Revitalization as social stratification of Industrial community
,ĞƚƌŽŐĞŶŽƵƐͲ ƚĞůŝĞƌ /ŶĚƵƐƚƌLJ
HETEROGENEOUS ATELIER INDUSTRY
Ali Farhan Abdulmalik Abdulmawla
Dessau International Architecture School Anhalt university Department 3
First Advisor ; Krassimir Krasteve Second Advisor ; Prof; Andrea Haase
Hetrogenous-Atelier Industry Revitelization as Social Stratification of Atelier Industrial community
Ali farhan(4055653) Abdulmalik Andulmawla (4055546)
Acknowledgement; In the name of God, the Most Compassionate, the Most Merciful; Peace and Blessings of Allah be upon his last prophet, Muhammad. Special Thanks to our First Advisor, Krassimir Krasteve and second advisor Prof. Eng; Andrea Haase for giving us their precious advises and right choices to work and explore. we are extremely grateful to our parent for their prayers and support all the time, which made us to work hard. Acknowledgment is due to our special friends Lila Panahi Kazemi; Andrea Rox Rossi for their encouragment and support all the time.
Contents; CHAPTER 1
(PROJECT INTRODUCTION ).
1.1-project Brief 1.2-Research Questions.
1.3- Objective of the project.
2.1 - Framework of the Project 2.2 - Historical Aspects. 2.3 - Current Aspects. 2.4 - Programmatic and morphological transformation.
2 4 4
CHAPTER 2 (APPROACH TOWARDS RESEACH ).
abcd-
Internal and external factors. Building structures and programtic Use. Issues and problems Potentials.
8 10 12 14 18 20 22 24
2.5 - Existing Atelier Industrial Network. a b c d f-
Atelier and their types in Sishane. Product developed in sishane industry. Process invovle in sishane industry. Horizontal and vertical Dependency network connections. Potential rules
2.6 - Theories and Manifestations. a - Metabolists. b - Deterritorialization . c - City as lattice. b - Heterotopia .
27 31 32 34 41 44 45 45 46 46
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
3.1-Frame Work of Proposed idea.
3.2-Stage One. (Optimization Of Atelier Network). 3.3- Stage Two. (Optimization Of Social / Public Spaces ).
3.4- Stage Three. (Generatind Studio and Ateleir Appartments)
Biblography;
48 56 76
84
96
Hetrogenous-Atelier Industry
CHAPTER 1
(PROJECT INTRODUCTION ).
1.1 - Project Brief
1.2 - Research Questions. 1.3 - Objective of the project.
Hetrogenous-Atelier Industry
Light Manufacturing Industry.
Light and Electric 10,000 Atelier. Galata Port
Late 20th Centurey
Commercial Gentrification 3000 Ateliers
CHAPTER 1
(PROJECT INTRODUCTION ).
Project Brief project introduction
Background; The debate of the project starts from understanding an important district of Istanbul, which have significant importance from Byzantine time and used to be a metal industry and later turned as Sishane light manufacturing industry in Ottoman Empire time. In Byzantine and Ottoman empire time sishane district inhabitants used to share common interests and feed each other with their socio-economic, socio-cultural and socio political values. In early 20th century the gentrification process stated through Galata, istanbul port development, which attracted many importers from rest of the world. in late 20th century the consequences appeared and affected many industries in Istanbul specially Sishane light industry gentrification through process of high commercial values, have the led the eviction process of local skilled association with craft industry and their living and in the sishane neighborhood . in early twentieth century the whole population of local craft person used to be 10,000, which is now reduced to 2931. There are various factor which has led this eviction process to happen. High commercial value, increase of land price, tourists inclination towards galata tower and high interest of hotels construction, far east imported Chinese lighting products have deeply affected the local craft industry of sishane. Now the area has turned into business hub for imported Chinese light products. Local crafts has been reduced to its 30 percent. we can say the area has been hijacked by business class. Government does not have resources and information about importance of sisihane as informal socio economic community, which highly creative, local, globalized and long term outcome in terms of their Lighting crafts. This local industry with their specialized skill is feeding mass production industry through the collaboration of designers. The collaboration with local, international artists have triggered the value of this informal industry as positive value transformation. Generating the solution from within the communities is a real essence to promote local craft of the by giving them place to work, live and socially communicate with active member of the society. Project is about exploration and analyzing the existing urban situation in terms of social economic activities of existing network of production and their associated group of craft people in production line process and proposing perfect scenarios of communication, interaction environment as lattice.
Hetrogenous-Atelier Industry
High commercial value, increase of land price, tourists inclination towards galata tower and high interest of hotels construction, far east imported Chinese lighting products have deeply affected the local craft industry of sishane. Now the area has turned into business hub for imported Chinese light products. Local crafts has been reduced to its 30 percent. Stage A is the theoretical research stage, which have been defined through the current situation of Galat as crafts district. The current situations of the district have been explored through mapping the scenarios which happened to be as segregated community as existing or current situation. In response to current situation the Proposed scenarios as heterogeneous community in terms of deterritorializing the segregation and coming up with a lattice system as interconnected network of production of crafts within the community in order to revitalize the socio economic structure of the community. All the proposed programs like Designers, Ateliers, Retails shops, education, residential and commercial spaces act as major programs as participants and their sub categories have been analyzed in terms of possible connections, distances, and their intangible relations with each other. In stage B all of these properties of program and their essence have been mapped first as two dimensional diagrammatic Lattice then as rule based logic re define the organization of production line dependency network as a cluster and increase the amount of ateliers in each cluster by shrinking the excessive amount of commercial shops. a)- Ensuring the continuity different production line by Replacing existing excessive amount of activities. 1- Evicting the existing excessive amount of commercial spaces like (storages, retail shapes, ooperate offices) by 2-Introducing new structures/spaces and program, on damaged buildings 3-Changing existing structures/spaces into dynamic vertical network of atelier of similar type 4-Reprograming of Horizontal Atelier Network of different types as clusters based on product dependency. (distance value, Intensity of daily using each other’s skills) b)-Circulation and social spaces/public Spaces on multiple levels c)-Introducing Studio Appartments and Housing on above layers
CHAPTER 1
(PROJECT INTRODUCTION ).
