CHINESE & SOUTHEAST ASIAN WORKS OF ART MARCH 25, 2021
SALE 831
CHINESE & SOUTHEAST ASIAN WORKS OF ART SELECTED HIGHLIGHTS
中國及喜馬拉雅藝術品專場亮點導覽
Thursday, March 25, 2021 | 10am CT Chicago | Live PRE VIE W B Y APPO I NT MENT O NLY PROPE RTY PICK UP HO UR S Monday - Friday | 9:00am - 4:30pm By Appointment Lots marked with an asterisk (*) are tax exempt as permitted by law. PH OTOGRAPHY Bill Ross Brodie Sturm Zoë Bare Rachel Smith
Lenny Gilmore Mike Reinders
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FRO N T C OV E R Clockwise from top right Lot 17, 55, 77, 78, 33, 222, 273, 79 O P P O SI T E Lot 18 BAC K C OV E R Lot 76
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3 Anonymous LATE QING DYNASTY
Flowers, Birds and Butterflies ink and color on silk, framed
佚名 （清） 花鳥圖 絹本設色，鏡框四件 Height of each 9 1/4 x width 7 3/4 in., 23.5 x 19.7 cm (visible). $600-800 2
CHINESE & SOUTHEAST ASIAN WORKS OF ART
6 Attributed to Wen Zhengming (CHINESE, 1470-1559)
Landscape of the Dian Lake
文徵明（款） （明，1470-1559） 滇池山色 絹本設色，立軸 款識：雲繞滇池萬裏城，孤臣一謫 九年更。只今天意何當定，此日君 王本聖明。塞上未須論馬失，《周 南》還見著書成。春風想得聞鵑 處，水碧山青無限情。徵明。 鈐印：停云、文徵明印，鑒藏印一 Image: 43 3/4 x 16 in., 111 x 40.6 cm. $1,000-2,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*15 Five Loose Album Leaves Depicting Landscapes, Birds and Flowers (CHINESE, POSSIBLY YUAN-MING DYNASTY)
ink and color on silk, mounted on cards (1) Attributed to Fan Kuan (Northern Song Dynasty, 990-1030) Landscape with Pines four collector’s seals, Youshi Qinggong (possibly from Mi Wanzhong, 1570-1628), Zhao Yuan jia cang jian shang (half, from Zhao Yuan, 1483-1537), Xu Qiucha shu hua yin (from Xu Qiucha, Qing Dynasty), and one other (2) Ma Wan (Southern Song Dynasty, ?-1378) Riverbank with Bamboos (3) Anonymous Birds and Peach Blossom (4) Attributed to Zhao Danian (Northern Song Dynasty) Willows on Riverbank one collector’s seal, Xu Qiucha shang jian yin (from Xu Qiucha, Qing Dynasty) (5) Anonymous Scholars in the Studio one artist’s seal and one collector’s seal Largest image: 12 1/4 x 11 1/2 in., 31 x 29 cm. Property from the Estate of W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida $10,000-20,000
絹本山水花鳥冊頁（五開） （1）範寬（款） （北宋，990-1030） 簽條：宋範寬 鋻藏印：友石清供（朱，疑米萬鈡，1570-1628）、趙 淵家藏鑒賞（朱，騎縫印，趙淵，1483-1537）、徐秋 槎書畫印（朱，徐秋槎，清）、另一騎縫印（白）漫 漶不清 （2）馬琬 （南宋，?-1378） 簽條：馬文璧修竹遠山 （3）佚名 花鳥圖 （4）趙大年（款） （北宋） 溪岸垂柳 簽條：宋趙大年 鋻藏印：徐秋槎賞鑒印（朱，徐秋槎，清） （5）佚名 山靜日長圖 款識：松影參差，禽聲上下。午睡初足，旋汲山泉，拾 松枝，煮苦茗啜之。 鈐印一（朱）、鑒藏印一（白，騎縫印），皆漫漶不清
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Eleven Loose Album Leaves Depicting Figures and Landscape (CHINESE, POSSIBLY SONG-MING DYNASTY)
ink on silk, mounted on cards (1) Anonymous Sunrise two collector’s seals, Tan Xiuwu zhang and one other (2) Huai’nan Buffalo and Horse three collector’s seals, Tan Xiuwu zhang and two others (3) Attributed to Liang Kai (Southern Song Dynasty, c. 1140-1210) Immortal Riding a Donkey signed with three collector’s seals, Tan Xiuwu zhang and two others (4) Attributed to Liang Kai (Southern Song Dynasty, c. 1140-1210) Immortal Riding a Donkey signed with two collector’s seals, Tan Xiuwu zhang and one other (5) Attributed to Liang Kai (Southern Song Dynasty, c. 1140-1210) Scholars Riding Donkeys signed with one artist’s seal, two collector’s seals, Tan Xiuwu zhang and one other (6) Anonymous Scholar in Bamboos five collector‘s seals, Tan Xiuwu zhang, Zhushi Mengyuan, and three others (7) Attributed to Xia Gui (Southern Song Dynasty, 1195-1224) Pines on Riverbank signed with one artist’s seal, three collector’s seals, Tan Xiuwu zhang and two others (8) Anonymous Pines on Riverbank four collector’s seals, Tan Xiuwu zhang and three others (9) Attributed to Mi Fu (Northern Song Dynasty, 1051-1107) Mounts in the Cloud signed with one artist’s seal, four collector’s seals, Tan Xiuwu zhang, Songsheng and two others (10) Attributed to Xia Gui (Southern Song Dynasty, 1195-1224) Travelers Among Mountains signed with one artist’s seal, five collector’s seals, Tan Xiuwu zhang, Songsheng and four others (11) Anonymous Travelers Along the Riverbank four collector’s seals, Tan Xiuwu zhang, Songsheng and two others Average image: 11 3/4 x 11 1/2 in., 30 x 29 cm. Property from the Estate of W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida $10,000-20,00
