Capital Image Autumn 2015 by Helen McFadden

CAPITAL IMAGE Autumn 2015

A Publication of the Canberra Photographic Society

Image of the Night March 2015: "Yellow Field and Spire" by Leo Sbirakos.

CONTENTS Autumn 2015 3 Editorial The Canberra Photographic Society

February Competition

aims to promote excellence in

Sport and Action Theme

photography as a recreational pursuit

10 Excursion

and as a serious art form. The society

Activity Night

was formed in September 1945.

March Competition

Visitors are welcome.

Capital Image is published quarterly in electronic form by the Canberra Photographic Society. Current and back issues are available.

Aggregate Competition Results

Contacts

A Grade

Enquiries

president@cpsaus.org

B Grade

communications@cpsaus.org

secretary@cpsaus.org

AGM

treasurer@cpsaus.org

competitions@cpsaus.org communications@cpsaus.org enquiries@cpsaus.org webmaster@cpsaus.org committee@cpsaus.org

For the latest program please visit our web site

or "Calendar of Events."

President's Report Motions and Committee Members 2015

Finding a Life Passion: my journey to photography

by Marwan El Hassan 29

and click on "Program with Themes"

membership@cpsaus.org

www.cpsaus.org

The Editor Capital Image GPO Box 857 CANBERRA ACT 2001 Next edition: Winter 2015 due out July 2015

The Wet

by Marion Milliken African Safaris for Photographers

by Vladimir Rimsky-Korsakov 32

Canberra Photographic Society

News from the Ether

by Murray Foote

This magazine is copyright and may not be reproduced without the permission of the Canberra Photographic Society. Copyright for each image is retained by the photographer. 2

Editorial A warm welcome to Capital Image readers - here is the first edition of the Canberra Photographic Society quaterly magazine for 2015. We have had an excellent start to the year with good attendance at our functions and several new members joining us. We hope that you will have fun and find that the CPS activities help you reach your photographic potential. At the start of 2015 we rolled out a revamped website with a few new features. If you haven't visited the website in a while please have a look at www.cpsaus.org. On our home page you will find links to our facebook page, discussion forum, image gallery and also to a blog, where members can post articles of photographic interest. If you would like to contribute to the blog please contact me or Murray Foote. To receive email notification of new posts, please sign up on the blog page. Blog posts can range from technical articles, such as those reproduced here in the "News from the Ether" column, to discussions about where to find photographic inspiration and reflections on the history of the society. We will be having a closer look at our history than usual this year, because 2015 is the year of the Canberra Photographic Society's 7oth birthday. Editor: Helen McFadden

If you haven't already, you might like to "Like" our Facebook Page (and invite others to like it also to broaden the reach of the site).

Assistant Editor: Lenuta Quraishi

Our event program is published on our website in a spreadsheet form and also as a Google calendar. Subscribe to this calendar to receive notification of upcoming events in your Google calendar. The society held its AGM in March and elected its committee for the coming year. We thank out-going committee members for their hard work, and welcome new members. Thank you for volunteering to help run the CPS program. I would particularly like to welcome Lenuta Quraishi, who has started as Assistant Editor for Capital Image: she collated the competition images for this edition. As always, I am happy to hear from readers. If you have comments please leave them on the Canberra Photographic Society Facebook page (facebook/cpsaus.org) or email me at communications@cpsaus.org. This year the CPS committee will be examining how we organise our competitions and how we integrate competition functions with our overal web presence. If you have views on how you would like to see us do this in the future, please let us know at committee@cpsaus.org.

Helen McFadden Editor 3

February Competition

Image of the Night February 2015: "Don't Steal my Food" by Michael Taylor. 4

We kicked off our Program for 2015 with the February competition. As it was the first competition of the year there was no Set Topic, so all entries were in the Open Categories. As is often the case for the first meeting of the year, we had a great turnout and we welcomed several visitors and new members. There were 68 entries altogether; 54 A grade entries and 14 B grade entries. There were 38 images entered as projected images (56% of the field). Judge David McClenaghan currently works as a professional photographer for the Department of Defence and spent several years as a CSIRO photographer. This website features some of his photography. David gave varied and interesting commentary on the images and awarded a score of 5 and Image of the Night to Michael Taylor for "Don't Steal My Food" (see previous page). Other images that were awarded a score of 5 are "Gloomy Sunrise" by Marwan El Hassan (below) and "Reflected Tern" by Graeme Watson (following page).

