Sale 1149 | Roadside Collection: The Susann Craig Collection

Roadside Attractions: The Susann Craig Collection

PER SUSANN’S WISHES A PORTION OF THE REMITTED PROCEEDS WILL BENEFIT INTUIT: THE CENTER FOR INTUITIVE AND OUTSIDER ART

SALE 1149

9 March 2023

10:00am CT | Chicago | Live + Online

Lots 1–325

HIGHLIGHTS PREVIEW

Auction Room and Galleries 1550 West Carroll, Suite 106, Chicago, IL

February 27 – March 9

10:00–5:00pm Monday–Friday 11:00–4:00pm Saturday 11:00–4:00pm Sunday

PROPERTY PICK UP HOURS

Monday–Friday | 9:00am–4:00pm By appointment 312.280.1212

All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale.

All lots in this catalogue with a lower estimate value of $5,000 and above are searched against the Art Loss Register database

To view the complete catalogue, sign up to bid, and read our Conditions of Sale, visit hindmanauctions.com or the Hindman App. All bidders must agree to Hindman’s Conditions of Sale prior to registering to bid.

Susann Craig (1936 – 2021)

“I was born a collector,” Susann Craig often said about her lifelong interest in acquiring treasures. Her childhood pursuits included collecting playing cards, postcards and autographs from movie stars. Her pastime eventually generated a magnificent personal collection of art, which she affectionately displayed in her beloved Chicago loft and invited people from all over the world to enjoy. A voracious traveler, she loved exploring every corner of the world and befriending artists, characters and fellow art enthusiasts, but she was most happy in her loft surrounded by her collection of outsider art and insider friends.

Born on December 27, 1936, in Youngstown, Ohio, Craig spent her youth in Madison, Wisconsin and Greenwich, Connecticut, where her father Robert Eickmeyer was the director of the YMCA and her mother Viola was an executive secretary.

An entrepreneur from a young age, Craig was known as someone who could sell anything from bouquets from her family’s garden to record-breaking numbers of Girl Scout cookies. Graduating from Greenwich High with honors, she attended the College of Wooster in Ohio on a full academic scholarship. After meeting and marrying her husband Scott Craig the couple moved to Urbana-Champaign where Susann finished her undergraduate studies. In 1960, while working on a master’s degree in Art History at the University of Illinois, Susann began accumulating art; first original prints and antiques. She spent weekends scouring garage sales and flea markets. That same year, while on a treasure hunt with visiting artist Nathan Oliviera, Susann had her first encounter with outsider art. Foraging in alleyways and junk shops, the two stumbled upon a yard, “jam-packed with the most amazing array of objects – wishing wells, the Ten Commandments and so much more,” Susann wrote. Hoping to buy something, they knocked on the door, only to be told by the elderly gentleman that answered that nothing was for sale. The display was an homage to his deceased wife. Susann, never one to take no for an answer replied, “What a shame. That means I have to come back late at night and steal something.” Begrudgingly, the old man agreed to sell them two apple barrel lids which Susann decorated with the words “Love, Peace, Joy, ” and proudly displayed it in her tiny apartment. After several years of collecting, the Craigs had run out of space in their walk-up, and so, in 1962, Susann opened the first art gallery in Champaign, Illinois and began selling some of her finds. Partnering with fellow collector, Deborah Fishbein, The Gallery Ltd. showcased faculty work and emerging artists like Art Sinsabaugh, as well as internationally known artists like Pablo Picasso. Susann and Deborah never took themselves too seriously, often advertising their show opening as their “latest fiascos.”

Around that same time, she and her husband bought a small cottage in Leland, Michigan where she spent subsequent summers and holidays. It was there that she opened her next store, The Limited, Ltd., which became a favorite stop for generations of locals, summer residents and tourists seeking fashion, toys, candy and curiosities. Her third store, Lima Bean, opened in 1987 and is still a flourishing business in Suttons Bay, Michigan.

In 1963, Craig moved from Champaign to Chicago, where she made a lasting impact on the art world and fashion industry. During the 1970s, she worked as director of The Dorothy Rosenthal Gallery, taught art at Columbia College Chicago, and enjoyed weaving, macramé and jewelry-making as well as teaching art classes in her townhouse in the McCormick Seminary. Through the Seminary Townhouse Association and Francis Parker School, where her two daughters Jennifer and Amy attended, Craig made so many life-long friends, many of whom shared her love and appreciation of the arts.

Following her divorce in 1980, she opened The Susann Craig Showroom in the Apparel Center where for nearly 30 years she represented scores of up-and-coming designers, many of whom went on to become well-known names in fashion.

Throughout her lifetime, Craig assembled a vast collection of works by friends and colleagues like Seymour Rosofsky, Patty Carroll, Gladys Nilsson, and Karl Wirsum as well as self-taught artists like Jesse Howard, Howard Finster, Lee Godie and Mr. Imagination.

Excursions to find unique treasures took her all over the world where she met interesting people, made enduring friendships, acquired art and experienced eccentric adventures. On a street corner in New Orleans she met a woman singing spirituals who sold colorful paintings “the Lord had called upon her to make.” Returning to Chicago with a trove of Sister Gertrude Morgan’s paintings, Craig spread the word about Morgan to her fellow collectors. On a road trip through the Manistee Woods in Michigan, she came upon the polka dot-painted house of Kid Mertz, eventually filling the walls of her homes with his creations. She was an early proponent of William Dawson whose wooden carvings became internationally renowned during the Corcoran Gallery’s 1982 traveling exhibition Black Folk Art in America, 1930-1980

She traveled to Africa with friends that included Chicago imagist Roger Brown, a trip that inspired one of Craig’s most beloved paintings, Roger Brown’s 1989 Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers

In 1991, Craig joined a handful of Chicago art enthusiasts who came together to found Intuit: The Center for Intuitive and Outsider Art. She served on the board of directors for 29 years and received the museum’s highest award, the Visionary Award, in 2018 before being elevated to Life Trustee status in 2020. Before her death, she was delighted to learn that a gallery at the museum will be named in her honor.

Craig was a regular attendee to the Outsider Art Fair in New York every year and volunteered at the annual International Folk Art Market in Santa Fe. She was an enthusiastic and purposeful connector of people, a force of positivity, a curator of the eccentric, an open-minded adventurer, and a tenacious bargain hunter.

In 1993, she moved into her final home, an industrial loft in Logan Square designed by her friend, architect Jeanne Gang. The loft was among her proudest and most satisfying projects. Craig enjoyed welcoming people to this beautiful space to explore her collection. She loved young people and served as a mentor and advisor to many, including members of Intuit’s Young Professionals Board, whom she enthusiastically hosted in her home.

In June of 2021, while visiting family in Los Angeles, Susann’s longtime battle with breast cancer came to an end. She is survived by her daughters, Jennifer Knight and Amy Coleman, son-in-law, Neil Coleman, her four grandchildren, Alden and Sam Knight, and Henry and Sadie Coleman, and her two sisters, Jane Kiernan, Marylou Coe as well as many nieces and nephews.

1 Various Artists (20TH CENTURY)

A Group of Thirteen Adam and Eve Sculptural Objects mixed media Height of tallest: 24 1/2 inches.

$2,000 - 4,000

Isidoro

Artist

mixed media on wood 20 x 18 x 5 inches.

$500 - 700

2

Cruz Hernández

(MEXICAN, 1934-2015) Adam and Eve carved and painted wood Adam signed on underside of foot. Height of Adam 17 3/4 inches. $300 - 500

Unknown (20TH CENTURY)

3

4 Almann Ulysee and Joseph Louis-Juste (HAITIAN, 20TH CENTURY)

Adam and Eve With The Tree of Life and Untitled (The Devil) (two works) metal cut out each incised Height of largest: 18 inches.

$500 - 700

5 Frank Pickle (AMERICAN, 20TH CENTURY)

Garden of Eden paint on Masonite with Artist’s frame signed Frank Pickle and dated (lower right); signed and inscribed (verso) 17 1/2 x 27 1/2 inches.

$500 - 700

6 Woodie Long (AMERICAN, 1942-2009) Adam and Eve, 1992 mixed media on paper signed Woodie and dated (lower right) 9 x 12 inches.

$300 - 500

7 Annie Tolliver (AMERICAN, B. 1950) Adam & Eve + Fruit Tree & Bird Snake paint on wood signed Annie T. (lower left); titled (verso) 10 1/8 x 14 1/8 inches.

$500 - 700

8 M.C. “5 Cent” Jones (AMERICAN, 1917-2003)

Adam and Eve ink, watercolor, and gouache on paper signed MC Jones (upper left) 14 1/2 x 18 1/2 inches.

$500 - 700

9 Gina Hosfeld (AMERICAN, 20TH CENTURY)

Adam und Eva, 1981 watercolor on paper signed Gina Hosfeld and dated (lower left); inscribed (verso) 11 x 7 1/2 inches.

$300 - 500

10 Blanche Wille (AMERICAN, 20TH CENTURY) Untitled (Study of Hands), 1954 paint on wood signed Blanche Wille (lower right) 16 x 20 inches

$300 - 500

11 George Klauba (AMERICAN, B. 1938)

Our Lady of the Holy Blood acrylic on wood panel signed George Klauba (lower right) 18 1/2 x 14 inches.

$500 - 700

12

Artist Unknown (20TH CENTURY)

Untitled (Nun and Devil Dog), 1977 oil on canvas signed Hevia and dated (verso) 20 x 25 3/4 inches.

$500 - 700

13 Ernestine Polk (AMERICAN, D. 1997)

Satan Intent to Robe Christ mixed media on wood titled (lower center) 21 x 48 inches.

$500 - 700

West

14

Mytrice

(AMERICAN, 1923-2010)

Christ Before the Sea of Galilee oil on canvas

signed M. West (lower right)

21 3/4 x 27 3/4 inches. $1,000 - 2,000

15

Sister Gertrude Morgan (AMERICAN, 1900-1980)

And Behold a Door Was Opened mixed media on paper signed Sister Gertrude Morgan (lower center) 9 1/4 x 11 5/8 inches.

$3,000 - 5,000

Exhibited:

Washington D.C., Corcoran Gallery of Art, WHAT IT IS: 20th Century Black Folk Art, January 15 - March 28, 1982, no. 145

$5,000 - 7,000

Sister Gertrude Morgan (AMERICAN, 1900-1980)

Lazarus Come Forth mixed media on paper signed Sister Gertrude Morgan (lower left) and titled (lower center) 13 1/4 x 26 1/4 inches.

17

Lucile Smith (AMERICAN, 20TH CENTURY)

Untitled (Chariot of Angels) mixed media on wood panel signed Lucile Smith (lower right) 20 x 30 inches.

$500 - 700

18

Patti Guiseppa (20TH CENTURY)

Paradiso and Untitled (Vision of an Angel With Golden Armor) (a double-sided work), 1968 paint on canvas signed Patti Guiseppa, titled and dated (verso) 40 x 40 inches.

$300 - 500

Mytrice West (AMERICAN, 1923-2010)

A Group of Five Painted Religious Gourds, c. 1993 painted gourds each signed

$600 - 800

Mytrice West (AMERICAN, 1923-2010)

A Group of Four Hanging Angels and an Angel Mobile mixed media each signed M West Largest: 21 inches.

$1,000 - 2,000

21 RA Miller (AMERICAN, 1912-2006) Angels (two works) paint on metal each signed RA Miller (verso) Largest 18 x 5 3/8 inches. $800 - 1,200

22 Ray Toloczko (AMERICAN, 1925-1972) Pink Face, 1964 mixed media on paper signed R. Toloczko and dated (lower center); titled and dated (verso) 4 x 7 inches.

$300 - 500

13

$1,000

20TH

Height

$300 - 500

$200

James Harold Jennings (AMERICAN, 1931-1999)

Untitled (The Holy Trinity) paint on wood signed James Harold Jennings  insignias (verso)

3/4 x 16 1/2 inches.

