Design Portfolio | 2009 - 2017

DESIGN PORTFOLIO selected works 2009 - 2017

& Lijiang Old Town, Yunnan, China

SUSAN WU susanwu34@gmail.com www.issuu.com/hellowusan www.linkedin.com/in/wususan

table of contents

6 - 19

20 - 23

24 - 27

28

29 - 35

MACAU MUSEUM OF URBAN PLANNING MMUP Nape District, Macau

THE SOUND DIVA // SOUND VENUE Atlantic Avenue, Brooklyn, N.Y.

CAMPUS DORMITORY

College of Mount Saint Vincent, Bronx, N.Y.

ARCHITECTURAL METHODOLOGY

Exploration of Abstract Forms & Architectural Spaces

∞

Curating Architecture Art Logo Design

MACAU M U S E U M O F U R B A N PLANNING

the story Macau is an intriguing manifestation of the melding of the East and the West. As a Portuguese-administered outpost in China for over 440 years, it has accumulated layer upon layers of historically rich cultural interchange, becoming a gateway into the Far East for European merchants and traders. As Portuguese rule led to the development of picturesque, maze-like streets and alleys, vibrant piazzas, and breathtaking architecture in Macau, it also molded a delicate identity and lifestyle unique only to its residents. However, evolving values of urban heritage and shifting priorities following a change in administration led to an unprecedented social and urban transformation.

the VISION

6

TERM

Fall 2013 // Spring 2014

CRITIC

William G. McNeil

LOCATION

Macau Special Administrative Region of the People’s Republic of China

CLIENT

Macau Government

SITE

Alameda Dr. Carlos D’Assumpcao Avenida Dr. Sun Yat Sen

LOT

394 Ft. x 177 Ft. // 69,926 S.F.

F.A.R.

2.86

PROGRAM

G.F.A. 200,000 S.F.

The new-age urban planning museum shall be a timeless bridge that harmonizes the multiple identities of the city of Macau. It should provide a quality environment for educating, exhibiting and appreciating the development of Macau’s culture and urban landscape. It should foster interaction between humans, the exhibitions and the current environment and become a platform for [inter]cultural discussions about the future of the city. It should be inspirational and provide the necessary resources to foster local architectural talent. The museum shall implement innovative technologies and sustainable practices, strengthening the image of the city and become a paradigm for future building and planning strategies.

7

LOCATION MACRO

REGION MACAU PENINSULA Macau Museum of Urban Planning

POPULATION 578,025

PEARL RIVER DELTA

ETHNIC GROUP 92.4%

LANGUAGES

RELIGION

83.3%

50.0%

5.0%

15.0% Catholic

0.7% Portuguese

35.0%

Chinese

Cantonese

0.6% Portuguese

Mandarin

7.0% Others

TAIPA

Buddhist

GUANGDONG PROVINCE

COTAI STRIP

Others

2.3% English

8.46

9.35

10.05

Special Administrative Region

8.55 SOUTH CHINA SEA

5.65

0.85

1.55

2.95

2.35

PRECIPITATION INCHES Sea level AVG. FEET

8

1.00

0.10

-0.16

-0.20

01

02

-0.22 03

COLOANE

MACAU

1.7% Tagalog

0.62 0.35 -0.25 04

-0.12

-0.13

-0.19

05

06

07

MONTH

0.39 0.01

-0.10 08

0.85

09

10

11

12

Flooding caused by excessive rainfall following a typhoon.

LOCATION MiCRO N

WEATHER 75-90% Humidity SUBTROPICAL Climate

temperature 50°

59°

68°

77°

°F 85°

01 02 03 04 05 06 07 08 09 10 11 12

mm

Macau Museum of Urban Planning Low Average High

Historic District Casino & Entertainment District

9

TRANSFORMATION EVOLUTION OF THE PLANNING STRUCTURE

Global INTEGRATION High

1912

Low

1936 1957 1986 1991 1996 1999 2000+

LOCAL INTEGRATION High

HUB 1

Portas Do Cerco Border Gate

HUB 2

Macau Museum of Urban Planning

Leal Senado Square Shopping District & Markets

HUB 3

Hotels

10

Low

SITE VICINITY DESTINATIONS F

A

KUN IAM ECUMENICAL CENTRE // 0.08 MI. 02 Mins.

B

G

MGM GRAND // 0.30 MI. 06 Mins.

C

D

H

E

F

K

G

M

H

A

01 Min.

SCIENCE CENTRE // 0.50 MI. 09 Mins.