"Gloomy Sunrise" by Marwan El Hassan. 5

"Reflected Tern" by Graeme Watson. 6

Clockwise from top left: "Red and Blue Door" by Leo Sbirakos, "Bee" by Leisa Condie and "Texture" by Sally Field-Leal were awarded a score of 4 in the February competition. 7

Clockwise from top left: "Emotions of Mannequins" by Julie Garran, "A Friendly Chat" by Dave Bassett and "Three Schoolgirls" by Julie Garran were awarded a score of 4 in the February competition.

Clockwise from top left: "Gorgeted Sunangel" by Brian Jones, "Bull Ant" by Margaret Leggoe and "Coast at Night - Green Cape" by Matt James were awarded a score of 4 in the February competition.

Sport and Action - Excursion Our first excursion of the year was to an ACT Athletics Event at the AIS track. This outing was organised by David Flannery and Hannah Walmsley. The CPS thanks David and Hannah and ACT Athletics for setting up access for us and allowing 10 photographers (all in regulation-issue fluoro vests) onto the field to photograph the action. It was a warm and sunny day - perhaps a bit too warm and sunny - but those who attended had a great time. David entered one of the photographs (top centre below) that he took at this event into the Canberra Times "Summer" Competition and it was featured on the Canberra Times website. Congratulations David.

Clockwise from above: Photographs of sport and action at the ACT Athletics by Helen McFadden, David Flannery, Davide Flannery, Michael Taylor and Michael Taylor.

Sport and Action - Activity Night The "Sport and Action" Activity Night was led by Karleen Minney, Photographer and Photo-editor at the Canberra Times. She was assisted by Melissa Adams and Matt Bedford, who are also Canberra Times photographers. Karleen gave an excellent presentation showcasing some award-winning sports shots taken by Canberra Times photographers of Canberra sports events and personalities. After the presentation, Karleen and her crew demonstrated their tools of the trade - some pretty impressive big glass. They even let some of us hold them!

Karleen Minney, Melissa Adams and Matt Bedford from the Canberra Times show off some of their gear at a Canberra Photographic Society Activity Night. 11

Sport and Action - March Competition

"Lone Dancer at Sunrise" by Sarah Ausserlechner scored 4 in the March competition: Set Topic - Sport and Action. 12

The "Sport and Action" Competition Night received 77 entries; 67 A grade and 10 B grade entries. Of the total, 50 entries (65%) were submitted as projected images. The judge for the evening was Geoff Comfort, a well-respected AIPP photographer and judge. Geoff has won gold APPA awards for his architecture photography and has been a professional photographer specialising in aerial, architecture and corporate photography. To see his work visit http://www.geoffcomfort.com. Geoff awarded a score of 5 and Image of the Night to Leo Sbirakos for the composite image "Yellow Field and Spire" featured on the cover of this edition. Geoff awarded a score of 5 to five images (see following pages). Other images with scores of 4 or 4.5 are also featured.

"Arctic Terns' Courtship" by Brian Jones (above left) and "Leaden Flycatcher" by Margaret Leggoe were awarded scores of 5 in the March competition. 13

"Around the Turn" by Jim McKenna (above) and "Set Down to Earth" by Graeme Watson were awarded scores of 5 in the March competition.

Clockwise from top left: "Rays of Hope" by Marwan El Hassan (5), "Blue Chinese Dancer" by Ulrike Nedomlel (4), "Contrails" by Robert Douglas (4.5), "Unless" by Brian Rope (4.5) did well in the March competition.

"Heading Out" by AndrĂŠe Lawrey (left) and "Deep in Thought" by Jenny Varela were awarded scores of 4.5 in the March competition.

Clockwise from left: "Studying the Form" by Ian Marshall, "A Cup of Coffee" by Julie Garran, "Soldier" by Leo Sbirakos, "Red-browed Finch" by Dave Bassett and "Feed Time" by Ken Thomsen scored well in the March competition.

Clockwise from left: "Clouds - Stonehenge" by Matt James, "Paros" by Jan Kulikowski, "Vienna Rathous" by David Maisch and "Bryce Canyon First Light" by Helen McFadden scored well in the March competition. 18

Clockwise from left: These Set Topic entries did well in the March competition: "Contemplation" by Michael Taylor, "Colour Action" by Matt James, "Pipeline" by Murray Foote, "What Happens Next?" by Graeme Watson, "High Flyer" by Dave Bassett, "Mother Kestrel" by Margaret Leggoe and "Gentoo Penguin Surfing for Its Life" by Helen McFadden.