Research Questions; 2-Statement and Research questions;
1-In what capacity Designers with Atelier contribute to the sustainable revitalization of PRODUCTION ? 2-What are the factors that can triggers COLLECTIVE EFFORTS and become Socio-economic drivers of the community ? 3-How to develope a balance amount of Retail shops and production line? 4-How to reduces the pure bussiness activity to an optimum level. 5-How to create internal network of production dynamics for Ateliers and designers to incease production. 6-How to create a dynamic street network on different levels for locals and tourists. 7-How to create social/public spaces for crafts and Ateliers. 8-How to introduce Housing demands of Local Atelier, to live and work togather.
Objective of the Project; 2-Statement and Research questions;
Creating a symbiotic relations ships between Designers and Ateliers collaboration of various people to empower the community as a whole. The aim is to show more creative visions for urban transformation for future transformations and other possibilities as relationship and connection among design, production and living . The project aims to reposition Galata as a creative district and contribute to the sustainability of the production networks there.
Hetrogenous-Atelier Industry
CHAPTER 2
(PROJECT INTRODUCTION ).
2.1 - Framework of the Project 2.2 - Historical Aspects. 2.3 - Current Aspects.
Hetrogenous-Atelier Industry
Heterogeneous Atelier Industry Stage One.
Historical Situation
Existing Situation
Optimization Of Atelier Network. Stage Two.
Optimization Of Public Spaces. Stage Three.
Studio and Ateleir Appartments.
Ateliers and Production
Stage Four.
Future Episodical Transformation.
Morphological Transformation. Transformation Factors.
Proposed Scanerios
Existing programtic Use. Existing Building structures
Potential Rules
Existing Atelier Network.
Historical Situation
Hetrogenous-Atelier Industry
Late 20th Centurey
In 15 year Sishane; Atelier Reduced to 3000 Gentrified by Commercial -Decorative lighting companies, -Electronics shops and wholesales, -Sellers of chandeliers and lampshades, -Suppliers, Importers,
CHAPTER 1
(PROJECT INTRODUCTION ).
Historical Aspects of Sishane; Research Statement;
In analyzing the current and future scenarios of the sishane district, history gives an important and interesting insight of the area. Sishane is situated in Galata, Istanbul that has been and is under constant transformation. Sishane has been an old manufacturing and commercial center from Ottoman times. The only difference is that, during ottoman empire the district used to manufacture light products and now western imported products have replaced the important programmatic heritage of the area , which is a disaster for Istanbul. in 19th century Galata Port trade gate of ottoman empire. gave rise to Imported light products from the west of the world started coming during ottoman empire. (Belge, 2007)
In the early 20th century, the electrification shops, and stores and retail commercial areas in the district started increasing. at that time lighting products demands were completely depending on local crafts. which later in late 20th century gradually started decreasing with increase of light importing companies. These companies acted as outside force and change the morphology of the craft industry. area started becoming commercial, prices of the sishane area got increased and local people were unable to live in this expansive area. government started promoting and helping commercial activity, forced indirectly local craft people to move out from the place with the gentrification of commercial zones, parks, importing lights from outside of Istanbul, promoting tourists facilities in the area. These ruthless decisions of municipality by buying huge amount of buildings from local crafts as an idea of conservation and lately converting them in commercial buildings tourists and business.
Fig 1. ĹžiĹ&#x;hane District in the past (Retrieved from http://istanbulresimleri.net/data/media/20/ galatakulesi1900.jpg)
Research statement
since 1920, as the electrification demands increased in Istanbul, this area became more active and known nationally and internationally. (Ingin, 2006).
Hetrogenous-Atelier Industry
re
CHAPTER 1
(PROJECT INTRODUCTION ).
Current Aspects of sishane; Research Statment;
100 years old community of Chandeliers Ateliers are facing two issues, first a copy right of their products and a slow eviction process, as the government is not directly forcing them out but taking every possible element they can survive on economically. In 15 year the Ateliers of Small-scale production have reduced to 3000, which used to be 10,000 in mid nineteenth century. “The region embodies various different features in its fabric; technical lighting companies, electronics shops and wholesales, suppliers, importers, manufacturers, decorative lighting companies, sellers of chandeliers and lampshades, design and architecture offices, artist workshops, electricians, etc.” (Kıyak, 2009)
Production Tradition; Fig 2. Sishane District today (photograph by us)
Workshops have produce by using hand skills, teach to apprenticeships and contribute in socio economic structure of the community. This tradition have been followed up from many generations. This production method based on manual labor, transferred from generation to generation through the relationship of master and apprentice.
Mode of production is quite sustainable In sishane area Ateliers are using simple equipments, machines and hand tools and their workshops are harmless to environment. “The diminishing numbers of Ateliers and their associated workshops have a strategic importance for the manufacture-design relationship and could undertake important tasks in the future. This type of manufacture would be instrumental for designers in various ways; such as flexible and customer-focused production, project based special manufacturing, possibility to produce prototype and interactive working environment.” (Kıyak, 2009) “Small-scale production has a lower operating cost compared to the large-scale production. Smallscale production, as much as being economical, is a social phenomenon.” (Ağaoğlu, 1940).
