1276 | Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III, Part I by Hindman Auctions

Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III 16-17 NOVEMBER 2023

Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III SALE 1276 | PART I 16 November 2023 10:00am ET | Cincinnati | Live + Online Lots 1–319 SALE 1277 | PART II 17 November 2023 10:00am ET | Cincinnati | Online Lots 401–730 View lots online at hindmanauctions.com PREVIEW Auction Room and Galleries 5030 Oaklawn Drive, Cincinnati, OH 45227 PREVIEW BY APPOINTMENT Monday November 13 10:00am–5:00pm Tuesday November 14 10:00am–5:00pm americanfurniture@hindmanauctions.com HIGHLIGHTS PREVIEW Wednesday November 15 Thursday November 16

10:00am–5:00pm 8:00–10:00am

PROPERTY PICK UP HOURS Monday–Friday | 9:00am–4:00pm By appointment | 513.871.1670 All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. CONTENTS Introduction Lots 1–319 Hindman Team Inquiries Buyers Guide Conditions of Sale Upcoming Auction Schedule

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All lots in this catalogue with a lower estimate value of $1,500 and above are searched against the Art Loss Register database.

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FRONT INSIDE COVER Lot 111 BACK COVER Lot 235 BACK INSIDE COVER Lot 211

DEN 0001957 | FL AB3688 | GA AU-C003121 IL 444.000521 | OH 2019000131 | MO STL 110363

Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III Charles ‘Skip’ Fleischmann III’s great-grandfather, the first Charles, founded the Fleischmann Yeast Company in 1868, several years after immigrating to Cincinnati from Vienna. This began the legacy of the Fleischmann family in the United States, with many notable members making their mark. Charles exhibited at the 1876 Centennial Exposition which led the company to become the largest producer of yeast in the world. Charles’ elder son Julius was a businessman in his father’s footsteps but also an avid sailor, a baseball and equestrian enthusiast, and Cincinnati’s youngest mayor, elected at 28. Julius’ daughter Louise became the president of the Hamilton County League of Women Voters and an advocate for maternal health, among numerous other accomplishments. From 1931-32, Julius Fleischmann Jr and his wife Dorette took a nearly year-long trip around the world on their yacht Camargo, and they brought along their newborn daughter Dorette, and four-year-old son, Charles. It was perhaps this trip that helped to spark Charles’ fascination with history and travel. He was a voracious reader who by age ten had read all volumes of the Encyclopedia Britannica from beginning to end. He majored in Classics at Yale, working summertime archaeological digs in Gordion, Turkey. Upon graduating from college and before enrolling in law school, he attended the American School of Classical Studies in Athens. His wife, Blair Fleischmann shared his enthusiasm for history. While initially drawn to early Americana, over time their interests broadened to include the material culture of Europe, especially England. They participated in numerous forums and workshops, first at Colonial Williamsburg and later at the Attingham Trust Summer School in Shropshire, England. They developed lifelong friendships with likeminded people in Europe, and for many years spent the month of May in England, visiting friends and traveling around on their own, always at a leisurely pace and always on back roads, stopping to see historic houses and gardens open to the public. Though he was perhaps more private in terms of civic life than his predecessors, Charles, along with Blair, continued the family legacy of serving the city of Cincinnati through philanthropic work. Over the years, the Fleischmann Foundation helped to support the Cincinnati Art Museum, the Cincinnati Symphony Orchestra, the Cincinnati Ballet, the Cincinnati Historical Society, Playhouse in the Park, and other civic organizations—with Charles also serving on the board of many. These interests and travels resulted in the marvelous, eclectic collection offered here. While these lots represent only a small percentage of the art that Charles and Blair collected—they donated more than 3,000 objects to the Cincinnati Art Museum—they do exemplify their varied interests and unique collector’s eye. Early 19th century maritime painting and sailor-made artworks were evident areas of enthusiasm, but highlights come from diverse categories including Chinese Export porcelain, contemporary art, English portraiture, American furniture, presentation silver, and Grand Tour objects—just to name a few. Charles was a scholar of his own collection—as evidenced by the envelopes of research attached to the back of each painting and the endless books on art and history that lined the shelves of studies and hallways. It seems that every addition was thoughtful and meant to be revisited, with a spot in the home already in mind. These are the objects that the couple enjoyed, studied and lived with comfortably in their 1928 Indian Hill home, and with an artistic flair, embodied in the fanciful Italian villa nestled on the property’s lake. The collection presented here celebrates a couple whose family legacy and interests were far-reaching and worldly but who endeavored to use their resources and energy to benefit their hometown, elevating Cincinnati’s artistic and historic institutions with their efforts. Hindman is pleased to offer at auction the lifetime collection of Mr. And Mrs. Charles Fleischmann III.

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Chinese Wool Rug EARLY 20TH CENTURY

made for the European market. 14 feet 10 inches x 9 feet 7 inches. $2,000 - 3,000

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Thomas Buttersworth (British, 1768-1842) Shipwreck in Rough Seas oil on canvas signed T. Buttersworth, lower center 11 3/4 x 15 1/4 inches. $1,500 - 2,500 3

A Chippendale Carved and Figured Mahogany Chest of Drawers PHILADELPHIA, CIRCA 1765

appears to retain the original brasses, retains an old refinish. Height 34 1/2 x width 37 1/4 x depth 20 1/2 inches. (width of case 34 3/4 inches) Provenance: Leon F.S. Stark, Antiques, Inc., Philadelphia, Pennsylvania, 1971. $1,500 - 3,000

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A Chippendale Carved and Parcel Gilt Mahogany Mirror LATE 18TH CENTURY

62 x 30 inches. $1,500 - 2,500 5

A Diminutive Queen Anne Style Walnut Chest on Stand 19TH CENTURY

Height 10 x width 7 1/2 x depth 5 inches. $400 - 600 6

An Irish George III Brass Mounted, Carved Oak, Leather Upholstered Porter’s Chair LATE 18TH/19TH CENTURY

with dark green leather upholstery. Height 62 1/2 x width 29 x depth 27 inches. $1,000 - 2,000

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Ange-Joseph Antoine Roux I (French, 1765-1835)

A Mahogany ‘Signpost’ Barometer

Brig Boxer watercolor and gouache on paper signed Antoine Roux, lower right identified Boxer, lower register 15 5/8 x 21 inches. $2,000 - 3,000

CHARLES HOWORTH, HALIFAX, ENGLAND, CIRCA 1823-52

Height 34 x width 35 1/2 inches. $1,500 - 2,500 9

A Chippendale Carved and Parcel Gilt Mahogany Mirror LATE 18TH CENTURY

62 x 30 inches. $1,500 - 2,500

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F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Federal Carved and Inlaid, Brass-Mounted Mahogany Tall Case Clock SIMON WILLARD, EARLY 19TH CENTURY

retains three brass ball-and-steeple finials, the painted sheet-iron dial depicting a gilt lady fishing in the moon-phase aperture, gilt scrolled spandrels, the dial inscribed Warranted for Sam Badlum / Simon Willard, the mounting frame impressed OSBORNE, the works, pendulum and weights appear to be original to the case. Height 91 1/2 x width 19 3/4 x depth 10 inches. Provenance: Robert C. Eldred and Co. Auctioneers, East Dennis, Massachusetts; Greenwich House South, Inc., Naples, Florida, 1955. $5,000 - 10,000

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A Swiss Inlaid Mahogany Three-Cylinder Music Box B.A. BREMOND, GENEVA, SWITZERLAND, 19TH CENTURY

playing 18 airs and retaining original paper label to lid interior. Height 14 x width 32 x depth 14 inches. $2,000 - 3,000 12

A Federal Mahogany Drop Leaf Table 19TH CENTURY

Height 29 x width 45 1/4 x depth 15 3/4 inches (closed). $400 - 600 13

Six Hand-Colored Architectural Engravings from Joan Blaeu’s Atlas Maior. possibly engraved by Antonio Marin (Spanish, active 18th century). Ortographia i Seccion Interior del Templo de S. Lorencio el Real del Escurial i Parte del Convento i Aposentos Reales with Blaeu’s elephant watermark.16 1/4 x 27 14 inches. (largest). Provenance: Branner’s Bibliofile Antikvariat, Copenhagen, Denmark, November 2, 1962. $1,500 - 2,500

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F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Jacob Petersen (Danish, 1774-1855) Brig Two Friends of Boston, Capt. William Sayer, Entering the Sound 1840 watercolor and ink on paper signed Drawn by Jacob Petersen, lower right 18 x 25 inches. $1,500 - 2,500 15

A Pair of Regency Giltwood Lion Mounts 19TH CENTURY

numbered 7143 / 64617 with illegible inscription, paper label affixed to underside. Height 9 1/4 x width 15 1/2 x depth 4 inches. $800 - 1,200 16

A Pair of Dutch Rococo Shell-Carved, Red Painted and Polychrome Decorated Side Chairs 18TH CENTURY

retain an early needlepoint upholstery, likely contemporary to the period. Height 43 1/4 inches.

$1,000 - 2,000 17

A George II Burl Walnut Slant Front Secretary Bookcase CIRCA 1750

in two parts, with fitted interior to each case, set with a candle-slide beneath the cupboard doors. Height 84 x width 36 1/2 x depth 22 inches. Provenance: Alfred Wright and Sons, Eastbourne, December 12, 1930. $3,000 - 5,000 18

A Blue John Obelisk ENGLISH, 19TH CENTURY

raised on a slate base. Height 9 1/2 inches.

$800 - 1,200

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B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Paul Howard Manship (American, 1885-1966) The Javelin Thrower patinated bronze signed and dated PAUL MANSHIP 1921, No. 14, base Height 20 x width 33 x depth 7 3/4 inches. $30,000 - 50,000

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Chinese Chippendale Giltwood and Etched Mirror LATE 18TH CENTURY

65 x 40 inches. $4,000 - 6,000 21

A Regency Carved, Inlaid and Figured Mahogany Bowfront Sideboard CIRCA 1800

Height 37 x width 65 x depth 28 inches. $1,000 - 2,000

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A Pair of Carved Oak Figural Wall Brackets 19TH CENTURY

Height 19 x width 12 x depth 10 inches. Provenance: Ricks Wilson Ltd., Williamsburg, Virginia, 1980. $1,500 - 2,500 23

A Pair of Chinese Export Porcelain Lidded Jars Made for the Russian Market 19TH CENTURY

decorated with the imperial double-headed eagle insignia, the opposite side with pheasants and chrysanthemums. Height 10 inches. Exhibited: Taft Museum of Art, Cincinnati, Ohio, East Meets West: Chinese Export Art and Design, June 19-October 11, 1998. $500 - 700 24

A Pair of Georgian Mahogany and Checkered Inlay Knife Boxes LATE 18TH/19TH CENTURY

Height 13 5/8 x width 8 3/4 x depth 11 inches. $800 - 1,200

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Chinese Export Porcelain Armorial Charger

A Pair of Regency Gilt Bronze and Cut Glass Twin-Light Candelabra

18TH CENTURY

centered with the arms of the Shand family, the border decorated with four cartouches with birds at the cardinal directions. Diameter 14 inches. $800 - 1,000 26

A Victorian Shellwork Basket of Flowers 19TH CENTURY

under a glass dome on a wooden platform. Height of dome 18 inches. $400 - 600 27

ATTRIBUTED TO APSLEY PELLATT (ENGLISH, 1791-1863)

of sunburst form adorned with hanging prisms. Height 17 1/2 x width 12 x depth 6 1/4 inches. Provenance: Purchased Matthew Schutz, Ltd., New York, 1978. $2,000 - 4,000 29

A Chippendale Carved and Figured Mahogany Armchair LATE 18TH CENTURY

A New Hall Porcelain Tea Service STAFFORDSHIRE, ENGLAND, CIRCA 1790-1810

assembled, with yellow shell and seaweed motif. 87 pieces total. several with hand-painted numbers to underside including 1045 and 208. Height of largest teapot at handle 7 1/2 inches.

the rear seat rail marked V and the slip seat marked III, but of the period. Height 37 inches.

$300 - 500

$1,000 - 1,500

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

After Thomas Lawrence (British, 1769-1830) Portrait of Antonio Canova (1757-1822) oil on canvas unsigned, though previously attributed to Thomas Lawrence 34 3/4 x 27 1/2 inches. together with CANOVA, Antonio. Autograph letter in Italian signed (“Antonio Canova”), to Cardinal Ercole CONSALVI (1757-1824), as Papal Secretary of State to Pope Pius VII. Paris, September 15, 1815. 3pp., folio. Regarding the restoration of various artworks taken by Napoleon from the Papal States, written by Canova in his capacity as Commissioner to the Pope. Provenance: Ex-collection, Henri Rochefort (1831-1913), Paris; imported to New York and sold by Galerie Durand-Ruel, New York City, New York; Joseph Jefferson (1829-1905), an American actor, author, and prominent art collector; sold at public auction by the American Art Association, The Valuable Paintings Collected by the Late Joseph Jefferson, Mendelssohn Hall, New York City, New York, April 27, 1906, Lot 56; Max Saffron, New York City, New York; given by the above to the present owner, April 1971. ALS acquired by Théodore Tausky Autographes, Paris; ex-collection, Dr. Max Thorek (1880-1960), Chicago, Illinois. Literature: The Valuable Paintings Collected by the Late Joseph Jefferson (New York City, New York: J. J. Little and Co., 1906), cat. no. 56, p. 71. $1,500 - 2,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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A Carved Wood Dove Wall Bracket 20TH CENTURY

the shelf of demilune form, edged with oak leaves and supported by the wings of a spread-wing dove clutching a ribbon that reads, VIRTUTE TUTUS (by virtue safe); inscribed Carved for Mr. and Mrs. C. Fleischmann III by Farrell Coffey 1967 to the reverse of the dove. Height 14 3/8 x width 19 1/4 x depth 9 1/4 inches. $1,000 - 2,000 32

A George II Shell-Carved and Parcel Gilt Walnut-Veneered Chest-on-Stand

MID 18TH CENTURY

Height 58 x width 37 x depth 19 inches. $1,500 - 3,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Kirman Wool Carpet LATE 19TH CENTURY

16 feet 4 inches x 14 feet 4 inches. $1,500 - 2,500

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

A Regency Mahogany Tilt-Top Breakfast Table 19TH CENTURY

Height 29 x diameter 58 inches. $600 - 800 35

Six Regency Mahogany Side Chairs 19TH CENTURY

with floral needlepoint seats completed by Fleischmann family members, circa 1966-70. Height 34 inches. $600 - 800

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Scottish George III Silver Tea Urn LIKELY WILLIAM DAVIE, EDINBURGH, 1772

hallmarked for Sterling on fance of lid, underside of body and along top collar of base 82 ozt 4 dwt gross Height 21 1/2 inches. $2,000 - 3,000 37

A Herend Rothschild Bird Porcelain Service for Twelve 20TH CENTURY

together with two Meissen bird luncheon plates each with double cancellation marks through crossed swords and two unmarked scalloped-rim lozenge form dishes. 193 items total. Diameter of chargers 10 7/8 inches. $6,000 - 8,000

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

An Assembled Hanoverian Silver Flatware Service

A Pair of Silver-Plate Champagne Buckets

ENGLISH AND AMERICAN, 20TH CENTURY

19TH CENTURY

most examples monogrammed ‘F’. together with six associated American forks and three teaspoons of a similar design. 139 items total 211 ozt weighable Length of dinner knife 10 inches.