Aggregate Competition: A grade results to March Photographer

Aggregate Score

Average Score

Graeme Watson

8.8

Leo Sbirakos

8.0

Michael Taylor

8.0

Julie Garran

7.5

Matt James

7.5

Peter Powell

7.3

Margaret Leggoe

7.3

Brian Jones

7.0

Dave Bassett

7.0

Helen McFadden

6.8

David Maish

6.5

Jim McKenna

6.5

Robert Douglas

6.5

Judy Parker

6.5

Leisa Condie

6.0

Murray Foote

6.0

David Flannery

5.8

Ian Marshall

5.8

Brian Rope

5.5

Jan Kulikowski

5.5

Sheila Lunter

5.0

AndrĂŠe Lawrey

5.0

Ken Thomsen

8.0

Ian Skinner

4.0

Alan Charlton

4.0

Steven Shaw

5.0

Vladimir Rimsky-Korsakov

3.0

Bill Laurie

3.0

Aggregate Competition: B grade results to March Photographer

Aggregate Score

Average Score

Marwan El Hassan

7.8

Ulrike Nedomlel

6.5

Sally Field-Leal

5.8

Gordon Gullock

5.8

Tony McCormack

5.3

Sarah Ausserlechner

5.0

Lenuta Quraishi

4.8

Jenny Varela

8.0

Tom de Jongh

7.0

Cliff Samson

6.5

Janet Milford

6.0

Geng (Greg) Wei

5.5

Jagdish Wable

5.5

Laura Gilbert

4.0

2014 President's Report At the 2015 AGM of the CPS, Ian Marshall delivered his President's Report outlining the achievements of the society for 2014 This report summarises and reflects upon the activities of the Canberra Photographic Society during 2014. 2014 saw the CPS implement some of the strategies identified by the strategic planning process. The most noticeable change was to align our monthly program to follow an integrated theme. After experiencing this during the year, at a consultation in August, members affirmed the effectiveness of this approach and provided suggestions for the program in 2015. The committee worked with this information and developed the 2015 program in time for it to be published at our end of year awards in December. The focus for continuing Strategic Planning activities in 2014 was communications. The committee wished to implement an integrated and streamlined approach to communication in the society that was in line with the CPS objective to be a: "mutually supportive and excellent photographic society through (a) helping the Society members achieve their photographic potential and (b) encouraging the Society and its members to interact with their community"1 In May - June 2014 the committee conducted a survey to canvas the views of members regarding the methods of communication that the Society uses. The goal was to find out what methods of communication members prefer and the relative importance of those methods so that resources can be prioritised appropriately. The aim was to use this feedback to develop a coherent, logical framework for the communication activities of the Society. Just over 50% of members responded to a questionnaire canvassing opinion on communication issues. In brief, the survey showed that email is the most important communication method for members regarding upcoming activities and items of interest and that the website is accessed regularly by existing and potential members. Capital Image was valued as a visual resource and record but it no longer served as a vehicle for news about upcoming events. The increasing importance of social media as a communication tool was recognised. The resulting report was accepted by the committee, which endorsed the recommendations made in response to member opinion. 1Strategic Planning Statement: 2013

Flowing from the survey, several changes and new initiatives were put in place: 1. An automated system was introduced for management of the "Members and Friends" mailing list and the Membership directory within an integrated mail management package. This has not only improved the appearance of CPS emails and made them easier to compile; it also allows people to subscribe and unsubscribe to these lists and manage their contact details and membership renewals via an automated online process. It has improved our record-keeping so that we now have a member register that meets our constitutional and regulatory obligations. 2. A monthly eNews was introduced, streamlining and making the existing email communications more regular (just before comp night each month), visually appealing and informative. Thank you to David Flannery for taking on oversight of this. 3. The website has been redeveloped, building on initiatives started by the existing web management team to automate aspects of website content and to allow the involvement of people who do not necessarily have specialist IT skills in the upkeep of the website, rather than relying on the good graces of a few with specialist knowledge. Thanks to the outgoing webmaster team of Bill Laurie and Steven Shaw for their excellent support over several years. 4. A community Facebook page was initiated as a vehicle for updates regarding upcoming CPS activities and as a platform for news and items of interest relating to recent CPS events and members' activities. This page has already received over 150 likes and each post has a reach of about 40 people. There are also CPS-member groups operating on Facebook and Google + where interested members post images and items of interest. Some members regularly post images on Instagram: those tagged #canberraphotographicsociety appear in an automatic feed on the new CPS website. Examination of the CPS constitution with a view to updating it if required had been planned for 2014 but was deferred because it was thought that upgrading the communications system was a more pressing need and a more suitable use of limited committee resources. 22

Strategic Planning for 2015

Workshops

A major focus for Strategic Planning in 2015 will be to develop a strategy that delivers an integrated online presence incorporating our communications, internet and image-handing activities.