- 2,000

A Mexican Folk Art Polychrome Decorated Figural Group

CENTURY

12 3/4 inches.

with Artist’s

An Ocumichu Figural Ceramic Group 20TH CENTURY with stamp to underside. Height 16 1/4 inches.

- 400

Ronald Cooper (Kentucky, 1931-2012)  A Devil’s Dream carved and painted wood signed and dated 91 Height 12 3/4 inches. $300 - 500

27 Michel Senvil (HAITIAN, B. 1949) Untitled (Chimera) paint on papier-mâché signed Michel S (verso) 24 x 29 inches. $800 - 1,200

28 RA Miller (AMERICAN, 1912-2006)

Two Dinosaurs and One Cat (three works) paint on metal each signed RA Miller (bottom center) Largest: 12 x 32 inches.

$1,500 - 2,500

29 Mose Tolliver (AMERICAN, CA. 1919-2006)

Goosehorse paint on wood signed Mose T (lower left); titled (verso) 11 x 17 inches.

$1,000 - 2,000

30 Mose Tolliver (AMERICAN, CA. 1919-2006)

Untitled (Pink Bird) paint on board signed Mose T (lower center) 20 x 22 inches.

$1,000 - 2,000

31 Charley Kinney (AMERICAN, 1906-1991) Peafowl paint on wood signed Charley Kinney and titled (lower right) 21 1/2 x 27 1/2 inches.

$1,000 - 2,000

32

A Carved and Painted Wood Folk Art Christmas Turkey 20TH CENTURY Height 24 inches. $300 - 500

33 Homer Green (AMERICAN, 1910-2002)

Untitled (Totem with Two Birds) painted carved wood initialed H9G

Height: 54 inches.

$1,000 - 2,000

34 Jorelus Joseph (HAITIAN, 1939-2009)

Untitled (Wild Birds) acrylic on canvas signed JORELUS (lower right) 24 x 32 inches.

$800 - 1,200

35 Ted Gordon (AMERICAN, B. 1924)

Cat mixed media on cardboard signed T. H. Gordon (center) 11 x 14 inches.

$500 - 700

A Mexican ‘Tigre’ Helmet Mask

LATE 19TH/20TH CENTURY mixed media including leather, glass and porcupine quills.

Height 9 1/2 x width 12 1/2 inches.

$300 - 500

An Ovicular Toyworks Cat Toy with Moving Tail NEW YORK, 1980

carved and painted wood, signed on underside by David Kirk. Height 11 1/4 inches.

$100 - 200

38 M.C. “5 Cent” Jones (AMERICAN, 1917-2003)

Untitled (Owl) ink, watercolor and tempera on paper signed MC Jones (upper left) 11 x 14 inches.

$500 - 700

39 Marc Chagall (FRENCH/RUSSIAN, 1887–1985)

The Barnyard (La Basse-cour), plate XVII from Les Âmes mortes, 1923-1948 etching signed and numbered XXI/XXXIII in pencil 9 1/8 x 11 5/8 inches.

$800 - 1,200

40 Ángel Chávez (PERUVIAN, 1929-1995)

Rancho de Mister Cin, 1981 and Untitled (Cock Fight) (two works) pencil on paper each signed Ángel Chávez (lower center)

Largest: 18 x 29 inches.

$300 - 500

42

Günther Schützenhöfer (AUSTRIAN, B. 1965)

Untitled (Rocket), Untitled (Rabbit), and Untitled (Vehicle) (three works), 2002 graphite on paper each signed Schützenhöfer and dated each 4 x 6 inches.

$800 - 1,200

41 Pablo Picasso (SPANISH, 1881-1973)

Naissance Du Petit Centaure from Dos Contes, 1947 drypoint on paper 12 1/8 x 9 3/4 inches.

Literature: Bloch 468

$600 - 800

Provenance:

43 Felipe Archuleta (AMERICAN, 1910-1991)

Buro, 1981 and Squirrels, 1985 (two works) mixed media on paper each signed and dated Largest: 11 1/2 x 8 1/2 inches.

$600 - 800

44 Uncle Pete Drgac (AMERICAN, 1883-1976)

Untitled (Arabs, Charter Horse, Limousin), 1971 enamel on paper signed PP Drgac and dated (lower right) 12 1/2 x 20 1/2 inches.

Leslie Muth Gallery, Houston, Texas $1,000 - 2,000

45 Artist Unknown (20TH CENTURY) Credit (In a Pig’s Ass) paint on wood inscribed (verso) 7 x 11 1/4 inches.

$500 - 700

46 Floyd Clark (20TH CENTURY) Untitled (Black Mares) mixed media on canvasboard signed and inscribed (verso) Diameter: 16 inches.

$500 - 700

, 1978

$500

47 Pablo Picasso (SPANISH, 1881-1973) Picador (A.R. 162), 1952 terre de faïence pitcher, partially glazed from the edition of 500; incised Edition Picasso and Madoura Height: 5 1/2 inches.

$2,000 - 4,000

48 and Steed (two works)

- 700

49 A Carved Wood Horse with Articulated Head

Height 17 x length 16 inches.

$150 - 250

50

John L. Hunter (AMERICAN, 1905-1999)

Horse and Cart carved wood initialed J.L.H. together with a plow team engraved San Isidro to front of base and Marco to back. Height of horse and cart 5 1/2 x length 18 1/4 inches.

Height of plow team 6 3/4 x 9 inches.

$150 - 300

(AMERICAN, 1901-1990)

A Group of Three Horses, Two Dogs and a Snake

Largest: 11 inches long.

$1,500 - 2,500

52 Sister Gertrude Morgan (AMERICAN, 1900-1980)

Sister Drake Driving Cows to the Butcher’s Den mixed media on paper signed Sister Gertrude Morgan (center) 11 3/4 x 15 5/8 inches.

$3,000 - 5,000

53 Willie White (AMERICAN, 1908-2000)

Untitled (Prehistoric Animals), Untitled (Prehistoric Animals), Untitled (Prehistoric Animals) and Untitled (Prehistoric Animals (four works) marker on paper each signed Willie White Largest: 22 x 28 inches.

$1,500 - 2,500

54 Willie White (AMERICAN 1908-2000)

Untitled (Prehistoric Animals), Untitled (Prehistoric Enviornment)  (Prehistoric Enviornment)  marker on paper each signed Willie White each 22 x 28 inches.

and Untitled (three works)

$1,500 - 2,500

55 Willie White (AMERICAN, 1908-2000)

Untitled (Prehistoric Enviornment), Untitled (Prehistoric Animals), Untitled (Prehistoric Animals) and Untitled (Prehistoric Animals) (four works) marker on paper each signed Willie White each 11 x 15 1/2 inches.

$1,500 - 2,500

56 Dennis Pearson (AMERICAN, B. 1939) 14 Turkeys & 7 Horses, 1971 watercolor on paper signed D. Pearson, titled and dated 13 x 13 inches.

$300 - 500

57 Nicholas Herrera (MEXICAN, B. 1964)

La Mano de Fe mixed media on wood signed Nicholas Herrera and titled (lower center); signed and inscribed (verso)

Diameter: 9 inches.

$500 - 700

58 Ivan Laycock (AMERICAN, 20TH CENTURY)

Untitled (Animals) and Untitled (Farm Scene) (a double-sided work) mixed media on saw blade signed Ivan Laycock (center left)

Diameter: 7 inches.

$300 - 500

59 Ivan Laycock (AMERICAN, 20TH CENTURY)

Untitled (Aligator Scene), Untitled (Bear Attack), Untitled (Farm Scene) and Untitled (Farm Scene with Bear) (four works) mixed media on dry erase board one signed Ivan Laycock (verso) each 13 x 13 inches.

$1,000 - 2,000

(AMERICAN, 1887-1980)

Untitled (Chicken Coop), 1970, Untitled (Tending  Untitled (Wild Hare), 1974 (three mixed media on paper Chief and dated (lower right) each 12 x 16 inches.

1974 and $800 - 1,200

61 Chief Wiley (AMERICAN, 1887-1980)

Untitled (Fishing), 1971 and Water, Drain, Sewer, 1972 (two works) mixed media on paper eached signed Chief and dated (lower right) Largest: 12 x 15 1/2 inches.

$600 - 800

62 Alaye Kene Atô (MALIAN, B. 1967) Mali–Tuarg titled (verso) 6 1/2 x 8 7/8 inches.

$300 - 500

63 Sam McMillan (AMERICAN, B. 1926) Untitled (Figures with Cows) paint on board with Artist’s frame signed SAM (lower right) 14 7/8 x 14 7/8 inches.

$500 - 700

Untitled

$300

Untitled

$3,000

64 Blanch Ackers (AMERICAN, 1914-2003)

(Tree and House and Bird House) pen and marker on paper signed Blanch Ackers (lower right) 12 x 18 inches.

- 500

65 Jimmy Lee Sudduth (AMERICAN, 1910-2007)

(The Baptism), 1990 paint and mud on wood signed Jim Sudduth (upper left) 23 5/8 x 48 inches.

- 5,000

66 Kathy O’Neil (AMERICAN, 20TH CENTURY) When the Nightbird Sings, 1991 paint on board initialied K.O. and dated (lower center) 10 x 8 inches.

$500 - 700

67 Martha Grunenwaldt (BELGIAN, 1910-2008)

Untitled pencil, ink and crayon on paper signed M. Grunenwaldt (lower center) 11 1/2 x 8 inches.

$300 - 500

69 Baltimore Glassman (AMERICAN, 1925-2003) I Stand to be Corrected mixed media and glass 29 x 20 inches.

$300 - 500

68 Diego Salas (20TH CENTURY) Eagle Dance ink, marker, and watercolor on paper signed Diego Salas (lower right) 11 x 9 inches.

$300 - 500

70 Artist Unknown (20TH CENTURY)

Chief Blackhawk and Unknown Chief (two works) paint on wood each initialled ACBP Largest: 7 1/2 x 4 inches.

$500 - 700

72

$300 - 500

71

Native American Girl carved and painted wood  signed J.F. Byrley / Kentucky on underside of base. Height 28 inches.

$300 - 500

J.F. Byrley (AMERICAN, 20TH CENTURY)

Michael Andryc (AMERICAN, 20TH/21ST CENTURY) Almost In the Other World, 1985 paint on wood signed MICHAEL ANDRYC, titled and dated (verso) 7 1/2 x 12 inches

73 Bill Haveron (AMERICAN, B. 1957)

Untitled (The Hens and the Grasshopper, 1988 gouache on paper signed B. Haveron and dated (lower left) 23 x 29 inches.

$500 - 700

Provenance:

74 Reverend Johnnie (AMERICAN, 1908-1993)

Untitled (Freight Train), 1979-80 oil on Masonite initialed J.S.S. (upper right) 18 x 24 inches.

Leslie Muth Gallery, Santa Fe, New Mexico, 1993

$2,000 - 4,000

Roger Brown and Susann Craig’s 1988 trip to West Africa

Roger Brown made a number of stellar paintings in 1989. It was a prolific year full of responses to all manner of subjects and issues. He made studies for his first two major public murals created in Italy in glass mosaic, The Arts and Sciences of the Ancient World: The Flight of Icarus and Daedalus and Arts and Science of the Modern World: LaSalle Corridor with Holding Pattern, both unveiled, outside and inside respectively, at 120 N. LaSalle St. in July 1991. That year he also painted Chicago Taking A Beating featuring the skyscrapers of his home city––-the truly windy city––buffeted by swirling gusts. He parodied his distant cousin, Elvis Presley, and made a profoundly thoughtful, enigmatic homage to Abraham Lincoln. That year he also painted African Hotel and Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers. Both entered Phyllis Kind Gallery in spring 1989.

Brown chose two episodes to commemorate the 1988 trip with Susann Craig and a band of roving collectors through Senegal and Mali. Upon returning he recounted their trip, day by day, in longhand on 22 pages of a yellow legal pad. Following are excerpts (transcribed with minimal corrections):

My friend Don Baum told me about a tour to Dogon Country in Mali, West Africa. The tour was being co-organized by Susann Craig who I have known for many years as a fellow enthusiast of Folk arts, so I felt this would be an ideal way to see the country which has fascinated me through photographs and through the Dogon artifacts I have collected. So I signed up.