Research statement
Mode of Production;
Atelier Retail Material construction Material
CHAPTER 1
(PROJECT INTRODUCTION ).
Production Network
Sishane, a 100-year-old cluster of the informal lighting industry.
Mode of Production
Production tradition
Production Network
Hand made Crafts
Mastership_ Apprenticeship
Actors and their activity
Welding,sawing, leveling, Polishing, coating No heavy machines
Apprenticeship _Semiskilled _Mastership _Management Chanelier Makers
Masters_team Parts suppliers (Raw materials)
Effort and patience
Sishane is a school for lay people
Hand skills
Self- taught tradesmen manufacturer, artisians Father to son People used to value craft Sishane, a 100-year-old cluster of the informal lighting industry. Atelier _Atelier
Research statement
http://morethandesignist.wordpress.com/
Atelier network apparently appears less important but once analyzed as connected network of production the associated actors of the area defines economic scale through their unified existence and connections to the shared production network. This Manufacturing network permeating the city functions like a living organism with its multi-optional and flexible production and sales network, create an eco-system that is unique to that location. There is dynamic network of relationships among all these urban actors, which is based on products. “ Şişhane also has a network structure and this network is used effectively by designers, artists, architects, project developers, end-users etc. There can be a use of network indirectly via a workshop, as well as by following-up one by one each production scale over network. Through the existing network in the district, variety of workshops, materials and products are accessible in a walking distance. “(Kıyak, 2009)
Hetrogenous-Atelier Industry
External Factors
Internal Factors
Are those that have effcted the relationships among Actors, space and production (rate,capacity, quality).
The out side forces likeTrends, Policies, Globalization, Tourisim
Sishane Transformation Factors
Local Authority
Fashion Designers
Designers Involvement
Istanbul Biennale
Industrial Involvement
TRANSFORMATION
POTENTIAL Mode of Production
Production tradition
Production Network
Tourist
CHAPTER 2 (APPROACH TOWARDS RESEARCH ).
2.4 - Programmatic and Morphological Transformation.
abcd-
Internal and external factors. Building structures and programtic Use. Issues and problems Potentials.
Hetrogeneous Atelier Industry
Transformation Factors
Revitelization as social stratification of Sishane District
Morphological Transformation.
Collaboration Among Ateliers and Designers
-Fashion Industry -commercial Zone -Eviction of Ateliers
Retail Shops
-Demands of Electric /light Products.
Collaboration Among Ateliers and Designers
-Tourists Hotels
Galat Port
Internal/External factors
Impact of Factor Production Methods
Trade
Promotion of light
Ateliers started Producing/selling Light products
Commercial Gentrification
-Imported chinese products -Lack of creativity among Ateliers
7000 Ateliers Evicted
Land Mafia High price Land
International promotion
Promotion of Local Ateliers Internationaly
Ateliers collaboration
Introduced Techniques and Technology
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
a-Internal and external factors of transformation programmaric and morphological transformation.
The whole sishane area is under constant transformation. There are mulitlple factors, internal and external which have consequences the manufacturing industry of this potential district.
Internal factors;
The eviction procees of ateliers have led the increase of commercial activites and eneded up as less space available for ateliers.In sishane one majore factor as dependany on each other is getting reduced because their task is being reduced as imported good and cheap imported far east light products, are replacing it and increasing independency ,lack of creativity and coping from each other, resulted as low design and production quality, Lack of social interconnection among spaces and Ateliers.
Gentrificantion by government policies, like Fashion designers promotion and intense commercial activites of bussiness and companies, is increasing the property and land prices.This kind of factors is trnasfoming the real essance and values of community from production, creative industry to bussiness hub, which is unhealthy for Sishane community.
Land Price Change
Opened Business - 15 Years 30
1998 - 2002 2003 - 2007 2008 - 2012
25
8000
20
6000
15
4000 10
100
5
Restaurants & Cafes
Manufacturing Lighting Elem
Manufacturing Chandeliers
Retail Sale of Lighting
Retail Sale of Lighting Parts
WholeSale of Lighting Parts
WholeSale of Construction Mat
WholeSale of industrial & Elect.
1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012
Programmatic and Morphological Transformation.
External factors;
9th - 13th Storey
Hetrogenous-Atelier Industry
1st & 2nd Storey 3rd & 4th Storey 5th Storey 6th Storey 7th Storey 8th Storey
7th Storey 8th Storey 9th - 13th Storey
5th Storey 6th Storey
3rd & 4th Storey
1st & 2nd Storey
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
Buildind Structures Transformation;
programmaric and morphological transformation.
Programmatic and Morphological Transformation.
Existing building structure have greater impact on transformation process of existing manufacturing prcess. The internal and external factors have completly changed the values of production, maufacturing network. in history the existing buildings used to be two to three stroies high and were used to be maufacturing and housing neighbourhood for local Ateliers. With the increase of commercial activity during last twenty years the whole morphlogy has been changed into big structures till 10th storey buildings. These structure now consists from single storey to 10th storey buildings. From 5th storey to 10 storey buildings moslty have retail shops and their storgaes, offices and appartments .
Hetrogeneous Atelier Industry
Existing programtic Use.
Revitelization as social stratification of Sishane District
Hetrogenous-Atelier Industry
Existing programtic use of buildings on different Floors;
Existing land Use in layers 3 to 10 storey Buildings
1st two levels
Retail Shops
3rd & 4th levels
Retail Shops+Ateliers
5th & 6th levels
Storages+Appartments
7th to 10th levels
offices
Appartments Storages Retail shops Ateliers
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
Programtic Use of Buildings;
programmaric and morphological transformation.