N

07 Mins.

CULTURAL CENTRE // 0.20 MI. 04 Mins.

M

03 Mins.

FISHERMAN’S WHARF // 0.60 MI. 08 Mins.

K

07 Mins.

SANDS CASINO // 0.70 MI. 09 Mins.

J

10 Mins.

GUIA HILL // 1.50 MI. 31 Mins.

B

07 Mins.

PORTAS DO CERCO // 2.50 MI. 52 Mins.

SITE

C

06 Mins.

LEAL SENADO SQUARE // 1.20 MI. 24 Mins.

D

04 Mins.

GRAND LISBOA // 0.90 MI. 17 Mins.

J

05 Mins.

WYNN CASINO & RESORT // 0.70 MI. 13 Mins.

E

01 Min.

03 Mins.

UNIVERSITY OF MACAU, TAIPA // 3.80 MI. 59 Mins.

08 Mins.

N

11

DISTRICT MICRO

site accessibility 1

Buildings are over 150 feet tall and have aesthetically uninspiring elevations. Edges of the site facing these buildings will have very poor views.

2

Access from the Macau Cultural Centre, Sands Casino and Fisherman’s Wharf

3

Access from the Macau Science Centre. Access to the MMUP site is not recommended along this path unless necessary due to narrow sidewalks and heavy vehicular traffic.

4

Access from City Centers & northern parts of Macau

5

Access from the central bus station & casino shuttles

6

Access from the Kun Iam Ecumenical Centre

nape district Known as the newest and most expensive area in the city of Macau, the Nape District is also one of the most desolate and inert places.

COMMERICAL // MIXED-USE ZONE Zone 4 // Max Height: 295’-0” (90M)

B ro

adw

ay

135

t re th S

SITE 134

m rd a ste Am enue v A

BLOCK SIZE COMPARISON et

tr th S

eet

ME COM

LZ RCIA

R LUXU

YA

ONE

ME PA R T

NTS HIGHRISE B

4 1

2

3 PARK

SITE

5

C

6 CULTURAL A

LEGEnD DESTINATIONS N

12

A

Kun Iam Ecumenical Centre

B

Culture Centre

C

Science Centre

WATERFRONT

Pedestrian Access to MMUP Vehicular Access to MMUP

OUTER HARBOR

Service Access to MMUP Secondary Vehicular Access

SOLAR & WIND ANALYSES WINTER SOLSTICE

SPRING EQUINOX

SUMMER SOLSTICE

AUTUMN EQUINOX

SITE

SITE

SITE

SITE

SITE

SITE

SITE

SITE

SITE

SITE

SITE

SITE

9:00 AM

12:00 PM

4:00 PM

SEASONAL WINDS DOMINANT WINDS

NORTHLY January : February

S

S

SOUTHEASTERLY March : April

S

W

SOUTHWESTERLY May : September

W

N

N

N

NORTHEASTERLY October : December

NW

SW

S

S

13

Elevations part 1 IMAGERY The Macau Museum of Urban Planning harmonizes the multiple identities of Macau by creating a hybrid image - the old and the new, the classical and the modern, the East and the West.

BMW

WESTERN VIEW

SOUTHERN VIEW

BMW

Elevations part 2 layers The upper portion of the museum reflects the history of the city and culture through the use of patterned screens with traditional Chinese motifs and a curved laminated timber roof above the terrace. The mid-to-lower portion emphasizes the more current direction of the city through the use of modern materials such as custom zinc metal panels that reflect the map of the city, LED lighting technology and a double-skin spider clamp curtainwall system. The gridded metal panels are particuarly articulated to reflect the Portuguese mosaics found through the city of Macau.

BMW

EASTERN VIEW

NORTHERN VIEW

BMW

Welcome to the museum of urban plan As the public enter the museum, they will be engulfed by a naturally-lit wood-cladded atrium, a focal point throughout their museum experience. Through the use of advanced imaging technology, users will be able to view holograms and various visuals projected on the polished concrete floors in the lobby as they move up the building by looking through carefully placed punctures in the atrium.

The canted ceiling guides users towards the butterfly stairs that will lead them to the first and most important exhibition space the Macau Panoramic Exhibition Hall.

16

The Macau Panoramic Exhibition Hall An integral exhibit in the museum, the panoramic model serves as a foundation in learning about the growth of the city since its birth. Constantly changing as the city expands its parameters, the model allows users to analyze, discuss and visualize the future of the city.