This trip would be to Senegal and Mali and would include more than Dogon country. Susann Craig’s partner was Lowell Nelson a designer of exotic skin handbags. Two of his employees, natives of Senegal named Modi and Tgor/Tjon would help us along.

A few days before leaving Chicago I met Lowell Nelson, described by the N.Y. Times as a Conradian figure.* He stopped by my studio to pick up color portraits for my visas. My impression of him was something of a cross between Burl Ives + Grizzly Adams. He seemed capable of negotiating a crime with Humphrey Bogart aboard the African Queen.

March 9th we arrived at Dakar around 10 a.m.

75 Roger Brown (AMERICAN, 1943-1997) Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers, 1989 oil on canvas titled (verso) 72 x 48 inches.

Provenance: Helander Gallery, Palm Beach Phyllis Kind Gallery, Chicago

$60,000 - 80,000

Brown described the first destination on the journey as a sober experience that didn’t involve markets, collecting, or exotic landscapes:

March 10 We took the ferry to the Island of Goree where the slaves were shipped out in the 18th + early 19th centuries. The island is just as it was then - with colonial stucco buildings in muted pinks + ochres. The original building stands at the edge of the water where the victims of slave trade were kept.

Brown went on to describe their visits to various markets, strategies for outsmarting pickpockets, and various delectable meals, from Senegalese to Vietnamese fare. Lowell finds good places to eat.

March 11th This morning we left for Rose Lake a salt water lake which is red from algae where the swimmers, as Susann says, float like a cork. On the way we photographed The Baobab trees, huge elephant-like trees that we are told is the nesting place of the Senegal eagle and can reach 25 meters around. We stopped briefly at a loud village market which is somewhat akin to our own Chicago’s Maxwell Street.

Mar 15th On the way to the Dogon region we traveled a dusty red clay + dirt road for about forty miles to Bandigiara [sic]. The landscape becomes very much like the southwest with mesa like forms in the distance + the red earth changing to bedrock looking much like the Great Plains if they were solid rock. Intermittently pockets of earth + trees appear among the boulders. From Bourdigara [sic] the road becomes a red clay and bedrock trail for 40 more miles across gulleys paved so they won’t wash away in the rainy season. More and more villages dot the landscape with their square mud brick + thatched roof granarys for each house

On the way out of this central area of the Dogon region we passed some men in costume. We learned that they were dressed that way as part of a continuing ritual for their recently deceased leader.

Anyway we all pigged out at the market: some with necklaces + bracelets and me + Susann with masks + granary door latches, weavings and kaftans.

Ever the critic, Brown apparently enjoyed the trip immensely. It’s interesting his notes include no complaints, unlike his notes from other journeys, no doubt due to Susann Craig’s perennially upbeat, adventurous spirit, her infectious sense of humor, and the highkeyed delight in art and objects they both shared.

I also thought that so far this is an exceptional tour. It’s really a nice group of people and the group is small.

There’s none of the squeamishness you’d expect from American travelers. They all have a real interest in the culture + art and the people. They aren’t just “slumming” or gawking and

most of all Lowell has done an outstanding job organizing the tour and using his knowledge so that we can have this truly rare + wonderful experience.

In 1989 Susann saw Brown’s painting Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers at her friend Phyllis Kind’s Gallery (Chicago), and immediately knew she had to have it. She related stories over the years of haggling with Phyllis, a savvy gallerist renowned for driving hard bargains. Craig was a savvy collector, also known for her skill and pluck with dealers. I recall that negotiations were at a standstill for some time, perhaps a few years, when Susann finally prevailed and acquired the painting she was destined to have, install and live with in her incomparable art-filled home. It was the backdrop for regaling friends with tales of their intrepid journey for many years.

From Brown’s trip notes we can surmise that his composition combined a few commanding images and experiences from the trip: the Baobab trees they marveled at in Senegal on March 11 (and perhaps elsewhere on the journey), and their encounter with Dogon people in Mali, dancing in full ritual regalia. On a visit to her loft in 2017 Susann brought out images of the Baobab trees and the Bandiagara dancers, which she kept nearby, to illustrate moments Brown chose to depict in his painting. Susann described their chance coming upon the dancers many times, as one of their encounters with authentic life practices, not created for or directed to tourists. If only I had taken notes—but who took notes at Susann Craig’s?!

As Dennis Adrian used to remark when a remarkable Chicagoan passed, “a giant redwood fell in the forest.” Giant redwoods fell when we lost Roger Brown (1997) and Susann Craig (2022). They both enriched many lives, and the art culture of the city, immeasurably.

Lisa Stone

January 2023

Credit lines

of Heart of Darkness.

Roger Brown (1941-1997), Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers, 1989, oil on canvas, 78 x 42 in. © The School of the Art Institute of Chicago and the Brown family.

1. Roger Brown (left, ballcap) and Susann Craig (immediately behind Roger) with traveling companions. March 1988 in Africa, exact location and photographer unknown. Roger Brown Study Collection Archive.

2. Roger Brown and Susann Craig, March 1988, likely in the Bambara region, described by Brown in his notes: Along the way we see the huge termite mounds one has seen numerous times on National Geographic PBS programs. March 1988 in Africa, exact location and photographer unknown. Roger Brown Study Collection Archive.

3. Susann Craig and Roger Brown, March 1988 in Africa (lake or seaside), exact location and photographer unknown. Roger Brown Study Collection Archive.

4. Roger Brown, segment from his handwritten notes on the 1988 trip. Roger Brown Study Collection Archive.

5. Susann Craig holding snapshots of their trip, with Baobab trees and dancers, in front of Brown’s painting in Craig’s loft, illustrating the salient features of the painting. Photographer(s) of the snapshots unknown. Photo: Kenneth C. Burkhart, 2017.

6. Photo of dancers in Dogon Country, collection of Susann Craig and likely taken by her. Photo: Kenneth C. Burkhart, 2017.

7. Roger Brown, page in his 1988-1989 sketchbook, with sketch for Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers. Roger Brown Study Collection Archive.

8. Roger Brown’s painting Crossing the Bandiagara Escarpment With Baobab Trees and Dogon Dancers in Susann Craig’s loft, nestled among works of art and objects. Photo: Lisa Stone, 2017.

*Presumably a reference to Joseph Conrad, author

76

Patty Carroll (AMERICAN, B. 1946) Roger Brown, from Spirited Visions cibachrome print 16 x 16 inches.

Literature:

Patty Carroll and James Yood, Spirited Visions: Portraits of Chicago Artists. Urbana: University of Illinois Press, 1991, pp. 11-12

$500 - 700

77

Michael Noland (AMERICAN, B. 1958)

The Lost Horizon, 1989 oil on canvas signed M. Noland, titled, dated and inscribed (verso) 32 x 40 inches.

$1,000 - 2,000

78 Robert Lostutter (AMERICAN, B. 1939)

Untitled, 1972 watercolor on paper signed Lostutter and dated (lower center) 6 x 6 1/2 inches.

$3,000 - 5,000

79 Aaron Siskind (AMERICAN, 1903–1991)

Martha’s Vineyard (Hand with Minnow), 1938 gelatin silver print; printed later signed and dated in pencil (verso) 6 3/8 x 8 1/2 inches. $1,000 - 2,000

80 Jack Lane (AMERICAN, 20TH/21ST CENTURY) Hands of Janis Joplin gelatin silver print 13 1/2 x 10 1/2 inches.

$300 - 500

Largest:

81 Rosemary Warner (AMERICAN, B. 1950)

Triple Susan and Double Susan (two works), 2012 gelatin silver prints each signed, titled and dated in pencil (verso)

23 x 19 1/4 inches.

$500 - 700

82 Luis González Palma (GUTAMALEAN, B. 1957)

Un Lugar Sin Reposo (A Place Without Rest), 1991 gelatin silver print with collage and mixed media on Masonite signed González P and dated (lower right) 47 x 7 1/2 inches.

$3,000 - 5,000

Girl

$500 - 700

83 Robert Stivers (AMERICAN, B. 1953)

with Companion from Series 7 (Folk Art), 0, and Robe (three works)

silver-dye bleach prints each signed Robert Stivers, titled, dated, and numbered (verso) each 20 x 16 inches.

84

Various Artists (Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager and William Wegman)

(AMERICAN, 20TH CENTURY)

Five Still Lifes (portfolio of five prints with clamshell box), 1980

Polaroids

each signed, titled, dated and numbered 7/40 in ink each 29 x 21 3/8 inches.

Publisher:

Paradox Editions.

$5,000 - 7,000

85

Art Sinsabaugh (AMERICAN, 1924-1983)

Untitled (Midwestern Landscape)

chromagenic print

2 x 4 inches.

$500 - 700

86

Elliot Griffin

(AMERICAN, 20TH/21ST CENTURY)

Looking for Cake with a Tomato mixed media on panel signed Elliot Griffin and titled (verso)

17 1/4 x 23 1/4 inches.

$300 - 500

Nicholas Africano (AMERICAN , B. 1948)

The Bruise, 1976 linoleum, wood, oil, wax, and acrylic Nicholas Africano and titled (verso) Shelf: 21 x 4 1/2 inches.

$1,500 - 2,500

88 Stanley William Hayter (BRITISH, 1901-1988)

Standing Nude etching signed and numbered 7/10 in pencil 7 1/2 x 5 1/2 inches.

$500 - 700

89 Seymour Rosofsky (AMERICAN, 1924-1981)

Pinball Machine People mixed media on paper signed Rosofsky (lower right) 19 5/8 x 25 1/2 inches.

$500 - 700

90 Robert E. Smith (AMERICAN, 1927-2010)

Mama Lopez, son Pedro, and baby Sarah live in this Southen California Home – Adios Amigos, 1991 mixed media on paper signed Robert E. Smith and dated (lower center) 17 1/4 x 17 3/4 inches.

$1,000 - 2,000

91 Allan Zion (JAMAICAN, 1930-2001)

Irie, 1983 oil on masonite signed Allan Zion and dated (lower right); titled (verso) 11 x 17 inches.

$300 - 500

92 Garrol Gayden (AMERICAN, B. 1960) Untitled and Dead Serious Right Now (a double-sided work) mixed media on paper 14 x 17 inches.

$500 - 700

93 Mark Anthony Mulligan (AMERICAN, B. 1967)

How Can I Get to Nude-Baby Boulevard??, 1993 color pencil and ink on poster board signed Mark Anthony Mulligan, titled, dated and inscribed (center) 20 x 30 inches.

$500 - 700

94

Wesley Willis (AMERICAN, 1963-2003)

The

$1,500 - 2,500

95 Wesley Willis (AMERICAN, 1963-2003)

Untitled

$1,500 - 2,500

96

Voiture

$500 - 700

Apparel Center, 1992 ink and marker on art board signed Wesley Willis, dated and titled (center) 28 x 40 1/2 inches

(Dan Ryan Expressway), 1992 ink and marker on art board signed Wesley Willis and dated (upper left) 28 x 41 inches.

Joseph Pépé Vignes (FRENCH, 1920-2007)

, 1979 mixed media on paper signed Joseph Pépé Vignes and dated (upper left) 5 x 12 inches.

97 Tony Anaya (20TH CENTURY) Santa Cruz Church and Our Lady Church (two works) mixed media on paper each signed Mr. Tony Anaya and titled 14 x 18 inches each.

$500 - 700

99

Lighthouse

carved and painted wood with frosted glass top.  Height 26 3/4 inches.

$300 - 500

Aldo Piacenza (AMERICAN, 1888-1976)

Untitled (Birdhouse Cathederal)

mixed media

39 x 17 x 14 inches.

