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22 minute read
ART, PhOTOgRAPhY AND ARchiTEcTURE
lots 513–577a
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514
513 ABERCROMBIE, GERTRUDE A Retrospective Exhibition. [Chicago:] Hyde Park Art Center, n.d. [1977]
Oblong 8vo, decorative wraps. Inscribed by Abercrombie on the title page. Light wear and soiling to wraps; marginal toning to leaves; otherwise good. $100-200
514 CHAGALL, MARC The Jerusalem Windows. Text and notes by John Lyemarie. New York/Monte Carlo: Andre Sauret, 1962.
4to, original red cloth lettered in gilt, dust jacket. First American edition, with two original lithographs by Chagall. Ends slightly bumped; marginal chipping to jacket; otherwise fine. $600-800
515 (CHAGALL, MARC) LASSAIGNE, JACQUES Drawings and Water Colors for the Ballet. Paris: Tudor, 1969.
4to, publisher’s gilt-lettered tan cloth. First edition, with an original color lithograph by Chagall. Lacking dust jacket; boards lightly soiled and faded; marginal toning to leaves; otherwise good. $200-400 516*
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516
CIARDI, JOHN An Alphabestiary. New York: Touchstone, 1966.
Folio, cloth clamshell box lettered in gilt, contents loose as issued. Complete with 26 color lithographs, each signed and numbered by Milton Hebald. First limited edition, number 55 of 100 signed copies. Light soiling and wear to boards with 1-inch split to head and tail of spine; foxing to limitation page; plates are bright and clean. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $200-400
517 COVARRUBIAS, MIGUEL Negro Drawings. New York and London: Alfred A. Knopf, 1927.
4to, original gilt-lettered black cloth. With 56 plates of reproductions after Covarrubias’s drawings. Soiling and wear to boards; bookplate tipped in front pastedown; otherwise fine. $200-400
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519 525
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518 (HAMBOURG, ANDRE) DELARUE-MARDRUS, LUCIE Lumieres de Honfleur. (Paris): Editions Vialetay, (1964).
Folio, contents loose as issued in green folder and green cloth folding case. With 18 original lithographs by Andre Hambourg, and a supplemental doublepage plate in color. Number 129 of 180 examples on Hollande van Gelder signed by the artist. Folder slightly creased; else fine. $800-1,200
519 HOPPER, EDWARD Program, “Paintings by John Carroll, January 8 to January 27, 1945,” signed by Edward Hopper and 14 other artists represented at the show, including Franklin Watkins, M. Kantor, Charles Burchfield and Reginald Marsh. $400-600
520 KIEFER, ANSELM Anselm Kiefer. Watercolours. London: Anthony d’Offay, 1983.
Oblong 4to, blind-stamped blue cloth, title in silver to spine. Number 518 of 850 limited copies, signed by Kiefer on the limitation page. Fading to boards; ends bumped; otherwise good. $200-400 521* (LEVINE, JACK) MICHENER, JAMES Facing East. New York: Maecenas, 1970.
Portfolio, housed in publisher’s cloth-backed case. Limited edition, signed by the author and artist on the inside of the box and on the limitation page. Light soiling and minor wear to box; interior fine. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $150-250
522 (MIRO, JOAN) SAN LAZARRO, G. DI Homage to Joan Miro. New York: Tudor, 1972.
4to, publisher’s gilt-lettered cloth, dust jacket. Special issue of the XX Siecle Review. With one original lithograph by Miro. Marginal chipping to jacket; otherwise fine. $100-200
523 OLDENBURG, CLAES Claes Oldenburg. Drawings and Prints. London and New York: Chelsea House, (1969).
4to, brown cloth, title in gilt to spine, dust jacket. First edition. With numerous reproductions of Oldenburg’s works including 20 tipped-in color plates. Light soiling to boards and dust jacket; marginal chipping to jacket with some loss; 1-inch tear to upper cover; otherwise good. $100-200 524 RATTNER, ABRAHAM Abraham Rattner. Urbana: University of Illinois Press, 1956.
