B’Rock Orchestra : Sounding Stories by Hong Kong Arts Festival

香港藝術節今年踏入第4 6屆，再度為來自世界各地的觀眾獻上精彩紛呈的藝術盛宴，讓香港這個文化大都會更添生色。今年藝術節預備了各式各樣的表演節目，古典及當代藝術元素俱全，凸顯本港豐富多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行，讓一眾藝術愛好者目不暇給。一如以往，本屆藝術節除了請來本地和海外藝術家演繹引人入勝的代表作品，亦悉心安排各項外展活動。為培養青少年對藝術的興趣，「香港藝術節青少年之友」計劃讓本地學生有機會欣賞藝術節節目和參與全方位藝術活動。此外，藝術節又透過工作坊、後台參觀和大師班等「加料節目」，讓觀眾一睹藝術節重點節目的幕後創作過程，大開眼界。政府致力推動本地文化藝術發展，亦樂見贊助商和捐款者鼎力支持，攜手把香港藝術節打造成為享譽國際的藝壇盛事。我衷心感謝藝術節團隊多年來盡心盡力，為我們帶來這項高質素的文化活動，令本港藝壇百花齊放，蓬勃發展。謹祝第4 6屆香港藝術節圓滿成功，各位表演嘉賓和觀眾朋友共享一段精彩難忘的藝術旅程。

林鄭月娥香港特別行政區行政長官

Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與我們一起分享、感受這一場精彩的表演藝術節目。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款，使香港藝術節能每年成功舉辦。我們同時亦非常感謝香港賽馬會慈善信託基金多年以來積極而持續的鼓勵和贊助，以及其他眾多的商業機構、企業、慈善團體以至社會各界人仕，他們的慷慨捐助，讓我們能夠呈獻世界一流藝術家的演出，為本地人才提供一展才華的機會，委約及製作新作品，培養年青一代的觀眾。更重要的，是要感謝到來欣賞節目的各位觀眾。沒有廣大觀眾的熱情參與，就不會有香港藝術節。期望您喜歡這場演出。

查懋成香港藝術節主席

I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節的演出。今屆藝術節的主題是「真．我角度」，我們從此角度出發，欣賞藝術家透過他們的技藝、創意和心思所創作和呈現的多重現實。今年的節目當中，無論是對應某種人生經驗、藝術動機或敘事手法，都往往帶着對「真」的各種個人省思。整體而言，我期望今屆藝術節可以啟發大家思考，甚至懷疑我們所理解的「真實」。希望您能開放自我，投入到舞台上呈現的世界，與藝術家共同經驗各種現實。也誠邀您參加「加料節目」的各項活動，豐富您的藝術節體驗。感謝您參與香港藝術節，支持我們的使命，為香港打造一個既屬於香港，也代表香港的世界級藝術節。

何嘉坤香港藝術節行政總監

It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節的年度預算約港幣一億二千五百萬，當中香港特區政府的基本撥款約佔總收入的 14%，另外約 32% 需來自票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜．涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2018 年藝術節預計收入來源（約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)

Sponsorship & Donations 贊助及捐款

•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 26 年來，已為逾 730,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 10,000 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

18%

36% Box Office 票房收入

32%

14%

Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入（包括按捐款和贊助收入可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款（Updated August 2017 2017 年 8 月更新）

Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong

• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

• Large-scale special events: World of WearableArt, Zingaro

HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Presents

B’Rock Orchestra

Sounding Stories with Dmitry Sinkovsky, artistic leader and solo violin

巴 ‧ 羅克樂團

《聲音之旅》德米特里．辛柯夫斯基藝術領導及小提琴獨奏 3 月 Mar

香港大會堂音樂廳 Concert Hall, Hong Kong City Hall 演出長約 1 小時 45 分鐘，包括一節中場休息 Running time: approximately 1 hour and 45 minutes, including one interval

藝術節加料節目

演出完畢後，請留步參與演後藝人談。 Following B’Rock Orchestra’s performance, please stay behind and join us for a Meet-The-Artist session.

贊助 Sponsored by

封面照片 Cover Photograph: © Mirjam Devriendt

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

巴．羅克樂團巴 ‧ 羅克樂團 2005 年成立於比利時根特，回應

和阿姆斯特丹無伴奏合唱團。在歌劇和音樂劇場

當時古樂界渴求更新和注入活力的需要。樂團選

方面，巴 ‧ 羅克樂團與布魯塞爾皇家歌劇院及

拔的音樂家來自世界各地，擅長復古演奏風格。

Transparant 音樂劇場發展了伙伴關係。

他們以開明的態度、靈活多變的演奏曲目和風格見稱。

樂團每季在比利時和世界各地演出約四十五場音樂會。樂團是比約克音樂中心、布魯塞爾藝術中

巴 ‧ 羅克樂團挑選的表演曲目糅合公認為經典

心、布魯塞爾克拉勒藝術節、布魯塞爾皇家歌劇

的巴羅克作品和十七、十八世紀較少人認識的曲

院、安特衛普 deSingel、AMUZ 古樂節、布魯日

目。樂團採取大膽前衛的方針去編排節目，讓古

音樂廳、布魯日 M A 音樂節和法蘭德斯梅赫倫音

樂與當代音樂共冶一爐，相輔相成。樂團特別注

樂節的常客。樂團曾獲邀到多個海外場地和音樂

重為寫給古樂器的新樂曲舉行首演，但也以跨界

節演出，包括阿姆斯特丹音樂廳、巴黎音樂城、

製作聞名。後者將古樂結合劇場、視覺藝術及 /

科隆愛樂廳、柏林音樂廳、倫敦威格摩爾音樂

或錄像，也是樂團重要的核心。

廳、荷蘭藝術節、維也納藝術節、烏得勒支古樂

巴 ‧ 羅克樂團定期邀請知名指揮家和獨奏家作客席演出，包括雷奈．雅各斯、傑荷米．賀希、里安納度．加西亞．阿拉昂、彼得．迪克斯卓、比尊．梅達、亞歷山大．梅尼可夫、克里斯蒂安．貝祖丹霍特、德米特里．辛柯夫斯基和蘇菲．卡特凱莎。樂團亦常與頂尖合唱團合作，如 RIA S 室內合唱團、根特古樂合唱團、荷蘭室內合唱團

節、荷蘭鹿特丹歌劇節、萊茵高音樂節、不來梅音樂節、因斯布魯克古樂音樂節、波茨坦忘憂宮音樂節、奧地利格拉茲的斯特里藝術節及國際宗教劇和清唱劇音樂節。

B’Rock Orchestra B’Rock Orchestra was set up in Ghent in 2005 on the basis of an urge for renewal and rejuvenation in the world of early music. The selected international musicians specialise in historically well-founded performance practices. They distinguish themselves by their open mind, flexibility of repertoire and playing style. In the choices it makes for its concert programmes, B’Rock combines established baroque works with the lesser-known repertoire of the 17th and 18th centuries. In addition, the orchestra pursues a bold and innovative programme policy in which early and contemporary music meet and enrich each other. It focuses especially on giving first performances of new music written with historical instruments in mind. But the orchestra also has a reputation for cross-genre productions. Early music in combination with theatre, visual art and/or video also forms part of the orchestra’s DNA.

