1313 | The Donald F. Moylan, M.D. Collection of American Furniture, Folk & Decorative Arts, Part II

THE DONALD F. MOYLAN, M.D.

COLLECTION OF AMERICAN FURNITURE, FOLK & DECORATIVE ARTS, PART II

THE DONALD F. MOYLAN, M.D.

FOLK &

14 March 2024

10:00 am ET | Cincinnati | Live

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Auction Room and Galleries

5030 Oaklawn Drive, Cincinnati, OH 45227

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americanfurniture@hindmanauctions.com

HIGHLIGHTS

Monday March 11 10:00am–5:00pm

Tuesday March 12 10:00am–5:00pm

Wednesday March 13 10:00am–5:00pm

Thursday March 14 8:00–10:00am

PROPERTY

Monday–Friday | 10:00am–4:00pm

By appointment

513.871.1670 | cincinnati@hindmanauctions.com

ARTS, PART II

All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale.

To view the complete catalogue, sign up to bid, and read our Conditions of Sale, visit hindmanauctions.com or the Hindman App. All bidders must agree to Freeman’s | Hindman’s Conditions of Sale prior to registering to bid. For bid support contact: 312.280.1212 or bid@hindmanauctions.com.

THE DONALD F. MOYLAN, M.D.

COLLECTION OF AMERICAN FURNITURE, FOLK & DECORATIVE ARTS, PART II

Lots 1–258

Early 18th Century, Likely Massachusettes retains bale and snipe hinges.

Height 20 1/2 x width 23 1/2 x depth 13 1/4 inches.

Provenance:

Ex-collection G.W. “Bill” Samaha, Milan, Ohio.

$1,500 - 2,500

Bermuda, 18th Century

having unusual dove-tails.

Height 33 1/2 x width 61 x depth 23 3/4 inches.

$800 - 1,200

with bandy feet.

Height 31 1/4 x width 27 1/4 x depth 24 inches.

Provenance:

Private Collection, Cape Cod, Massachusetts.

$400 - 700

DONALD F. MOYLAN, M.D. COLLECTION OF AMERICAN FURNITURE, FOLK & DECORATIVE ARTS, PART II

1

A Diminutive William and Mary Yellow Pine One-Drawer Blanket Chest

2

A Queen Anne Carved Bermuda Cedar Blanket Chest

3

A Rare Country Queen Anne Maple and Cherrywood Rush Seat Corner Chair 18th Century

4 A Watercolor Birth Fraktur Maine, Circa 1786

inscribed Calvin / Russell jun / Born, August 19th / 1786.

initialed CR on back panel.

8 3/4 x 6 3/4 inches.

Calvin Russell was born in Somerset County, Maine, and lived there until his death in 1880. He is listed as a farmer in the 1850 census.

$600 - 800

5 American School, 18th Century Surveyor’s Scene

watercolor and ink on paper signed Wm. Wheeler and dated the 13th Day of August 1789. . . in Tulepehocken Township, Berks County [Pennsylvania], within first paragraph of text

12 x 5 1/4 inches.

$300 - 500

6 MÜNSTER, Sebastian (1488-1552). Typus Orbis A Ptol. Descriptus Basle, ca 1542 or later.

Woodcut Ptolemeic map of the world, visible area 10 1/2 x 13 3/4 in. (267 x 349 mm). Framed (unexamined out of frame, separation along fold with repair, one letter in title provided in pen facsimile). Map printed within woodcut border of clouds and 12 named windheads, Latin text on verso.

Presumably the second edition with Latin text verso. Münster’s map was included in his influential Geographia, and includes typical Ptolemeic features including an enclosed Indian Ocean. Shirley 75.

$500 - 700

7 RUSCELLI, Girolamo (c. 1566). Carta Marina Nuova Tavola. Venice, ca 1561.

Engraved map of the world, visible area 7 3/8 x 9 7/8 in. (187 x 251 mm). Framed (unexamined out of frame). Loxodromic lines originating from 16 points.

Based on Gastaldi’s map of 1548, with an early depiction of California as a peninsula, Tierra del Fuego depicted, and with the continents depicted as one continual land mass. Shirley 111.

$500

8

William W. Kennedy (1817-1871)

Portrait of a Boy Holding a Book 1846

oil on canvas book titled Pleasure and Profit dated, verso, with faint pencil signature Wm. W. Kenn..., with remaining letters obscured by applied patch 20 1/4 x 16 1/2 inches.

William Kennedy was a member of the Prior-Hamblin School of artists, most active during the 1840s and 1850s.

$4,000 - 6,000

9

Attributed to Jacob Maentel

1763-1863)

Portrait

$1,000 - 1,500

10

New

Height

$500 - 800

$600

Height

18th/Early

(German/American,

of a Young Girl watercolor on paper unsigned 7 x 5 1/2 inches.

A Queen Anne Carved Pine Hanging Corner Shelf

England, 18th Century

25 3/4 x width 19 3/4 x depth 11 inches.

An Unusually Large Delft Polychrome Charger 18th Century initialed AK on underside.

16 1/2 inches.

A Delft Polychrome Bowl Possibly English, 18th Century signed D.M. on underside

5 7/8 x diameter 10 1/4 inches.

A Delftware Polychrome Peacock Charger

19th Century signed H.v.H. on underside. Diameter 13 3/4 inches.

14

A Pair of Continental Brass Candlesticks

18th Century

Height 9 1/4 inches.

$400 - 600

15

A Pair of Queen Anne Brass Petal Base Candlesticks

18th Century

Height 7 7/8 inches.

$300 - 500

16

A Queen Anne Santo Domingo Mahogany Drop Leaf Dining Table

Attributed to Job Townsend (16991765)

Height 28 x width 52 1/2 x depth 18 inches (closed).

Provenance:

Sold to the previous owner by Israel Sack, 1950s.

$4,000 - 6,000

17

A Chippendale Carved and BlackPainted Walnut Side Chair

Late 18th Century

Height 38 1/2 inches.

$250 - 500

18

A Carved Walnut Dished-Top Tea

Table

18th Century

Height 27 3/4 x width 24 x depth 23 1/2 inches.

$600 - 800

19

HONDIUS, Jodocus. Americae Descrip. Amsterdam, ca 1608.

Engraved map of the Americas, 6 3/8 x 8 1/4 inches (162 x 210 mm), matted and framed (unexamined out of frame). Galleons and sea monsters, decorative cartouche.

Early map of the Americas based on an early edition of the MercatorHondius map ofAmerica.

$400 - 600

20

HONDIUS, Henricus (1597-1651). Cuba Insula. Amsterdam, ca 1606 or later.

Engraved map of Cuba and Hispaniola with hand-coloring in outline, visible area 13 7/8 x 19 1/2 in. (352 x 495 mm). Framed (unexamined out of frame). With inset maps of Jamaica, Puerto Rico, and Isla Margarita, with sea monsters and flying fish.

$300 - 400

21

HONDIUS, Jodocus (1563-1612). Virginiae item et Floridae Americae provinciarum, nova descriptio. Amsterdam, ca 1634 or later.

Engraved map of Virginia and the Carolinas with hand-coloring in outline, visible area 17 7/8 x 21 3/4 in. (453 x 552 mm). Framed (unexamined out

of frame, some staining lower margin). Inset views of Florida and Virginia settlements, sea monsters, a canoe and ships, and a wild turkey, text on verso in Dutch.

Hondius’s map combines elements of John White’s map of Virginia and Jacques le Moyne’s map of Florida as interpreted by Theodor de Bry. “It thus became the most important type of map until the Ogilby-Moxon Description of Carolina ca. 1672; and its influence, both direct and indirect, extends into the middle of the eighteenth century” (Cumming, pp.129-30). Burden 151 (“The map’s scale and decorativeness make it very sought after”).

$800 - 1,200

22

HONDIUS Henricus (1573-1650). Nova Virginiae Tabula. Amsterdam, ca 1645?

Engraved map of Virginia, Maryland, and Delaware with hand-coloring in outline, visible area 15 3/4 x 20 3/4 in. Framed (unexamined out of frame, overall browning). Vignette depicting Chief Powhatan’s dwelling, a Susquehanna Chief facing the Chesapeake Bay.

Henricus Hondius’ version of Captain John Smith’s map of 1612. Jodocus Hondius originally issued the map from 1618-1629. After his death in 1629, the plate was purchased from Jodocus Hondius’s widow by William Jansz Blaeu who changed the imprint. Upset over the sale to a competitor, Henricus Hondius engaged engravers to cut new plates. See Burden 228.

$500 - 700

23

A Carved and Painted Knights Templar Figure 19th Century showing a carved Maltese cross. Height 47 inches.

$800 - 1,200

24

James Fulton Pringle (British, active New York, 1788-1847)

Whaling Ship at Sea

1838

oil on canvas

signed and inscribed J. Pringle / 1838 / New Bedford

13 3/4 x 17 3/4 inches.

$1,500 - 2,500

John Samuel Blunt (American, 1798-1835)

Fanciful Landscape with Falls and Travelers on Mountain Trail 1822

oil on canvas signed and dated J. S. Blunt Pinx. / 1822, lower left 20 1/4 x 25 1/4 inches.

Provenance:

Oxford Gallery, Rochester, New York.

Literature:

Illustrated in Deborah M. Child, The Sketchbooks of John Samuel Blunt, Portsmouth Athenaeum: Portsmouth, New Hampshire, 2007, Figure 6-6, p. 93. $4,000 - 6,000

26

Attributed to Jurgen Frederick Huge (German, active Connecticut, 1809-1878)

Empire of India oil on canvas laid to board unsigned 18 x 30 1/2 inches.

$1,000 - 2,000

27

American School, 19th Century

Pair of Portraits: Lydia and Philip Bartlett pencil on paper unsigned inscribed Lydia Bartlett. Aged 62. and Philip Bartlett. Aged 67., lower corners 22 3/4 x 17 1/4 inches.

$500 - 700

28

American School, 19th Century

Pair of Portraits: Husband and Wife in a Landscape with Dog and Game watercolor on paper unsigned 11 1/4 x 9 inches.

Provenance: Purchased from a Pennsylvania antique dealer.

$600 - 800 29

American School, 19th Century

A Naval Engagement between American and British Vessels gouache and graphite on paper unsigned 19 1/4 x 29 1/4 inches.

Depicting an unidentified and possibly imagined engagement between both sail and steam-powered vessels. The scene may be loosely based on the narrows at the entry to New York Harbor with Fort Hamilton visible at the lower right of the painting.

$1,500 - 2,500

30

Attributed to Ralph Curtis (American, 1808-1885)

Portrait of a Gentleman oil on panel unsigned 30 x 23 1/2 inches

$600 - 800

31

Attributed to E. E. Finch (American, active Maine, circa 1832-1850)

Portrait of a Young Girl oil on canvas unsigned inscribed Age 9 yrs / Ano [sic] 1823, verso 24 x 21 inches.

$800 - 1,200

32

A Federal Painted Pine Wooden Works Tall Case Clock

Riley Whiting, Winchester, Connecticut, Circa 1800 the dial painted R. WHITING WINCHESTER, the backboard further painted Asa Abbott Sawyersville NY.

Height 85 1/2 x width 19 x depth 9 1/2 inches.

$1,000 - 2,000

33

A Late Federal Turned and Stained Cherrywood Octagonal-Top Candlestand Circa 1800

Height 26 1/4 x width 16 x depth 16 1/4 inches.

$700 - 900

34

A Country Grain Painted Maple Two-Drawer Blanket Chest New England, Circa 1800

Height 37 3/4 x width 38 3/4 x depth 18 inches.

$800 - 1,200

33

35

A Pair of Brass Tavern Candlesticks

18th Century

Height 12 3/8 inches.

$300 - 500

36

A Pair of French Engraved Brass Candlesticks

18th Century

Height 9 1/4 inches.

$200 - 300

37

VISSCHER, Nicolaus (1618-1709). Novissima et Accuratissima Totius Americae Descriptio. Amsterdam, 1658.

Engraved map of the Americas hand-colored in wash and outline. visible area 18 1/2 x 22 3/8 in. (470 x 566 mm). Framed (unexamined out of frame). Figural cartouches.

FIRST STATE without Visscher’s privilege center right, deriving many details from Blaeu’s wall map of the world of 1648. California is depicted as an island in the Briggs model, rather than the Sanson model which was used in later copies by De Wit and others.

$400 - 600

38

GOOS, Pieter (ca 1616-1675). Pascaerte van Westindien de Vaste Kusten en de Eylanden. Amsterdam, ca 1666.

Engraved map of the Southeast and Caribbean hand-colored in outline, visible area 19 1/4 x 23 in. (489 x 584 mm). Framed (unexamined out of frame). Figural cartouche, inset map of the northern part of Cuba, two compass roses. Goos based his map on Gerritsz’s map of the region published ca 1631, updating the cartography of the Gulf of Mexico, and including Gerritsz’s inset map of Cuba.