Exhibited:

Chicago, Illinois, Intuit: The Center for Intuitive and Outsider Art, Architecture of Hope: The Treasures of , January 11 - May 14, 2011

Chicago, Illinois, Intuit: The Center for Intuitive and Outsider Art, Chicago Calling: Art Against the Flow, June 29, 2018 - January 6, 2019; Paris, France, Halle Saint Pierre, March 23 - August 2, 2019; Kaufbeuren, Germany Kunsthaus Kaufbeuren, October 10, 2019 - January 26, 2020; Lausanne, Switzerland, Collection de l’Art Brut, March 13 - November 1, 2020; Amsterdam, Netherlands, Outsider Art Museum, June 5 - September 5, 2021.

$1,000 - 2,000

Artist Unknown (20TH CENTURY)

100 Paul Esparza (AMERICAN, 20TH CENTURY)

Eagle, Untitled, and Hotel & Motel & More (three works) mixed media each signed Paul E Largest: 18 x 24 inches.

$1,000 - 2,000

101 Max Romain (AMERICAN/HAITIAN, B. 1930) Untitled (Vodou Altar), 1992 ink and gouache on paper signed Max Romain and dated (lower right) 10 1/2 x 16 3/8 inches.

$300 - 500

102 Hollis Sigler (AMERICAN, 1948-2001)

Keeping My Energy Moving Forward, 1998 mixed media on paper in artist made frame signed Hollis Sigler (lower right) and titled (lower center)

27 x 31 inches.

$3,000 - 5,000

$500

A Victorian Mahogany Veneered, Velvet Upholstered Fainting Couch

Height 23 x length 72 x width 28 inches.

$400 - 600

$300

104 Tony Fitzpatrick (AMERICAN, B.1958)

The Apparition of a Song Bird, 1993 etching with aquatint on wove paper in tramp art frame signed, titled, dated and inscribed in pencil 5 x 7 inches.

- 700

Ellen Lanyon (AMERICAN, 1926–2013) Snail, Dragonfly and Heron, 1976 lithograph signed, dated and numbered 1/10 in pencil 14 x 24 inches.

- 500

106

Ellen Lanyon (AMERICAN, 1926-2013)

Calendar XII-I (Capricorn), 1989 chalk on black paper signed Ellen Lanyon and dated (lower right); titled (lower left) 25 1/2 x 19 1/2 inches.

$500 - 700

107

A Hooked Rug with Rose and Daisies

EARLY 20TH CENTURY 36 3/4 x 15 1/2 inches.

$200 - 400

108

Wilbur Charlouneau (20TH CENTURY)

Collecting Buttons Is My Hobby, Property of Mrs. Fred Jones and Untitled (Flowers) (three works) mixed media with buttons on cardboard Largest: 13 x 17 inches.

$500 - 700

109 W.C. Rice (AMERICAN, 1930-2004) Open Come In enamel on found metal 13 x 13 inches.

$500 - 700

110

Artist

$300

Unknown (AMERICAN, 20TH CENTURY) Stop for Fresh Salted in the Shell Peanuts and New Pretzel Rods paint on wood 23 3/4 x 23 3/4 inches.

$300 - 500

111 Alfred Taplet (AMERICAN, B. 1934) Be Bold I’ll Make Soul Like Gold paint on roof tile signed A. Taplet 11 x 14 inches.

- 500

(lower left)

Kid Mertz (AMERICAN, 20TH CENTURY)

A Group of 9 Wall-Mounted Works mixed media on wood and metal dimensions variable.

$1,000 - 2,000

113 Joe Light (AMERICAN, 1934-2005)

Outward Appearence is Just Skin, 1992 mixed media on wood signed Joe Light (lower right) and dated (lower left) 16 x 18 inches.

$500 - 700

114 Jesse Howard (AMERICAN, 1885-1983)

A Man Said to Me “Jess, You Have a Good Cook” mixed media on wood signed Jesse Howard (lower right) 11 1/2 x 49 inches.

$2,000 - 4,000

Lord

RA Miller

45 1/2 x 27 1/4 inches.

$1,000 - 2,000

(AMERICAN, 1912-2006)

Love You (Cross) paint on metal and wood

116 RA Miller (AMERICAN, 1912-2006) Lord Love All paint on sheet metal signed RA Miller (lower left) 13 1/4 x 61 3/4 inches.

$500 - 700

117 Ted Gordon (AMERICAN, B. 1924)

I Am Hoping to Hear from Mr. Rosenak Soon, 1981 mixed media on paper signed T.H. Gordon and dated (center right) 4 x 8 1/2 inches.

$500 - 700

118

Jake “J.T.” McCord (AMERICAN, 1945-2009)

Untitled (Pepsi Clock), 1993 paint on wood signed J.T. McCord and dated (verso) 22 x 16 1/2 inches.

$500 - 700

119 Zeebee Armstrong (AMERICAN, 1911-1993)

Untitled (Doomsday Calendar), 1987 marker on cardboard signed and dated 10 1/4 x 6 1/2 inches.

$500 - 700

121

$300

120 Garrol Gayden (AMERICAN, B. 1960) The Big Giant Wonder Wheel Block Party colored pencil on paper 9 x 12 inches.

- 500

Purvis Young (AMERICAN, 1943-2010) Untitled (Figures) mixed media 10 5/8 x 28 inches.

$1,000 - 2,000

122 Jon Serl (AMERICAN, 1898-1993) Sun Worshipers oil on board titled (verso) Diameter: 24 inches.

$3,000 - 5,000

123

Gladys Nilsson (AMERICAN, B. 1940)

Botacellee Series: Dreaming of His Venus, 1974 watercolor on paper signed Gladys Nilsson, titled and dated (verso) 10 1/8 x 13 3/4 inches.

$6,000 - 8,000

124

Janet Lippincott (AMERICAN, 1918-2007) Untitled (Prostrate Figure) watercolor and ink on paper signed Lippincott (lower left) 9 1/2 x 12 1/2 inches.

$500 - 700

125

Charlie Lucas (AMERICAN, B. 1951)

Tin Man mixed media on paper titled (lower left) 28 x 22 inches.

$1,000 - 2,000

Untitled (Farmer Man)

painted metal

Height: 69 1/2 inches.

$500 - 700

Untitled (Seated Man) and Untitled (Seated Woman) (two works) paint on wood each signed Mose T (lower left) each 24 x 11 inches.

$1,500 - 2,500

Clyde Angel (AMERICAN, 20TH CENTURY)

127 Mose Tolliver (AMERICAN, C. 1919-2006)

130

Artist

128 Annie Tolliver (AMERICAN, CA. 1919-2006) My Daddy Mose T., 1991 paint on board signed Annie T. (lower right); titled and inscribed (verso) 16 3/8 x 11 3/4 inches.

$500 - 700

129 Mose Tolliver (AMERICAN, CA. 1919-2006) Mountain Lady paint on wood signed Mose T. (center right); titled (verso) 19 3/4 x 17 1/8 inches.

$1,000 - 2,000

Unknown (20TH CENTURY) Erotic Panels/Hindu Deities carved and painted wood Length of longer 13 3/4 inches.

$150 - 250

131

Artist Unknown (AMERICAN, 20TH CENTURY)

Untitled (Portrait of a Native American) paint on plywood signed Sonny (lower right) 35 x 21 3/4 inches.

$500 - 700

132

Ike E. Morgan (AMERICAN, B. 1958)

Untitled (Mona Lisa) oil pastel on paper signed Ike E. Morgan (lower right) 17 x 11 inches.

$500 - 700

133

Jimmy Lee Sudduth (AMERICAN, 1910-2007)

Untitled (Portrait of a Lady) paint and mud on board signed Jim Sudduth (lower left) 24 x 20 inches.

$1,000 - 2,000

135 Jerry Coker (AMERICAN, B. 1938)

The Ones That Plant Trees, Alice in the Window, and Summer for Susan (three works) acrylic Largest: 30 x 20 inches.

$800 - 1,200

134 Chuckie Williams (AMERICAN, 1957-2000)

Lord Savior (Jesus Christ) and Michael Jordan Christ Talent (a double-sided work), 1993

two-sided paint on panel signed Painter Chuckie, initialed, titled and dated (both sides) 48 x 24 inches.

$2,000 - 4,000

136

Mose Tolliver (AMERICAN, CA. 1919-2006)

Untitled

$1,000 - 2,000

137

George

Untitled

$500 - 700

(Green Christ Crucifix) paint on wood signed Mose T. (lower center) 28 5/8 x 17 5/8 inches.

Colin (AMERICAN, 1929-2014)

(Blue-Faced Jesus Crucifix) mixed media and paint on wood signed Colin (verso) Height: 31 1/2 inches

138 Paul Duhem (BELGIAN, 1919-1999)

Untitled (Blue Man) mixed media on paper signed Duhem Paul (upper left) 14 5/8 x 10 5/8 inches.

$500 - 700

139 Michael Andryc (AMERICAN, 20TH/21ST CENTURY)

The Sacred Heart of the Wolf, 1980 mixed media on board signed MICHAEL ANDRYC and dated (lower right); signed, titled and dated (verso) 18 1/4 x 24 1/4 inches

$300 - 500

140

Artist Unknown (20TH/21ST CENTURY)

Untitled (Yellow Faced Woman in Blue Dress with Flowers) paint on cardboard

15 3/4 x 15 3/4 inches.

$300 - 500

141 Barry Simon (AMERICAN, 1943-2009)

To Know Beauty and A Question, 1997 (two works) mixed media on paper

Largest: 15 x 20 inches.

$600 - 800

$500 - 700

$300 - 500

142 Alyne Harris (AMERICAN, B. 1943) Trinadad Trinity mixed media on panel signed Alyne Harris (lower right) 22 x 30 inches.

143 Artist Unknown (WEST AFRICAN, 20TH CENTURY)

West African Hair Salon Signs (two works) paint on wood Largest: 13 3/4 x 26 1/4 inches

144 Artist Unknown (20TH/21ST CENTURY)

Untitled (Bust of Woman) painted plaster and yarn Height: 20 inches.

$500 - 700

145

Twelve African and Oceanic Tribal Articles including masks, combs and figures. Length of largest 21 inches.

$500 - 700

$100

$200

146

Three Dona Rosa Blackware Articles (MEXICAN, 20TH CENTURY) two with incised signatures, the mermaid unsigned. Height of tallest 8 1/2 inches.

- 200

147 Charles Lisk  (NORTH CAROLINA, 20TH/21ST CENTURY) Snake Jug glazed stoneware stamped CL on neck.  Height 11 inches.

- 400

148

The

inscribed

Height: 10 1/2 inches.

$2,000 - 4,000

149

Mr.

G. Blizzard  Height of largest: 6 1/2 inches. and titled

$3,000 - 5,000

Georgia Blizzard (AMERICAN, 1919-2002)

Prudent Man Who Chose to Sank in Quicksand Rather Than be Indebted To Those He felt beneath him ceramic

Georgia Blizzard (AMERICAN, 1919-2002)

Asher and Baby Ray (two works)

Five Redware Figural Vessels

Height of largest 12 inches.

$200 - 300

151

A

Height 21 inches.

$400 - 600

152

Homer

$300 - 500

Chancay Bichrome Figure (PERU, CIRCA 800-1200 A.D.)

Green (AMERICAN, 1910-2002) Untitled (Smiling Man) paint on ceramic Height: 10 inches.

153 Artist Unknown

Untitled (Three Workers and a Demon)

Height of largest: 13 inches.

$300 - 500

154 Burgess Delaney (AMERICAN, 20TH CENTURY)

Untitled (Frog Man) ceramic with glass marble inclusions

Height: 9 inches.

$300 - 500

155 Homer Green (AMERICAN, 1910-2002)

Untitled (Lady Doll) cloth and mixed media initialed HW

Height: 20 1/2 inches.

$300 - 500

156

Artist Unknown (20TH CENTURY)

Pair of Figures carved wood Height of larger 15 1/4 inches.

$100 - 200

157

Artist Unknown (20TH CENTURY)

Armless Figure carved wood Height 20 inches.