B’Rock Orchestra regularly engages prominent guest conductors and soloists such as René Jacobs, Jérémie Rhorer, Leonardo García Alarcón, Peter Dijkstra, Bejun Mehta, Alexander Melnikov, Kristian Bezuidenhout, Dmitry Sinkovsky, Sophie Karthäuser and many others. B’Rock also frequently collaborates with leading choral ensembles such as RIAS Kammerchor, Collegium Vocale Gent, the Nederlands Kamerkoor and Cappella Amsterdam. B’Rock has developed structural partnerships in the fields of opera and musical theatre with De Munt/ La Monnaie and Muziektheater Transparant. The orchestra gives around 45 concerts every season, both in Belgium and abroad. It is, for example, a regular guest at Muziekcentrum de Bijloke, Bozar, KlaraFestival, De Munt/La Monnaie, deSingel, AMUZ, Concertgebouw Bruges, MAfestival and the Festival of Flanders Mechelen. Internationally, the orchestra has already been invited to numerous major concert halls and festivals such as the Concertgebouw Amsterdam, Cité de la Musique Paris, Kölner Philharmonie, Konzerthaus Berlin, Wigmore Hall, Holland Festival, Wiener Festwochen, Festival Oude Muziek Utrecht, Operadagen Rotterdam, Rheingau Musik Festival, Bremen Musikfest, Innsbrucker Festwochen der alten Musik, Musikfestspiele Potsdam Sanssouci, Styriarte in Graz and Wratislawia Cantans.

德米特里．辛柯夫斯基藝術領導及小提琴獨奏技驚四座的小提琴家德米特里．辛柯夫斯基於

辛柯夫斯基曾灌錄不少唱片，與他合作的唱片

2005 年在莫斯科音樂學院畢業，師承阿歷山大·

公司有 Naïve 及俄羅斯唱片公司 Caro Mitis。在

基洛夫，目標是進軍國際樂壇。在好奇心的驅使

2 0 1 3 年推出的《獻給彼森德爾》中，他擔任小

下他開始接觸早期音樂，認識了推崇早期音樂的

提琴獨奏和指揮兩個角色，作品屬 Naïve 韋華第

巴羅克小提琴家瑪利亞．雷翁哈特之後，辛柯夫

系列的專輯，更為他帶來法國金音叉獎殊榮。辛

斯基改為專注於古風演繹，並在多個大型比賽中

柯夫斯基自 2 0 0 5 年於莫斯科音樂學院教授小提

獲獎，包括意大利彭伯堤世界大賽（2005）、萊

琴和中提琴。作為荷蘭 Jumpstart Jr. 比賽的桂冠

比錫巴赫大賽（2006）、布魯日古樂大賽（2008

音樂家，他獲借弗朗西斯高．魯格里 1 6 7 5 年製

年冠軍、觀眾獎及樂評人獎）和馬格德堡泰利曼

造的古董小提琴。

音樂比賽冠軍（2011）。樂評人和普羅大眾都喜歡辛柯夫斯基「發自內心的演繹」，演奏難度極高的作品也從容不迫。 2007年，正當辛柯夫斯基已經在樂壇成為一位矚目的小提琴家時，他決定認真修讀聲樂，成為假聲男高音。他的聲樂導師有米高．錢斯、瑪麗．戴夫理，最後更在莫斯科師隨雅娜．伊凡尼諾娃達七年之久。作為歌唱家，辛柯夫斯基曾演出韓德爾歌劇中的角色（里納爾多、朱利亞斯．凱撒、阿爾薩斯、伯塔利多、波利奈索）、韓德爾的獨唱清唱劇與神劇、葛路克的《奧菲歐與尤麗迪采》、巴赫的受難曲和清唱劇。假聲男高音辛柯夫斯基的音色豐富、同時又輕巧靈活。辛柯夫斯基既可演唱、又可演奏小提琴，其獨特的才能深受觀眾愛戴。他經常以獨奏家、獨唱家、樂團首席和指揮的身份在歐洲、俄羅斯、加拿大、澳洲和美國等地演出，是一位炙手可熱的藝術家。他在 2011 年於莫斯科成立了人聲古樂團，並與當今不少優秀的巴羅克樂團合作，包括和聲花園室內樂團（意大利）、巴．羅克樂團（比利時）和科隆協奏團（德國）。

Dmitry Sinkovsky Artistic leader and solo violin Virtuoso violinist Dmitry Sinkovsky graduated from the Moscow Conservatory in 2005, where he had been studying with Alexander Kirov in preparation for an international career; it was then that his curiosity led him to earlier repertoire. A meeting at that time with Baroque violinist and early music pioneer Maria Leonhardt convinced him to change course and concentrate on historical performance practice. He has since taken innumerable prizes in major competitions from the Premio Bonporti in Italy (2005) to the Bach Competition in Leipzig (2006), the Musica Antiqua Competition in Bruges (First prize, audience prize and critics’ prize, 2008)

and first prize at the Telemann Competition in Magdeburg (2011). Critics and the public alike have praised his ability to “play from the heart” while interpreting music of dazzling difficulty with ease. In 2007, after having already begun a notable career as a violinist, Dmitry Sinkovsky decided to seriously pursue his talent as a countertenor as well. To this end he worked with vocal coaches Michael Chance, Marie Daveluy and finally Jana Ivanilova, with whom he studied for seven years in Moscow. His vocal repertoire includes roles from Handel’s operas (Rinaldo, Giulio Cesare, Arsace, Bertarido, Polinesso), solo cantatas and oratories, to Gluck’s Orfeo ed Euridice and J.S. Bach’s Passions and cantatas. Sinkovsky’s countertenor voice is distinguished by its wide range of timbral colours, its lightness and agility. His unique ability to switch from singing to the violin and back again in concerts has earned him great admiration and enthusiasm from the public. Dmitry Sinkovsky continues to be much in demand as a soloist, concertmaster and conductor, performing extensively in Europe, Russia, Canada, Australia and the USA. He heads the ensemble La Voce Strumentale, which he founded in Moscow in 2011, and works with some of the finest Baroque orchestras today including Il Giardino Armonico (Italy), B’Rock (Belgium) and Concerto Köln (Germany).

Sinkovsky has recorded for both Naïve and the Russian label Caro Mitis. His recording Per Pisendel, on which he is both violin soloist and conductor, was released in 2013 as part of Naïve’s Vivaldi Edition series and was awarded a Diapason d’Or. Sinkovsky continues to teach violin and viola at the Moscow Conservatory, a post he has held since 2005. As a laureate of the Jumpstart Jr. Competition in the Netherlands, Dmitry Sinkovsky has been loaned a superb violin by Francesco Ruggeri (1675).