decorated with an engraved crests. Height 8 inches. $300 - 500

$4,000 - 6,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

British School, 18th Century The Wormald Children of York oil on canvas unsigned 53 x 46 1/2 inches. Provenance: Rt. Hon. Lord Haldon, Haldon House, Exeter; sold at auction by Christie’s, The Collection of Capital Pictures by Old Masters, From Haldon House, Exeter, London, February 28, 1891, no, 69; Rt. Hon. Lord Scarsdale and Marquess Curzon of Kedleston; thence acquired by a private collector purportedly named Naylor, London; sold at auction by Christie’s, The Scarsdale Heirlooms, London, Jul 18, 1930, no. 51; Rt. Hon. the Earl of Feversham; purportedly imported by John Nicolson, American art dealer and collector; by descent to his son, Peter Nicholson, New York City, New York, 1931; Parke-Bernet Galleries, New York City, New York, 1961; purchased by Max Safron, New York City, New York, September 1961; thence acquired by the present owner, September 1967. Literature: Thomas Humphrey Ward and William Roberts, Romney: a Biographical and Critical Essay, with a Catalogue Raisonné of his Works, Vol. II (London: Thos. Agnew & Sons, 1904), p. 174. $8,000 - 10,000

Previously attributed to both George Romney (English, 1734-1802) and John Russell (English, 1745-1808), this painting has been the subject of much scrutiny and research not only by Skip Fleischmann but also by leading experts in the field of eighteenth-century British art. Fleishmann diligently documented his correspondence with curators, auction specialists, and collectors familiar with the oeuvres of both Romney and Russell, albeit seemingly without firm resolution. In a letter to Fleischmann from John Wilson, Curator of Painting and Sculpture at the Cincinnati Art Museum dated February 27, 1991, Wilson comments on the dubiousness of the Ward and Roberts authentication, stating that Roberts was “the [Sotheby’s] sale room correspondent for The Times who...would authenticate anything for a fiver....the Russell/Beechey [sic] track [for attribution] is certainly the right one to take.” Contradictorily, Richard Hall, Director of Sotheby’s in Chester, wrote to Fleischmann on November 22, 1990, that if Sotheby’s were to offer the painting at auction, they would “attribute it John W. Chandler and not Thomas Beach and definitely not George Romney.” A previous appraisal report prepared for the Fleischmann family sides with Hall over Wilson regarding the painting’s authorship, noting that “the attached plaque is erroneous in attributing the work to John Russell.” Further research from the Cincinnati Art Museum curatorial staff in 2004 alleges that in preparation for the 1961 Parke-Bernet Galleries catalogue, the artist was changed from Romney to Russell, perhaps even at the suggestion of Safron in order to obtain the portrait for a lesser price, although this claim has not been verified. The Wormald family held a seat as Lords of the Manor in Yorkshire, England as early as 1379. Given the timeline, the children depicted in the painting offered here could be the children or even grandchildren of Samuel Wormald (1726-1785), a prosperous tanner and timber merchant, who served as Yorkshire’s Lord Mayor, Chamberlain (1765), and Sheriff (1767-1768). His son, also called Samuel (1755-1814), served as Lord Mayor of Yorkshire by 1809, and his six surviving children erected the Mount Snever Observatory, also known as Oldstead Tower, as a memorial to their parents in St. Margaret’s, York, in 1838, on the occasion of Queen Victoria’s coronation. A collection of the Wormald family paintings, books, and coins was sold at auction in June of 1848, following the death of John Smith Wormald, one of Samuel’s six children, earlier that year in March. The announcement of the sale was featured in the Yorkshire Gazette, but there was no specific mention of this painting.

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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An Irish George III Shell, Acanthus and BellFlower Carved and Figured Mahogany Hairy Paw Foot Side Table 18TH CENTURY

Height 31 x width 47 1/2 x depth 26 1/2 inches. Provenance: Rick Wilson, Ltd., Williamsburg, Virginia, 1977. $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Pair of Chinese Chippendale Pierced Mahogany Hanging Shelves 19TH CENTURY

Height 43 x width 33 1/4 x depth 8 1/4 inches. $1,500 - 2,500 43

A Four Panel Chinoiserie Decorated Leather Folding Screen 19TH CENTURY

Height 69 x width of each panel 21 x depth 1 inch. $600 - 800

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

An English Porcelain Bat-Printed and Parcel Gilt Porcelain Tea Service EARLY 19TH CENTURY

comprising a teapot, covered sugar, creamer, waste bowl, small oval plate, seven teacups, three flat coffee cups and six saucers; 21 items total. Height of teapot 6 3/4 x length 9 5/8 inches. $700 - 900 45

A Pair of Coalport Chinoiserie Decorated Sweetmeat Dishes

CIRCA 1820

together with a shell-decorated Coalport plate. Width 10 x depth 8 1/4 inches. Diameter of plate 8 1/2 inches. Provenance: Dishes: Alfred Bullard Inc., Philadelphia, Pennsylvania; Plate: Jack Patla Co., Charleston, South Carolina. $400 - 600 46

A Hester Bateman George III Silver Teapot on Stand and Pap Boat LONDON, 1783

the teapot with wood handle and finial. hallmarked for Sterling 17 ozt 16 dwt gross Height of teapot 5 x width 9 1/2 inches. $800 - 1,200 47

A Pair of George III Silver Tea Caddies

HENRY CHAWNER, LONDON, 1791

each with pineapple finial, facetted body, and engraved shield crest. each hallmarked for Sterling on underside 26 ozt 7 dwt Height 6 x width 5 3/4 x depth 3 3/4 inches. Provenance: Nancy Ross Interiors, Cincinnati, Ohio; Aaron Tumen, Cincinnati, Ohio; thence acquired by the present owner, 1986. $1,000 - 2,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

William Bradford (American, 1823-1892) Queen of the Seas oil on canvas unsigned, artist identified on a presentation plaque ship identified, flag and starboard bow 30 x 47 inches. Queen of the Seas was built in East Boston by Paul Curtis and was owned by Glidden & Williams of Boston, Massachusetts. Captained by Elias D. Knight for her maiden voyage, she joined the “Deep Sea Derby” in the fall of 1852, a race of the finest clipper ships of the day from Boston and New York around Cape Horn to San Francisco. Queen of the Seas set sail from Boston on November 3, 1852, and arrived in San Francisco on March 11, 1853. $30,000 - 50,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

A Carved Pine Panel of Agricultural Interest

A Royal Doulton Parcel Gilt Porcelain Fish Service

20TH CENTURY

RETAILED BY GILMAN COLLAMORE & CO., NEW YORK, LATE 19TH CENTURY

signed J. Ponceno, lower center. 40 x 30 inches.

comprising 18 plates, an oval platter and a gravy boat with underplate; each piece hand-painted with a different fish and signed T. Wilson. Length of platter 22 5/8 inches.

$1,000 - 2,000

$1,000 - 2,000 50

A Louis XVI Style Gold and Cream Paint Decorated Upholstered Settee 19TH CENTURY

with carved dolphin arm supports. Height 35 1/2 x width 68 x depth 23 inches.

An American Silver Water Pitcher WHITING MFG. CO., NEW YORK, NY, CIRCA 1900

having a dolphin-form handle, the body engraved with a scene of a sailing ship and raised on a foot decorated with seashells and other marine motifs. marked ‘Sterling’ on underside 38 ozt 13 dwt Height 8 3/4 inches.

$1,000 - 2,000 51

A George III Style Mahogany Dining Table 20TH CENTURY INCORPORATING EARLIER ELEMENTS

$1,000 - 2,000

Height 27 1/2 x length 64 x width 33 1/2 inches. $800 - 1,200 52

A Karabagh Wool Rug 20TH CENTURY

9 feet x 5 feet. $600 - 800 53

Four Brass Inlaid Walnut Gondola Chairs 19TH CENTURY

three with interior seat rails incised I, II, and III. Height 32 inches. $300 - 500 54

A Pair of Imari Decorated Porcelain Shell Dishes BARR, FLIGHT AND BARR, WORCESTER, ENGLAND, CIRCA 1804-1813

with stamped and impressed marks to underside. centered with a gilt monogram. Width 8 inches. Provenance: Sam Borton European Antiques, Cleveland, Ohio. $300 - 500

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A George III Silver Teapot on Stand JOHN LANGLANDS AND JOHN ROBERTSON, NEWCASTLE, 1794

with wood finial and handle, the body of teapot and center field of stand engraved with a shield cartouche. each hallmarked for Sterling on underside 22 ozt 10 dwt gross Height of teapot 6 x width 11 inches. $400 - 600 58

A Chinese Export British Naval Embroidery 19TH CENTURY

silk and metallic threads on silk ground. 15 x 19 1/4 inches. 57

$300 - 400 59

A Chinese Export Porcelain Dinner Service 19TH CENTURY

each decorated with an elephant and rider and bordered by gilt and puce decoration. 93 items total. Diameter of dinner plates 10 1/4 inches. Provenance: Purchased in Canton, 1970; Purchased by Closson’s Art Gallery, 1975; thence acquired by the present owner, 1975. $700 - 900

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

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A Chinese Export Rhode Island Eagle Covered Sugar CIRCA 1805

Height 5 1/4 x width 5 1/2 inches. A punch bowl with the same design was previously owned by founding father John Jay (1745-1829) and is now housed in the collection of the US State Department. A saucer of the same design was offered at Sotheby’s from the collection of Elinor Gordon (Jan 23, 2010, Lot 67). Most other items are for a tea service, a majority of which are housed in the collection at Winterthur. $800 - 1,200 61

A Chamberlains Worcester Porcelain Sauce Tureen with Underplate 19TH CENTURY

decorated with a coat of arms of a ship and the motto Spes Infracta. script mark on underside of plate and lid. Height 5 1/2 x diameter of underplate 8 1/2 inches.

$300 - 400 62

Three Silver Mounted Horn Vessels 18TH/19TH CENTURY

comprising a pair with an applied plaque showing the Blair family crest, the other example with an applied plaque with the inscription ‘Amoris Gratorum Animorum Pignus/ Guglielo Jack M.D. 1796’. Height of taller 8 3/8 inches. $500 - 700

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An American Three-Handled Enameled Silver Presentation Trophy TIFFANY AND CO., NEW YORK, LATE 19TH CENTURY

model 6904, engraved Charles Fleischmann / Cruise of 1897 to body. the underside engraved with names of various illustrious gentlemen, renowned for their philanthropic and professional accomplishments within their respective fields, many of whom were Cincinnati natives, including Jacob Schmidlapp, Stewart Shillito, Joseph T. Carew, Nicholas Longworth, Christian R. Holmes, and Julius Fleischmann and his brother, Max. Height 9 1/4 x diameter 8 inches. An avid sailor and sportsman, Julius Fleischmann belonged to several yacht clubs and acquired a vessel of his own, the Hiawatha, in 1897. This trophy possibly could have been presented to Fleischmann’s father, Charles Louis Fleischmann (1835-1897), the founder of Fleischmann Yeast Company, in anticipation of the company’s thirty-year anniversary or to celebrate his memory in the year of his death. Alternatively, the trophy could mark the first cruise aboard the Hiawatha of Julius’s elder son, Charles Fleischmann (1895-1917), who would have been a young boy at the time. $3,000 - 4,000

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

Reverse

An American Silver Antler-Mounted Presentation Trophy LATE 19TH CENTURY

the body engraved ‘Governor Asa S. Bushnell and Staff/ of the State of Ohio / to/ Colonel Julius Fleischmann / Hiawatha / September 29. 1899’ the reverse engraved with the the names of Governor Bushnell and members of staff and aides-de-camp. marked ‘Sterling’ on underside 65 ozt gross Height 11 1/2 inches. The Hiawatha was a 170-foot grand sailing yacht purchased by Julius Fleischmann in 1897 from the Charles Seabury Co. of Morris Heights, New York. Fleischmann harbored the ship in Wickford, Rhode Island, where he summered and owned property for a time. During the season, the family cruised aboard the Hiawatha down the St. Lawrence Seaway and throughout the Great Lakes. This trophy could have been awarded by Governor Asa S. Bushnell (1834-1904, Governor 1896-1900) for Fleischmann’s achievements in an informal boat race or as an expression of gratitude for hosting the Governor and his staff on board the Hiawatha during the summer of 1899. Another possible explanation could be that the Republican Bushnell presented the trophy to Fleischmann on the occasion of his announcement to run for mayor of Cincinnati, given the parallel political inclinations of the two men. Fleischmann won the election and took office in 1900, becoming the city’s youngest mayor at age 28. He was reelected once and served in this capacity until 1905. He continued his political activity and later served as a delegate to three subsequent Republican National Conventions. $2,000 - 3,000

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A Scottish George II Silver Salver LOTHIAN AND ROBERTSON, EDINBURGH, 1759

centered with an engraved crest and the motto ‘Virtute Tutus’ likely for Alexander Blair of Balthayock. hallmarked for Sterling on underside 15 ozt 3 dwt Diameter 9 3/4 inches. $800 - 1,200 66

An American Silver-Gilt Mug GORHAM MFG. CO., PROVIDENCE, RHODE ISLAND, 1881

the body decorated in the form of a bamboo chute with a similarly decorated handle, the body engraved ‘Julius Fleischman, April 29th, 1900’ the underside engraved ‘From Uncle Max/ and/ Aunt Constance’. marked ‘Sterling’ on underside 6 ozt 18 dwt Height 3 5/8 inches. $500 - 700 67

A Liverpool Black Transfer-Decorated Creamware Jug ENGLISH, 19TH CENTURY

depicting the Sailor’s Farewell on one side and the ship Nancy on the other with ‘George & Sarah Winfield’ encircled by a wreath on the front. together with a blue transfer-decorated jug depicting a ship on either side and ‘William & Ann Groves 1825’ on the front. Height of first 10 1/2 x width over handle 11 x diameter of body 7 3/4 inches. $400 - 600 68

A Chinese Export Stumpwork Embroidered Patriotic Picture LATE 19TH CENTURY

silk and metallic threads on silk ground. 19 1/4 x 23 5/8 inches. $400 - 600

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William Anderson (Scottish, 1757-1837) Three Works: Figures Standing on a British Port, Fisherman Pulling Nets and Figures on Shore with Warship in Distance watercolor on paper identified to artist, lower right in mat First: 6 x 8 inches. $2,000 - 3,000

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Four American Silver-Gilt Mugs WHITING MFG. CO., NEW YORK, NY, EARLY 20TH CENTURY

two monogrammed, one engraved ‘Beatrice Blanchard / April 18th 1907’, and one engraved Edward ‘Morris Clark / Christmas 1902 / From E.K. Howes’. each marked ‘Sterling’ on underside. 20 ozt 12 dwt Height of largest 4 inches. $500 - 700 71 71

Three American Silver-Gilt Mugs GORHAM MFG. CO., PROVIDENCE, RHODE ISLAND, 19TH/20TH CENTURY

comprising an example with beaded rims and an engraved monogram on body, the other example with a banded foot decorated with children’s nursery rhyme motifs, the body engraved ‘Dorothy Kellogg’, the third example decorated with Tudor strapwork motifs. each marked ‘Sterling’ on underside. 14 ozt 11 dwt Height of largest 3 1/2 inches. $500 - 700 72

Two American Silver-Gilt Mugs 19TH CENTURY

comprising an example engraved ‘Elizabeth Leighton Lee/ From her/ Great Grandmother’ and marked for W. Gale and Son, New York, NY, 1862, the other example engraved ‘Josiah Marshall Kirby/ May 16th, 1884’ and marked for Duhme and Co., Cincinnati, OH. each marked ‘Sterling’ on underside. 10 ozt 4 dwt Height of taller 3 1/2 inches. $400 - 600