Portfolio, housed in folding box. Collection of 24 lithographs with accompanying booklet. Wear and light fading to box; offsetting and ghosting to verso of some plates; ephemera tipped to front pastedown. $100-200
525 RUSKIN, JOHN Autographed note signed (“J Ruskin”), 1 page, on “Denmark Hill, S.E.” letterhead, February 12, 1869. Framed and matted with black and white portrait photograph. 6 x 4 1/4 inches. $400-600
526 (VERVE) Verve. Spring 1938. Paris: Verve, 1938. Vol. 1, no. 2.
4to, red cloth lettered in silver. With two lithographs by Kandinsky and two lithographs by Andre Masson. Light soiling to boards; toning to some leaves. [Together with:] Verve. The French Art Review. Paris: Verve, 1939. Vol. 2, nos. 5-6, 7-8, three issues, in slipcase. Light soiling and wear to slipcase; marginal chipping to wraps; otherwise good. $300-500
527* (WARHOL, ANDY) CRONE, RAINER Andy Warhol. New York: Praeger, 1970.
4to, publisher’s orange cloth, dust jacket. First edition of the first catalogue raisonne on Warhol. Glassine torn and curling and dust jacket toned with a few small tears. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $150-250 528 (WILKE, HANNAH) KOCHEISER, THOMAS, ed. Hannah Wilke: A Retrospective. Columbia, MO: University of Missouri Press, 1989.
Oblong 4to, red cloth, photo-pictorial dust jacket. Photographic illustrations throughout. Minor wear to dust jacket; otherwise good. $100-200
529 WYETH, ANDREW AND JAMES, BETSY Wyeth at Kuernes. Boston: Houghton Mifflin, 1976. [Together with:] Christina’s World. Boston: Houghton Mifflin, (1982).
2 vols. Oblong 4to, uniformly bound in quarter calf over linen, gilt-lettered, together in white linen slipcase. Each number 131 of 200 copies signed by Andrew Wyeth and Betsy James Wyeth. Soiling to slipcase; otherwise fine. $1,000-2,000
529
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529A
529A SMITH, PERCY The Dance of Death, 1914-1918. Seven Etchings. S.l., n.d.
Folio, complete set of seven etchings, each signed, loose as issued in gilt-lettered portfolio with cloth ties. Wear to portfolio; ends chipped; marginal chipping to some plates not affecting images; otherwise fine. $1,000-2,000
530* (ART) A group of two works, comprising Norman Rockwell, by Thomas Buechner, and Rockwell Kent, by Fridolf Johnson. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $100-200
531* (ART) A group of two sets of works, comprising Man through His Art, 6 vols., by the New York Graphic Society, and Great Drawings of All Time, 4 vols., edited by Ira Moskowitz. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $100-200
532* (ART) A group of five works, comprising The Charles M. Russell Book, by Harold McCracken, Sargent, by Richard Ormand, Whistler, by Debys Sutton, Saul Steinberg, by Harold Rosenberg, and 50 Lithographs, by James N. Rosenberg, signed limited. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $100-200 533 (ENGRAVINGS) DORE, GUSTAVE L’Espagne. Paris: Librairie Hachette, 1874.
4to, red morocco elaborately decorated in gilt, a.e.g. With 309 wood engravings. Rubbing to boards with chipping to ends; corners bumped; scattered minor foxing. $300-500
534 (ENGRAVINGS, DORE, GUSTAVE) ALIGHIERE, DANTE Dante’s Inferno. [Together with:] Purgatory and Paradise. New York, London and Paris: Cassell, n.d.
2 vols. Folio, uniformly bound in blind-stamped gilt-lettered and decorated morocco, a.e.g. New edition. Profusely illustrated with plates after Dore. Rubbing to boards; corners bumped; hinges starting; otherwise good. $200-400
535* (ENGRAVINGS) DURER, ALBRECHT Niederlandische Reise. Edited by J. Veth and S. Muller. Berlin: G. Grote’sche; Utrecht: A. Oosthoek, 1918.