Users navigate to the next level of the museum by following a ramp system that wraps around the panoramic model.

Various platforms at differents levels allow users to view the model from different angles of the room.

17

floor plans spatial distribution Exhibition Administrative

g

g

Lobby & Lecture Hall

02

Panoramic Model

2M

Amphitheater

Educational Back of House Service Vertical Circulation Horizontal Circulation

02 03

Exhibition Halls

05

Education Center & Lounge

Reflective of the meandering streets in the Old City of Macau, the Museum of Urban Planning is organized like city blocks. Through careful positioning of partitions, users navigate the museum in a relatively straightfoward manner, exploring a series of exhibitions that will educate them about Macau’s rich urban heritage from its birth to the present and to the future.

Two major spaces - the lobby and the panoramic model exhibition space - create a level of spatial complexity that not only binds the exhibitions and orients the users, it ultimately serves as a reminder of the true purpose of the museum.

UP

DN

2M

04

Exhibition Halls

SPATIAL ORGANIZATION

03

DN

04

05 BMW

N

18

Longitudinal section

BMW

BMW

02 5

10

25

50

model

19

Atlantic A v e n u e

sound venue

Investigation & celebration of sound ACOUSTIC is defined as the interdisciplinary science that deals with the study of all mechanical waves in gases, liquids and solids including vibration, sound, ultrasound and infrasound.

ACOUSTIC MUSIC describes the physics of music how sounds employ music as work.

ACOUSTIC ARCHITECTURE is the science of noisecontrolling and noise perception within buildings.

THE SOUND DIVA

20

TERM

Spring 2013

CRITIC

Martin Stigsgaard

team

Jennifer Cona

Location

Brooklyn, New York

SITE

262 Atlantic Avenue Boerum Hill

LOT

10,000 S.F.

PROGRAM

35,000 S.F.

Located in a vibrant urban community, the Diva is an unconventional yet classy approach to the architectural composition of sound. It parallels the energy of the neighborhood and it celebrates sound as a medicine for the human spirit. More than just a sound box, the Diva provides an elegant space for art and culture to flourish. The facility includes a cafÊ infused within the lobby that is anchored by a glamorous grand staircase, as well as a bar and a rented event space on the upper levels. The façade demonstrates a clear division of spaces with the performance space defined by a prominent copper material that floats above the glass-covered support spaces.

the lobby

21

CONCEPT

CIRCULATION ANALYSIS

LONGITUDINAL SECTION

VERTICAL CIRCULATION MAIN STAIRS

ELEVATOR + FIRE STAIRS

THE PARTS

HORIZONTAL CIRCULATION HIGH TRAFFIC

LOW TRAFFIC

+ The Box

BICYCLES

Sound Space

PROGRAM DISTRIBUTION

Others

VISUALIZING MUSIC Trentmoller : Miss You // Electronica

Concert Hall

INTERPRETATION Ambient and soothing. Revisiting a memorable past. The sound is soft, it engulfs the listener. There are moments of tremor, moments of uncertainty and disorientations.

VISUAL CONTRAsT

Transparent

Unification

Solid

PROGRAM REFINEMENT

[Semi] Public

Public

Semi-Private

REORGANIZATION

F.O.H.

Anchor

Elevation

B.O.H.

FACADE REFINEMENT

Transparent

22

Solid

Cradling the Sound-Space Solidity of the Volume. Fluidity of the Sound.

Semi-Transparent

ACOUSTICAL ANALYSIS

STRUCTURE DIAGRAM

performance hall

23

ESTCODE

N ESTCODE ESTCODE

04 ESTCODE

ESTCODE

ESTCODE ESTCODE ESTCODE

ESTCODE

03

ESTCODE ESTCODE ESTCODE

ESTCODE

02

ESTCODE

ESTCODE

ESTCODE

ESTCODE

01 TONE

RHYTHM

SONG BANK MUSIC CHALLENGE

SPEAK

SCORING

AUTO

REMEMBER

WATCH

LISTEN

MUSICAL INFORMATION SYSTEM

001-050 POPS 151-185 JAZZ 186-215 TRAD 051-085 BALLAD 216-265 LATIN 086-110 DANCE 111-130 ROCK 266-275 COUNTRY 276-305 WORLD 131-150 OLDIES