While the CPS committee sets our strategy for the year according to our strategic planning document, we also regularly review how each part of the program is going during the year. One element of our program that is changing is the Workshop night. When we started this in May 2011 a small group viewed and discussed images, then were set an exercise for the next month (the first one was to take a common domestic object and make 12 images of it – think spoons). At the time the committee had to weigh up the risk of the additional expense of room hire against our anticipated income. If it was not successful we would have stopped after the first year. The format works best with a relatively small number of participants. Once the numbers grow, some people become observers rather than participants. I noted this as a risk in the President’s Report last year – now it has become a reality and I think that the changes that we have already made are not enough. The committee will review this at our next meeting – and will make necessary modifications from May this year.

Thinking further ahead, we will look at how we can provide the structure for members to systematically improve their photographic skills. This skill development was started in 2014 at the photographic workshop at Merimbula (thanks to the generosity of Helen and Phil McFadden with Steven Shaw assisting). In 2015 the preparation for the Merimbula workshop will take place during our April program. As we consider this, it may mean further development of our program in 2016. The CPS has continued to engage with our cultural and artistic community, formally and informally. We have talked formally with Janice Falsone (director) and Brian Rope (board member) from PhotoAccess about how we can collaborate where we have shared interest. This resulted in our annual PhotoChallenge at the National Botanical Gardens being jointly promoted. We have also discussed the prospect of facilities at the Kingston Arts precinct with PhotoAccess and ACT Government consultants. There does not seem to be a lot of scope for our involvement.

Part of the reason for this change is the welcome arrival of more new members than is usual at the beginning of a new year. Major Awards 2014

Is this the time for the CPS to develop our own premises?

Ted’s Hedda Morrison Print Portfolio – Judy Parker ‘Underfoot Painted’

Monthly Competitions

Bica Projected Image Portfolio – Dave Bassett ‘The Streets of India’

Our monthly competition continues to attract excellent entries and interest. We are thankful for our external judges who give up their time to talk for a couple of hours about our photographs. The variety of insights and different approaches keeps us from being inward looking. And keeps us on our toes – the results are not always predictable. Thanks to Brian Jones for organising the judges.

Print of the Year – Steven Shaw ‘Green Cape Lighthouse’

Exhibitions Our annual members exhibition “Out There 2014” at the Watson Arts Centre again attracted high quality entries and many visitors. Congratulations to the exhibitors and thanks to the organisers (Judy Parker and many helpers). We also were invited to stage an exhibition at Telstra Tower on Black Mountain at no cost. Our committee decided to fund 40 frames and mounts for the exhibition. This exhibition is still hanging in Telstra Tower. It will be removed in the next couple of weeks. The photographs will then be shown at the Bendigo Camera Club’s Easter exhibition. We will re-hang an exhibition at Telstra Tower with new images in late July. Another benefit of the relationship with the management of Telstra Tower is that theHedda Group meets monthly in the exhibition space.

Projected Image of the Year – Helen McFadden ‘Night Iris’ Photographer of the Year – Helen McFadden Full details of runners up and other awards, as well as of our program in 2014 can be viewed in the relevant editions of Capital Image. Committee Members, Office holders, and many other volunteers On behalf of the Canberra Photographic Society members I say THANK YOU to committee members, office holders and volunteers for your hard work during 2014. Your contribution is much appreciated ! Our monthly themes have been coordinated by different members according to their interest and availability. This method of organising the program has enabled a broader number of members to share their knowledge, to assist the society, and to spread the load beyond Program Director Helen McFadden. Thanks also to volunteers from outside the CPS who have volunteered their time to present information at our activity nights. I also record my thanks to all who make the competition night run smoothly(ish).