“The network system in the area and groupings along the vertical axis in terms of buildings and commercial houses consist of multi-optional structures where different stages of production and sales are organized. In such groupings, shops and tea buffets are located in the entrance, the middle floors house interim models where production and sales are in joint operation, and on the upper floors can be found workshops that produce spare parts. Alongside this system can also be seen different models where functional areas such as shops, offices and accounting departments are also housed. The groupings along the horizontal axis in terms of streets, consist of production and sales units specializing in certain products being located on the same street. The condensation of certain products like decorative illumination units, electrical appliances and glassworks on different streets contribute towards visibility and is therefore etched in the annals urban memory.” (Ömer Kanipak, 2012)
Programmatic and Morphological Transformation.
In the left side mapping, shows the horizantal and vertical network of retail and production. As teh existing structures consits ffrom single to 10th stoery building , mostly occupy retail shops at lower level. The tall buildings have retail shops till four level of builings. above that storage and offices. and in rare cases it has soem appartments. The lower building till three and four story high has retail shops at first two levels and Ateleir have been pushed on above levels of these buildings. The segregation of these Ateleirs have affected the communication among ateliers and affected the creative process of production.
Hetrogenous-Atelier Industry
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
Potentials
programmaric and morphological transformation.
In recent time, workshops and manufacturing process have been inclined towards designers and architects to focus on producing international standard products in small amount of number. But this interaction have given a remarkable importance to the area.
100 years old tradition with the collobration of potential ateliers togather has the capcity to produce quality products. The colloboration and empowerment is the key issue to resolve the crises in production line prcess. For example is europe and usa the connection amaong ateliers and designer has completey perieshed .Now they started to engaging by creating small scale workshops and introducing technological incorporation with the advant of laser and 3d printing techniques. “In comparison, small production sites like Şişhane and Kapalıçarşı in Istanbul are still continuing to offer important opportunities. Only at a walking distance, these sites provide opportunities for innovative ideas to meet with a firmly-grounded knowledge of crafts. These sites, with their extroverted, flexible and interactive production models are valuable assets not just for creative players but also for the locals and universities. In their openness to new experiences, they can even partake in alternative tourism.” (Ömer Kanipak, 2012)
Programmatic and Morphological Transformation.
“Despite suffering losses as a result of the economic crises of the 1990’s, governmental policies to remove production from the city centre, and increasing pressure from the real estate sector, Şişhane has been able to sustain its production capacity.”(Ömer Kanipak, 2012)
Hetrogenous-Atelier Industry
Production Network URBAN Actors
Atelier
Designers
Retailers
Apprentice
Service providers
Office Employes
Coustomers
Tourist
CHAPTER 2
2.5 - Existing Atelier Industrial Network.
(APPROACH TOWARDS RESEARCH ).
a - Atelier and their types in Sishane.
b - Process invovle in sishane industry. c - Product developed in sishane industry. d - Horizontal and vertical Dependency network connections. f - Potential rules
Hetrogenous-Atelier Industry
Atelier and their types; current aspect of sishane
Different workshop types in Şişhane. Ateliers useable spaces
The ones started as a workshop, transformed into institutionalized companies and shifted their production to outside of the city, • Companies that have shop and workshop in Şişhane, • Workshops that are mostly producing for architects, designers, shops and other lightening companies, • Workshops doing intermediary operations • The ones selling semi-finished products and lightening materials.
Retail/ storages
Circulation
Combined layers
Ateliers useable spaces in sishane
Hetrogeneous Atelier Industry CHAPTER 2 (APPROACH TOWARDS RESEARCH ). Revitelization as social stratification of Sishane District
Existing programtic Use of Ateliers. 3rd & 4th levels
3rd & 4th levels
Ateliers
3rd & 4th levels
Ateliers Types
Atelier/selling
Electrical Atelier
Metal specialized Atelier
Paint
Lighting trade/chandelier trade Laser
Wire Atelier Glass-Acrylic
Lamp shade sell/ Ateleirs Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts
Wood
Paint/polish Wood Welding Damaged buildings University
Existing Atelier Industrial Network
3rd & 4th levels
Retail Shops
Hetrogenous-Atelier Industry
b - Process invovle in sishane industry.
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
Wire Atelier is working with designers on a loght product http://morethandesignist.wordpress.com/
Laser cut machine is being utalized to creating pattrens over wood
Metal Atelier working with wire Atelier, Producing a light product for a product design student in local university
Metal Atelier is making a frame for a chandelier
http://morethandesignist.wordpress.com/
Acrylic Atelier working with dsigners on a project
Metal Atelier is making some parts ,which has to be put togather to make a chandelier. http://morethandesignist.wordpress.com/
Existing Atelier Industrial Network
http://morethandesignist.wordpress.com/
Hetrogenous-Atelier Industry
c - Product developed in sishane industry.
CHAPTER 2
Glass product produced by glass Ateliers. This is chandelier have been manufactured by loca craft’s man. This product has been done with collaboration of other ateliers.
http://www.detnk.com/node/3164
Specialized Glass manufacturing with the collaboration of metal and electric atelier Produced this interesting product
Laser cut acrylic sheet with the collaboration of electric atelier, product has been produced http://lh4.ggpht.com/abramsv/ R4HXZkKUiWI/AAAAAAAACmk/8ocIqdv1PIA/s800/bubble30.jpg
Metal Atelier with collaboration laser cutting Atelier, Electric Atelier this light product have been produced. http://morethandesignist.wordpress.com/
Glass Atelier and Wire Atelier Have produced this light product. Imported crytal glass have been designed .
http://www.kadinlarplatformu.com/ avize-modelleri.html/sik-avize-cesitleri
Existing Atelier Industrial Network
Lamshade and wire Ateliers with teh collaboration with electric atelier, produced this product
(APPROACH TOWARDS RESEARCH ).