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

A Room Sized Aubusson Style Rug 20TH CENTURY

25 feet x 16 feet. $1,000 - 2,000

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A George III Carved Mahogany Games Table MID 18TH CENTURY

Height 28 1/2 x width 32 1/2 x depth 16 inches. $700 - 900 75

A Scrimshaw Walrus Tusk 19TH CENTURY

initialed H.H.P. above a ship and female figure and below a United States seal, a church, an anchor and a pineapple; the other side bearing an acorn, an apple, a guitar, flowers, a view of an American harbor, and urn on pedestal flanked by American flags. Length 25 1/2 inches; overall with base 29 1/4 inches. Provenance: Leon F. S. Stark, Philadelphia, Pennsylvania, 1957. $2,000 - 3,000 76

A French Prisoner of War Carved Boxwood Ship-Form Snuff Box EARLY 19TH CENTURY

with carved female figurehead. Length 10 1/4 inches. $300 - 500 77

A Chippendale Carved and Figured Walnut Claw-andBall Foot Dressing Table LIKELY PHILADELPHIA, CIRCA 1770

brasses pulls and backplates replaced, the top likely associated. Height 29 3/4 x width 35 1/2 x depth 19 inches. $600 - 800

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A Silver Plate Fireman’s Parade Horn LATE 19TH CENTURY

engraved with floral and foliate motifs and presentation inscription Presented to / CVR Pond / by / Protection Engine Co., No. 1 / October 14, 1879. Height 21 1/2 inches. $600 - 800 79

A Regency Ivory Inlaid and Silver Mounted Calamander Campaign Desk EARLY 19TH CENTURY

having a fold-out top revealing small drawers and leather inset writing surface, together with an accompanying letter from Francesca Lipton. Height 33 x width 35 1/2 x depth 25 inches. Provenance: Don Manuel de Pereze-Samanillo, thence by decent to Don Francisco Perez de Olaguer y Feliu, to his daughter, Francesca Lipton, Terrace Park, Ohio; Purchased by the current owners, 1982. $2,000 - 4,000 78

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Thomas Sully (American, 1783-1872) Mrs. Thomas Morris (Elizabeth Sarah ‘Sally’ Kane) 1814 oil on canvas initialed T.S., lower right 29 1/2 x 24 inches. Provenance: Mr. and Mrs. Thomas Morris, Albany, New York; to their daughter Caroline Julia Morris Stark (1818-1888), Dunbarton, Merrimack County, New Hampshire; to her son Charles F. M. Stark (1848-1890), Dunbarton, Merrimack County, New Hampshire; Main Street Gallery, Chicago, Illinois; thence acquired by the present owners, March 1961. Literature: Catalogued as #1227 in Charles Henry Hart, Thomas Sully’s Register of Portraits, 1801-1871, The Pennsylvania Magazine of History and Biography, Vol. 32, No. 4, 1908.

Exhibited: The Metropolitan Museum of Art, New York City, New York, 1897. American Painting 1740 to 1920, Main Street Gallery, Chicago, Illinois, March 6-April 3, 1961. Cincinnati Collects Paintings, Cincinnati Art Museum, Cincinnati, Ohio, March 31-May 15, 1983. Elizabeth Sarah ‘Sally’ Kane was born on October 31, 1778, in Dutchess County, New York to John and Sybil Kent Kane. She married lawyer and Congressional representative Thomas Morris on May 28, 1799, in Albany, New York, and the couple had at least twenty children together, primarily residing in Canandaigua for the duration of their marriage. Sally died in Albany on December 17, 1853. According to Thomas Sully’s Register of Portraits, Sully executed this portrait of Sally Kane Morris in 1814 during a visit to New York. It is one of several portraits the Morris family commissioned from Sully, including a portrait of family patriarch Robert Morris, Jr. (1704-1836), Sally’s father-inlaw, financier of the American Revolution, and signatory of the Declaration of Independence, the Articles of Confederation, and the United States Constitution (Painting #1230 in the Register of Portraits). $8,000 - 12,000

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A Pair of Rococo Style Giltwood Girandole Mirrors 19TH CENTURY

with gilt metal candle arms. 29 x 16 1/2 inches. $500 - 700 82

Four Silver Mounted Horn Beakers 19TH CENTURY

each with an applied silver plaque to body, and the smaller pair monogrammed on underside. the larger two examples with English hallmarks for Sterling. Height of tallest 6 inches. $400 - 600

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A Pair of Federal Engraved Brass Ball-Top Andirons EARLY 19TH CENTURY

each engraved with a ship and monogrammed W to plinth. together with brass and iron fireplace tools, including a coal hood, a shovel, two pokers, and two chenets. Height of each andiron 21 inches. Provenance: Andirons discovered in New York; purchased by the present owner from Leon F.S. Stark Antiques, Philadelphia, Pennsylvania, 1957. Purportedly owned by descendants of Continental Army General and Society of the Cincinnati member James Giles (1759-1825) of Bridgeton, New Jersey. $1,000 - 2,000 84

A Georgian Style Parcel Ebonized and Inlaid Burl-Walnut Drum Table LATE 19TH/EARLY 20TH CENTURY

set with two function drawers and four false drawers. Height 28 1/4 x diameter 36 inches. $500 - 800 85 84

A Chinese Export Green Bird and Butterfly Porcelain Punch Bowl MID 19TH CENTURY

on a silver plate dish cross. Height of bowl 6 1/2 x diameter 16 1/8 inches; overall height on dish cross 9 1/4 inches. $400 - 600

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Antonio Jacobsen (American, 1850-1921) Clipper Ship L. Schepp in Rough Seas oil on board unsigned 13 1/2 x 17 1/2 inches. Antonio Jacobsen painted at least two other known views of the L. Schepp, each depicting the ship in heavy weather with damaged rigging. One such iteration, American Ship “L. Schepp” in a Typhoon off Bellona Reef, New Caledonia, nearly twice the size of this painting, was held privately by Bert Kutakof of Pearl Harbor, Hawaii until 1949, when it privately changed hands. The work was offered as Lot 51 in Sotheby’s American Paintings, Drawings, and Sculpture auction in 2003, and later as Lot 747 in Eldred’s Americana auction in 2006. The painting offered here has been in the possession of the Fleischmann family since at least 1985 per correspondence with the late Harold Sniffen, Curator Emeritus of the Mariners’ Museum, Newport News, Virginia. $800 - 1,200

Rob Napier (American, born 1946) Model of the HMS Dolphin housed in a glazed cherry display case Height of case 29 x width 35 1/4 x depth 15 1/4 inches. The Dolphin was a 3-gun packet brigantine ship of the British Royal Navy, launched in 1836. Provenance: Purchased directly from Robert Napier in 1990. $2,000 - 4,000

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A Cast Iron and Bronze Nautical Themed Three-Tiered Bookshelf 1991

with rope-turned end posts ending with navigational tool finials, the back of the proper front right foot scratched RFD 1991. Height 84 x width 41 x depth 18 inches. $1,000 - 2,000

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A French Prisoner of War Fruitwood and Bone Model Gunship EARLY 19TH CENTURY

cover on boat deck opens to reveal twenty-five bone dominoes. Height 4 1/2 x width 13 1/4 x depth 3 1/2 inches. $1,000 - 2,000 90

A Federal Satinwood and And Ebony Inlaid Figured Mahogany Specimen Cabinet LIKELY NEW ENGLAND, CIRCA 1810

retains one moveable shelf to the interior. Height 35 1/4 x width 19 x depth 22 inches. $600 - 800 91

A French Provincial Carved Fruitwood Upholstered High-Back Sofa

18TH CENTURY

Height 45 1/2 x width 82 x depth 29 1/2 inches. Provenance: Louis Aronoff Auctions, Cincinnati, Ohio, 1976. $800 - 1,200

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A Venetian Blue and Polychrome Decorated Parcel Gilt and Carved Wood Gondola Chair 18TH CENTURY

having old velvet upholstery, but not the original. Height 42 1/2 inches. Provenance: Samuel Aronoff Enterprises, Cincinnati, Ohio, 1962. $800 - 1,200 93

Marjorie Pease Applegate (American, Cincinnati, born 1926) Snail carved alabaster unmarked with associated stone plinth Height of snail 9 1/2 inches; overall height with plinth 39 1/2 inches. $1,000 - 2,000 94

A Pair of Anglo-Indian Elephant-Carved Teak Cane Upholstered Folding Campaign Chairs LIKELY LATE 19TH CENTURY

Height 31 1/2 inches.

Provenance: Schmidt’s Antiques, Ypsilanti, Michigan, 1979. $400 - 600

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

A Chippendale Mahogany Claw-and-Ball Foot Dressing Table

A George III Turned Oak Quarter-Size Billiards Table

PHILADELPHIA, PENNSYLVANIA, CIRCA 1765

drawer pulls are replaced. Height 31 x width 36 x depth 21 1/2 inches. (width of case 34 inches)

18TH CENTURY

with later glass top, fitted as a low table. Height 27 1/2 x length 53 x width 27 1/2 inches. $1,000 - 1,500

$1,000 - 1,500

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Fumio Yoshimura (Japanese/American, 1926-2002)

After Ange-Joseph Antoine Roux I (French, 1765-1835)

Peapod, 1994 carved wood signed Fumio ‘94 to bottom Overall height 9 x width 12 x depth 7 inches.

Grand Turk of Salem oil on canvas unsigned 16 x 21 3/4 inches.

$2,000 - 3,000

After the original watercolor painting by Antoine Roux entitled Letter of Marque Grand Turk, 14 Guns, Entering and Saluting Marseilles, 1815 in the permanent collection of the Peabody Essex Museum, Salem, Massachusetts.

A Kilim Wool Runner 20TH CENTURY

10 feet 8 inches x 2 feet 10 1/2 inches. $600 - 800 99

Ange-Joseph Antoine Roux I (French, 1765-1835) French Frigate in Distress watercolor signed and dated Jh. Antn. Roux Delineavit / 1791, lower right 12 1/4 x 19 inches.

According to the Ship Registers of the District of Salem and Beverly, the brigantine Grand Turk was built in Wiscasset, Maine, in 1812 for thirty Salem owners. Measuring 102 feet in length, she carried over 90 officers and men and around 20 guns. She is described as having “a square stern, one deck, no galleries, and a billet figure-head.” A celebrated privateer during the War of 1812, the Grand Turk was later used for mercantile voyages for illustrious politician and merchant William Gray (1750-1825) of Boston. $1,000 - 1,500

Provenance: Wandenburg Gallery, Paris, circa 1983. Northeast Auctions, Portsmouth, New Hampshire, 1993. $800 - 1,200

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Twelve Chinese Export Pole Family Armorial Porcelain Articles MID 18TH CENTURY

each piece bearing the arms of the Pole family, further decorated with a falcon and cartouches containing scenes of the English Plymouth Sound, the Chinese Pearl River and Fort St. George; comprising three large chargers, two soup plates, a round covered tureen and six lozenge form dishes. Diameter of chargers 15 1/8 inches. Provenance (pair of chargers): Christie’s, London, 17 November 1986, Lot 194; Charles Perry, Atlanta, Georgia (label); Sotheby’s, New York, Important Americana, 2004, Lot 118. Literature: David Sanctuary Howard, Chinese Armorial Porcelain, Faber and Faber Limited, London, 1974, p. 326 $8,000 - 10,000

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

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A Chinese Export Porcelain Mug for the American Market

A Chinese Export Porcelain Nine-Piece Grisaille Tea Service

EARLY 19TH CENTURY

19TH CENTURY

the rim with a brown grape-vine border, the body decorated with a three-masted ship flying an American flag. Height 4 3/4 inches.

with cobalt band bordering the rim, the body decorated and a three-masted ship flying an American flag. Height 4 1/2 inches.

comprising a tea pot, tea caddy, covererd sugar, creamer, three cups and two saucers. Height of teapot 6 1/4 inches.

Exhibited: Taft Museum of Art, Cincinnati, Ohio, East Meets West: Chinese Export Art and Design, June 19-October 11, 1998.

$800 - 1,200

$600 - 800

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Two War of 1812 Gilt and Hand Painted Porcelain Portrait Vases FRENCH, EARLY 19TH CENTURY

one depicting Major General William Henry Harrison (17731841), the other Commodore John Rodgers (1772-1838); both mounted with gilt winged figures for handles and on square faux marble painted bases, respectively incised V and K to the underside, and both identified in flowing gilt script. the reverse of the Harrison vase with a version of the United States seal, and the Rodgers vase with a naval insignia. Height of taller 11 x width over handles 6 1/2 inches; height of shorter 10 3/4 x width over handles 5 5/8 inches. $4,000 - 6,000

Reverse Sides

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Five Pieces of Verre Eglomise Silhouette Jewelry

Attributed to Sarah Harrington (British, active 1774-1885)

18TH/19TH CENTURY

comprising four rings and a pendant, housed in a shadow-box frame. Overall height 13 x width 7 x depth 1 3/4 inches. $500 - 700 107

A Verre Eglomise Miniature Picture FRENCH, CIRCA 1780

of a couple in a garden setting. 2 1/2 x 3 1/8 inches. Provenance: Ex Collection Thomas Henry Noel-Hill, 8th Baron Berwick (1877–1947), Attingham Park, Shropshire; Purchased as Lot 338 at Halls, Shrewsbury, 16 April 1998.

Silhouette Portrait of Sir Gilbert Elliott watercolor on laid paper the reverse with illustrated accolade housed in a paint-decorated frame Diameter 6 1/2 inches. A near identical example of this portrait was auctioned by Phillips in 2000, before which it was included in the Ketteringham Hall Sale, 1947. As the Phillips catalogue indicates, Harrington occasionally produced silhouettes painted on paper, as opposed to her usual cut-paper technique. $300 - 500 110

An English Leather Wrapped Library Ladder 20TH CENTURY

$400 - 600 108

with retractable brass studs. Overall height 102 inches (closed).

