1278 | The Donald F. Moylan, M.D. Collection of American Furniture, Folk & Decorative Arts, Part I by Hindman Auctions

The Donald F. Moylan, M.D. Collection of American Furniture, Folk & Decorative Arts, Part I 3 NOVEMBER 2023

The Donald F. Moylan, M.D. Collection of American Furniture, Folk & Decorative Arts, Part I SALE 1278 3 November 2023 10:00am ET | Cincinnati | Live + Online Lots 1–339 PREVIEW Auction Room and Galleries 5030 Oaklawn Drive, Cincinnati, OH 45227 PREVIEW BY APPOINTMENT Monday October 30 10:00–5:00pm Tuesday October 31 10:00–5:00pm americanfurniture@hindmanauctions.com HIGHLIGHTS PREVIEW Wednesday November 1 Thursday November 2 Friday November 3

10:00–5:00pm 10:00–5:00pm 8:00–10:00am

PROPERTY PICK UP HOURS Monday–Friday | 9:00am–4:00pm By appointment 312.280.1212 All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale. CONTENTS Introduction Lots 1–339 Hindman Team Inquiries Buyers Guide Conditions of Sale Upcoming Auction Schedule

2 4 162 163 164 165 169

All lots in this catalogue with a lower estimate value of $1,500 and above are searched against the Art Loss Register database.

To view the complete catalogue, sign up to bid, and read our Conditions of Sale, visit hindmanauctions.com or the Hindman App. All bidders must agree to Hindman’s Conditions of Sale prior to registering to bid. For bid support contact: 312.280.1212 or bid@hindmanauctions.com. Download the Hindman App for iOS and Android © Hindman LLC 2023

DEN 0001957 FL AB3688 GA AU-C003121 IL 444.000521 OH 2019000131 MO STL 110363

The Collection of Donald F. Moylan, M.D.: A Fifty Year Journey I first met Don at an antique show in Winnetka, Illinois not long after I had started my business (Cowan’s Auctions, Inc.) in the mid 1990s. Don and his partner of nearly a decade, Bob Ketelhut had taken a booth, and I was drawn to the variety of folk art and other antiques they had displayed. I can still remember the thrill of purchasing a rare – and now long gone -- newspaper with blaring headlines announcing the assassination of President Abraham Lincoln. Sometime later I purchased a pair of immense stoneware eagles from Don that sat in my home for nearly 20 years. When Cowan’s began selling American furniture, folk and decorative art, Don was a buyer and consignor – a relationship that lasted more than two decades. In those early days, Don owned a used box truck that he used to haul around purchases and deliver property to auction. As a highly successful urologist, Don’s neighborhood wasn’t exactly déclassé. I suspect that more than one neighbor wondered why the truck was parked in his driveway. It wasn’t much to look at but did the trick – at least until it didn’t. On one trip to Cincinnati Don called to let me know the truck had given up the ghost. I can’t remember the outcome – whether we met him and picked up the consignment, or if the truck was towed and ultimately fixed so that the consignment could be personally delivered. I well remember my first trip to Don’s home; it was an early initiation into an advanced collection. And honestly, I probably didn’t realize just how advanced it was. Now, twenty years later, I have come to recognize it for what it is: one man’s quest for connoisseurship, and a passion for discovery, research and appreciation of Americana. Surface, form, and condition were his watchwords. Don’s love for the hunt, and his equally abiding love of research was evident then and has only become more apparent over the years. Don’s journey began in the early 1970s after his wife Holly introduced him to a friend whose father was a collector. Their mutual interest was piqued, and soon they were visiting local antique shows and eventually, planning vacations to the east coast and making acquaintances of legendary dealers like John Walton and others. Together they traveled widely and bought everywhere. It was through his friends Walton and Jim Rutkowski that Don learned to buy great, not just good. As his knowledge grew, his refinished purchases were replaced by ones with historic surfaces. As this catalog attests, Don’s interests were (and still are) eclectic. Folk art portraits were an abiding concern, and not a single wall in Don’s home didn’t display at least one, if not more delightful visage of a some long-gone American. But folk art carvings, interesting smalls, Both formal and painted country furniture, furniture in near original surface, or an eye-catching form filled his home. And, of course, living in Michigan, Don was naturally drawn to paintings of the Great Lakes shipping industry. At a time when many great collections were assembled with the help of dealers, I think it’s fair to say that Don sourced much of his material himself, scouring auctions throughout Michigan and the Midwest. (He once confided that he thought about 60% of the collection was found in the Wolverine state). With the rise of the internet, Don found treasures further afield, eventually growing to items from more than 30 states and four foreign countries! And he’s still at it. In a recent conversation, Don had been offered a collection of 50 pieces of stoneware: He was considering the deal. Wes Cowan October 2, 2023 Old Mission, Michigan

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Pair of Portuguese Pewter Tapersticks 17TH CENTURY

Height 5 inches. $400 - 600 2

A Pilgrim Century Turned Maple and Oak SpindleBack Rush-Seat Armchair LIKELY NEW ENGLAND, CIRCA 1650

appears to retain a dark, rich surface, rush seat is likely later. Height 44 inches. It is worthy to note that this is a rare example of a piece of Pilgrim Century furniture that was documented in its current condition during the 19th Century. Provenance: John Walton, Jewett City, Connecticut. Literature: Irving W. Lyon, The Colonial Furniture of New England (Boston, Massachusetts: Houghton Mifflin, 1892) p. 142, fig. 56. $1,500 - 2,500 3

A Rare Pilgrim Century Black Painted SausageTurned Rush-Seat Side Chair LIKELY NEW YORK, LATE 17TH CENTURY

appears to retain the original surface. Height 36 1/2 inches. Provenance: Found in a farm sale in upstate New York. $800 - 1,200 4

An English Incised Brass Lantern Bracket Clock RICHARD WHITHEARE, READING, CIRCA 1650

the dial incised to show tulips and scrolls, signed Richard Whitheare Reading Fecit. Height of lantern clock 16 inches. Provenance: H. W. Keil, Worcestershire, England. $1,500 - 2,500 5

A Pilgrim Century Slat-Back Rush-Seat Armchair 2

ULSTER COUNTY, NEW YORK, LATE 17TH CENTURY

rush seat, while seemingly early, is replaced. Height 44 inches. $800 - 1,200

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

John Brewster, Jr. (American, 1766-1854) Portrait of Child with Hammer oil on mahogany panel signed John B., verso 20 x 14 1/2 inches. A more complete version of the inscription can be seen in the advertisement for Potomac Auctions in 2011, prior to the removal of the linen tape on the back. Provenance: Potomac Auction Company, Alexandria, Virginia, Art in Our Nation’s Capital, June 11, 2011, Lot 3. $10,000 - 15,000 6

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Manner of John Brewster, Jr. (American 1766-1854) Portrait of a Girl in White Dress with Bird oil on canvas unsigned 22 x 18 1/4 inches. Other known examples by Brewster exhibit similar clothing and species of bird. $3,000 - 5,000

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William Matthew Prior (American, 1806-1873) Portrait of a Girl in Blue Dress oil on paperboard unsigned 23 3/4 x 20 inches. Provenance: Private Collection, Rochester, New York; Cottone Auctions, Geneseo, New York, Fine Art, Antique and Modern Design Auction, March 25, 2017, Lot 379. $8,000 - 12,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

American School, 19th Century Town Neighboring a Finger Lake in Upstate New York circa 1850 pastel on paper 19 1/2 x 25 1/2 inches. $1,000 - 2,000

American School, 19th Century Still Life of Fruit in Basket watercolor theorem on paper unsigned 16 x 21 1/2 inches. $800 - 1,200

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Pair of Newton and Son 11-Inch New and Improved Terrestrial and Celestial Globes

A William and Mary Japanned Maple and Pine Flat-Top High Chest

LONDON, 1841

NEW ENGLAND, 18TH CENTURY

each set on the original mahogany stand, the cartouche of the terrestrial globe marked Newton’s New and Improved Terrestrial Globe Embracing every recent Discovery to the Present Time Manufactured by Newton and Son, 66 Chancery Lane London Published Jan. 1st 1841; the celestial globe marked Newton’s New and Improved Celestial Globe On which all the Stars Nebulae and Clusters contained in the extensive catalogue of the late F. Wollaston F.R.S. are accurately laid down their Right Ascensions and Declinat...having been recalculated for the Year 1830 by W. Newton Manufactured by Newton and Son Chancery Lane London Published Jan. 1st 1841. Height 27 1/2 x diameter 16 inches.

stretcher and feet are replaced. Height 72 1/2 x width 40 1/2 x depth 23 inches. $5,000 - 8,000

$8,000 - 12,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Attributed to Erastus Salisbury Fields (American, 1805-1900) Pair of Portraits: Husband and Wife with Books circa 1830 oil on canvas laid to board the gentleman holds a Bible; the title of the lady’s book is obscured 29 1/4 x 23 inches. $2,000 - 4,000

E. E. Finch (American, active 1832-1850) Portrait of Charles W. Hawkes 1841 oil on canvas signed, dated, and inscribed E. E. Finch, Painter 1841, Chas. W. Hawkes, verso appears to retain the original gold leaf frame 23 x 19 inches. $1,000 - 2,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Three Diminutive Looking Glasses 18TH AND 19TH CENTURY

appear to retain the original mirror plates, each retaining a rich, dark surface. Largest 13 3/4 x 7 3/4 inches. $600 - 900

A Paint-Decorated Two-Finger Lidded Box LIKELY HAMPTON, NEW HAMPSHIRE, CIRCA 1789

retains the original paint and surface. Height 3 3/4 x width 10 x depth 7 1/2 inches. Accompanied by a note inside referencing an article that identifies the box to Hampton, New Hampshire. $700 - 900 17

A Polychrome Paint and Floral-Decorated Splint Box

POSSIBLY TAUNTON, MASSACHUSETTS,18TH CENTURY

on a red ground with floral band around box and sunflower to lid. Height 2 5/8 x diameter 6 1/4 inches. $400 - 600 18

A Paint-Decorated Sinew-Bound Bentwood Box EARLY 19TH CENTURY

Height of larger 3 7/8 x length 9 3/4 x depth 7 inches. $500 - 800 19

A Red Painted Floral-Decorated Bentwood Box

LIKELY GUILFORD, CONNECTICUT, LATE 18TH CENTURY

Height 2 x length 5 1/2 x width 4 1/4 inches. $1,000 - 2,000 20

Three Shaker Lidded Bentwood Boxes 19TH CENTURY

Height of largest 2 x width 6 1/4 x depth 4 1/4 inches. $400 - 600

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Jasper Miles (American, 1782-1849) Cynthia Brooks Hine oil on panel inscribed in pencil on verso Cynthia Brooks Hine / by / Jasper Miles, itinerant painter 9 x 6 3/4 inches. Provenance: Cowan’s Auctions, Cincinnati, Ohio, Fine and Decorative Art, October 16-17, 2015, Lot 122. Jasper Miles was originally from Connecticut but settled in Milan, Ohio in the mid-1820s. He lived and worked in Northern Ohio for the rest of his life and is recognized as an important regional portrait painter. This portrait of Cynthia Hine (1825-1855), who was born in Lake County, Ohio, was most likely executed in the late 1840s, shortly before the artist’s death. Jasper Miles may be the same artist known to Pennsylvania collectors as “Mr. Boyd.” An 1812 pair of portraits attributed to “Mr. Boyd” were sold at Skinner on March 01, 2015 (Lot 101), and four portrait miniatures attributed to the same artist were sold on August 10, 2014 (Lot 401). In the description of the miniatures, Skinner noted that the name “Mr. Boyd” was identified as the artist, since one was inscribed on the verso with this name. They also suggest that “Mr. Boyd” may have been the sitter. Both Jasper Miles and “Mr. Boyd” used the same format: a profile view of the sitter painted in stark contrast against a grey background. Another similarly composed portrait attributed to Jasper Miles was sold at Garth’s Auctions on May 18, 2013 (Lot 1089). That portrait included a pencil inscription on the verso identifying the artist as a “Mr. Miles.” It is possible that the sitters in Lots 21, 22, and 23, of this auction, are sisters or even the same person. $3,000 - 5,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Attributed to Jasper Miles (American, 1782-1849) Cynthia Brooks Hine oil on panel unsigned 9 x 7 inches. It is possible that the sitters in Lots 21, 22, and 23 of this auction, are sisters or even the same person. $2,000 - 4,000

Attributed to Jasper Miles (American, 1782-1849) Portrait of a Young Woman in White Dress oil on panel unsigned 9 7/8 x 6 7/8 inches. It is possible that the sitters in Lots 21, 22, and 23 of this auction, are sisters or even the same person. $2,000 - 4,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

POPPLE, Henry (d.1743). A Map of the British Empire in America with the French and Spanish Settlements adjacent therto. London, ca 1734. Engraved map of America, hand-colored in outline, visible area 23 1/8 x 20 1/2 in. (587 x 521 mm). Framed (unexamined out of frame). Decorative cartouche depicting Native Americans and European settlers, insets of Niagara Falls, Mexico, Quebec, and New York, small insets of 18 important harbors including Boston, New York, Charleston, and Porto Bello. FIRST EDITION, BABINSKI’S FIRST STATE of Popple’s key map: without imprint below border at lower left, imprint bottom right “W.H. Toms Sculp.”, with the course of the Spanish galleons not present, Cape May and Cape Hinlopen not named off Delaware Bay. This copy is like “most, if not all, colored copies [which] do not have the 4 corner views or the title cartouche at bottom left colored” (Babinski). The key map accompanied Popple’s first large-scale map of North America printed on 20 sheets. Babinski, Henry Popple’s 1733 Map of the British Empire in America Key Map; Cumming 217. $4,000 - 6,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A William and Mary Red Painted Pine Two-Drawer Blanket or Mule Chest NEW ENGLAND, EARLY 18TH CENTURY

appears to retain the original bale and snipe hinges and feet, with an historic red-painted surface. Height 42 x width 41 1/2 x depth 19 inches. Provenance: John Walton, Jewett City, Connecticut. $3,000 - 5,000

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26 28

A Pair of Delft Blue and White Chargers ATTRIBUTED TO CORNELIS VAN DER HOEVEN, 17TH CENTURY

one marked 300 / 4 and the other 300 / 2 in cobalt to the underside. each retains a jelly label on the underside inscribed, Antique Delft / Corneliz Van Der Hoeve / Founded in 1662. Diameter 14 inches. $600 - 800 27

A Pair of Delft Lidded Tobacco Jars 19TH CENTURY

labeled Portorico and Varinas, each bearing the three clocks mark to the underside, with tapered brass covers. Height overall 14 inches. $1,000 - 2,000 28

William Matthew Prior (American, 1806-1873) Portrait of Mrs. Polly... oil on canvas inscribed Descriptive Portrait of Mrs. Polly... / By W. M. Prior / Abt. 1848, verso, the vertical stretcher bar partially obscuring the last name of the sitter 26 1/4 x 21 1/2 inches. This is a rare example of a work by Prior that uses a painted matting around the exterior of the image. $800 - 1,200 29

American School, 19th Century Portrait of Boy with Dog oil on canvas unsigned 37 1/4 x 25 inches. Previously attributed to Deacon Robert Peckham (American, 1785-1877).

Provenance: June Worrell, Houston, Texas; Private collection, Texas. $800 - 1,200

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Rare William and Mary Vine and Berry Inlaid Walnut Document Box CHESTER COUNTY, PENNSYLVANIA, CIRCA 1720

initialed DW, never had feet, the snipe hinges lost and replaced with butt hinges. Height 7 x width 19 x depth 11 inches. For similar examples, see Sotheby’s, New York City, New York, The William K. DuPont Collection, January 2022, Lots 11 and 177. Provenance: From the estate of a Connecticut collector; Samuel Herrup Antiques, Sheffield, Massachusetts. $5,000 - 7,000 31

A William and Mary Black Painted Maple and Pine Chest of Drawers LIKELY MASSACHUSETTS, EARLY 18TH CENTURY

a paper label affixed to the interior of the backboards reads Otis Peck Esq., appears to retain the original pulls and feet, the painted surface is early and may be original. Height 39 1/4 x width 38 x depth 19 inches.