絹本山水人物冊頁（十一開） （1）佚名 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白） （2）淮南 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 另一漫漶不清 （3）梁楷（款） （南宋，約1140-1210） 騎驢圖 款識：梁楷 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 另一漫漶不清 （4）梁楷（款） （南宋，約1140-1210） 騎驢圖 款識：梁楷 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白） （5）梁楷（款） （南宋，約1140-1210） 騎驢圖 款識：梁楷 鈐印一，漫漶不清 鋻藏印：譚秀五章（朱）、另二漫漶不清 （6）佚名 松下高士圖 鋻藏印：譚秀五章（朱）、朱氏孟淵（白）、另三漫 漶不清 （7）夏圭（款） （南宋，1195-1224） 江畔松風 款識：夏圭 鈐印一，漫漶不清 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 另一漫漶不清 （8）佚名 江岸圖 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 另二漫漶不清 （9）米芾（款） （北宋，1051-1107） 雲烟圖 款識：米芾 鈐印一，漫漶不清 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 嵩生、另一漫漶不清 （10）夏圭（款） （南宋，1195-1224） 行旅圖 款識：夏圭 鈐印一，漫漶不清 鋻藏印：譚秀五章（朱）、昌□ □ 王家相珍藏（白）、 另三漫漶不清 （11）佚名 煙渚圖 鋻藏印：譚秀五章（朱）、嵩生、另二漫漶不清
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
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Lots 17-18 Property from the Estate of Alexandra Emery Moore (1894-1983) Cincinnati, Ohio Alexandra Emery Moore, an adventurous creative with an unimpeachable eye, was the first-born daughter to John Josiah Emery and Lela Amelia, a prominent family with ties to New York and Cincinnati. Among her relatives include Audrey Emery, a socialite who married on of the last Russian Grand Dukes, and John J. Emery, a great patron of the Cincinnati Art Museum. In her youth, she debuted in both London and New York, and journeyed to China with a friend, which instilled within her a deep passion for travel. Indeed, her acceptance of a marriage proposal from Benjamin Moore was contingent upon receipt of a ring and promise of a honeymoon in China. Mr. Moore hailed from an old New York family—“A Visit from St. Nicholas” was penned by a forebear on their family farm, Chelsea, now the vibrant neighborhood in Manhattan by the same name—and trained as a lawyer at Harvard. Nevertheless, after his marriage, his new bride requested that he forgo working in favor of accompanying her on adventures across the world. While on their honeymoon, the young couple was entranced by the views as they floated along their houseboat tour through the Yangtze River, and were particularly drawn to a stark white house under a black roof reflected in the water. Upon their return to the United States, they purchased 100 acres of land in Oyster Bay in Long Island, and founded the associated nearby village of Muttontown, of which Mr. Moore became the first mayor. Drawing inspiration from the architecture she saw during her travels in China, the young Mrs. Moore collaborated with renowned architect William Adams Delano (of Delano & Aldrich) to construct an estate on the land combining Chinese and French Renaissance styles. The house, fittingly named “Chelsea” included an undulating roof, internal court, moon gate, and a moat, and was furnished with her purchases from around the world. Her first trips to China, during which time she likely purchased the large Peonies and Quails and elaborate floor screen to adorn her home, were foundational in shaping her taste and aesthetic throughout her life. Moore granted the estate and mansion to Nassau county upon her passing, and the property from her collection has been gifted to various institutions or remained in the family to the present. 莫氏夫婦是辛辛那提美術館的主要捐贈人。這是一個來自紐約的老錢家族，僅在曼哈頓就擁有整片切爾西區的土 地。男主人班傑明的曾祖父是美國聖公會的第二任主教（美國開國元勛之一漢密爾頓臨終時即由他受聖餐），祖 父是著名詩人，著有《聖誕前夜》，是美國家喻戶曉、人人會背的名詩篇。1920年嫁入的女主人艾麗珊（18941983）同樣出身顯赫，而且酷愛旅行，尤其對遠東的風光山色難以忘懷。據説她接受求婚時唯一的條件是“帶我 再去中國”。 不難理解爲什麽百年前的中國這樣吸引美國客——北平的古舊、廣州的繁華、上海的摩登。艾麗珊短暫一行，帶 回一生夢縈——她在長島的黃金海岸上建起一座東方式行宮，小橋流水涼亭。此後的幾十年，源源不斷從遠東運 來傢俬，點綴豪宅内外。晚年艾麗珊將這所官邸連帶周圍的百餘畝土地贈與長島政府，宅中藝術品大部分捐給辛 辛那提美術館，小部分留給後人。本次上拍的北宋趙昌款《牡丹圖》軸以及晚明黑漆螺鈿屏風十二扇，即來自艾 麗珊的孫輩。