$600 - 800

39

SPEED, John. A Map of New England and New York. London: Basset and Chiswell, ca 1676.

Engraved map of New England and New York with hand-coloring in outline, visible area 16 1/8 x 21 in. (410 x 533 mm). Framed (unexamined out of frame). English text on verso, decorative cartouche, compass rose, and numerous woodland creatures including a bear, a deer, an otter, and several beavers. Speed’s interpretation of the Jansson-Visscher sequence of New England and New York maps. Speed’s map was made shortly after the English took control of New York and New Jersey from the Dutch, and the place names are Anglicized. The creation of the map predates the founding of Philadelphia in 1682. Burden 455; Tooley, pp. 290-291. $1,000

40

A

Circa 1800

Height 27

41

A

New England,

Height

$700

42

A

Circa 1800

Height

43

A

Jonas Weber, Lancaster County, Pennsylvania, Mid-19th Century

Provenance:

Pook and Pook, Downington, Pennsylvania, September 26, 2008; Olde Hope, New Hope, Pennsylvania.

$2,000

Queen Anne Turned and Carved Walnut Handkerchief Top

Federal Flamed Birch Veneered and Maple Chest of Drawers

Federal Turned and Stained Cherrywood Tablet-Top

Miniature Paint Decorated Pine Dresser Box

44

Attributed to Jasper Miles (American, 1782-1849)

Pair of Portraits: Samuel and Julia Ewing circa 1805 oil with gold leaf on panel unsigned 9 1/2 x 6 3/4 inches.

The portraits are accompanied by two contemporaneous pieces of fabric backing, upon one of which was written: Painted about 1805 in Ohio / Restored in 1905 by Mr. Smith English / Cleaned Dec 22 1932 by G(?)ard and Kate Ewing / Alex Ewing Scotland 1780.

Samuel Ewing (ca. 1788-1857) was born in Pennsylvania and Julia (née Householder, ca. 1792-1874) was also likely born in Pennsylvania. Based on the inscription on the backings, they moved to Ohio before 1805, but the exact year is not known. An Ohio army record shows that Samuel was discharged in 1813, and the censuses of 1850 and 1860 show the family living in Shelby County, Ohio.

Provenance:

Purchased from the estate of a descendant of Samuel and Julia Ewing; Cowan’s Auctions, Cleveland Ohio, January 18, 2019, Cleveland Fine and Decorative Art, Lot 140.

$1,000 - 1,500

45

Attributed to Jasper Miles (American, 1782-1849)

Portrait of a Child in a Red Chair, Possibly David Hiester oil on panel unsigned 7 3/4 x 5 1/2 inches.

Label affixed to verso suggests authorship by Jasper Miles (American, 17821849). A second label identifies sitter as David Hiester, the nephew of Pennsylvania Governor Joseph Hiester (1752-1832). The Hiester family emerged as a political dynasty of sorts in the early United States, producing several Revolutionary War officers, Pennsylvania state senators, and U.S. Congressmen. Family genealogical records indicate that Governor Hiester had at least two siblings and several halfsiblings, although there was no immediate connection to a descendant named David.

$500 - 700

46

L. A. Briggs (American, Massachusetts, active 19th Century)

The Clipper Ship Flying Cloud watercolor and graphite on paper signed L.A. Briggs, lower left 16 3/4 x 22 1/2 inches.

$600 - 800

47

L. A. Briggs (American, Massachusetts, active 19th Century)

The Clipper Ship Red Jacket in the Arctic watercolor and graphite on paper signed L.A. Briggs, lower left 16 3/4 x 22 1/2 inches.

$600 - 800

48

CORONELLI, Vincenzo Maria (1650-1718). Planisfero del Mondo Nuovo. Venice, ca 1691.

Engraved map of the Western Hemisphere with hand-coloring in wash and outline, visible area 19 1/2 x 27 1/2 in. (495 x 698 mm). Framed (unexamined out of frame). Borders with symbols of constellations, and with bands of statistics surrounding the map providing latitudes to the

second and other measurements, tables listing estimates of various geographic measurements.

Coronelli’s map, included in his atlas Atlante Veneto, first issued in 1691 and again in 1695, follows the globes issued by him in 1588. The map incorporates many 17th-century cartographic assumptions about the Americas, depicting California as an island and following the La Salle model of the Mississippi River, emptying into the Gulf in the vicinity of Galveston Bay. McLaughlin 105; Shirley 548 (“ a worthwhile addition to any collection”).

$1,000 - 1,500

49

SENEX, John (d.1740) A New Map of the English Empire in America viz Virginia, New York, MaryLand, New Iarsey, Carolina, New England, Pennsylvania, Newfoundland, New France &c.. [London], 1719.

Engraved map of America hand-colored in outline, visible area 19 7/8 x 23 3/8 in. (505 x 594 mm). Framed (unexamined out of frame). Inset plan of Boston, inset map: “A Generall Map of the Coasts & Isles of Europe, Africa and America.”

Burden’s 4th state of Morden’s map, first issued ca 1698, with Senex’s imprint and with the dedication to Herver Edgly Herver of Clapham replacing the Royal Arms in the cartouche. Burden II 750.

$600 - 800

American School, 19th Century

The Schooner Governor Ames Near a Lighthouse pastel on paper unsigned 17 1/2 x 21 1/2 inches.

The Governor Ames was launched on December 1, 1888, by the Leavitt-Storer shipyard in Maine as the world’s largest cargo vessel and the first five-masted schooner. She was named for Oliver Ames (1831-1895), the Governor of Massachusetts, and was operated by the Atlantic Shipping Company for the firm’s dealings in the lumber trade. Disaster struck on her maiden voyage when the foremast snapped, creating a domino effect on the remaining masts and resulting in their complete destruction. Rehabilitated with shorter masts, she continued to operate out of Pacific ports before transitioning to the coal trade in the fall of 1894. She wrecked in a gale on December 13, 1909, wherein all but one of her crewmembers died and the entirety of her railroad tie cargo was lost.

$1,000 - 1,500

$2,000

51

American School, 19th Century

Pair of Portraits: Husband and Wife oil on canvas unsigned 35 1/2 x 27 1/4 inches.

- 4,000

52

JAILLOT, Alexis-Hubert (1632-1712). Amerique Septentrionale divisee en ses principales parties. Paris, 1713.

Engraved map of North America with hand-coloring in outline, visible area 18 x 25 1/2 in. (457 x 648 mm). Framed (unexamined out of frame). Decorative cartouche flanked by two parrots. Fourth state, updating the cartography of the Great Lakes and the course of the Mississippi River, and adding information in the Southwest, including Rio De Las Vacas in Texas. Burden II, 709 (State 4); McLaughlin 113; Wheat Transmississippi West 74.

$600 - 800

53

CHATELAIN, Henry Abraham (1684-1743).

Carte Contenant le Royaume du Mexique et la Floride, Dressez sur les Meilleures Observations & sur les Memoires les plus Nouveaux. Amsterdam, ca 1719.

Engraved map of North America and the Caribbean, visible area 16 3/8 x 20 3/4 in. (416 x 527 mm). Framed (unexamined out of frame).

A derivative of Delisle’s map of the region, depicting the region between Florida and Texas later known as Louisiana, and including the Spanish missions of Santa Fe, Taos and Acoma.

$400 - 600

54

A Pieced Cotton Crib Quilt of Patriotic Bunting Late 19th/Early 20th Century featuring six 39-star ‘Triple Medallion’ parade flags, very rare examples considered to be anticipatory of the addition of the Dakota territory as a single state, rather than as two separate North and South entities.

also with fifteen miniature 13-star ‘Great Star’ pattern flags, made for the 1876 centennial of American independence. 36 3/4 x 25 3/4 inches.

$400 - 600

55

Franklyn Bassford (American, 1857-1897)

Two Ships in Stormy Sea oil on panel signed and dated Franklyn Bassford / ‘84, lower right 13 1/4 x 19 1/4 inches.

$1,000 - 2,000

56

American School, Late 18th Century

Ship #9 oil on paperboad illegibly signed and dated, possibly Scotte 1785, lower right 6 3/4 x 8 3/4 inches.

$500 - 700

57

American School, 19th Century

Three Steamboats charcoal on paper with applied mica or sand flecking unsigned 10 1/2 x 13 3/4 inches.

Includes the vessel U.S. Thomas Jefferson at center.

$400 - 700

DONALD F. MOYLAN, M.D.

58

American School, 19th Century

Pair of Portraits: Husband and Wife in Profile pastel and graphite on paper unsigned 13 1/2 x 9 3/4 inches.

Profile Portrait of a Lady pastel on paper the backboard inscribed Aunt Beulah Stuart Horner / made when she was / 17 years old - / must have been about / The year 1825 / 1828 Died 1887 further inscribed Alice/12-24-39, lower corner of frame 11 1/2 x 9 3/4 inches.

According to the genealogical record, Beulah Stuart (1808-1887) was one of twelve children born to a Quaker family headed by Jehu and Sarah Cook Stuart in Guilford, North Carolina. The Stuarts relocated to Wayne County, Indiana by 1820, and Beulah married Samuel S. Horner in Henry County, Indiana on December 19, 1838. The couple resided there until Beulah’s death in 1887.

$1,500 - 2,500

59

American School, 19th Century Memorial Scene for the Stratton Family with Churchyard watercolor on velvet

unsigned gravestones identified to Wife Sarah B. Stratton / Oct. 20th 1819, W. W. Stratton / June 18, 1884, and Loring (?) Stratton Nov. 24th 1798 13 1/2 x 20 inches.

The historical record identifies a Sarah Brigham Stratton born around 1799 to Windsor (17711837) and Anna Wood Stratton (1773-?) in Northborough, Massachusetts. Her death is recorded on October 20, 1819, in Worcester County.

$800 - 1,200

60

A Federal Urn and Vine Inlaid Walnut One-Drawer Work Table

Southern States, Circa 1810

Height

61

A Late Federal Inlaid Walnut and Cherrywood Sugar Chest on Stand

Likely Kentucky, 19th Century

Height 30 3/4 x width 19 x depth 16 1/4 inches.

62

A Federal Eglomise Inset Mahogany Banjo Clock with Scroll Sides

Likely New Hampshire, 19th Century

Height 31 5/8 x width 10 x depth 3 3/4 inches.

Provenance:

Ex-collection, Office of the State Treasurer, Manchester, New Hampshire; purchased at auction, Lisbon, New Hampshire, circa 1940s.

$300 - 500

63

64

63

Circa 1810

the top with an applied molding.

Height 26 3/4 x width 13 3/4 x depth 16 inches.

$400 - 600

64

Chauncey Jerome, Connecticut, Dated 1824

Height 58 x width 17 x depth 9 inches.

Provenance:

Ex-collection of a curator of the Connecticut Clock Museum.

$1,000 - 2,000

Circa 1810

Height 26 1/2 x width 21 x depth 17 inches.

A Country Federal Brown-Stained Cherrywood Candlestand

A Federal Red-Stained Pine Half-Clock

65

A Federal Inlaid Tiger Maple Serpentine-Top One-Drawer Work Table

66

American School, 19th Century

The Sidewheel Steamboat Laura M. Starin pastel on paper with gold leaf signed Frank A. Fernekes, lower right 16 x 24 1/2 inches.

Laura M. Starin was the wife of the owner of the vessel.

$600 - 800

67

American School, 19th Century

The Schooner Alvaretta watercolor and graphite on varnished paper unsigned 17 3/4 x 20 1/4 inches.

This work probably depicts a Great Lakes scene, although no record of the Alvaretta (or related spelling variants) in any standard listing of sailing vessels was discovered.

$500 - 700

68

Attributed to N. Young (American, Late 19th/Early 20th Century) Ship Idler on Lake Erie pencil and chalk on paper unsigned 19 x 24 3/4 inches.

The Idler was a schooner yacht built in 1864 by naval architect Samuel Hartt Pook from Fairhaven, Connecticut. She was owned by financier and

railroad executive Thomas B. Durant (1820-1885) a regatta enthusiast and long-standing member of the New York Yacht Club. The Idler changed hands several times during the late nineteenth century but was a mainstay in the New York Yacht Squadron until 1899, when she was purchased by James C. Corrigan and moved to Fairport Harbor, Ohio, on Lake Erie.

On July 7, 1900, she capsized and sank on the lake during a squall, and six people on board tragically perished, including Corrigan’s wife, three daughters, and infant granddaughter. The vessel’s captain, Charles Joseph Holmes, survived and was charged with criminal negligence. Though unsigned, the treatment of the clouds is nearly identical to other nautical paintings signed by artist N. Young, a purported Cleveland resident.

$600 - 800 69

Hudson River School, 19th Century

View from West Point - Hudson River 1843

watercolor on paper titled, signed, and dated Sarah J. Stoddard July 18th, 1843, lower margin 15 1/2 x 22 inches.