It is always fraught to single out specific people for thanks because that very act means that many are not singled out for mention. So, at great personal risk, I will single out two people this year. Firstly, thanks to Helen McFadden who has worked with great energy on a variety of tasks in the past year. She has not worked alone, most often the tasks have involved a few people or the whole of the CPS committee. Secondly, thanks to Alan Charlton who has been organising some of the practical aspects of setting up our meetings as well as taking on other tasks, all while still continuing to develop his photography.

Seventieth Anniversary celebrations. 2015 marks the 70th Anniversary of the foundation of the Canberra Photographic Society. We will celebrate it with a function later this year.

It is always the case that members come and go for a variety of reasons, and members serve on the committee for a time then move on. So, a couple of movements to note. Last year David Flannery took on our communications role but is unable to continue as a committee member of the CPS due to a broader commitment in public life in the ACT starting this year. Thanks David, we look forward to your continuing involvement with the CPS. Steven Shaw has notified the committee that he will not stand for committee membership this year. Something about more time for photography, talking to other members and viewing their work. Steven has served as President, Vice President and as a committee member for 10 years. Along with Bill Laurie he developed our modern website, gallery and bulletin board. Steven also developed practical aids for our display of prints as well as assisting on busy competition nights. He represented the CPS on the ACTCCCO. Thanks for your contribution Steven, we have appreciated your work and friendship on the committee.

Steven & Jim acting like tripod and monopod 19 Feb 2008

From the Canberra Times, Wednesday 12 September 1945 24

Exceptional Service Acknowledged: Jim Mason to be made CPS Honorary Life Member

At the 2015 AGM it was agreed that, to acknowledge his considerable contributions to the Society over several decades, Jim Mason will be made an honorary Life Member of the CPS. This award will be conferred at the 70th Anniversary Dinner. Jim joins Ian McInnes, who was made a life member in 2009. Hedda Morrison was also an Honorary Life Member of the Canberra Photographic Society.

From the Australasian Photo-Review June-July 1946

AGM Motions and Committee Elections In addition to the usual business of an Annual General Meeting (which includes the acceptance of the minutes of the previous AGM and the presentation and approval of audited financial statements and other business documents) the AGM considered two motions. Both motions passed unanimously after discussions when all members present had had an opportunity to present their views. Motion regarding future CPS participation in the Australian Interstate Photographic Competition: Proposed: Helen McFadden, Seconded: Steven Shaw. Preamble: I propose that the society considers whether it is appropriate for the ACT to continue to participate in the annual Australian Interstate Photography Competition run annually by the APS in conjunction with APSCON. It requires a lot of work and organisation from the CPS to organise the official ACT entry (usually in conjunction with the Southside Camera Club) and there may be different activities that are better vehicles for reflecting the photographic expertise of the society. The precise motion is worded so that the society gives the committee discretion to make the final decision regarding CPS participation in AIPC. This is to allow the committee to decide to participate again in the future if appropriate and if it decides that this is an effective use of resources for the benefit of the CPS. Motion: That the society agree that the CPS committee decide whether the CPS will participate in and/or coordinate the ACT entry in the Australian Interstate Photography Competition run by the Australian Photographic Society. The motion was passed unanimously. Motion to establish a new award - the Russell Hunt Award. Proposed: Helen McFadden, Seconded: Michael Taylor. Preamble: I am proposing that the society inaugurate a new award to be called the Russell Hunt Award. This award is in recognition of the "CPS Citizen of the Year" to be made to a member(s) who has made a significant contribution to the running of the society. The intent of the award is to honour the memory of Russell Hunt, who was a valuable CPS member and who instigated many of the current features of the CPS. The focus of the "Photographer of the Year" award would then be on photographic excellence and provision of photographic inspiration. The motion is that the society agree to the new award and the refocussing of the "Photographer of the Year" award. I propose that the society agree that the precise criteria for each award be approved by the committee. It is not intended that the criteria should change regularly but this provision is included so

that the committee has the discretion (and responsibility) to implement any tweaking that may be necessary. I am proposing that the Russell Hunt award, like the Photographer of the Year award, consist of a floating trophy, a small souvenir trophy and modest financial recognition and be made at the Annual Awards Showcase held annually in December. b. Motion to establish the Russell Hunt Award. Motion: That the society agree to the introduction of a "Russell Hunt Award" to honour the memory of Russell Hunt and to recognise a significant contribution of CPS member(s) to the life of the society. The society agrees that the CPS committee drafts criteria for the selection of the recipient of the award and redrafts the criteria for the existing "Photographer of the Year" award to take this new award into account. The CPS committee is responsible for running the selection process for these two awards. The motion was passed unanimously.

