As 2018 dawned, operation National Sword began and China closed its ports to the majority of scrap imports - that is to say, China is no longer importing the paper and plastic we collect in our bluebins in North America. While I can find no evidence the Chinese government coined the name, the Western media loves the title National Sword, perhaps for flair it lends to stories about piles of paper. This massive market shift uncovers uncomfortable truths about the state of recycling globally, and invites us to rethink many of our Western ideas about recycling, especially the idea that it is inherently positive and environmentally friendly.
For four months in 2018, I researched and created objects exploring the global recycling trade while at Autodesk's Pier 9 workshop. This zine is the culmination of that research.