Five Verre Eglomise Family Silhouette Portraits

$1,000 - 2,000

LATE 18TH/19TH CENTURY

each in oval pendant frame, suspended with shell hooks within a velvet-lined shadowbox frame. Height overall 8 1/2 x 7 inches. $400 - 600

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After Spoilum (Chinese, active 1785-1810) Four Works: Canton, Macao with Praya Grande, Boca Tigris, and Whampoa Beach from Dane’s Island circa 1815-1820 oil on brass unsigned titles inscribed, verso 4 x 5 3/8 inches. Exhibited: Taft Museum of Art, Cincinnati, Ohio, East Meets West: Chinese Export Art and Design, June 19-October 11, 1998. $10,000 - 20,000

B E YO N D A C I N C I N N AT I L E G AC Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I , PA R T I

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A Carved and Gold-Painted Wood Eagle

A Pair of George III Gilt Bronze Mounted Blue John Cassolettes

ATTRIBUTED TO JOHN H. BELLAMY (AMERICAN, 1835-1914), LATE 19TH/EARLY 20TH CENTURY

Height 6 1/2 x length 44 x depth 3 inches. Provenance: Ex Collection John Belden of Wareham, Massachusetts; Eldred’s, East Dennis, Massachusetts, 20 September 1999, Lot 942. $500 - 700

IN THE MANNER OF MATTHEW BOULTON (BRITISH, 1728–1809)

each pineapple finial and Bacchic handles. Height 11 inches. Provenance: Sotheby’s, New York, English Furniture, June 7, 1986, Sale 5461, Lot 15. $6,000 - 8,000

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American School, 19th Century British and American Warships in Battle oil on canvas unsigned 25 x 41 1/4 inches. $3,000 - 5,000

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An Empire Gilt and Patinated Bronze ‘Au Matelot’ Mantel Clock EARLY 19TH CENTURY

after a design by Jean-Simon Deverberie (French, 1764-1824), with a bale of hay housing an unsigned porcelain dial with time and strike keyholes. Height 15 x width 12 x depth 3 inches. Provenance: Sotheby’s, New York, Paperweights, Vertu, Silver, Miniatures, Watches, Clocks, European Furniture, Decorations, Rugs and Carpets, March 15-17, 1973, Lot 479. $8,000 - 12,000

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Eugène Jacques Philippe Grandin (French, 1833-1919) Bark John Fife, Capt. Bernard Luce 1868 watercolor, ink, and graphite on paper signed and dated hâvre1868 / Eugène Grandin, lower right 5 3/4 x 7 3/4 inches. Provenance: L. A. Bigelow, Boston, Massachusetts; Eldred’s, East Dennis, Massachusetts, 1990, Lot 363. $800 - 1,200

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Eugène Jacques Philippe Grandin (French, 1833-1919) Ship Simoda, Capt. Nason watercolor and pencil on paper signed and dated Havre 1861 / Eugène Grandin, lower right titled, lower margin 4 1/2 x 5 7/8 inches. Provenance: Northeast Auctions, Portsmouth, New Hampshire, 2005. $800 - 1,200

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A Moroccan Kilim Wool Rug 20TH CENTURY

12 feet 6 inches x 8 feet 8 inches. Provenance: Purchased at Closson’s, Cincinnati, Ohio, 1957. $1,000 - 2,000

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A German Wrought Iron Strong Box

A Leather Rhinoceros Footstool

17TH/18TH CENTURY

ATTRIBUTED TO DIMITRI OMERSA FOR ABERCROMBIE AND FITCH, 20TH CENTURY

with studded straps and wrought iron handles, retaining the key. Height 17 x width 34 x depth 17 1/2 inches.

Height 17 x length 48 x width 12 inches. $700 - 900

$1,000 - 2,000

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A Spanish Baroque Wrought-Iron Mounted Walnut Library Table EARLY 18TH CENTURY

Height 31 x width 52 1/2 x depth 28 1/4 inches. $1,000 - 2,000 122

A Louis XIV Style Foliate and Scroll Carved Walnut Upholstered Fauteuil 19TH CENTURY

Height 46 inches. $500 - 800

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Ambroise Louis Garneray (French, 1783-1857) Action Between British and American Privateers watercolor on paper signed Garneray, lower right 5 1/2 x 7 3/4 inches. Provenance: Richard A. Bourne Company, Hyannis, Massachusetts, August 11, 1992, Lot 165. $1,500 - 2,500

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Attributed to Murdoch McPherson (Canadian, 1841-1915), After Ange-Joseph Antoine Roux I (French, 1765-1835) Ship Francis of Salem watercolor on paper unsigned inscribed Ship Francis of Salem, A. Haraden, Master, lower margin flying flag of Joseph Peabody (1757-1844), the wealthiest merchant-shipowner in Salem, Massachusetts during the early 19th century. 16 1/2 x 23 inches. Provenance: Sotheby’s, New York City, New York, 1989. A. Haraden likely refers to Andrew Haraden, (1811-1877) of Salem, Massachusetts, listed in federal census records as an “expressman.” Haraden’s name is also recorded in New England Seamen’s Protection Certificate Index, 1796-1871, Mystic, Connecticut. His grandfather, Jonathan Haraden (1743-1803), was a Massachusetts-born merchant and privateersman during the Revolutionary War. $800 - 1,200 125

A Carved Walrus Ivory Gatling Gun Model

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LATE 19TH/20TH CENTURY

complete with carriage. Height 7 1/2 x width 14 1/2 x depth 8 1/2 inches. $600 - 800 126

A George II Carved and Figured Walnut Game Table 18TH CENTURY

Height 29 1/4 x width 30 3/4 x depth 15 inches (closed). $600 - 800

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A Regency Tortoiseshell Tea Caddy EARLY 19TH CENTURY

Height 7 x width 10 x depth 5 1/2 inches. $800 - 1,200

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A Pair of Continental Giltwood and Metal Six-Light Sconces 19TH CENTURY

electrified. Height 28 x width 23 x depth 15 1/2 inches. $800 - 1,000

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Daniel Turner (British, active 1782-1801) Funeral of Lord Nelson (View of the Thames with St. Paul’s Cathedral) oil on board signed Danl Turner, stern of barge, center left 15 3/4 x 22 1/4 inches. Provenance: Property from the Estate of the Late J. P. Morgan, Christie’s, London, 1944; M. Knoedler and Company, New York City, New York; thence acquired by the present owner by 1965. An aquatint of Lord Nelson’s Coffin published by Rudolph Ackermann (German, 1764-1834) in his Ackermann’s Repository, circa 1809, is adhered to the backboard. $4,000 - 6,000

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Attributed to Luigi P. Renault (Italian, 1858-1880) The Barque Moneta off Leghorn oil on canvas inscribed Moneta, Captn. L.H. Fossett, / off Leghorn, 1872, lower left 19 x 27 1/8 inches. $2,000 - 4,000

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A Mounted Half Hull Model 19TH CENTURY

Height of backboard 11 x length 59 x overall depth 5 inches. $2,000 - 4,000

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A Mounted Half Hull Model 20TH CENTURY

inscribed on back Designed by C.N. Ingalls / Made by W.H. Wass / Machias, ME. Height of backboard 13 1/2 x length 86 x overall depth 8 inches. Provenance: Ships Wheel Antiques, East Dennis, Massachusetts, 1960. $3,000 - 5,000

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Attributed to Thomas Birch (British/American, 1779-1851) The United States vs. Macedonian, 1813 oil on canvas unsigned 24 1/2 x 32 inches. Provenance: Eldred’s, East Dennis, Massachusetts, 1954. Ex Collection Hugo Wunderlich. This naval engagement took place near Madeira, Portugal on October 25, 1812, between the United States Navy frigate USS United States and the Royal Navy frigate HMS Macedonian. The battle resulted in the capture of the Macedonian, which became the first British warship to be brought to an American harbor as a prize. Thomas Birch painted this subject at least other three times during his career. One version was sold at auction by Sotheby’s in 2008 from the collection of J. Welles Henderson, following its display both at the Philadelphia Maritime Museum and in the Oval Office at the White House during the administration of President John F. Kennedy. A second version is held by the Museum of Fine Arts, Boston, and a third is in the permanent collection of the Historical Society of Pennsylvania. $30,000 - 50,000

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Two Mounted Half Hull Models 19TH CENTURY

Height of larger backboard 7 5/8 x length 34 1/2 x overall depth 6 1/2 inches. Provenance: Ships Wheel Antiques, East Dennis, Massachusetts, 1960. $1,000 - 2,000

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Two Mounted Half Hull Models 19TH CENTURY

Height of larger backboard 11 x length 48 1/2 x overall depth 7 inches. Provenance: Ships Wheel Antiques, East Dennis, Massachusetts, 1960. $600 - 800

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Thomas Buttersworth (British, 1768-1842) Burning of the USS Philadelphia oil on canvas signed T. Buttersworth, lower left 22 x 33 1/2 inches. Exhibition History: 10th Anniversary Spoleto Exhibition, Gibbes Museum of Art, Charleston, South Carolina, 1986. Previously captured by Tripolitans, the USS Philadelphia, a thirty-six-gun frigate built in 1799, was notoriously set ablaze in an American-led raid. England’s Lord Nelson purportedly called this scorched-earth tactic “the most bold and daring act of the age.” On February 16, 1804, Lieutenant Stephen Decatur (1779-1820) entered the Bay of Tripoli with a band of volunteer raiders aboard the ketch Intrepid. The Intrepid spuriously flew British colors as a merchant vessel, and the crew pretended that they had lost their anchors in a storm. Granted permission to anchor in the harbor, Decatur and his party boarded the Philadelphia under the cover of the night and set fire to the vessel, lest the Tripolitans repurpose her for piracy. $3,000 - 5,000

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A Mounted Half Hull Model

American School, 19th Century

19TH CENTURY

American Brig at Sea watercolor on paper unsigned 11 1/8 x 15 1/8 inches.

An Italian Carved and Black Painted Walnut Upholstered Sofa

Height of backboard 11 3/4 x length 62 x overall depth 7 1/2 inches. $2,000 - 4,000

18TH CENTURY

Height 37 x width 72 x depth 28 inches. $1,500 - 2,500

$300 - 500

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François Geoffroy Roux (French, 1811-1882) Two Works: Cartane française au plus près du vent and Histicks[?] Espagnole en calme watercolor on paper signed and dated F. Roux 1830, lower right titles inscribed, lower register 7 x 8 1/2 inches (each). Provenance: Leon F. S. Stark Antiques, Philadelphia, Pennsylvania, 1978. $800 - 1,200

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Frédéric Roux (French, 1805-1887) Two Works: British Sailing Ship, Possibly the Yacht of Lord Wilton 1841 watercolor on paper twice signed and dated Frédéric Roux, Havre 1841, lower right and verso 15 1/4 x 22 5/8 inches. the verso of one painting further inscribed Dédié à Madame La Comtesse Wilton / par son très humble serviteur / Frédéric Roux [Dedicated to Countess Wilton / by her very humble servant / Frédéric Roux]. Lady Margaret Stanley (1801-1858), daughter of the 12th Earl of Derby, married Thomas Grovesnor Egerton, 2nd Earl of Wilton in 1821, becoming the Countess Wilton referred to here. An avid sailor, Lord Wilton was a founding member of the Royal Mersey Yacht Club in 1844 and later served as Commodore of the Royal Yacht Squadron from 1849 until 1881. $1,000 - 1,500

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A Giltwood Hall Mirror NEW YORK, EARLY 20TH CENTURY

stamped M. Grieve Co. on back of frame. 60 x 54 inches. $500 - 700 143

A Regency Figured Mahogany Game and Tea Table 19TH CENTURY

Height 29 3/4 x width 34 x depth 17 inches (closed). $800 - 1,200 144

A Victorian Shell Encrusted Bouquet of Flowers 19TH CENTURY

with associated dome and stand. Overall height 20 1/2 inches. $1,000 - 2,000 145

A Chippendale Carved and Figured Walnut Chest on Claw-and-Ball Foot Stand PENNSYLVANIA, CIRCA 1770

retains a dark, rich surface, the drawer pulls, while of the period, are replacements. Height 67 3/4 x width 41 1/4 x depth 21 1/2 inches. $2,000 - 4,000

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Four Matched Polychrome Scrimshaw Articles

A Pair of Cast Stone Nautilus Jardinières

19TH CENTURY

20TH CENTURY

comprising two walrus tusks and two whale teeth, mounted to stands. the teeth decorated with an urn and flowering plant. with similar decoration to the lower quarter of the tusks under three ships, a lighthouse and a fort with American flag. Length of tusks 15 3/4 inches. Height overall 17 1/4 inches.

Height 8 x length 12 x depth 5 1/2 inches.

$3,000 - 5,000

$300 - 500

$500 - 700 149

A Tabriz Pictorial Wool Rug FIRST HALF 20TH CENTURY

2 feet 8 inches x 2 feet 1 inch.

147

A Matched Pair of Regency Style Marble-Inset Figured Birch Column-Form Pot Cupboards 19TH CENTURY

Height 28 1/4 x width 15 1/2 x depth 16 inches. $700 - 900

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James E. Buttersworth (British, 1817-1894) Old Ironsides off Long Island oil on panel signed J E Buttersworth, lower right 8 1/2 x 12 1/4 inches. $1,500 - 2,500

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Attributed to James E. Buttersworth (British, 1817-1894) Steamship Washington Assisting the Winchester oil on panel unsigned inscribed Steamship ‘Washington,’ Capt. Fitch rescuing passengers of the ship ‘Winchester’ off Boston Tuesday, May 2, 1854. Mr. P. M. King, Chief Officer of the Washington, and 4 of the crew making the first trip to the wreck. Passengers saved 415. Crew 32. Total 447, verso 9 1/4 x 12 1/4 inches. Possibly a prototype for the Currier and Ives engraving The Steam Ship Washington Capt Fitch, rescuing the passengers of the Ship Winchester of Boston, (Tuesday May 2nd 1854), first published in 1854. $1,500 - 2,500

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A Fereghan Wool Runner FIRST HALF 20TH CENTURY

12 feet 10 inches x 3 feet 5 inches. Provenance: Cherry and Watson Period Antiques, Barnstable, Massachusetts, 1977. $800 - 1,000 153

An English Mahogany Brass Banded Campaign Chest 19TH CENTURY

in two sections. Height 42 3/4 x width 39 x depth 17 3/4 inches. Provenance: Cherry and Watson Period Antiques, Barnstable, Massachusetts, 1977. $1,000 - 1,500

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Thomas Buttersworth (British, 1768-1842) Eighteen-Gun Brig off the English Coast circa 1810-1830 oil on panel 14 3/4 x 20 1/4 inches. Provenance: Eldred’s, East Dennis, Massachusetts, 29 March 1991, Lot 309. $3,000 - 5,000

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British School, 19th Century Shipping Off Gibraltar oil on canvas unsigned 10 1/4 x 13 1/2 inches. $400 - 600 156

Daniel Hermann Anton Melbye (Danish, 18181875) Two Works: Ships at Sea charcoal on paper both signed Anton Melbye and dated 1859, lower left Each: 8 x 11 1/8 inches. The gunship drawing has an exhibition label to the back for The Model Ship Society, where it was exhibited by Ernest L. Ipsen, date unknown. $600 - 800 157

A French Carved Walnut Silhouette of a Nobleman, Possibly Lucien Bonaparte, Prince of Canino 18TH CENTURY

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decorated with various medals of French chivalric orders, including the Saint-Esprit and the Ordre de la Toison. set in a period foliate-carved frame. 7 x 4 1/4 inches. $500 - 700 158

A George III Figured Mahogany Chest-on-Chest CIRCA 1790

Height 69 1/2 x width 43 3/4 x depth 20 1/2 inches. Provenance: Glynne Bellerby Sandhill Antiques, Newcastle-onTyne, England, 1967. $1,000 - 2,000

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After Thomas Buttersworth (British, 1768-1842) Bringing Home a Prize oil on canvas initialed EBE, lower right 10 1/4 x 13 1/2 inches. $400 - 600 160

Manner of Ivan Konstantinovitch Aivazovsky (Russian, 1817-1900) Coastal Scene in Moonlight oil on canvas spuriously signed Aivazovsky, lower left 13 3/4 x 23 3/4 inches. $500 - 700 161

A Collection of Ten Roman Coins 1ST-3RD CENTURY CE

Diameter of largest 7/8 inches. Frame 19 x 15 1/2 inches.