A comparable watercolor landscape signed by Sarah Stoddard sold as Lot 986 at Hartzell Auction Gallery, Bangor, Pennsylvania, on March 26, 2022. The work depicts a couple with two sailing ships in the background, with inscribed verse by Christian missionary and writer Sarah B. Judson (18031845).

$600 - 800

70

A Staffordshire Blue ‘Lake George’ Transfer Printed Platter

E. Wood & Sons, Burslem, England, Early 19th Century with blue stamp title mark and impressed maker’s mark to underside.

16 1/2 x 12 3/4 inches.

$400 - 600

71

A Historic Blue Staffordshire ‘West Point’ Chestnut

Reticulated Basket and Undertray

E. Wood & Sons, Burslem, England, Early 19th Century both impressed Wood on underside.

$1,500

72

A Staffordshire Blue ‘Franklin’s Tomb’ Bowl

Early 19th Century Height 4

$300 - 400

73

An Unusual and Large Historic Blue Staffordshire ‘Detroit’ Platter

Early 19th Century with blue title stamp and impressed 18 to underside.

Length 18 3/4 x width 15 inches.

$600

74

American School, 19th Century

Portrait of a Woman in a Bonnet oil on canvas unsigned 29 x 24 inches.

$700 - 900

75

Style of Sheldon Peck (American, 1797-1868)

Portrait of a New York Gentleman with a Letter circa 1834 oil on panel unsigned, with envelope of letter addressed E. Benjamin / Huron / Wayne Cty. / New York and dated April 24, 1834 39 x 30 inches.

$600 - 800

76

American School, 19th Century

Portrait of a Lady oil on canvas laid to board unsigned 23 x 18 3/4 inches.

$500 - 700

77

American School, 19th Century

Boats in a Harbor, Possibly in Boston pen and ink on paper signed illegibly Drawn By ? Belk, lower left 13 x 17 1/4 inches.

$300 - 500

78

Attributed to James Sharples (English, 1825-1893)

Portrait of a Gentleman, Possibly Eliphalet Terry pastel on paper unsigned 8 1/2 x 6 1/2 inches.

Modern label affixed to verso suggests sitter’s identity as Eliphalet Terry (1742-1812), a prosperous Connecticut-based merchant and the president of The Hartford Financial Services Group. Label also suggests attribution to Sharples, a pastel portraitist who traveled from England to the United States in 1793. Once stateside, Sharples worked itinerantly, rendering miniature portraits of private citizens and politicians, including several portraits of George Washington.

$800 - 1,200

79

American School, 19th Century

Calligraphic Portrait of John C. Fremont pen and ink on paper unsigned 27 1/4 x 17 1/4 inches.

Undated, though probably accomplished during Fremont’s 1856 campaign for the U.S. presidency.

$400 - 600

80

A Federal Inlaid and Carved Cherrywood Drop Leaf Table

Circa 1810

Height 28 1/2 x width 18 3/4 x depth 33 1/4 inches.

$400 - 700

81

A Set of Four Classical Grain Painted and Flower Decorated Bamboo Turned Dining Chairs

Circa 1830 comprising one arm and three side chairs. Height 33 1/2 inches.

$500 - 800

82

A Country Late Federal Turned Cherrywood and Poplar Two-Drawer

Work Table

Circa 1815

Height 28 1/4 x width 25 1/4 x depth 16 1/2 inches.

$500 - 800

83

A Federal Cherrywood One-Drawer Work Table

Circa 1820

Height 28 x width 18 x depth 17 3/4 inches.

$400 - 600

83

84

A Federal Mahogany Eglomise Inset Banjo Clock Benjamin Morrill, Boscawen, New Hampshire, 19th Century the painted dial inscribed B. Morrill / Boscawen.

Height 28 5/8 x width 10 1/4 x depth 3 5/8 inches.

$300 - 500

85

A Late Federal Country Red and Yellow Sponge-Decorated Blanket Chest

Mid-Atlantic States, Circa 1820 retains the original hinges, till, and cover, lacking the lock mechanism and clasp.

Height 23 1/4 x width 49 x depth 22 1/2 inches.

$600 - 800

87

88

86

A Late Federal Stained Cherrywood Candlestand Early 19th Century

the underside bearing a paper label inscribed Julia C. Rogers.

Height 26 x width 20 3/4 x depth 20 1/4 inches.

$400 - 700

87

A Prisoner of War Carved Bone Ship Model of the Sea Flower 19th Century identified HMS / Sea Flower, base.

Overall height 14 1/2 x width of base 17 1/2 x depth of base 7 1/4 inches; length of ship 13 inches.

The HMS Sea Flower was a sixteen-gun brig sloop purchased by the Royal Navy in April 1782. She was captured by the French frigate Manche, under Captain Jean Dornal de Guy, near Bengkulu on September 29, 1808, during the Mauritius Campaign.

$700 - 900

88

A French Prisoner of War Carved Bone and Wood Model of a British Warship 19th Century set on a wood platform and housed within a glass case. Height 14 1/8 x width 19 x depth 6 3/4 inches.

$800 - 1,200

89

American School, 19th Century Ships in New York Harbor oil on canvas unsigned stenciled canvas stamp for H. Wagner / & Co. / New York, verso 26 1/2 x 33 1/4 inches.

$700 - 900

91

Attributed to James E. Buttersworth (18171894)

Sovereign of the Seas oil on canvas unsigned, titled, and inscribed Built by Donald McKay, verso, with illegible numerical notations, likely specifications of the vessel 15 1/4 x 20 1/2 inches.

This painting was likely based on the widely circulated print To Donald McKay, Esq, Builder of the Magnificent Clipper Ship Sovereign of the Seas, first published by Nathaniel Currier in 1852.

McKay (1810-1880) was a Canadian-born American ship-builder famous for the recordsetting speeds achieved by his extreme clippers. Among these vessels was the Sovereign of Seas, built by McKay in New York and launched in 1852. At the time of her construction, the Sovereign was the fastest sailing ship ever built. However, in an untimely turn of events, she was wrecked in the Malacca Straits in 1859.

$4,000 - 6,000

90 MOLL, Herman (1654-1732). A Map of the West-Indies or the Islands of America in the North Sea. London: Printed for Thomas and John Bowles, ca 1720.

Engraved map of the Caribbean and the Gulf of Mexico with hand-coloring in wash and outline, visible area 23 1/2 x 40 1/2 in. (597 x 1029 mm). Framed (unexamined out of frame). Bird’s-eye view of Mexico City in the lower left corner, and inset maps of St. Augustine, the Bay of Porto Bella, the Bay of Havana, Cartagena, and Vera Cruz.

$300 - 400

92

DELISLE, Guillaume (1675-1726). Tabula Geographica Mexicae et Floridae&c. Amsterdam: Covens & Mortier, 1722.

Engraved map of the United States, Mexico, and the Caribbean with handcoloring in wash and outline, visible area 19 x 23 1/2 inches. (483 x 597 mm). Framed (unexamined out of frame).

One of the first maps to accurately depict the Mississippi River, showing North America from Lake Champlain to Florida and Central America.

$800 - 1,200

93

HOMANN, Johann Baptiste (1664-1727) Nova Anglia Septentrionali Americae implantata Anglorumique coloniis florentissima Nuremberg, ca 1724.

Engraved map with hand-coloring of New England, visible area 19 1/4 x 22 5/8 in. (489 x 575 mm). Framed (unexamined out of frame). Decorative cartouche.

Later issue with privilege line, depicting the Dutch and English colonies along the coast from Delaware Bay to the St. Lawrence River, and noting soundings and navigation hazards along the coastline. McCorkle 724.1.

$1,000 - 1,500

94

DE HERRERA Y TORDESILLAS, Antonio. Descripcion del Destricto del Audiencia de la Espanola Antonio de Herrera y Tordesillas Madrid, 1601 [but ca 1726].

Engraved map of the Caribbean. visible area 11 x 15 1/4 in. (279 x 387 mm). Framed (unexamined out of frame).

18th-century edition published by Nicolas Rodriguez (with the name “Florida” appearing twice) of the map originally published in 1601 to accompany Antonio de Herrera Y Tordesillas’s Historia general de los hechos de los Castellanos. Burden 142.

$400 - 600

95

Henry Walton (American, 1804-1865), after Claude-Joseph Vernet (French, 1714-1789)

Shipwreck in Stormy Seas 1849

oil on canvas

dated and inscribed Shipwreck from one of the old Masters / Painted by H. Walton / 1849., verso 27 x 35 1/2 inches.

$800 - 1,200

92

96

96

American School, 19th Century

Pair of Portraits: Husband and Wife oil on canvas laid to board unsigned 35 1/4 x 28 inches.

$1,500 - 2,500

97

H. G. Fetter (American/Boston, active Mid-19th Century)

Portrait of a Gentleman, Possibly Thaddeus Mason Harris pastel on paper signed and dated Copy by H.G. Fetter 1848, lower right inscribed Thaddeus Mason Harris / Painted by Mr. Fetter from a / Daguerreotype 7 1/2 x 6 inches.

Thaddeus Mason Harris (1768-1842) was a Harvard librarian, Unitarian minister, and author in Boston, Massachusetts. Harris married Mary Dix (1776-1852) in 1795, and they had eight children, including Thaddeus William Harris (1795-1856) a physician and naturalist who also served as librarian at Harvard from 1831 until his death, during which he developed their university’s library system. The artist, H. G. Fetter, is recorded as a daguerreotypist active in Pennsylvania during the early 1850s.

The daguerreotype process was pioneered in 1839 and became widely used in the 1840s and 1850s, a timeline slightly at odds with the age of the man depicted here. If this drawing was executed after a daguerreotype portrait, it is more likely that the sitter is the younger Thaddeus Harris.

It is very rare to find a documented portrait based on a known daguerreotype of the sitter.

$400 - 600

97

98

American School, Mid-19th Century

The Ship of War Columbia watercolor on paper faintly dated 6th mo 12th 1862, lower right inscribed The Columbia, first-rate ship / of War mounting 104 carriage Guns, the / right noble Jacob McCracken Lord High / Admiral of Ponunkechunk, owner, upper left, with faint initials and date, S. D. 1798

16 3/4 x 21 inches.

The ship flies three 13-star American flags, featuring unusual blue stripes and a 3-2-3-2-3 star arrangement, first seen in Matthias

Chrisitan Sprengel’s Almanac of 1784. Such flags were later used as naval ensigns during the late nineteenth century when employing flags with accurate star counts rendered them too small for visibility at sea. Also depicted are a Union flag without the Cross of St. Andrew, used until 1801, and an early nineteenth-century Irish flag.

$500 - 700

99

Raffaele Corsini (Italian, active 1830-1880)

Bark Ella at Sea gouache on paper signed Raffaele Corsini, lower right inscribed Bark Ella Capt. W. W. Flinn Commander, lower margin 19 1/2 x 26 1/2 inches.

$1,000 - 2,000

100

Clement Drew (American, 1806-1889)

The Clipper Ship Uriel oil on canvas signed Clement Drew, lower left 23 1/4 x 35 inches.

$800 - 1,200

101

19th Century

the interior fitted with a hardwood base. Height over handle 7 1/4 x width 7 3/8 x depth 5 3/4 inches; height of basket 2 1/8 inches.

$1,000 - 2,000

102

18th Century

decorated with scene of a departing sailor and inscription Remember me / When this you see. the lid interior fitted with a mirror.

Height

103

Circa 1825

retains the original till and covered, lock mechanism and clasp, hinges have been reset.

$500 - 800

104

Likely Pennsylvania, circa 1830

Height

103

A Carved and Pierced Whale Bone SwingHandle Basket

A Bilston Enamel Miniature Hinged Porcelain Trinket or Pill Box

A Late Country Federal Red Painted Cherrywood Blanket Chest

A Late Federal Grain Painted Poplar Blanket Chest

105

106

105

Circa 1830

Height 34 x width 22 x depth 21 1/2 inches.

$500 - 800

106

A Classical

Circa 1830

Height 29 1/2 x width 20 x depth 19 1/2 inches.

$400 - 600

107

A Matched Set of Five Classical Black Painted and Stencil Decorated Rush-Seat Hitchcock Chairs

Circa 1830 comprising a set of four side chairs and an associated armchair.

Height of side chairs 34 1/2 x width 17 3/4 x depth 18 inches.

$500 - 800

A Pair of Classical Eagle Carved and Grain Paint Decorated Rush Seat Side Chairs

Inlaid Walnut and Red Painted Maple Two-Drawer Work Table

108

Attributed to Jacob Bailey Moore (Canadian, active New Hampshire, 1815-1893)

Pair of Portraits: Husband and Wife oil on artist board unsigned 5 1/4 x 4 inches.

Jacob Bailey Moore is traditionally identified as a member of the Prior-Hamblen School of early nineteenth-century portrait artists. For a discussion of their association, please see Nina Fletcher Little, “William Matthew Prior and Some of His Contemporaries,” Maine Antique Digest, April 1976, and David Krashes, “Understanding the Prior-Hamblin School of Artists a Little Better,” Maine Antique Digest, July 2011.