*17 Attributed to Zhao Chang (POSSIBLY NORTHERN SONG DYNASTY, 959-1016)
Peonies and Quails ink and color on silk, framed signed, inscribed by Ke Jiusi and dated year Yimao (1315), one artist seal, Zhao Chang, fifteen collectors’ seals. For a similar example, please refer to National Palace Museum, 故-畫-000051-00000, Peonies by Chao Ch’ang. Visible: 73 3/4 x 45 in., 187.5 x 114.3 cm. $30,000-$50,000
趙昌（款） （或爲北宋，959-1016） 牡丹鹌鹑图 绢本设色，鏡框 款識：趙昌。洛陽春雨濕芳菲，萬斛胭脂染舞衣。 帳底金盤承蜜露，錦襟斑羽不須飛。至元后乙卯嵗 （1315）三月，奎章閣學士院鑒書博士柯九思題。 鈐印：趙昌（朱） 鋻藏印： 宋徽宗：宣和（朱）、宣（朱）、龢（朱）、内府 图书之印（朱） 柯九思：柯氏敬仲（朱）、云容（白） 乾隆帝：石渠寳笈（朱）、乾隆御览之宝（朱）、 德充符（朱，騎縫印） 項元汴：天籟閣（朱）、項子京家珍藏（朱） 蔣諤士：青霜館珍藏印（朱） 另三漫漶不清 注：參見臺北國立故宮博物院藏《宋趙昌畫牡丹 軸》，作品號：故-畫-000051-00000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*18 A Mother-of-Pearl Inlaid Black Lacquer Twelve-Panel Screen 16TH/17TH CENTURY
正：明黑漆螺鈿山水十二扇屏 反：清乾隆丙寅（1746）賀壽文 Height of each panel 78 3/4 x width 18 1/4 in., 200 x 46.3 cm. $15,000-25,000
(back view)
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Lot 29 Property from the Collection of Hugh W. Hubbard (1887-1975) 傳教士胡本德家藏齊白石為曹錕作 《四時花卉》四屏
Left: Reverend Dr. Hugh W. Hubbard
左：胡本德教士小像 Below: Mabel Ellis Hubbard, Rev. Hubbard’s wife, seated in front of The Four Seasons in their New York apartment, 1956.
下：胡本德之妻葉美伯教士1956年攝于紐約公寓
Reverend Dr. Hugh Wells Hubbard was an American missionary whose station in China largely covered the first half of the twentieth century. Born in Turkey to missionary parents, Reverend Hubbard was initially reluctant to follow in his family’s footsteps, but found a calling in his first missions, and subsequently dedicated his life’s work to service in China across many fields. Rev. Hubbard arrived in China in 1908 to teach English and athletics under the auspices of the YMCA. After meeting and marrying his wife, Mabel Ellis, he became ordained as a minister within the Congregational Church, and continued his missionary work under the American Board. He devoted many of his efforts to promoting literacy and rural development with the guidance of Dr. Y.C. James “Jimmy” Yen. Rev. Hubbard believed that the goals of his mission were to serve as a friendly and caring companion to all he encountered, which he achieved in part through these efforts. Inspired by the power of visual arts, he undertook a project to develop educational filmstrips in his own basement for use in his teaching. This work continued in his later collaborations with renowned animator Norman Maclaren for UNESCO. In addition to his evangelical work, Rev. Hubbard also cultivated strong interests in ornithology and philately. In 1938, Reverend
Hubbard collaborated with Dr. George Wilder to publish Birds of Northeastern China. Hubbard was a skilled hunter with a keen eye, who employed his skills both to collect specimens for institutions in the United States, including the Field Museum and Museum of National History; and to amuse children with whom he was held during their wartime internment at Weixian. After returning to the United States, he published The Handbook of Early Chinese Communist Stamps (1928–1938). Rev. Hubbard’s interest in Chinese art and culture was piqued by early elective courses taken alongside his language instruction in Beijing. Throughout his tenure in China, he enjoyed diversions to curio shops and antique streets. He would visit the Palace Museum whenever in Beijing to cultivate his interest in painting, but made his purchases quite selectively. The present lot is an example of one such purchase. Rev. Hubbard acquired the paintings from the Baoding mansion of Cao Kun, a former warlord and president of the Republic of China, who was closely connected to the artist. They were removed from their mounting as a screen, and fortuitously brought by Rev. Hubbard to the United States while on furlough in 1936. They remained in his care until 1967, when he bequeathed them to his daughter Gladys Hubbard Swift, who had also served as a missionary to China.