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$400 - 600 162

A Carved Lava Panel of Diana and Eros ITALIAN, 19TH CENTURY

4 1/2 x 7 inches. together with a cut and embossed paper diorama of figures in a landscape with lion and putti. signed and dated J. Spaan / inven. et fecit / 1776, lower right. 11 1/4 x 8 inches. Provenance: Lava carving purchased from John Walker Antiques, New York City, New York, 1988. Paper diorama purchased from Gloria Boscardin, New York City, New York, 1985. $800 - 1,200

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Twelve Thompsons’ Colored Medallion Wafers 19TH CENTURY

depicting various Classical profile busts, figures and scenes; the frame with a Thompsons’, Medallion Wafers No. 1 label adhered to the reverse. Largest medallion 1 x 7/8 inch. Frame: 12 x 10 1/8 inches. $300 - 500 164

Continental School, 19th Century Putti in a Classical Niche en Grisaille oil on canvas unsigned 62 1/2 x 48 1/4 inches. $1,500 - 2,500 165

After Francisco de Zurbaran (Spanish, 1598-1664) Saint Francis oil on board unsigned 7 1/4 x 4 1/2 inches. Inscribed Bonington after Zurbaran to the reverse based on a previous attribution to Bonington that has since been refuted. $1,000 - 1,500 166

Nineteen Japanese Kai-awase Paint and Gilt Decorated Shell Game Pieces

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LATE 18TH/19TH CENTURY

including five matched pairs. Largest shell 5/8 x 3/4 inch. Frame 11 3/4 x 9 inches. $1,000 - 2,000

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A Victorian Rolled Paper and Faux Marble Composition 19TH CENTURY

of an altar surrounded by an ornate floral design; housed in an oval shadowbox. Frame: 12 1/2 x 10 5/8 inches. $300 - 500 168

Daniel Greene (American, 1934-2020) Not in Competition, Honorary Vice-President pastel on paper signed Daniel Greene, lower right 28 1/2 x 20 3/4 inches. Provenance: Miller Gallery, Cincinnati, Ohio, 1982. Exhibited: Rockport Art Association, Rockport, Massachusetts. Correspondence with the artist from 1982 reveals that this painting was to be one of two for a diptych, but Greene felt that this work was compelling enough to stand on its own. $3,000 - 4,000 169

Attributed to Francis Wheatley (British, 1747-1801) Portrait of a Gentleman, Possibly a Shipowner oil on canvas unsigned 19 1/2 x 13 1/2 inches. Provenance: Spink and Son, Ltd., London, 1965. $1,000 - 2,000 170

Thomas Buttersworth (British, 1768-1842) Two Ships Under Full Sail oil on canvas signed T. Buttersworth, lower center 11 1/2 x 15 1/2 inches. 168

$1,500 - 2,500 171

A Chippendale Figured and Shell-Carved Mahogany Slant Front Desk LIKELY RHODE ISLAND, CIRCA 1780

with shell-carved prospect door, appears to retain the original drawer pulls. Height 41 1/4 x width 38 x depth 21 inches. $1,500 - 3,000

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Robert Dodd (British, 1750-1809) A British Frigate at Table Bay - Cape of Good Hope oil on canvas unsigned 19 3/4 x 26 3/4 inches. Provenance: William Blair Ltd., Bethesda, Maryland; Eldred’s, East Dennis, Massachusetts, 1991. The topography of the land at lower left, where Capetown’s “Three Peaks,” Table Mountain, Devil’s Peak, and Lion’s Head, are visible, is similar to that represented by Robert Dodd in a second, similar painting entitled Southampton Anchored off Cape Town from 1786. That painting was exhibited at the Royal Academy in 1787, along with four other pictures by Dodd of anchored East Indiamen. $4,000 - 6,000 173

Thomas Buttersworth (British, 1768-1842) A Royal Naval Warship Engaging a Pirate Vessel oil on canvas signed T. Buttersworth, lower right 11 1/4 x 15 1/2 inches. 173

$1,500 - 2,500

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A Rare William Rose War of 1812 Lake Champlain Congressional Presentation Sword of Sailing Master Daniel Ricard 32.25” unfullered double-edged spear point blade. 38” in overall length overall. 5.75” gilt cast brass hilt with deep relief chased patterns. Grip ribbed on top and bottom with detailed raised mermaid motif on either side. Hilt and knuckle bow chased with nautical, patriotic, and classical themes. The down-turned exterior of the clamshell counterguard shows a Spread-Winged American Eagle surmounting anchors and a cannon and surrounded by a wreath. The interior of guard is decorated with a raised laurel wreath flanked by U and S. The diminutive oval reverse guard opposite the counterguard is chased with simple foliate boarder motifs while the interior shows an oval of 18 stars, arranged as a line of 13 on top with two groups of three underneath. Bottom half of knuckle bow is broken and missing as is the Roman soldier pommel cap. The blade is acid etched for 23” of its length with four rectangular panels on both sides showing various designs separated by Grecian meander frets. The reverse blade is etched with fine floral grape vines, text reading Altius ibunt qui ad/summa nituntur (He who aims highest, rises highest), a naval battle scene, panoplies of arms and geometric floral work. The obverse of the blade shows oak leaf scrolls, followed by the text DANIEL RICARD SAILING MASTER/Lake Champlain 11 September 1814, a panoply of arms with trident and more geometric floral work. The ricassos are marked MEER/Philadel on the obverse and W. ROSE on the reverse. Included is a partial leather scabbard with gilt fittings showing nautical motifs and a single hanger. The center mount is missing from the scabbard. Item comes with a 44.5” x 11.75” case frame, and has been removed from case for inspection. The War of 1812 was the only time that Congress ever presented swords to junior and warrant officers of the US Navy in appreciation for their service in specific actions. Congress authorized swords for presentation to sailing masters and midshipmen for a total of four actions during the war, The Battle of Lake Erie (September 10, 1813), The Battle of Lake Champlain (September 11, 1814), the action of the sloop USS Peacock against the brig HMS Epervier (April 29, 1814) and the action of the sloop USS Wasp against the HMS Reindeer (June 28, 1814). Some 80 or so swords were authorized by Congress for presentation to the sailing masters and midshipmen of those battles. Most of the swords featured gilt brass hilts and guards, but the swords from the Wasp-Reindeer action were of gilt silver. The blades were produced by William Rose and etched by John Meer of Philadelphia. They cost the somewhat astronomical sum of $250 at the time (circa 1817), which would exceed $200,000 today. A total of thirty-three swords are

listed in Peter Tuite’s US Naval Officers - Their Swords and Dirks as having been presented for the action on Lake Champlain. Of those, eleven went to sailing masters and twenty-two went to midshipmen. Of those swords, Tuite notes that nine were extant at the time of writing (2004), four of the sailing master swords and five of the midshipman swords. Of the extant swords, that of Sailing Master William Robins has a misspelled name on the blade, where it is etched as “Robbins”. It is worth noting that Sailing Master Daniel Ricard is not listed as one of the recipients of these swords and an extensive search of period newspapers and military records do not reveal his name. It is quite possible that the name was horribly botched when it was etched, a not so uncommon event at time when spelling was often phonetic at best. Despite the need for significant restoration, this is a legitimate and apparently previously unknown example of a rare and desirable Congressional Presentation Sword from the War of 1812. Framed: 44 1/2 x 11 3/4 inches. $5,000 - 10,000

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A Regency Inlaid Mahogany Bowfront Collector’s Cabinet 19TH CENTURY

with nine drawers. Height 24 3/4 x width 16 1/2 x depth 14 1/4 inches. $500 - 700 176

An English Corn Diorama and a Mixed Media Needlework Portrait FIRST EARLY 19TH CENTURY; SECOND 17TH CENTURY

both depicting women, in octagonal frames; the corn diorama titled Woman Holding Flowers in Garden. Corn diorama frame: 9 x 11 3/4 inches. Provenance: (Corn diorama) Neal Auction Company, New Orleans, Louisiana, 8-11 December 1994, Lot 320. $800 - 1,200 177

A Goldwork Embroidered World Map LATE 18TH/19TH CENTURY

silk threads with ink on silk ground. presented in two hemispheres and identified The World with All the Modern Discoveries after an eponymous map drawn by J. Young Georg and published in Young’s Atlas, A New Atlas Or a Compleat [sic] Set of Maps Representing the different Empires, Kingdoms & States of the Known World Including all the Modern Discoveries by John Ainslie, Edinburgh, and W. Faden, London, in 1778. 16 1/4 x 20 1/2 inches. $400 - 600 178

A Pair of Figural Goldwork Embroidered Pictures of Girls with a Jump Rope 19TH CENTURY

silk threads with watercolor on silk ground, one of which is backed with the front page of the Emanuel Parish Almanack, dated 1881. 14 x 10 inches.

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Attributed to Thomas Gainsborough (British, 1727-1788) Silvery Stream Near Bath oil on canvas unsigned 28 x 21 inches. Provenance: James Hugh Anderdon (British, 1790-1879), London, England, 1814; Christie’s, London, Catalogue of the Extensive and Valuable Collection of Ancient & Modern Pictures Including a Large Number of Works of the Early English School Formed with great taste during the last half century by that well-known Amateur James Hugh Anderdon, Esq., May 3, 1879, Lot 140; thence acquired by John Chadwick Kersham, London. Literature: George Williams Fulcher, The Life of Thomas Gainsborough, R.A. (London: Longman, 1856), p. 228. Sir Walter Armstrong, Gainsborough and his place in English Art (London: William Heinemann, 1904). p. 285. $6,000 - 8,000 180

British School, 19th Century Spanish Horse ‘Van Tromp’ oil on canvas unsigned titled and inscribed Spanish horse (“Van-Tromp”) winner of the Ladies Whip in /47 and 4 Races in /48. The Corinthian Stakes: Towne Plate, Staud Plate, and Winners Handicap...JHS, verso 13 1/2 x 17 3/4 inches.

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$400 - 600 F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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A Queen Anne Carved and Figured Mahogany Drop-Leaf Slipper Foot Table LIKELY NEW ENGLAND, CIRCA 1750

Height 28 x width 16 x depth 36 inches. (closed) $600 - 800 182

A George II Style Burl-Walnut Shepherd’s Crook Claw-and-Ball Foot Armchair 19TH CENTURY, POSSIBLY EARLIER

with shell carved crest rail and knees. Height 40 1/2 inches. $500 - 800

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Sir Joshua Reynolds (British, 1723-1792) Self-Portrait in Academic Robes Contemplating the Bust of Michelangelo oil on mahogany panel unsigned 10 1/4 x 8 1/4 inches. Provenance: Sale of the Watercolours and Paintings Lately the Property of the Mssrs. Murrieta -- Removed from Southover, Carlton House Terrace, and Kensington Palace Gardens, Christie’s, London, January 1893; purchased by Berry-Hill Galleries, New York City, New York, 1961; thence acquired by the present owner, 1963. Offered here is a miniature of the famous Reynolds self-portrait in the permanent collection of the Royal Academy of Arts, London (03/1394). $15,000 - 20,000

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Samuel John Egbert Jones (British, 1797-1861)

A Pair of Needlework Embroidered Pictures, Wrought by Sara Caroline Scovin

Two Works: A Pair of Fishing Scenes oil on canvas unsigned 11 1/2 x 13 1/2 inches. Provenance: Ex Collection John Henry Manners, Esq., London; John Levy Galleries, New York City, New York, 1930s.

ENGLISH, CIRCA 1794

silk threads with watercolor on silk ground. identified Sara Caroline Scovin 1794. 14 3/4 x 11 1/2 inches. $600 - 800

$4,000 - 6,000

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A Shellwork Composition Depicting a Floral Bouquet and Butterflies 19TH CENTURY

initialed LTA, lower right corner. housed in a giltwood shadowbox frame. 16 1/2 x 18 3/8 inches. $500 - 700 187

A Pair of Needlework Embroidered Pictures of Perched Birds with Butterflies LATE 18TH/19TH CENTURY

silk threads on stenciled silk ground. 10 x 7 1/2 inches. Provenance: Sotheby’s, Chester Sale, 23 June 1988, Lot 2397. $500 - 700 188

A Poplar and Pine Hummingbird-Inlaid Blanket Chest 19TH CENTURY

Height 25 x width 59 1/2 x depth 22 1/2 inches. $600 - 800

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American School, 19th Century Portrait of Two Children with a Doll and Jump Rope oil on canvas laid to aluminum honeycomb board unsigned 53 1/2 x 38 3/4 inches. $800 - 1,200 190

A Needlework Embroidered Picture of Fishermen in a Mountainous Landscape 19TH CENTURY

silk threads on silk ground, worked primarily in satin stitch. 7 3/4 x 11 inches. $400 - 600 191

An English Mourning Needlework Panel Depicting Fame Decorating Shakespeare’s Tomb LATE 18TH/EARLY 19TH CENTURY

after the work by Angelica Kauffman (Swiss, 1741-1807). 12 x 9 1/2 inches. $600 - 800

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An English Needlework Panel of a Dolphin 18TH/19TH CENTURY

9 3/4 x 6 1/8 inches. $600 - 800 193

Attributed to Charles Philippe Auguste Lariviere (French, 1798-1876) Portrait of a Lady oil on board signed A.D.L. and dated 1852, lower left and with painted coat of arms, upper left 17 x 14 inches. The painting is accompanied by two letters from Grace Boyd of Chez Dreux around the time of purchase, detailing her research on the painting. She mentions that the portrait was found in Touraine. Her research into Lariviere uncovered record of a painting by him of a ‘Mme de B.’ which was completed in 1852. Provenance: Purchased by Mrs. William A Kruse from Chez Dreux, Newport, Rhode Island, 1929. Gifted to her grandson, Charles Fleischmann III. $1,000 - 1,500 194

Edouard de Latour (French, 1817-1863) Lady and Son, 1855 oil on board signed Ed: de Latour and dated, lower left 11 x 7 1/2 inches. $300 - 500 194

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Italian School, 19th Century Two Works: Grand Tourists with Dogs in Ruins watercolor on paper unsigned 14 1/2 x 20 3/4 inches. $400 - 600 196

A Continental Giltwood Mirror 18TH/EARLY 19TH CENTURY

21 x 11 1/2 inches. $400 - 600 197

Ethel Frances Mundy (American, 1876-1964) Portrait of Louise Fleischmann Tate carved and polychrome-decorated wax signed Ethel Mundy fecit, lower right Diameter 6 1/4 inches. Portrait of Charles Fleischmann with Dog carved and polychrome-decorated wax signed Ethel Mundy fecit, lower right inscribed Charles Fleischmann / “Skipper” 9 years old / Dec 1937 / Ethel Mundy artist., verso paper label Diameter 6 1/4 inches. Provenance: Purchased directly from the artist. Exhibited: An Exhibition of Portraits in Wax by the Internationally Famous Ethel Frances Mundy, Closson’s, Cincinnati, Ohio, 1938. $600 - 800

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Italian School, Late 18th Century Four Works: Views of Mt. Vesuvius circa 1794 gouache on paper unsigned title inscribed to lower edge of each: Espulsione di Cenere del Vesuvio, del 1794; Veduta di Napoli dalla Parte di Portici; Veduta di Napoli da Posilico; and Lava del Vesuvio de 1 Giugnio del 1794 14 1/4 x 21 inches. The backboard of Veduta di Napoli dalla Parte di Portici inscribed This view of Naples and Vesuvius was painted for Captain Joseph Wright Alsop before his marriage to Lucy Whittlesey. / His ship is in the harbor. / He died 1844. / Daughter Clara Pemeroy Alsop / Granddaughter Lucy Chauncey Alsop, with backboard of Espulsione di Cenere del Seuvio, del 1794 bearing a similar inscription: Brought from Naples, Ital. / by / Captain Joseph Wright Alsop / 1794 / Daughter Clara Pemeroy Alsop / Granddaughter Lucy Chauncey Alsop 1875. Joseph Wright Alsop (1722-1844) was born on March 2, 1772, to Richard and Mary Wright Alsop in Middleton, Connecticut. Richard was a merchant by trade, and he and his brother ran a successful cloth and dry goods house in New York before the family relocated to Connecticut in the wake of the American Revolution. On the East Coast, the Alsop family rose to political and social prominence, with Richard’s brother, John, serving as a delegate for New York to the Continental Congress, and another descendant, John Alsop King, later serving as the first Republican governor of New York.