$600 - 800

109

American School, 19th Century

Portrait of a Family in an Interior watercolor and ink on paper unsigned 13 1/4 x 18 inches.

$400 - 600

110

American School, 19th Century

A Folk Art ‘Fantasy’ Painting with Ruins and Swans oil on canvas signed M. E. Church, lower left 28 x 36 inches.

$1,500 - 2,500

108

109

112

111

American School, 19th Century

Pair of Portraits: Husband and Wife with Books oil on canvas unsigned 36 1/2 x 29 1/2 inches.

$2,000 - 4,000

112

American School, 19th Century

Portrait of a Girl with a Rose pastel on paper unsigned 17 1/4 x 13 inches.

Provenance: Barbara Pollack, Highland Park, Illinois $400 - 600

111

113

113

Portrait of Oscar GVan Lew watercolor on paper inscribed Aged 1 Year & 5 Months / Drawn by H. Walton / 1836, lower center 8 1/4 x 5 1/2 inches.

$1,000 - 2,000

114

$500 - 800

115

Related to Soap Hollow furniture of Pennsylvania, Circa 1830

depicting a fish to the front panel, retains original hinges, till and cover, lock mechanism, and clasp. Height 23 1/4 x width 37 1/2 x depth 19 inches.

$300 - 500

114

115

Henry Walton (American, 1820-1873)

American School, Early 20th Century Landscape with Native Americans oil on canvas unsigned 19 x 27 inches.

A Country Classical Grain Painted and Stencil Decorated Poplar Blanket Chest

116

A Classical Grain Painted Pine Chest of Drawers

Circa 1835

Height 42 x width 39 x depth 18 1/2 inches.

$800 - 1,200

117

A Set of Four Stencil and Parcel Gilt Decorated

Rush-Seat Hitchcock Side Chairs

Likely New England, Circa 1835

Height 34 1/4 x width 18 x depth 18 1/2 inches.

$700 - 900

116

117

118

Circa 1835

Height 27 1/2 x width 19 1/4 x depth 19 inches. $400 - 600

119

Circa 1835

Height 37 1/4 x width 42 x depth 18 1/2 inches. $700 - 900

120

Height

A Classical Red Paint and Gilt Stencil Decorated Cherrywood Side Table

A Classical Country Grain Painted Pine and Maple TwoDrawer Console

A Country Federal Red Painted Pine and Maple TwoDrawer Blanket Chest related to Vermont Shaker furniture, First Half 19th Century appears to retain the original hinges, lock, and clasp.

38 1/4 x width 38 3/4 x depth 17 1/2 inches. $700 - 900

121

The Racer was launched on May 8, 1856, as a merchant vessel for Mixer and Bros. Her home port was in Cleveland, Ohio.

Provenance:

Private collection, Binghamton, New York.

$10,000 - 20,000

Joseph B. Smith (American, 1798-1876) and William S. Smith (American, 1821-1870) Great Lakes Schooner Racer oil on canvas signed Smith, lower right business card affixed to stretcher verso reads J. Smith & Son / Marine Artists / No. 90 Pike Street / Corner of South Street New York 30 1/2 x 44 1/2 inches.

122

William Clark (English, 1803-1883)

A Paddle Steamer in Rough Seas 1857

oil on canvas

inscribed Painted By / William C. Clark / Jan. 1st 1857, verso 19 1/2 x 26 1/4 inches.

$800 - 1,200

123

CATESBY, Mark (1679?-1749). A Map of Carolina, Florida and the Bahama Islands with the Adjacent Parts. London, 1731-43.

A rare engraved map of Florida and the Caribbean with hand-coloring, visible area 18 1/8 x 24 3/4 in. (460 x 629 mm). Framed (unexamined out of frame). Decorative cartouche composed of coral and shells.

FIRST ISSUE with the crowned shield watermark, included in Catesby’s Natural History of Carolina, Florida, and the Bahama Islands, published London 1731-1743, and based on Popple’s map of 1733 (see Sale 1278, Lot 24 offered in the fall of 2023). Cumming 210; Schwartz & Ehrenberg pp. 151-52.

Provenance:

Cowan’s Auctions, Cincinnati, Ohio, Western & Historic Americana, December 6-7, 2007, Lot 985.

$4,000 - 6,000

POPPLE, Henry (d.1743). A Map of the British Empire in America with the French and Spanish Settlements adjacent therto. London: Covens and Mortier, ca 1745.

Engraved map of America, hand-colored in outline, visible area 20 3/4 x 19 1/2 in. ( 527 x 495 mm), framed (unexamined out of frame). Decorative cartouche depicting Native Americans and European settlers, insets of Niagara Falls, Mexico, Quebec, and New York, small insets of 18 important harbors including Boston, New York, Charleston, and Porto Bello.

The Covens & Mortier edition of Popple’s key map, which was based on the first edition of Popple’s key map published ca 1734. The map includes corner views of Niagara Falls, Mexico, Quebec and New York, as well as inset plans of 13 harbors including Annapolis, New York, Bermuda, St. Augustine, Cartagena and Porto Bello.

$2,000 - 3,000

125

HOMANN HEIRS. Americae Mappa Generalis Secundum

Legitimas Projectionis Stereographicae Regulas

Relationesque Recentissimas et Observationes. Nuremberg, 1746.

Engraved map of the Americas with hand-coloring in outline, visible area 20 3/4 x 24 5/8 in. (527 x 625 mm). Framed (unexamined out of frame). Figural cartouche including erupting volcanoes, parrots, palm trees, sugar cane, and a pot of gold.

$300 - 400

126

American School, Mid-19th Century

Ship Quickstep, Capt. Edward Weeks, Coming into Malta Harbor, 1856 watercolor on paper unsigned 21 1/2 x 29 1/2 inches.

Provenance:

Ex-collection, American organist and choirmaster William Churchill Hammond (1860-1949).

Two of Hammond’s ancestors Daniel Hubbard Hammond (1828-1876) and Joseph Churchill Hammond (1836-1913) were aboard the Quickstep on a voyage to Liverpool and the Isle of Man via the New England coast.

$1,000 - 2,000

127

American School, Late 19th Century

The Capture of Fort Fisher, N.C., Jan. 15th 1865 oil on canvas signed with inscribed title Capture of Fort Fisher, N.C. / Jan. 15th 1865 / Painted by Frances C. Wheaton 1890, lower left bearing stencils of Winsor and Newton, London and C. W. Keenan, Brooklyn, New York, verso 33 1/4 x 51 1/4 inches.

Near the end of the Civil War, joint Army and Navy forces, commanded by Union Rear Admiral David D. Porter and Major General Alfred Terry staged an assault on Fort Fisher, the garrison of the last remaining open port for the Confederacy at Wilmington, North Carolina. Federal ships opened fire on January 12, and three days later, the Union Army attacked the fort, joined by a large contingent of Marines and sailors. Ultimately, Confederate Major General William H.C. Witting surrendered the fort on January 15 after hours of intense bombardment.

$1,000 - 2,000

128

N. Young, (American, Late 19th/Early 20th Century)

Portrait of a Great Lakes Schooner graphite on paper signed By N. Young, lower right ship identified EWD KELLEY, bow and stern 22 x 28 inches

Little is known of the artist, N. Young, though he/she is thought to have resided in one of the major port cities of the Great Lakes. The schooner depicted here was captained by Hamilton Cummings (1827-1914) of Cleveland, Ohio between 1869 and 1875. Young is known to have painted other similar scenes.

$600 - 800

129

Attributed to N. Young (American, Late 19th/Early 20th Century) Steamer Ciscoe circa 1890 watercolor on paper unsigned 20 1/8 x 32 inches.

The Ciscoe was built in 1891 at the Cleveland Ship Building Company and had a long history of service on the Great Lakes. At the time this painting was likely executed, she was owned by the Ranney Fish Company of Cleveland, Ohio. As in the case of Lot 69, the treatment of the clouds is nearly identical to other nautical paintings signed N. Young, a purported Cleveland resident.

$800 - 1,000

130

W. Young (American, Active Late 19th/Early 20th Century)

Schooner Frank W. Gifford watercolor on paper signed W. Young / 229 Hanover St / Clev O, lower right 29 3/4 x 39 3/4 inches.

The Frank W. Gifford was a three-masted cargo transport vessel built in 1868 by Thomas Quayle and John Martin at the Qualye Shipyard in Cleveland, Ohio for C.W. Elphicke Van Scoter. On October 21, 1897, the schooner, loaded with $4,000 worth of iron ore and en route from Escanaba to Fruitport, Michigan, foundered in Lake Michigan midway between Point Betsey, Michigan, and Ahnapee, Wisconsin. Her eight crew members discovered a leak and safely escaped in a yawl. After three hours, they were picked up by the schooner City of Sheboygan and taken to Chicago for refuge.

$800 - 1,000

131

131

BELLIN, Jacques Nicholas (1703-1772). An Essay of a New and Compact Map Containing the Known Parts of the Terrestrial Globe. The Hague: P. de Hondt, 1750.

Engraved map of the world on Mercator’s projection with handcoloring in wash and outline, visible area 19 3/4 x 25 1/8 in. (502 x 638 mm). Framed (unexamined out of frame). With decorative cartouche, compass, and rhumb lines.

Apparently a reworking of the Hondt-Bellin world map, with the title in English in the cartouche, and in French and Dutch in the lower margin.

$400 - 600

132

ROBERT DE VAUGONDY, Didier (1723-1786) Partie De l’Amerique Septent? qui comprend La Nouvelle France ou Le Canada. Paris, 1755. Engraved map of eastern Canada, visible area 19 1/2 x 25 1/4 inches. (495 x 641 mm). Framed (unexamined out of frame). Large inset of the Great Lakes (“Supplement pour les Lacs du Canada”), decorative cartouche. (Some light mostly marginal browning, a few short tears to margins, vertical center fold.)

FIRST EDITION, second state, naming “I Charlton” in James Bay and changing the orientation of “F de la Presqu’ile” in Lake Erie. Kershaw 355.

$250 - 350

133

Height

$500 - 800

134

Height

$700 - 1,000

Height

$600 - 900

Height

$700 - 900

A Late Federal Red Painted Poplar Blanket Box Mid-19th Century

23 x width 35 3/4 x depth 18 1/4 inches.

A Country Classical Grain Painted Pedestal Dining Table Maine, Circa 1850

30 1/2 x width 42 x depth 23 inches.

135

A Country Federal Stained Pine One-Drawer Blanket Chest 19th Century retaining bail and snipe hinges, previously fitted with a til and cover.

31 1/2 x width 41 1/2 x depth 17 1/4 inches.

136

A Country Federal Red Painted Pine Scrubbed Top Hutch Table 19th Century

29 1/2 inches. Top board 58 1/2 x 40 inches.

137

Late 19th/Early 20th Century

Height

138

Height

$600 - 800

139

Height 9 x width 27 x depth 12 1/4 inches.

$600 - 800

140

Height

$400 - 600

A Burl Wood Bowl and a Canoe Cup

A Maple or Ash Burl Wood Bowl 19th Century

A Salmon Painted Poplar or Maple Dough Box 19th Century

A Federal Inlaid Cherrywood One-Drawer Side Table 19th Century

141

141

A Late Federal Bermuda Cedar Two-Drawer Blanket Chest on Frame

19th Century fitted with a till box.

Height 31 1/2 x width 41 1/2 x depth 19 1/2 inches.

$400 - 600

142

A Country Chippendale Brown-Painted Walnut Five-Drawer Chest

Mid-19th Century Height 50 3/4 x width 38 x depth 18 1/2 inches.

$700 - 900

143

A Country Federal Stained Cherrywood and Pine Shaped Top Work Table

19th Century Height 28 x width 22 x depth 18 3/4 inches.

$400 - 600

144

A Scrimshaw Decorated Sewing Box

19th Century

together with a miniature carved and painted whalebone letter opener. Height 6 1/4 x width 6 3/4 x depth 5 inches.

$600 - 800

145

A Round Nantucket Basket 19th Century with incised rings to interior base.

Height 5 1/4 inches x diameter 7 3/4 inches (excluding handle).

$400 - 600

146

A Carved and Painted Wood Model of the Whaling Ship Essex

Likely Nantucket, Circa 1860s

Height 28 x length 44 1/2 x depth 9 inches.

Accompanied by a manuscript document identifying the maker as a “shipmate of James Irving Ramsdall who was the son of Ramsdall a cabin boy of the whaler Essex out of Nantucket. The Essex was wrecked and the Captain and Ramsdall were afloat in a dory 60 days.” A note in a different hand records that the boat was “built while on whaling trip 1860-1865 - out of Nantucket to San Francisco and Bering Sea.” The sinking of the Essex inspired Herman Melville’s iconic whaling novel, Moby Dick, in large part, and Melville even traveled to Nantucket, where he met with the captain of the Essex after the harrowing ordeal.

with a printed pamphlet entitled The Loss of the “Essex” by Edouard A. Stackpole, published by the Inquirer and Mirror Press, Nantucket Island, Massachusetts, 1950.