Otis Peck, Esquire, was born in Rehoboth, Massachusetts on March 10, 1750 and passed away on November 2, 1805. $1,500 - 2,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Ruth Whittier Shute (American, 1803-1882) Rare and Desirable Pair of Portraits: Thomas and Hannah Elizabeth Crook oil on canvas each signed and dated Painted by / R. W. Shute / July 9, 1834, verso Hannah Crook pictured with an in-progress needle lacework, while Thomas Crook holds a letter reading Gov. W. L. Marcy / Order to / Sheriff Crook to / Receive Murderers / from / Lord Aylmer 29 1/2 x 23 1/2 inches. Provenance: Found at an estate sale in Toledo, Ohio. Thomas Sylvanius Crook (1798-1874), the descendant of an eponymous Protestant immigrant ancestor from Ireland, continued a family legacy of public service, political influence, and entrepreneurial success. Progenitor Thomas Crook (circa 1698-1758) arrived in Casco Bay in 1718. He later settled in Nantucket and ultimately became master of a ship, traveling frequently between Boston and the Caribbean. The second generation of Crook sons received a private education in Nantucket and developed interests in farming and stock-raising. The family dispersed throughout the more unsettled regions of New England, where they remained dedicated to both the cultivation of the land and military service, with other members participating in the Revolutionary War and the War of 1812. On May 22, 1798, Thomas Sylvanius Crook was born to James and Hannah Martin Crook in Westminster, Vermont. By the age of eight, his family had relocated to Beekmantown, Clinton County, New York, where Thomas would spend most of his adult life. As a young man, he purchased his own tract of land and became a prosperous farmer and citizen of influence. He married Hannah Elizabeth Delong (1821-1874) on March 21, 1821, and the couple had eight children together. In 1832, Crook was elected Sheriff of Clinton County, in which capacity he served until 1834. During this time, he and his family moved to the county seat of Plattsburgh, where they remained for the duration of his service in various county offices, including County Clerk of

Clinton County and Deputy Collector of Customs. Later, Crook represented his district in the New York State Senate for thirteen years. Throughout his political career, he retained his farm in Beekmantown until 1870, when he moved to Rouse’s Point. Crook died there on October 3, 1879. Crook’s tenure as Sheriff coincided with the governance of William L. Marcy (1786-1857), a lawyer and politician who was later appointed to the Cabinets of Presidents Polk, Pierce, and Buchanan. He served as Governor of New York for three terms between 1833 and 1838. Around this time, the province of Lower Canada, encompassing parts of present-day Quebec and Newfoundland, was embroiled in a political crisis concerning the conduct of its governor, Matthew Whitworth-Aylmer, 5th Baron Aylmer (1775-1850). Prior to his assumption of the role, Lord Aylmer had held no previous political office and was ill-equipped to assuage the growing unrest of his citizens, who called for reforms to the perceived “oppressions practiced by the colonial government,” including Lord Aylmer’s own exacerbation of ethnic tensions for his favoritism of the province’s English over French residents. Vocal calls for his impeachment escalated to letters promoting Lord Aylmer’s assassination that were published in various Canadian newspapers by March 1834. The “murderers” Governor Marcy instructs Crook to receive in the letter from the painting may reference the writers of these letters who were apprehended and charged with treasonous threats of violence against Lord Aylmer. The prisoners may have been sent to New York under Crook’s custody to further safeguard Lord Aylmer’s life. Receiving a group of violent political prisoners would have undoubtedly been significant to Crook’s early career. When he commissioned the portraits, he perhaps chose to include the letter as a record of his assistance to Governor Marcy and Lord Aylmer during an important current event. Although the exact circumstances of the commission are unknown, Ruth Whittier Shute, recently widowed, ran a solicitation for clients seeking “to see themselves as others see them” in the Plattsburgh (New York) Republican on May 24, 1834, two months before the execution of the works offered here. $3,000 - 5,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Rare, Vernacular Pine and Wrought Iron Apple Shovel and Pitchfork Weathervane MIDWESTERN STATES, 19TH CENTURY

Height 51 x width 58 inches. The weathervane was found in Stanton, Michigan, in the same barn it was previously made for and mounted to. It is a strong expression of the work ethic of the Midwest, similar to that represented by Grant Wood’s iconic painting, American Gothic. Provenance: Found in a barn in Stanton, Michigan; Doug Wyant Antiques, Cassopolis, Michigan; Walters-Benisek Antiques, Northampton, Massachusetts; Ex-collection, David Good. $6,000 - 8,000

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A William and Mary Leather Upholstered Spanish-Foot Side Chair LIKELY BOSTON, MASSACHUSETTS, CIRCA 1720

appears to retain the original surface and leather upholstery. Height 42 inches. Provenance: Found at a farm sale in Michigan. $2,000 - 3,000

A Scottish Rite Masonic-Decorated Sulphur Inlaid and Penwork Walnut Cash Box PROBABLY LANCASTER, PENNSYLVANIA,1863

the exterior with Faith Hope & Charity motto, the interior inscribed for FANNY E. INGLES, dated on the rear edge of the lid. Height 6 1/2 x width 12 1/2 x depth 9 inches. A similar box, dated 1861 and likely by the same hand, is curated at the National Heritage Museum (Scottish Rite Masonic Museum and Library) in Lexington, Massachusetts. Provenance: Found at a farm sale in Michigan. $1,500 - 2,500

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Manner of Frederick Mayhew (American, 1785-1854) Portrait of a Sea Captain Holding a Telescope 1829 oil on panel signed indistinctly and with Pinx April 1829, to verso 25 1/4 x 21 1/8 inches. $2,000 - 3,000

American School, 19th Century Primitive New England Clipper Ship at Sea oil on canvas unsigned 19 1/4 x 37 1/2 inches. $1,000 - 2,000

BLAEU, Willem (1571-1638) -- BLAEU, Jan (1596-1673). Americae nova Tabula. [Amsterdam, ca 1635 or later]. Engraved map of the Americas, visible area 17 x 21 3/4 in. (432 x 552 mm). Framed (unexamined out of frame). Decorative top border with vignette views of Havana, St. Domingo, Cartagena, Mexico, Cusco, Potosi, I. la Mocha, Rio Janeiro, and Olinder decorative side borders depicting natives from 10 areas, including Greenland, Virginia, Florida, Mexico, Peru and Brazil, galleons and sea monsters, decorative cartouche, inset of Greenland, Dutch text on verso. 3rd state with the imprint “Auct. Guiljelmo Blaeuw.” Burden 189; Tooley America p. 297. $1,500 - 2,500

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ORTELIUS, Abraham (1527-1598). Americae sive Novi Orbis, Nova Descriptio. Antwerp, ca 1572. Engraved map of the Americas with hand-coloring in wash and outline, visible area 15 3/4 x 20 3/4 inches (400 x 527 mm). Framed (unexamined out of frame). Decorative cartouche with galleons and ships. FIRST EDITION, second state, correcting the name of the Azores to “Las Acores.” Ortelius’s map was reprinted several times, and this plate had a relatively short life, being published only between 1570 and 1575. The map was engraved y Frans Hogenberg, based largely on Gerard Mercator’s multi-sheet world map of 1569. Burden 39. The work is among the earliest descriptions of North America, with original color. $2,000 - 3,000 40

A William and Mary Black Painted and Parcel Gilt Roundabout Corner Chair 18TH CENTURY

retains an early flame stitch seat, set on 19th century casters. Height 30 1/2 x width 29 x depth 25 inches. $500 - 700 40

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Attributed to Zedekiah Belknap (American, 1781-1858) Pair of Portraits: Mr. and Mrs. Proctor, Possibly Thomas and Abigail Atwood Proctor circa 1820 oil on canvas unsigned 27 x 23 1/2 inches. Provenance: By descent within the Proctor/Welsh families, Utica, New York; William J. Jenack Auctioneers, Chester, New York, Important Fine Art and Antiques Auction, January 7, 2008, Lot 171; Skinner’s, Inc., Boston, Massachusetts, American Furniture and Decorative Arts, November 8, 2010, Lot 623. Zedekiah Belknap painted three known portraits of members of the Proctor family: the pair offered here and a portrait of a young man, possibly their son. All three descended directly within the family and were sold at public auction by William J. Jenack, Chester, New York, in 2008. The Proctor family became one of Utica’s great benefactors by the turn of the 20th century, with donations from political and financial magnate Thomas Redfield (1844-1920) and his wife, Maria Watson Williams Proctor, establishing the city’s magnificent park system. The grandparents of Thomas Redfield, Thomas (1776-1867), likely his namesake, and Abigail Atwood Searles Proctor (1774-1851) were a prominent early American family from Windsor County, Vermont. Their son, Moody Stickney Proctor (1807-1867), possibly the young man depicted in the third Belknap painting of the Proctors, was a successful merchant, dividing his time between Vermont and Boston by 1850. His son, Thomas Redfield, was also born in Vermont but relocated to Utica by 1880. $2,000 - 4,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

American School, 19th Century Large Double Portrait: Mother and Child Holding a Gray Cat circa 1840 oil on canvas unsigned appears to retain the original stretchers and grain-painted frame 42 1/4 x 36 inches Given the unusually somber, dark background, this work is likely an example of post-mortem portraiture. $2,000 - 4,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Attributed to Zedekiah Belknap (American, 1781-1858) Portrait of a Lady oil on canvas unsigned 27 x 23 inches. $1,500 - 2,000

A William and Mary Stumpwork Embroidered Picture of a Lady with Exotic Animals ENGLISH, 17TH CENTURY

silk threads and padded silk on silk ground. 11 1/4 x 12 3/4 inches. Provenance: Button Art Gallery, Douglas, Michigan; Ex-collection, Mrs. D. S. Gilmore. $1,000 - 2,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Needlework Embroidered Picture of a Basket of Flowers POSSIBLY PENNSYLVANIA, 18TH CENTURY

cotton threads on linen ground. 18 x 17 3/4 inches. $300 - 500

A Metallic Thread Stumpwork Embroidered Picture of Poet ENGLISH, 17TH CENTURY

silk, wool, and metallic threads on wool ground. inscribed Stuart Stumpwork picture of a man with chestnut-brown hair wearing a golden tunic and breeches and holding a book in his right hand Sotheby’s, London, 1953 / The poet is probably a poet reading from his own work, verso. 6 5/8 x 8 1/4 inches. Provenance: Sotheby’s, London, 1953. $300 - 500

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Rare William and Mary Brown Painted Poplar, Cherrywood, and Pine Two-Drawer Blanket Chest LIKELY NEW ENGLAND, CIRCA 1720

with rare torus molding at the top, appears to retain the surface, original pulls and turned bun feet, the lid lacking its bale and snipe hinges. Height 42 1/4 x width 38 3/4 x depth 19 1/8 inches. $1,500 - 2,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A William and Mary Black and Red Painted Bird and Vine-Decorated Courting Glass

A Silkwork Embroidered Picture of the Temptation of Adam and Eve, Wrought by Mary Tibbitt

LATE 17TH/EARLY 18TH CENTURY

ENGLISH, CIRCA 1827

17 3/4 x 10 3/4 inches.

silk threads on silk ground. identified Mary Tibbitt / 1827, with stitched title Eve offering Adam the forbidden fruit. with angels to corners and foliate border. 16 x 13 inches.

$700 - 900 49

A Queen Anne Embroidered Stumpwork Picture of Three Noblewomen ENGLISH, CIRCA 1710

silk and metallic threads on silk ground. 9 3/4 x 11 1/2 inches. Provenance: Button Art Gallery, Douglas, Michigan; Ex-collection, Mrs. D. S. Gilmore. $1,000 - 2,000 30

$500 - 700 51

A Goldwork Embroidered Picture of Adam and Eve in the Garden of Eden ENGLISH, 19TH CENTURY

silk threads and watercolor on silk ground. 20 x 15 1/4 inches. $500 - 700

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A William and Mary Stained Pine Two-Drawer Blanket Chest LIKELY NEW ENGLAND, CIRCA 1730

appears to retain the original till and cover, the original bale and snipe hinges, and feet; drawer pulls are replaced. Height 43 1/2 x width 39 1/2 depth 18 1/2 inches. $1,000 - 2,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

John Samuel Blunt (American, 1798-1835) Pair of Portraits: John and Electa Stoddard Hale circa 1830 oil on canvas unsigned each retaining partial printed labels for the Southern Alleghenies Museum of Art, verso 29 3/4 x 24 1/2 inches. Provenance: Ex-collection, Southern Alleghenies Museum of Art, Loretto, Pennsylvania. Portrait of Electa purchased from Hirschl and Adler Gallery, New York City, New York; Thomaston Place Auction Galleries, Thomaston, Maine, 2017. Exhibited: Selections from the Permanent Collection, Southern Alleghenies Museum of Art, 1996. Genealogical records confirm that Electa Stoddard Hale (1799-1876) was born in Upton, Massachusetts, and married William Hale (1795-1872) in the same town in 1819. According to state and federal census data, the Georgian-born William was a merchant by trade. John Blunt, also called the “Borden Limner,” moved with his family to Boston, just forty miles from Upton, in the early 1830s and soon became known for his distinct and lifelike portraiture, following an exhibition of his work at the Boston Athenaeum. $2,000 - 4,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Attributed to John Samuel Blunt (American, 1798-1835) Harbor Scene oil on canvas signed and dated J.S. Blunt 1830, lower right in rocks housed in a grain painted frame 27 3/8 x 35 1/4 A very similar painting by Blunt is pictured in Deborah M. Childs, The Sketchbook of John Samuel Blunt (Portsmouth, New Hampshire: Portsmouth Athenaeum, 2007) p. 73, fig. 4-30. $3,000 - 5,000

A Matched Set of Five Queen Anne Transitional Rush-Seat Spanish-Foot Side Chairs 18TH AND 19TH CENTURY

one retaining a rich, historic surface, the others refinished, but appear to retain original color. Height of tallest 42 inches. Provenance: John Walton, Jewett City, Connecticut. $1,500 - 2,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Queen Anne Looking Glass 18TH CENTURY

retains the original paint and mirror plate. 19 x 9 1/2 inches. $2,000 - 3,000

A Queen Anne Flamestitch Wool Lady’s Purse with Engraved Silver Closure 18TH CENTURY

the top of the front panel beneath the flap stitched illegibly, possibly Elevzey, the silver clasp monogrammed JL. 4 3/4 x 6 5/8 inches. $400 - 600

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

American School, 19th Century Three Graces with Large Canary oil and watercolor with graphite on bristol board unsigned bristol board stamp, lower left corner 14 x 17 1/2 inches. Provenance: Frank H. Boos Gallery, Bloomfield Hills, Michigan, The Walter E. Simmons, II Collection of Fine Americana, February 1994, Lot 517. Illustrated in the associated auction catalogue on page 110. Please see Lots 59 and 60 for two additional works by the same artist. Aside from the three offered here, there are five other known works by this as-of-yet unidentified painter, all of which are classified as “memorial pictures” and could be related fragments of a larger composition: the New Bedford Memorial, in the permanent collection of the Fenimore Art Museum, Cooperstown, New York, ex-collection, Jean Lipman; an untitled memorial held by the Museum of Fine Arts, Boston, Massachusetts, ex-collection Maxim Karolik (56.438); Woman and Children under a Canopy with Flags, given by Mrs. Frederick Thurston Mason in memory of her sister, Anna Phillips Stevenson to the Philadelphia Museum of Art, Pennsylvania in 1914 (1914-365); the New Hampshire Memorial, purportedly discovered in Chocorua, New Hampshire and now owned privately in Boston; and the Boston Memorial, the whereabouts of which are currently unknown, likely housed in a private collection.

For illustrations of two of the works mentioned above, please see M. & M. Karolik Collection of American Water Colors & Drawings, 1800-1875, Volume II (Boston, Massachusetts: Museum of Fine Arts, Boston, 1962), p. 199, cat. no., 1200, fig. 296, and Jean Lipman, Primitive American Painting (New York City, New York: Oxford University Press, 1942), plate 31. $2,000 - 3,000 59

American School, Mid-19th Century Civil War Memorial Picture oil and watercolor with graphite on bristol board unsigned mounted soldier bearing floral wreath inscribed Union Peace partial bristol board stamp, upper right corner 13 1/2 x 15 5/8 inches.