現身說法 : 巴．羅克樂團有何獨特之處？ In their own words: What makes B’Rock unique?

總括而言，對於創作和製作，我們的看法就是以既創新又慎重的態度對待傳統。我們要的不只是一場優秀的音樂會、娛樂活動、消遣節目，或者一段令人愉快的時光。無論藝術、人際以至社會方面，當今世上充斥種種挑戰，過去的音樂有助我們面對當下，也因此必定要無時無刻將兩者連結起來。要達到這個目標，樂手和聽眾同樣要付出努力，但這些努力卻有回報：大家體會到的是當下的事情，而不是幾百年前的事情。

In a nutshell, our view of creation and production is defined by an innovative and deliberate approach to tradition. We want to offer more than just a fine concert, entertainment, relaxation or an agreeable interlude. The music of the past can also help us to look at today’s world with its many artistic, social and societal challenges. This is why there must always be a connection with the present day. This requires an effort from both the musicians and the listeners, but the reward is the experience of what is happening now, not what was being experienced hundreds of years ago.

關於曲目：飛越巴羅克！ Regarding the repertoire: Beyond baroque! 我們的主要曲目仍是巴羅克和古典時期的作品（大約 1 60 0 至 1 8 2 0 年間），尤其是 1760、1770 年代，以及由這二十年過渡到古典時期中段「狂飆運動」的作品。這二、三十年的作品過去頗受忽略，但這段時期一方面與巴羅克晚期關係密切，另一方面又可見世界觀正在轉變。我們受納奴齊藝術品《所有藝術一直都是當代的》啟發，視自己的節目為「當代的聲景」，早期音樂、近代及 / 或新音樂互相映輝，實驗、正視以及反省的空間都非常大。我們主動研究仿古樂器創作和製作新音樂及近代作品（二十世紀音樂）的潛質。我們相信古樂器的演奏技巧、表達形式、演奏難題與音色特徵，會為現今的作曲家帶來刺激與挑戰，故此定期委約比利時和海外作曲家創作新曲。

Our core repertoire remains the music of the baroque and classical periods (from about 1600 to 1820), with a particular focus on the 1760s and 1770s and the transition to the Sturm und Drang of the classical period. This somewhat neglected stylistic period is closely related to the late baroque, but at the same time shows signs of a changing worldview. Inspired by Maurizio Nannucci’s artwork All Art Has Been Contemporary, we see our programme as a contemporary soundscape in which early, recent and/ or new music enhance one another, with plenty of room for experimentation, confrontation and reflection. We actively examine the potential of our historically informed instruments for the creation and production of new and recent music (20th century music). We believe that the playing techniques, forms of expression, performance problems and timbres characteristic of old instruments are able to stimulate and challenge today’s composers. To that end we regularly commission work from composers in Belgium and abroad. © Arne Naert

巴．羅克樂團：關於媒介及呈現方式 B’Rock Orchestra: Regarding the medium and the presentation 「當代的聲景」也意味將注意力集中在音樂劇場、歌劇及 / 或其他形式的跨界演出。我們深信，源自十九世紀的傳統音樂會形式漸漸走到盡頭。現在觀眾要求日高，需要新模式才能留住他們：例如配備佈景的音樂會與管弦樂劇場、形式創新的音樂劇場，以及糅合音樂與電影或文字的混合製作等。

A contemporary soundscape also implies a focus on music theatre, opera and/or other forms of multi-disciplinary work. We are convinced that the traditional concert ritual (established in the 19th century) is gradually reaching its end. New models are needed to hold onto today’s demanding audiences: from scenic concerts and orchestral theatre through to innovative music theatre to hybrid projects that combine music and film or music and word.

富斯

Johann Joseph Fux (1660-1741)

D 小調序曲，N4

Overture in D minor, N4

序曲

Overture

致夜鶯

Pour le Rossignol

小步舞曲─巴瑟比舞曲（中段）

Menuet – Passepied (Trio)

歌調

Air

吉格舞曲

Gigue

致鵪鶉

Pour la Caille

致杜鵑鳥

Pour le Coucou

比貝爾

Heinrich Ignaz Franz von Biber (1644-1704)

D 大調戰曲，C61

Battalia à 10 in D major, C61

奏鳴曲

Sonata

一眾百態紛呈的放縱之徒

Die liederliche Gesellschaft von allerley Humor

急板

Presto

戰神

Der Mars

急板

Presto

詠嘆調

Aria

戰役

Die Schlacht

傷兵的哀歌

Lamento der Verwundten Musquetirer

韋華第

Antonio Vivaldi (1678-1741)

F 大調協奏曲，RV569

Concerto in F major, RV569

快板

Allegro

嚴肅沉重地

Grave

快板

Allegro

— 中場休息 Interval —

泰利曼

Georg Philipp Telemann (1681-1767)

A 大調協奏曲，TWV51:A4，「青蛙」

Concerto in A major, TWV51:A4, “The Frogs”

快板

Allegro

慢板

Adagio

小步舞曲

Menuet

富斯

Johann Joseph Fux

D 大調協奏曲「夜裏的苦與甜」，E112

Concerto “Le dolcezze, e l’amerezze della notte” in D major, E112

守夜人

Der Nachtwächter

小步舞曲─中段

Menuette – Trio

幻想夜曲

Fantasie notturne

鼻鼾

Ronfatore

詠嘆調

Aria

韋華第

Antonio Vivaldi

D 大調協奏曲「莊嚴的聖老楞佐」，RV562

Concerto “Per la solennità di San Lorenzo” in D major, RV562

行板─快板

Andante – Allegro

嚴肅沉重地

Grave

快板

Allegro

小提琴 : 德米特里．辛柯夫斯基

Dmitry Sinkovsky violin

是晚演出曲目及次序或有更改

Pieces and their order of performance are subject to change

《聲音之旅》 Sounding Stories

韋華第與同期作曲家都會「以聲繪畫」，務求令聽眾仿如親歷其境。富斯「夜裏的苦與甜」、比貝爾《戰曲》和泰利曼協奏曲「青蛙」等管弦樂作品都像以聲音繪製的動畫：苦樂參半的夜晚、受傷的火槍手、語無倫次的醉漢，還有青蛙求偶時「呱呱、呱呱」的叫聲─林林總總的場景彷彿活現眼前，初時柔和，繼而令人眼花撩亂，而且常常極其詼諧。韋華第壯麗的「莊嚴的聖老楞佐」協奏曲及大協奏曲都呈現出人類各式各樣的情感。

Vivaldi and his contemporaries painted with sounds. Their mission was to strike the listener with music that is so evocative that it is almost palpable. Orchestral works such as Fux's “Le dolcezze e l’amerezze della notte”, Heinrich Biber's Battalia and Telemann's Concerto “Die Relinge” (The Frogs) unfold like cartoons in sound. The bittersweet night, a wounded musketeer, spluttering drinkers and croaking frogs courting one another: a great variety of scenes appear to the mind's eye – at first subdued, then exuberant, often extremely humorous. Vivaldi's spectacular Concerto “Per la solennità di San Lorenzo” and his Concerto grossi also conjure up a wide range of human emotions.