Provenance:

By descent within the Ramsdell family; thence acquired by the present owner.

$300 - 500

144

147

American School, Early 20th Century

Clipper Ship Midnight off Cape Horn oil on canvas unsigned 16 x 24 inches.

Purportedly painted by Susan Emma Brock (American, 18521937), the daughter of mariner George H. Brock (1826-1908), who captained the whaling vessel Midnight around the Cape of Good Hope around 1858, with six-year-old Susan aboard. She became a scholar, music teacher, and later, a cofounder of the Nantucket Historical Association, serving as its curator and emerita from 1897 until 1929. Her recollections of her childhood voyage are compiled in Doubling Cape Horn, first published in 1926 by the Inquirer and Mirror Press, Nantucket, Massachusetts. $500 - 700

148

American School, 20th Century

The Steam Yacht Columbia watercolor and gouache on paper signed illegibly, lower right 25 3/4 x 17 1/2 inches.

The steam yacht Columbia was built in 1893 by William Cramp and Sons for Joseph Harvey Ladew Sr. (1865-1940), an accomplished leather manufacturer and renowned yachtsman based in New York. Ladew had ordered the “fastest pleasure vessel afloat,” so the yacht had both cruising and racing specifications. In 1898 the ship was purchased by the U.S. Navy, renamed the Wasp, and sent south to participate in the blockade of Cuba. She continued to serve in the Caribbean and Pacific until her decommission in 1919. By repute, the painting was executed by Joseph Harvey Ladew, Sr.

Provenance: By repute, descended in the family of Joseph Harvey Ladew, Sr. $1,000 - 1,500

149

American School, Early 20th Century

The Schooner Donald M. Hunt signed F.B. Freeman, lower right gouache on paper 18 1/2 x 31 1/2 inches.

$500 - 700

150

MITCHELL, John (1711-1768). [Sheet 2 from:] A Map of the British and French Dominions in North America with the Roads, Distances, Limits and Extent of the Settlements. London, ca 1755-1757?]

Comprising one sheet only of Mitchell’s 8-sheet Map of the British and French Dominions in North America. Engraved map hand-colored in outline of the Great Lakes and New France on one sheet, visible area 27 1/2 x 20 3/8 in. (699 x 518 mm), framed (unexamined out of frame).

Mitchell’s map, first published in 1755, was issued just prior to the French and Indian War, and is decidedly pro-English in interpretation. The second edition was the first to incorporate two large blocks of text in the Atlantic Ocean, and subsequent editions were published by Jefferys and Faden.

$1,000 - 1,500

151

ROBERT DE VAUGONDY, Didier (1723-1786). Two Maps of North America. comprising:

Mappe Monde suivant la projection des cartes retuites. Paris, 1778. Engraved map hand-colored in outline of the world on Mercator’s projection, visible area 10 x 15 3/4 in. (254 x 400 mm). Framed (unexamined out of frame). The map leaves the northwest region of North America blank except for a note referring to a possible Northwest Passage.

Partie De l’Amerique Septent qui comprend La Nouvelle France ou Le Canada. Paris, 1755. Engraved map with hand-coloring in outline of eastern Canada, 19 3/8 x 24 3/4 inches, matted and framed (unexamined out of frame). Large inset of the Great Lakes (“Supplement pour les Lacs du Canada”), decorative cartouche.

FIRST EDITION, second state, naming “I Charlton” in James Bay and changing the orientation of “F de la Presqu’ile” in Lake Erie. Kershaw 355. together with [FRANCE]. Archiepiscopatus Cameracensis. Archevesche de Cambray. Ca 1645. Engraved map of northeastern France with handcoloring in outline, visible area 17 7/8 x 22 1/4 in. (454 x 565 mm). Framed (unexamined out of frame). Depicting the region just south of Lille including Cambray, Douai, Valenciennes, and Bohain. three items total.

$500 - 700

152

JEFFERYS, Thomas (c. 1719-1771). [Sheets 3 & 4 from:] A Chart of North and South America.... London: Robert Sayer & John Bennett, ca 1775.

Engraved map of North America and the Atlantic and Pacific Oceans on two sheets, comprising sheets 3 and 4 of Jeffereys’ 6-sheet map of the Americas. Sheet 3: Chart containing the Coasts of California, New Albion, and Russian Discoveries to the North; with the Peninsula of Kamschatka, in Asia, opposite thereto; and Islands, dispersed over the Pacific Ocean, to the North of the Line. Sheet 4: North America and the West Indies with the opposite Coasts of Europe and Africa. Visible area 21 1/4 x 45 in. (540 x 1143 mm). Framed (unexamined out of frame).

Fourth State, published by R. Sayer and J. Bennett and dated 10 June 1775. Jefferys published several important maps of the Colonies, including the Fry Jefferson map of Virginia, and Braddock Meade’s map of New England. Sayer and Bennett would later publish these maps in The American Atlas. Ristow pp. 31-32; Schwartz & Erhrenberg, p.158-59; Stevens & Tree #4-Sheet III & IV (d). together with SAYER, Robert (1725-1794). Engraved Map of Central America. 21 1/2 x 47 1/2 inches.

$600 - 800

152

153

POWNALL, Thomas (1777-1805). A New and Correct Map of North America, with the West India Islands, Divided according to the last Treaty of Peace, Concluded at Paris, 10th Feby. 1763, wherein are particularly Distinguished, The Several Provinces and Colonies which Compose The British Empire. London: Printed for Robert Sayer and John Bennett, 1777.

Engraved map of America on 4 sheets joined as two horizontal sheets with hand-coloring in outline, visible area 21 1/2 x 47 5/8 in. (546 x 1210 mm). Each horizontal sheet framed (unexamined out of frame, a few separations to folds). Figural cartouche showing a Native American family, inset maps of Baffin and Hudson’s Bays, with the text of Article IV of the 1763 Definitive Treaty included in the upper right corner, and with other Articles of that treaty depicted off the Eastern coast of North America and in the Atlantic Ocean.

Sayer and Bennett’s “Peace of Paris” map, based on Bowen and Gibson’s map of 1755, details the provisions of the treaty that ended the French and Indian War. This 1777 edition updates the 1755 map, adding information from surveys completed by Governor George Pownall. This version, first published beginning in 1775, was included in several important American atlases of the day.

$2,500 - 3,500

154

American School, Early 20th Century

The Brig Niagara 1914 oil on canvas signed and dated P. Schrot, 1914 lower left 21 x 25 inches.

A fine naive portrait of one of the principal participants in the Battle of Lake Erie, which took place on September 10, 1813. The ship’s pennant, Don’t Give Up the Ship, is prominently displayed.

$500 - 700

155

Otto Mühlenfeld (American, Maryland, 1871-1907)

The Steam Ship Volunteer 1906 oil on canvas signed and dated Mühlenfeld / 1906, lower right 23 1/2 x 34 1/2 inches.

$1,500 - 2,500

156

James Stewart Blackton (American, 1875-1941)

The Steamship Leonard J. Busby oil on panel signed Blackton, lower right 5 1/2 x 8 1/2 inches.

The Leonard S. Busby was an iron screw steamer launched in 1894. She foundered near Hudson, New York on January 13, 1935. The vessel was named for industrialist and financier Leonard J. Busby (1846-1908), who served as president of the Staten Island Milling Co., director of R.S. Holt & Co. flour exporters, and director of Corn Exchange Bank.

$1,000 - 2,000

157

A Carved and Painted Wood Ship Model of the Wanderer

Circa 1910 mounted on a wood base with plaque identifying maker as John Walker.

Height 22 1/2 x width 29 x inches.

The Wanderer was an infamous schooner-rigged yacht originally launched in New York in 1858. She was purchased by Charles Augustus Lafayette Lamar (18241865), a businessman from Savannah, Georgia who used the vessel to illegally import kidnapped people from Africa, decades after slavery was prohibited by law. Union forces took possession of the Wanderer during the Civil War and, after her use in U.S. Naval service, she was converted for the mercantile trade until 1871, when the ship was lost off of Cuba.

Provenance:

Ex Collection Lorraine C. Lange, Long Beach, Washington

$300 - 500

158

An Embroidered Silk and Lace Bedspread

Early 20th Century

74 1/2 x 48 inches.

$200 - 300 157

159

159

A Figured Maple Spice Chest

Likely Ohio, 19th Century

Height 22 x width 12 1/8 x depth 5 7/8 inches.

$800 - 1,200

160

A Folk Art Carved and Stained Pine Tea or Tobacco Storage Box 19th Century

the front panel and lid carved with figure profiles, the front further incised with Chinese characters.

Height 8 x width 12 x depth 7 inches.

$400 - 600

161

A Country Dark Blue Grain Painted Blanket Chest 19th Century retains the original til and cover, previously fitted with feet.

Height 16 x width 44 x depth 15 1/2 inches.

$700 - 900

162

Dated 1893

the reverse of the backstop painted Made in 1893 by B.F. Rollins. signed A.S. French / Exeter / N.H. on underside of case. together with a utensil tray signed illegibly but similarly to the chest of drawers and dated 1896

Height of tray 5 1/4 x width 10 7/8 x depth 9 3/4 inches.

Height of chest 41 x width 33 3/4 x depth 16 inches.

Please see Lot 163 for a closely related item.

Provenance:

$800 - 1,200

Ex-Collection, Henry Ford Museum, Dearborn, Michigan.

161

160

A Classical Grain Painted Nine-Drawer Chest of Drawers

163

164

165

163

A Country Grain Painted Pine Box 19th Century

Height of box 3 7/8 x width 11 3/4 x depth 7 inches

Please see Lot 162 for a closely related item.

$300 - 400

164

An Ohio Mennonite Red and Green Painted StencilDecorated Poplar Blanket Chest Ohio, Circa 1896 retaining the original hinges (stamped BALDWIN PATENT), till and cover, lock clasp (mechanism lacking)

Height 22 1/4 x width 44 x depth 21 inches.

$300 - 500

165

American School, Early 20th Century Steamship C. Russell Hubbard on Lake Michigan oil on canvas unsigned 22 x 33 3/4 inches.

The C. Russell Hubbard was a steel bulk freighter originally launched as the Henry A. Hawgood on September 8, 1906. She was enrolled at Cleveland, Ohio in service of the Minerva Steamship Co. on Lake Superior. The Hawgood changed hands twice and was finally sold to the Hubbard Steamship Co. on September 27, 1911. She was renamed C. Russell Hubbard the following year, but the Hubbard fleets later merged with the Columbia Transportation Co., and the steamboat was once again renamed the W.W. Holloway in 1937. She remained in service until 1981 and was sold for scrap in 1985.

$500 - 700

166

166

Antonio Jacobsen (American, 1850-1921)

Steamship Henry B. Smith

oil on artist board signed, dated, and inscribed Antonio Jacobsen 1907 / 31 Palisade Av. West Hoboken NJ, lower right 11 1/2 x 41 1/4 inches.

The Henry B. Smith was a steel-hulled lake freighter built in 1906 by the American Ship Building Company at Lorain, Ohio. She was named for prominent Michigan lumberman Henry B. Smith (1858-1919) and was operated by the Acme Transit Company, a firm primarily engaged in hauling cargoes of iron ore. In November 1913, during the so-called “Big Storm,” she went missing on Lake Superior with a full cargo and all hands somewhere north of Marquette, Michigan. The wreck was discovered in 2013 by shipwreck hunters, one hundred years after the Henry B. Smith’s disappearance.

$2,000 - 4,000

167

Antonio Jacobsen (American, 1850-1921)

Steamship City of Berlin at Sea oil on panel signed and inscribed A. Jacobsen / 257 8 Av. NY, lower right 20 1/2 x 34 3/4 inches.

The first record of Jacobsen at this 8th Avenue address is recorded in New York City Directories from 1876: “Jacobsen, Antonio, Artist, 257 Eighth Av.” Jacobsen painted another view of this same vessel in 1878, which sold at auction at the Concept Gallery in Pittsburgh, Pennsylvania on November 1, 2014, as Lot 635.

The SS City of Berlin was a British ocean liner that launched from Liverpool on April 29, 1875. She was owned and operated by the Inman Line and made numerous transatlantic crossings between Liverpool and New York, including a record-setting voyage in the fall of 1875, which beat the previously set record by five hours. The City of Berlin was sold to the American Line in 1893 and was subsequently renamed first Berlin, and later Meade. At the time that the American Line owned the vessel, it was the largest seafaring ship of its time. In this capacity, her focus shifted primarily to the Pacific Ocean for much of the early twentieth century before being scrapped in 1921.

$2,000 - 3,000

168

169

168

A Carved and Painted Wood Steamboat Model

Early 20th Century electrified.

Height 12 x length 32 x depth 6 1/4 inches.