Provenance: Frank H. Boos Gallery, Bloomfield Hills, Michigan, The Walter E. Simmons, II Collection of Fine Americana, February 1994, Lot 516. $2,000 - 3,000 60

American School, Mid-19th Century Family Portrait oil and watercolor with graphite on bristol board unsigned 11 3/4 x 15 3/8 inches. $2,000 - 3,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

An Indigo Dyed Linsey Woolsey Quilt

A Queen Anne Fan-Carved Maple and White Pine Flat-Top Chest on Frame

CIRCA 1800

98 1/2 x 95 inches. $800 - 1,200

CONNECTICUT, CIRCA 1750

retains the original pierced Chinese Chippendale brasses. Height 56 1/2 x width 38 x depth 19 inches. When originally purchased, the chest enclosed a packing slip from Sotheby’s suggesting it had once been a part of the collection of Henry Ford II. $2,000 - 4,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

American School, 19th Century Portrait of a Girl in Blue Dress with Rose circa 1840 oil on canvas unsigned 23 3/4 x 19 1/2 inches. This portrait likely depicts the sister of the girl shown in the following lot. Both portraits come from the estate of a 90-year-old decorator in Chicago. It is possible that they were executed by Sheldon Peck (American, 1797-1868) while he was living in Illinois, from 1836 on. $4,000 - 8,000

American School, 19th Century Portrait of a Girl in Blue Dress with Book circa 1840 oil on canvas unsigned 23 3/8 x 19 inches. $4,000 - 8,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Country Queen Anne Black Painted Cherrywood and Pine Tall Chest of Drawers MASSACHUSETTS, CIRCA 1740

appears to retain the original drawer pulls and rich, original paint. Height 58 x width 37 1/4 x depth 19 inches. $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A War of 1812 Painted Militia Drum ABNER STEVENS, PITTSFIELD, MASSACHUSETTS, EARLY 19TH CENTURY

with partial paper label to interior. Height 15 5/8 x diameter 16 7/8 inches. $2,000 - 3,000 67

A Civil War Painted Militia Drum MID 19TH CENTURY

missing batter heads. Height 14 5/8 x diameter 17 5/8 inches. $1,000 - 2,000 68

A Queen Anne Transitional Carved Maple Rush-Seat Spanish-Foot Armchair MASSACHUSETTS, 18TH CENTURY

appears to retain traces of the original surface, rush seat replaced. Height 41 3/4 inches. Provenance: John Walton, Jewett City, Connecticut. $700 - 900 69

A Large Polychrome Painted Sheet Metal Eagle Crest LIKELY MASSACHUSETTS, 19TH CENTURY

Height 36 x width 61 inches. In the 1960s, this crest was purportedly removed from the wall of a Massachusetts meeting house by a local antique dealer. $2,000 - 4,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Polychrome Painted Cast Zinc Goddess of Liberty Figure WILLIAM DEMUTH AND CO., NEW YORK, LAST QUARTER 19TH CENTURY

retains the original painted surface. Height 59 inches. $15,000 - 20,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Queen Anne Black Painted Maple Flat-Top High Chest NEW HAMPSHIRE, CIRCA 1750

of a smaller size, appears to retains the original black paint and drawer pulls. Height 67 x width 36 1/2 x depth 20 1/2 inches $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

American School, 19th Century Portrait of Columbia “Miss Liberty” circa 1805 watercolor on silk unsigned, but likely attributed to the Abby Wright School, South Hadley Massachusetts set in original frame with eglomise glass 21 1/2 x 17 1/2 inches. This painting closely resembles examples of needlework pictures wrought in silk threads by students of Abby Wright’s (1774-1842) school in South Hadley, 1803-1811. Five compositionally similar pictures from this school featuring the “Liberty and Cornucopia” motif are discussed in Betty Ring, Girlhood Embroidery: American Samplers & Pictorial Needlework, 1650-1850, vol. I (New York City, New York: A. A. Kopf, 1993), p. 161. Provenance: Samuel Herrup, Sheffield, Massachusetts, October 18, 1997; Skinner, Inc., Boston, Massachusetts, The Arthur & Sybil Kern Collection of American Folk Art, Sale 3121M, Lot 297, August 12-13, 2018. $300 - 500

A Masonic Watercolor Family Record CIRCA 1780S

for John S. Huntington, his wife Katurah, and their children. 11 1/4 x 9 5/8 inches. John Huntington (1759-1842) was born in Middlesex County, Connecticut. He married Katurah Dryden (1762-1850), listed as Davis here, in 1783. The family had moved to New York by the time of their first child’s birth. $300 - 500

An Unusually Large Watercolor and Penwork Family Record FAIRFIELD COUNTY, CONNECTICUT, CIRCA 1817

identified to Joel (1771-1819) and Deborah Rockwell Byington (1775-1857) of both Fairfield County, Connecticut and Rochester, New York and further listing their five children, Belinda, George, Mary, Lydia, and Harriet; with verse from English poet Alexander Pope (1688-1744) and biblical text from Psalm 90:12 and Job 3:17. 17 3/4 x 13 1/2 inches. Provenance: Deaccessioned from the Strong Museum, Rochester, New York. $600 - 800

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

American School, Early 19th Century Family Tree circa 1825 watercolor, gouache, and pen on paper unsigned set in an early frame, possibly the original 12 1/4 x 11 1/2 inches. The paperboard backing retains several labels, including The American Folk Art Gallery, New York City, New York, dated June 8, 1971, and the Amon Carter Museum, Fort Worth, Texas. The American Folk Art Gallery label suggests that the work is from the Collection of Mrs. Charles Sheeler, likely the second wife of the American Modernist painter Charles Sheeler (1883-1965). The backing also retains a small handwritten label inscribed Ex Edith Halpert Coll., likely the American Modernist and Folk Art dealer Edith Gregor Halpert (1900-1970), who sold Charles Sheeler’s work at her New York City gallery, Downtown Gallery. $600 - 800

American School, Late 18th/Early 19th Century Parrot Perched on a Tree watercolor fraktur on paper unsigned retains an early frame, possibly the original 9 1/2 x 7 inches. $500 - 800

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Queen Anne Mixed Woods Rush-Seat Spanish-Foot Armchair NEW ENGLAND, 18TH CENTURY

rear legs are ended out about 5 inches from the base of each leg. Height 46 inches. Provenance: Ex-collection, Frank Weston Benson (American, 1862-1951), the impressionist painter; purchased from his widow in the late 1960s. $600 - 800 78

A Rare Pilgrim Century Black Painted Pine OneDrawer ‘M’ Chest PLYMOUTH AREA, MASSACHUSETTS, CIRCA 1700

retains an early painted surface, previously fitted with a till box and cover, but never installed. Height 27 1/4 x width 39 1/2 x depth 17 inches. A very similar ‘M’ chest is illustrated in Robert Blair St. George, The Wrought Covenant (Brockton, Massachusetts: Brockton Art Center / Fuller Memorial, 1979) p. 33, fig. 12b. 81

$1,500 - 2,500 79

Attributed to Frederick Mayhew (1785-1854) Seated Portrait of a Military Ofﬁcer oil on panel erroneously identified as Commodore Perry, verso unframed 10 x 7 7/8 inches. Based on their compositional similarities, it’s possible that Lots 79 and 80 were created as pendant portraits. $1,000 - 1,500 80

Attributed to Frederick Mayhew (1785-1854) Portrait of a Seated Man oil and pencil on panel unframed 10 x 7 7/8 inches. Based on their compositional similarities, it’s possible that Lots 79 and 80 were created as pendant portraits. $1,000 - 1,500 81

A Queen Anne Carved and Red Painted Pine Hanging Wall Box 18TH/EARLY 19TH CENTURY

retains the original paint. Height 18 1/2 x width 11 1/4 x depth 6 inches. Provenance: Ex-collection, Ed Steckler, Massachusetts and Michigan. $1,000 - 1,500

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Queen Anne Stained Cherrywood Drop-Leaf Table NEW ENGLAND, 18TH CENTURY AND LATER

Height 25 x width 37 1/2 x depth 27 1/2 inches. $600 - 800 83

A Very Rare Southwestern Carved Sabino Wood Storage Box SANTA FE, NEW MEXICO, 17TH CENTURY

retains the original feet and wrought-iron latch. Height 15 1/4 x width 21 1/2 x depth 14 inches. $1,200 - 1,800 84

Attributed to Pedro Antonio Fresquis (Truchas, New Mexico, 1749-1831) Retablo of Our Lady of Mount Carmel gesso and pigment on panel bearing Collection J.B. Neumann, New York label, verso 17 1/4 x 11 3/4 inches. Of unusually large size. 82

$3,000 - 4,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Carved and Painted New Mexican Bulto of Saint Isidore ATTRIBUTED TO JOSE BENITO ORTEGA (1858-1941), 19TH CENTURY

in excellent condition and of museum quality. Overall height 28 3/4 x length 33 3/4 x width 15 inches. Provenance: Private Collection, Santa Fe, New Mexico. $3,000 - 5,000 86

A Very Rare Pair of Chippendale Carved Walnut Claw-andBall Foot Drop-Leaf Dining Tables FREDERICK, MARYLAND, CIRCA 1770

the tables join along the flat edged leaves, leaving the outside edges rounded. Height 27 1/2 x width 48 x depth 17 1/2 inches (closed). Provenance: Thomas Johnson (American/Maryland, 1732-1819); by descent through his family; acquired from the family. $8,000 - 12,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Pair of Late Regency Cary’s 11-Inch New Terrestrial and Celestial Globes LONDON, 1816

each set on a mahogany stand, the cartouche of the terrestrial globe marked Cary’s New Terrestrial Globe Delineated From the best Authorities extant Exhibiting the different tracks of Captain Cook, and the New Discoveries made by him and other Circumnavigators London Made and Sold by J. and W. Cary, Strand, Sept. 2d, 1816, the celestial globe marked Cary’s New Celestial Globe, on which are correctly laid down upwards of 3500 stars Selected from the most accurate observations and calculated for the year 18..0. With the extent of each constellation precisely deﬁned by Mr. Gilpin of the Royal Society Made and Sold by J and W Cary Strand, London, Jan. 1 1816. Height 34 1/2 inches. $5,000 - 8,000

Lot 87 | Detail

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Erastus Salisbury Field (American, 1805-1900) Valley of Repose charcoal on paper signed E. S. Field and titled, lower margin 20 1/4 x 27 1/4 inches. From Field’s Romantic period, circa 1840s-1860s, a time when he began to depict religious and historical subjects in fanciful, complex ways. Provenance: Garth’s Auctions, Columbus, Ohio, Country Americana: Painted Furniture & Folk Art, January 30, 2015, Lot 2041. $3,000 - 5,000

Attributed to Erastus Salisbury Field (American, 1805-1900) Mythical Landscape oil on canvas unsigned 28 x 35 inches. Provenance: Ex-collection, Paul Arons; Nathan Liverant and Son, Colchester, Connecticut (receipt retained with attribution); Raymond Liston, Pomfret Center, Connecticut. $2,000 - 4,000

Attributed to Erastus Salisbury Field (American, 1805–1900) Garden of Eden circa 1860 oil on canvas 13 x 19 1/2 inches. Field painted two other versions of the Garden of Eden, both more expansive and further populated with various animals, in addition to Adam and Eve. These are held at the Museum of Fine Arts, Boston, Massachusetts and the Shelburne Museum, Shelburne, Vermont. $2,000 - 3,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

Meriva Carpenter (American, 1802-1887) Two Works: Miniature Portraits of Mrs. Hannah Carpenter (née Peasley) 1842 watercolor and gouache on ivory and sixth plate daguerreotype the painted portrait inscribed in pen, Mrs Hannah Carpenter painted by her sister in law Mrs. Meriva Carpenter in 1842 Hannah daughter of Amos and Sarah (Leicester) Peasly was born Oct’ 17th 1800 in Epping Rockingham Co. New Hampshire Settled in DeRuyter Madison Co. N.Y. in 1817 was married to Delford son of Doct’ Ruggles and Juliana (Paines) Carpenter in Sept. 16th 1842 was widowed Sept 30th 1843, reverse of the paper backing housed together in an embossed leather case with detached spine, along with a lock of Hannah’s hair 2 7/8 x 2 1/4 inches; 3 3/4 x 3 1/8 inches (cased). together with a sixth plate tintype portrait of a family. 2 x 2 1/2 inches. Hannah Carpenter’s husband, Delford, was born in Ellington, Connecticut on March 18, 1800. Contrary to the written inscription on the back of the portrait, he is listed as having passed away on August 30, 1843. There are no census records documenting their union, as he passed away within, or just over, one year of their marriage. Similarly, there is no record of when Hannah passed away, but the 1855 New York Census shows that she was residing with her parents at that time. Another miniature attributed to Meriva Carpenter is located in the archives of the National Portrait Gallery, Washington, DC (accession no. 1936.12). $1,000 - 2,000 92

American School, 19th Century

Miniature Mourning Portrait of Abigail Gilbert (1768-1832) circa 1820 watercolor and gouache on ivory, with hair 2 1/2 x 2 inches. Abigail Gilbert was born to Deacon James (1727-1797) and Eunice Nichols Gilbert (1736-1813) in New Haven, Connecticut on February 12, 1768. An inscribed paper fragment set within the frame reads, Abigail Gilbert (our aunt Abby) Died at New Haven on Sep. 17, 1832 age 64 a Lovely Christian Lady M.H. $800 - 1,200

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

A Josiah Loring 11-Inch Terrestrial Globe BOSTON, MASSACHUSETTS, 1833

set on a cherrywood stand, the cartouche marked Loring’s Terrestrial Globe containing all the late discoveries and Geographical Improvements also the tracks of the most celebrated Circumnavigators Compiled from Smith’s new English globe with additions and improvements by Ann... and Smith Boston Josiah Loring 136 Washington St_1833. Height 34 inches. $2,000 - 4,000 94

A Chippendale Carved Mahogany Reverse Serpentine Chest of Drawers MASSACHUSETTS, CIRCA 1780

appears to retain the original drawer pulls and lock mechanisms. Height 31 x width 35 1/2 x depth 19 1/2 inches. $1,000 - 1,500

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

American School, 19th Century Miniature Mourning Portrait of a Boy in Blue watercolor and gouache on ivory inscribed in pencil Ch. B. Russell pinxt 1841, paper backing the frame inset with a lock of the sitter’s hair 2 1/2 x 2 inches. $500 - 800

American School, Early 19th Century Pair of Portraits: Girl with Book and Girl with Bird watercolor on paper unsigned each retaining the original frame and paper backing 2 5/8 x 2 inches. $700 - 900

American School, 19th Century Miniature Portrait of a Woman with Tortoiseshell Comb, Coral Necklace and Gold Jewelry circa 1825 watercolor, gilt, and gouache on ivory 2 1/8 x 1 5/8 inches. $500 - 800 98

A Rare Blue and White Jacquard Pieced Coverlet, Made for Mary M. Thorn HILLSDALE COUNTY, MICHIGAN, DATED 1848

depicting eagle with shield, flowers and weeping willows, the lower registers each read Property of / Mary M / Thorn / Hills / Dale Co. / Michigan / 1848. 93 x 63 1/2 inches (with fringe). Provenance: Ex-collection, Margaret Brusher, Ann Arbor, Michigan. $300 - 500

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

A Trompe L’Oeil Painted Pine Fireboard LIKELY MASSACHUSETTS, LATE 18TH CENTURY

with a series of painted imitation Delft tiles to perimeter and sponge paint-decorated base. Height 30 1/2 x width 44 1/4 x depth 4 1/2 inches. According to Nina Fletcher Little, the board was found in an upper chamber of the Ebenezer Waters house in Sutton, Massachusetts. She mused that Winthrop Chandler (1747-1790), who completed other painted panels for the Waters house, may have painted this board as well. (See Nina Little, Little by Little: Six Decades of Collecting American Decorative Arts [New York City, New York: E. P. Dutton, 1984] p. 91). Exhibited in Old Sturbridge Village, Massachusetts, The Tavern Ballroom, From Nature or Fancy: an exhibition of chimneypieces, boards and other examples of painted interior woodwork done in New England, October 11-November 11 1952. Provenance: Mrs. Gordon Wood, 1952; Sotheby’s, New York City, New York, The Bertram K. Little and Nina Fletcher Little Collection, January 23-26, 1994, Lot 292. $3,000 - 5,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

100

A Pair of Federal Brass and Wrought-Iron Andirons 19TH CENTURY

together with associated bed warmer and later poker. Height of andirons 18 x length 18 1/2 inches. Provenance: Andirons: John Walton, Jewett City, Connecticut. $500 - 700

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

101

A Carved and Painted Wood Valuables Box with Masonic Interest ARTHUR JOSEPH PENNOCK (1862-AFTER 1948), JAMESTOWN, NEW YORK, 1909

Lot 101 | Detail

carved to show a turtle to lid, with frog handles to the base; also showing an owl, centipedes, birds of paradise, and a monkey pulling the tail of a parrot. fitted with a removable trinket box to the interior incised with the all-seeing eye, the flaming urn, and a Masonic cipher reading, THOU SHALT NOT STEAL to the hinged lid, further incised by its maker. the underside inscribed in pencil, This Box Was Made And Carved And Painted By AJ Pennock At Jamestown N.Y. 1909 Was Born July 5th 1868 At York Mills, Canada ONT. there is a secret compartment hidden behind the vertical divider to the interior with a paper label reiterating the information on the trinket box. Height 5 1/4 x width 14 1/2 x depth 6 inches. A Canadian by birth, Pennock emigrated to the United States in 1888. According to the 1910 Federal Census, at the time this box was constructed, he lived in Jamestown, New York, and was engaged as a “carrier” in the wood industry. $8,000 - 10,000