中美交流史上，沒有一個話題可以繞開傳教 士。羅元旭《東成西就》云，从十九世纪中葉 开始的一百年，是基督教在中國傳入、興起、 鼎盛到衰敗的一百年，從這個角度品評現代化 歷程，帶出的是不平凡的中國歷史。落脚到藝 術收藏這小小領域，傳教士以其特殊的社會地 位與職業特性，往往于無意間成爲早期中國藝 術品的傳送帶、中轉站。 稱之爲“無意“，是因爲像許多職業一樣，傳 教士之所以成爲傳教士，有時是無奈的選擇。 譬如本拍品的前藏家胡本德，儘管生於傳教士 家庭，卻對既定的前途生厭，可是經濟壓力之 下，還是走上了父輩的道路。1908年他以天津 基督教青年會體育教練的身份赴華，是以今天 我們在華語網站搜索“胡本德”，往往發現他 的主要貢獻是最早將籃球介紹到中國。 教會的待遇十分優厚，胡原本打算賺夠錢就回 國，然而不久後結識了心儀的女孩——美部會 教士葉美伯，在葉的潛移默化之下，迷茫的胡 確定了前路，1912年他們回國成婚，在奧伯林 神學院進修傳教士課程后，重返中國。 此後三十年，胡本德以公理會教士的身份在華 北推行平民教育：他向他們教英文，也向他們 學中文。他使用晏陽初編纂的《千字課》教農 民識字，十年間有五千余人受益。1924年秋在 火車上初遇晏陽初，晏對胡取得的成果大為驚 訝，不僅跟隨他挨村走訪汲取經驗，還邀請他 參加國民政府的鄉村教育試點項目，負責定縣 試驗縣。 在華期間，胡本德還發展了兩項新愛好：其一 是觀鳥，因每年夏天都會到北戴河避暑，而北 戴河至今仍是觀鳥聖地。1922年他撰寫了《直 隸鳥類名錄》，1938年和同樣是鳥類愛好者的 傳教士萬卓志合編了《東北鳥學》，這兩本專 著至今仍是華北鳥類研究的始祖。後來華北淪 陷，胡本德一家被抓進日軍集中營，在營中的 兩年他也沒有荒廢，除了繼續辦學授課，還製 作了大量標本以供研究。胡本德的另一愛好是
集郵，而且是“紅色郵票”最早的收藏者之 一。這源於他多次協助地下黨籌措藥品的經 歷，與他接洽的不是別人，正是大名鼎鼎的白 求恩。 抗戰勝利后，胡本德留在重慶擔任聯合國教科 文組織駐華代表，主持四川北碚影音教育所。 國民黨的迅速垮臺使他措手不及，儘管後來回 到北方與家人團聚，但由於朝鮮戰爭爆發，被 迫軟禁家中，直到1952年才重返美國。中美關 係破冰前，尼克松曾向他咨詢，胡本德對曰 “中國人好面子，只要把面子給足了，事情就 好辦了”。在他的晚年，哥倫比亞大學中國近 代史研究組有感於他的經歷，為其錄製并整理 了回憶錄，如今這些資料存放在耶魯大學。 按回憶錄記載，二十年代初期他在保定傳教， 得以接觸直系軍閥，此四條屏就是在曹錕府上 購入的，經手人是曹的心腹李彥青。蓋當時第 一次直奉戰爭直系獲勝，曹已有進京之野心， 出任大總統的計劃通過駐華公使的運作，獲得 了美國支持，李彥青爲他處理保定府中不必要 的資產之際，見美國來的傳教士胡本德喜歡， 就把四條屏送人情賣給了他。 齊白石完成此作是在1920-21年，時年56嵗， 經同鄉夏午詒介紹認識曹錕。大概是同出于草 根之故，脾性相投，曹常請齊來保定小住。作 畫之餘，還煩他刻過“直魯豫巡閱使”、“樂 壽老人”等章。直到1924年曹錕被逼下野並遭 軟禁，才慢慢斷了聯係。這一段交往，對齊白 石生平有所瞭解的藏家皆知，是無可懷疑的 事。胡本德1936年返美休假時將此作帶回， 恰好避過了日軍的戰火以及集中營生涯的厄 運。1975年胡本德下世，遺產由女兒繼承，幾 年前女兒去世留給孫輩，拍品就是這樣徵集而 來的，靜待下一任藏家傳承。
*29 Qi Baishi (CHINESE, 1863-1957)
Flowers of the Four Seasons: Wisteria, Lotus, Chrysanthemum and Prunus ink and color on paper, four framed scrolls (1) Lotus in the Rain signed and inscribed, with one artist seal, Qi Baishi (2) Pines and Chrysanthemum signed and inscribed, with one artist seal, Baishi weng (3) Chinese Wisteria signed and inscribed, with one artist seals, Muren (4) Camellias and Plum Blossom signed and dated year Genshen (1920), inscribed, two artist seals, Baishi weng and Muren Average height 69 3/8 x width 18 1/2 in., 176.2 x 47 cm (each image). Property from the Collection of Hugh W. Hubbard, Sold by the Estate of Lloyd B. and Gladys Hubbard Swift, Bethesda, Maryland Previously from the Collection of Cao Kun (Ts’ao K’un) $80,000-$120,000
齊白石 （晚清-民國，1863-1957） 花卉四條屏 紙本設色，鏡框 （1）蓮塘雨後 款識：六郎顔獨妙，茂叔性偏高。京華課畢，傾盆 大雨，不能返寓，偶見案頭有紙數張，遂濡筆調色 作此以解一時之間也。齊璜。 鈐印：齊白石（白） （2）粉菊蒼松 款識：孤松流活翠，叢葡送秋香。曾見撝叔有此畫 法，今戯擬之，不知有無是處。白石翁齊璜。 鈐印：白石翁（白） （3）千年紫藤 款識：千年老藤樹，蔓枝五千尺。一度一逢春，年 年發春花。璜寫。 鈐印：木人（朱） （4）山茶梅花 款識：茶花每產於南方，冷艷可愛，梅死亦然。自 居故都后未曾一觀，每一想及未免有奉梓之感，恨 不能見此實景，惆悵之至。遂憶及十五年前將就見 茶梅同枝之真景，追寫此情，慶慰思鄉之意耳。庚 申（1920）夏六月摹苦鉄大意思于收都，白石山翁 齊璜寫並記。 鈐印：白石翁（白）、木人（朱） 來源： 曹錕舊藏 傳教士胡本德1921-23年閒于購自保定曹寓，經手人 曹錕管家李彥青，1936年攜回美國，家族傳承至今 著錄： 哥倫比亞大學口述史計劃《胡本德口述史：19081952》，耶魯大學出版，1989年，p214
Excerpt from Hugh W. Hubbard’s memoirs discussing how he obtained the present lot.