2 vols. Large folio, publisher’s orange linen with artist’s mark stamped in gilt to upper covers. Illustrated with numerous reproduction plates in black and white with captioned tissue guards. Wear to boards; corners and spine ends bumped; small tear to cloth at top right corner of head of spine both vols.; some brownspotting to half-titles; light marginal toning. Property from the University of Hartford, West Hartford, Connecticut $100-200
536* (ENGRAVINGS) GUATTANI, GIUSEPPE ANTONIO La Pittura comparata. Rome: Francesco Bourlie, 1816.
8vo, full calf, title in gilt to spine, marbled endpapers. Complete with 65 engraved plates. Wear to boards; front board detached; backstrip detached from text block; intermittent foxing. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $100-200
536A (ENGRAVINGS) KIP, JOANNES A group of two copperplate engravings for Knyff’s Britannia Illustrata, London, circa 1730, comprising Constable Burton in ye North Rideing of Yorkshire and Orchard Portman in Somersetshire. 21 3/4 x 25 inches each. $200-400
537 (ENGRAVINGS) MASEREEL, FRANS My Book of Hours. 167 Designs Engraved on Wood. S.l.: By the Author, 1922.
8vo, publisher’s printed boards. First American edition, number 211 of 600 copies, signed by Masereel on the limitation page. Soiling and chipping to boards at edges; bookplate tipped in front pastedown; ephemera laid into f.f.e.p.; otherwise good. $100-200
538 (ENGRAVINGS) MEYSSENS, JOHANN The Portraits of the Most Eminent Painters and Other Famous Artists, That have Flourished in Europe. London: Olive Payne, 1739.
4to, calf, title in gilt to spine, title in black and red. With engraved frontispiece and 102 engraved portraits. Rubbing to boards; front board beginning to detach; offsetting from frontispiece; f.f.e.p. detached but present; intermittent foxing; chipping to spine label. $100-200
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539* (ENGRAVINGS) PARDOE, JULIA The Beauties of the Bosphorus. London: Virtue, n.d. [c. 1840]
4to, 3/4 navy morocco over pebbled boards, gilt-lettered spine. With frontispiece, engraved title page and 85 engraved plates after W.H. Bartlett. Some brownspotting to plates; rubbing to boards. Property from the Collection of John Rybski, Chicago, Illinois $300-500
540 (ENGRAVINGS) WILKIE, SIR DAVID The Wilkie Gallery. A Selection of the Best Pictures of the Late Sir David Wilkie, R.A., including His Spanish and Oriental Sketches. Philadelphia: Gebbie & Barrie, n.d. [c. 1870]
Folio, red morocco lettered in gilt, marbled endpapers. With frontispiece portrait, additional engraved title page, and 70 engraved plates each with tissue guards. Light rubbing and some whitening to boards; bookseller’s sticker to f.f.e.p. $150-250
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533
535
541
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544 541* (PHOTOGRAPHY) ADAMS, ANSEL These We Inherit. San Francisco: Sierra Club, 1962.
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Folio, gilt-lettered buckram, dust jacket. Signed by Adams on the title page. Light soiling and marginal chipping to jacket. [Together with:] The Eloquent Light, (1963), Vol. 1, and Death Valley, 1954. Folios, gilt-lettered buckram, dust jackets. Marginal chipping to jackets. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $200-400
542* (PHOTOGRAPHY) AVEDON, RICHARD Nothing Personal. New York: Atheneum, 1964.
Folio, publisher’s white and silver boards lettered in black, matching slipcase. First edition. Hinge cracked; slipcase torn and dampstained. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $100-200
543* (PHOTOGRAPHY) AVEDON, RICHARD Avedon-Photographs. New York: Farrar, Straus and Giroux, (1978).
Folio, photo-pictorial boards, original acetate dust jacket. First edition. Chipping to jacket at corners. [Together with:] Richard Avedon Portraits. New York: Harry N. Abrams, 2003. 8vo, photopictorial boards, slipcase. Signed by Avedon on title. Ephemera laid in; light wear to slipcase; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
544 (PHOTOGRAPHY) AVEDON, RICHARD Observations. New York: Simon and Schuster, (1959).