樂曲介紹 Programme notes 富斯 D 小調序曲，N4

Johann Joseph Fux Overture in D minor, N4

富斯身故後，憑 1725 年出版的著作《邁向帕

Fux’s renown for many years after his death rested on his 1725 publication, Gradus ad Parnassum, a manual in the art of composition, as well as a treatise in strict counterpoint. First written in Latin, it was later translated into German, Italian, English and French. It was used by Haydn, Mozart, Beethoven and many others, and indeed it can still be an important tool in the teaching of counterpoint and the art of composition. It has only been relatively recently that his value as a composer has been fully recognised. His output was prodigious, encompassing 94 Masses, nine Requiems and innumerable other sacred works, as well as 22 operas and a great deal of music for various instrumental groups. He was highly industrious during his composing life, and he lived to the great age (for those days) of 81.

爾納斯山的階梯》讓他聞名多年。《邁向帕爾納斯山的階梯》既是作曲技法手冊，也是探討嚴格對位法的專著。原作以拉丁文寫成，後來譯成德語、意大利語、英語和法語，海頓、莫扎特、貝多芬等許多作曲家均曾研習過這本著作。事實上，《邁向帕爾納斯山的階梯》時至今日仍是教授對位法及作曲技法的重要工具書。至於富斯的作曲家地位，卻是較近年才完全獲得認同。他作品數量驚人，除了九十四首彌撒曲、九首安魂曲、無數其他聖樂作品、二十二齣歌劇以外，還有大量器樂合奏曲。富斯在作曲家生涯裏一直勤於創作，終年八十一歲，以當時的標準來說可謂得享高壽。富斯生於奧地利施堤利亞省的希達菲特，相信早年在格拉茲隨一位管風琴師暨樂長上音樂課，也很大機會是唱詩班成員。他曾肄業格拉茲大學，中途退學後改為報讀德國因戈爾施塔特的耶穌會大學，修讀多國語言、邏輯、音樂及法律。他 1685 年起在因戈爾施塔聖莫里茲當了三年管風琴師，169 0 年代移居維也納，在維也納蘇格蘭教堂擔任管風琴師，1 7 0 2 年離職。1 698 年，他獲神聖羅馬帝國皇帝利奧波德約瑟一世聘為宮廷作曲家，並在查理六世登基後繼續效力。1711 年，他獲委任為副宮廷樂長，四年後晉升為宮廷樂長，一直任職至去世。 D 小調序曲由七個樂章組成。第一樂章是法式序曲，是為隨後樂章的重心。樂章以一長一短的附點節奏開始，接着的是飛躍 D 的賦格式段落。第一樂章以後，有三個樂章以鳥類為題：夜鶯、鵪鶉及杜鵑，而最後的「致杜鵑」為整部作品帶來迷人而堂皇的終結。

Born in Hinterfeld in Styria, Fux most likely had music lessons in Graz from the local organist and Kantor, and quite possibly sang in the choir. He studied at the university in Graz, but left before graduating to enrol at the Jesuit University in Ingolstadt, where his subjects were languages, logic, music and law. From 1685 for three years he was the organist at St Moritz, Ingolstadt, and by the 1690s he was living in Vienna where he became organist at the Schottenkirche, relinquishing the post in 1702. In 1698 he was appointed court composer to the Emperor Leopold Joseph I, and subsequently to Charles VI. Appointed Deputy Kapellmeister in 1711, he was promoted to Kapellmeister four years later, and held that position for the rest of his life. The Overture in D minor N4 is made up of seven movements, with the first movement, a Frenchstyle overture, providing the core around which the rest of the piece orbits; its opening dotted rhythms eventually give way to a flying fugal passage. Three of the following movements are named after birds – a nightingale, quail and cuckoo – with the latter bringing the whole piece to a charming and stately conclusion.

比貝爾 D 大調戰曲，C61 比貝爾是十七世紀最傑出的小提琴家暨優秀作曲

《戰曲》延續了自十六世紀起，作曲家用音樂描

家，作品包括大量彌撒曲等聖樂、器樂作品，當

繪戰爭的傳統。曲中包括多種特別效果，例如低

然還有不少小提琴曲。他的小提琴作品經常採用

音大提琴彈跳似的撥弦、快速重複音，甚至以弓

變格定弦，意思是藉小提琴不按常規定弦，營造

桿來演奏。既然比貝爾將《戰曲》題獻給羅馬的

特殊聲音效果─他的名作「十五首為小提琴與

美酒、農作物與戲劇之神巴克斯，那麼這肯定是

低音聲部而寫的『神蹟』奏鳴曲」（又稱「玫瑰

首令人聽得心花怒放的作品了。作曲家鮮明的幽

經」奏鳴曲）正是一例。十月是薩爾斯堡大教堂

默感不時可聞，而且在第二樂章的標題更呼之欲

獻給聖母瑪利亞的月份（稱為「聖母玫瑰月」），

出─這個標題大約可以譯作「一眾百態紛呈的

比貝爾最有可能在十月份、在禮拜儀式接近結束

放縱之徒」（英文為：[a] profligate society of all

時演奏「神蹟」奏鳴曲。比貝爾其他器樂作品還

sorts of humour），只是這裏的「humour」可能

包括芭蕾舞劇、奏鳴曲（當中好些樂器組合都很

解作「心態」更貼切。這個樂章混合了八個不同

有趣），以及數齣歌劇。

調性的曲調，而且每個曲調開始的時間都不相同

比貝爾生於波希米亞華騰堡，早年大抵隨當地管風琴師上音樂課。他先獲格拉茲艾根堡親王聘用，1668 年起改為奧洛穆茲采邑主教工作，成為近侍暨樂師。兩年後，僱主派他出差採購新樂器，但他卻乘機非法離開格拉茲，跑到薩爾斯堡總主教那裏當隨從。在格拉茲，比貝爾的地位與腳伕、鍋爐工相若；但在薩爾斯堡，他的社會地位卻躍升，部分原因是薩爾斯堡總主教對弦樂情有獨鍾。下屬擅離職守，奧洛穆茲主教當然不悅，但他也沒有處分比貝爾，只是將離職放行信拖延至 1676 年才發出。 1676 至 1684 年間，比貝爾將四輯器樂作品獻給薩爾斯堡總主教。皇帝利奧波德一世對比貝爾的演奏讚賞有加，1679 年委任比貝爾出任副宮廷樂長，1684 年更讓他晉升為宮廷樂長。經比貝爾兩次提請之後，皇帝在 1 6 9 0 年將他冊封為騎士，授予「比貝恩的比貝爾」頭銜。比貝爾演奏技巧高超，說是當時的帕格尼尼也不為過，按道理應該會以小提琴大師的身分巡迴演出，可是相關紀錄似乎從未得見，實在令人費解。