$100 - 200

158

Burlon Craig  (VALE, NORTH CAROLINA, 1914-2002) Devil Face Jug

alkaline glazed stoneware stamped on underside  Height 15 1/2 inches.

$800 - 1,200

159

Marie Rogers  (AMERICAN, 1922-2010) Face Jug

glazed stoneware stamped M. Rogers twice on back  Height 7 3/4 inches.

$200 - 400

160

Marie Rogers  (AMERICAN, 1922-2010)

Face Jug

glazed stoneware inscribed Marie Rogers on back and underside

Height 6 1/2 inches.

$300 - 500

161

Robert J. Jackson (AMERICAN, 20TH CENTURY)

Upside Down Face Jug

glazed stoneware with swing handle signed Robert J. Jackson on underside

Height 10 1/2 inches.

$300 - 500

162

E. J. Brown (ARDEN, NORTH CAROLINA, 20TH CENTURY)

Two Face Jugs

glazed stoneware

mustachioed jug stamped on underside E.J. Brown / Handmade / Arden, N.C. / Evan.

the other inscribed Brown’s / Pottery / Arden N.C.

Height of larger 7 1/2 inches.

$400 - 600

163

A Cole Pottery Glazed Stoneware

Face Jug

SANFORD, NORTH CAROLINA, 20TH CENTURY

Height 9 1/2 inches.

$100 - 200

$500

$500

$500 - 700

165 Clyde Angel (AMERICAN, 20TH CENTURY) A Man With Many Medals mixed media on sheet metal signed CLYDE ANGEL and titled 43 1/2 x 20 1/2 inches.

- 700

164 Carl Nash (AMERICAN, B. 1956) Untitled (Profile) and Untitled (Destroyed Environments) (two works) mixed media on wood and paint on aluminum each signed Carl Nash (lower right) Largest: 23 x 14 inches.

166 Juanita Rogers (AMERICAN, 1934-1985) Boy and Dog mixed media on paper signed Juanita (lower left) 12 x 9 inches.

- 700

167 Royal (Prophet) Robertson (AMERICAN, 1936-1997)

ASTONISHMENT (The Adultress)  (a double-sided work), 1993 mixed media on poster board 28 x 22 inches.

$1,000 - 2,000

168

Sister Gertrude Morgan (AMERICAN, 1900-1980)

Getting Late In the Morning the Sun and Untitled (Paper Roll) (two works) mixed media on paper and cardboard tube each signed Largest: 4 x 4 inches.

$500 - 700

169

Sister Gertrude Morgan (AMERICAN, 1900-1980) Untitled (Guitar Nun) mixed media on paper signed Sister Gertrude Morgan (center left and lower right) 10 x 15 inches.

$3,000 - 5,000

170

Artist Unknown (20TH CENTURY)

Cyrene, 1955

mixed media on paper signed illegibly, titled and dated (lower left) 11 3/4 x 9 1/2 inches.

$300 - 500

1901-1990)

Untitled (Horses), 1988, Untitled (Birds), 1989, Untitled (Heads), 1989 and Untitled (Portrait), 1988 (four works) mixed media on wood and paper each signed W.M. Dawson and dated Largest: 15 x 17 inches.

$3,000 - 5,000

171 William Dawson (AMERICAN,

William Dawson (AMERICAN, 1901-1990) and Untitled (Bust of a Woman) (three painted carved wood

Height of largest: 18 inches.

$3,000 - 5,000

173

William Dawson (AMERICAN, 1901-1990)

A Group of Three Articulated Figures, 1976-77 paint on carved wood two signed W.M. Dawson and dated Height of largest: 10 1/2 inches.

$3,000 - 5,000

174 Artist Unknown (LIKELY IVORY COAST, 20TH CENTURY)

Four Colonial Figures

carved and painted wood

Height of tallest 21 1/4 inches.

$200 - 400

175 Artist Unknown (20TH CENTURY)

Eight Religious Figures carved and painted wood each initialed MG

Height of tallest 29 1/2 inches.

$500 - 800

177

Artist Unknown (CENTRAL AMERICAN, 20TH CENTURY)

Seven Animal Figures carved and painted wood Height of largest 13 inches.

$300 - 500

176

Artist Unknown (20TH CENTURY)

Rider and Clown carved and painted wood Height of rider 29 1/4 inches.

$300 - 500

178 Lewis Smith (AMERICAN, 1907-1998) Burlesk (a double-sided work) mixed media on paper 17 x 12 inches.

$1,000 - 2,000

179

Nellie Mae Rowe (AMERICAN, 1900-1982)

Untitled (Self-Portrait), Standing Lady, and Untitled (Double Portrait) (three works) mixed media on paper each signed Nellie Mae Rowe (lower right) Largest: 14 x 10 1/2 inches.

$3,000 - 5,000

180

LT Rev Thomas

(AMERICAN, 1904-1995

Untitled (Four Officers) mixed media on paper signed LT Thomas (upper center) 12 x 9 1/4 inches.

$300 - 500

181

William Dawson

(AMERICAN, 1901-1990)

Untitled (His and Hers Portrait) pencil on paper 9 3/4 x 12 3/4 inches.

$500 - 700

182

Justin McCarthy (AMERICAN, 1891-1977)

Cary Grant and Ray Milland (two works) ink and watercolor on paper glued to manila folder each signed J McCarthy (lower left) and titled (lower right)

9 1/2 x 6 1/2 inches.

$500 - 700

183

Michael Hernandez de Luna (AMERICAN, 20TH/21ST CENTURY)

Untitled (I Like Ike KISS Army) digital print on postage stamps 2 x 3 1/2 inches.

$300 - 500

184 Lewis Kostiner (AMERICAN, B. 1950)

Grant Park (Eight Portraits), 1984 Polaroids signed, titled and dated in pencil 8 1/2 x 14 inches.

$300 - 500

185 Charles Traub (AMERICAN, B. 1945)

A Pair of Portraits from Lunchtime, c. 1977-1980 c-prints Each image: 6 1/4 x 6 1/4 inches

$300 - 500

186

Josef Metz (AMERICAN/AUSTRIAN, B. 1947) Untitled (Head), 1998 oil on paper signed METZ and dated (verso) 11 x 8 1/2 inches.

$300 - 500

187

Howard

$1,500 - 2,500

188

Two Painted Mesh Indian Theatre Masks

20TH CENTURY

Height of larger 9 1/4 inches.

$100 - 200

Finster (AMERICAN, 1916-2001) Self-Portrait, 1985 paint on wood signed Howard Finster 15 x 13 inches.

189 Lee Godie (AMERICAN, 1908-1994) Man and Vase (two-sided pillow painting) mixed media on canvas pillow signed Lee (lower left) 17 x 14 inches.

$1,000 - 2,000

190

Lee Godie

(AMERICAN,

Untitled

$1,500

191

Lee Godie

Charmain

$3,000

192

1908-1994)

(Blond Man) mixed media on canvas, presented in tramp art frame signed Lee Godie (lower left) 22 x 17 3/4 inches.

- 2,500

(AMERICAN, 1908-1994)

(Three Graces Triptych) paint and pencil on sewn canvas signed Godie (lower center and lower right) 14 x 38 1/2 inches.

- 5,000

John “Jack” Savitsky (AMERICAN, 1910-1991)

Coal Miner Jack (Silver Creek) pencil on paper signed Savitsky (lower right) and titled (lower left) 12 x 9 inches.

$100 - 200

193 Paul Green (AMERICAN, B. 1960)

Unititled (Bedroom) acrylic on panel signed Paul Green (verso) 16 x 16 inches.

$500 - 700

194 Stephen Warde Anderson (AMERICAN, B. 1953)

On Her Way to Work, 1996 mixed media on illustration board signed Stephen Anderson (lower right) 25 1/2 x 16 inches.

$800 - 1,200

195 Elizabeth Barrey (AMERICAN, 20TH/21ST CENTURY) Beauty of Love, 2014 mixed media on cardboard signed Elizabeth Barrey and dated (lower right); titled (verso) 22 x 17 inches.

$500 - 700

$1,000 - 2,000

Untitled (Dress), 2006 mixed media and wire signed Mr. Imagination, dated, and inscribed Height: 17 inches.

$500 - 700

Mr. Imagination (AMERICAN, 1948-2012)

197

Mr. Imagination (AMERICAN, 1948-2012)

Trench Coat Bottlecaps, 2006 mixed media and bottle cap signed Mr. I and dated Height: 13 inches.

Untitled

$1,000

$3,000 - 5,000

198 Nick Cave (AMERICAN, B. 1959)

(Egg & Bacon) crochet

6 inches.

- 2,000

199 Nick Cave (AMERICAN, B. 1959)

Untitled (Bananas) mixed media 9 x 5 x 2 inches.

$100 - 200

$200

A Bedazzled Pith Hat Diameter 12 1/2 inches.

201 Gerard Sendrey (FRENCH, B. 1928)

Untitled (Heads) (two works), 1995 mixed media on cardboard each initialed GS and dated (bottom left) 7 x 6 inches.

- 400

Artist Unknown (20TH/21ST CENTURY)

Untitled (Acrobat) mixed media

Height: 9 inches.

$300 - 500

204

Four Dancer Dolls from San Idefonso Pueblo, New Mexico WPA Era Length 13 inches.

$300 - 400

202

Derek Webster (AMERICAN, B. 1934)

Untitled, 2002 mixed media on wood DTW, dated and inscribed Height: 25 inches.

$300 - 500

Clyde Angel and Jerry Corker (AMERICAN, 20TH/21ST CENTURY)

The Dancing Mail Lady Does Dance, Untitled (Lady Dancer) and Friend from the East each signed (verso) Height of Largest: 20 3/4 inches.

$1,000 - 2,000

206

Artist Unknown (AMERICAN, 20TH/21ST CENTURY) Untitled (Woman) mixed media collage with cloth 12 1/2 x 6 inches.

$300 - 500

Boxes

painted wood with inscriptions most signed or initialed SCM (9

Height of largest box 5 1/4 x width 11 1/4 x depth 8 1/4 inches.

$400 - 600

207 Sergio Mayora  (AMERICAN, B. 1953)

items total)

208 Bill Haveron (AMERICAN, B. 1957) Star Creature, 1990 mixed media on wood signed Bill Haveron, dated and inscribed (verso) 23 1/4 x 23 1/4 inches.

$1,000 - 2,000

210

(BRITISH,

2000 and Untitled, 2003

2003 (two

$600 - 800

Untitled (Coca-Cola Plate), 2004 mixed media with crushed coca cola can initialed DTW (lower right); signed, dated and inscribed (verso) Diameter: 8 1/4 inches.

$300 - 500

209 Derek Webster (AMERICAN, B. 1934)

B. 1965)

works) embroidery and mixed media on paper

$300 - 500

LATE

$300 - 500

211 Ronald Knop (AMERICAN, 20TH CENTURY)

Untitled (Medallion) mixed media signed Ronald Knop (verso) Diameter: 18 inches.

212 A Japanese Kutani Porcelain Charger

19TH/EARLY 20TH CENTURY in Chinese export style, underside bearing a threecharacter maker’s mark. Width 17 inches.

Thirty Three Decorative Woven Boxes

Height of tallest 8 inches.

$800 - 1,200

214

Thirteen Contemporary Shell Decorated Sailor’s Whimsy Boxes, Frame and a Cross

Height of largest 3 3/4 x length 8 x depth 5 1/2 inches.

$600 - 800

6 inches.

$200 - 300

Two Appliqué Beaded Boxes

21ST CENTURY

Height of larger 8 inches.

$100 - 200

Kevin Orth  (AMERICAN, 20TH CENTURY) Bottle Constructions mixed media on glass bottle all three signed and two dated 1997 and 97/98. Height of tallest 22 inches.

$100 - 200

Kevin Orth (AMERICAN, 20TH CENTURY) The Eternal Desire glass bottles and mixed media signed Kevin Orth and titled Height 23 1/2 inches. $150 - 250

218

219

Doc

‘Thanks Susann’ Turtle mixed media, computer parts signed and dated 2013 on underside of legs

Height 6 1/2 x length 11 x width 6 1/4 inches.