*30 Four Export Drawings of Lanterns 19TH CENTURY
清晚期 外銷水粉燈籠圖四色 Average visible image: 15 1/2 x 15 1/4 in., 39.4 x 38.7 cm. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico $1,000-1,500
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*32 Two Export Drawings of Traditional Interior Design 19TH CENTURY
清晚期 外銷水粉室内陳設圖兩幅 Average visible image: 15 1/4 x 17 1/2 in., 38.7 x 44.5 cm. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico $500-700
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50 A Lacquered Hardwood ‘Lingzhi’ Brushpot
清 黑漆木雕靈芝紋隨形筆筒 Height 5 3/8 in., 13.8 cm. Property from a Private Chicago Collection $2,000-4,000
51 A Celadon and Grey Jade Ruyi Scepter POSSIBLY 17TH CENTURY
或爲明末-清初 青玉靈芝如意 Length 15 in., 38 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 10, 2001, inventory no. 15340. $1,500-2,500
51
50
20
CHINESE & SOUTHEAST ASIAN WORKS OF ART
*52 A Huanghuali Brush Pot, Bitong 18TH/19TH CENTURY
清 黃花梨素身筆筒 Height 4 1/2 in., 11.4 cm. Property from the Collection of George R. Bruha, Chicago, Illinois $1,200-1,400
53 A Boxwood ‘Lingzhi’ Ruyi Scepter 19TH CENTURY
清 黃楊木靈芝如意 Length 11 1/2 in., 29 cm. Property from a Private Chicago Collection $2,000-4,000
53
52
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54 A Carved Boxwood ‘Lotus and Frog’ Ruyi Scepter 19TH CENTURY
清 黃楊木荷影蛙聲式如意 Length 15 in., 38 cm. Property from a Private Chicago Collection $3,000-5,000
22
CHINESE & SOUTHEAST ASIAN WORKS OF ART
55 A Boxwood Root Form Incense Burner LATE 19TH-EARLY 20TH CENTURY
晚清-民國 黃楊木隨形根雕三足爐 Height 5 1/4 in., 13 cm. $700-900
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23
56 A Burlwood and Black Lacquered ‘Spiders on Banana Leaf’ Tray LATE 19TH-EARLY 20TH CENTURY
晚清-民國 木根雕喜蛛芭蕉式賞盤 Length 14 1/4 in., 36 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 3rd, 2000, inventory no. 14332. $1,500-2,500
24
CHINESE & SOUTHEAST ASIAN WORKS OF ART
57 A Carved Rootwood Tianqiuping-Form Vase LATE 19TH-EARLY 20TH CENTURY
晚清-民國 寶瓶式隨形木根雕 Height 9 1/8 in., 23.5 cm. Property from a Private Chicago Collection $600-800
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58 A Celadon Glazed Porcelain ‘Lingzhi’ Cache Pot 18TH CENTURY
清中期 豆青釉灵芝花插 Height 8 1/8 in., 20.8 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan $1,500-2,500
59 A Natural Wood Root ‘Lingzhi’ Brushpot LATE 19TH-EARLY 20TH CENTURY
晚清-民國 隨形木根雕靈芝式花插 Height 7 in., 18 cm. Property from a Private Chicago Collection Acquired from E & J Frankel Oriental Art, New York, inventory no. 384. $3,000-5,000
58 59
26
CHINESE & SOUTHEAST ASIAN WORKS OF ART
62 A Carved Bamboo ‘Pine’ Libation Cup 18TH-19TH CENTURY
清中期 竹根雕蒼松紋隨形杯 Height 2 3/4 in., 7 cm. Property from a Private Chicago Collection $2,000-3,000
63 A Carved Bamboo ‘Pine and Crane’ Libation Cup 18TH-19TH CENTURY
清中期 竹根雕松鶴紋隨形杯 Height 4 1/4 in., 10.8 cm. Property from a Private Chicago Collection $3,000-4,000
63 62
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64 A Carved Root Figure of a Reclining Man and Stand 18TH-19TH CENTURY
清中期 隨形木根雕醉翁像 Height of figure: 7 in., 18 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, August 20, 2001, inventory no. 14130. $800-1,200
65 A Carved Natural Root Figure of an Immortal 18TH-19TH CENTURY
清中期 隨形木根雕仙人御風像 Total height 6 1/8 in., 23.4 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 3rd, 2000, inventory no. 14130. $800-1,200
65
64
28
CHINESE & SOUTHEAST ASIAN WORKS OF ART
66 A Carved Bamboo Figure of Liuhai and Toad
68 A Carved Bamboo Figure of Damo
18TH CENTURY
18TH-19TH CENTURY
清中期 竹根雕劉海戯金蟬
清中期 竹雕達摩坐像
Height 6 1/2 in., 16.5 cm. Acquired from a Private Hong Kong Collection $2,500-3,500
Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, August 26, 2001, inventory no. 15006. $1,500-2,500
67 A Carved Bamboo Figure of Yawning Luohan 18TH CENTURY
清中期 封錫祿式竹雕羅漢 Height 4 7/8 in., 12.4 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 28, 2003, inventory no. 16738. $6,000-8,000
68
66
67
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*77 A Carved Zitan Wood ‘Ruyi’ Box and Cover QING DYNASTY (644-1912)
清 紫檀如意紋蓋盒 Width 8 1/8 in., 8 cm. Property from the Collection of George R. Bruha, Chicago, Illinois $1,500-2,500