─幾百年後的作曲家查爾斯．艾菲斯就對這種效果愛不釋手了。也許作曲家在刻意模仿不同的士兵隊伍，彷彿每隊都唱起自己的愛國歌曲，那當然不會與其他隊伍的歌曲合襯。真正的戰爭場面〈戰役〉不久出現；最後是為傷兵而奏的哀歌，當中採用了典型的下行半音階。《戰曲》實在是首熱情洋溢，創意驚人的作品。

Heinrich Ignaz Franz von Biber Battalia à 10 in D major, C61 Biber was the most outstanding violinist of the 17th century, and also a fine composer who produced many Masses and other sacred works along with much instrumental music. Naturally, much of his music is for the violin, and in a good deal of this he makes use of scordatura, which means using special tunings to achieve special effects. Amongst these compositions are the famous Mystery, or Rosary, Sonatas for violin and bass. The composer most likely performed these at the end of services in October, the month devoted to the Rosary Mysteries at Salzburg Cathedral. Other instrumental works include ballets and sonatas for various interesting combinations. He also wrote several operas. Biber was born in Wartenburg in Bohemia, and possibly had his early music lessons from the local organist. He was employed by Prince Eggenberg in Graz, and in 1668 entered the service of the Bishop of Olmütz as valet de chambre and musician. Two years later he was sent on an errand to buy new instruments, but he seized the opportunity to leave Graz illegally and instead entered the Archbishop of Salzburg’s entourage, where, having been classed amongst the porters and stokers of fires in Graz, he rose rapidly in social status, partly due to the Archbishop’s keenness for music on stringed instruments. The Bishop of Olmütz was not best pleased by this defection, but refrained from any punitive action, merely delaying his release letter until 1676. B e t we e n 1 6 7 6 a n d 1 6 8 4 B i b e r d e d i c a t e d four editions of his instrumental music to the Archbishop. The Emperor Leopold I was so impressed with Biber’s playing that he appointed him Deputy Kapellmeister in 1679 and Kapellmeister in 1684; on Biber’s second application he raised him to the rank of Knight, with the title Biber von Bibern, in 1690. It is curious that for such

an outstanding virtuoso – the Paganini of his day, one could say – there seems to be no record of his having toured in that role. The Battalia continues a tradition of works describing battles, begun in the 16th century, and it contains a number of special effects such as rebounding pizzicato on the double bass, rapid note repetitions, and possibly even playing with the wood of the bow. Biber’s Battalia is dedicated to Bacchus, god of wine, vegetation and theatre, so clearly it is going to be an entertaining piece. The composer’s lively sense of humour can be heard in many places, and the second movement’s title gives more than a hint at this – in English it can be roughly translated as, “A profligate society of all sorts of humour.” Perhaps the word “humour” in this context means “emotions”. In this movement, eight songs in different keys are played, starting at different times, producing the sort of effect which Charles Ives enjoyed, centuries later. Perhaps this is meant to be the various groups of soldiers each singing their own patriotic songs, which, of course, do not fit in with any of the others’. The work moves towards the actual battle scene, “Die Schlacht”, before a final lament for the wounded, which contains typical descending chromaticisms. This is a work of amazing invention and exuberance.

韋華第 F 大調協奏曲，RV569 韋華第約有五百首協奏曲傳世，數量驚人；F 大調協奏曲（RV 569）正是其中一首。這首協奏曲選用小提琴、兩支雙簧管、兩支圓號、巴松管、弦樂以及通奏低音，另外也在第三樂章採用大提琴獨奏。除協奏曲外，韋華第其他作品也非常多，包括彌撒曲、其他聖樂作品，以及最少二十一齣歌劇，全部都極具創意。韋華第生於威尼斯，父親早年是個理髮師，1 6 8 5 年才在聖馬可大教堂擔任小提琴手。1 7 0 3 年，年輕的韋華第開始擔任聖職，同年獲聘為彼耶塔女孤兒院小提琴總監。終其一生，韋華第都與該院關係密切。由於他長了一頭紅髮，因而被稱為「紅髮神父」。韋華第在漫長的音樂生涯裏建立了相當名氣，更名揚海外，因此要問准孤兒院眾主管，才能踏上旅途。 1709 年，院方表決後決定不留任韋華第，但兩年後卻又表決要他回來；此後，韋華第每年都獲續聘，直至 1716 年 3 月，院方又再度決定解僱他。但很奇怪，才兩個月後（同年 5 月），院方卻又聘用他擔任樂團首席，而且職責比小提琴總監更多。不論院方有甚麼理由要韋華第離開，他們到頭來似乎還是需要他。同時，韋華第的名氣已經傳遍歐洲各地；阿姆斯特丹出版社的伊提安．羅捷更為他出版《和聲靈感》（作品 3），收錄了十二首協奏曲（為小提琴獨奏、二重奏和四重奏而寫）。這本曲集令韋華第的作品流傳更廣，在德國尤其受歡迎─眾所周知，巴赫也曾改編韋華第的協奏曲（包括作品 3 的其中幾首）。韋華第聲望最高時，頻頻受邀寫作各式各樣的作品，包括歌劇，讓他賺了不少錢。韋華第患有支氣管哮喘，健康一直欠佳，晚年更每下愈況，最後在威尼斯與世長辭，死後埋葬在貧民墓地。 F 大調協奏曲開始時先聲奪人，活力充沛，之後一直熱情洋溢。緩慢樂章帶起小提琴獨奏；而終樂章非常有趣：小提琴與雙簧管形成鮮明對比，圓號只是偶然吐出隻言片語。韋華第的協奏曲儘管多達五百首，但每首都有新意，而且樂器運用巧妙之餘又創意無限，令人愉悅。

Antonio Vivaldi Concerto in F major, RV569 This concerto, one of around an astonishing 500 by the composer, is scored for violin, two oboes, two horns, bassoon, strings and basso continuo, and makes use of a solo cello in the third movement. The writing is as extraordinarily inventive as in any of his other works, of which there are a great number, encompassing Masses, other sacred works and at least 21 operas. Vivaldi was born in Venice, his father being a barber before being engaged as a violinist at St Mark’s in 1685. The young Antonio took Holy Orders in 1703, and in that year he was appointed maestro di violin at the Pio Ospedale della Pietà, an orphanage for girls, with which he remained affiliated for the rest of his life. On account of his red hair he became known as “the red priest.” During his long career he forged an international reputation; in order to do this he had to ask permission to travel from the governors of the orphanage. In 1709 they voted against keeping him on. Two years later, however, he was voted back, and was reappointed yearly until March 1716, when again the vote went against him. Strangely, only a few months later in May Vivaldi was appointed maestro de’ concerti, a position of yet more responsibility. It seems that whatever reasons the governors may have had for getting rid of Vivaldi, in the end they could not do without him in some capacity. Meanwhile, Vivaldi’s reputation was spreading throughout Europe, with Etienne Roger of Amsterdam publishing L’estro armonico Op 3, consisting of 12 concertos for one, two and four solo violins. This publication served to spread Vivaldi’s work far and wide, especially in Germany. J.S. Bach famously transcribed concertos by Vivaldi, including several from this Op 3. At the height of his fame Vivaldi was in demand for works of all sorts, including operas, and earning considerable amounts of money. His health, however, had never been good, as he suffered from bronchial asthma. In his later years Vivaldi became ill and eventually died in Venice, being buried in a pauper’s grave.