$400 - 600

169

A Carved and Painted Wood Great Lakes Ship Model

20th Century

Overall height 14 1/2 x width of base 21 1/4 x depth of base 17 inches.

$400 - 600

170

171

170

[NORTH AMERICA] Two Maps Featuring the United States and Associated Bodies of Water.

comprising:

CARY, John. A Map of North America agreeable to the latest Discoveries. N.p., [1790? or later] Engraved map of North America, 9 3/8 x 8 in. (238 x 203 mm), in old paint-decorated frame (unexamined out of frame), small portion of lower left margin replaced with associated tear just crossing image, creased and some minor soiling. See McCorkle Carto-Bibliography of the Maps in Eighteenth-Century British and American Geography Books 129.

BEARD, C. L. Map of the Route of the Great Western Railway Shewing its connection with other public works. N.p.: n.d., ca 19th-century. Engraved map of the Northeast and Midwest, visible area 9 1/8 x 14 1/2 in. (232 x 368 mm). Framed (unexamined out of frame). Depicting railway routes from the East Coast across the Midwest to Iowa and Missouri.

$250 - 350

171

[WORLD]. ROBISON, Edward C. Manuscript double-hemisphere map of the world. 1831. 1830

Manuscript double-hemisphere map of the world, in ink and colors, hand-colored in outline, within pink and green borders with manuscript title: “Hemispheres Delineated by Edward C. Robison 1831.” Visible area 12 1/4 x 18 5/8 in. (311 x 473 mm). Framed (unexamined out of frame).

$200 - 300

172

[CENTRAL AMERICA] Three maps of the Southeastern United States, the Caribbean, and Central America. comprising:

BOWEN, Emanuel (1694-1767). A New and Accurate Chart of the West Indies with the Adjacent Coasts of North and South America. London, ca 1740s.

15 3/8 x 18 1/4 inches.

Engraved map of the Southeastern United States, the Caribbean, and Central America with hand-coloring in outline, visible area 15 1/4 x 18 1/4 in. (387 x 464 mm). Framed (unexamined out of frame).

KELLY, Thomas. Map of the West Indies on Mercator’s Projection. London, 1824. Engraved map of the Caribbean with hand-coloring in outline, visible area 9 7/8 x 15 1/2 in. (251 x 394 mm). Framed (unexamined out of frame).

[WEST INDIES]. West Indies. N.p., n.d. Anonymous map of the Caribbean, including Florida and Louisiana, 7 5/8 x 12 1/2 inches, framed (unexamined out of frame).

$300 - 500

173

A Hand-Drawn Double Hemispherical World Map 19th Century watercolor and ink on paper titled Hemispheres and signed and dated Delineated / By / Edward C. Rorison 1831, lower register 17 5/8 x 27 inches.

$300 - 500

174

A Hand-Drawn Map of the Central States pastel and ink on paper

titled Central States / Domin: of Canada and signed and dated Made by Otto I. Leisy 1876., lower register 11 3/4 x 8 1/2 inches.

The historical record documents an Otto I. Leisy, born in Keokuk, Iowa to German immigrants on May 1, 1863. In 1873, Leisy, his parents, and siblings relocated to Cleveland, Ohio, where Leisy and his two brothers opened The Leisy Brewery on Vega Avenue. By 1880, Leisy bought out his brothers’ interests and expanded his operations to an eight-acre brewing campus. As a result of his fine entrepreneurial acumen, the brewery thrived in the decades before Prohibition, and Leisy, along with his wife and four children, became very wealthy. An obituary published in the Newark Star-Eagle thusly records his passing in 1914: “Cleveland, O., March 2. -- A cerebral hemorrhage yesterday caused the death of Otto I. Leisy, fifty, millionaire brewer, nationally known to German-Americans for his benefactions. He died the very day on which he formally presented to the city [of Cleveland] $50,000 for the construction of a model playground.”

Both Keokuk and Cleveland are prominently featured in the map offered here, suggesting that the drawing may have illustrated the eastward route followed by Leisy and his family.

$300 - 400

175

176

175

A Pair of William and Mary Style Carved and Stained Maple Side Chairs 19th or 20th Century

Height 41 3/4 inches.

$300 - 500

176

A Chippendale Mahogany Dished-Top Tilt-Top Candlestand

Circa 1790 and Later

Height 28 x width 16 3/4 x depth 16 3/4 inches.

$200 - 400

177

A Pair of English Brass Candlesticks 18th Century Height 8 3/4 inches.

$300 - 500

178

Three Pairs of English Brass Candlesticks 19th Century together with a pair of turned oak candlesticks. Height of largest 11 3/4 inches.

$300 - 400

177 178

179

179

Three Delftware Plates 18th/19th Century comprising a ‘peacock tail’ charger, a floral plate, and an armorial plate initialed HGE and dated 1714

Diameter of charger 12 inches.

$400 - 600

180

Three Polychrome Delftware Plates 18th Century comprising an example with tree and flower decoration marked AK, and two unmarked examples.

Diameter of largest 9 1/4 inches.

$300 - 500

181

Three Delftware Chinese Export Style Plates 18th/19th Century

Diameter of largest 12 inches.

$500 - 700

180

182

A Delftware Tobacco Jar 18th Century with three bells mark to underside. Height 8 1/2 inches.

$300 - 500

183

A Chinese Export Blue and White Porcelain Plate 18th/19th Century

Diameter 9 inches.

$150 - 250

184

A Pair of Wedgwood Creamware Plates 18th/Early 19th Century depicting William of Orange and Sophia of Prussia and stamped on underside. Diameter 8 1/4 inches.

$300 - 500

181

182

185

Style of Ruth Whittier Shute (American, 1803-1882)

Portrait of Woman With Yellow Shawl oil on canvas unsigned 12 5/8 x 8 3/8 inches.

$400 - 600

186

J. M. Crowley, (American, 19th Century)

Miniature Silhouette Portrait of a Gentleman graphite on paper unsigned, but accompanied by paper signed and dated J. M. Crowley / Delineator / January 19, 1836. 4 5/8 x 3 1/4 inches.

$400 - 600

187

James Sanford Ellsworth (American, 1802-1874)

Pair of Silhouette Portraits: Husband and Wife watercolor on paper portrait of the gentleman signed Ellsworth Painter, lower register 8 1/4 x 10 1/4 inches.

$300 - 500

185 186

188

188

American School, 19th Century Portrait of a Gentleman oil on panel unsigned 12 1/2 x 9 1/2 inches.

$400 - 600

189

American School, 19th Century Silhouette Portrait of a Man watercolor and gouache on paper signed and dated Drawn By S. Fowles 1849, verso 8 x 6 inches.

Silhouette of a Boy with Hoop cut paper and watercolor unsigned, but with alphanumeric stamp and inscription, verso 5 7/8 x 4 3/8 inches.

$300 - 500

190

Two Turned and Brown Painted Rush-Seat Side Chairs

Late 18th/Early 19th Century comprising a Queen Anne example and a ladder-back. Height of taller 39 inches.

$300 - 500

191

A Diminutive Country Stained Poplar Blanket Chest 19th Century retains the original till and cover, hinges, lock mechanism, and clasp.

Height 10 3/8 x width 17 x depth 10 1/2 inches.

$300 - 500

189 190

193

194

192

A Country Late Federal Molded Cherrywood Work Table 19th Century Height 27 3/4 x width 17 1/2 x depth 16 3/4 inches.

$300 - 500

193

A Country Brown and Black Painted Five-Drawer Chest Second Half 19th Century Height 29 1/4 x width 18 1/2 x depth 18 1/2 inches.

Provenance: Ex-collection G.W. “Bill” Samaha, Milan, Ohio.

$300 - 500

194

American School, 19th Century Landscape with a House and a Sailboat watercolor on paper unsigned 7 3/4 x 12 inches.

$300 - 400

195

American School 19th Century Kuhn Family Homestead, Tuscarawas County, Ohio watercolor on paper unsigned inscribed House where Daniel Kuhn was born May 19, 1832 / York Twp. Ts. Co. O. Built 1816 by his grandfather Philip Lepold / Kuhn 3rd settler of York Twp., mat 5 1/2 x 7 3/4 inches.

In Tuscarawas County, the extensive Kuhn family originates from German immigrant ancestry, with this branch headed by Philip Leopold Kuhn (1768-1824), an early Tuscarawas settler and the builder of the house pictured here. His son, John Philip Kuhn (1798-1840) married Catherine Ann Benfer (1800-1872) on July 8, 1827, and the couple had several children, including Daniel (1832-1909). Daniel Kuhn was a farmer and master carpenter and served two terms as county commissioner.

$200 - 300

192

196

197

196

American School, 19th Century Silhouette Portrait of a Young Man pastel on paper unsigned 9 3/8 x 7 3/8 inches.

$300 - 500

197

American School, Mid-19th Century Portrait of a Girl gouache on paper dated 1846, lower right 7 1/2 x 5 1/2 inches.

$300 - 400

198

American School, 19th Century Pair of Folk Art Portraits: Gentleman and a Lady oil on panel unsigned 7 x 6 1/4 inches.

$300 - 400

199

200

201

199

A Fringed Floral Needlework

Pillow Cover

19th Century

20 1/4 x 19 1/2 inches.

$250 - 350

200

Three Pieced Cotton Crib Quilts

19th Century

Largest 36 x 35 1/2 inches

$300 - 400

201

A Scherenschnitte Cutwork Picture with Birds and Flowers Possibly Coatesville, Pennsylvania, 19th Century frame verso bears modern inscription Cut for Elizabeth Houcks Hager, Bought in Coatesville from Mrs. 9 x 13 inches.

$200 - 400

202

A Classical Gilt and Paint Decorated Poplar Blanket Chest

Circa 1840

Height 22 x width 31 3/4 x depth 16 1/4 inches.

$400 - 600

203

A Country Classical Grain Paint Decorated Poplar Blanket Chest

Probably New York State, circa 1840 appears to retain the original hinges and till box, the backboard inscribed Cedar Springs, the underside further inscribed G. Hancock Sturgis, Mich, the lock mechanism is likely an early replacement, lacking till cover.

Height 21 1/4 x width 49 1/2 x depth 20 1/4 inches.

$300 - 500

204

A Country Late Federal Cherrywood Demi-Lune DropLeaf Table

First Half 19th Century

Height 27 1/4 x width 42 1/2 x depth 21 1/2 inches (closed).

$300 - 500

205

A Carved and Yellow-Painted Wood Leather Upholstered Brace Back Continuous Windsor Armchair

Late 18th/Early 19th Century together with a red-painted New Mexican pine side chair.

Height of first 36 1/2 x width 22 1/4 x depth 20 1/2 inches.

$500 - 800

206

A Country Federal Brown Painted Maple One-Drawer Splayed Leg Work Table

Pennsylvania, First Half 19th Century

Height 26 x width 18 3/4 x depth 19 inches.

$300 - 500

207

Two Paint Decorated Dresser Boxes

19th Century comprising a red painted example and a floral and black painted example with landscape scene to lid and depiction of a house to the interior.

Height of red box 5 1/4 x width 8 1/2 x depth 6 1/4 inches.

Height of black box 4 1/4 x width 10 x depth 6 1/4 inches.

$400 - 600

208

A Carved and Painted Wood Diorama of a Sailboat 19th Century housed in a shadowbox frame. 18 1/4 x 25 inches.

$300 - 500

209

A Carved and Painted Wood Steamboat Diorama

Early 20th Century housed in a shadowbox frame. 13 x 21 inches.

$400 - 600

210

A Carved and Painted Wood Ship Diorama

Pennsylvania, Late 19th/Early 20th Century housed in a shadow box frame. 9 3/4 x 14 inches.

$300 - 500

211

A Carved and Painted Wood Ship Diorama

19th Century housed in a shadowbox frame. 14 1/2 x 22 3/4 inches.

$400 - 600

212

Six Miniature Half-Hull Models

Early 20th Century each of pulling boat form, identified, and mounted to a leather-clad panel. Length of longest 6 inches.

$300 - 500

213

A Pair of Forged Iron Pipe Tongs

18th Century

Length 18 inches.

$400 - 600

214

A Southwest American Painted and Punched Processional Tin Lantern on Stand

19th Century

Height 22 1/2 inches.

$300 - 500

215

A Pressed Sheet Tin Twelve-Drawer Sewing Chest 19th Century

Height 11 x diameter 9 inches.

$200 - 300

216

Four Metalware Articles

19th/Early 20th Century comprising two pewter plates, a pewter pitcher, and a silverplate teapot. pitcher marked for Bartolomeo Walder, one plate marked London, and teapot with Britannia Metal mark, undersides.

Height of teapot 8 1/2 inches.

$200 - 400

217

219

Two

$100 - 200

$300

220

$300 - 500

14 1/2 inches.

This work was the overmantle decoration

a home in North Carolina.

$400 - 600

217

American School, 19th Century

Sailboats graphite and colored pencil on paper unsigned 12 x 16 inches.