On November 5, 1797, Joseph Alsop married Lucy Whittelsey (17731856), the daughter of Chauncey Whittelsey (1746-1812) of New Haven, Connecticut, an alumnus of Yale University, who was elected church deacon in 1778 and was appointed Quartermaster-General of the militia in 1782. The couple had five children together, including the first of six storied generations of Joseph Wright Alsops, among whom were state representatives, state senators, Connecticut lieutenant governors, journalists, agricultural board members, and University of Connecticut trustees. Family progenitor Joseph Alsop entered into the family business and continued his father’s mercantile interests. The Yale University Library holds sixty-four boxes of Alsop family papers, spanning 1734-1986, including documentation of their business dealings in Bolivia, Chile, and Peru. Travels to Italy seemingly happened earlier, given the date of the painting offered here, prior to the Alsop-Whittlesey marriage in 1797. According to the genealogical record, Clara Pemeroy Alsop, referenced in the inscriptions, died in infancy, but her younger brother, Charles Richard Alsop (1802-1865) survived through adulthood and had six children, among whom was Lucy Chauncey Alsop (1834-1922), who inherited the paintings in 1875. She remained in Middletown per United States census records but was granted a patent by the United Kingdom on November 5, 1894, for her “Improvements in Railway Signal Apparatus.” Provenance: Captain Joseph Alsop (1722-1844), Middletown, Connecticut; be descent within the Alsop family, to his granddaughter Lucy Chauncey Alsop (1802-1865), 1875. $1,500 - 2,500

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A Pair of Maison Baguès Gilt Metal and Glass Two-Light Parrot and Urn Sconces 20TH CENTURY

Height 21 1/2 x width 12 inches. $4,000 - 6,000 200

A Regency Inlaid Mahogany Fall-Front Secretary Desk 19TH CENTURY

Height 60 1/4 x width 44 1/2 x depth 17 1/2 inches. $1,000 - 2,000

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William Allen Wall (American, 1801-1885) Seashells oil on canvas signed W.A. Wall, lower right 20 1/8 x 24 inches. $1,000 - 2,000 202

A Federal Giltwood and Eglomise ‘Perry’s Victory on Lake Erie’ Mirror CIRCA 1815-1820

41 3/4 x 22 3/4 inches. Provenance: Leon F. S. Stark Antiques, Philadelphia, Pennsylvania, 1971. $600 - 800 203

A Federal Inlaid and Veneered Mahogany Chest of Drawers LIKELY WESTERN PENNSYLVANIA OR OHIO, 19TH CENTURY

drawer pulls replaced. Height 43 1/2 x width 40 1/4 x depth 20 1/2 inches. $800 - 1,200 203

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Kawase Hasui (Japanese, 1883-1957) Spring Rain at Sakurada Gates woodblock print signed in print, lower right, and stamped, lower left and right 9 1/4 x 13 3/4 inches. $1,500 - 2,500 205

A Chinese Export Gilt and Black Lacquered Sewing Table CIRCA 1850

having a fitted interior over shell, scroll and claw carved feet, lacking the sewing bag to the underside. Height 30 1/4 x width 24 3/4 x depth 16 1/2 inches. $1,500 - 2,500

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Charles Whedon Rain (American, 1911-1985) Warwick East, New York, 1948 oil on masonite board signed Rain, lower right titled, dated, and inscribed to verso 18 x 24 inches. Exhibited: The Contemporary Arts Center, Cincinnati, Ohio, 1959. $8,000 - 12,000

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A Federal Style Inlaid Mahogany Vitrine Table

Three Russian Gold and Enamel Order of St. Andrew Collar Links

Four Eastern European Order of Merit Badges

SECOND HALF 19TH CENTURY

appears to retain the original glass. Height 29 1/2 x width 24 1/4 x depth 21 1/4 inches. $700 - 900

MARK OF ALBERT KIEBEL, ST. PETERSBURG, CIRCA 1900

Length of chain 7 1/2 inches. $4,000 - 6,000

LATE 19TH/EARLY 20TH CENTURY

framed in a shadow box and comprising a Greek Order of the Redeemer, a Serbian Order of St. Sava, a Russian Order of St. Anna and a Russian Siege of Port Arthur Officer’s Badge. 17 1/2 x 5 3/4 inches framed. $600 - 800

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James Buttersworth (British, 1817-1894) S.S. Italy at Sea oil on canvas signed JE Buttersworth, lower right 19 3/4 x 25 3/4 inches. Provenance: Closson’s Art Gallery, Cincinnati, Ohio. The passenger steamship Italy was built in Glasgow in 1870 by John Elder & Co. and was owned by the National Line. It operated between 1870 and 1894, primarily traveling between Liverpool and New York. A nearly identical image of the ship appears on a National Line advertisement lithograph published by The Hatch Lithographic Co. in the late 1880s. This painting was likely copied for the ad. $15,000 - 30,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 111

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Attributed to Isaac Stiehly (American, 1800-1869) Potomac Scherenschnitte ink on cut paper mounted against paper titled in image, lower center 12 5/8 x 15 3/4 inches. $700 - 900 212

A Regency Black Lacquered and Parcel Gilt Vernis Martin Decorated Step-Back Cabinet 19TH CENTURY

Height 81 1/2 x width 38 1/2 x depth 16 3/4 inches. $1,000 - 2,000

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A Chinese Porcelain ‘Flower and Butterfly’ Punch Bowl CIRCA 1775

together with six blue and white porcelain rice bowls, with two plates and three spoons. three bowls and plates with character marks. 12 items total. Height of punch bowl 6 x diameter 14 inches. Provenance: Punch Bowl: Leon F. S. Stark Antiques, Philadelphia, Pennsylvania $500 - 700 214

Four Chinese Export Porcelain Armorial Trays 19TH CENTURY AND LATER

comprising a pair of trays with arms of Dacre, a single tray centered with an armorial crest, and a Queen Victoria coronation commemorative tray. Length of longest 12 3/4 x width 9 3/4 inches. $500 - 700

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A Chinese Export Porcelain Famille Rose Teapot 18TH CENTURY

Height 5 1/4 x width 8 inches. $500 - 700

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Five Chinese Export Porcelain Articles

Attributed to Youqua (Chinese, active Mid-19th Century)

18TH/19TH CENTURY

View of the Whampoa Anchorage circa 1835-1850 oil on canvas laid to board unsigned the foreground with British, French, and American ships at

comprising a pitcher, two teapots and a pair of spoon rests, each with ship decoration. Height of pitcher 7 5/8 inches. Provenance: Pitcher purchased from Jack Patla Company, Charleston, South Carolina. $600 - 800

anchor, and with Pazhou Pagoda on Pazhou Island, Haizhu District, Guangzhou, in the middle distance 17 1/4 x 23 inches. Exhibited: Taft Museum of Art, Cincinnati, Ohio, East Meets West: Chinese Export Art and Design, June 19-October 11, 1998. $1,500 - 2,500

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British School, 19th Century Seven Works: Scenes of Bhuj, Gujarat, India watercolor on paper unsigned 8 1/4 x 13 inches. $700 - 900

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A Late George III Inlaid Mahogany Vitrine Cabinet 19TH CENTURY

Height 84 1/2 x width 33 x depth 10 1/2 inches. $800 - 1,200 220

Two Silver-Mounted Ostrich Eggs 19TH/20TH CENTURY

both with an applied amber cameo to the body and the covers with ostrich-form finials. Height 10 x width 4 3/4 inches. Stands designed and fabricated by William Albers, Mr. William & Co., Cincinnati, Ohio, 1977. $800 - 1,000 221

A Regency Rosewood Wellington Collector’s Cabinet EARLY 19TH CENTURY

Height 28 1/4 x width 17 x depth 9 1/4 inches. $700 - 900

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M. Mauton (Active Naples, 19th Century) Four Works: Neapolitan Islands of Ischia, Nistia, Capri, and Procida gouache on paper each with inscribed title and signed M. Mauton, strada S. Carlo, No. 32, lower margin 10 3/4 x 15 3/4 inches. Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $1,000 - 2,000

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Attributed to M. Mauton (Active Naples, 19th Century) Four Works: Views of the Bay of Naples gouache on paper unsigned 11 3/8 x 8 3/8 inches (largest). Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $700 - 900

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Attributed to M. Mauton (Active Naples, 19th Century) Three Works: Views of Naples gouache on paper one titled Villa Reale, lower margin 8 1/2 x 12 1/2 inches (largest). Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 117

225

An Architectural Mahogany Staircase Floor Lamp 20TH CENTURY

Height 68 inches. $800 - 1,200 226

A Late George III Mahogany Architect’s Desk EARLY 19TH CENTURY

having pull-out section with lined writing surface and lift-up compartment, appears to retain the original brasses and key. Height 27 3/4 x width 32 1/4 x depth 22 inches (closed). Provenance: Frank Ganci, New York, 1963. $1,000 - 2,000

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Attributed to M. Mauton (Active Naples, 19th Century)

M. Mauton (Active Naples, 19th Century)

Five Works: Views of Naples gouache on paper unsigned 7 3/4 x 10 3/8 inches.

Six Works: Volcanic Eruptions gouache on paper each with inscribed title and signed M. Mauton, strada S. Carlo, No. 32, lower margin 10 3/4 x 15 3/4 inches.

Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $800 - 1,200

Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $1,500 - 2,500

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Attributed to M. Mauton (Active Naples, 19th Century) Four Works: Views of the Bay of Naples with Volcanic Activity gouache on paper one with inscribed title Castellmare and signed M. Mauton, strada S. Carlo, No. 32, lower margin 10 3/4 x 15 3/4 inches (largest). Provenance: Ex Collection William Chester Minor (1834-1920); Presented to Yale University Art Gallery by his nephew Edward Eastman Minor (1876-1953). $700 - 900

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A Gilt Metal and Glass Optician’s Trade Sign

A Regency Grain and Figural Painted CaneUpholstered Settee

CIRCA 1900

Height 15 1/4 x width 25 3/8 x depth 1 1/2 inches. $800 - 1,200

CIRCA 1800

with later silk pad and cushions. Height 32 1/2 x width 60 x depth 26 inches. $700 - 900

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Manner of Alessandro d’Anna (Italian, 1746-1810) Six Works: Views of the Bay of Naples gouache on paper titles inscribed, lower margin 11 3/4 x 17 inches. Provenance: Munson Gallery, New Haven, Connecticut, 1968. $800 - 1,200 233

Six Hand-Colored Citrus Fruit Engravings JOHANN CHRISTOPH VOLKAMER (GERMAN, 1644-1720)

from Nuremberg Hesperides. 12 5/8 x 8 inches. $500 - 700 234

Four Allegorical Prints of the Continents ENGLISH, 19TH CENTURY

comprising Emblem of Africa, Emblem of America, Emblem of Asia, and Emblem of Europe. hand-colored mezzotint on paper. titled and identified Published April. 12. 1800, by P. Stampa, 30, Leather Lane. London, lower margin. 13 1/4 x 9 1/2 inches.

1 of 6

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$1,000 - 2,000

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A Floral Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

14 1/2 x 14 5/8 inches. $1,500 - 2,500

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A Nautical Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

with text reading Forget Me Not and applied sea stars, sea horse, and shark teeth. 12 x 12 1/4 inches. $1,500 - 2,500

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A Nautical Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

17 5/8 x 15 1/2 inches. Provenance: Probably purchased from Leon F.S. Stark, Antiques, Inc., Philadelphia, Pennsylvania. $3,000 - 5,000

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A Baroque Highly Carved Walnut Commode LIKELY ITALIAN, 17TH CENTURY

Height 44 1/2 x width 59 x depth 24 1/4 inches. $2,000 - 4,000

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An Indian ‘Tree of Life’ Rug MID 20TH CENTURY

6 feet 1 inch x 4 feet 6 inches. $600 - 800 240

A Carved and Stained Pine Baroque Style Hall Mirror 19TH CENTURY

44 1/2 x 37 inches. $500 - 700 241

A Victorian Shellwork Basket of Flowers MID TO LATE 19TH CENTURY

housed in a glass dome. Height of dome 14 x diameter of base 13 inches. $400 - 600 242

A Floral Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

14 1/2 x 14 3/8 inches. 241

$1,000 - 2,000 243

A Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

with applied starfish at center. 9 3/4 x 9 3/4 inches. $800 - 1,200

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A Floral Shellwork Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

20 1/2 x 10 1/2 inches. $1,000 - 1,500 245

A French Prisoner of War Bone Model of a British Warship EARLY 19TH CENTURY

on a wood platform under a glass dome. Ship model height 6 1/4 x length 8 1/4 inches; height overall 11 x width of platform 10 1/2 x depth 7 inches. $1,500 - 2,500

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Henry Edridge (British, 1769-1821)

Attributed to Abraham Rademaker (Dutch, 1677-1735)

A Shellwork Double Sailor’s Valentine

Portrait of a Boy 1808 graphite and watercolor on paper signed and dated, lower left 12 1/4 x 8 1/4 inches. Provenance: Neal Auction Company, New Orleans, Louisiana, 9 December 1994, Lot 323. $1,000 - 1,500

Bombardment gouache on vellum unsigned 6 x 8 1/4 inches.

LIKELY BARBADOS, 19TH CENTURY

with text reading Think of Me. housed in a hinged case. 9 x 18 inches (open). $1,500 - 2,500

A similar painting, A Fire in a Village at Night, also attributed to Abraham Rademaker, sold in Sotheby’s Fine Dutch, Flemish, and German Drawings, Amsterdam, 1978, Lot 188. $1,500 - 2,500

247

A Pinprick and Watercolor Picture 19TH CENTURY

depicting a palace hall, possibly Versailles. 9 1/2 x 15 5/8 inches. $400 - 600

249

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A Shellwork Double Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

with text Ever Thine. housed in a hinged case. 9 x 18 inches (open). $1,500 - 2,500

251

A Shellwork Floral Heart Double Sailor’s Valentine LIKELY BARBADOS, 19TH CENTURY

with text reading Home Again. housed in a hinged case. 9 x 18 inches (open). $1,500 - 2,500

252

A Shellwork Heart and Sunburst Double Sailor’s Valentine BARBADOS, 19TH CENTURY

housed in a hinged case. 9 x 18 inches (open). $1,500 - 2,500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 127

253

China Trade Painting, Mid-19th Century View of Hong Kong oil on canvas unsigned 17 x 23 1/2 inches. $6,000 - 8,000

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Attributed to Lam Qua (Chinese, 1801-1860) Portrait of a Naval Officer circa 1835-1845 oil on canvas unsigned 11 1/2 x 9 1/2 inches. Provenance: Childs Gallery, Boston, Massachusetts, 1973. Exhibited: Taft Museum of Art, Cincinnati, Ohio, East Meets West: Chinese Export Art and Design, June 19-October 11, 1998. $3,000 - 4,000

255

Christian Wilhelm Tischbein (German, 1751-1824) Portrait of a Young Officer oil on canvas signed and dated C. W. Tischbein / 1814, lower right 25 5/8 x 19 3/8 inches. $1,500 - 2,500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 129

256

Raffaele Corsini (Turkish, 1830-1880) The Barque Jones of Salem circa 1834 watercolor and ink on paper unsigned inscribed Jones of Salem. Mass. Smyrna, 1834., lower center 17 1/2 x 24 inches. Raffaele Corsini made his career depicting the various ships that frequented the port of Smyrna, including American mercantile vessels prior to the Civil War. together with a 19th Century American School portrait identified as the Master of the Jones of Salem watercolor on paper unsigned Diameter 3 inches. $1,000 - 2,000

257

American School, 19th Century An American Ship Passing Malta oil on paperboard laid to masonite board unsigned titled, lower register 19 1/4 x 22 inches. $2,000 - 4,000

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Henry Goldthwaite Jenks (American, 1776-1801) Two Works: American Warships watercolor and ink on paper one signed Jenks delin., lower right second inscribed in various hands Drawn with a pen by Henry Goldthwaite Jenks at the age of 18 in the year 1794 and presented by his brother Rev. Wm. Jenks, DD LLD, in 1863. Jany 1st to me the son of Wm Joseph William Jenks. / Presented by J.W. Jenks to Ann Maria Jenks / by whom it was presented in 1884 to Louis [illegible], 1915 / This picture represents the sailing out of Boston of the Constitution, and the Constellation and Hessar frigates, and another vessel. The Constitution is in the center, the Constitution on the right, and the Hessar on the left; the scene was witnessed by the draftsman himself and drawn on the spot, verso. 7 7/8 x 10 inches (larger); 7 3/4 x 9 3/8 inches (smaller). Provenance: Purportedly drawn from life by the artist in 1794, Boston, Massachusetts; by descent within the Jenks family to the artist’s great-great-great niece, Edith Louise Jenks (1885-1970), Middleborough, Massachusetts. $2,000 - 3,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 131

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Attributed to Henry Goldthwaite Jenks (American, 1776-1801)

American School, 19th Century

American Frigates on Rough Seas watercolor on paper unsigned 7 7/8 x 10 inches.

