First Steps - 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

行政總監的話

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

香港藝術節

HONG KONG ARTS FESTIVAL

感謝 would like to thank

獨家贊助 for being the Sole Sponsor of

Jockey Club InnoArts Series

First Steps

「賽馬會創藝科媒系列」

©Luster Angle Limited

賽馬會創藝科媒系列 Jockey Club InnoArts Series

《第一步》

FIRST STEPS

10-12.03.2023

10-12.03.2023 / 8pm

11-12 03 2023 / 3pm

西九文化區自由空間大盒

The Box, Freespace, West Kowloon Cultural District

演出長約 50 分鐘，不設中場休息

Approximately 50 minutes with no interval

* 遲到者或中途離場的觀眾將不獲安排進場。

Latecomers and audience members who leave the auditorium will not be admitted

* 本節目有巨大聲響、重低音聲效、強光、閃光及煙 霧效果。

This production contains loud sound, low frequency bass vibration, strong light, strobe light and smoke effects

* 適合 12 歲或以上觀眾參與。

Recommended for ages 12 and above

封面照片 Cover Photograph

©Morgane Rocheteau

敬請關掉所有響鬧及發光裝置

Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷

This programme is printed on environmentally friendly paper

請勿擅自攝影、錄音或錄影

Unauthorised photography or recording of any kind is strictly prohibited

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point

所有作品內容均由主辦單位 / 創作團隊獨立製作，並不代表賽馬會創藝科媒系列及贊助機構之立場或意見。

All the content of works are independently produced by the organiser/creative team, and do not reflect the views or opinions of the Jockey Club InnoArts Series nor the Sponsor

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics 杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

The Mad Phoenix Collection of Raymond To’s Classics

24/2 五 Fri 米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods 8/3

Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

27/2 Mon

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

《第一步》

FIRST STEPS

委約及製作 Commissioned and Produced by 香港藝術節 Hong Kong Arts Festival

導演 Director

伯姆，又名塞繆爾‧利波爾*

Böme aka Samuel Lepoil*

演出 Performers

每一場的 24 名參與觀眾 24 participating audiences in each performance

聲音演出（英語）

Voice Talent (English)

卡麗雅‧索曼德 Claire Saumande

作曲及聲音設計 Composer and Sound Designer

尚·勒貝勒戈* Jean Le Bellego*

燈光設計 Lighting Designer

保羅·莫萬* Paolo Morvan*

製作經理 Production Manager

魏婉意 Gloria Ngai

排練助理 Rehearsal Assistant

黃翊豐 Sean Wong

聯合監製 Co-Producers

雷米．拉殊* Rémi Large*

李玨熙 Michael Lee

*食蟻獸沉浸式藝術工作室

*Tamanoir Immersive Studio

戲劇構作、廣東話改編聯合導演 Dramaturge, Adaptation and Associate Director (Cantonese version)

鄭得恩 Enoch Cheng

舞者 Dancers

程偉彬 Rex Cheng Wai-pan

何芳婷 Fonteyn Ho Fong-ting

劉柏康 Lau Pak-hong

黃譜誠 Chester Wong

余巧兒 Carmen Yu

聲音演出（廣東話） Voice Talent (Cantonese)

蔡運華 Shirley Tsoi Wan-wa

副聲音設計 Associate Sound Designer

黎智勇 Martin Lai Chi-yung

副燈光設計 Associate Lighting Designer

麥國輝 Mak Kwok-fai

舞台監督及執行舞台監督 Stage Manager and Deputy Stage Manager

范文恩 Fan Man-Yan

副編舞 Associate Choreographer

廖月敏 Sudhee Liao

音響及混音 Mixing and Sound Engineer

梁梓楹 Char Leung Chi-ying

助理舞台監督

Assistant Stage Manager

梁烯樺 Leung Hei-wa

外展計劃：文化中心展覽（ 2 月 24 日至 3 月 6 日） Outreach and Education: Exhibition at HK Cultural Centre (24 Feb – 6 Mar 2023)