$300 - 500

220

Tick

$500 - 700

221

Mr. Imagination (AMERICAN, 1948-2012)

Untitled (Brush Head), 1996 and Untitled (Bottle Cap Flower Talisman), 2000 (two works)

mixed media each signed Mr. I and dated Height of largest: 9 1/2 inches.

$1,000 - 2,000

Atomic (AMERICAN, 20TH/21ST CENTURY)

David Philpot (AMERICAN, B. 1940)

Tock Clock Ping Pong Paddle, 2002 mixed media ping pong paddle signed David R. Philpot, dated and inscribed 10 1/4 x 6 1/4 inches.

Provenance:

$1,500 - 2,500

Artist Unknown (20TH CENTURY)

Frida Kahlo and Untitled (Calavera) (a double-sided work), mixed media on shovel head initialled S.P., titled and dated Height: 19 1/4 inches.

$500 - 700

223 Michel Nedjar (FRENCH, B. 1947)

Untitled (Face-Squid), 1989 oil on paper bag signed Michel Nedjar, dated and inscribed (verso) 14 1/4 x 7 inches.

Judy Saslow Gallery, Chicago (label verso)

224 Farouq Molloy (BRITISH, B. 1957) Untitled (Tower), 1998 ink on paper signed Molloy and dated (lower right) 5 7/8 x 3 7/8 inches. $300 - 500

225 Diane Itter (AMERICAN, 1946-1989) Untitled embroidery 13 x 7 inches. $1,000 - 2,000

226

Aimee Beaubien (AMERICAN, B. 1966)

Taken away back when all ready to go, 2007 collage with vintage and contemporary photographs signed Aimee Beaubien, titled, and dated (verso) 16 1/2 x 5 inches.

Provenance:

Carl Hammer Gallery, Chicago (label verso)

$500 - 700

Height 18 x width 15 inches.

$100 - 150

An African Ndebele Beaded Apron

Loom-Beaded

SECOND HALF 20TH CENTURY Length of beaded strips 39 x width 3 inches; height of bookmark 5 1/2 x width 1 3/4 inches.

$50 - 75

SECOND QUARTER 20TH

228

A Pair of Plains

Strips and Bookmark

229

A Pair of Plateau Beaded Hide Moccasins

CENTURY with eagle and US shield decoration. Length 10 1/2 x width 4 inches.

$150 - 350

230

A Fabric Bird Wind Chime together with a small button and shell chime. Length 66 inches (excluding string).

$100 - 200

231

A Padded Patchwork Quilt 7 feet 9 1/2 inches x 6 feet 5 inches.

$200 - 400

232

Walter Von Nessen (GERMAN, 1889-1943)

Table Lamps

metal

Height 17 3/4 inches.

$400 - 600

233

A Green Painted Metal and Wood

Bistro Table and Two Chairs

20TH CENTURY

Height of chairs 31 inches.

$300 - 500

234 Anna Zemankova (CZECH, 1908-1986) Untitled, c. 1970 pastel on paper 3 x 4 inches.

Provenance:

Cavin-Morris, Inc., New York (label verso)

$500 - 700

235 Michael Hoskins (AMERICAN, 1957-2019) Red Fold Open, 1992 gesso, acrylic and coffee on linen 14 x 14 inches.

$200 - 400

236

Laurent Millet (FRENCH, B. 1968)

Cabane 8, 2000 gelatin silver print signed, titled, inscribed and numbered 2/20 in ink (verso)

9 1/4 x 22 inches.

Provenance: Robert Mann Gallery, New York

$500 - 700

237

Mary Bennet (AMERICAN, 20TH/21ST CENTURY)

Untitled (Home is the Desert), 2004 mixed media signed Bennet and dated 9 x 13 inches.

$300 - 500

238

A Japanese Lacquered Paper Mat, Yuton LATE 19TH/EARLY 20TH CENTURY the washi paper floor mat lacquered in persimmon tannin, decorated with various wastepaper collaged.

Diameter: 83 inches at widest point.

Provenance:

Yokiko Koide Presents, Tokyo Gifted by Intuit: The Center for Intuitive and Outsider Art to Susann Craig to commemorate her Visonary Award in 2018

$600 - 800

239 John Patrick Mckenzie (AMERICAN, B. 1962)

Untitled (Spring Chickens Were Not Around in the Fifties) mixed media on acetate and paper 18 x 24 inches

$300 - 500

240 Roger Lindsey Walker (AMERICAN, 1909-1996)

Untitled (Blue Dash) ink on paper 8 x 8 inches.

$300 - 500

Three Patchwork Fabric Quilts

including a crazy quilt and two patchwork quilts. Largest: 6 feet 4 inches x 5 feet 8 inches.

$300 - 500

242

A Five Tier Sheet Metal Rotating Rack Height 69 1/4 inches.

$300 - 500

Height

Height

$200 - 400

$3,000

243 Artist Unknown (20TH CENTURY)

Wind Chime and Candlestick bottle cap construction

of chime 8 3/4 inches.

of candlestick 9 1/4 inches.

244 Clarence Woolsey (AMERICAN, 20TH CENTURY) Four Bottle Cap Structures  Height 18 inches.

- 5,000

mixed media with aluminum foil and wires 24 x 24 inches.

$5,000 - 7,000

246

Two Paint Decorated Twig Plant Stands

Height of larger 29 inches.

Height of smaller 20 1/2 inches.

$150 - 300

247

Sergio Mayora  (AMERICAN/CHICAGO B. 1953) Popsicle Stick Table Lamp signed and dated inside shade Height 25 inches.

$200 - 400

248

An Outsider Art Paint Decorated Found Suitcase

20TH CENTURY

Height 19 x width 25 x depth 7 1/2 inches.

$200 - 300

If We All Hold Hands We Can’t Fight SAM and titled

$1,000 - 2,000

250

Firefighter

$200

251

Largest:

$200 - 400

Artist Unknown (20TH CENTURY)

Boot Birdhouse with New Jersey license plate roof, signed Johnson on underside.  Height 15 1/2 inches.

- 400

Three Patchwork Quilts

8 feet 10 inches x 7 feet 6 inches.

252 Jim Work (AMERICAN, 20TH CENTURY) Untitled (Interchange) mixed media on paper signed Jim Work (lower right) 13 1/3 x 15 5/8 inches.

$500 - 700

253 A Patchwork Quilt 7 feet 6 inches x 7 feet 4 inches.

$200 - 400

254

Artist Unknown (AMERICAN, 20TH CENTURY) Parcheesi Board paint on wood 24 x 24 inches.

$300 - 500

255

Artist Unknown

20TH CENTURY

painted and carved wood Height 39 x width 33 inches.

$200 - 400

256

Laurence Conn (AMERICAN, 1945-1993)

Tantra Series #5, 1990 mixed media on wood signed Laurence Conn, titled and dated (verso) 21 x 19 inches.

$300 - 500

257

Loy Allen Bowlin (AMERICAN, 1909-1995)

Rhinestone Cowboy mixed media and glitter on paper signed Loy Bowlin and inscribed (upper right) 21 1/2 x 22 inches.

$1,000 - 2,000

258 Hans Schon (GERMAN, 20TH/21ST CENTURY)

Kamel am wasserfall, 2008 mixed media on paper signed Hans Schon and dated (center right)

11 3/4 x 15 3/4 inches.

$300 - 500

259 Carolynn

(AMERICAN, B. 1963)

Untitled (Butts and Busts) (two works) mixed media on paper each signed C. Mansfield Largest: 11 x 7 inches.

$500 - 700

Mansfield

(AMERICAN, B. 1963)

Untitled (Erotic Headless Women) (two works) c. 2001 mixed media each signed

Largest: 12 3/8 x 9 7/8 inches.

$500 - 700

261 Johann Garber (AUSTRIAN, B. 1947)

Sexi-Blatt (Sexy Sheet) , 2002 ink on paper intialed G.J., titled and dated 5 3/4 x 4 inches.

$500 - 700

262

Karl Johann Korec (AUSTRIAN, 1937-2008)

Alexandra Korbus und der Korec Johann Stehoen im Bad (Alexandra Korbus and Korec Johann Standing in the Bath) watercolor and ink on paper 7 1/2 x 5 1/2 inches.

$500 - 700

263

Artist Unknown (20TH/21ST CENTURY)

Sammy Davis & Juyor mixed media on board titled (lower center)

13 1/2 x 10 1/2 inches.

$500 - 700

264

Heinrich Reisenbauer (AUSTRIAN, B. 1938)

Untitled (Ten Raspberries), 2002 graphite and colored pencil on paper signed Heinrich Reisenbauer and dated (lower right)

5 3/4 x 8 1/4 inches.

$300 - 500

265 Wesley Willis (AMERICAN, 1963-2003)

Total = 50 Trailers mixed media on poster board signed Wesley Willis (center left) 28 x 40 inches.

$1,500 - 2,500

266 Marco Raugei (AMERICAN, 1958-2006) questi sono i cavalli i bambini, 1996 ink on paper signed Marco Raugei, titled and dated (verso) 19 5/8 x 13 7/8 inches.

$500 - 700

267 Red Grooms (AMERICAN, B. 1937)

The City of Chicago, Allan Frumkin Exhibition Poster, 1967-68 offset lithograph signed and dated in pencil 28 x 20 inches.

$300 - 500

268 Hipkiss (BRITISH, B, 1964)

Little Bead Pit on Ann graphite and metallic ink on paper signed HIPKIZZ (lower right) 5 7/8 x 8 1/4 inches.

$800 - 1,200

269 JJ Cromer (AMERICA, B.1967)

Untitled, 2003 ink and collage on paper signed JJ Cromer and dated (lower right) 6 5/8 x 9 1/8 inches.

$500 - 700

270

Artist Unknown (20TH/21ST CENTURY)

Untitled (Clouds and Bars) graphite and stain on wood 20 x 20 inches.

$500 - 700

271

Artist Unknown (20TH/21ST CENTURY)

Starry Sky #18 mixed media on paper 17 1/2 x 22 1/2 inches.

$500 - 700

272

Artist unknown (AMERICAN, 20TH/21ST CENTURY)

A

48 x 24 inches

$500 - 700

$1,500 - 2,500

Gran Quivira, 2009 acrylic on canvas signed Timoteo and dated (lower right); titled (verso)

273 Maria Montoya Martinez (AMERICAN, 1887-298)

Three Pueblo Motif Dishes glazed ceramic diameter of each 5 inches.

274

Pottery Articles

20TH CENTURY

Diameter of largest 11 inches.

$400 - 500

275

20TH

Height

$400 - 600

Twelve Pueblo, Navajo, and Mata Ortiz

Seven Mexican Pottery Vessels

CENTURY

of tallest 6 inches.

each signed Lupe Romero Height of tallest: 6 inches.

$300 - 500

277

Artist Unknown

(20TH/21ST CENTURY)

Untitled (Figures in Yellow, Red and Black), 1991 ink on graph paper initialed MF and dated (verso) 22 x 11 inches.

$500 - 700

278

Ten Woven Baskets

20TH CENTURY including Iroquois lidded baskets with “Porcupine twists”; sweetgrass baskets, and a Wounaan figural basket.

11 items total.

Height of largest 8 x width 11 3/4 inches.

$200 - 400

279

Twelve Woven Baskets 20TH CENTURY includes Eastern Woodlands Split Ash baskets and Asian baskets.

Height of tallest 20 inches.

$200 - 300

280

A Set of Eleven Woven and Leather Nesting Baskets

Height of tallest 6 inches.

$100 - 200

280

281

Two African Carved Wood Panels Height of larger 26 inches.

$150 - 250

282

A Chip Carved Hanging Corner

Cupboard

Height 17 3/4 x width 17 3/4 x depth 11 inches.

$400 - 600

A Benin Shell and Woven Reed Mask with Carved Figures  signed and identified on back.  Height 28 x width 13 x depth 5 3/4 inches.