United States Mail Packet Boat Entering the Port of Havana, Cuba watercolor on paper unsigned 17 1/2 x 26 1/4 inches.

Pair of Portraits of a Man and a Woman oil on canvas unsigned 11 1/4 x 13 1/2 inches.

$600 - 800

$1,500 - 2,500

$1,000 - 2,000

261

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A British Woolwork Picture 19TH CENTURY

depicting a fully rigged ship of the line surmounted by a crown, enclosed by a wreath, and flanked by international flags. 13 3/4 x 15 7/8 inches. $1,500 - 2,500 263

A Carved and Painted Wood Civil War Mirror 19TH CENTURY

decorated with cannons, flags, swords and muskets. 42 1/2 x 32 3/4 inches. Provenance: Eldred’s, East Dennis, Massachusetts, November 1984, Lot 812. $1,500 - 2,500

262

263

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264

A Turned Wood Dough Bowl 19TH CENTURY

on a later metal stand. Height 29 x length 40 x width 37 inches. $1,500 - 2,500

265

A Wood Sloop Hull Model 20TH CENTURY

on a fitted stand. Height 23 1/2 x width 54 1/4 x depth 12 1/2 inches. $800 - 1,200

266

Charles T. Webber (American, 1825-1910) Charles Fleischmann and Charles T. Webber Shooting Ducks on Lake Michigan oil on canvas signed C.T. Webber, lower left, and titled, lower right 28 x 35 inches. $600 - 800

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268

267

Henry Rhorer (American, 19th Century) View of Cincinnati 1865 panoramic albumen photograph 7 3/4 x 33 3/4 inches. $300 - 500 268

Adolphe K. Krebs (American, 1831-1884), after E. Sachs View of Cincinnati, Ohio lithograph on paper printed by Onken’s Lithography, Cincinnati, Ohio 7 x 23 1/2 inches (image). 8 3/4 x 23 3/4 inches (sight). $200 - 400 269

A Federal Carved and Inlaid Cherrywood Chest of Drawers 19TH CENTURY

drawer pulls and escutcheons replaced, previously fitted with a dressing mirror. Height 46 1/2 x width 37 1/4 x depth 21 1/2 inches. Provenance: George Abraham and Gilbert May Antiques, West Granville, Massachusetts, 1956. $500 - 700

269

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 135

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270 270

A Federal Style Giltwood and Eglomise Mirror 19TH CENTURY

35 1/4 x 23 inches. Provenance: Leon F. S. Stark Antiques, Philadelphia, Pennsylvania, 1957. $800 - 1,200 271

Daniel Gardner (British, 1750-1805) Portrait of a Gentleman Leaning on a Table by a Bust gouache and pastel on paper 16 1/4 x 13 1/4 inches. Provenance: Phillips, London, Fine English Watercolors & Drawings & Portrait Miniatures, 16 July 1990, Lot 1. $1,000 - 1,500

272

John Downman (Welsh, 1750-1824) Portrait of Mrs. Willomena Lock pencil and chalk on paper inscribed with sitter and artist names, verso 7 3/8 x 6 inches. Provenance: Wilkins & Wilkins, London, 1994. $700 - 1,000 273

John Downman (Welsh, 1750-1824) Portrait of John Holton of Farleigh Castle, Somerset 1799 colored chalk on paper 13 3/4 x 11 1/4 inches. Provenance: Christie’s, Anonymous Sale, 25 July 1924, Lot 26; ex collection, Mrs. K. Gifford-Scott. Literature: G.C. Williamson, John Downman ARA, London, 1907, p. LXI, no. 13. $800 - 1,200 273

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274

A Continental Carved, Painted and Parcel Gilt Mirror 19TH CENTURY

40 1/2 x 31 1/2 inches. $600 - 800 275

A Malachite Veneered Table Casket 20TH CENTURY

Height 6 1/4 x width 8 7/8 x depth 4 1/2 inches. $400 - 600 276

A Jacobean Style Carved Oak Cabinet KENSINGTON MFG. CO., NEW YORK, CIRCA 1920S

paper label to back of case. Height 52 1/2 x width 41 1/2 x depth 22 3/4 inches. $800 - 1,200

276

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277

Sir Thomas Lawrence (British, 1769-1830) Two Works: Portraits of Sir Robert Baker and His Brother, Captain John Baker circa 1820 pastel on paper 11 1/4 x 9 1/4 inches. Both inscribed on reverse, identifying painter and sitters, who are pictured wearing the respective undress uniforms of the Grenadier (Sir Robert Baker) and Coldstream (Capt. John Baker) guards. Provenance: Vita Juel Antiques, London, 1970; Closson’s, Cincinnati, Ohio, 1977. $1,500 - 2,500

278

279

Style of John Russell (British, 1745-1806)

Attributed to John Russell (British, 1745-1806)

Portrait of a Boy Playing Fetch with His Dog pastel on paper laid to canvas unsigned 23 1/2 x 17 1/2 inches.

Portrait of Miss Cator oil on board 14 7/8 x 11 3/4 inches. $600 - 800

$800 - 1,200

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Antonio Jacobsen (American, 1850-1921) Great Lakes Bulk Freighter Myron C. Taylor 1918 oil on board signed, dated, and inscribed Antonio Jacobsen 1918 / 31 Palisade Av. West Hoboken NJ, lower right ship identified, port bow 16 x 36 inches. The Myron C. Taylor was built in River Rouge, Michigan by the Great Lakes Engineering Works. She launched June 15, 1929 and enrolled as part of the Pittsburgh Steamship Co., with a home port in Duluth, Minnesota. In 1967, she was transferred to the United States Steel Great Lakes Fleet, Wilmington, Delaware and depowered for diesel the following year and later renamed Calumet. After sustaining irreparable damage while unloading limestone in Cleveland, Ohio, the Myron C. Taylor was sold for scrap in 2007. $3,000 - 5,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 139

281

Two English Sailor Woolwork Pictures 19TH CENTURY

each worked in satin stitch. 16 1/4 x 21 inches (larger). $800 - 1,200 282

A Bamboo-Turned Birdcage Windsor Settee EARLY 19TH CENTURY

Height 36 x width 78 x depth 22 inches. $700 - 900

281

282

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A Suite of Painted Metal Windsor Patio Furniture 20TH CENTURY

comprising a marble top table, bench and three armchairs. Height of bench 37 x width 43 x depth 18 inches. $1,500 - 2,500

284

A Suite of Painted Metal Windsor Patio Furniture 20TH CENTURY

comprising a marble top table, bench and three armchairs. Height of bench 37 x width 43 x depth 18 inches. $1,500 - 2,500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 141

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286

287

A Pair of Painted Metal Zodiac Patio Tables and Chairs

After Luigi Pampaloni (Italian, 1791-1847)

A Grotto Style Marble Inset Cast Iron and Bronze Dolphin-Base Pedestal Table

Height of larger chair 32 1/4 inches; seat height 16 1/4 inches.

Child Praying carved marble unsigned Height 17 1/2 x width 9 x depth 7 3/4 inches.

$500 - 700

$1,000 - 2,000

20TH CENTURY

EARLY 20TH CENTURY

Height 27 x diameter 26 inches. $400 - 600

286

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288

289

Four Terra Cotta Patio Stools

An Italian Marble Bust of Julius Caesar

TERRECOTTE ARTISTICHE SENESI, PETROIO, SIENA, ITALY, 20TH CENTURY

19TH CENTURY

each stamped on back. Height 20 1/2 inches.

Height 25 x width 22 x depth 13 1/2 inches. $3,000 - 5,000

$400 - 600

289

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 143

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F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 145

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291

A Pair of Louis XV Style Carved Walnut Needlepoint Upholstered Fauteuils

Three Sets of Framed Italian Armorial Printing Plates

19TH CENTURY

retain a rich, dark surface. Height 42 inches.

19TH CENTURY

27 plates total. 51 1/2 x 51 1/2 inches. $1,000 - 2,000

$700 - 900

291

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An Italian Baroque Style Walnut Desk 18TH CENTURY

Height 48 3/4 x width 55 1/2 x depth 28 1/2 inches. $2,000 - 4,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 147

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An Italian Grotto Shell-Carved Walnut Adjustable Music Stool

Seven Framed Groups of Grand Tour Plaster Intaglios

19TH CENTURY

Height at highest setting 28 3/4 x width 17 1/2 x depth 17 1/2 inches.

depicting classical scenes. 179 pieces total. 2 3/4 x 3 1/2 inches (largest intaglio).

$600 - 800

$3,000 - 4,000 293

294

A Pair of Continental Giltwood Urns 19TH CENTURY

mounted as lamps. Height of each urn 9 3/4 inches; overall height 18 1/2 inches. $500 - 700

296

Four Framed Groups of Grand Tour Plaster Intaglios 19TH CENTURY

depicting classical scenes. 95 pieces total. Diameter of largest 3 inches. $1,000 - 1,500

1 of 7

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1 of 4

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297

A Pair of Shell-Encrusted Urns 20TH CENTURY

Height 49 inches. $2,000 - 3,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 149

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F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 151

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299

A Pair of Regency Style Marble Inset Carved Birch Column-Form Pot Cupboards

A Pair of Venetian Shell-and-Dolphin Carved Walnut Grotto Armchairs

19TH CENTURY

LATE 19TH CENTURY

Height 29 1/2 x width 17 x depth 17 inches.

one affixed with an old advertisement for Jacob Stodel Antique, of London, showing a near identical example. Height 35 3/4 inches.

$800 - 1,200

$1,000 - 2,000

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A Cast Metal, Bone, and Narwhal Tusk Installation 20TH CENTURY

constructed of a partial horse skull set in a cast metal ribbon form back issuing a narwhal tusk, with two additional tusks crossed above. unsigned. Height 62 x width 58 x depth 29 inches. $8,000 - 12,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 153

301

A George III Carved Walnut High-Back Slipper Chair LATE 18TH/EARLY 19TH CENTURY

Height 54 1/4 inches. $500 - 800

302

Rob Napier (American, born 1946) Model of a Bermuda Sloop 1983 housed in a custom painted and carved wood and metal case with shell inlay on stand Overall height 70 x width 52 1/2 x depth 14 3/4 inches. $1,000 - 2,000

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303

An Italian Carved Walnut Refectory Table LATE 17TH/18TH CENTURY

Height 30 3/4 x length 105 3/4 x depth 28 3/4 inches. $1,000 - 2,000 304

Four Continental Giltwood Pricket Sticks 18TH CENTURY

Height 20 3/4 inches. $1,000 - 1,500 305

An American Silver and Jewel-Mounted Communion Chalice FEELEY AND CO., PROVIDENCE, RHODE ISLAND, 19TH/20TH CENTURY

marked ‘Sterling’ on cup and base 22 ozt 8 dwt gross Height 10 1/4 inches. $600 - 800 306

A Carved Walnut Shell Box 19TH CENTURY

with silk lined interior. Height 6 x width 16 x depth 14 inches. $400 - 600

304

306

305

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 155

307

An Italian Carved and Black Painted Walnut High-Back Sofa LATE 18TH/19TH CENTURY

Height 56 1/4 x width 118 x depth 25 inches. $1,000 - 2,000 308

An Italian Leather Clad Watercolor Inset Trunk 19TH CENTURY

the top and four side panels inset with unsigned Neapolitan School watercolor scenes. Height 11 1/2 x width 26 x depth 17 1/2 inches. $600 - 800 308

309

An Italian Wrought-Iron Mounted Carved Walnut Cassone 18TH CENTURY

appears to retain the original wrought-iron carrying handles, hinges, lock mechanism and key, though the mechanism is presently in need of repair to properly function. Height 24 1/2 x width 66 1/2 x depth 22 3/4 inches. $800 - 1,200

309

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310

An English Mahogany Marine Stick Barometer with ‘Improved Sympiesometer’ 19TH CENTURY

the trunk featuring a pair of recording knobs and an ‘Improved Sympiesometer’ with mercury thermometer and tube with colored oil, terminating in a turned brass cistern. Height 42 inches. $500 - 700 311

A Collection of Grand Tour Plaster Intaglios ATTRIBUTED TO PIETRO PAOLETTI (ITALIAN, 1801-1847)

depicting works held by the Capitoline Museums, Rome, Italy; 69 pieces total. housed in a faux book box, with handwritten table of contents to the inside covers and gilt-tooled leather bindings. 1 5/8 x 1 7/8 inches (largest); height of case 10 1/4 x width 6 1/2 x depth 2 inches. $800 - 1,200 312

Six Italian Rococo Style Parcel Gilt and Painted Side Chairs 19TH CENTURY

310

each stamped R.C. centered by a shield on back of crest rail. each with stamped number on back of seat rail including 434, 470, 473, 474, 483, and 489. Height 41 inches. $800 - 1,200

312

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 157

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313

A Pair of Carved Walnut Dog-Form Wall Mounts 19TH CENTURY

Height 6 x width 6 x depth 8 3/4 inches. Provenance: Ships Wheel Antiques, East Dennis, Massachusetts, 1960. $800 - 1,200 314

A Pair of Painted Wood and Antler-Mounted Lusterweibchen Chandeliers CONTINENTAL, LATE 19TH CENTURY

Height 24 x width 31 1/2 x depth 30 inches. $2,000 - 3,000 315

A Gothic Revival Walnut Four Poster Bed 19TH CENTURY

Height 91 x width 61 x depth 74 inches. $800 - 1,200

315

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A Venetian Style Carved and Polychrome Decorated Wood Grotto Wall Bracket 19TH CENTURY

Height 17 x width 10 x depth 6 inches. $300 - 500 317

A Continental Paint-Decorated and Iron Mounted Strong Box 17TH/18TH CENTURY

the lid inscribed Tobias Zudenhad-, a tack partially obscuring the surname. Height 12 3/4 x width 24 1/2 x depth 13 1/2 inches. $800 - 1,200 318

Maria Longworth Nichols Storer (American, 1849-1932) Mr. Bliss as Bacchus oil on board identified on paper label, verso 10 1/8 x 8 1/2 inches. $1,500 - 2,500 319

A Matched Pair of French Scroll-Carved and Turned Walnut Tapestry Upholstered Fauteuils 19TH CENTURY