意大利城市威尼斯 ─ 韋華第在此出生、生活、逝世 Venice, the Italian city in which Antonio Vivaldi was born, lived and died

The Concerto in F begins with striking and energetic gestures and continues with immense verve. The slow movement brings a violin solo, and the final movement is enormous fun with the violin and oboes contrasted along with little comments from the horns. In each of Vivaldi’s approximately 500 concertos there is always something new and entertaining with his deft use of the forces in play and his boundless invention.

泰利曼 A 大調協奏曲，TWV51:A4，「青蛙」

Georg Philipp Telemann Concerto in A major, TWV51:A4, “The Frogs”

泰利曼出身寬裕家庭，自小接受良好音樂教育，

As a child born into a comfortable background, Telemann received a fine musical education, studying singing and keyboard from the age of 10. As well as this, he taught himself the recorder, violin and zither. By transcribing scores he learned the rudiments of composition, and was soon producing works of various kinds. His parents, anxious that he might think of a musical career, later confiscated his musical instruments. Of course, he continued to engage in musical activities, and eventually music won out over any other course.

十歲起學習唱歌和鍵盤，又自學木笛、小提琴和齊特琴。他靠抄錄樂譜學會作曲的基本原理，不久開始創作各式各樣的作品。他父母卻擔心兒子萌生以音樂為業的念頭，於是沒收了他的樂器。泰利曼繼續醉心音樂，到頭來還是音樂壓倒一切。泰利曼 1 701 年起在萊比錫大學唸法律，不久後他的音樂才華獲得青睞，獲市長委約為聖多馬大教堂和聖尼古拉大教堂作曲。此後，一切以音樂為重；泰利曼接着創辦了一個音樂協會，組織了四十名學生作公開演出。這個時期他寫下許多作品，事業也開始起飛；他先後獲聘在艾森納赫、法蘭克福和漢堡工作，除了負責當地教堂的音樂事務之外，也要負責鎮上的音樂活動。泰利曼作品極多，包括為教堂寫作的清唱劇約 1 0 4 3 齣、受難曲 4 6 首、多齣歌劇以及大量形形色色的器樂作品。提起泰利曼，韓德爾寫道：「他寫作速度極快。別人寫一封信的時間，他已經可以寫一首八聲部的教會音樂作品。」泰利曼的音樂一向活潑幽默，因此有樂曲以「青蛙」為副題不教人意外。就管弦樂曲來說，他是首個在協奏曲的快樂章中不時採用回奏曲式的作曲家。在「青蛙」協奏曲裏，小提琴在第一樂章奏出「青蛙音符」（A 音），並交替用空弦和在 D 弦上按指彈奏 A 音，營造出滑稽的效果。獨奏彷彿在〈慢板〉中唱歌，也許是描述青蛙在水邊求偶。最後的小步舞曲愉快奔放，其中有段速度更快的「交替樂段」，仿如青蛙的子子孫孫在嬉戲耍樂。「青蛙」協奏曲一如泰利曼其他作品般討人歡喜。

In 1701 Telemann began studying law at Leipzig University, but very soon his musical ability came to light and the mayor commissioned him to write music for the Thomaskirche and the Nikolaikirche. Music took over, and he then founded a collegium musicum [a musical society] of 40 students that gave public concerts. It was in this period that he produced much music and his career began to take off. During his lifetime Telemann also held positions at Eisenach, Frankfurt and Hamburg, normally responsible for the music in the local churches, but also in the towns as well. Telemann was a hugely prolific composer, completing approximately 1,043 cantatas for the church, 46 Passions, many operas and a great deal of instrumental music of all sorts; Handel wrote of him that he “could write a church piece in eight parts with the same expedition another would write a letter.” Telemann’s music is always lively and often full of humour, meaning that a piece subtitled “The Frogs” is no surprise. In his orchestral music he was the first to make regular use of the ritornello form in the fast movements of his concertos. In this concerto the violin introduces the frog’s note – A – by alternating the open string with the stopped note on the D string to comic effect in the first movement, and in the Adagio the soloist sings a song, perhaps of froggy courtship by the water. The final high-stepping Menuet contains a quicker alternativement and could depict the frolicking frog offspring. The whole work is as delightful as any this remarkable composer ever produced.

富斯 D 大調協奏曲「夜裏的苦與甜」，E112

Johann Joseph Fux Concerto “Le dolcezze, e l’amerezze della notte” in D major, E112

富斯大多數作品都是為教會而寫的，歌劇則次

By far the greatest numbers of works in the Fux catalogue are for the church, and after that, operas, of which he produced at least 22. Instrumental music comes low in terms of sheer numbers, but there is still much of it. He produced 53 trio sonatas, 12 sonatas and 12 partitas for two violins and continuo as well as a number of concertos and orchestral overtures.

之，寫了不下二十二齣；他的器樂作品數量雖然不比上述兩者，但其實為數也不少：計有五十三首三重奏鳴曲、為雙小提琴及通奏低音而寫的十二首奏鳴曲及十二首組曲，還有多首協奏曲及管弦樂序曲。富斯大約有二十四首管弦樂作品，但標題明確得像「夜裏的苦與甜」，卻似乎只有這一首。標題「夜裏的苦與甜」很有趣，因為它暗示接下來的的音樂並非全屬柔和的夜曲。第一樂章描繪守夜人在工作；經過〈小步舞曲─中段〉和〈幻想夜曲〉，大家彷彿置身〈鼻鼾〉的國度。最後，平靜的〈詠嘆調〉為這首非常獨特的作品畫上句號。

Of some 24 orchestral works this concerto appears to be the only one with such a specific title. This title – “The Sweetness and Bitterness of the Night” – is interesting, as it shows that what follows is not going to be entirely gentle night music. The first movement depicts the night watchman at his task; after the following minuet and trio comes a nocturnal fantasy, and then we are into the realm of the snore, ronfatore, before a serene aria closes a highly distinctive work.

維也納霍夫堡皇宮夜景 ─ 富斯曾在此擔任哈布斯堡王朝的宮廷樂長一職 Vienna's Hofburg Palace by night. Fux was Kapellmeister at the Hapsburg court based here.