Hetrogenous-Atelier Industry
CHAPTER 2
(APPROACH TOWARDS RESEARCH ). 2.5 - Existing Atelier Industrial Network.
d - Horizontal and vertical Dependency network connections.
current aspect of sishane
Different workshop types in Şişhane. The ones started as a workshop, transformed into institutionalized companies and shifted their production to outside of the city, • Companies that have shop and workshop in Şişhane, • Workshops that are mostly producing for architects, designers, shops and other lightening companies, • Workshops doing intermediary operations • The ones selling semi-finished products and lightening materials.
Hetrogenous-Atelier Industry
Atelier and their types;
2%
Glass
5% 3%
Wood
10%
Electrical Paint Metal
8%
21%
12%
Lampshade Wire
Lasercut Welding
9% 30%
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
Atelier and Atelier
Lampshade Atelier
Product design , manufacture by Designer and atelier
Atelier/selling Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding Damaged buildings
Glass Atelier
Glass Atelier
University
Existing Atelier Industrial Network
Metal Atelier
Atelier Horizantal Network
Revitelization as social stratification of Sishane District
Designer and Atelier
1
Designers
2 Wire Atelier 1
Product design , manufacture by Designer and atelier
5
Hetrogenous-Atelier Industry
Hetrogeneous Atelier Industry
22
2-3
4
3
bringing for paint
Atelier/selling
4
Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts
3
Painter
Paint/polish
4 Electric Light Atelier
Wood Welding Damaged buildings University
CHAPTER 2 (APPROACH TOWARDS RESEARCH ). Hetrogeneous Atelier Industry
Atelier Horizantal Network
Revitelization as social stratification of Sishane District
Designer and Atelier
2
1
Metal Atelier
Designers
2 3
Wire Atelier
4
3
Product design , manufacture by Designer and atelier
Atelier/selling
4
Wir/Welding
Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding Damaged buildings University
Existing Atelier Industrial Network
1
Hetrogenous-Atelier Industry
Sheet Metal/lamp shade sell Wire Metal/ Wire sell / Paint Glass/ glass sell Electrical manu/electrical parts Acrylic/plastic/Paint Wood Lighting trade Damaged buildings University
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
A C
D B
C B
A
Vertical Network
C A
D B
Existing Atelier Industrial Network
D
Hetrogenous-Atelier Industry
Hetrogeneous Atelier Industry
Atelier Network depandancy Ranges
Metal Atelier
Lamp shade Atelier 200 m range
Wood Atelier 220 m range
Wire Atelier 260 m range
Metal Atelier 300 m range
160 m range
Revitelization as social stratification of Sishane District
Atelier/selling Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding Damaged buildings University
(APPROACH TOWARDS RESEARCH ).
CHAPTER 2
Hetrogeneous Atelier Industry
Atelier Network depandancy Ranges
Revitelization as social stratification of Sishane District Paint
Metal
Lampshade
Laser
Metal
Lampshade atrelier
Paint
Wood
Glass
Lampshade Wire
Electrical
Metal
laser
Paint
Laser
Welding
Welding
wire
Welding
electrical atelier
Electrical
Laser
paint
Paint
Glass
Welding
Paint Wood
Metal
Laser
Metal
Welding Atelier/selling
Wire
Lighting trade/chandelier trade
Glass
Laser
Electrical
Laser Glass
Electrical
Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish
Wood Lampshade
Wire
Wood Welding Damaged buildings University
Existing Atelier Industrial Network
acrylic
Hetrogenous-Atelier Industry
(APPROACH TOWARDS RESEARCH ).
CHAPTER 2
2.6 - Theories and Manifestations.
a - Metabolists.
b - Heterotopia. c - City as lattice. b - Deterritorialization
Metabolism.
Metabolists defined the thought to represent the idea of architecture and citites that have the potentials to grow, change and transform in its environment. Metabolism came up once the japan came out of the concequences of world war and whole world was enetering in mass production economy. Architects urbanists in 60s realized that cities should be expanded in an interesting way. Japan is now facing big decisions about its future. Expansions or newly added layers without disturbing its exiting situation play an important and interestign logic to build a hybrid of new and old to ensure social and economical values.
City in the air. Arata Isozaki, 1961. The young architect, dissatisfied with the chaos of Tokyo, raised an orderly city completely separated from that laid in its base, whose branches were born from central mega-columns.
Hetrogenous-Atelier Industry
http://architecturalmoleskine.blogspot.de/2011/10/ metabolist-movement.html
Deterritorialization:
Gilles Deleuze http://poars1982.files.wordpress.com/2008/05/deleuze.gif
Gilles Deleuze states deterritorialization is about to take territories and order away from a situation and defined an idea to overcome that situation. it can be set rules/ norms/values/ethics/ culture/ social and economic values. For example all the species were first territorialized in the sea , later some species deterritorialized by migrtaing to land and then they were reterritorialized on the land. �Establish a new relationship, a new process, a new interaction, a new interlinking, provide a new concept, re-define, re-configure, re-combine,the attributes.So here come the idea of reterritorialising as emergence of local community into global culture. in this process culture is simultaneously deterritoriasied and reterritorialised in different parts of the world as it moves. As cultures are uprooted from certain territories. they gain a special meaning which they are taken into.�(Gilles Deleuze,1972)
Lattice Structure and City as lattice.
http://www.slate.com/articles/arts/architecture/2009/12/do_you_ see_a_pattern.html
CHAPTER 2
(APPROACH TOWARDS RESEARCH ).