Height of taller 47 1/2 inches. $800 - 1,200 318

319

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American Furniture, Folk & Decorative Arts

BEN FISHER VICE PRESIDENT, SENIOR SPECIALIST 312.447.3270 BENFISHER @HINDMANAUCTIONS.COM

LEAH VOGELPOHL SPECIALIST

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ANDREW SELTZER INTERIM CHIEF OPERATING OFFICER

MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT, DEPUTY CHAIRMAN

JAYKREHBIEL @HINDMANAUCTIONS.COM

312.280.1212 ANDREWSELTZER @HINDMANAUCTIONS.COM

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Appraisals

MOLLY E. GRON, J.D. MANAGING DIRECTOR 312.334.4235 MOLLYGRON @HINDMANAUCTIONS.COM

TIM LUKE, CAI, BAS, MPPA, ISA-AM MANAGING DIRECTOR 561.833.8053 TIMLUKE @HINDMANAPPRAISALS.COM

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NAPLES ALLISON DURIAN 239.643.4448 ALLISONDURIAN @HINDMANAUCTIONS.COM

SCOTTSDALE LOGAN BROWNING 480.546.5150 LOGANBROWNING @HINDMANAUCTIONS.COM

DETROIT PAM IACOBELLI 313.774.0900 PAMELAIACOBELLI @HINDMANAUCTIONS.COM

NEW YORK CAROLINE BAKER SMITH 212.243.3000 CAROLINEBAKERSMITH @HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER 314.833.0833 ANNASHAVER @HINDMANAUCTIONS.COM

MIAMI ELIZABETH RADER, PHD 239.643.4448 ELIZABETHRADER @HINDMANAUCTIONS.COM

PALM BEACH ELIZABETH MARSHMAN 561.621.8461 ELIZABETHMARSHMAN @HINDMANAUCTIONS.COM

WASHINGTON, D.C. MAURA ROSS VICE PRESIDENT 202.853.1638 MAURAROSS @HINDMANAUCTIONS.COM

MILWAUKEE SARA MULLOY 414.220.9200 SARAMULLOY @HINDMANAUCTIONS.COM

SAN DIEGO KATIE GUILBAULT, G.G. VICE PRESIDENT 858.442.6104 KATIEGUILBAULT @HINDMANAUCTIONS.COM

160 B E YO N D A C I N C I N N AT I L E G A C Y : T H E C O L L E C T I O N O F M R . A N D M R S . C H A R L E S F L E I S C H M A N N I I I

Updated 8.1.23

Inquiries LEADERSHIP Alyssa D. Quinlan Chief Executive Officer alyssaquinlan @hindmanauctions.com Jay Frederick Krehbiel Executive Chairman Leslie Hindman Founder & Chairman Emeritus Wes Cowan Vice-Chair Maron Hindman Vice-Chair Andrew Seltzer Interim Chief Operating Officer andrewseltzer @hindmanauctions.com Molly Morse Limmer Executive Vice President, Deputy Chairman mollylimmer @hindmanauctions.com AUCTION OPERATIONS, CLIENT SERVICES Rita Swanberg Manager, Client Experience ritaswanberg @hindmanauctions.com Dawnie Komotios Operations Director Cincinnati dawniekomotios @hindmanauctions.com Nicole Joy Regional Manager Auction Operations nicolejoy @hindmanauctions.com FINANCE Marco Gusella Vice President, Finance marcogusella @hindmanauctions.com TRUSTS, ESTATES & PRIVATE CLIENTS Molly E. Gron, J.D. Managing Director mollygron @hindmanauctions.com Miranda Maxfield Senior Manager mirandamaxfield @hindmanauctions.com Hannah Unger Manager hannahunger @hindmanauctions.com Kathryn Hodge Senior Associate, West kathrynhodge @hindmanacutions.com Erin Madarieta Associate, East erinmadarieta @hindmanauctions.com

APPRAISALS Tim Luke, CAI, BAS, MPPA, ISA-AM Managing Director timluke @hindmanappraisals.com LaGina Austin Senior Director, Appraisals & Valuations laginaaustin @hindmanappraisals.com Margaret Cece Appraisals Supervisor margaretcece @hindmanappraisals.com MUSEUM SERVICES Timothy Long Director, Museum Business Development & Corporate Client Services timothylong@ hindmanauctions.com Briar Koehl Oleferchik Senior Manager, Museum Services briarkoehl@ hindmanauctions.com FINE ART Monica Brown Vice President, Director Prints & Multiples monicabrown @hindmanauctions.com Zack Wirsum Vice President, Director Post War & Contemporary Art zacharywirsum @hindmanauctions.com Madalina Lazen Director, Senior Specialist European Art madalinalazen @hindmanauctions.com Laura Paterson Director, Senior Specialist Photographs laurapaterson @hindmanauctions.com Aaron Cator Senior Specialist Post War & Contemporary Art aaroncator @hindmanauctions.com

EUROPEAN FURNITURE & DECORATIVE ARTS Corbin Horn Vice President, Senior Specialist corbinhorn @hindmanauctions.com Nick Coombs Senior Specialist nickcoombs @hindmanauctions.com Donna Tribby Senior Specialist Sam Cowan National Head of Sale, The Collected Home Nicholas Gordon Associate Specialist Alison Lynch Associate Cataloguer Tyler Wilson Department Coordinator AMERICAN FURNITURE, FOLK & DECORATIVE ARTS Ben Fisher Vice President, Senior Specialist benfisher @hindmanauctions.com Leah Vogelpohl Specialist Katie Benedict Associate Specialist ANTIQUITIES & ANCIENT ART Jacob Coley Director, Senior Specialist jacobcoley @hindmanauctions.com Sean Galvin Associate Cataloguer DESIGN John Martinez Department Coordinator BOOKS & MANUSCRIPTS Gretchen Hause Vice President, Senior Specialist gretchenhause @hindmanauctions.com

JEWELRY & WATCHES Reginald Brack Senior Vice President, Director, Jewelry & Watches reginaldbrack @hindmanauctions.com April Matteini, G.G. Senior Specialist, Associate Director, Jewelry aprilmatteni @hindmanauctions.com Karina Hammer, G.G. Senior Specialist karinahammer @hindmanauctions.com Katie Hammond Guilbault, G.G. Senior Specialist San Diego katieguilbault @hindmanauctions.com Sean Johnson Senior Specialist, Watches seanjohnson @hindmanauctions.com Leslie Roskind, G.G. Senior Specialist, New York leslieroskind @hindmanauctions.com Ruth Thuston, G.G. Senior Specialist ruththuston @hindmanauctions.com Marisa Palmer, G.G. Senior Appraiser marisapalmer @hindmanauctions.com Madeline Schroeder, G.G. Associate Specialist Gina O’Connor Cataloguer Camille Michelotti Department Coordinator LUXURY HANDBAGS & COUTURE Tanner Branson Specialist, Head of Sale tannerbranson@ hindmanauctions.com Brett Heeley Department Coordinator brettheeley@ hindmanauctions.com

Katherine Hlavin Consultant Fine Art

Katie Horstman Senior Specialist katiehorstman @hindmanauctions.com

Pauline Archambault Specialist, American Art

Emily Payne Specialist

Alexandria Dreas Specialist, Head of Sale Western & Wildlife Art

Kaylan Gunn Specialist

NATIVE AMERICAN, PREHISTORIC & TRIBAL ART Danica Farnand Vice President, Senior Specialist danicafarnand @hindmanauctions.com

Leslie Winter Associate Specialist

Erin Rust Specialist

Angela Whitaker Senior Appraiser, Fine Art Julianna Tancredi Senior Researcher Thea Andrus Cataloguer Christina Kiriakos Cataloguer John Martinez Department Coordinator Sarah Gray Department Coordinator

Joshua McCracken Department Coordinator

ARMS, ARMOR & MILITARIA Tim Carey Director, Senior Specialist timcarey @hindmanauctions.com Emma Fulmer ATF Manager and Senior Coordinator Barrett Sharpnack Cataloguer Tucker Etnoyer Cataloguer SPORTS MEMORABILIA James Smith Director, Senior Specialist jamessmith @hindmanauctions.com Joshua McCracken Department Coordinator MARKETING & DESIGN Ashley Galloway Vice President, Marketing Zoë Bare Director, Photography David Jackson* Supervisor, Photography Photographers: Carmen Colome Marisa Fabiilli* Chad Feierstone Jared Hefel Kristen Hudson Tyler Leiby Deogracias Lerma Roberto Martinez Libby Moore* Elizabeth Phillips* Mike Reinders Bill Ross Maddie Scarpone Rachel Smith Dallas Tolentino Leanne Uzelac Brian Maslouski Senior Designer Jennifer Castle* Graphic Designer *Lead Photography and Design for Sale 1276

William Norwood Department Coordinator

ASIAN ART Annie Wu Vice President, Senior Specialist anniewu @hindmanauctions.com Flora Zhang Specialist Megan Sadler Associate Specialist

Updated 10.25.23

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 161

Guide for Prospective Sellers and Buyers GUIDE FOR PROSPECTIVE SELLERS

GUIDE FOR PROSPECTIVE BUYERS

Evaluation of Property Hindman is pleased to provide complimentary auction estimates for items you’re considering consigning. You are welcome to submit items electronically (consign@hindmanauctions.com) or to contact any of our offices directly.

Conditions of Sale All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction.

Our specialists are eager to help you learn more about your collection and current auction sale estimates.

Viewing Auction Items It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person.

To begin an estimate, our specialists will need: • At least 3 photos • Detailed description • Details on signatures or marks

Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Shipping Arrangements Buyers assume full responsibility for the packing and shipping of lots won at auction. Our Recommended Shippers offer a wide variety of local, domestic, and international shipping options.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

In the interest of our clients, Hindman requires a written authorization from the buyer in order to release property to anyone other than the purchaser of record (including but not limited to our recommended shippers). You may submit the Shipping Release Form via fax to 312.280.1211 or email to shipping@hindmanauctions.com

Appraisals Our exceptional team of specialists regularly appraises property by analyzing market trends and conducting comprehensive research. Specialists evaluate thousands of objects each year for auction, allowing them to closely monitor the nuances of the current market. Professional appraisals are prepared for estate tax, gift tax, charitable contribution, insurance and for equitable distribution purposes. • Estate Tax • Gift Tax • Charitable Contribution • Insurance • Appraisals for Corporate Valuation Needs Our trust and estates department recognizes that each client and appraisal situation is unique and often involves multiple asset categories and residences. Fees for appraisals are determined by the number of specialists, hours involved and the necessary travel and expenses. Our competitive fees are negotiated based upon the express needs of each client and are competitive within the marketplace. Please contact our Appraisals Department (appraisals@ hindmanauctions.com) for more information.

Estate Services Estate settlement is a meticulous and multi-faceted process. Hindman provides executors, fiduciaries and beneficiaries throughout the country with confidential and customized appraisals and disposition services. All appraisals are prepared fully in accordance with USPAP guidelines and meet all current requirements set forth by the IRS. We recognize that each client and appraisal situation is unique and often involves multiple asset categories and residences. Our Trusts and Estates department offers services that are tailored to meet our clients’ timelines and specifications. Our specialists offer complimentary walk-through services with the goal of providing an accurate representation of each items’ value based on the current auction market. A detailed proposal outlining the manner in which a sale will be conducted from the initial value assessment to removal of the property and settlement is provided to all parties involved. Please contact our Estate Services (inquiries@hindmanauctions.com) team for more information.

Updated 1.13.23

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes. Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are: $0 – 500 $500 – 1000 $1000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

$25 $50 $100 $250 $500 $1,000 $2,500 $5,000 $10,000 AT AUCTIONEER’S DISCRETION

In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $500 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time.

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Conditions of Sale These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A. BEFORE THE AUCTION 1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw. B. REGISTERING TO BID 1. GENERAL We reserve the right to reject any bid. By participating in the sale, you represent and warrant that: (a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and (c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation. 2. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 3. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 4. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 5. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 6. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 7. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days. C. DURING THE AUCTION 1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

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2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale. D. AFTER THE AUCTION 1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots except for those in Coins, Medals & Banknotes; Sports Memorabilia; and Arms, Armor & Militaria auctions we charge twenty-six percent (26%) of the hammer price up to and including $1,000,000; twenty percent (20%) of any amount in excess of $1,000,001 up to and including $5,000,000; and fifteen percent (15%) of any amount in excess of $5,000,001. For all lots offered in Coins, Medals & Banknotes we charge a buyer’s premium of twenty-one percent (21%) of the hammer price. Sports Memorabilia; and Arms, Armor & Militaria auctions we charge a buyer’s premium of twenty percent (20%) of the hammer price. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.

(iv) Credit card: Credit card payments may not exceed $10,000 and a convenience fee of 3% will be added to each credit card payment. (v) ACH Bank Transfer (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1550 West Carroll Avenue, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount. (d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be

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responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife. E. WARRANTIES 1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money

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laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes. F. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses. G. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958. H. GLOSSARY authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

Updated 10.1.23

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Upcoming Auction Schedule SALE 1239 WESTERN & CONTEMPORARY NATIVE AMERICAN ART NOVEMBER 1 | DENVER | LIVE + ONLINE SALE 1278 THE DONALD F. MOYLAN, M.D. COLLECTION OF AMERICAN FURNITURE, FOLK & DECORATIVE ARTS, PART I NOVEMBER 3 | CINCINNATI | LIVE + ONLINE SALE 1242 FINE BOOKS FROM THE DORROS FAMILY COLLECTION NOVEMBER 9 | CHICAGO | LIVE + ONLINE SALE 1241 FINE PRINTED BOOKS & MANUSCRIPTS, INCLUDING AMERICANA NOVEMBER 10 | CHICAGO | LIVE + ONLINE SALE 1244 MODERN DESIGN NOVEMBER 14 | CHICAGO | LIVE + ONLINE SALE 1243 EARLY 20TH CENTURY DESIGN NOVEMBER 14 | CHICAGO | LIVE + ONLINE

SALE 1172 THE COLLECTED HOME INCLUDING PROPERTY FROM THE COLLECTION OF JUDITH AND PHILIP SIEG, BELLEFONTE, PENNSYLVANIA NOVEMBER 15 | CHICAGO | TIMED ONLINE SALE 1264 COINS & COLLECTIBLES NOVEMBER 15 | CHICAGO | ONLINE SALE 1276 BEYOND A CINCINNATI LEGACY: THE COLLECTION OF MR. AND MRS. CHARLES FLEISCHMANN III, PART I NOVEMBER 16 | CINCINNATI | LIVE + ONLINE SALE 1277 BEYOND A CINCINNATI LEGACY: THE COLLECTION OF MR. AND MRS. CHARLES FLEISCHMANN III, PART II NOVEMBER 17 | CINCINNATI | ONLINE

SALE 1266 ASIAN WORKS OF ART ONLINE NOVEMBER 20 | CHICAGO | TIMED ONLINE SALE 1247 NATIVE AMERICAN & SOUTHWESTERN JEWELRY NOVEMBER 21 | CINCINNATI | ONLINE

EARLY PHOTOGRAPHY. Quarter plate ambrotype of a train engine and tender at the South Braintree, Massachusetts, train station. To be offered November 30, American Historical Ephemera & Photography Estimate: $2,000 - 3,000

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Palm Beach Furniture & Decorative Arts December 7 Palm Beach | Live + Online Including clocks from the Estate of Joanna Hoffman and her father, John Hoffman, member of the British Antique Dealers’ Association and the Confederation Internationale de Negociants en Oeuvres d’Art

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