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

102

Two Miniature Paint-Decorated Boxes 19TH CENTURY

including a red and blue painted box and a pine and maple sewing box with inscriptions to each side, including the dedication A Token of Friendship from your cousin Harriet Douglass, Portland on one side and presented to Miss Elizabeth Abbott, Byﬁeld on the other. Height of sewing box 1 7/8 x length 4 x width 2 1/8 inches. Height of painted box 1 7/8 x length 3 7/8 x depth 2 1/2 inches. $300 - 500

103

Four Miniature Polychrome Painted Tole Boxes NEW ENGLAND, 19TH CENTURY

Height of two larger 2 3/4 x width 4 1/4 x depth 2 3/4 inches. Height of two smaller 2 3/8 x width 3 x depth 2 inches. $500 - 800

104

A Miniature Burlwood Dough Bowl 19TH CENTURY

Diameter 3 1/2 inches. $300 - 500

105

A Miniature Handled Burlwood Dough Bowl 19TH CENTURY

Width without handles 2 5/8 inches. $300 - 500

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106

American School, 19th Century Portrait of Caroline Cornelia Culver in Blue Dress with Bowl of Apples oil on canvas unsigned 26 1/2 x 21 1/4 inches. Provenance: Commissioned by Oliver (1778-1867) and Alice Ray Culver (1789-1860), Rochester, New York; to their daughter Caroline Cordelia Culver Ely (1818-1892), Monore County, New York; by descent within the Culver/Ely/Smith families through the 20th century; a bequest to the Strong Museum, Rochester, New York and later deaccessioned; thence acquired by the present owner. Caroline Cornelia Culver was born on April 8, 1818, in Brighton, Monroe County, Massachusetts to Oliver and Alice Culver, originally of Hartford, Connecticut. Oliver’s father, William (1755-1788), served in Captain George Pitkin’s company and was engaged at the Battle of Lexington, among the earliest conflicts of the Revolutionary War, fought in Massachusetts on April 19, 1775. He was also a soldier in both Colonel Benjamin Hinman’s regiment at the Siege of Boston and Colonel Erastus Wolcott’s regiment which occupied the city after the British evacuation. By 1815, his son Oliver had relocated to New York with his wife, becoming a prosperous farmer and pioneer of Monroe County, where he raised sheep, swine, corn, oats, rye, and wheat. Caroline married Lorenzo Douglas Ely (1809-1881) on June 15, 1841, and the couple had five children together. The Elys owned several farms in Brighton and Irondequoit, where they raised cattle and Morgan horses. The family was among the earliest breeders of blooded Jersey cattle in the county and enjoyed the position of largest Jersey breeder in western New York for many years. Caroline Ely died in Rochester on May 29, 1892. $800 - 1,200

107

Style of Ruth Henshaw Bascom (American, 1772-1848) Portrait of a Young Man with Pocket Watch pastel on paper with gold leaf unsigned 25 3/8 x 19 inches. $1,500 - 2,500

108

American School, Circa 1800 Miniature Portrait of a Red-Haired Merchant gouache and watercolor on ivory unsigned 2 1/2 x 1 7/8 inches. $700 - 900

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A Heriz Wool Rug EARLY 20TH CENTURY

11 feet 9 inches x 9 feet 6 inches. $1,000 - 1,500

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A Heriz Wool Rug EARLY 20TH CENTURY

13 feet 1 inch x 11 feet 5 inches. $1,000 - 1,500

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111

A Chippendale Carved and Figured Mahogany Reverse-Serpentine Claw-and-Ball Foot SlantFront Desk BOSTON, MASSACHUSETTS, CIRCA 1770

the desk interior with removeable central compartment concealing two horizontal drawers and two vertical document drawers, the drawer pulls, while seemingly of the period, are replaced. Height 45 1/2 x width 44 1/2 x depth 24 inches. Provenance: Samaha Antiques, Milan, Ohio. $3,000 - 5,000

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J.B. Alexander (American, New York, active 1830s) Miniature Portrait of Thomas Allen 1835 watercolor, gouache and pencil on paper signed J.B. Alexander Ptn in the black surround, further inscribed in pencil This miniature was painted by a room mate by name of Alexander (a journeyman jeweller) in Duane St, New York about the year 1835 Tho Allen, verso set in a period frame 6 3/8 x 5 inches. $600 - 800

113

American School, 19th Century Miniature Silhouette Portrait of a Young Man watercolor and pencil on paperboard unsigned, the reverse is an unfinished pencil outline of the sitter set in a period frame with early gilt matting 4 1/8 x 3 inches. $400 - 600

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114

A Laing’s Planetarium Orrery Model with Custom Red Painted Poplar Case DETROIT, MICHIGAN, EARLY 20TH CENTURY

showing the sun, Mercury, Earth and the Moon; the mounted plaque reads Laing’s Planetarium Patented Laing Planetarium Co. Detroit, Mich, U.S.A. Height of orrery 12 1/4 x length 16 1/2 inches. Provenance: Estate of a University of Michigan professor, Ann Arbor, Michigan $1,500 - 2,500

115

An Eight-Inch Terrestrial Table Globe on Cast-Metal Stand A.H. ANDREWS AND CO., CHICAGO, ILLINOIS, 19TH CENTURY

Height 14 3/4 inches. $1,000 - 2,000

116

A Holbrook’s Apparatus Mfg. Co. Pocket Globe WETHERSFIELD, CONNECTICUT, MID-19TH CENTURY

Diameter 3 inches. $800 - 1,200

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American and English School, 19th Century Two Miniature Portraits: Lady in Pink Dress and Lady With Red Scarf circa 1820 watercolor on paper the lady with red scarf inscribed R. Stennett above her right shoulder, the other unsigned 4 5/8 x 3 1/4; 4 5/8 x 3 5/8 inches. Ralph Stennett (18th/19th century) was active in the United Kingdom as a portrait painter in the 19th century. $600 - 800

118

American School, 19th Century Possibly Portrait of Sidney E. Morse circa 1825 cut-paper, watercolor and pencil laid to paper board unsigned set in a paint decorated period frame. 6 x 4 inches. (paperboard size) The portrait depicts a young man holding a copy of the Observer. The New York Observer was founded by Sydney Edward Morse (1794-1871), and his brother, Richard Cary Morse. $500 - 800

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119

American School, 19th Century Portrait of a Virginia Gentleman circa 1815-25 pastel on paper laid to canvas the envelope in his hands partially reading “... Henry / -bury, VA.” 25 1/2 x 20 1/2 inches. The Henry name is prominent in Virginia history, and there is a possibility that this portrait is related to the Henry family who lived near presentday Salisbury, on the James River in Botetourt County. $1,000 - 1,500

120

A Miniature Wallpaper Box with Pincushion Cover LIKELY PENNSYLVANIA, FIRST HALF 19TH CENTURY

together with two period fabric scraps. Height 3 1/2 x diameter 3 1/2 inches. Provenance: Christie’s, Lebanon, Pennsylvania, Pennsylvania German Folk Art and Decorative Arts from the Collection of Mr. and Mrs. Richard Flanders Smith, June 3, 1995, Sale 8116, Lot 253. $500 - 800 121

A Late Chippendale Painted Maple Candlestand CIRCA 1800

Height 31 1/2 x width 21 1/4 x depth 21 inches. $600 - 800

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A Miniature Wallpaper Hat Box LIKELY PENNSYLVANIA, 19TH CENTURY

Height 2 1/4 x width 3 3/4 x depth 2 3/4 inches. $500 - 800 123

A Carved and Painted Wood Ship’s Captain Whirligig LATE 19TH/EARLY 20TH CENTURY

accompanied by a wood stand. Height 31 inches. $600 - 800 124

A Carved and Painted Wood Sailor Whirligig LATE 19TH/EARLY 20TH CENTURY

Height 31 inches. $600 - 800 125

A Carved and Painted Wood Marching Band Cymbal Player Whirligig IN THE MANNER OF ROCCO PAVESE (ITALIAN/AMERICAN, 1852-1950), WESTERN MICHIGAN, 19TH CENTURY

with elaborately worked shoes, leather collar, moustache, and belt. Overall height 33 1/2 inches; height of figure 28 5/8 inches. Provenance: Private collector, Western Michigan; Found in upstate New York. U.S. City Directories record a Rocco Pavese in Saginaw, Michigan as early as 1887. Born in Italy around 1852, he immigrated to the United States in 1868. By 1908, Pavese appears to have relocated to Grand Rapids and is most frequently listed as a musician. Pavese died on November 26, 1950. $800 - 1,200 126

Three Miniature Graduated Stacking Wallpaper Boxes 19TH CENTURY

inscribed in pencil under the largest 8.12/13.89 / Set of 4. Height of largest 1 x diameter 1 1/2 inches. Height of smallest 1/2 x diameter 3/4 inches.

125

$400 - 800 F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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Attributed to Francis Cezeron (American, active Pennsylvania and Virginia, Early 19th Century) Pair of Portraits, Husband and Wife oil on panel unsigned 8 7/8 x 7 inches. $2,000 - 3,000

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128

Attributed to Zedekiah Belknap (American, 1781-1858) Portrait of a Boy Holding a Book oil on panel unsigned 24 x 17 5/8 inches. $1,000 - 2,000

129

American School, 19th Century Portrait of a Boy Holding a European Goldﬁnch with Painted Drum oil on canvas laid to board inscribed Né en 1846. / Fait en 1849, upper left 26 1/4 x 21 3/8 inches. The work depicts a young boy in a red pin-striped overshirt, holding a goldfinch and wearing a clear, nearly invisible brimmed hat. The inscription likely indicates that the work is of a French or FrenchCanadian, boy. It is also possible that the work depicts a young boy of Cajun descent, given its provenance. Provenance: Private Collection, Louisiana. $1,500 - 2,500

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A Miniature Wallpaper and Linen Hat Box

A Miniature Wallpaper Hat Box and Blue-Painted Miniature Basket

19TH CENTURY

labeled Harriet P. Jones on the lid. Height 1 1/4 x width 2 1/8 inches. $400 - 600

LIKELY PENNSYLVANIA, 19TH CENTURY

Height of box 1 1/2 x diameter 1 3/4 inches. Height of basket 1 3/4 inches. $400 - 600

132

Three Hand Glasses and a Magnifying Glass 19TH CENTURY

the magnifying glass with compact wood and tin case. Length of largest 9 3/4 inches. $500 - 800

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A ‘Make-Do’ Hand Glass

A Printed Paper and Oak Panel Horn Book

19TH CENTURY

13 1/2 x 9 3/4 inches.

with metal mount engraved John Elliot / Horn Book / Sept. 14 1847. Length 9 1/8 x width 4 3/8 inches.

$500 - 700

$400 - 600

135

136

A Stenciled and Painted Pine Board Horn Book

A Watercolor on Paper and Pine Panel Horn Book

19TH CENTURY

with cow painted on verso. 10 1/2 x 8 1/8 inches.

together with a tin lithographed alphabet child’s mug. Length 6 inches. Height of mug 2 1/4 x width 4 inches.

$400 - 600

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137

A Penmanship Teacher’s Advertisement 19TH CENTURY

pen and ink on paper. signed H. Jackson / Teacher of Penmanship, lower right. 9 3/4 x 12 inches. $300 - 500

138

American School, 19th Century Portrait of a Barefoot Child oil on canvas unsigned 36 3/4 x 27 inches. Provenance: Purchased from the Sutherland family estate, Lansing, Michigan. $1,500 - 2,500

139

American School, 19th Century Double Portrait of Two Brothers and Their Dog oil on canvas unsigned 24 x 29 3/4 inches. $1,200 - 1,800

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141

Franklin E. Terrill (American, 1876-1956)

A Chippendale Wrought-Iron Mounted Painted Poplar and Pine Dower Chest

Locomotive 1892 watercolor and pen on paper inscribed Franklin Terrill, June 27th 1892, in the lower register, further inscribed Drawn at St. Patrick’s School, Cleveland, Ohio. Age, 16 yrs. on the matting inscribed in pencil To Be Send June 30th on the back of the paper 18 3/4 x 27 inches.

ATTRIBUTED TO JOHN FLORY (1767-1836), LANCASTER COUNTY, PENNSYLVANIA, DATED 1791

$1,000 - 1,500

$3,000 - 5,000

dated 1791, initialed JS, and partially inscribed Diese Kist[e] Gehert Mir [This chest belongs to me], appears to retain the original paint, wrought-iron strap hinges and carrying handles, lacking the lock mechanism. Height 25 x width 50 1/4 x depth 23 inches. Provenance: Ex-collection, James O. Keene.

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A Needlework Embroidered Sampler, Wrought by Sophia Carter LEOMINSTER, MASSACHUSETTS, CIRCA 1820

silk thread on linen ground. identified Wrought by Sophia Carter Age / 12 years Leominster June / 1820, with verse at center, surrounded by foliate, floral, and fruit motifs. 17 x 15 1/4 inches. $1,000 - 1,500

143

A Country Chippendale Red Painted Pine Wooden Works Tall Case Clock CIRCA 1800

the face painted to show a recumbent lion, retains original paint. Height 82 1/2 x width 16 3/4 x depth 10 inches. $1,000 - 2,000

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144

A Schoolgirl’s Silkwork Embroidered Picture of ‘The Emblem of America,’ Wrought by Elisabeth Miltimore NEWBURYPORT, MASSACHUSETTS, CIRCA 1809

silk threads and watercolor on silk ground. with allegorical figure of Liberty beside George Washington’s tomb. 12 1/4 x 11 1/4 inches. $2,000 - 3,000 145

A Memorial Silkwork Embroidered Picture, Wrought by Phebe Adams MASSACHUSETTS, CIRCA 1805

silk threads with ink, graphite, and watercolor on silk ground. identified Phebe Adams to eglomise mat with central inscriptions reading To the memory of / Franklin Adams / He was born A- / April 7 1805 & died / Sep. 26 and To the memory of / Hannah Adams / She was born May / 20 1801 & died / October 15. 1802. 16 1/4 x 15 inches. A photograph of Phebe Adams Swann (1794-1841), an older sister of Hannah and Franklin and the maker of this needlework, is attached to the verso. Provenance: Descended in the Adams-Swann family. $500 - 700 146

A Chippendale Red and Polychrome Paint-Decorated Poplar and Pine Blanket Chest PROBABLY CENTRE COUNTY, PENNSYLVANIA, CIRCA 1805-1820

retains the original till, lock mechanism and hinges. Height 24 x width 50 1/2 x depth 21 inches. This chest is related to a small group of blanket boxes produced near “The Forks” (now Coburn) in Centre County, Pennsylvania, circa 18051820. All incorporate a central flowering plant with serrated stems and leaves, flanked by a pair of vases or columns.

145

A near identical example, likely decorated by the same hand, showing similar yellow columns and serrated stems and leaves, was sold at Christie’s, New York, The Collection of Peter and Barbara Goodman, January 20, 2022, Sale 20689, Lot 195. $3,000 - 5,000

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A Soap Hollow Stencil-Decorated and Heart-Carved Poplar Two-Drawer Blanket Chest PETER K. THOMAS, SOAP HOLLOW, PENNSYLVANIA, DATED 1862

stenciled CB 1862 / Manufactured by Peter K. Thomas, appears to retain the original till, lock mechanisms and hinges, the lid lacking the lock latch. Height 27 1/2 x width 47 1/4 x depth 21 3/4 inches. Literature: Charles R. Muller, Soap Hollow: The Furniture and Its Makers, (Groveport, Ohio: Canal Press, 2002), p. 39. $8,000 - 12,000

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Ralph Redpath (American, New York, active Mid 19th Century)

Hudson River School, 19th Century

River Landscape with Palmetto Trees 1866 oil on panel signed and dated Redpath 1866, lower center 17 1/4 x 22 inches.

River Landscape 1866 oil on canvas signed and dated Redpath, 1866, lower right 23 1/4 x 35 1/4 inches.

$600 - 800 149

Hudson River School, 19th Century Hudson River View with Paddleboats charcoal and pencil on paper unsigned appears to retain the original frame 14 1/2 x 20 inches.