“The tree of my title is not a green tree with leaves. It is the name of an abstract structure. I shall contrast it with another, more complex abstract structure called a semilattice. In order to relate these abstract structures to the nature of the city, I must first make a simple distinction.” (Christopher Alexander) To explain the idea , the example of semilattice axiom shows in fig A,B and C,D. Collection of numbers makes a semilattice, as two overlapping sets belong to the collection, the set of elements common to both also belongs to the collection. The idea illustrated in diagrams A and B is a representation of semilattice. It satisfies the axiom since, for instance, [234] and [345] both belong to the collection and their common part, [34], also belongs to it. The structure illustrated in diagrams C and D is a tree. Since this axiom excludes the possibility of overlapping sets, there is no way in which the semilattice axiom can be violated, so that every tree is a trivially simple semilattice.
“Hetero-architecture suggests a way of using otherness, hybridization and informality as creative responses to what is now an impasse: the conflict of dominant cultures with their subordinate minorities.”
Michel Foucault httpwww.lgbthistorymonth.comsitesdefaultfilesicon_ multimedia_imagesFoucault_A.jpg.jpg
Cross-programming offers new points of contestation, accretionary spatial characteristics facilitate changing demands of space as the programmes that inhabit the spaces evolve and the privatization of perceived public space offers a degree of control – and an ulterior order not comprehendible in ‘real’ space. (Johnson, P., 2006) “Heterotopias house all exceptions to the dominant city model. A heterotopia isa place that mixes the stasis of the enclave with the flow of an armature, and in which the balance between these two systems is constantly changing.”(David Shane)
Theories and Manifestations.
Heterotopia
Hetrogenous-Atelier Industry
4.1-Frame Work of Proposed idea. CHAPTER 4
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
CHAPTER 4
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
PROPOSAL > a)-Replacing structure with existing Fabric 1-Evicting the existing excessive and creating balance amount of spaces like (storages, retail shopes, copperate offices) 2-Introducing new structures/spaces and program, on damaged buildings 3-Changing existing structures/spaces into dynamic vertical network of atelier of similiar type 4-Reprograming of Horizantal Atelier Network of different types as clusters based on product dependancy (distance value, Intensity of daily using eachother’s skills) b)-Circulation and social spaces/public Spaces on multiple levels c)-Introducing Studio Appartments and Housing on above layers
CHAPTER 4
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Stage One.
Optimization Of Atelier Network. Stage Two.
Optimization Of Public Spaces. Stage Three.
Studio and Ateleir Appartments. Stage Four.
Proposed Scanerios
Potential Rules
Frame Work of the Proposed idea
Future Episodical Transformation.
Hetrogenous-Atelier Industry
Collaboration
Production
Social Values Craft Industry
Knowledge/ learning
Living
Preliminary Issues of Sishane creative industry;
1-Increase of imported products, reducing local Craft production. 2-Reducing Creativity and Production process of Craft in sishane area. 3-Segregation among spaces, programtic Connections, Public spaces. 4-Gentrification by bussiness class and tourist approach. 5-Eviction process of local skilled Atelier. Reduced from 10,000 to 2931. 6-Housing for Local is being reduced by storages, offices and retail shops
Argument for the PROPOSAL:
1-How to develope a balance amount of Retail shops and production line? 2-How to reduces the pure bussiness activity to an optimum level. 3-How to create internal network of production dynamics for ateliers to incease production. 4-How to create a dynamic street network on different levels for locals and tourists. 5-How to create social/public spaces for crafts and Ateliers. 6-How to introduce Housing demands of Local Atelier, to live and work togather.
CHAPTER T
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ). Appartments Storages Retail shops Ateliers Offices Social spaces
Existing land Use in layers
Connectivity
Connectivity
Proposed land Use in layers
Frame Work of the Proposed idea
Connectivity
(approaCh towards design and future transformation ).
the exisive amount to shops to be replace are the ones that occupies the whole building, such structure exists in the ones occupied by Chandeliers Selling and electrical parts Selling.
Offices
Storages
Shop Stage one + Stage two (optimization of social space Network)
Hetrogenous-Atelier Industry
Chapter 4
Full commercial buildings
Street level
Office level
Storage Level 72
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
hetrogenous-atelier Industry
all Shops in Site tree types of Shops : Chandeliers Selling electirical parts Selling Street level shops dependant on ateleirs activities
Chandaliers Shops
Electrical Parts Shops
Analyzing Existing Situation t
All Shops Availabel
Street level Shops - connected to Ateliers 71
Hetrogenous-Atelier Industry
4.2-STAGE ONE (Optimization Of Atelier Network).
SINGLE CLUSTER.
CHAPTER 4
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Stage One.
Optimization Of Atelier Network.