218

A Painted Pine Blanket Chest Lid with Ship 19th Century and Later unsigned 21 x 35 3/4 inches.

American School, 19th Century Clipper Ship at Sea oil on canvas unsigned 13 1/2 x 18 3/4 inches.

- 400

American School, 19th Century

A Folk Art Sea and Townscape oil on plaster unsigned 12 1/4 x

from

218 219

220

221

American School, 19th Century

Military Parade watercolor on ledger paper signed W.F. Clement, lower right together with a CDV of Clement, inscribed Willie Clement, verso 4 1/2 x 14 3/4 inches.

$300 - 500

222

American School, Circa 1846

Birth and Baptism Record with Birds and Angels watercolor fraktur on paper dated within text and signed Theodor Hengist, lower margin 9 3/4 x 15 1/2 inches.

Announces the birth of a daughter to Johannes Maurer and his wife on May 9, 1846, in Salem Township, Mercer County, Pennsylvania. She was baptized with the name Sarah Jean on July 19th of the same year.

$300 - 500

223

American School, 19th Century

Portrait of a Gentleman oil on panel unsigned 7 1/4 x 5 1/2 inches.

$300 - 500

224

American School, 19th Century

Portrait of a Gentleman oil on panel unsigned pencil inscribed Dr. G. Robinson / of Palmyra / 1776-1831, backboard 8 1/2 x 6 1/2 inches.

Provenance:

Ex-collection, Albert Burnette Roberts (19322021), Hudson, New York.

$300 - 500

225

226 227

228

225

Five Woven Splint Baskets

19th Century/Early 20th Century

Height of tallest over handles 16 x width 18 x depth 9 inches.

$400 - 600

226

A Stained Splint Buttocks Basket

19th Century

Height 9 1/4 x length 11 x width 10 1/4 inches.

$300 - 400

227

Two Woven Baskets

Early 20th Century including one potato stamp decorated example.

Height of larger 2 x width 4 1/2 x depth 4 1/4 inches.

$200 - 300

228

Three Carved and Painted Wood and Sheet Metal Inset Fishing Lures

Early 20th Century

Length of largest 11 inches.

$600 - 800

229

Eleven Carved and Painted Wood Bird Figures

First Half 20th Century comprising two great horned owls, four female pheasants, one male pheasant, three ducks, and one scarlet macaw. variably identified to decoy artist Thomas Hansen (1895-1964), Valley City, Nebraska, and Arthur A. Leonhardi (1892-1969), Rock Island, Illinois, undersides.

Height of tallest 5 1/2 inches.

together with a framed photograph of Arthur Leonhardi displaying examples of similarly carved and painted figures, including birds. According to U.S. Federal Census returns, Leonhardi worked as a machinist and lathe foreman, while Hansen, when not battling osteomyelitis, worked on his family’s farm. During periods of convalescence, Hansen honed his skills as a wood carver and ultimately turned his hobby into a business endeavor later in his life.

$400 - 600

229

230

230

Three Folk Art Carved and Painted Wood Figures

20th Century comprising a pair of Katsina-inspired figures and a countertop tobacco-trade figure wearing a headdress. unmarked.

Height of tallest figure 11 inches.

$300 - 400

231

Four Folk Art Carved Wood Articulated Figures

20th Century

Length of largest 13 1/2 inches.

$300 - 400

232

Four Folk Art Carved Wood Articulated Figures

20th Century

Length of largest 16 inches.

$300 - 400

233

Four Folk Art Wood Carvings

20th Century

comprising a painted wood figure of a penguin attributed to Lavere Mason (American/Michigan, active 1930-1965), a newsboy signed indistinctly, a bust of a man signed by Braxton Murray of Raleigh, North Carolina, and a Statue of Liberty.

Height of largest 12 3/8 inches.

$300 - 500

234

A Pair of Korean Carved Stone Figural Bookends 20th Century unmarked.

Height 6 1/2 inches.

$200 - 300

235

A Delftware Shaving Bowl

18th Century

Height 4 1/4 x diameter 11 2/4 inches.

$300 - 500

236

Two Delftware Lobed Bowls

18th Century

Diameter of larger 10 inches.

$200 - 400

237

Two Delftware Plates

18th Century

Diameter of larger 11 3/4 inches. $200 - 400

238

A Cobalt Decorated Stoneware Pitcher

19th Century

Height 8 3/4 inches.

$200 - 300

236

239

Three Miniature Ship Models

American, 20th Century comprising two examples housed in glass bottles and one carved and painted Great Lakes tugboat diorama. base of one bottle paint-decorated with an American flag, with text to interior elements reading Hotel Meals 25¢, Sales N. Stay Out, and Come in Length of each bottle 8 inches.

$300 - 500

240

A Redware Slip Glazed Plate

Early 19th Century Diameter 7 3/4 inches.

$150 - 250

241

Three Rockingham Glazed Table Articles 19th Century comprising a pair of pottery bottles and a muffin pan. Height of each bottle 5 1/2 inches.

$200 - 300

242

A Pair of Flint Enamel Glaze Frames Likely Bennington Pottery, Bennington, Vermont, 19th Century 12 x 10 3/4 inches.

$300 - 400

243

A Set of Five Framed Puce Delft Tiles 19th Century comprising views of four buildings and one well. 5 1/4 x 5 1/4 inches.

$200 - 400

242

244

A Folk Art Carved and Painted Wood Frame 19th Century

housing a lithograph of the Fulton ferry boat Over by George Hayward (English, active Brooklyn 1800-1872) for Manual of the Corporation of the City of New York, for the year 1859.

unmarked.

11 1/2 x 13 inches.

The Manual was compiled and published annually by David Thomas Valentine (American, 1801-1869) between 1841 and 1870 and served as a source for information about the city’s municipal government. Valentine, described at the time as “our city’s chronicler,” served in various capacities, including Marine Court Clerk, Deputy Clerk of the Common Council, and Chief Clerk of the Council.

$200 - 400

245

A Civil War Oval Albumen Photograph of Michigan Cavalry Officer Horace S. Green Circa 1861

equestrian portrait shows sergeant of cavalry Horace S. Green (1818-1862) wearing a single-breasted frock coat, indicating company grade officer, with a Hardee hat having crossed sabers.

stamped three times H.S. Green / 3rd. Michi.gan’y / Co. B, one upper and both lower corners.

7 3/4 x 9 1/2 inches.

According to the genealogical record, Horace Green was born in 1818 to New Yorkers James and Hopestill Eunice Green. The family relocated to Clinton County, Michigan, where Green worked as a farmer as a young man. He enlisted at St. Johns on August 27, 1861, as a sergeant and mustered into Co. B, 3rd Michigan Cavalry, leaving behind his second wife, Lydia, and ten children.

The regiment left Grand Rapids on November 28, 1861, for St. Louis, Missouri, under the command of Lieutenant Colonel Robert H. G. Minty. Green and his cohort settled in New Madrid along the Mississippi River, where the water quality was notoriously poor. Consequently, more illness was recorded among the regiment here than at any other point during the Civil War, with a correspondingly high mortality rate. New Madrid was ultimately evacuated given these conditions, and the regiment was dispatched up the Tennessee River to the battlefield of Shiloh, where the men took part in the siege of Corinth in the spring of 1862. Unfortunately, Green had already succumbed to a water-borne illness on March 2, 1862.

$200 - 400

246

A Joslin’s Terrestrial Table Globe on Stand Boston, Massachusetts, Circa 1860 labeled Joslin’s Six Inch Terrestrial Globe Containing the lastest Discoveries. Boston. Gilman Joslin. 1860. Drawn and Engraved by W. B. Amrin.

Diameter of globe 6 inches; overall height 9 3/4 x diameter of stand 8 inches.

$600 - 800

247

A Thonet Bentwood Child’s Chair Vienna, Austria, Late 19th Century stamped Thonet / Austria and with applied paper retailer’s label Thonet / Wien with Gebrüder Thonet cipher, seat underside. Height 13 x width 13 1/2 x depth 11 inches.

$150 - 250

248

A Set of Three Pieces of Miniature Bentwood Splint Seat Seating Furniture Late 19th/Early 20th Century comprising a rocking chair, an armchair, and a settee. together with a carved and painted wood table. Height of tallest 8 x width 9 1/8 x depth 5 inches.

$200 - 300

246

247

248

249

249

A Carved and Painted Wood and Birch Bark Goose Head Decoy

Canadian, First Half 19th Century Length 20 inches.

Literature:

Robert Bishop. American Folk Sculpture, New York City, New York: Dutton, 1974, p. 303.

$150 - 250

250

250

Two Carved and Painted Wood Figural Clubs

Length of longer 14 5/8 inches.

$400 - 600

251

Six Small Animal Figures

Late 19th/Early 20th Century comprising a glazed sewer tile spaniel, a redware bulldog, a paint-decorated chalkware lion, and three carved and painted wood creatures, among them a horse, a drinking bird, and a turtle signed William Bennet KY. together with a carved wood three-link whimsy chain.

Height of drinking bird 4 x width 7 x depth 2 inches.

$250 - 350

251

252

A Miniature Carved Wood Canvasback Duck Decoy

Early 20th Century

Height 2 1/2 x length 5 1/2 inches.

$200 - 300

253

Six Dolls 20th Century comprising painted wood, cork, and cloth examples. Length of largest 16 inches.

$400 - 600

254

Five Carved and Painted Wood Toys and Boxes

Late 19th/Early 20th Century comprising a toy train, two lidded boxes, and a pair of game clubs. the lid of one box inset with a miniature carved and painted wood ship diorama. the train identified DeWitt Clinton, of the Mohawk and Hudson Railroad.

Height of each club 14 inches.

$300 - 400

255

Early 20th Century

Larger 47 1/4 x 24 inches.

$400 - 600

256

Three Persian Wool Mats

Early 20th Century

Largest 44 1/4 x 19 inches.

$300 - 500

257

Century

$300 - 400

258

Early 20th Century

$200 - 400

Two Persian Woven Wool Asmalyks

A Mexican Weaving 20th

A Turkish Kilim Wool Weaving

American Furniture, Folk and Decorative Arts

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ALASDAIR NICHOL DEPUTY CHAIRMAN, HEAD OF FINE ART 267.414.1211

ANICHOL@ FREEMANSAUCTION.COM

MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT, DEPUTY CHAIRMAN 312.447.3275 MOLLYLIMMER @HINDMANAUCTIONS.COM

DENVER MARON HINDMAN 303.825.1855 MARONHINDMAN @HINDMANAUCTIONS.COM

DETROIT

PAM IACOBELLI 313.774.0900

PAMELAIACOBELLI @HINDMANAUCTIONS.COM

MIAMI

ELIZABETH RADER, PHD 239.643.4448

ELIZABETHRADER @HINDMANAUCTIONS.COM

MILWAUKEE

SARA MULLOY 414.220.9200 SARAMULLOY @HINDMANAUCTIONS.COM

NAPLES ALLISON DURIAN 239.643.4448

ALLISONDURIAN @HINDMANAUCTIONS.COM

WES COWAN VICE-CHAIR WESCOWAN @HINDMANAUCTIONS.COM

Trusts, Estates & Private Clients

MOLLY E. GRON, J.D. MANAGING DIRECTOR 312.334.4235 MOLLYGRON @HINDMANAUCTIONS.COM

GRETCHEN HAUSE SENIOR VICE PRESIDENT, CO-HEAD OF DEPARTMENT, BOOKS & MANUSCRIPTS GRETCHENHAUSE @HINDMANAUCTIONS.COM

NEW YORK

CAROLINE BAKER SMITH 212.243.3000

CAROLINEBAKERSMITH @HINDMANAUCTIONS.COM

PALM BEACH

ELIZABETH MARSHMAN 561.621.8461

ELIZABETHMARSHMAN @HINDMANAUCTIONS.COM

PHILADELPHIA

ABBY CLOUSER 215.563.9275

CLIENTSERVICES@ FREEMANSAUCTION.COM

RICHMOND

COLIN CLARKE VICE PRESIDENT 434.409.4549

CCLARKE@ FREEMANSAUCTION.COM

Appraisals

TIM LUKE, CAI, BAS, MPPA, ISA-AM MANAGING DIRECTOR 561.833.8053

TIMLUKE @HINDMANAPPRAISALS.COM

SAN DIEGO

KATIE GUILBAULT, G.G.

SENIOR VICE PRESIDENT 858.442.6104

KATIEGUILBAULT @HINDMANAUCTIONS.COM

SCOTTSDALE

LOGAN BROWNING 480.546.5150

LOGANBROWNING @HINDMANAUCTIONS.COM

ST. LOUIS

ANNA SHAVER 314.833.0833

ANNASHAVER @HINDMANAUCTIONS.COM

WASHINGTON, D.C.