韋華第 D 大調協奏曲「莊嚴的聖老楞佐」， RV562

Antonio Vivaldi Concerto “Per la solennità di San Lorenzo” in D major, RV562

D 大調協奏曲「莊嚴的聖老楞佐」很大可能是為

This Concerto, for the feast day of Saint Lawrence, was most likely composed for performance in August 1716, and perhaps for the convent in Venice dedicated to the saint. It is possible that Vivaldi himself played the solo part, or perhaps his contemporary Johann Georg Pisendel, who is known to have copied out the music.

1 716 年 8 月的聖老楞佐慶日演出而作，但也可能是為老楞佐為聖的威尼斯女修道院而寫。小提琴獨奏可能由韋華第本人或約翰．喬治．彼森德爾擔任（據悉彼森德爾曾將樂譜抄寫下來）。第一樂章整體來說精力充沛，接着是嚴肅沉重的緩慢樂章。緩慢樂章像一首帶伴奏的長篇即興樂曲，獨奏者彷彿隨心所欲地到每個段落閒逛，弦樂的下行音階偶然加入點綴一下；但莊嚴的音階最後取勝。終樂章〈快板〉裏的樂段對比鮮明，結尾有個華采樂段─不過韋華第卻將所有音符都寫下，而且當中襲用了他一首協奏曲舊作的素材（韋華第年代的華采樂段，不一定要採用該樂章的主素材作為發揮基礎）；華采樂段過後，短短的回奏曲樂段最後一次響起。作曲家後來將這首作品改編，用於阿姆斯特丹的慶典演出；說來有趣，他到其時不但修改了配器，更寫作了一個全新的緩慢樂章。

The first movement is generally very vigorous, followed by the slow Grave movement, which is like an extended accompanied improvisation in which the soloist appears to wander wherever he or she wishes, punctuated at intervals by a descending scale from the strings. At the end the sober scales win the day. The final Allegro contains greatly contrasted episodes, and has a written out cadenza towards the end, which uses material from an earlier concerto; cadenzas in Vivaldi’s day did not necessarily make use of the main material of the movement itself. There is then a short final ritornello. Interestingly, Vivaldi rearranged this work for a celebration in Amsterdam later, altering the instrumentation, and composing a fresh slow movement.

樂曲介紹：紀大衛 Programme notes by David Gwilt

韋華第 Antonio Vivaldi

巴．羅克樂團 B’Rock Orchestra Dmitry Sinkovsky, Artistic leader and solo violin VIOLINS

CELLOS

HORNS

Dmitry Sinkovsky Ortwin Lowyck Lucia Giraudo Liesbeth Nijs Evgeny Sviridov Rebecca Huber Jivka Kaltcheva

Julien Barre Bernard Woltèche

Bart Aerbeydt Mark De Merlier

DOUBLE BASS

LUTE

Tom Devaere

Karl Nyhlin

OBOES

CEMBALO

Lidewei De Sterck Mathieu Loux

Andreas Küppers

VIOLAS Deirdre Dowling Luc Gysbregts

ADMINISTRATION Hendrik Storme, General Manager Rosita Moeyersoons, Administrator INTERMUSICA, Tour Management B'Rock Orchestra's Asian tour is realised with the support of the Tax Shelter rule of the Belgian Federal Government Casa Kafka Pictures Tax Shelter empowered by Belfius

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鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong

青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying

•Yvonne Cheng & Kelvin Koo •羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮

新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong

支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School

•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel

•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATRON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生楊海燕女士夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳達文先生梁紹榮夫人陳祖澤博士

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司承印：香港嘉昱有限公司本刊內容，未經許可，不得轉載。

PROGRAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONORARY SOLICITOR AUDITOR

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISORS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers

HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.

職員行政總監節目節目總監副節目總監節目經理

榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff

STAFF 何嘉坤

Executive Director

節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理

梁掌瑋蘇國雲葉健鈴陳韻妍蘇雪凌林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *

•技術製作經理視聽統籌

Programme Programme Director Associate Programme Director Programme Managers

Tisa Ho

Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager

Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*

徐子宜 * 許肇麟 *

• Technical Production Manager Audiovisual Coordinator

Tsui Tsz-yee* Boolu Hui*

•出版高級編輯編輯助理編輯

黃迪明 * 林尚諾 * 鍾佩妝 *

• Publications Senior Editor Editor Assistant Editors

Timothy Wong* Sherlock Lam* Eunice Chung*

•外展高級外展經理助理外展經理外展統籌外展主任藝術行政見習員外展助理

李冠輝張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *

• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant

Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*

市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任市場經理（票務）票務主任客戶服務主任

鄭尚榮胡銘堯周怡楊璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲李彤* 鄭佩欣 *

MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers

Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*

DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer

Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*

余瑞婷 * 李詠芝 * 李芷銦 *

林惠賢 *

鄧冠恒 *

張嘉麟 *

李俊偉 *

發展發展總監發展經理副發展經理助理發展經理藝術行政見習員發展主任

余潔儀周美清 * 張慧芝 * 譚樂瑤莫穎哲 * 蔡杏村 *

會計會計部主管助理會計經理會計主任

鄺敬婷林英光 * 蘇永恆 *

ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer

Teresa Kwong Sunny Lam* Peter So*

人力資源及行政人力資源及行政經理人力資源及行政主任行政秘書接待員／初級秘書助理

馮紹昌簡凱彤 * 謝凱婷李美娟黃國愛

HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant

Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong

蘇寶蓮 *

Grace Lam*

Joe Tang*

Louis Cheung*

Michael Lie Ken Jie*

Conny Souw*

技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、羅瑞麟 Lo Shui-lun、曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、黃婉媚 Becky Wong、游慧姿 Janet Yau