Committee 2015 The following committee members were elected: President

Ian Marshall (also Public Officer)

Vice-President

Brian Jones

Vice-President

Matt James

Treasurer

Michael Taylor

Secretary

Helen McFadden

Members

Judy Parker, Jim Mason, Tom de Jongh, Lenuta Quraishi, David Maisch,Murray Foote, Alan Charlton.

In addition to the committee, Alan Pendergast was elected auditor for 2015. If you wish to contact the committee, the email address committee@cpsaus.org goes to all committee members. Other contact details are given on the first page of this magazine, and on the contacts page of our website, www.cpsaus.org. 26

Finding a life passion: my journey to photography by Marwan El-Hassan

My life took what is probably its most significant turn when I started doing photography in November 2013. In the year before that date, I went through an ordeal that can easily break you and re-shape your perspective of life, of your very existence in this world. I am talking about cancer, lymphoma to be more specific. It was a very eventful year, and during the period between November 2012 and November 2013, I went through horrific events: cancer diagnosis, 8 rounds of fairly aggressive chemotherapy, and 3 surgeries. Despite being praised by everyone around me for my courage and positive attitude, the process left me with very deep psychological wounds. However, and to my own astonishment, I ended up experiencing what many people rightfully describe as a re-birth, a new life after cancer. In fact, brushing with death made me think very deeply about my priorities in life, and I started to enjoy what I always took for granted before cancer: to just BE, be in the present with open heart and mind; to appreciate the countless blessings of every new day; in brief, to be happy. By now, you are probably wondering why am I telling this sombre story in a place where we are supposed to write about photography, and guess what, you are right! This background however, this whole “journey”, was actually the trigger to what is now a pure, strong, even ferocious passion for photography.

A few years before all this, my wife and I had decided to buy a “real camera”. By this of course we were thinking of a DSLR (a term that was still alien to me) as being the REAL thing in comparison to our tiny “point-and-shoot” camera. Until then I had absolutely no clue about photography and cameras, and I mean I knew A-B-S-O-L-U-TE-L-Y nothing. In fact, and this is probably the first time I have publically admitted it, since I was a child, that I’ve been always intimated by photographers, who, in my naïve mind, were much more clever and talented than me; I was convinced that I would never be able to master this art; I could never imagine myself handling the “unbelievably” complicated black box! I did not even know the meaning of basic photographic terminology, such as aperture, shutter, and ISO. So here I was one day in a shop asking the experts about a “good” camera. That was risky of course, because not all vendors actually know about everything, right? Luckily, the young man who served me that day was knowledgeable enough, and he convinced me to buy a Nikon D5100 with its two kit lenses (18-55mm and 55-300mm). In the years that followed, I rarely used the camera except for some family occasions, and always on “Auto” mode. All this ended on an early morning of that unforgettable November of 2013. Emerging from my battle with big “C”, I found myself seriously depressed.

I needed something to help me cope with my “new normal” as they call it. I spotted my poor dusty camera and thought: "Why not try taking some shots out in nature?" I mentioned this to some friend and they recommended doing a short course in basic photography. In fact after only a couple of questions, they realized how naïve I was, and I now think that by suggesting I do some training, they were politely telling me how ignorant I was. Eventually, after some shopping around, I found a course that looked quite interesting at PhotoAccess, Canberra. On the first day in the course, I quickly realized that it was love from first sight! I had this genuine excitement that you feel when you finally find something that you’ve been trying to find all your life. My camera suddenly looked very different, very gorgeous! I couldn’t find an explanation for this subtle metamorphosis then and I still can’t explain it now. As the course proceeded, I finally got to know the basics of exposure, metering, composition, and so on. My enthusiasm was very obvious to everyone, and I received very positive and encouraging feedback from my instructor at the end of the course. I soon realized afterwards that this was much more than just a new hobby. I felt that I had finally found THE passion of my life. I was completely addicted to the camera, to the sound of the shutter. I started a journey of self-education and self-development and my photography skills progressed very rapidly. Today, in all honesty, I am convinced that a photographer is who I really am. I found my niche in macro photography of nature and wildlife. Whenever I feel stressed, tired or anxious, I grab my