$200 - 400

Lily Karadada (ABORIGINAL AUSTRALIAN, B. C. 1937) Wandjina and Wunggurr paint on tree bark numbered 2071 (verso) 35 x 19 inches.

$1,000 - 2,000

285 A Chinese Export Carved Wood Buddah Mask Height 13 inches.

$250 - 500

Artist Unknown (AFRICAN, 20TH CENTURY)

carved and painted wood Height of largest 13 inches.

$300 - 500

286

(AMERICAN, 20TH CENTURY)

1988 and  1986 (two works)

Dog,

Joe McAlister and dated (verso)

Largest: 8 x 11 inches.

$300 - 500

288

(AMERICAN, 1944-2016)

carved and painted wood

Height 17 1/4 inches.

$400 - 600

289

Artist Unknown (AMERICAN, 20TH CENTURY)

Don’t Tread On Me carved and painted wood cane Length 47 x height 11 inches.

$600 - 800

Felipe Archuleta (AMERICAN 1910-1991)

Bottle Cap Snake painted wood and bottle caps

signed and dated under head Snake / By - 6-15-85 / F.B.A.

Length approximately 56 inches.

$600 - 800

291

Mark Milestone (AMERICAN, 20TH CENTURY)

Dragon Serpent, 1996 mixed media

signed Mark Casey Milestone and dated (verso) 12 x 20 inches.

$300 - 500

292

Artist Unknown (20TH CENTURY)

Hand cut sheet iron

Length 23 3/4 inches.

$200 - 300

293

Artist Unknown (20TH CENTURY)

Skeleton Mobile cut and pierced copper

Length 24 1/4 inches (excluding hook).

$200 - 400

294 Hawkins Bolden (AMERICAN, 1914-2005)

Untitled (Colander Scarecrow) mixed media assemblage Height: 50 inches.

Provenance: The Webb Gallery, Waxahachie, Texas

$3,000 - 5,000

mixed media on wood initialled DTW

Height: 58 inches.

$500 - 700

Totem mixed media on wood initialled DTW Height: 62 inches.

$500 - 700

296 Derek Webster (AMERICAN, B. 1934)

295 Derek Webster (AMERICAN, B. 1934)

Standing Figure

297

Archie Byron (AMERICAN, 1928-2005)

Roller Bowler Man paint on wood

Height: 31 inches.

$500 - 700

298

Donald MacDonald (AMERICAN, 20TH/21ST CENTURY)

Untitled (Abstract Figures) (three works), 2000 chalk on wood each signed Donald MacDonald  Height of largest: 26 1/2 inches.

$300 - 500

and dated (verso)

299

(five works) mixed media and drift wood

Height of largest: 15 1/2 inches.

$300 - 500

300

Artist Unknown (20TH CENTURY)

Prisoner Figure on Chain mixed media

Height of figure 8 inches.

$200 - 400

301

Artist Unknown (20TH CENTURY)

Three Darger Dolls mixed media

Height of largest 16 inches.

$100 - 200

302

A Convalescents Chair with Two Cushions GENDRON WHEEL COMPANY, OHIO, EARLY 20TH CENTURY Height 49 inches.

$75 - 150

303

Tim Ratliff (AMERICAN, 20TH CENTURY) Seven Walking Sticks c. 1991 painted carved wood and mixed media

$1,000 - 2,000

304

Marc Casey Milestone (AMERICAN, 20TH/21ST CENTURY)

Airplane wood and metal

Length 14 inches.

$100 - 200

305

Artist Unknown (20TH CENTURY)

Fisherman mixed media

Height 4 1/2 x length 15 1/4 x width 9 1/2 inches.

$100 - 200

306

A Child’s Carved and Painted Wood

Unicycle Push Toy

Height 27 inches.

$300 - 500

308

Isaac Smith (AMERICAN, 1944-2016)

Monkeys carved and painted wood signed on underside of base Height 15 1/4 inches.

$300 - 500

307

Artist Unknown (20TH CENTURY)

Monkey leather, mixed media Height 7 1/4 inches.

$150 - 250

309

Artist Unknown (20TH CENTURY)

Bird in Tree, Monkey in Tree and Cowboy with Lasso mixed media

Height of largest 9 1/2 inches.

$200 - 300

Artist Unknown (20TH CENTURY)

Noisemakers

cut and painted tin automaton

Height of largest 5 inches.

$300 - 500

311 Artist Unknown (20TH CENTURY)

Rainbow Mineworker painted tin and wood wind-up toy Height 7 1/2 x width 9 3/4 x depth 9 1/4 inches.

$100 - 200

312 Artist Unknown (20TH CENTURY)

Figural Whirligig metal, wood, paint Height overall 21 x length 28 inches.

$300 - 500

Artist Unknown (20TH CENTURY)

Rabbit Whirligigs

carved and panted wood

Height of taller 24 inches.

$200 - 400

314

Artist Unknown (20TH CENTURY)

Mama Bear Brings Breakfast

carved and painted wood

Height 15 1/2 x length 39 x width 14 inches.

$600 - 800

Seagull with Fish carved and painted wood signed Isaac S. on underside of base.  Height overall 9 1/2 x width 12 inches.

$400 - 600

Pig

carved and painted wood signed in marker on underside 8-14-1983 -

Pig / By - F.B.A

Height 14 3/4 x length 25 x width 11 inches.

$1,000 - 1,500

Woodpecker carved and painted wood signed and dated in marker on underside 9-5-79- / F.B.A. Height 22 1/2 x width 16 inches.

$1,000 - 1,500

315

Isaac Smith (AMERICAN, 1944-2016)

316 Felipe Archuleta (AMERICAN 1910-1991)

317

Felipe Archuleta  (AMERICAN 1910-1991)

$700 - 900

Five Works: Squirrel, Porcupine, Rooster, Turkey, Robin painted straw, wood and pinecones. Height of largest 5 inches.

$200 - 400

320

Artist Unknown (20TH CENTURY)

Armadillo carved wood inscribed signature Quinca on underside.  Height 2 7/8 x length 10 1/4 inches.

$100 - 200

321

Artist Unknown (20TH CENTURY)

Eagle on Perch found wood construction Height 46 1/2 inches.

$400 - 600

323

A

322

Artist Unknown (20TH CENTURY) Box or Cage wood and metal

Height 7 3/4 x length 9 1/2 x width 8 1/4 inches.

$100 - 200

LATE 19TH CENTURY

Height 26 x width 32 1/2 x depth 20 inches.

$200 - 400

Brass and Iron Mounted Wood Domed Top Blanket Chest

324

An Iron Mounted and Painted Pine Storage Chest

19TH CENTURY with stenciled name to front.  Height 17 x width 31 x depth 16 1/2 inches.

$300 - 400

325

A Paint Decorated Pine Blanket Chest

19TH CENTURY

Height 16 1/2 x width 43 1/2 x depth 15 3/4 inches.

$300 - 500

Artist Index

GLOSSARY OF TERMS

ADRIAEN JANSZ VAN OSTADE

This work, in our best opinion, is by the named artist.

ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE

To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category.

STUDIO OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, this unsigned work may or may not have been created under the direction of the artist.

CIRCLE OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil.

STYLE OF . . .

FOLLOWER OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work by a painter emulating the artist’s style, contemporary or nearly contemporary to the named artist.

MANNER OF ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work in the style of the artistand of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE

To our best judgment, a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

(American, 1886-1973) The First Zepolin compleet the first non stop flight Between new york City + Paris, France, 1969 Sold for $25,000 OF BUYER’S PREMIUM

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CAMERON QUADE CATALOGUER

FINE ART 312.280.1212

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FINE ART 312.334.4216 CHRISTINAKIRIAKOS @HINDMANAUCTIONS.COM

JOSEPH STANFIELD VICE PRESIDENT, SENIOR SPECIALIST

FINE ART 312.600.6063 JOSEPHSTANFIELD @HINDMANAUCTIONS.COM

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VICE PRESIDENT

404.800.0192 KRISTINVAUGHN @HINDMANAUCTIONS.COM

CHICAGO

MIRANDA MAXFIELD 312.334.4208 MIRANDAMAXFIELD @HINDMANAUCTIONS.COM

CINCINNATI VAUGHN H. SMITH

513.666.4987 VAUGHNSMITH @HINDMANAUCTIONS.COM

CLEVELAND CARRIE PINNEY 216.292.8300 CARRIEPINNEY @HINDMANAUCTIONS.COM

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PAMELAIACOBELLI @HINDMANAUCTIONS.COM

MIAMI

ELIZABETH RADER, PHD 239.643.4448 ELIZABETHRADER @HINDMANAUCTIONS.COM

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ALLISON DURIAN 239.643.4448 ALLISONDURIAN @HINDMANAUCTIONS.COM

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202.853.1638 MAURAROSS @HINDMANAUCTIONS.COM

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MUSEUM SERVICES CAROLINE MUJICA-PARODI DIRECTOR CAROLINEMUJICA @HINDMANAUCTIONS.COM

MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS

BRIAR KOEHL OLEFERCHIK MANAGER, MUSEUM SERVICES

FINE ART JOSEPH STANFIELD

VICE PRESIDENT, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM

ZACHARY WIRSUM DIRECTOR, SENIOR SPECIALIST POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM

MONICA BROWN DIRECTOR, SENIOR SPECIALIST FINE PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM

KATHERINE HLAVIN DIRECTOR, SENIOR SPECIALIST KATHERINHLAVIN @HINDMANAUCTIONS.COM

MADALINA LAZEN DIRECTOR, SENIOR SPECIALIST EUROPEAN ART MADALINALAZEN @HINDMANAUCTIONS.COM

LAURA PATERSON DIRECTOR, SENIOR SPECIALIST PHOTOGRAPHS LAURAPATERSON @HINDMANAUCTIONS.COM

PAULINE ARCHAMBAULT SPECIALIST

ANGELA WHITAKER ASSOCIATE SPECIALIST

ABBY CHAMBERS ASSOCIATE SPECIALIST

ALEXANDRIA DREAS ASSOCIATE SPECIALIST

JULIANNA TANCREDI SENIOR RESEARCHER

THEA ANDRUS CATALOGUER

CAMERON QUADE CATALOGUER

CHRISTINA KIRIAKOS DEPARTMENT COORDINATOR

JOHN MARTINEZ DEPARTMENT COORDINATOR

EUROPEAN FURNITURE & DECORATIVE ARTS CORBIN HORN VICE PRESIDENT, SENIOR SPECIALIST CORBINHORN @HINDMANAUCTIONS.COM

NICK COOMBS SENIOR SPECIALIST NICKCOOMBS @HINDMANAUCTIONS.COM

DONNA TRIBBY SENIOR SPECIALIST

SAM COWAN

NATIONAL HEAD OF SALE, THE COLLECTED HOME

NICHOLAS GORDON ASSOCIATE SPECIALIST

ELIZABETH REED CATALOGUER

ALISON LYNCH ASSOCIATE CATALOGUER

TYLER WILSON DEPARTMENT COORDINATOR

AMERICAN FURNITURE, FOLK & DECORATIVE ARTS

BEN FISHER VICE PRESIDENT, SENIOR SPECIALIST BENFISHER @HINDMANAUCTIONS.COM

JENNIFER HOWE SENIOR SPECIALIST

JENNIFERHOWE @HINDMANAUCTIONS.COM

LEAH VOGELPOHL SPECIALIST

KATIE BENEDICT CATALOGUER

ANTIQUITIES & ANCIENT ART

JACOB COLEY DIRECTOR, SENIOR SPECIALIST JACOBCOLEY @HINDMANAUCTIONS.COM

ELIZABETH KEITHLEY CATALOGUER DESIGN HUDSON BERRY DIRECTOR, SENIOR SPECIALIST HUDSONBERRY @HINDMANAUCTIONS.COM

SABRINA GRANADOS ASSOCIATE SPECIALIST

JOHN MARTINEZ DEPARTMENT COORDINATOR

NATIVE AMERICAN, PREHISTORIC & TRIBAL ART

DANICA FARNAND VICE PRESIDENT, SENIOR SPECIALIST DANICAFARNAND @HINDMANAUCTIONS.COM

ERIN RUST SPECIALIST

WILLIAM NORWOOD CATALOGUER

ARMS, ARMOR & MILITARIA TIM CAREY DIRECTOR, SPECIALIST TIMCAREY@HINDMANAUCTIONS.COM

EMMA FULMER

ATF MANAGER AND SENIOR COORDINATOR

BARRETT SHARPNACK CATALOGUER

TUCKER ETNOYER CATALOGUER

FINE BOOKS & MANUSCRIPTS

GRETCHEN HAUSE VICE PRESIDENT, SENIOR SPECIALIST GRETCHENHAUSE @HINDMANAUCTIONS.COM

KATIE HORSTMAN SENIOR SPECIALIST KATIEHORSTMAN @HINDMANAUCTIONS.COM

DANIELLE LINN SPECIALIST

EMILY PAYNE SPECIALIST

KAYLAN GUNN ASSOCIATE SPECIALIST

FRANCIS WAHLGREN SENIOR CONSULTANT

LESLIE WINTER ASSOCIATE SPECIALIST

JOSHUA MCCRACKEN DEPARTMENT COORDINATOR

ASIAN ART

ANNIE WU VICE PRESIDENT, SENIOR SPECIALIST ANNIEWU @HINDMANAUCTIONS.COM

FLORA ZHANG SPECIALIST

MEGAN SADLER ASSOCIATE SPECIALIST

DATURA ZHOU DEPARTMENT COORDINATOR Updated

JEWELRY & WATCHES

SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST SALLYKLARR @HINDMANAUCTIONS.COM