A similar painting of Lake George by Redpath, circa 1867, features the same man with hat and walking stick, staring out at the water (recently sold by Steven S. Powers, Works of Art and Americana, Brooklyn, New York). $1,000 - 2,000

$500 - 800

T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

West Point Artillery Drills oil on canvas signed and dated J. H. Gilman / 1878, lower right 17 3/4 x 24 inches. West Point was the first military encampment along the Hudson River, and the current work shows a northward view. J.H. Gilman painted two versions of this scene; the other is in the collection of West Point. $800 - 1,200

152

A Carved and Painted Wood and Sheet-Tin Circus Ringmaster Whirligig 19TH CENTURY

Height of figure 32 1/2 inches (with stem 41 inches). $1,000 - 2,000

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A Carved and Painted Wood Whirligig LATE 19TH/20TH CENTURY

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A Carved and Painted Wood Whirligig

A Rare Painted Pine Fireboard with Scene of a Country Estate

19TH CENTURY

on a later metal stand. Height 16 inches overall.

on a later metal stand. Height 13 inches.

$500 - 800

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156

A Carved and Painted Wood Whirligig EARLY 20TH CENTURY

Height 12 inches. $500 - 800

A Late Federal Turned, Incised and Painted Checkerboard Top Candlestand 19TH CENTURY

with penwork inscriptions around game board, retaining a swinging game-piece compartment to the underside, appears to retain a historic surface. the underside inscribed Fred Lewis in pencil, likely the owner. Height 27 1/2 x width 20 1/4 x depth 20 1/2 inches. $700 - 900

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NEW HAMPSHIRE, 19TH CENTURY

25 1/4 x 33 inches. Provenance: Samuel Bridgham (1774-1840), former mayor of Providence, Rhode Island (1832-1840); Purchased in New England. $1,000 - 2,000 158

A Country Paneled Red Painted Pine and Maple One-Drawer Blanket Chest DEERFIELD, MASSACHUSETTS, CIRCA 1720

appears to retain the original bale and snipe hinges. and retaining a rich, historic surface. Height 37 x width 47 x depth 19 3/4 inches. $2,000 - 3,000

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A Pair of Wrought Iron Andirons

A Needlework Embroidered Pictorial Sampler, Wrought by Ann Craven

A Federal Carved and Grain Painted Pine Wooden Works Tall Case Clock

POSSIBLY LEHIGH COUNTY, PENNSYLVANIA, CIRCA 1846

RILEY WHITING, WINCHESTER, CONNECTICUT, CIRCA 1810

identified Ann Craven Finished This Work May 1 1846, with verse surmounting a multi-storey house with a dog in the foreground. 16 1/4 x 16 1/4 inches.

the painted dial inscribed R. Whiting Winchester, retains a rich, historic surface. Height 85 1/2 x width 22 x depth 12 inches.

EARLY 19TH CENTURY

together with associated poker, tongs and a shovel. Height of andirons 15 1/2 x length 13 1/2 inches. $300 - 500 160

A Needlework Embroidered Sampler, Wrought by Martha Grubb ENGLISH, CIRCA 1838

identified to Martha Grubb / October 24th / 1838 with text pertaining to the Christian allegory for the four stages of life. 17 x 12 1/2 inches. $300 - 500

$400 - 600 162

A Country Blue Sponge Paint-Decorated Pine and Poplar Five-Drawer Blanket Chest

Provenance: Sara Conroy Antiques, Farmington, Michigan. $1,000 - 2,000

19TH CENTURY

appears to retain the original paint and finish. Height 32 1/2 x width 45 1/4 x depth 20 1/2 inches. Provenance: Adam’s Rib, Lebanon, Ohio; Collection of John Chewning, Cincinnati, Ohio; Cowan’s Auctions, Cincinnati, Ohio, Fine and Decorative Art, October 17, 2015, Lot 229. $4,000 - 6,000

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A Watercolor Memorial For Thomas Cheever MID 19TH CENTURY

watercolor on paper. inscribed Sacred / to the memory / of / Thomas Cheever / Who was Born Feb. 7th 1776 / and Died March 6th / 1854. 18 x 21 1/2 inches. $700 - 900

165

A Silkwork Embroidered Picture of a Landscape with Woman Sleeping AUBURN, NEW YORK, CIRCA 1813

silk threads and watercolor on silk ground. attributed to Catherine Comstock by her great-granddaughter on verso, with inscribed verse Oft may the spirits of the dead descend / To watch the silent slumber of a friend. 11 1/4 x 12 1/2 inches. $400 - 600

166

A Needlework Embroidered Sampler, Wrought by Tryphena Baker BENNINGTON, VERMONT, CIRCA 1824

silk thread on linen ground. identified Tryphena Baker Born May 25, 1810/ Halfmoon / January 7 / 1824, with stitched moral sentiment at center and various flora and fauna to lower corners. 12 x 15 inches. $600 - 800

167

A Needlework Embroidered Family Record, Wrought by Alsa Gale Bowers BRISTOL, CONNECTICUT, CIRCA 1821

silk thread on linen ground. identified Alsa G. Bowers aged 12 yrs Bristol 1821, with variant verse from a traditional English folk song and floral and foliate borders. 25 1/4 x 21 1/2 inches. $600 - 900

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A Folk Art Carved Wood Bird and Serpent Cane

A Folk Art Carved and Painted Wood Jazz Walking Stick

A Scrimshaw Incised and Painted Whale Bone American Flag Cane

LIKELY SOUTHERN, EARLY 20TH CENTURY

19TH CENTURY

the neck incised DB and the shaft showing music notes and the word JAZZ. Length 34 3/4 inches.

Length 34 3/4 inches.

20TH CENTURY

Length 37 1/2 inches. $300 - 500 169

A Folk Art Carved Serpent Cane POSSIBLY EUROPEAN, 19TH CENTURY

in the form of a snake winding up a tree, with a handle in the form of a man’s head, initialed JBL. Length 36 5/8 inches.

$300 - 500

Provenance: Schmidt’s Auction, Ypsilanti, Michigan, Fall Gallery Auction, September 20, 2014, Lot 37. $500 - 800

$300 - 500

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American School, 19th Century

Double Portrait of a Mother and Child with Coral Necklace oil on canvas unsigned 36 x 31 1/2 inches.

Portrait of a Seated Gentleman oil on canvas laid to masonite unsigned 27 1/4 x 20 1/2 inches.

$500 - 700

$600 - 800

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175

Manner of George Gassner (American, 1811-1861)

After Asher B. Durand (American, 1796-1886)

Girl in a Blue Dress on a Classical Sofa oil on canvas unsigned 29 1/4 x 24 1/4 inches.

The Capture of Major André oil on canvas unsigned 24 1/2 x 29 1/2 inches.

Provenance: Ex-collection, Whitney Museum of American Art, Accession Number X24.

$800 - 1,200

$600 - 800

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American School, 19th Century Landscape with a Farm oil on canvas unsigned 21 1/2 x 29 1/2 inches. $1,000 - 2,000

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178

A Late Federal Red Painted Maple Candlestand

A Federal Red Stained Cherrywood and Maple Candlestand

CIRCA 1820

CIRCA 1800

appears to retain remnants of a historic surface. Height 27 1/2 x width 15 x depth 14 3/4 inches.

retains remnants of a paper label and a historic surface. Height 27 x width 19 1/2 x depth 19 1/4 inches.

$500 - 800

$600 - 900

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Henry Dousa (French/American, 1820-after 1892) Portrait of Three Sheep: Mable, Clem, and Hazel, 1892 watercolor, graphite and pastel on paper inscribed From Life / Henry Dousa / Lafayette, IND, 1892, lower edge 16 3/4 x 21 1/2 inches. Born in France, Henry Dousa (1820-1892?) immigrated to the United States in the late 1860s and took up residence in Lafayette and New Castle, Indiana. The 1885 Lafayette City Directory listed Dousa’s occupation as “Portrait and Scenic Artist.” Little is known of how Dousa became a painter, but over the course of his career, he painted the livestock and farms of his surroundings in a distinctive naive style. Provenance: Garth’s Auctions, Columbus, Ohio, September 2, 2006, Lot 742. $3,000 - 5,000

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Henry Dousa (French/American, 1820-after 1892) Prize Bull Portrait pastel, graphite and crayon on paper signed and dated From Life by / Henry Dousa / Lafayette, Ind. / 1893 further inscribed Young Hamilton at 3 Yr. / No. 4.9. A.P.G.H.B. / Winner of 1st in Class Sweepstake in Class & Grand Sweepstake at World’s Fair Chicago 1893. / Property of J.H. Miller, Mexico, Ind. 1893. 16 3/4 x 21 3/4 inches. Indiana census records document the residence of a John H. Miller (1853-1924) in Miami County, Indiana as early as 1860. By 1880, Miller owned his own farm in Jefferson, a township of Mexico, and census records from 1910 list Miller as the owner of a stock farm there. Provenance: Garth’s Auctions, Columbus, Ohio, May 23, 2008, Lot 24. $3,000 - 5,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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John Joseph Kenyon (Canadian, 1862-1937) Equine Portrait of Invador oil on artist board signed J. J. Kenyon, center left titled Invador, lower edge 18 x 24 inches. $1,000 - 2,000 182

A Folk Art Carved and Painted Pine American Saddlebred Horse LATE 19TH/EARLY 20TH CENTURY

Height 10 1/2 x length 13 1/2 inches. $400 - 600 181

183

A Late Federal Red Painted Pine Miniature Blanket Chest 19TH CENTURY

appears to retain the original till, hinges and lock mechanism. Height 10 x width 11 3/4 x depth 7 1/4 inches. $500 - 700 184

An African American Painted Cherrywood Blanket Chest POSSIBLY KENTUCKY, 19TH CENTURY

retains the original top, never set with hinges. Height 23 3/4 x width 37 x depth 17 1/4 inches. Original receipt states “Poplar painted storage chest by an African American cabinet maker, found in Lexington, Kentucky.” 182

Provenance: Purchased from Clifton Anderson Antiques, Lexington, Kentucky. $1,000 - 2,000 185

American School, 19th Century Pair of Seated Portraits, Husband and Wife oil on panel 9 3/4 x 8 inches. A later pencil inscription on the back of the husband’s panel reads: Lauretta Riddell Born / 3 1819 / Died October 12th at 20 minutes to 2 P.M / 10 Minutes Past 10 AM 1819 / Mary / Born 22 April 18(?)2 / at 4 PM aged.. Other, fainter pencil inscriptions are visible among the above lines, but are mostly illegible. $800 - 1,200

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Attributed to Bill Traylor (American, 1854-1949) Black Dog watercolor and gouache on card stock 7 7/8 x 6 3/4 inches. Provenance: Purchased from a collector/dealer in the late 1980s. $8,000 - 12,000

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187

A Blue Painted Miniature Lidded Firkin LIKELY COTTON HERSEY (1792-1881), HINGHAM, MASSACHUSETTS

unsigned. Height 2 3/8 inches. $1,000 - 2,000

188

A Red Painted Miniature Firkin COTTON HERSEY (1792-1881), HINGHAM, MASSACHUSETTS

stamped CH on the underside, lacking lid. Height 2 1/4 inches. $1,000 - 2,000

189

A Miniature Lidded Firkin LIKELY COTTON HERSEY (1792-1881), HINGHAM, MASSACHUSETTS

unsigned. Height 2 1/4 inches. $1,000 - 2,000

190

A Miniature Lidded Firkin COTTON HERSEY (1792-1881), HINGHAM, MASSACHUSETTS

stamped CH on underside. Height 2 1/4 inches. $1,000 - 2,000

F O R A D D I T I O N A L I M AG E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M

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195

American School, 19th Century

A Federal Blue Painted Maple Octagonal-Top Snake-Foot Candlestand

A Federal Carved, Red and Black Painted Maple Candlestand

LIKELY NEW ENGLAND, EARLY 19TH CENTURY

NEW ENGLAND, EARLY 19TH CENTURY

retains a rich, dark surface, the surface is so dark that the paint looks nearly black, but traces of bright blue are visible to recesses. Height 26 1/4 x width 14 3/4 x depth 15 inches.

retains the original paint. Height 26 x width 19 1/4 x depth 18 1/2 inches.

Two Works: Still Life Scenes of Fruit watercolor theorem on velvet unsigned Larger 10 1/4 x 13 1/2 inches. Provenance: Ex-collection, Clark Garrett, Richmond, Indiana. $700 - 900 192

American School, 20th Century View of Lake Winnipesaukee, New Hampshire polychrome sandpaper painting signed and inscribed Guy E. Calkins 1906 / Drawn by / Sara Badger Calkins, backboard 10 x 13 1/4 inches.

$500 - 800 194

American School, 19th Century Portrait of a Native American oil on canvas inscribed Present by Thomas / artist, verso in a grain painted frame 12 x 9 inches. $500 - 800

$400 - 600

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$500 - 800 196

A Federal Beehive-Turned and Figured Mahogany Candlestand CIRCA 1800

appears to retain the original surface. Height 27 1/2 x width 11 3/4 x depth 16 inches. $400 - 600

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An African American Painted Poplar Covered Dough Box 19TH CENTURY

with single board lid. Height over handle 11 x width 28 x depth 15 inches. $800 - 1,200

198

A Country Green, Yellow and White Painted Palm Leaf-Decorated Maple Blanket Chest POSSIBLY AFRICAN-AMERICAN, 19TH CENTURY

Height 12 1/2 x width 24 1/2 x depth 12 inches. $800 - 1,200

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Attributed to Amanda Powers (American, active 19th Century) Portrait of a Boy Holding a Pear oil on panel unsigned 25 3/4 x 21 inches. $1,000 - 1,500

200

American School, 19th Century Portrait of a Boy in Blue with a Hoop oil on canvas laid to panel unsigned 21 x 16 inches. $300 - 400

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 101

201

American School, 19th Century Still Life of Fruit with Chinese Export Bowl watercolor theorem on velvet unsigned housed in original paint-decorated frame 12 3/4 x 16 1/2 inches. $600 - 800

202

American School, 19th Century Couple Fishing on a Riverbank oil on canvas unsigned unframed 18 x 24 inches. $500 - 800

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A Northeastern Maple or Ash Burlwood Bowl POSSIBLY NATIVE AMERICAN MADE, 18TH/EARLY 19TH CENTURY

with two lug-shaped handles. Height 5 3/4 x width 15 1/4 x depth 13 inches. $800 - 1,200

204

A Paint Decorated Lehnware Lidded Sugar Bucket JOSEPH LEHN (1798-1892), LANCASTER COUNTY, PENNSYLVANIA

constructed of oak or chestnut staves, with original paint decoration. Height 8 3/4 x width 7 3/4 inches. $800 - 1,200

205

A Redware Bowl 19TH CENTURY

Height of bowl 2 1/4 x diameter 11 inches. $300 - 400

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 103

206

Two Treenware Lidded Jars 19TH CENTURY

Height of taller 9 3/4 inches. $500 - 800

207

Two Treenware Chalices 19TH CENTURY

comprising a covered and a paint-decorated example. Height of larger 8 1/4 inches. $500 - 800

208

A Yellow Painted Lidded Treenware Canister LIKELY PENNSYLVANIA, 19TH CENTURY

appears to retain the original paint, with a rich surface. Height 6 3/4 x diameter 7 inches. $500 - 800

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Two Flint Enamel Glaze Candlesticks

A Flint Enamel Glaze Vase

LIKELY BENNINGTON, 19TH CENTURY

Height 9 1/2 inches.

Height 9 1/8 inches.