camera and head “out there” to shoot something, anything. And you know what? There is always something interesting waiting for me, even in my backyard. Nature is undoubtedly not short of opportunities when you have a keen eye, and a passion. All I do, every time, is sit, relax, listen, and observe with an open heart and a loving soul; when I do this, I feel completely IN the moment, living the moment, and drinking from the heavenly beauty around me. I feel really euphoric when the small details of a flower’s heart, the wings of a bee, or the tip of a grass blade with dew reveal their mind-blowing beauty, and the list of amazing discoveries goes on and on and on. This contemplative photography, this mindfulness meditation that I practice every day with my camera, has been hugely rewarding, not only with good photos but also with the positive effect on my health. I know that cancer survivorship is a hard, and often long process but I totally and genuinely believe that as long as I do photography, I am OK. And this is exactly what I am intending to do for the rest of my life. My hope is to be able to communicate with everyone seeing my photos how passionate I am towards Nature photography. By doing contemplative photography, I would feel that I’ve reached the elusive peaceful place that I always dreamed of. You see, it happens that this place has always been there to me, but I couldn’t see it until I allowed photography to be the gate through which my soul crossed to the other side; to see the world through my lens. Most importantly, however, I feel that I have finally found my self, my true self, and nothing can take this from me anymore.

'The Wet' - an exhibition in Darwin by Marion Milliken

There is one view of me. Me taking the pictures. I would race out for clouds at dawn, in the heat of the day, anytime. Trudging up long sandy beaches in my sneakers which leak because of a hole, long black rugby socks, (they keep the sand mites away), black 3/4 cotton trousers marked by spilled bleach when I cleaned the bathroom one year, indiscriminate top covering arms from the sun equally bleached. Have you ever seen a beetroot wearing a big sun hat? That's me. Except the beetroot drips from the chin and nose and runnels course down my neck and I can feel dribbles under my hair on my scalp. The beauty of the beaches makes me forget all this. (Yeah right!) I carry my black bag, actually lug is the word because I feel exhausted. It contains my D800, three lenses: full frame, wide angle, telephoto; flash cards, spare battery, scarf to wear when I visit Muslim temples, $20 for coffee at the Cool Spot afterwards (if they spot me first they close the doors), notebook and pen in case I see something important like a tsunami coming. Then there is the other view of me. My friend Sandy wrestled with me in the cubicle in Blue Illusion and forced me to buy a new dress for the opening of 'The Wet'. At home I threw the tag deep into the rubbish and hid the dress. The bank manager called and ask if I had gone mad when I bought the shoes. Then the bag. Well. The dress was a straight classic navy, cowled neck, silverish shoes, and the bag was special, beaded spears of white, purple, two blues, and black. And grey Blue Illusion long beads. I toyed with my Roosevelt tiny black Scottie dog brooch, but no, it would have tipped everything over the edge. Get the picture - classic, discreet; I so wanted to look intelligent and arty. Sandy and I often visit Blue Illusion and the young thing who serves us crones is known as Team. Sandy is known as the Dresser. Me - I'm the one with the credit card. 29

What a success it was. We arrived early at the gallery. Anne, the gallery director, had done her magic. The 16 photos were mounted on canvas. They were all about a metre high and were placed around the walls with impeccable taste. John, her husband, was delivering white wine or soda, Judy was fussing with cheese and a gherkin and dead things in tomato sauce, but others seemed to enjoy them. I was too nervous. The room was getting crowded. I seemed to know quite a number! The Darwin Camera Club was there in surprising numbers. Beneath the photos and on white show blocks were Richard Raffan's masterpiece wooden bowls. He is in international collections and art galleries everywhere. He was even invited to exhibit at Victoria and Albert's China - or is it Chinese - collection in London, which of course he did to loud acclaim. Unfortunately Vic and Bertie didn't arrive. So here was I with him. Raffan enthusiasts immediately scattered red dots everywhere and included me. (What a bargain - cheaper than Blue Illusion.) The one thing we had in common was that we had roots in Canberra. Grant Tambling, who spent thirty years of his life in Canberra representing the Northern Territory, gave a great speech. He thanked Anne who has brought art to Darwin for thirty years, then me and Richard. It was not embarrassing; it was thoughtful and caring. It was another scene setter. When I think about it, we were all about thirty years doing something - I did refugee policy and Asian history. I knew we were all about the same age as I counted the walking sticks by the door. The crowd was enthusiastic and loved seeing their place in the world 'up there'. It was a special evening. Thinking afterwards I don't believe they had seen photos like this before. Usually it is Jim Jim falls, crocs, animals, birds, the inevitable sunrises and sunsets (which I refuse to shoot) whereas they walk through the golf course, the gardens, beaches; enjoy the storms. The photos shown are the ones I would say were the most emotive. Not what I expected. Some had tears in their eyes. There were three red dots at the end of the night, others being considered. So, very successful.