Optimizing Ateleirs Densities
Group Walking Distances
Clustering Dependant Groups
Growing Interlocked Clusters
Iterations of Clustering
Potential Rules
Stage one (optimization of Atelier Network)
Groups Dependancy & Range
Proposed Scanerios
Hetrogenous-Atelier Industry
Distances (Ranges) of one cluster
Low Dependancy
Medium Dependancy
High Dependancy
ndancy
High Depe
Metal 40 M
ete
rs
ium D
Med
D
ancy
w Lo
cy
an
nd
e ep
d epen
Welding
Laser
Paint
Wood
Electrical
High Dependancy
Medium Dependancy Low Dependancy
Wire 80 Meters One Munite Walking Distance
160 Meters Two Munites Walking Distance
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
CHAPTER 4
Intensity(amount of each atelier dependant on each other
1 5%
Welding
40%
40%
Acrylic
Wood
Wire
Paint
Lampshade
6%
7%
8%
9%
12%
Electrical
20%
32%
Metal
Wood
Wire
Paint
Electrical
33%
33%
40%
33%
ndancy
High Depe
Metal 40 M
40%
ete
rs
e ium D
Med pend
Welding cy
ancy
an
d en
p
w Lo
De
40% Paint 33%
33%
Wood
High Dependancy
Medium Dependancy Low Dependancy
Electrical
33% Wire
40% Laser
Stage one (optimization of Atelier Network)
Welding Lasercut
Hetrogenous-Atelier Industry
Laser Electrical Paint
Wood
Metal
Welding Wire
Paint
Metal
Welding Metal
Wire Electrical
Laser
Wood
Atelier/selling Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding Damaged buildings University
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Dependancy Network: Dependancy weight for each Ateliers Participating on the production Maximum walking distance
Clustering Dependant Wood Group Low Dependancy
Exisitng Cluster
Atelier/selling Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding
33% Dependancy Ratio of Ateliers needed compared to the size of the main group
Proposed Cluster
Stage one (optimization of Atelier Network)
80 M Walking Range
Hetrogenous-Atelier Industry
3.2-STAGE ONE (Optimization Of Atelier Network).
MULTIPLE CLUSTERS
CHAPTER 3 (APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Medium
Metal Metal Wire Elect Glass Wood Lampshade Paint Lasercut Welding
Medium
Wire 33%
High
Elect
Glass
33%
Wood
Lampshade Paint 40%
33%
40%
33%
40%
50%
66%
33% 20%
33% 66%
33%
17%
Lasercut 40%
40%
Welding 50% 50%
10%
40%
10%
20%
66% Service Service Service
Stage Two (optimization of Multiple clusters of Atelier Network)
Intensity(amount of each atelier dependant on each other
Hetrogenous-Atelier Industry
Laser Electrical Paint
Wood
Metal
Welding Paint
Wire
Metal
Welding Metal
Lampshade
Glass Welding
Metal
Electrical
Laser
Wire Wood
Glass Lampshade Wire
Paint
Atelier/selling Lighting trade/chandelier trade Laser
Welding
Lamp shade sell Sheet Metal/lamp shade sell Wire Atelier Glass/ Acrylic Electrical manu/electrical parts Paint/polish Wood Welding Damaged buildings University
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Laser Electrical Paint
Wood
Metal
Paint
Wire
Metal
Lampshade
Welding Metal
Lampshade Glass
Laser Welding
Metal
Wire
Electrical
Wood
Glass
Atelier/selling
Wire
Paint
Lampshade
Glass
Lighting trade/chandelier trade Laser Lamp shade sell Sheet Metal/lamp shade sell
Welding
Electrical
Wire Atelier Glass/ Acrylic Electrical manu/electrical parts
Wood Lampshade
Wire
Paint/polish Wood Welding Damaged buildings University
Stage Two (optimization of Multiple clusters of Atelier Network)
Welding
Hetrogenous-Atelier Industry
Cluster#1
Cluster#2
Cluster#2
Cluster#4
Cluster#4
Cluster#5
Cluster#5
Cluster#8
Cluster#9
Cluster#9
Cluster#9
Cluster#1
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Cluster#3
Cluster#3
Cluster#3
Cluster#3
Cluster#6
Cluster#7
Cluster#7
Cluster#8
Cluster#10
Cluster#10
Cluster#11
Cluster#11
Stage Two (optimization of Multiple clusters of Atelier Network)
CHAPTER 4
Hetrogenous-Atelier Industry
Existing
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Proposed
Stage Two (optimization of Multiple clusters of Atelier Network)
CHAPTER 4
Hetrogenous-Atelier Industry
Stage One.
Optimization Of Atelier Network. Stage Two.
Optimization Of Public Spaces.
Defining Social Roof tops
Closest Roof to Group Center
Optimizing Group Social Space
Bridging Cluster Social Spaces
Overlaping Clusters Links
Proposed Scanerios
Potential Rules
3.2-STAGE TWO (Optimization Of Social space Network).
OPTIMIZATION OF SOCIAL /PUBLIC SPACES
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
Street Access to Upper Level Social Space
Unbuilt Space between buildings
One Story Buildings
Paint Metal
Lampshade
Damaged Buildings
Welding Metal
Glass
Laser
Welding
Wire
Electrical
Link Two Vertical Accesses
Wood
Lampshade
Social spcaes Bridges/ramps
Physical Connections (bridges, ramps) of social spaces
1st & 2nd Storey 3rd & 4th Storey 5th Storey 6th Storey 7th Storey 8th Storey 9th - 13th Storey
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
CHARACTERISTICS OF SOCIAL SPACE;
Social space network
Access from Street Level or from one story buildings
Maximum Distance is 80 Meters , one munite walking distance
Stage two inculeds the optimzation process of social space, which is the part one cluster. Each Social space provides public activities for designers, Ateliers as well as for housing. So we can say each cluster is connected to another cluster through a social space. Each social space is connected to another with a onnecting device like a bridge or ramp. These social spaces exist on threeor fourth level of the Atelier network of clusters. The above social spaces is connected to the lthe social space at lower level, which is teh part of the street.
All Buildings under 5 Stories are petential Social Space over their roof
Stage TWO (optimization of social space Network)
Each cluster have mutliple social spaces that are connected to the central group of cluster. over the whole site the clusters dependancy cuntinue to provisde more social spaces and eventual more bridges , which increase the accesability of the cluster and any of the surrounding clusters to each other.