*78 A Pair of Cinnabar Lacquer Brushes and Covers MING DYNASTY, 16TH/17TH CENTURY
明 剔紅山水紋筆一對 Length of longest 9 5/8 in., 24.5 cm. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico $20,000-25,000
*79 A Cinnabar Lacquer Brush Pot and Stand 19TH CENTURY
清晚期 剔紅開光花鳥圖委角方筆筒連座 Height overall 6 in., 15.2 cm. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico $800-1,200
78
77
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
79
*83 A Blue and White Porcelain Inset Diminutive Altar Table LATE 19TH-EARLY 20TH CENTURY
晚清-民國 黃花梨嵌青花瓷板小條案 Height 4 3/4 x width 8 5/8 x depth 3 5/8 in., 12.1 x 21.9 x 9.2 cm. Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico $400-600
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87 A Small Petrified Wood Scholar’s Rock
96 A Scholar’s Rock
木化石擺件
賞石
Total height 5 1/8 in., 13 cm. Property from a Private Chicago Collection $600-800
Total height 5 1/4 in., 13.2 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, March 20, 1999, inventory no. 13669. $800-1,200
90 A Lingbi Scholar’s Rock
靈璧賞石 Total length 8 1/4 in., 22 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 3, 2000, inventory no. 14696. $700-900
93 A Lingbi Scholar’s Rock 18TH CENTURY
清中期 靈璧賞石 Total height 15 in., 40 cm. Property from a Private Chicago Collection Acquired from Galerie Luohan(罗汉堂), Paris, April 20, 1999. $1,500-2,000
93
96 87 90
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
99 A Taihu Scholar’s Rock
101 A Lingbi Scholar’s Rock
19TH CENTURY
靈璧賞石
清晚期 太湖石 Total height 13 3/4 in., 35 cm. Property from a Private Chicago Collection Acquired from Galerie Luohan(罗汉堂), Paris, April 20, 1999. $3,000-5,000
Total height 10 1/2 in., 27 cm. Property from a Private Chicago Collection Acquired from E & J Frankel Oriental Art, New York, April 12, 2002. $1,500-2,500
100 A Tianhuang Ink Rest Stone 19TH CENTURY
清晚期 田黃靈芝式筆舔 Length of stone 2 3/4 in., 7 cm. Property from a Private Chicago Collection Acquired from E & J Frankel Oriental Art, New York, April 12, 2012. $2,000-3,000
99 101
100
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105 A Sancai Glazed Pottery Figure of a Standing Horse TANG DYNASTY (618-907)
唐 三彩馬 Height 16 in., 40.6 cm. Property from a Private Collection, Highland Park, Illinois The result of Oxford Authentication thermoluminescence test no. C120e12 is consistent with the dating of this lot. $20,000-25,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*108 A Turquoise and Ochre Glazed Tileworks Tripod Incense Burner MING DYNASTY (1368-1644)
明 法華龍紋三足爐 Height 17 1/2 in., 44.45 cm. Property from the Collection of Dr. Ruth F. Mayer, Chicago, Illinois Perret-Vibert, Paris, 9 June 1970 $7,000-9,000
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*109 A Turquoise, Blue and Yellow Glazed Tilewoks ‘Lion’ Stand MING DYNASTY (1368-1644)
明 法華瓷狮 Height 15 in., 38 cm. Property from the Collection of Dr. Ruth F. Mayer, Chicago, Illinois Frank Caro, New York, New York, 25 November 1968 $3,000-5,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*110 A Turquoise, Ochre and Green Glazed Tileworks ‘Fu Lion’ Stand MING DYNASTY (1368-1644)
明 法華瓷獅 Height 16 x length 19 in., 40.6 x 48.3 cm. Property from the Collection of Dr. Ruth F. Mayer, Chicago, Illinois Nagatani, Chicago, 1 March 1969 $6,000-8,000
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121 A Turquoise Glazed Porcelain ‘Three Friends’ Brushpot, Bitong 18TH CENTURY
清中期 松石釉鏤雕歲寒三友筆筒 Height 3 3/4 x diameter 2 7/16 in., 9.5 x 6.2 cm. Property from a Private Chicago Collection $700-900
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
124 A Flambé Porcelain Fanghu Vase 18TH-19TH CENTURY
清中期 窯變釉雙耳方瓶 Height 9 in., 23 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, August 21, 2000, inventory no. 5429. $2,000-3,000
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135 A Pair of Famille Verte Porcelain Hexagonal Hat Stands
竹節紋藤地五彩花卉教子圖帽筒一對 Height 11 in., 28 cm. $3,000-4,000
40
CHINESE & SOUTHEAST ASIAN WORKS OF ART
*136 A Famille Verte Porcelain Rouleau Vase KANGXI PERIOD (1654-1722)
清康熙 五彩開光山水圖棒槌瓶 Height 18 3/4 in., 47.5 cm. Property from the Collection of Joseph H. and June S. Hennage, Williamsburg, Virginia, Sold to Benefit The Colonial Williamsburg Foundation Rare Art Inc., Oriental Fine Arts, New York $10,000-15,000