Folio, original printed boards, acetate jacket. First edition, with photographic illustrations by Avedon. Wear to boards with chipping to spine ends; torn at edges; lacking slipcase; otherwise good. $100-200
545* (PHOTOGRAPHY) BOURKE-WHITE, MARGARET Eyes on Russia. New York: Simon and Schuster, 1931.
4to, publisher’s tan cloth lettered in black. With frontispiece and black and white photographs throughout. Fading to boards; light edgewear; scattered light foxing; offsetting from frontispiece. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
546* (PHOTOGRAPHY) BRANDT, BILL Ombres d’une ile. Paris: Editions le Belier-Prisma, (1966).
4to, publisher’s cloth, title in gilt to spine. First edition. Light soiling to boards and fading to spine; otherwise good. [Together with:] Shadow of Light. New York: Viking Press, (1966). 4to, black cloth, title in gilt to spine, dust jacket. First edition. Toning and chipping to jacket at edges; otherwise good. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $300-500
547* (PHOTOGRAPHY) BREELAND, DIANA, AND CHRISTOPHER HEMPHILL Allure. Garden City, NY: Doubleday, 1980.
Folio, publisher’s red cloth lettered in gilt, dust jacket. First edition. With full-page reproduction of photographs by Steichen, Penn, Avedon and Beaton. Light toning to jacket; tape adhered to upper board; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
548 (PHOTOGRAPHY) CARTIER-BRESSON, HENRI The Europeans. New York: Simon and Schuster, (1955).
Folio, decorative boards designed by Joan Miro, original acetate jacket. First American edition. Illustrated with reproductions of Cartier-Bresson’s photographs. Acetate jacket torn at edges; spine chipped with some loss at head and tail; hinges starting; soiling to edges not affecting leaves. $400-600
549* (PHOTOGRAPHY) COBURN, ALVIN LANGDON, AND NANCY WYNNE NEWHALL A Portfolio of Sixteen Photographs. New York: George Eastman House, 1962.
Portfolio, contents loose as issued in slipcase, with accompanying text booklet. Complete with 16 reproductions of Coburn’s photographs, each tipped to a mount with a printed plate number, title and date. Light wear to slipcase; corners bumped; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200 550
550 (PHOTOGRAPHY) DAGUERRE, LOUIS AND ARAGO, FRANCOIS Comptes rendus hebdomadaires des seances de l’Academie des Sciences. Volume VIII, Volume IX and Volume XII. Paris: Bachelier, 1839.
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3 vols. (8, 9 and 12) 4to, handsomely rebound in half calf over marbled boards with blue, gilt-lettered spine labels. Containing Fixation des images qui se forment au foyer d’une chambre obscure, (Vol. VIII, No. 1, pp. 4-7), comprising Arago’s January 17, 1839 announcement of Daguerre’s discovery, Le Daguerrotype, (Vol. IX, No. 8, pp. 250-267), comprising Arago’s extensive report of August 19, 1839, and Arago annonce que M. Daguerre vient de trouver le moyen d’abreger considerablement le temps necaissaire pour produire une image photographique et M. Arago annonce que M. Daguerre en faisant intervenir l’electricite dans les procedes de la photographie, (Vol. XII, No. 1, p. 23 and No. 26, pp. 1228-1229), announcing Daguerre’s new technique for shortening the time period necessary to produce an image, as well as other information and correspondence.
These three articles comprise the momentous first public announcement of Daguerre’s revolutionary photographic invention as well as the first detailed account of the process. Exlibrary copy with stamps to verso of title pages; light scattered foxing; otherwise very fine in fine bindings. Literature: PMM 318 $4,000-6,000
551* (PHOTOGRAPHY) DAVIDSON, BRUCE East 100th Street. Cambridge: Harvard University Press, 1970.