節目時間表 Programme Calendar 歌劇戲 /曲 OPERA / CHINESE OPERA

中國國家京劇院主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》

China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance

賽馬會本地菁英創作系列：粵劇《百花亭贈劍》毛俊輝導演作品改編及導演：毛俊輝

Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao

粵劇《霸王別姬》藝術總監：尤聲普

Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po

CHCH

27/2 28/2

7:30pm 7:30pm

CCGT

2/3 3/3

7:30pm 7:30pm

APAL

2-4/3

8pm

CHCH

9-11/3

7:30pm

CCGT

15, 17/3

7:30pm

Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie

CHCH

25/2

8pm

巴．羅克樂團《聲音之旅》藝術領導及小提琴獨奏：德米特里．辛柯夫斯基

B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky

CHCH

1/3

8pm

潘尼迪爾鋼琴獨奏會

Jean-Claude Pennetier Piano Recital

CHCH

2/3

8pm

香港中樂團《劉邦．項羽．兵馬俑》指揮：閻惠昌

Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang

CCCH

3/3

8pm

愛沙尼亞之聲指揮：約翰 - 艾克．杜爾夫

Vox Clamantis Conductor: Jaan-Eik Tulve

CHCH

3/3

8pm

愛沙尼亞之聲與潘尼迪爾

Vox Clamantis and Jean-Claude Pennetier

CHCH

4/3

4pm

鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜鋼琴：潘尼迪爾小提琴：巴斯基耶大提琴：皮杜

Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux

CHCH

5/3

8pm

俄羅斯史維特蘭諾夫國家交響樂團指揮：克利斯蒂安．約菲

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi

CCCH

8-10/3

8pm

威爾斯國家歌劇院．親子音樂會

O is for OPERA! Family Concert by Welsh National Opera

CCCH

16/3

8pm

CHCH

16/3

8pm

Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting

17/3

6pm

威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯

音樂

MUSIC

《最愛中提琴》：賴沙諾夫與香港小交響樂團音樂總監及指揮：葉詠詩

西班牙之風古樂團《重拾失落在美洲的西班牙瑰寶》指揮及古鍵琴：愛德華度．盧比斯．班素

Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo

爵士樂世 / 界音樂 Jazz / WorlD MUSIC

丹麥國家交響樂團指揮：法比奧．雷西

Danish National Symphony Orchestra Conductor: Fabio Luisi

CCCH

20/3

8pm

瑞士韋爾比亞音樂節室樂團指揮：加博爾．塔卡奇 - 納吉鋼琴：張緯晴大提琴：戈蒂埃．卡普森

Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon

CHCH

23/3

8pm

愛沙尼亞國家交響樂團及愛沙尼亞國家男聲合唱團指揮：萊夫．薩格士譚

Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam

CCCH CHCH

24/3 25/3

8pm 5pm

傑思．博迪

Chris Botti

CCCH

23-24/2

8pm

爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏

Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet

HKAC-ST 3-4/3 3/3 4/3

3pm 9pm 8pm

世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲

World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar

APAA

17-18/3 18/3 18/3

8pm 3pm 5pm

瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏

Cécile McLorin Salvant and the Aaron Diehl Trio

CCCH

21-22/3

8pm

CCGT CCCH CCST

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre

CHCH CHTH APAL

香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA

Ballett Zürich - Anna Karenina Choreographer: Christian Spuck

CCGT

23-24/2 24-25/2

7:30pm 2:30pm

亞太舞蹈平台（第十屆）

Asia Pacific Dance Platform X

- 松根充和《舞得入境》

- Michikazu Matsune: Dance, if you want to enter my country! FC-FU

- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及尼克．鮑華《蚊型城市間》

- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities

23/2 24/2 13-14/3 16/3 17/3

8pm 3pm 8pm 8pm 3pm

香港賽馬會當代舞蹈平台

The Hong Kong Jockey Club Contemporary Dance Series

-《舞．聲》編舞：陳穎業、梁儉豐、盤彥燊聲音藝術家：彼得．萊納

- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts

24/2 25/2

8:15pm 3pm

-《兩地書》編舞：李超、白濰銘、潘振濠、謝欣、楊暢、楊浩、姚潔琪、張翼翔

CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang

3/3 4/3

8:15pm 3pm

-《舞鬥》編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、馬師雅、黃翠絲、張喜龍

- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang

KTT-BBT

22-25/3 24-25/3

8pm 3pm

薩卡洛娃及列賓《足尖情弦》舞者：斯文蘭娜．薩卡洛娃小提琴 : 瓦汀．列賓

Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin

CCGT

27-28/2

7:30pm

PPS 舞團《反斗校園》藝術總監及編舞：皮埃 - 保羅．薩瓦

PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie

SWCC-TH 3-4/3 4/3

KTT-BBT KTT-BBT

CCST

8pm 3pm

TheaTre

戲劇

佛蘭明高大師加凡

Israel Galván - FLA.CO.MEN

CCGT

5-6/3

7:30pm

勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》

Saburo Teshigawara | KARAS - Tristan and Isolde

CHTH

8-11/3

8pm

美國芭蕾舞劇院《芭蕾小忌廉》編舞：阿列克塞．羅曼斯基藝術總監：凱文．麥肯齊

American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie

CCGT

22-25/3 25/3

7:30pm 2:30pm

南非開普敦港口劇團《非洲少年流浪記》改編自莊尼．斯坦貝格小說導演：馬克．當福 - 梅

Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May

APAL

23-24/2 24-25/2

7:30pm 2:30pm

APA-DT

24/2 25/2

7pm 2:30pm

The Great Learning Playwright and Director: Tang Chi-kin

CHTH

24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3

National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott

APAL

8-11, 13-18/3 10-11, 17-18/3

7:30pm

Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier

CCGT

9-10/3 11/3

7:30pm 2:30pm

Claude Régy - Dream and Derangement Director: Claude Régy

CCST

9-10/3 10-11/3

8:15pm 4:30pm

奧克拉荷馬自然劇團及 EnKnap 舞團《美國獨立宣言之幸福大作戰》編劇及導演：柏維爾．利斯卡、嘉莉．古柏

Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper

CHTH

14-16/3

8pm

《中庸之幸福學堂》編劇及導演：鄧智堅

Doctrine of Happiness Playwright and Director: Tang Chi-kin

CCST

16-17, 22-24/3 18, 24-25/3

8:15pm

倫敦巡迴劇團及愛丁堡皇家蘭心劇院《祈願女之歌》編劇：埃斯庫羅斯新版本：大衛．葛利格導演：拉文．格雷

Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray

CHTH

22-24/3 24-25/3

8pm 3pm

俄羅斯國家劇院《俄羅斯平民風景》（舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯《大學之烈火青春》編劇及導演：鄧智堅英國國家劇院《深夜小狗神秘習題》原著：馬克．海登改編：西門．史提芬斯導演：瑪麗安．艾莉特七指雜技團及哥本哈根共和國劇團《博希的奇幻旅程》概念：薩穆爾．特塞雷、馬丁．迪尼路斯、安殊．博田克勞德．雷吉《夢與狂妄》導演：克勞德．雷吉

APAA APADT HKAC

香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

2:30pm

3pm

FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre

資料截至 Information as of: Oct 2017

DaNCe

舞蹈

蘇黎世芭蕾舞團《安娜．卡列妮娜》編舞：克里斯蒂安．施普克

MORE THAN GREAT PERFORMANCES!

演出以外，更多精采！

FAMILY FUN DAY 家庭同樂日

EDUCATION PROJECT 教育項目

BACKSTAGE TOUR 後台參觀

PRE-PERFORMANCE TALK 演前講座 WORKSHOP 工作坊

ARTIST SALON 藝術家沙龍

POST-PERFORMANCE MEET-THE-ARTIST 演後藝人談 MASTERCLASS 大師班

And many more...

及更多精采活動……

hk.artsfestivalplus.org

藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特備節目 SpecialS 舞蹈 DaNce 音樂

17/3/2018 23/2-25/3/18 24-25/3/2018

聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe

24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018

後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream

2,5/3/2018 15/3/2018

MUSic

2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018

歌劇／戲曲 OpeRa 戲劇 THeaTRe 電影

4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018

FilM

24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018

加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History