$300 - 500

$200 - 300

211

A Yellow and Green Painted Pine Blanket Chest POSSIBLY AFRICAN AMERICAN, 19TH CENTURY

the lid painted March the..., the interior with a pencil stick-figure drawing and inscribed Rallghi Dove, with a further signature on the bottom board of the interior Raleigh Dove put on the lock. appears to retain the original till box (never having a cover) and hinges. Height 22 1/4 x 33 3/4 x depth 19 1/4 inches. A Raleigh Dove was found in the 1910 Federal Census living in Jacksonville, Onslow County, North Carolina with his grandfather Edward, a farmer, and his wife Mary. Other household members include Edward’s two 20 year old sons, John and Henry, and a four year old granddaughter. Both John and Henry worked in a saw mill. We speculate that this chest might have been made for Raleigh by one or both of these men, and that either might have been his father. The Census indicates that Raleigh was six years old making it unlikely that the notation dates to the construction of the chest. Subsequent census information reveals that Dove remained in the Wilmington, North Carolina area working as a driver for a bakery, but by 1930 was living in Brooklyn, New York as a porter. Provenance: Found in North Carolina, and purchased by Moylan from the picker. $1,000 - 2,000 F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 105

212

A Country Painted Pine Domed Top Blanket Box LIKELY SOUTHERN, POSSIBLY AFRICAN-AMERICAN, CIRCA 1800

Height 11 1/2 x width 23 1/2 x depth 12 1/2 inches. $600 - 900 213

213

American School, 19th Century Pair of Portraits: Husband and Wife oil on canvas unsigned 30 x 25 inches. $600 - 800 214

American School, 19th Century Landscape with Settler and Native Americans with Canoe charcoal on paper with applied mica or sand flecking unsigned 17 1/2 x 22 1/4 inches. $500 - 800

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American School, 19th Century River Landscape with Three Steamboats Including the James Buchanan charcoal on paper unsigned 11 1/2 x 15 1/2 inches. $400 - 600 216

Attributed to Joseph Whiting Stock (American, 1815-1855) Portrait of a Girl with a Basket of Flowers 1830s oil on canvas unsigned 35 1/2 x 28 1/2 inches. $1,000 - 2,000 217

American School, 19th Century Portrait of a Young Girl In Pink Dress and Coral Necklace Holding a Purse oil on panel unsigned, the reverse inscribed in pencil 21 Franklin Street 29 3/4 x 20 1/2 inches. $800 - 1,200

217

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 107

218

A Country Grain Painted and Carved Horn Inset Pine and Poplar Domed-Top Box EARLY 19TH CENTURY

retaining original paint decoration and original key. Height 4 3/8 x width 8 3/4 x depth 5 1/8 inches. $500 - 800

219

Two Paint-Decorated Boxes 19TH CENTURY

including a Classical black painted, parcel gilt and stenciled candle box, and a polychrome painted and heart-decorated sewing box. together with a pair of turned wood and painted candlesticks. Height of candle box 4 1/4 x width 10 x depth 6 inches. Height of candlesticks 11 5/8 inches. $600 - 800

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220

A Large Burl Maple or Ash Dough Bowl 19TH CENTURY

Height 7 1/2 x width 26 x depth 16 3/4 inches $1,500 - 2,500

221

A Large Burl Maple Bowl 19TH CENTURY

Height 8 1/2 x width 25 x depth 21 inches. $1,500 - 2,500

222

A Large Burl Maple or Ash Bowl 19TH CENTURY

Height 6 1/4 x diameter 19 1/4 inches. $1,000 - 2,000

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 109

223

A Federal Style Turned, Painted and Inlaid Wood, Wrought-Iron Mounted Checkerboard-Top Candlestand LATE 19TH CENTURY

Height 29 1/2 x width 19 1/2 x depth 19 1/4 inches. $500 - 800

224

A Country Federal Paint-Decorated Pine and Cherrywood Tavern Table MASSACHUSETTS, CIRCA 1820

Height 26 3/4 x width 37 3/4 x depth 19 1/4 inches. Literature: Dean A Fales, Jr., American Painted Furniture, 1660-1880 (New York: E.P. Dutton & Co., 1972), p. 230, fig. 390. $800 - 1,200

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American School, 19th Century

Attributed to Asahel Powers (American, 1813-1843)

Portrait of a Florid New England Gentleman oil on canvas unsigned 29 x 23 1/2 inches.

Portrait of a Boy with a Cat oil on canvas unsigned 25 3/4 x 19 1/2 inches.

$500 - 700

$1,500 - 2,500

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228

Attributed to Horace Bundy (American, 1814-1883)

Manner of Deacon Robert Peckham (American, 1785-1877)

Portrait of Augusta Heselton oil on canvas identified, dated, and signed Augusta Heslton / A’d 15 / Oct. 1845 / By H. Bundy, verso 28 x 23 inches.

Portrait of Jasper Bennet oil on canvas unsigned 29 1/4 x 23 inches.

$1,000 - 1,500

Provenance: Ex-collection, The Saginaw Museum, Saginaw Michigan; Bequest of Mrs. Arabella “Belle” Davenport Palmer (1875-1949). $300 - 500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 111

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A Country Federal Blue Sponge Painted Pine Dome Top Box LIKELY NEW ENGLAND, CIRCA 1840

Height 7 3/4 x width 15 x depth 8 1/2 inches. $500 - 800 230

A Country Federal Grain Painted and Smoke-Decorated Maple OneDrawer Blanket Chest VERMONT, FIRST HALF 19TH CENTURY

appears to retain the original wrought iron hinges. Height 30 x width 38 x depth 19 inches. $700 - 900 231

A Late Federal Grain Painted, Sponge and Smoke-Decorated Pine Game Table LIKELY NEW ENGLAND, 19TH CENTURY

the reverse of the drawer inscribed in pencil B....2, appears to retain the original pulls and finish. Height 28 x width 36 1/2 x depth 17 3/4 inches. (closed) $600 - 800 232

229

A Federal Red and Grain Painted Pine Wooden Works Tall Case Clock 19TH CENTURY AND LATER

retains a rich, dark surface. Height 86 1/4 x width 17 1/2 x depth 10 1/4 inches. $800 - 1,200 233

A Country Federal Red Painted Cherrywood Work Table EARLY 19TH CENTURY

retains a dark, rich surface. Height 24 1/2 x width 16 3/4 x depth 16 1/4 inches. $300 - 500

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American School,19th Century Still Life with Fruit, Vegetables, and Staffordshire Porcelain Table Articles oil on canvas illegibly inscribed From / AJ Haden [?] & Ray, upper stretcher, and further inscribed Etta E. Noyes, Strafford Vt., frame verso 14 1/2 x 22 3/4 inches. $500 - 700 235

American School, 19th Century

236

Spatterware Vase on a Marble Top with Flowers and Vines circa 1830 watercolor theorem on velvet signed illegibly, lower register 18 x 15 1/4 inches $500 - 800 236

American School, 19th Century Still Life with Urn of Flowers watercolor theorem on velvet unsigned 12 1/4 x 15 1/2 inches. $400 - 600

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A Deerﬁeld Academy Schoolgirls’ Theorem on Velvet DEERFIELD, MASSACHUSETTS, CIRCA 1820

unsigned. 17 1/4 x 20 1/4 inches. Deerfield Academy was unofficially established by a group of fifteen residents of Deerfield in 1878, acting as “Proprietors of the New School House.” They intended to provide a higher grade of instruction to local children that would rival those of more elite but potentially degenerative Boston institutions, ripe with the “innumerable temptations” of urban life. The school opened to students of both sexes in January 1799 and espoused a liberal arts curriculum of Latin, Greek, reading, writing, English grammar, geography, anthropology, and mathematics. $400 - 600 238

A Classical Carved, Painted and Parcel Gilt Wood Cane Seat Hitchcock Armchair LIKELY DELAWARE, CIRCA 1835

Height 47 inches. Provenance: Ex-collection, Ed Steckler, Michigan. Said to be a mate to an identical chair in one of the Delaware museums. $700 - 900 239

A Classical Grain and Yellow Paint-Decorated Poplar One-Drawer Workstand MAINE, 19TH CENTURY

retains original dark, rich surface. Height 29 x width 19 x depth 18 3/4 inches. $800 - 1,200 238

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 115

240

American School, 19th Century Miniature Portrait of a Girl in Polka Dot Dress with Flower watercolor and pencil on paper inscribed in pencil Presented to Elouisa Prichard by ... of Gibson PA, on verso 2 1/2 x 2 5/8 inches. The edge of the gilt metal surround impressed Holmes Booth and Haydens Superﬁne Waterbury Conn. No. 43.

241

English or American School, 19th Century Miniature Portrait of a Lady oil on wood panel unsigned set in an early black-painted frame 3 x 2 1/2 inches. $400 - 600

$400 - 600

242

American School, 19th Century Silhouette Portrait of William H. Ewin 1844 oil on paper scratch inscribed in the lower register Wm H. Ewin June 7th 1844 appears to retain the original frame 9 3/4 x 7 1/2 inches. $400 - 700

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243

A Matched Pair of Classical Grain-Painted and Gilt Stencil-Decorated Hitchcock Rush-Seat Armchairs CIRCA 1830

retain a dark, rich surface. Height of taller 34 1/2 inches. $700 - 900

244

A Classical Paint-Decorated Fancy Child’s Hitchcock Rush-Seat Armchair KENTUCKY, CIRCA 1830

appears to retain a rich, historic surface and rush seat. Height 33 1/4 inches. $400 - 600

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 117

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249

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American School, 19th Century

Attributed to Ralph Curtis (American, 18081885)

A Classical Diminutive Walnut and Birch Veneered Chest of Drawers

Portrait of a Lady oil on panel unsigned 13 x 11 inches.

MIDWESTERN, LIKELY OHIO, CIRCA 1830

Miniature Silhouette Portrait of a Young Woman paint and pencil on paper, laid to an old postcard backing unsigned appears to retain a period frame 4 1/4 x 3 3/8 inches. $400 - 600 246

American School, 19th Century

This portrait is a rare, small format size compared to Curtis’ other work. $800 - 1,200

Miniature Silhouette Portrait of a Lady With Puff Sleeves hollow-cut paper and ink unsigned set beneath an eglomise panel 3 1/8 x 2 3/8 inches.

248

$300 - 500

A Classical Grain Paint and Gilt StencilDecorated Fancy Child’s Hitchcock Rush-Seat Side Chair

Height 20 3/4 x width 19 1/2 x depth 12 inches. $600 - 800 250

A Classical Grain and Yellow Painted Writing Arm Windsor Armchair CIRCA 1830

retains a storage drawer beneath the seat and swing compartment beneath the desk. Height 46 inches. $600 - 800

CIRCA 1830

251

Height 26 1/2 inches.

A Miniature Classical Yellow Painted and Stencil-Decorated Dining Table and Pair of Chairs EARLY 20TH CENTURY

Height of table 6 x width 9 x depth 6 inches. $400 - 600 F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 119

252

American School, 19th Century View of West Point on the Hudson oil on canvas unsigned 17 1/2 x 23 1/2 inches. $400 - 600

253

American School, 19th Century Portrait of a Child with Reader oil on canvas laid to masonite board unsigned 25 x 18 3/4 inches. $800 - 1,200

254

Attributed to Ralph D. Curtis (American, 18081885) Portrait of a Lady oil on board unsigned 29 3/4 x 23 3/8 inches. Provenance: Ex-collection, The University of Arizona Museum of Art, Tucson, Arizona. Exhibited: Vault Show I, University of Arizona Museum of Art, December 11, 1977-January 9, 1978. $600 - 800

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School of Thomas Chambers, 19th Century Shepherd in a Landscape oil on canvas unsigned 20 1/8 x 27 inches. $400 - 600

256

American School, 19th Century Portrait of a Gentleman 1859 oil on canvas initialed and dated WRW., 1859, center right 39 1/2 x 23 1/2 inches. $700 - 900

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 121

257

A Farahan Sarouk Wool Rug EARLY 20TH CENTURY

11 feet 7 inches x 8 feet 4 inches. $1,000 - 1,500

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258

An Afshar Wool Rug EARLY 20TH CENTURY

5 feet 8 inches x 4 feet 2 1/2 inches. $400 - 600

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 123

259

A Kazak Wool Runner LATE 19TH CENTURY

7 feet 1 1/2 inches x 4 feet. $800 - 1,200

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A Classical Miniature Paint-Decorated Rush Seat Fancy Chair PROBABLY PENNSYLVANIA, CIRCA 1840

Height 12 1/2 x width 8 x depth 6 1/2 inches. $300 - 500

261

A Classical Paint and Stencil Decorated Fancy Chair 19TH CENTURY

Height 33 1/2 inches. $300 - 500

262

A Diminutive American Empire Mahogany Chest of Drawers CIRCA 1840

Height 9 1/8 x width 10 5/8 x depth 6 inches. $400 - 600

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 125

Lot 264 | Detail

264

An Eight-Drawer Mahogany Lepidopterological Specimen Cabinet LATE 19TH/EARLY 20TH CENTURY

four drawers with pinned butterfly specimens. Height 21 1/2 x width 18 x depth 11 inches. $400 - 600

263

A Birdcage Windsor Scroll-Carved Armchair J.R. HUNT, NEW ENGLAND, 19TH CENTURY

stamped J.R. HUNT / MAKER to the underside of the seat. Height 36 1/4 inches. $300 - 500

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265

A Victorian Horn and Wood Side Table 19TH/20TH CENTURY

Height 29 x width 23 x depth 22 1/2 inches. $600 - 800

266

A Victorian Child’s Horn Chair 19TH CENTURY

Height 29 1/2 inches. $400 - 600

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 127

267

A Painted Wood Trade Sign for John W.S. Pierson’s Tin Shop CIRCA 1900

along with two framed photo-copied photographs of the store-front, each showing the present sign. 51 1/2 x 31 1/2 inches. John William Smith Pierson was born in Pittsford, Monroe County, New York on July 20, 1854 to Job and Clarissa Pierson. In 1863, as a young boy, the family moved west and settled in Kalamazoo, Michigan. By 1870, John was an apprentice in the tin shop of Lovell Brothers and Greenville, Michigan, about 70 miles north of Kalamazoo. Along with his brother, Philip T.H. Pierson, John opened John W.S. Pierson and Company, in the fall of 1876. The shop, located on Main Street in Stanton, Michigan, offered tin, copper and sheet iron work, as well as pipe fitting and plumbing repairs “of all kinds.” In 1908, John left the tin shop business to pursue the sale of Security Investments with his brother Philip. In addition to his long career in various business ventures, Pierson served as a trustee at Alma College and the First Congregational Church of Stanton. John’s grandfather, Job Pierson (1791-1860), served in Congress as a member of the House of Representatives for the 9th District of New York from 1831-1835). John W.S. Pierson died on December 13, 1946. $1,000 - 2,000

1 2 8 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

268

A Patriotic House Painting Advertisement HEIDELBERG, PENNSYLVANIA, CIRCA 1900-1910

oil on canvas signed F.R. Engle / Painter, lower right 21 1/2 x 21 1/2 inches. Federal Census records from 1880, 1900, and 1910 list Frank R. Engle as a house painter living in Heidelberg, Lebanon Township, Pennsylvania. $600 - 800

269

American School, 19th Century Interior Scene with Family circa 1870 oil on linen 58 x 57 3/4 inches. Supposedly one of a series of four paintings created after the Civil War. The paintings were made to support the early union movement. Each painted to show the happy life of union members. $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 129

270

A Folk Art Carved and Painted Pine Native American Cigar Store Figure LATE 19TH CENTURY

retains the original paint decoration and an early patina, with removable carved wood feather, possibly a later replacement. Height 80 3/4 inches. $3,000 - 5,000

271

A Carved and Painted Pine Bust of a Native American 19TH/EARLY 20TH CENTURY

purportedly depicting Tecumseh, with a horse hair headdress. Height 19 1/2 x width 20 inches (without headdress). $600 - 800

1 3 0 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

272

American School, Circa 1890 View of Farm - Residence of John Augspurger of Trenton, In Madison Township, Butler County, Ohio, drawn by himself in 1890 pen and watercolor on paper inscribed and dated, lower right 22 x 34 1/2 inches. John Augspurger (1819-1898) was the eighth child of Christian (1782- 1848) and Catharina Augspurger (1784-1847), the leaders of a group of French Amish families who settled in Butler County in 1819. John was purportedly born on a boat on the Ohio River while his family was en route to their new settlement. The Amish community there became an important cultural stopping point for immigrant families moving further west to Illinois and Iowa. John inherited part of his father’s farm, depicted here, including the main house, built circa 1846-53, and now listed on the National Register of Historic Places.

273

$1,500 - 2,500 273

American School, 19th Century The Residence of Mr. D. Kuhn, Tuscarawas County, Ohio Tuscarawas, Ohio, 1866 watercolor on paper signed and dated Joseph Strickmaker / August th5 [sic] 1866, lower register 9 x 10 3/4 inches. Ohio city directories and federal census records from the later 19th and early 20th centuries document that Joseph N. Strickmaker (1843-1913) worked as a painter and photographer in Tuscarawas County, Ohio. In the obituary for his wife, Lissa V. Strickmaker from 1939, her late husband is mentioned specifically as a “well-known portrait maker and photographer.” In Tuscarawas County, the extensive Kuhn family originates from common ancestor Henry Kuhn, a German immigrant born in 1819 in Wittgenstein, Berleburg, Westphalia. Henry’s two sons each had at least nine children, and these two lines of the Kuhn family helped pioneer this area in Northeastern Ohio. $300 - 500 274

A Pen and Ink Hand-Drawn Student’s Double-Sided Map of Michigan and Indiana 19TH CENTURY

inscribed in pencil very neat & good, Indiana side, likely by a teacher. 9 1/2 x 7 1/2 inches.