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42
CHINESE & SOUTHEAST ASIAN WORKS OF ART
148 A White Biscuit Model of a Dragon Boat 18TH-19TH CENTURY
清中期 白瓷堆塑龍舟 Height 9 1/2 in., 24.1 cm. $4,000-6,000
149 A Set of Four Famille Rose Porcelain ‘Landscape’ Plaques REPUBLIC PERIOD (1912-1949),
民國 吳石仙題詩山水瓷板挂屏四扇 Height of each panel 31 1/4 x 8 in., 79.37 x 20.32 cm. $25,000-35,000
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*174 A Cloisonné Enamel Hu Vase WANLI PERIOD (1573-1620)
明萬曆 銅胎掐絲琺琅獸耳壺 Height 13 in., 33 cm. Property from the Estate of David Duberman, Chevy Chase, Maryland Purchased from the Chinese Porcelain Company, September 26, 2014 $5,000-7,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
178 A Canton Enamel on Copper Bowl QIANLONG MARK
銅胎畫琺琅葡萄纏枝花 卉紋碗 Diameter 4 1/4 in., 10.8 cm. $7,000-9,000
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218 A White and Russet Jade ‘Chilong’ Water Pot QIANLONG PERIOD (1735-1796)
清乾隆 白玉雕螭龍小水盂 Width 2 3/8 in., 6 cm. Acquired from a Private French Collection $20,000-25,000
46
CHINESE & SOUTHEAST ASIAN WORKS OF ART
219 A Pale Celadon Jade Vase REPUBLIC PERIOD (1912-1949)
民國 青白玉鏤雕螭龍紋瓶 Height 8 in., 20.5 cm. $6,000-8,000
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220 A Grey and Pale Celadon Jade Libation Cup 18TH CENTURY
清中期 白玉巧雕靈芝紋爵杯 Width 4 1/4 in., 11 cm. Acquired from a Private American Collection $3,000-5,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
232 A Black and Grey Jade Figure of a Foreigner MING DYNASTY (1368-1644)
明 黑玉胡人像 Height of figure 2 3/8 in, 6 cm. Acquired from a Private Taiwanese Collection $1,500-2,500
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233 A Small Embellished Spinach Jade Vase
234 Two Jade Articles
JADE: 19TH CENTURY EMBELLISHMENT: 20TH CENTURY
QING DYNASTY (1644-1912)
晚清-民國 碧玉嵌寳童戯圖小賞瓶
清 銅鏨花嵌玉方盒及白玉童子持蓮
Height 4 1/4 in., 10.8 cm. $1,000-2,000
Length of box 4 5/8 in., 11.7 cm. $1,000-1,500
235 Two Inset and Enamel on Silver Bracelets LATE 19TH-EARLY 20TH CENTURY
清晚期 掐絲燒藍嵌寳手鏈兩條 Interior circumference of each 6 7/8 in., 17.3 cm. $800-1,200
236 Two Gilt Bronze Hair Pins LATE 19TH-EARLY 20TH CENTURY
清晚期 銅鎏金花籃簪兩支 Length of longer 7 3/4 in., 19.5 cm. $800-1,200
236
233 234 (detail)
235
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
240 A Fur Lined and Embroidered Silk Ladies’ Robe LATE 19TH/EARLY 20TH CENTURY
清晚期 粉綢團壽紋鑲灰鼠皮襯衣 Length from collar to hem 56 x width across chest 21 in, 142.2 x 53.4 cm. $1,000-2,000
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267 An Imperial Gilt Bronze and Iron Helmet and Partial Set of Armor QING DYNASTY (1644-1912)
清 御製鐵鎏金龍鳳紋嵌寳頭盔、織金 鎖子紋地甲胄及鯊魚皮鞘刀筷一組 Length of jacket from collar to hem 25 in., 83.5 cm. Shoulder pad 16 in., Property from a Private Chicago Estate $8,000-10,000
52
CHINESE & SOUTHEAST ASIAN WORKS OF ART
268 An Imperial Gilt Bronze and Iron Helmet and A Red Robe QING DYNASTY (1644-1912)
清 御製鐵鎏金龍鳳紋頭盔、 紅絨地金帽釘團龍紋甲及木包銅龍紋 刀筷一組 Length of robe 41 in., 104.1 cm. Property from a Private Chicago Estate $6,000-8,000
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269 A Gilt and Polychrome Painted Red Lacquer Saddle and Two Pads QING DYNASTY (1644-1912)
清 描金彩繪雙龍獻壽紋馬鞍及團龍紋皮障泥一副 Length of saddle 17 3/4 in., 45 cm. Property from a Private Chicago Estate $1,000-2,000
54
CHINESE & SOUTHEAST ASIAN WORKS OF ART
273 A Parcel-Gilt Bronze Figural-Form Incense Burner MING DYNASTY (1368-1644)
明 銅局部鎏金壽老騎鹿香薰 Height 7 1/2 in., 19 cm. $1,500-2,500
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278 A Five-Peak Mountain-Form Brush Rest and Stand, Bijia 18TH CENTURY
清中期 銅行旅圖筆架 Height 6 x width 9 1/2 in., 15.2 x 24 cm. Property from a Private Chicago Collection Acquired from The Jade Dragon, Ann Arbor, Michigan, April 30, 2002, inventory no. 16293. $6,000-8,000
56
CHINESE & SOUTHEAST ASIAN WORKS OF ART
282 A Bronze Circular ‘Phoenix’ Mirror LATE WARRING STATES PERIOD, 4TH-3RD CENTURY BC
戰國晚期 四鳳紋銅鏡 Diameter 4 7/8 in., 12.4 cm. Luminous Perfection: Fine Chinese Mirrors from the Robert H. Ellsworth Collection, March 21, 2012, sale 2658 lot 1405 Acquired from Alice Boney in Japan, 1960s $5,000-7,000