MAURA ROSS

SENIOR VICE PRESIDENT 202.853.1638

MAURAROSS @HINDMANAUCTIONS.COM

Guide for Prospective Sellers and Buyers

GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property

Hindman is pleased to provide complimentary auction estimates for items you’re considering consigning. You are welcome to submit items electronically (consign@hindmanauctions.com) or to contact any of our offices directly.

Our specialists are eager to help you learn more about your collection and current auction sale estimates.

To begin an estimate, our specialists will need:

• At least 3 photos

• Detailed description

• Details on signatures or marks

Shipping Arrangements

Buyers assume full responsibility for the packing and shipping of lots won at auction. Our Recommended Shippers offer a wide variety of local, domestic, and international shipping options.

In the interest of our clients, Hindman requires a written authorization from the buyer in order to release property to anyone other than the purchaser of record (including but not limited to our recommended shippers). You may submit the Shipping Release Form via fax to 312.280.1211 or email to shipping@hindmanauctions.com

Appraisals

Our exceptional team of specialists regularly appraises property by analyzing market trends and conducting comprehensive research. Specialists evaluate thousands of objects each year for auction, allowing them to closely monitor the nuances of the current market.

Professional appraisals are prepared for estate tax, gift tax, charitable contribution, insurance and for equitable distribution purposes.

• Estate Tax

• Gift Tax

• Charitable Contribution

• Insurance

• Appraisals for Corporate Valuation Needs

Our trust and estates department recognizes that each client and appraisal situation is unique and often involves multiple asset categories and residences. Fees for appraisals are determined by the number of specialists, hours involved and the necessary travel and expenses. Our competitive fees are negotiated based upon the express needs of each client and are competitive within the marketplace.

Please contact our Appraisals Department (appraisals@ hindmanauctions.com) for more information.

Estate Services

Estate settlement is a meticulous and multi-faceted process. Hindman provides executors, fiduciaries and beneficiaries throughout the country with confidential and customized appraisals and disposition services. All appraisals are prepared fully in accordance with USPAP guidelines and meet all current requirements set forth by the IRS.

We recognize that each client and appraisal situation is unique and often involves multiple asset categories and residences. Our Trusts and Estates department offers services that are tailored to meet our clients’ timelines and specifications.

Our specialists offer complimentary walk-through services with the goal of providing an accurate representation of each items’ value based on the current auction market. A detailed proposal outlining the manner in which a sale will be conducted from the initial value assessment to removal of the property and settlement is provided to all parties involved.

Please contact our Estate Services (inquiries@hindmanauctions.com) team for more information.

GUIDE FOR PROSPECTIVE BUYERS

Conditions of Sale

All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction.

Viewing Auction Items

It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person.

Estimates

Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The standard bidding increments are:

In-House Bidding

Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Live Bid Online

Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.

Absentee Bidding

If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids.

Telephone Bidding

You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $500 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time.

Updated 1.13.23

Conditions of Sale

These Conditions of Sale set out the terms upon which Freeman’s | Hindman, a dba of Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES

Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot.

2. CONDITION

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report.

3. VIEWING LOTS

We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Freeman’s | Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check our website and be aware of where each lot is located, for both viewing and for shipping purposes.

4. ESTIMATES

Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges.

5. WITHDRAWAL

We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. GENERAL

We reserve the right to reject any bid. By participating in the sale, you represent and warrant that:

(a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and

(c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation.

2. NEW BIDDERS

New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity.

(a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid.

3. RETURNING BIDDERS

If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction.

4. BIDDING FOR ANOTHER PERSON

If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.

5. BIDDING IN THE SALEROOM

If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction.

6. OUR BIDDING SERVICES

We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services.

(a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids.

(b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites.

(c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids.

7. CREDIT CARD AUTHORIZATION HOLD

When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION

(a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Freeman’s | Hindman sole discretion.

2. AUCTIONEER’S DISCRETION

The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1).

3. BIDDING ON BEHALF OF THE SELLER

The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.

4. SUCCESSFUL BIDS AND INVOICES

Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Freeman’s | Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Freeman’s | Hindman prior to the sale.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM

In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots except for those in Coins, Medals & Banknotes; Sports Memorabilia; and Arms, Armor & Militaria auctions we charge twenty-seven percent (27%) of the hammer price up to and including $1,000,000; twenty-one percent (21%) of any amount in excess of $1,000,001 up to and including $4,000,000; and fifteen percent (15%) of any amount in excess of $4,000,001. For all lots offered in Coins, Medals & Banknotes we charge a buyer’s premium of twenty-one percent (21%) of the hammer price. Sports Memorabilia; and Arms, Armor & Militaria auctions we charge a buyer’s premium of twenty percent (20%) of the hammer price. If the bidder bids through a third-party platform, then the bidder agrees to pay us a surcharge equal to the fee levied by the thirdparty platform. The third-party platform fee is in addition to the buyer’s premium.

2. TAXES

The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including,

but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required.

3. MAKING PAYMENT

(a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date.

(b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name.

(c) You must pay for lots in US dollars in one of the following ways:

(i) Wire transfer.

(ii) Bank checks: You must make these payable to Freeman’s | Hindman, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed.

(iii) Personal checks: You must make these payable to Freeman’s | Hindman, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.

(iv) Credit card: Credit card payments may not exceed $25,000 and a convenience fee of 3% will be added to each credit card payment.

(v) ACH Bank Transfer

(d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Freeman’s | Hindman, 1550 West Carroll Avenue, Chicago, IL 60607, ATTN: Client Accounting Department.

4. TRANSFERRING OWNERSHIP TO YOU

You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you.

5. TRANSFERRING RISK TO YOU

Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse.

6. YOUR FAILURE TO PAY

If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion:

(a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due.

(b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation.

(c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law.

(e) We can reveal your identity and contact details to the seller.

(f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids.

(g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us.

(h) We can take any other action we deem necessary or appropriate.

7. SHIPPING, COLLECTION, AND STORAGE

(a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Freeman’s | Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is

important to check with our website and be aware of where each lot is located, for both viewing and for shipping.

(b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Freeman’s | Hindman location or to a thirdparty warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate.

(c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot.

(d) Nothing in this paragraph is intended to limit our rights under paragraph D(6).

8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES

(a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot.

(b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

9. FEDERAL FIREARMS LICENSE HANDLING POLICY

(a) Freeman’s | Hindman complies with all federal, state, and local regulations pertaining to the sale and transfer of firearms. We will allow no exception to the rules stated below.

(b) Buyer Responsibility. It is the sole responsibility of the buyer to know and comply with all state and local firearms regulations in the jurisdiction where the buyer resides

(c) Federal Law. All firearms not classified as antique under federal law will require compliance with the following agencies, as noted with asterisks in our printed and online catalogues:

* Indicates the weapon is regulated by Federal Firearms laws.

** Indicates the weapon is regulated by Curio & Relic classification of the Federal Firearm laws

*** Indicates the weapon is regulated by the National Firearms Act of 1934.

(d) Handguns. Non-Ohio resident buyers of handguns must pay for their purchases before leaving the auction. All modern handguns must be retained by an agent. All buyers must arrange with a local firearms dealer in their resident state to provide Freeman’s | Hindman with a copy of the FFL license holder to whom any modern handgun will be shipped. Upon receipt of the copy of this license, a purchase will be packaged and shipped (at the buyer’s expense) to the appropriate FFL holder. This is a federal law and must be complied with regardless of the buyer’s resident state. Please allow up to four weeks for delivery. Transfers of modern handguns to Ohio residents must take place at the location where the auction takes place. Ohio residents may take possession of a modern handgun immediately after their purchase, provided they successfully complete a NICS background check which can occur on the auction premises or afterwards.

(e) Modern Long Guns. Both residents and non-residents of Ohio may take possession of modern long arms after payment, the filing of an ATF form 4473, and completion of a NICS background check. In most cases, the NICS process can be approved or denied on the same day. For further information regarding delays, you may contact the NICS information line at 304.625.2750 or view the information on their website at: http://www.fbi. gov/program/nics/index.htm

(f) Antique Guns. Antique firearms are defined as those produced in 1898 or prior. Antique guns may be purchased and removed from the auction premises on the day of sale by a resident or non-resident of Ohio.

(g) Disclaimer. Neither Freeman’s | Hindman, their consignors, employees,

or agents warrant the safety, or the shoot ability of any firearm sold. All firearms in this catalog are sold as collector items. Buyers wishing to fire ANY firearm purchased in this auction are strongly advised to have the weapon(s) examined by a competent gunsmith who will test the weapon for its shoot ability and also to ensure that the caliber of the breech is, in fact, the caliber that it is thought to be.

(h) Collection and Shipping. Freeman’s | Hindman offers in-house, fullservice shipping. Shipping costs are provided with your finalized invoice 24-48 hours after auction. For more information, contact cowansshipping@ hindmanauctions.com. All pickups are by appointment only. To make an appointment, please call 513-871-1670 or email cincinnati@ hindmanauctions.com. There are special rules for the following buyers:

i. California and New Jersey: Due to recent changes to California and New Jersey laws, we require all firearms, whether modern or antique, be shipped to a licensed FFL dealer.

ii. New York: We require all firearms, whether modern or antique, be shipped to a licensed FFL. Curio and Relic licenses are not valid for this purpose.

iii. International: We will only ship a firearm to a United States address regardless of the weapon’s antique status. It is the responsibility of the buyer to organize the export of their firearms to their country of residence. The buyer is separately responsible for the cost of export shipping and all shipping quotes provided by Freeman’s | Hindman are for domestic shipping only.

(i) Freeman’s | Hindman Class III License Policy. Freeman’s | Hindman in Cincinnati, Ohio is a recognized dealer in Class III items and is recognized as a (63) NRA Firearms Dealer and will comply with all applicable regulations regarding the sale of Class III firearms.

(j) Buyer Responsibility. Buyers are expected to know their state’s laws and regulations on machine guns prior to bidding. The following states currently do not allow individuals to own machine guns: California, Hawaii, Illinois, Iowa, Kansas, Maine, Michigan, Mississippi, New Jersey, New York, and Rhode Island. For more details and an up-to-date list of states, please visit the website for the Bureau of Alcohol, Tobacco, Firearms and Explosives at www.atf.gov. The buyer shall assume all transfer fees relating to the purchase of Class III weapons.

(k) Paperwork. The three forms required for the purchase of machine guns will be supplied to the bidder/buyer by Freeman’s | Hindman. These forms are:

1) ATF Form #4 (and possibly ATF Form #5) 2) Fingerprint Card, and

3) ATF form 5330.20 Certificate of Compliance. All buyers are expected to promptly fill out paperwork and comply with all related laws and regulations.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Freeman’s | Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

2. OUR LIMITED AUTHENTICITY WARRANTY

Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Freeman’s | Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Freeman’s | Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows:

(a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty.

(b) It is given only for information shown in UPPERCASE type in the first

line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type.

(c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty.

(d) It applies to the Heading as amended by any saleroom notice.

(e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion.

(f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot.

(g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else.

(h) In order to make a claim under the limited authenticity warranty, you must

(i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale.

(i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses.

(j) No employee or agent of Freeman’s | Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS

If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances:

(a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms:

(i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals;

(C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale.

(ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale.

(iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Freeman’s | Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY

(a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time.

(b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report

if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report.

(c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report.

(d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced.

5. WATCHES AND CLOCKS

(a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys.

(b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue.

(c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use.

(d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap.

6. YOUR WARRANTIES

You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties.

(b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale.

(c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH.

(d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services.

(e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot.

(f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security interest over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.

6. PERSONAL INFORMATION

We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER

No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.

8. LAW AND DISPUTES

This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of New York. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be New York, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United

States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material.

buyer’s premium: the charge the buyer pays us along with the hammer price.

catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice.

due date: has the meaning given to it in paragraph D(3)(a).

estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two.

hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot.

Heading: has the meaning given to it in paragraph E(2).

limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic.

other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law.

purchase price: has the meaning given to it in paragraph D(3)(a).

provenance: the ownership history of a lot.

qualified: has the meaning given to it in paragraph E(2), subject to the following terms:

(a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter.

(b) “Attributed to” means, in our opinion, a work probably by the artist.

(c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style.

(d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist.

(e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work.

(f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned.

UPPERCASE type: type having all capital letters.

warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

UPCOMING AUCTIONS

American Furniture, Folk & Decorative Arts

March 15 | Cincinnati

Collect: Americana

March 18 | Timed Online | Philadelphia

American Furniture, Folk & Decorative Arts

April 30 | Philadelphia

hindmanauctions.com

Left to right: A Ten-Gallon Stoneware Keg with Floral Basket Decoration, Atwater, Ohio, 19th Century; Carved tobacconist figure of the actor Edwin Forrest (1806-1872) in the role of Metamora, after Nathaniel Currier (1813-1888) E. Forrest as Metamora, circa 1860; A Chinese Export Canton Bird and Butterfly Parcel Gilt Porcelain Dinner Service