4to, cream cloth, black and white photograph laid down to front cover, original printed acetate dust jacket. Marginal toning to boards and leaves; otherwise good. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
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555
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556 552* (PHOTOGRAPHY) DUNCAN, DAVID DOUGLAS David Douglas Duncan 1972: 12 Color Photographic Prints. Lausanne: Jean Genoud, [1972]
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A portfolio of 12 color plates produced in Lausanne, Switzerland, by Jean Gounod. Portfolio, inscribed by the artist. Together with a monograph on the photographer, Self-Portrait: USA. New York: Viking, 1980. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $200-400
553* (PHOTOGRAPHY) FRIEDLANDER, LEE Photographs. New York: Haywire Press, 1978.
4to, publisher’s silver lettered cloth. First edition. Light soiling to boards; corners bumped. [Together with:] Lee Friedlander: Portraits, Boston, 1985, and Stems, New York, 2003. Both fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $200-400
554* (PHOTOGRAPHY) GOLDSCHMIDT, LUCIEN AND WESTON NAEF The Truthful Lens. New York: Grolier Club, 1980.
4to, gilt-stamped cloth, title in gilt to red spine label, slipcase with printed title label. First edition, limited to 1,000 copies. Light soiling to slipcase; minor rubbing to boards; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
555* (PHOTOGRAPHY) IRWIN, WILL, AND ARNOLD GENTHE Old Chinatown: A Book of Pictures. New York: Mitchell Kennerley, 1913.
8vo, black cloth stamped in gilt. Illustrated throughout with photographs by Arnold Genthe. Wear to boards; ends chipped; hinges starting. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $150-250
556* (PHOTOGRAPHY) KERTESZ, ANDRE Of New York. New York: Alfred A. Knopf, 1976.
4to, publisher’s lavender cloth lettered in gilt, dust jacket. First edition. Light soiling to jacket; 1-inch repaired tear to front wrapper; otherwise fine. [Together with:] Distortions. New York, 1976. 4to, lavender cloth, dust jacket. First edition. Chipping to jacket with 1-inch tear to lower right corner. On Reading. New York, 1971. Small 8vo, white cloth lettered in black, dust jacket. Toning to jacket; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $300-500
557* (PHOTOGRAPHY) KRULL, GERMAINE 100X Paris. Berlin-Westend: Verlag der Reihe, (1929).
4to, publisher’s stiff wrappers. First edition. With 100 sepia-toned reproductions of Krull’s photographs. Marginal chipping to jacket with some loss; light soiling. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $200-400
557A (PHOTOGRAPHY) HASKINS, SAM Five Girls. S.l.: Crown Publishers, 1962.
563
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558* (PHOTOGRAPHY) LIBERMAN, ALEXANDER The Art and Technique of Color Photography. New York: Simon and Schuster, 1951.
Folio, quarter cloth, title in gilt to spine, photo-pictorial dust jacket. First edition, first printing. Chipping to jacket with some loss at edges; corners bumped; ephemera laid in to f.f.e.p. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
559* (PHOTOGRAPHY) MEYEROWITZ, JOEL A group of two signed works
St. Louis and the Arch. Boston: New York Graphic Society; St. Louis: St. Louis Art Museum, (1980). Oblong 4to, publisher’s silver gilt lettered cloth, dust jacket. Signed on the half-title. Cape Light. Boston: Museum of Fine Art, Boston, and New York Graphics Society, (1979). Oblong 4to, publisher’s cream cloth, dust jacket. Second printing. Signed on the title page. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
560* (PHOTOGRAPHY) OUTERBRIDGE, PAUL Photographing in Color. New York: Random House, (1940).
4to, grey cloth lettered in black. First edition. With 14 (of 15) mounted color reproductions and appendix including fold-out color chart. Soiling to boards; ends bumped; offsetting from plates; otherwise good. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200 561* (PHOTOGRAPHY) PENN, IRVING A group of four works.
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Worlds in a Small Room. New York: Penguin, (1974). Oblong 4to, paper-back. Inventive Paris Clothes 1909-1939. New York: Viking, (1977). Oblong 4to, publisher’s cloth, dust jacket. Earthly Bodies: Irving Penn’s Nudes, 1949-50. By Maria Morris Hambourg. Boston, New York, and London: The Metropolitan Museum of Art; Bulfinch Press; Little, Brown, (2002). First edition. Irving Penn: Fringes. London and Los Angeles: Pace, Wildenstein, MacGill; Hamiltons, 1996. 8vo, paper-back. Exhibition catalogue. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
562* (PHOTOGRAPHY) RENGER-PATZSCH, ALBERT, AND CARL GEORG HEISE Die Welt ist Schon. Munich: Kurt Wolff, 1928.