274

$300 - 500 F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 131

276

277 1 3 2 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

275

A Folk Art Painted Leather Covered Tabletop Globe 20TH CENTURY

Height 15 1/4 x width 11 inches. $300 - 500 276

American School, Early 20th Century Native Americans Hunting on Horseback ledger drawing, pencil on notebook paper in a paint decorated frame 8 1/4 x 13 3/4 inches. $300 - 400 277

American School, 20th Century School House watercolor and pen on paper, laid to paperboard signed F. the Meebe, lower edge beneath the frame 9 1/4 x 13 3/8 inches. $300 - 500 278

A Lacquered Paper on Wood Tabletop Terrestrial Globe 19TH CENTURY

on a later wood stand. Height 24 1/2 inches. $600 - 800

275

278

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 133

279

280

A Shirvan Wool Rug

A Persian Wool Runner

CIRCA 1900

20TH CENTURY

8 feet x 6 feet.

17 feet 11 inches x 3 feet 7 inches.

$700 - 900

1 3 4 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

281

A Folk Art Carved and Punch Decorated Painted Ash Riﬂe Stock DATED 1929

having an inset matchbox, the stock carved to show a nude maiden, a mounted rifleman, a duck, a dog, a horse medallion, and a possum in a tree. initialed AM, near possum. Length 16 3/4 inches. $700 - 900 282

A Folk Art Polychrome Painted Pine Dresser Box with Exotic Animals LATE 19TH/EARLY 20TH CENTURY

Height 4 x 9 3/4 x 6 1/4 inches. Provenance: Private Collection, Denver, Colorado $1,000 - 2,000

283

A Set of Four Carved and Painted Wood Boston Terrier Figures MASON, MICHIGAN, EARLY 20TH CENTURY

Height of tallest 13 1/4 inches. Along with lots 284 and 285 in this auction, purchased at a country auction near Mason, Michigan. According to Moylan, the auctioneer indicated that these were carved by a Michigan artist by the name of LaVere. Census records from Michigan in the early 20th century suggest that this was a fairly common last name, variably spelled Lavere and Levere, although no one by this name appears to be recorded as an artist. $600 - 800 F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 135

284

A Folk Art Carving of a Snowy Owl Perched in Tree MASON, MICHIGAN, EARLY 20TH CENTURY

Height 13 1/4 inches. $400 - 600

285

Three Folk Art Carved and Painted Wood Frogs MASON, MICHIGAN, EARLY 20TH CENTURY

one being an ice fishing decoy. Height of taller 3 x width 7 x depth 4 inches. Length of decoy 12 inches. $200 - 300

1 3 6 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

286

American School, Circa 1850 Two Houses watercolor fraktur on paper initialed and dated, upper center 7 3/4 x 10 1/4 inches. $300 - 400

287

Hudson River School, 19th Century View of the Military Academy at West Point watercolor on paper unsigned title inscribed, lower margin 20 1/4 x 26 1/4 inches. $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 137

288

American School, Late 19th Century A Farm on the Hudson River watercolor on paper titled and signed A Farm on the Hudson River / H. McLaughlin, lower margin 9 1/4 x 13 1/2 inches. $400 - 600

289

Likely Archibald McNeal Willard (American/ Ohio, 1836-1918) Ohio Pioneer’s Log Cabin 1853 oil on cupboard door panel inscribed twice Painted by A.M. Willard in 1853 inside Tripp’s Carriage Shop Shop, on verso 24 3/4 x 17 inches. Provenance: Found in Wellington, Ohio $500 - 800

1 3 8 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

290

A Caucasian Soumak Wool Rug EARLY 20TH CENTURY

6 feet 9 inches X 4 feet 10 3/4 inches. $400 - 600

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 139

291

A Ferehan Sarouk Wool Rug EARLY 20TH CENTURY

6 feet 6 inches x 4 feet 11 inches. $400 - 600

1 4 0 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

292

Three Persian Wool Mats LATE 19TH CENTURY

Largest 2 feet 7 inches x 2 feet 1 1/2 inches. $300 - 400

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 141

293

An Ohio Brown-Glazed Sewer Tile Pig 19TH CENTURY

with floral decoration on its back. Height 3 5/8 x length 6 1/2 inches. $200 - 300

294

A Glazed Sewer Tile Recumbent Lion Doorstop EARLY 20TH CENTURY

inscribed on verso Made by / Vancagle / May 10, 1913 / For / Jas. Win. together with a painted sewer tile dog, dated 1968 on underside. Height of lion 9 1/4 x length 19 1/2 inches. $300 - 400

295

Four Glazed Ceramic Figures 19TH AND 20TH CENTURY

comprising a glazed redware rooster bank, a Rockingham-style glazed and molded bird whistle, a Bennington Rockingham glazed monkey flask, and a child-form brown-glazed bank. Height of tallest 5 5/8 inches. $500 - 800

1 4 2 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

296

Two Folk Art Carved and Painted Wood Figures 19TH CENTURY

together with a painted composite doll. Height of larger figure 18 1/2 inches. $600 - 800

297

A Folk Art Carved Pine Group of Lumberjacks HENRY DKYER, GRANVILLE, OHIO, SECOND QUARTER 20TH CENTURY

inscribed on verso Henry Dyker Grdville, Ohio, the carving depicts a lumberjack holding a peavy standing behind log with two other figures standing on an elevated block in the foreground, one holding a small ledger. Height 14 3/4 x width 10 1/4 x depth 6 inches. Henry Dyker was born on November 22, 1891 in Murray City (Hocking County), Ohio. From mid-1918 until January 1919, Dyker served in the US Marine Corps. In the 1930 Census, he is listed as the foreman of General Farm. Ten years later, he is listed as the caretaker of another farm. Dyker passed away on March 24, 1974 in Granville, Ohio. Provenance: Ex-collection, James O. Keene. Literature: Robert Bishop, American Folk Sculpture, (1974, Bonanza Books, New York), p. 336, no. 623. $500 - 800

298

A Folk Carved and Painted Pine Roman Centurion Bust LIKELY FIRST HALF 20TH CENTURY

the underside bearing a typed label that reads, Alfredo Paradisi / 100 Newell St. / Pittsﬁeld, Mass. Height 17 x width 11 x depth 5 1/2 inches. Alfredo Paradisi (Italian/American, b. 1896-unknown death), who was born in Italy, is listed in the 1930 and 1940 US Census, having an occupation of Coil Maker. In each of these, his address is listed on East Street in Pittsfield. The 1965 U.S. Cities Directory lists his address as 100 Newell Street. It is unclear if Alfredo simply owned this bust or if he was the maker. $300 - 500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 143

299

Three Vaudeville Carved and Painted Wood, Leather and Cotton Ventriloquist Dolls CIRCA 1900

set in an iron mounted wood travel case. Height of figure on stand 33 1/2 inches. $700 - 900

1 4 4 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

300

A Folk Art Carved and Painted Pine Peace and Plenty Bellows Model 19TH CENTURY

Length 5 1/4 inches $300 - 400

301

Three Cobalt Decorated Stoneware Vessels 19TH CENTURY

comprising a three gallon crock and a jar with freehand cobalt decoration, and a handled Westerwald jar. Height of largest 10 1/4 inches. $600 - 900

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 145

302

A Dutch Pressed Metal Lithographic Table Globe CHRISTIAAN LEENDERT VAN BALEN AND J.B. WOLTERS, GRONINGEN, THE NETHERLANDS, CIRCA 1920S

together with another example on a brass stand. Height of first 6 1/4 inches. $300 - 500

303

A French Papier Mache Table Globe CHARLES PERIGOT, 19TH CENTURY

lithography published by Charles Delagrave, Editeur de la Societe de Geographie, set on a turned wood stand. Height on stand 10 inches. $400 - 600

1 4 6 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

304

Three Animal Form Decorative Items 19TH/20TH CENTURY

comprising a glazed redware frog marked JB, a cast iron frog and a cast iron duck-form boot scrape. Length of redware frog 5 1/2 inches. $300 - 500

305

Two Carved and Painted Wood Eagle Finials, and a Cast Iron Paddleboat Boat Toy 19TH/EARLY 20TH CENTURY

Height of larger eagle 8 1/2 inches (including stand). $600 - 800

306

A Miniature Metal Mounted Snare Drum 19TH CENTURY

Height 3 x diameter 3 inches. $300 - 500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 147

307

A Neoclassical Carved Limestone Watch Hutch LIKELY INDIANA, MID 19TH CENTURY

the hutch boldly inscribed 1841 on the rear. together with a pair of Pennsylvania chalkware recumbent stags. Height of hutch 10 inches. $600 - 800

308

Lavere Mason (American/Michigan, active 1930-1965) LIKELY MICHIGAN, 20TH CENTURY

carved and painted wood figure of Paul Bunyan and Babe, together with an associated carved and painted wood figure of a San Jose police officer. Height of larger 17 inches. The figure of Paul Bunyan and Babe, while unsigned, is captured in an undated photograph taken at Mason’s woodworking shop. $300 - 500

309

Two Folk Art Painted Wood Whirligigs LATE 19TH/20TH CENTURY

both gentleman in hats, on later stands. Height of larger 18 1/2 inches overall. $500 - 800

1 4 8 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

310

A Carved and Painted Pine Brandt Duck Decoy EARLY 20TH CENTURY

with glass bead eyes. Height 13 x length 20 inches. $300 - 500

311

A Carved and Painted White Pine Canadian Goose Decoy LATE 19TH/EARLY 20TH CENTURY

Height 8 1/2 x length 27 inches. $300 - 500

312

An Oversized Carved and Painted Wood Common Eider Male Decoy EARLY 20TH CENTURY

Height 10 x length 28 x width 13 3/4 inches. $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 149

313

A Painted Tin Dragon Stove Flue LATE 19TH/EARLY 20TH CENTURY

constructed of sheets of soldered, galvanized tin, with traces of original red wash, probably meant for an interior parlor stove vented through a home sidewall. Length 28 1/2 inches. Provenance: The Estate of Kenneth Irwin, Portland, Michigan. Cowan’s Auctions, Americana, April 12, 2014, Lot 319. $400 - 700

314

A Cast Iron Alligator Doorstop EARLY 20TH CENTURY

cast in two parts. Height 5 1/4 x length 29 1/2 x depth 8 1/2 inches. A near identical example sold at Schwenke Auctioneers, Woodbury, Connecticut, December 12, 2021, Lot 351. $500 - 800

1 5 0 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

315

American School, 19th Century Cows in a Landscape before Storm Mountain oil on canvas unsigned stamped on back of canvas Julius Scholz / 47 South Street / Philadelphia / Prepared By / C. Rowley & Co. London 30 x 41 inches. $800 - 1,200

316

After Edward Hicks (American, 1780-1849) A Peaceable Kingdom oil on canvas unsigned 23 1/4 x 31 3/4 inches. $800 - 1,200

317

American School, 19th Century Landscape with Exotic Animals oil on canvas unsigned housed in a grain-painted frame 23 x 27 inches. $1,000 - 1,500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 151

318

A Prisoner Made Figured Maple and Marquetry Inlaid Box with Turtles and Frogs JACKSON, MICHIGAN, CIRCA 1870

paper label on interior of lid reads This box was made by a prisoner in Jackson and was presented to W.H. Smith by John Evrett in 1870. opening to a blue painted interior featuring polychrome painted turtles, each mounted on wire to allow movement of head, feet and tails. Height 5 x width 13 x depth 9 1/4 inches. The marquetry work made by inmates at Jackson State Prison (1838-1934) near present-day Jackson, Michigan is well known. This is the first box we have encountered featuring a folky interior such as this. The 1870 Federal Census lists John Everett, aged 31, living in Jackson, as an “keeper at State Prison.” The same census lists three William H. Smith’s in living in Jackson. The frogs represent the prisoner, while the swimming turtles represent the rest of the world. 320

$1,200 - 1,800 319

A Folk Art Carved Rootwood and Burlwood Snake and Turtle Pedestal OHIO, EARLY 20TH CENTURY

Height 32 1/4 x width 14 1/2 x depth 16 inches. $1,200 - 1,800 320

A Folk Art Reverse Painted Glass Eagle Crest Tinsel Painting LATE 19TH/EARLY 20TH CENTURY

9 1/2 x 11 1/2 inches. $400 - 600

319 318

1 5 2 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

321

J. L. Kudner (American, Late 19th/Early 20th Century) Civil War Battle Scene, Possibly the Battle of Gettysburg oil on canvas signed and dated F.L. Kudner 94, lower right 27 x 36 inches. Provenance: J. Meyer Calkins, Lexington, Michigan; DuMouchelles, Detroit, Michigan, March 15, 2015, Lot 32135. $600 - 800

322

American School, Mid-19th Century Civil War Soldiers in a Wooded Landscape oil on panel unsigned 9 x 14 1/4 inches. $300 - 500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 153

323

American School, 19th Century River Landscape with Hunters oil on canvas unsigned 13 1/2 x 16 1/4 inches. $500 - 700

324

A Paint-Decorated Pine Panel MID 19TH CENTURY

panel is the interior lid of a blanket or tool chest, depicting a public building. dated 1858 to belltower with the Donati Comet passing in the sky. 23 1/4 x 40 inches. Provenance: Bought from an Iowa farm sale. $1,500 - 2,500

1 5 4 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

325

A Japanese Export Metallic Thread Embroidered Silk American Eagle Crest LATE 19TH/EARLY 20TH CENTURY

17 3/4 x 19 3/4 inches. $400 - 600 326

A Folk Art Painted String, Papier Mache and Hair Uncle Sam Figure LIKELY BY MARVIN LEWIS, MACON, GEORGIA

Height 17 inches. $400 - 600 327

A Carved Gourd Bowl With Patriotic Motifs LATE 19TH/EARLY 20TH CENTURY

with shallow relief carving of floral motifs and a spread-winged eagle and patriotic shield clutching an olive branch and arrows, surmounted by the slogan “Remember Me.” Height 5 1/4 x diameter 10 inches. $200 - 400

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 155

328

A Hawaiian Koa Wood Bowl LATE 19TH/EARLY 20TH CENTURY

Height 8 x width 12 inches. $1,000 - 2,000

329

A Fine Turned and Carved Bird’s Eye Maple Bowl EARLY 19TH CENTURY

Height over handles 5 1/2 x width 12 3/8 inches. $500 - 700

1 5 6 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

330

A Folk Art Carved, Painted and Glass Inset Wood Doll “Bed Post” Figure 19TH CENTURY

the body inscribed 100y..r...old with further rubbed inscription. Height 14 inches. $400 - 600

331

A Folk Art Carved and Painted Pine Carnival Head CIRCA 1900

with a hole drilled in the base and fitted with a heavy mounting ring. possibly part of an automaton or similar carnival device. Height 10 inches. $500 - 800

332

Two Carved Pine “Bedpost” Dolls NORTHWESTERN NATIVE AMERICAN, LATE 19TH/ EARLY 20TH CENTURY

Height of taller 9 3/4 inches. $300 - 500

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 157

333

A Carved Wood Handled Burlwood Bowl LIKELY NATIVE MADE, 19TH CENTURY

Width over handles 14 1/4 inches. $600 - 800

334

A Carved Burlwood Dough Bowl 19TH CENTURY

Height 3 5/8 x diameter 8 5/8 inches. $400 - 600

335

An Elm Burlwood Bowl 19TH CENTURY OR EARLIER

Height 4 x width 10 3/4 inches. $300 - 500

1 5 8 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

336

A Figural Pine Whirligig MAURICE PIERCE, BATH, MICHIGAN, 1907

signed and inscribed to either side Maurice Pierce / Bath / Mich. and Pierce / 1907, lacking blades. Height 20 x length 35 inches. $400 - 700

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 159

337

A Carved and Painted Wood Dancing Monkey Whirligig LATE 19TH/EARLY 20TH CENTURY

the dancing couple spins as the wheel blades spin. Height on stand 28 inches. $600 - 900

1 6 0 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

338

Eight Folk Art Carved Pine Figures EARLY 20TH CENTURY

each with metal tack eyes and movable arms. Height of tallest 8 1/2 inches. $500 - 800

339

Seven Folk Art Carved and Painted Wood Figures EARLY-TO-MID 20TH CENTURY

comprising a policeman on horseback, Jesus on the cross, a disciple, a horned sheep, a dog, a priest and an angel. Height of tallest 11 3/4 inches. $600 - 800