KATIE HAMMOND GUILBAULT, G.G. SENIOR SPECIALIST, JEWELRY SAN DIEGO KATIEGUILBAULT @HINDMANAUCTIONS.COM

SEAN JOHNSON SENIOR SPECIALIST, WATCHES SEANJOHNSON @HINDMANAUCTIONS.COM

RUTH THUSTON, G.G. SENIOR SPECIALIST RUTHTHUSTON @HINDMANAUCTIONS.COM

MARISA PALMER, G.G. SENIOR APPRAISER MARISAPALMER @HINDMANAUCTIONS.COM

KARINA HAMMER, G.G. SPECIALIST KARINAHAMMER @HINDMANAUCTIONS.COM

APRIL MATTEINI, G.G. SPECIALIST APRILMATTENI @HINDMANAUCTIONS.COM

MADELINE SCHROEDER, G.G. ASSOCIATE SPECIALIST GINA O’CONNOR CATALOGUER

COUTURE & LUXURY ACCESSORIES

TIMOTHY LONG DIRECTOR, SENIOR SPECIALIST TIMOTHYLONG @HINDMANAUCTIONS.COM

TANNER BRANSON CATALOGUER

SPORTS MEMORABILIA

JAMES SMITH DIRECTOR, SENIOR SPECIALIST JAMESSMITH @HINDMANAUCTIONS.COM

JOSHUA MCCRACKEN DEPARTMENT COORDINATOR

MARKETING

ASHLEY GALLOWAY VICE PRESIDENT

PHOTOGRAPHY ZOË BARE DIRECTOR DAVID JACKSON SUPERVISOR

GABBY BOSHARA CARMEN COLOME CHAD FEIERSTONE LIM HWOANG DEOGRACIAS LERMA ROBERTO MARTINEZ LIBBY MOORE MIKE REINDERS* BILL ROSS

RACHEL SMITH* DALLAS TOLENTINO* HARLEY WINCE

DESIGN

AIMEE GUZMAN CREATIVE DIRECTOR BRIAN MASLOUSKI* SENIOR DESIGNER

JENNIFER CASTLE GRAPHIC DESIGNER

*LEAD DESIGN AND PHOTOGRAPHY FOR SALE 1149

Guide for Prospective Sellers and Buyers

GUIDE FOR PROSPECTIVE SELLERS

Evaluation of Property

Hindman is pleased to provide complimentary auction estimates for items you’re considering consigning. You are welcome to submit items electronically (consign@hindmanauctions.com) or to contact any of our offices directly.

Our specialists are eager to help you learn more about your collection and current auction sale estimates.

To begin an estimate, our specialists will need:

• At least 3 photos

• Detailed description

• Details on signatures or marks

Shipping Arrangements

Buyers assume full responsibility for the packing and shipping of lots won at auction. Our Recommended Shippers offer a wide variety of local, domestic, and international shipping options.

In the interest of our clients, Hindman requires a written authorization from the buyer in order to release property to anyone other than the purchaser of record (including but not limited to our recommended shippers). You may submit the Shipping Release Form via fax to 312.280.1211 or email to shipping@hindmanauctions.com

Appraisals

Our exceptional team of specialists regularly appraises property by analyzing market trends and conducting comprehensive research. Specialists evaluate thousands of objects each year for auction, allowing them to closely monitor the nuances of the current market.

Professional appraisals are prepared for estate tax, gift tax, charitable contribution, insurance and for equitable distribution purposes.

• Estate Tax

• Gift Tax

• Charitable Contribution

• Insurance

• Appraisals for Corporate Valuation Needs

Our trust and estates department recognizes that each client and appraisal situation is unique and often involves multiple asset categories and residences. Fees for appraisals are determined by the number of specialists, hours involved and the necessary travel and expenses. Our competitive fees are negotiated based upon the express needs of each client and are competitive within the marketplace.

Please contact our Appraisals Department (appraisals@ hindmanauctions.com) for more information.

Estate Services

Estate settlement is a meticulous and multi-faceted process. Hindman provides executors, fiduciaries and beneficiaries throughout the country with confidential and customized appraisals and disposition services. All appraisals are prepared fully in accordance with USPAP guidelines and meet all current requirements set forth by the IRS.

We recognize that each client and appraisal situation is unique and often involves multiple asset categories and residences. Our Trusts and Estates department offers services that are tailored to meet our clients’ timelines and specifications.

Our specialists offer complimentary walk-through services with the goal of providing an accurate representation of each items’ value based on the current auction market. A detailed proposal outlining the manner in which a sale will be conducted from the initial value assessment to removal of the property and settlement is provided to all parties involved.

Please contact our Estate Services (inquiries@hindmanauctions.com) team for more information.

Updated 1.1.23

GUIDE FOR PROSPECTIVE BUYERS

Conditions of Sale

All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction.

Viewing Auction Items

It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person.

Estimates

Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports

We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction

The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes.

Bidding Increments

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The standard bidding increments are:

In-House Bidding

Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Live Bid Online

Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com.

Absentee Bidding

If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids.

Telephone Bidding

You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $500 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time.

Conditions of Sale

These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES

Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance— are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot.

2. CONDITION

The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report.

3. VIEWING LOTS

We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping purposes.

4.

ESTIMATES

Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges.

5. WITHDRAWAL

We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. GENERAL

We reserve the right to reject any bid. By participating in the sale, you represent and warrant that:

(a) The bidder and/or purchaser is not subject to trade sanctions, embargoes or any other restriction on trade in the jurisdiction in which it does business as well as under the laws and regulations of the United States, and is not owned (nor partly owned) or controlled by such sanctioned person(s) (collectively, “Sanctioned Person(s)”); (b) Where you are acting as agent, your principal is not a Sanctioned Person(s) nor owned (or partly owned) or controlled by Sanctioned Person(s); and

(c) The bidder and/or purchaser undertakes that none of the purchase price will be funded by any Sanctioned Person(s), nor will any party be involved in the transaction including financial institutions, freight forwarders or other forwarding agents or any other party be a Sanctioned Person(s) nor owned (or partly owned) or controlled by a Sanctioned Person(s), unless such activity is authorized in writing by the government authority having jurisdiction over the transaction or in applicable law or regulation.

2. NEW BIDDERS

New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity.

(a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s

name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid.

3. RETURNING BIDDERS

If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction.

4. BIDDING FOR ANOTHER PERSON

If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.

5. BIDDING IN THE SALEROOM

If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction.

6. OUR BIDDING SERVICES

We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services.

(a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids.

(b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites.

(c) Written Bids: You can find a Written Bid Form at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids.

7. CREDIT CARD AUTHORIZATION HOLD

When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a temporary authorization hold on the card that will remain until it falls off, usually within 2 to 7 days.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION

(a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(b) Online Auctions. The auctioneer will accept bids from Internet bidders, including bidders through third-party bidding sites. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding.

(c) Timed Auctions. Bids may only be submitted on our website between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion.

2. AUCTIONEER’S DISCRETION

The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1).

3. BIDDING ON BEHALF OF THE SELLER

The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at a set increment lower than the lot’s low estimate and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.

4. SUCCESSFUL BIDS AND INVOICES

Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges. Please note that Hindman will not accept payments for purchased lots from any party other than the purchaser, unless otherwise agreed between the purchaser and Hindman prior to the sale.

D. AFTER THE AUCTION

1. THE BUYER’S

PREMIUM

In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots we charge twenty-six percent (26%) of the hammer price up to and including $1,000,000; twenty percent (20%) of any amount in excess of $1,000,001 up to and including $5,000,000; and fifteen percent (15%) of any amount in excess of $5,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium

2. TAXES

The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required.

3. MAKING PAYMENT

(a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date.

(b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name.

(c) You must pay for lots in US dollars in one of the following ways:

(i) Wire transfer.

(ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed.

(iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us.

(iv) Credit card: Credit card payments may not exceed $10,000 and a

convenience fee of 3% will be added to each credit card payment.

(v) ACH Bank Transfer

(d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department.

4. TRANSFERRING OWNERSHIP TO YOU

You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you.

5. TRANSFERRING RISK TO YOU

Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse.

6. YOUR FAILURE TO PAY

If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion:

(a) We can charge interest from the due date at a rate of up to one and one-half percent (1.5%) per month on the unpaid amount due.

(b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation.

(c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount.

(d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law.

(e) We can reveal your identity and contact details to the seller.

(f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids.

(g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us.

(h) We can take any other action we deem necessary or appropriate.

7. SHIPPING, COLLECTION, AND STORAGE

(a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. Hindman has several salerooms throughout the country and the location of sales, or individual items may vary. It is important to check with our website and be aware of where each lot is located, for both viewing and for shipping.

(b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate.

(c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot.

(d) Nothing in this paragraph is intended to limit our rights under paragraph D(6).

8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES

(a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot.

(b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be

responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES

For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

2. OUR LIMITED AUTHENTICITY WARRANTY

Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows:

(a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty.

(b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type.

(c) It does not apply to any Heading or part of a Heading that is qualified.

“Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty.

(d) It applies to the Heading as amended by any saleroom notice.

(e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion.

(f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot.

(g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else.

(h) In order to make a claim under the limited authenticity warranty, you must

(i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale.

(i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses.

(j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

3. ADDITIONAL WARRANTY FOR BOOKS

If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances:

(a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms:

(i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale.

(ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale.

(iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY

(a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time.

(b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report.

(c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report.

(d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced.

5. WATCHES AND CLOCKS

(a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys.

(b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use.

(d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap.

6. YOUR WARRANTIES

You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money

laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties.

(b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale.

(c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH.

(d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services.

(e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot.

(f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL

In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS

We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.

3. COPYRIGHT

We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights.

4. ENFORCING THIS AGREEMENT

If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES

You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.

6. PERSONAL INFORMATION

We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com.

7. WAIVER

No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.

8. LAW AND DISPUTES

This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. You and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice.

due date: has the meaning given to it in paragraph D(3)(a).

estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two.

hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot.

Heading: has the meaning given to it in paragraph E(2).

limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law.

purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms:

(a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter.

(b) “Attributed to” means, in our opinion, a work probably by the artist.

(c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style.

(d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist.

(e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work.

(f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned.

UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.

Updated 1.1.23