4to, publisher’s blue cloth stamped in silver. First edition. With 100 black and white photographic plates. Hinges starting; otherwise fine. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $800-1,200
563 (PHOTOGRAPHY, STEICHEN, EDWARD) SANDBURG, CARL Steichen the Photographer. New York: Harcourt, Brace, (1929).
4to, black cloth lettered in gilt, slipcase. First edition. Number 532 of 925 copies signed by Sandburg and Steichen on the limitation page. Signed by Walter A. O’Meara, James Woolf, Pat Kelly and six others on the f.f.e.p. Illustrated throughout with reproductions of Steichen’s photographs. Minor wear to boards and slipcase; otherwise fine. $2,000-4,000
564* (PHOTOGRAPHY) STEICHEN, EDWARD The Family of Man. New York: Simon and Schuster, 1955.
4to, quarter cloth over decorative boards lettered in silver. First edition. Lacking dust jacket; light fading and bumping to boards. [Together with:] Exhibition catalogue: The Family of Man: The Greatest Photographic Exhibition of All Time. New York: Maco Magazine for the Museum of Modern Art, 1955. 4to, quarter cloth over gilt decorated boards, dust jacket. Light soiling and chipping to jacket with some loss at edges; toning to leaves. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $100-200
565* (PHOTOGRAPHY) SUDEK, JOSEF [Josef Sudek: soubor 13 fotografii.] Prague: Edice Mezinarodni Fotografie, (1976).
Portfolio, contents loose as issued in silver folder with accompanying text booklet. With 12 black and white photograph reproductions. Soiling and wear to portfolio with marginal chipping. [Together with:] Josef Sudek. Aachen: Galerie Lichttopfen, 1976. Oblong 4to, pictorial wrappers. Soiling to boards; otherwise good. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $700-900 566* (PHOTOGRAPHY) WESTON, BRETT Brett Weston: Photographs. New York: E. Weyhe, 1956.
Folio, publisher’s black cloth, spine lettered in silver, dust jacket. First edition. Jacket worn with 1 1/2-inch repaired tear to upper right corner, 11-inch closed tear to front cover, 3-inch portion cut from upper flap; light soiling; interior clean and tight. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $400-600
567* (PHOTOGRAPHY, WESTON, EDWARD) WHITMAN, WALT Leaves of Grass. New York: Limited Editions Club, 1942.
2 vols. 4to, decorative boards, titles in gilt to leather spine labels, no slipcase. With numerous photograph reproductions of photographs by Edward Weston. Limited edition, signed by Weston. Wear to boards; ends and spine labels chipped; marginal toning to leaves; otherwise fair. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $500-700 568* (PHOTOGRAPHY) WINOGRAND, GARRY The Animals. New York: Museum of Modern Art, 1969.
Oblong 4to, photo-pictorial wrappers. First edition. With 45 black and white plates. Light soiling to wrappers. Property from the Collection of The Ryerson and Burnham Libraries, The Art Institute of Chicago, Chicago, Illinois $150-250
569* (CARTOON) RAEMAKER, (LOUIS) The Century Edition De Luxe of Raemakers’ War Cartoons. New York: Century, 1917.