283 A Bronze Circular Mirror with Deities, Animals and Inscription LATE EASTERN HAN DYNASTY, 2ND-3RD CENTURY
東漢晚期 吾作明鏡銘神人龍虎紋銅鏡 Diameter 5 1/2 in., 14 cm. Luminous Perfection: Fine Chinese Mirrors from the Robert H. Ellsworth Collection, March 21, 2012, sale 2658 lot 1405 Acquired in Hong Kong, 1988 $4,000-6,000
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The Late Chingwah Lee (1901-1980) Collection, San Francisco, California 好萊塢初代華影星李清華舊藏甲骨及古泉 | Lots 286-289 Perhaps most recognized for his performance in the Academy Award winning film adaption of The Good Earth, Chingwah Lee was an important scholar, collector, cultural ambassador, and community leader whose legacy endures throughout these many areas. As the industrious second-born son to a family of nine growing up in San Francisco’s Chinatown, Lee was compelled from an early age to support his family and larger community. In addition to working odd jobs, he founded a Boy Scout Troup, volunteered with the YMCA, and established the first English language paper by Chinese-Americans, The China Digest. As a natural leader and skilled speaker, he quickly stepped into roles as a spokesperson for Chinatown, and founded a tour company that offered a positive image of his community in the face of the intense discrimination and stereotyping against Chinese-Americans endemic to the United States at the time. After graduating from Berkeley with a degree in anthropology, he began to devote himself more seriously to studying Chinese art. His father, descended from a long line of art collectors, left him his collection which provided the young Lee a solid foundation for his pursuits in Chinese art connoisseurship. His efforts, including his Saturday series of art history lectures, appraisals, and editorials on Chinese art, resonate throughout the field to this day. After Lee’s death in 1980, most of his collection was famously sold through public auction, with only select pieces requiring specialized audience offered to private parties. The present offering includes such examples, now returning to the market after 40 years. 李清華出身舊金山唐人街，在他的少年時代，排華法案餘波猶在，華人備受歧視。李家兄弟姊妹九人，全都早早打 工補貼家用。李清華不滿於這種生活，頻頻嘗試翻身，13嵗時組建了舊金山第一支華人童子軍，17嵗帶領這支童子 軍為一戰募捐，並參與開辦華僑刊物《華美周報》。這些經歷幫助他申請到伯克利大學人類學專業，同時受聘于基 督教青年會新建的唐人街分舘，以官方身份向民衆普及遙遠的東方文化。李清華口才好，交際能力强，久而久之被 視作二代華裔的代言人。後來他的父母相繼去世，李清華接手了父親留下的古玩鋪，憑藉伯克利時代接受的學術訓 練與工作中掌握的公關技巧，將小小店面打造成聞名西岸的古董行。好萊塢凡涉及東方的電影，都要向他咨詢，並 委托他購置道具佈景。 1931年賽珍珠的小説《大地》出版，翌年榮獲普利策獎，米高梅公司有意改編成電影，委托李清華在中國及北美僑 界徵尋演員。今天看來，這部片子的男女主角都由洋人扮演，不倫不類，然而參照那時的觀衆情感和商業利益， 《大地》已經是正面描寫現實中國的少有力作了。李清華協助米高梅招聘的華人群演多達千人，有名有姓有戲份的 角色十六人，考慮到這是九十年前，已經很不容易了。李清華為這部戲付出良多，在男主角保羅·穆尼的力薦下， 出演了男二號亞清，是片中念白最多、戲份最重的華人角色。1937年《大地》獲奧斯卡五項提名，最終斬獲最佳女 主角與最佳攝影獎。 李清華後來還出演了《花鼓歌》、《虹霓関》、《轟炸東京》、《小小金先生》等電影，但他的工作重心始終放在 自己的古玩生意，以及不遺餘力地推廣中國文化。二戰那幾年，李清華曾在國防部擔任教員，晚年又受聘于本地高 校。在他生命的最後階段，華裔已發展爲舊金山當家作主的大群體，舊金山的亞洲藝術博物館也已開辦。1980年李 清華下世，遺產由蘇富比拍賣，成交額過百萬，幾乎所有行家都去選購，到今天還有不少精品在市面流通。本專場 上拍的幾件情況比較特殊，因當年甲骨與古泉相較於瓷器、玉器、青銅等大宗過於小衆，買家很少，所以行方特別 將這部分藏品匯總，僅面向小部分古董商預售，現藏家即是這樣購入的，距今已有四十年。 58
CHINESE & SOUTHEAST ASIAN WORKS OF ART
289 Four Oracle Bones
甲骨四片 Length of the longest 6 3/4 in., 7.2 cm. Property from a Prominent Chicago Collection The Late Chingwah Lee Collection, San Francisco $2,000-4,000
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286 A Large Collection of Chinese Coins and Pendants EASTERN ZHOU DYNASTY THROUGH REPUBLIC PERIOD AND LATER
comprising approximately 1303 coins and pendants.
李清華舊藏歷代古泉共約1303枚 東周-民國 $12,000-15,000
288 A Large Collection of 1322 Chinese Banknotes and Customs Gold Units 20TH CENTURY
李清華舊藏民國紙幣、關金券及人民幣一組共1322枚 $5,000-6,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
*311 A Khmer Stone Torso Height 15 1/2 in., 39.5 cm. Property from the Collection of George R. Bruha, Chicago, Illinois $2,000-3,000
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304 A Sino-Tibetan Gilt Bronze Figure of Yama 18TH CENTURY
清中期 銅鎏金雙修閻魔 Height 13 3/4 in., 35 cm. Property from an Important North American Collection $8,000-12,000
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CHINESE & SOUTHEAST ASIAN WORKS OF ART
305 A Gilt Bronze Figure of Shakyamuni Buddha POSSIBLY MING DYNASTY
或爲明 銅鎏金釋迦牟尼坐像 Height 6 3/4 in., 17 cm. $20,000-25,000
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