RHYTHM EDITOR

MUSIC PRESET

TOUCH RESPONSE

F E Eb

RECORDER

METRONOME

PRESET SCALE

RHYTHM EDITOR

D C# C B

MAX

Bb

POWER

MIN

A MAX

152 SONG BANK

Ab A Ab G F# F E

CASIO

Bb

B

C

C#

D

Eb

E

F

F#

G

MIN

101-150 EXERCISE 051-100 PIANO CLASSICS 001-045 WORLD EXERCISE I 051STAR MARY(A) HAD A LITTLE LAMB (A) 001 TWINKLE TWINKLE LITTLE EXERCISE II 053 JE TE VEUX (B) 020 GREENSLEEVES (B) EXERCISE III 067 ODE TO JOY (C) 046-050 EVENT 151-152 DEMO TUNES 074 FUR ELISE (D) 046 SILENT NIGHT 153-162 *USER SONGS

MAIN VOLUME MIC VOLUME

305 MUSIC PRESETS

180 RHYTHMS

001-013 8 BEAT/16 060-082 BEAT JAZZ/EUROPEAN 132-156 WORLD II 014-023 BALLAD 083-097 LATIN I 157-160 VARIOUS 024-035 DANCE 098-107 LATIN II 161-180 PIANO RHYTHMS 036-044 POPS 108-112 COUNTRY 181-190 *USER RHYTHMS 045-059 ROCK 113-131 WORLD I

570 TONES

131-160 BASS 001-020 PIANO 273-287 PIPE 554-570 DRUM SET 161-174 STR/ORCHESTRA 021-045 ELECTRIC PIANO 288-332 SYNTH-LEAD 571-575 SAMPLED TONES 175-214 ENSEMBLE 333-377 SYNTH-PAD 046-060 CHROMATIC PERC. 576-578 SAMPLED DRUM SET 215-248 BRASS 061-100 ORGAN 378-425 ETHNIC 249-272 REED 101-130 GUITAR 426-553 GM TONES

7 4 1 0

8 5 2 -

9 6 3 +

WK-200

bm E F F# G Ab A

CASIO

Bb B C C# D Eb E F F# MAX

Ab A Bb

MIN

POWER

152 SONG BANK

B

MAX

C C# Eb

RECORDER

METRONOME

E

PRESET SCALE

RHYTHM EDITOR

D F

101-150 EXERCISE 051-100 PIANO CLASSICS 001-045 WORLD EXERCISE I 051STAR MARY(A) HAD A LITTLE LAMB (A) 001 TWINKLE TWINKLE LITTLE EXERCISE II 053 JE TE VEUX (B) 020 GREENSLEEVES (B) EXERCISE III 067 ODE TO JOY (C) 046-050 EVENT 151-152 DEMO TUNES 074 FUR ELISE (D) 046 SILENT NIGHT 153-162 *USER SONGS

G

MIN

MAIN VOLUME MIC VOLUME

001-050 POPS 151-185 JAZZ 186-215 TRAD 051-085 BALLAD 216-265 LATIN 086-110 DANCE 111-130 ROCK 266-275 COUNTRY 276-305 WORLD 131-150 OLDIES

RHYTHM EDITOR

MUSIC PRESET

TOUCH RESPONSE

305 MUSIC PRESETS

MUSICAL INFORMATION SYSTEM

001-013 8 BEAT/16 060-082 BEAT JAZZ/EUROPEAN 132-156 WORLD II 014-023 BALLAD 083-097 LATIN I 157-160 VARIOUS 024-035 DANCE 098-107 LATIN II 161-180 PIANO RHYTHMS 036-044 POPS 108-112 COUNTRY 181-190 *USER RHYTHMS 045-059 ROCK 113-131 WORLD I

180 RHYTHMS

MUSIC CHALLENGE

SPEAK

SCORING

AUTO

REMEMBER

WATCH

LISTEN

TONE

RHYTHM

SONG BANK

131-160 BASS 001-020 PIANO 273-287 PIPE 554-570 DRUM SET 161-174 STR/ORCHESTRA 021-045 ELECTRIC PIANO 288-332 SYNTH-LEAD 571-575 SAMPLED TONES 175-214 ENSEMBLE 333-377 SYNTH-PAD 046-060 CHROMATIC PERC. 576-578 SAMPLED DRUM SET 215-248 BRASS 061-100 ORGAN 378-425 ETHNIC 249-272 REED 101-130 GUITAR 426-553 GM TONES