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 161

American Furniture, Folk & Decorative Arts

BEN FISHER VICE PRESIDENT, SENIOR SPECIALIST 312.447.3270 BENFISHER @HINDMANAUCTIONS.COM

LEAH VOGELPOHL SPECIALIST

KATIE BENEDICT ASSOCIATE SPECIALIST

WES COWAN VICE-CHAIR

LEAHVOGELPOHL @HINDMANAUCTIONS.COM

KATIEBENEDICT @HINDMANAUCTIONS.COM

WESCOWAN @HINDMANAUCTIONS.COM

GRETCHEN HAUSE VICE PRESIDENT, SENIOR SPECIALIST GRETCHENHAUSE @HINDMANAUCTIONS.COM

Trusts, Estates & Private Clients

Leadership

ALYSSA D. QUINLAN CHIEF EXECUTIVE OFFICER

JAY FREDERICK KREHBIEL EXECUTIVE CHAIRMAN

312.447.3272 ALYSSAQUINLAN @HINDMANAUCTIONS.COM

ANDREW SELTZER INTERIM CHIEF OPERATING OFFICER

MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT, DEPUTY CHAIRMAN

JAYKREHBIEL @HINDMANAUCTIONS.COM

312.280.1212 ANDREWSELTZER @HINDMANAUCTIONS.COM

312.447.3275 MOLLYLIMMER @HINDMANAUCTIONS.COM

MOLLY E. GRON, J.D. MANAGING DIRECTOR 312.334.4235 MOLLYGRON @HINDMANAUCTIONS.COM

Appraisals

TIM LUKE, CAI, BAS, MPPA, ISA-AM MANAGING DIRECTOR 561.833.8053 TIMLUKE @HINDMANAPPRAISALS.COM

Offices ATLANTA KRISTIN VAUGHN VICE PRESIDENT 404.800.0192 KRISTINVAUGHN @HINDMANAUCTIONS.COM CHICAGO MIRANDA MAXFIELD 312.334.4208 MIRANDAMAXFIELD @HINDMANAUCTIONS.COM CINCINNATI VAUGHN H. SMITH 513.666.4987 VAUGHNSMITH @HINDMANAUCTIONS.COM CLEVELAND CARRIE PINNEY 216.292.8300 CARRIEPINNEY @HINDMANAUCTIONS.COM

DENVER MARON HINDMAN 303.825.1855 MARONHINDMAN @HINDMANAUCTIONS.COM

NAPLES ALLISON DURIAN 239.643.4448 ALLISONDURIAN @HINDMANAUCTIONS.COM

SCOTTSDALE LOGAN BROWNING 480.546.5150 LOGANBROWNING @HINDMANAUCTIONS.COM

DETROIT PAM IACOBELLI 313.774.0900 PAMELAIACOBELLI @HINDMANAUCTIONS.COM

NEW YORK CAROLINE BAKER SMITH 212.243.3000 CAROLINEBAKERSMITH @HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER 314.833.0833 ANNASHAVER @HINDMANAUCTIONS.COM

MIAMI ELIZABETH RADER, PHD 239.643.4448 ELIZABETHRADER @HINDMANAUCTIONS.COM

PALM BEACH ELIZABETH MARSHMAN 561.621.8461 ELIZABETHMARSHMAN @HINDMANAUCTIONS.COM

WASHINGTON, D.C. MAURA ROSS VICE PRESIDENT 202.853.1638 MAURAROSS @HINDMANAUCTIONS.COM

MILWAUKEE SARA MULLOY 414.220.9200 SARAMULLOY @HINDMANAUCTIONS.COM

SAN DIEGO KATIE GUILBAULT, G.G. VICE PRESIDENT 858.442.6104 KATIEGUILBAULT @HINDMANAUCTIONS.COM

1 6 2 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Updated 8.1.23

Inquiries LEADERSHIP Alyssa D. Quinlan Chief Executive Officer alyssaquinlan @hindmanauctions.com Jay Frederick Krehbiel Executive Chairman Leslie Hindman Founder & Chairman Emeritus Wes Cowan Vice-Chair Maron Hindman Vice-Chair Andrew Seltzer Interim Chief Operating Officer andrewseltzer @hindmanauctions.com Molly Morse Limmer Executive Vice President, Deputy Chairman mollylimmer @hindmanauctions.com AUCTION OPERATIONS, CLIENT SERVICES Rita Swanberg Manager, Client Experience ritaswanberg @hindmanauctions.com Dawnie Komotios Operations Director Cincinnati dawniekomotios @hindmanauctions.com Nicole Joy Regional Manager Auction Operations nicolejoy @hindmanauctions.com FINANCE Marco Gusella Vice President, Finance marcogusella @hindmanauctions.com TRUSTS, ESTATES & PRIVATE CLIENTS Molly E. Gron, J.D. Managing Director mollygron @hindmanauctions.com Miranda Maxfield Senior Manager mirandamaxfield @hindmanauctions.com Hannah Unger Manager hannahunger @hindmanauctions.com Kathryn Hodge Senior Associate, West kathrynhodge @hindmanacutions.com Erin Madarieta Associate, East erinmadarieta @hindmanauctions.com

APPRAISALS Tim Luke, CAI, BAS, MPPA, ISA-AM Managing Director timluke @hindmanappraisals.com LaGina Austin Senior Director, Appraisals & Valuations laginaaustin @hindmanappraisals.com Margaret Cece Appraisals Supervisor margaretcece @hindmanappraisals.com MUSEUM SERVICES Timothy Long Director, Museum Business Development & Corporate Client Services timothylong@ hindmanauctions.com Briar Koehl Oleferchik Senior Manager, Museum Services briarkoehl@ hindmanauctions.com FINE ART Monica Brown Vice President, Director Prints & Multiples monicabrown @hindmanauctions.com Zack Wirsum Vice President, Director Post War & Contemporary Art zacharywirsum @hindmanauctions.com Madalina Lazen Director, Senior Specialist European Art madalinalazen @hindmanauctions.com

EUROPEAN FURNITURE & DECORATIVE ARTS Corbin Horn Vice President, Senior Specialist corbinhorn @hindmanauctions.com Nick Coombs Senior Specialist nickcoombs @hindmanauctions.com Donna Tribby Senior Specialist Sam Cowan National Head of Sale, The Collected Home Nicholas Gordon Associate Specialist Alison Lynch Associate Cataloguer Tyler Wilson Department Coordinator AMERICAN FURNITURE, FOLK & DECORATIVE ARTS Ben Fisher Vice President, Senior Specialist benfisher @hindmanauctions.com Leah Vogelpohl Specialist Katie Benedict Associate Specialist ANTIQUITIES & ANCIENT ART Jacob Coley Director, Senior Specialist jacobcoley @hindmanauctions.com

ASIAN ART Annie Wu Vice President, Senior Specialist anniewu @hindmanauctions.com Flora Zhang Specialist Megan Sadler Associate Specialist JEWELRY & WATCHES Reginald Brack Senior Vice President, Director, Jewelry & Watches reginaldbrack @hindmanauctions.com April Matteini, G.G. Senior Specialist, Associate Director, Jewelry aprilmatteni @hindmanauctions.com Karina Hammer, G.G. Senior Specialist karinahammer @hindmanauctions.com Katie Hammond Guilbault, G.G. Senior Specialist San Diego katieguilbault @hindmanauctions.com Sean Johnson Senior Specialist, Watches seanjohnson @hindmanauctions.com Leslie Roskind, G.G. Senior Specialist, New York leslieroskind @hindmanauctions.com

Sean Galvin Associate Cataloguer

Laura Paterson Director, Senior Specialist Photographs laurapaterson @hindmanauctions.com

Ruth Thuston, G.G. Senior Specialist ruththuston @hindmanauctions.com

DESIGN Hudson Berry Director, Senior Specialist hudsonberry @hindmanauctions.com

Marisa Palmer, G.G. Senior Appraiser marisapalmer @hindmanauctions.com

Aaron Cator Senior Specialist Post War & Contemporary Art aaroncator @hindmanauctions.com

Sabrina Granados Associate Specialist

Madeline Schroeder, G.G. Associate Specialist

John Martinez Department Coordinator

Gina O’Connor Cataloguer

Katherine Hlavin Consultant Fine Art

BOOKS & MANUSCRIPTS Gretchen Hause Vice President, Senior Specialist gretchenhause @hindmanauctions.com

Camille Michelotti Department Coordinator

Pauline Archambault Specialist, American Art Alexandria Dreas Specialist, Head of Sale Western & Wildlife Art Angela Whitaker Senior Appraiser, Fine Art Julianna Tancredi Senior Researcher Thea Andrus Cataloguer Christina Kiriakos Cataloguer John Martinez Department Coordinator Sarah Gray Department Coordinator

Katie Horstman Senior Specialist katiehorstman @hindmanauctions.com Emily Payne Specialist

LUXURY HANDBAGS & COUTURE Tanner Branson Specialist, Head of Sale tannerbranson@ hindmanauctions.com Brett Heeley Department Coordinator brettheeley@ hindmanauctions.com

NATIVE AMERICAN, PREHISTORIC & TRIBAL ART Danica Farnand Vice President, Senior Specialist danicafarnand @hindmanauctions.com Erin Rust Specialist William Norwood Department Coordinator ARMS, ARMOR & MILITARIA Tim Carey Director, Senior Specialist timcarey @hindmanauctions.com Emma Fulmer ATF Manager and Senior Coordinator Barrett Sharpnack Cataloguer Tucker Etnoyer Cataloguer SPORTS MEMORABILIA James Smith Director, Senior Specialist jamessmith @hindmanauctions.com Joshua McCracken Department Coordinator MARKETING & DESIGN Ashley Galloway Vice President, Marketing Zoë Bare Director, Photography David Jackson* Supervisor, Photography Photographers: Carmen Colome Marisa Fabiilli* Chad Feierstone Jared Hefel Kristen Hudson Tyler Leiby Deogracias Lerma Roberto Martinez Libby Moore* Elizabeth Phillips* Mike Reinders Bill Ross Maddie Scarpone Rachel Smith Dallas Tolentino Leanne Uzelac Brian Maslouski* Senior Designer Jennifer Castle Graphic Designer *Lead Photography and Design for Sale 1278

Kaylan Gunn Specialist Leslie Winter Associate Specialist Joshua McCracken Department Coordinator

Updated 9.27.23

F O R A D D I T I O N A L I M A G E S A N D L O T D E TA I L S V I S I T H I N D M A N A U C T I O N S . C O M 163

Guide for Prospective Sellers and Buyers GUIDE FOR PROSPECTIVE SELLERS

GUIDE FOR PROSPECTIVE BUYERS

Evaluation of Property Hindman is pleased to provide complimentary auction estimates for items you’re considering consigning. You are welcome to submit items electronically (consign@hindmanauctions.com) or to contact any of our offices directly.

Conditions of Sale All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction.

Our specialists are eager to help you learn more about your collection and current auction sale estimates.

Viewing Auction Items It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person.

To begin an estimate, our specialists will need: • At least 3 photos • Detailed description • Details on signatures or marks

Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Shipping Arrangements Buyers assume full responsibility for the packing and shipping of lots won at auction. Our Recommended Shippers offer a wide variety of local, domestic, and international shipping options.

Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

In the interest of our clients, Hindman requires a written authorization from the buyer in order to release property to anyone other than the purchaser of record (including but not limited to our recommended shippers). You may submit the Shipping Release Form via fax to 312.280.1211 or email to shipping@hindmanauctions.com

Appraisals Our exceptional team of specialists regularly appraises property by analyzing market trends and conducting comprehensive research. Specialists evaluate thousands of objects each year for auction, allowing them to closely monitor the nuances of the current market. Professional appraisals are prepared for estate tax, gift tax, charitable contribution, insurance and for equitable distribution purposes. • Estate Tax • Gift Tax • Charitable Contribution • Insurance • Appraisals for Corporate Valuation Needs Our trust and estates department recognizes that each client and appraisal situation is unique and often involves multiple asset categories and residences. Fees for appraisals are determined by the number of specialists, hours involved and the necessary travel and expenses. Our competitive fees are negotiated based upon the express needs of each client and are competitive within the marketplace. Please contact our Appraisals Department (appraisals@ hindmanauctions.com) for more information.

Estate Services Estate settlement is a meticulous and multi-faceted process. Hindman provides executors, fiduciaries and beneficiaries throughout the country with confidential and customized appraisals and disposition services. All appraisals are prepared fully in accordance with USPAP guidelines and meet all current requirements set forth by the IRS. We recognize that each client and appraisal situation is unique and often involves multiple asset categories and residences. Our Trusts and Estates department offers services that are tailored to meet our clients’ timelines and specifications. Our specialists offer complimentary walk-through services with the goal of providing an accurate representation of each items’ value based on the current auction market. A detailed proposal outlining the manner in which a sale will be conducted from the initial value assessment to removal of the property and settlement is provided to all parties involved. Please contact our Estate Services (inquiries@hindmanauctions.com) team for more information.

Updated 1.13.23

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes. Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are: $0 – 500 $500 – 1000 $1000 – 2,000 $2,000 – 5,000 $5,000 – 10,000 $10,000 – 20,000 $20,000 – 50,000 $50,000 – 100,000 $100,000 – 200,000 $200,000 +

$25 $50 $100 $250 $500 $1,000 $2,500 $5,000 $10,000 AT AUCTIONEER’S DISCRETION

In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $500 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time.

1 6 4 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Conditions of Sale These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction. A. BEFORE THE AUCTION 1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw. B. REGISTERING TO BID 1. GENERAL We reserve the right to reject any bid. By participating in the sale, you represent and warrant that: (a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and (c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation. 2. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 3. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 4. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal. 5. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 6. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 7. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days. C. DURING THE AUCTION 1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

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2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold. 4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale. D. AFTER THE AUCTION 1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots except for those in Coins, Medals & Banknotes; Sports Memorabilia; and Arms, Armor & Militaria auctions we charge twenty-six percent (26%) of the hammer price up to and including $1,000,000; twenty percent (20%) of any amount in excess of $1,000,001 up to and including $5,000,000; and fifteen percent (15%) of any amount in excess of $5,000,001. For all lots offered in Coins, Medals & Banknotes we charge a buyer’s premium of twenty-one percent (21%) of the hammer price. Sports Memorabilia; and Arms, Armor & Militaria auctions we charge a buyer’s premium of twenty percent (20%) of the hammer price. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.

(iv) Credit card: Credit card payments may not exceed $10,000 and a convenience fee of 3% will be added to each credit card payment. (v) ACH Bank Transfer (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1550 West Carroll Avenue, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount. (d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law. (e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be

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responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife. E. WARRANTIES 1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money

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laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes. F. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale. (c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses. G. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958. H. GLOSSARY authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

Updated 10.1.23

1 6 8 T H E D O N ALD F. MOYLAN, M .D. COLLECTION OF AM ERICAN FURNI T U RE, F O L K & D ECO RAT I VE ART S, PART I

Upcoming Auction Schedule

To be featured in | Sale 1278 Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III, Part I American School, 19th Century Ships in Battle Estimate: $3,000 - 5,000

SALE 1232 EUROPEAN ART OCTOBER 17 | CHICAGO | LIVE + ONLINE

SALE 1279 HAVING A BALL OCTOBER 30 | CHICAGO | TIMED ONLINE

SALE 1231 AMERICAN ART OCTOBER 17 | CHICAGO | LIVE + ONLINE

SALE 1239 WESTERN & CONTEMPORARY NATIVE AMERICAN ART NOVEMBER 1 | DENVER | LIVE + ONLINE

SALE 1172 THE COLLECTED HOME INCLUDING PROPERTY FROM THE COLLECTION OF JUDITH AND PHILIP SIEG, BELLEFONTE, PENNSYLVANIA NOVEMBER 15 | CHICAGO | LIVE + ONLINE SALE 1264 COINS & COLLECTIBLES NOVEMBER 15 | CHICAGO | ONLINE SALE 1276 BEYOND A CINCINNATI LEGACY: THE COLLECTION OF MR. AND MRS. CHARLES FLEISCHMANN III, PART I NOVEMBER 16 | CINCINNATI | LIVE + ONLINE SALE 1277 BEYOND A CINCINNATI LEGACY: THE COLLECTION OF MR. AND MRS. CHARLES FLEISCHMANN III, PART II NOVEMBER 17 | CINCINNATI | ONLINE SALE 1266 ASIAN WORKS OF ART ONLINE NOVEMBER 20 | CHICAGO | ONLINE SALE 1247 NATIVE AMERICAN AND SOUTHWESTERN JEWELRY NOVEMBER 21 | CINCINNATI | ONLINE

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Beyond a Cincinnati Legacy: The Collection of Mr. and Mrs. Charles Fleischmann III Part I

November 16 Cicinnati | Live + Online

THE DONALD F. MOYLAN, M.D. COLLECTION OF AMERICAN FURNITURE, FOLK & DECORATIVE ARTS, PART I | 3 NOVEMBER 2023

NO. 1278