2 vols. Folio, publisher’s white cloth lettered in gilt, leather spine labels, cloth jackets, t.e.g. Illustrated with numerous reproduction plates by Raemaker. First edition, number 179 of 1,050 copies, signed by the secretary of The Century Co. Soiling to jackets and boards; hinges starting; ends and corners bumped; light fingerprint smudges to some leaves; otherwise the interior is clean. Property from the Collection of David H. Gee, Chicago, Illinois $200-400
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570 (CARTOON) BETTY BOOP A group of three original production cels from Dizzy Red Riding Hood, 1950. Scene 33: Betty escapes from the wolf while exclaiming “My! What strong arms you have, Grandma”; Scene 32: Betty sings to the wolf; Scene 31: Wolf dressed in Grandma’s night gown and cap. 9 1/2 x 7 1/2 inches each. $150-250
571 (CARTOON) BETTY BOOP A group of two original production celluloids from Swat that Fly, scene 10 featuring Betty showing annoyance with a pesky fly, and Betty Boop Crazy Inventions, scene 36, showing Betty listening with wonder at playback of her own voice. 7 1/2 x 8 1/2 inches each. $100-200
572* (ARCHITECTURE) PALLADIO, ANDREA The Four Books of Architecture: Wherein After a short Treatise of the Five Orders, Those Observations that are most necessary in Building, Private Houses, Streets, Bridges, Piazzas, Xisti, and Temples are treated of. London: Isaac Ware, 1738.
4 parts in one. Folio, rebound in modern red library buckram, gilt-lettered spine, renewed endpapers. With four engraved title pages, 205 plates, seven numbered and four unnumbered in-text illustrations. First and only edition of Ware’s translation. Lacking subscriber’s list and dedication leaves; book four title page misbound; light dampstain; some soiling to edges of leaves. Property from the Collection of John Rybski, Chicago, Illinois $800-1,200 573 (ARCHITECTURE) WRIGHT, FRANK LLOYD A set of six original architectural drawings for the Monona Terrace, in Madison, Wisconsin. Unpublished, each signed by Wright in red box. Includes four cross sections and two elevations. Significantly faded with water damage; signatures remain bright. Each framed. Size of largest 54 x 24 inches. $5,000-7,000
574* (ARCHITECTURE) WRIGHT, FRANK LLOYD The House Beautiful. Park Forest: The Prairie School (and Wilbert Hasbrouck), 1963.
Oblong folio, original gilt-stamped green and brown cloth. Facsimile of Wright’s 1896 Auvergne Press edition of which only 90 copies were printed. One of 1,000 copies printed, with 14-page booklet sewn into f.f.e.p. Typed letter signed from Hasbrouck laid in. Fine. [Together with:] Drawings for a Living Architecture. New York: Horizon Press, (1959). Oblong 4to, publisher’s orange cloth stamped in blind, lacking dust jacket. Property from the Collection of Marjorie and Charles Benton, Evanston, Illinois $200-400
575 (FURNITURE) KING, THOMAS The Modern Style of Cabinet Work Exemplified. London: H.G. Bohn, 1862.
Folio, rebound in blue cloth, gilt-lettered spine. Second edition. Complete with 100 engraved plates (three hand-colored). Ex-library copy, with stamps to endpapers and title page (plates are clean) and card holder to front pastedown. $300-500 576* (DECORATIVE ARTS) Two folio-sized illustrated works with text in German.
Der Moderne Holzbildhauer. By Ernst Pedrotti. Wien and Leipzig: Friedr. Wolfrum, n.d. Vol. 1 only. Folio, contents loose as issued in printed boards with cloth ties. Profusely illustrated with numerous duetone plates. Neuste Decken und Wand Skizzen. By Engelhardt and Kaebrich. S.l., n.d. Folio, contents loose as issued in printed boards with cloth ties. Uncollated, with numerous color plates, also including a number of plates from other works. Sold as is. Property from the Collection of David H. Gee, Chicago, Illinois $100-200
577 (DECORATIVE ARTS) JONES, OWEN Grammaire de l’ornement. London: Bernard Quaritch, 1865 [but 1910].
Folio, gilt-decorated cloth, t.e.g. With decorative title and 112 chromolithograph plates. Ends bumped; hinges starting; offsetting from some plates. $200-400
577A (US MINT) Annual Reports of the Director of the Mint and Message from the President of the United States Transmitting a Report of the Director of the Mint. Washington: William A. Davis, 1817-1827.
8vo, rebound in blue morocco gilt. With 34 documents, including 25 fold-out charts. Intermittent foxing; scattered brownspotting; offsetting from some leaves. $100-200