570 TONES

7 4 1 0 8 5 2 9 6 3 +

WK-200

152 SONG BANK

101-150 EXERCISE 051-100 PIANO CLASSICS 001-045 WORLD EXERCISE I 051STAR MARY(A) HAD A LITTLE LAMB (A) 001 TWINKLE TWINKLE LITTLE EXERCISE II 053 JE TE VEUX (B) 020 GREENSLEEVES (B) EXERCISE III 067 ODE TO JOY (C) 046-050 EVENT 151-152 DEMO TUNES 074 FUR ELISE (D) 046 SILENT NIGHT 153-162 *USER SONGS

305 MUSIC PRESETS 001-050 POPS 151-185 JAZZ 186-215 TRAD 051-085 BALLAD 216-265 LATIN 086-110 DANCE 111-130 ROCK 266-275 COUNTRY 276-305 WORLD 131-150 OLDIES

180 RHYTHMS

570 TONES

001-013 8 BEAT/16 060-082 BEAT JAZZ/EUROPEAN 132-156 WORLD II 014-023 BALLAD 083-097 LATIN I 157-160 VARIOUS 024-035 DANCE 098-107 LATIN II 161-180 PIANO RHYTHMS 036-044 POPS 108-112 COUNTRY 181-190 *USER RHYTHMS 045-059 ROCK 113-131 WORLD I

131-160 BASS 001-020 PIANO 273-287 PIPE 554-570 DRUM SET 161-174 STR/ORCHESTRA 021-045 ELECTRIC PIANO 288-332 SYNTH-LEAD 571-575 SAMPLED TONES 175-214 ENSEMBLE 333-377 SYNTH-PAD 046-060 CHROMATIC PERC. 576-578 SAMPLED DRUM SET 215-248 BRASS 061-100 ORGAN 378-425 ETHNIC 249-272 REED 101-130 GUITAR 426-553 GM TONES

PRESET SCALE

MUSICAL INFORMATION SYSTEM

RECORDER

POWER

LISTEN

MUSIC PRESET

WATCH

MAIN VOLUME MIC VOLUME

AUTO SCORING MAX

MIN

MAX

METRONOME

TONE

REMEMBER

RHYTHM EDITOR

MIN

RHYTHM

SPEAK

RHYTHM EDITOR

MUSIC CHALLENGE

TOUCH RESPONSE

7 4 1 0

8 5 2 -

9 6 3 +

SONG BANK

CASIO E

F

F#

G

Ab

A

Bb

B

C

C#

D

Eb

E

F

F#

G

Ab

A

Bb

B

C

C#

D

Eb

E

WK-200

F

floor plans

C O L L E G E o f M O U N T S T.V I N C E N T DORMITORY

CONVENTIONAL INSTITUTION MEETS UNCONVENTIONAL PLACE The College of Mount Saint Vincent is situated on a 70 acre campus of forested hills that overlook the magnificent Hudson River and the Palisades. Rich in natural landscapes and history, the campus should be a place that is architecturally engaging and inspiring.

Yet what the campus has is only “typical� of any institution.

Intervention // Bridging the gap TERM

24

Fall 2012

CRITIC

Joan Krevlin

Location

Bronx, New York

SITE

College of Mount Saint Vincent 6301 Riverdale Avenue

LOT

47,500 S.F.

PROGRAM

60,000 S.F.

The proposal seeks to revitalize the sense of place and community by addressing the three faces of the campus: NATURE // Forests & Hills HISTORY // Sisters of Charity ACADEMIA // Students & Faculty Campus life is mundane. It is incomparable to the vivacious winter whites, summer greens, spring blues and autumn reds. There is a clear division between the academic end of the campus facing the Hudson River on the West and the peaceful Grotto Park where the Sisters of Charity are situated on the East. The challenge is to unify the campus by creating place that fosters social and academic growth.

Model

25

FLOOR PLANS C AR DIN AUD AL H ITO AYES RIU M

Typical units

Proposed Dormitory

g BO YL E

HA L

L

DOUBLES & SINGLES Orientation of windows allow users to have different views of the site from different rooms.

MARY JER OME ELY HALL

VILLA

m

ELIZ

AB E LIB TH SE T RA RY ON

N

SCALE:

1/32” = 1’-0”

02 FACULTY TYPE 01 A small apartment unit fora family of three, this space utilizes multipurpose furniture to maximize the available space.

03

LEGEnD plans Public Space Semi-Public Space FACULTY TYPE 02 A spacious apartment unit for a single person or a couple.

