作品，包括 “Drumming”在内

INTERMUSICA | 19

20 | INTERMUSICA 更多信息请参考： www.intermusica.co.uk 或发送邮件 至：projects@intermusica.co.uk Intermusica为您介绍获奖的多媒体音乐项目。 他们通过多媒体的方式,将现场音乐演出和 电影片段相结合。我们可以根据场馆需求的 不同,为您和您的观众量身定制最合适的项目 模式。 Visit www.intermusica.co.uk/screen-score Contact projects@intermusica.co.uk Introducing award-winning projects celebrating film and media in live performance.

These projects can be uniquely tailored to performance spaces and diverse audiences.

多媒体项目

SCREEN & SCORE

英国音达艺术经纪公司 英国音达艺术经纪公司

何青 中国区代表 Qing He China Representative 邮箱：qinghe@intermusica.co.uk 彼得•安塞尔 巡演总监 Peter Ansell Director, Tours & Projects 邮箱：pansell@intermusica.co.uk Contact 联系人 斯蒂芬•兰姆斯顿 总经理 Stephen Lumsden President 邮箱：slumsden@intermusica.co.uk Intermusica.co.uk/tours 全新中文官方网站： http://www.intermusica.co.uk/china

2014 - 2017 亚洲巡演项目

ASIA TOURS

ORCHESTRE DE LA SUISSE ROMANDE

April / May 2016 China

Osmo Vänskä conductor Frank Peter Zimmerman violin

瑞士罗曼德管弦乐团

THE CHOIR OF KING’S COLLEGE, CAMBRIDGE

2016年5月 中国

指挥：奥斯莫•万斯卡 小提琴独奏：弗兰克•彼得•齐默尔曼

July / August 2016 Asia

Stephen Cleobury director of music

剑桥大学国王学院合唱团 2016年7月/8月 亚洲

音乐总监：斯蒂芬•克利贝瑞

BUDAPEST FESTIVAL ORCHESTRA

NDR RADIOPHILHARMONIE HANNOVER

28 September - October 13th 2016 Asia

Spring 2016 Japan, Korea, China

Iván Fischer music director

Andrew Manze principal conductor

布达佩斯节日管弦乐团

北德广播爱乐乐团

2016年9月28日- 10月13日

2016年春季 日本，韩国，中国

亚洲 指挥：伊万•费舍尔

指挥：安德鲁•曼兹

GEWANDHAUSORCHESTER LEIPZIG

OSLO PHILHARMONIC ORCHESTRA

March 2017 Asia

February/ March 2017 Asia

Riccardo Chailly Gewandhauskapellmeister Anne-Sophie Mutter violin

Vasily Petrenko conductor

莱比锡布商大厦管弦乐团

奥斯陆爱乐乐团

2017年3月 亚洲

2017年2月／3月 亚洲

指挥：里卡多•夏伊 小提琴独奏：安妮•索菲•穆特

指挥：瓦西里•佩特连科

BRANDING GUIDE