From the top previous page: "Low tide and big guns from the West"; "After the rains". This page: "Cyclone Activity".

Ten of us then went to dinner at Cornucopia which is in the museum building and overlooks Fannie Bay. We ate in airconditioning, were the only ones there, and we could relax. At last. At the end of the meal Rob surprised me with a big chocolate and caramel birthday cake, three gold candles, and a harmonious seven-part rendition of Happy Birthday. That's right; another big one. We are having a smaller party later with the family. So thank you one and all, you were all there with us. All part of the journey. 30

African Safaris for Photographers by Vladimir Rimsky-Korsakov

I travel to north east Africa twice a year, purely to take photographs of the animals and landscapes, mainly Masai Mara, Serengetti, Amboseli, Ngorongoro, and Rwanda for their famous Ape families. The times of the year are late Feb/early March and late October. The actual dates are flexible, but need to be organised in advance - i.e: a decision has to be made by end of July for the October trip. The final trip dates and length of stay can be decided by genuine probable attendees. The level of accommodation can range from 5-star to basic tents and the price varies accordingly. Once again the level is flexible and can be determined by attendees. I like to have a limit of four photographers to an eight-person four-wheel-drive vehicle so each photographer has a row of seats except the person in the front seat. There is a rotation of the row occupants on a daily basis. I use a commercial travel agent to book air travel arrangements. The costs are strictly based on a share basis. Once the decisions have been made regarding dates and level of accommodation, I obtain a quote and e-mail this to prospective attendees so they can calculate their share of the costs. I have stayed in 14 different locations and had contact with 9 different guides over the years. I am willing to share this knowledge and experience with fellow members and their families. I will be publishing an itinerary of my upcoming trips with additional information once my web site is finished.

If you are interested in joining me on an upcoming trip please contact me on 0407 927 773 or talk to me at a CPS meeting. 31

News from the Ether by Murray Foote

Interesting Articles from the Web The Nature of Creativity by Steve Gosling The Epson V850 Pro scanner in Context by Mark Segal. Includes a link to a very detailed review with comparisons of other scanners. Sony A7II and Tamron 150-600mm in Antarctica by Michael Reichmann A Spanish Aussie in the USA by Ignacio Palacios Astrophotography Image Processing using Modern RAW Converters by Roger Clark Macro Photography Tutorial by Spencer Cox Best and Worst Sony Lenses for A7 Cameras by Nasim Mansurov Photographing the Milky Way by Aaron Priest Astrophotography Tutorial by Wei-Hao Wang How Much Resolution do you Really Need? by Nasim Mansurov

New Nikon 300mm f/4 lens Nikon has just announced a remarkable new lens to replace the 300mm f/4D. The old lens had a reputation for excellent image quality. The new one also has vibration reduction (VR), is half the weight and is two thirds the length of the old lens, while retaining the same filter size (77mm). Judging by the official MTF charts, the image quality is also significantly improved. (Image samples).

While it won’t attain the subject isolation of the approx $6,000 300mm f/2.8, it is a quarter the weight of that lens and half the length. Initial price is $US2,000 so probably about $A2,5000. This is about what the 300mm f/4D would have cost when new. Purchasing the new lens will be attractive to some Nikon shooters; for others it will be purchasing the old model at a cheap price. The 300mm f/4 is currently down to $US1,000 in B&H and while it’s not yet on EBay any cheaper than that, second-hand prices will soon be falling fast, probably especially after the new lens starts shipping and buyers sell their old lens. It’s also interesting to speculate what this may lead to. If Nikon can halve the weight of the 300mm f/4 while including VR, what other lenses will they apply this approach to? Are they intending to introduce a new compact lens lineup before introducing a mirrorless full-frame body?

How long will your shutter last? Nasim Mansurov has an interesting post in which he considers how long the shutter of a camera will last. Your camera will have a specified number of clicks the manufacturer expects the shutter to last. A reader asked him whether she should replace the shutter on her camera because it was approaching that point. The short answer was No. A shutter can fail at pretty well any time but for most cameras it is likely to last far longer than the manufacturer specifies, longer than you will have the camera for most people. Nasim also provides a link to a very interesting database by Oleg Kikin with data on shutter life expectancy for various cameras.