Private Space Green Roof

04

N

Vertical Circulation Service Space

26

Mechanical Room

Master plan

TRANSVERSE SECTIONS

SECTION A

SECTION b

SECTION c 27

ARCHITE ctural method ology UNDERSTANDING ABSTRACT FORMS AND ELEMENTS THAT WILL ENABLE ONE TO BUILD AN ARCHITECTURAL SET OF RELATIONships

01 ARTISAN CULTURe montage Every node in Greenpoint has a story. By the waterfront, the presence of old warehouses reveal a history of commercial success and prominence. Today, only remnants of its past remain. The neighborhood is becoming evermore dynamic as its population diversifies. Once a charming neighborhood dotted with small mom-and-pop shops, Greenpoint is becoming a haven for urban artists seeking to change the perception of art and living.

What we perceive is a mundane industrial and commercial neighborhood with many antiques and oddities. What we experience is a vivacious urban culture with jazzy sounds and a rough texture. It is the “Hipster Culture”; the Urban Culture; the Avante-Garde Culture. It is not change but rebirth - to reinvigorate the “found object” through art and self-expression.

02 Rear Window architectural analysis A compelling moment in the film “Rear Window” by Alfred Hitchcock is analyzed as a relationship between the spectator and the spectacle. The moment is then translated into architectural language in which the idea of tension and relaxation is expressed diagrammatically and physically. The screen becomes a metaphorical threshold that plays three major roles: as a physical representation of the cutting action of the camera, as a curtatin that controls the user’s perception and overall experience through the space and as a moment of separation (a turning point) through time and space.

SITTING

RECLINING

LAYING

STUDY OF BODY MOVEMENT

28

STROKE OF MOVEMENT IN PHASES

THE HOMELESS NOOK

03 The HOMELESS NOOK A study of light, space and emotions. The Homeless Nook studies the forms of the human body and how a spatial environment adheres to it. The nook is constructed from strips of cardboard, an identity that many make-shift shelters in the street assume. The nook is designed to assume the body form of the sitting, laying and sleeping positions, thus giving it an ergonomic character.

CURATING A R C H I TECTURE Architecture with social & Cultural value and impact. a comprehensive practice that explores relationships between society, its users and architecture.

01 STRANDS voids reimagined To examine existing voids within a space and determine whether our implemented parabolic geometries will enhance the established architecture or move against it for purposes outside of sculpture. The forms will not only create an interesting set of shifting planes but it will also create new forms that reinforce the geometry of a normally transient space. Aside from a more artistic aesthetic in order to curate the Spitzer School of Architecture’s atrium space, elements such as columns are utilized to create focal points and thus, a more interactive guide exploring the atrium.

02 FIREFLIES To enhance the experience of the handicap ramp that wraps the corner of the Spitzer School of Architecture.

Lacking invitation to the building, the solar-powered lighting project revitalizes the space by creating a lit trail that mimics fireflies in jars in a natural setting. the ambience envisioned is that of a forest trail at night lit by sparkling fireflies; the feeling is warm, quiet & nostalgic.

THE TEAM // Melisa Cardona, Jessica Tzu Chi Tseng

& Susan Wu

THE TEAM // Melisa Cardona, Kevin Seung Min Lee, Wilson Serrano, William Tran & Susan Wu

03 THE VERTEBRAE CHAIR The chair is an exploration of the body, form and function. The challenge is to design and build a piece that improves a basic human need; a chair that conforms to the human body and withstands the elements of nature.

29

art perception Imagination

1

2

3

4

5

PASTEL 1 2 3 4 5 6

30

The Hispanic Society of America Saint Nicholas Park Eldrige Street Synagogue Still Life, Paint Brushes Still Life, Dragon Fruit Still Life, Doll & Rag

6

1

2

3

4

5

6

7

painted clay figures 1 2 3 4 5 6 7

Pikachu Planter Bulbasaur Planter Pikachu in a Charizard Costume Deadpool Iron Man Batman Kakashi

31

1

ACRYLIC PAINT 2

32

1 Koi in the Pond 2 Chrysanthemum

PIGMENTED INK Bayard-Condict Building Details 1879 - 1899 Louis Sullivan

33

PIGMENTED INK Amiya 18 Months

34

LOGO DESIGN

DR. GENE BUDGER Mount Sinai MSSM Active Application

ARCHS Mount Sinai MSSM Active Application

stax

BRAIN STAX Application in Progress

UDIO Application in Progress

35

SUSAN WU 2017