Hetrogenous-Atelier Industry
Cluster#1
Cluster#2
Cluster#2
Cluster#4
Cluster#4
Cluster#5
Cluster#5
Cluster#8
Cluster#9
Cluster#9
Cluster#9
Cluster#1
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Cluster#3
Cluster#3
Cluster#3
Cluster#3
Cluster#6
Cluster#7
Cluster#7
Cluster#8
Cluster#10
Cluster#10
Cluster#11
Cluster#11
Stage Two (optimization of social space Network)
CHAPTER 4
Hetrogenous-Atelier Industry
Stage One.
Optimization Of Atelier Network. Stage Two.
Optimization Of Public Spaces. Stage Three.
Studio and Ateleir Appartments.
Grouping around Social Space
Connecting to Street Level
Optimzing Light Well
Creating Pathes
Structure Unites
Proposed Scanerios
Potential Rules
3.2-STAGE THREE
GENERATING STUDIOS AND APPARTMENTS
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
Existing connected Buildings
Proposed idea
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Appartments Existing Buildings Social spaces Circulation
Stage three (Generating studios and appartments for designers and Ateleirs
CHAPTER 3
Hetrogenous-Atelier Industry
Avilability of Social Space Around Social Space [Roof Top] Active Cell
Same Horizontal Level
One Cell Directly Under
Housing
Ateleirs Social Space
Maximum Neighbours
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
H TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Site Related
OF SOCIaL SpaCe; Three Levels Above Street
al spaces and eventual more bridges , which increase the cluster and any of the surrounding clusters to each
H TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
or housing. So we can say each cluster is connected to
OF SOCIaL SpaCe;
mutliple social spaces that connected the central ese social spaces exist onare threeor fourthtolevel of the clusters. al spaces and eventual more bridges , which increase
Near Exisiting Housing Unit
Above Old unsocial Buildng
Stage three (Generating studios and appartments for designers and Ateleirs
mutliple social spaces that are connected to the central
Social Space Around
Housing Related
Stage t
Hetrogenous-Atelier Industry
for housing. So we can say each cluster is connected to
Maximum Light Cells
hese social spaces exist on threeor fourth level of the f clusters. 66
Stage t
paces is connected to the lthe social space at lower level, of the street.
Dense Housing
66
CHAPTER 3
Bridges & Pathes
Stage three (Generating studios and appartments for designers and Ateleirs
Light Well
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Hetrogenous-Atelier Industry
CHAPTER 3
(APPROACH TOWARDS DESIGN AND FUTURE TRANSFORMATION ).
Pathes
Surrounding Social Space
Initial Cells iteration
Hostels + Bazaar [Touristic Area ]
Developed Cells iteration
Initial Cells iteration
Galata Tower [Touristic Area ] Port & Factories [Production Area ]
Intanbul Beinnale [Designers Area ]
Ateliers Housing + International Export [Production Area ]
Studios + Galleries [Designers Area ]
Stage three (Generating studios and appartments for designers and Ateleirs
Light Cells
Hetrogenous-Atelier Industry
Conclusion: The debate of the project with analyzing the Sishane District through episodical events, which happened from History and transformed the morphological situatute of teh whole district. The Sishane being socio economic, cultural hub of Istabul had significance importance , nationally and internationally. Gentrification of the district by the factor of comercialization and pure bussiness model has imapacted its local Ateliers, which eventually affected the socio economic cyle of Ateliers. The area remain in constant state of threat, which tremendously losing its cultual importance in terms of light prodution, which is teh speciality of the state. Our project redefine the intangible existing situate of Sishane, which include their producation tradition, mode f production and production network. We have gentrified the are by its own generic factor, which is collaboration among ateliers that is constantly being losed. We are adding some dynamics through the collaboration among local Ateliers, Artists, designers and students. Through the understanding of Existing networking differnt thershold values have been introduced to restructure the existing network and organize the commercial spaces in order not to fregment the production line, by optimizing the walking distances and the dependancy of each activity on the other , and reallocating the shops over sized and exist in excessive amount. An active public spaces have been allocated on a roof tops of lower level, which are connected eachother through ramps and bridges. This is how we allow each cluster of depandent network of production to particpate in communication by giving them access of each building intermediate level to public space of its associated cluster, which directly connect the ateliers to each other and expose the network to itself. Housing layer have been introduced to provide social housing to Ateliers with sturdio space, which are associated todesigners. Designer is being considered to bring social and econmical change in the area. Housing layer is an indepandant layer of housing from existing building to avoid atructural damage, though it stays on top of the site by extruding columns. this housing layer can vary in density , so it can adapt to the inhabitants whether they are Ateliers or designers or students.
Hetrogenous-Atelier Industry
Biblography;
vGilles Deleuze and Félix Guattari. 1972. Anti-Oedipus Johnson, P. (2006) ‘Unravelling Foucault’s Different Spaces’, History of the Human Sciences Belge, Murat, 2000. İstanbul Gezi Rehberi <Istanbul Tour Guide>. İngin, Aslı Kıyak, 2006. Producing Project about City Akın, Nur, 1998. Galata and Pera in the second half of 19th century.
httpwww.lgbthistorymonth.comsitesdefaultfilesicon_multimedia_imagesFoucault_A.jpg.jpg http://www.slate.com/articles/arts/architecture/2009/12/do_you_see_a_pattern.html http://poars1982.files.wordpress.com/2008/05/deleuze.gif http://morethandesignist.wordpress.com/
Ali Farhan
Email : alifarhan1984@gmail.com Germany : +4915787027953 Pakistan : +923228855888
Abdulmalik Abdulmawla
Email : abdul.malik.saeed@gmail.com Germany : +4915787677050 Egypt : +201000649000
Hetrogenous-Atelier Industry