聲語導航 Voice Narrator

魏灝麟（英語）、蔡運華（廣東話）

Hollis Ngai (English), Shirley Tsoi Wan-wa (Cantonese)

專訪食蟻獸沉浸式藝術工作室

Interview with Tamanoir Immersive Studio

大音希聲 觸動情感震央

Discover the Sheer Emotional Power of Audio

來自法國的劇團食蟻獸沉浸式藝術工作室的演出素來以運用虛擬實境（ VR ）等互動科技而著稱，但 劇團近來發現最強大的科技早已存在於觀眾的腦海裏，那正是他們的想像力。

French creative company Tamanoir Immersive Studio earned a reputation with experiences that utilised interactive technology such as virtual reality, but it has discovered that the most powerful technology already comes preinstalled in the minds of its audience members: the imagination.

©Luster Angle Limited

工作室由創意總監塞繆爾‧利 波爾及監製雷米‧拉殊攜手創 辦，兩人在 2021 至 2022 年上演 《生還者》期間，洞察到想像的 威力。《生還者》以消逝與回憶 為題，邀請二十至四十位參加 者佩戴耳機，根據聽到的編舞 提示、現場聲境以及自己的內 心獨白，與演出空間及周遭的 觀眾互動，擔當表演者的角色。

工作室以往的作品風格前衛， 往往糅合沉浸式劇場、舞蹈 及最新科技，並運用創新的 VR、增擴實境技術及光雕投 影創作，例如《叫我災星少 女》（ 2020 ）及《狐狸之城》 （ 2021 ），兩部製作皆透過動態 捕捉及 VR 技術築構另類的互動 空間，讓觀眾沉浸其中。

監製拉殊說：「我們在測試《生 還者》其中一個版本時，只利 用聲音元素，演出結束後，有 些參加者淚流滿面，有些則默 然不語。這些反應在我們過 往的 VR 體驗中從未出現過， 我們發現單用聲音，投入感會 更強。」

「原因很簡單： 在 VR 體驗，你 眼前所見的就是一切； 但戴上 了耳機，你所想像到的都能活 現眼前。即使是再大型的 VR 沉 浸式體驗，都不敵人的想像。 想像的力量是無窮無盡的。」 拉殊續道。

創意總監利波爾補充，VR 技術 在劇場環境內有其局限，尤其 不便參加者與彼此互動：「我們 想到棄用 VR 技術，另覓方法保 持同等的沉浸及互動程度，因

而開始利用聲音創作。正如雷 米所說，想像就是最佳的圖像 生成工具。」

利波爾擁有互動式設計及劇場 的工作經驗，拉殊則是舞者出 身，後來投身電影業，兩人於 2017 年一同創辦工作室。2022 年九月，利波爾及拉殊來港籌 備 2023 年香港藝術節的「賽馬

會創藝科媒系列」演出《第一 步》，《閱藝》趁機會與兩人訪

談。是次製作承襲《生還者》 的中心思想，但與前作明顯有 別，並邀得戲劇構作鄭得恩等 本地藝術家協力創作。觀眾購 票時會預先報名成為二十四名 參加者，並於演出時根據耳機 播放的語音指示與專業舞者在 其他觀眾面前一同演出。

利波爾說：「這次香港演出的概 念在於『第一步』。過去三年，

我們築起防線應對新型冠狀病 毒，與身邊人保持距離。我 們活在嚴密監控的環境裏，忘 卻了冒險的感覺，也疏於與彼 此傾訴心聲。因此我們想製造 機會讓觀眾在舞台上踏出第一 步，再次體會冒險的滋味。」

拉殊補充道：「我們希望參加 者在舞台上有安全感，感到自 己是當中的一分子，所以一開 始只給他們簡易的指示。隨着 參加者變得更有自信，指示也 變得更開放，容許各種演繹方 法。去到尾聲，他們可以更全 面地表達自己，整個變化是慢 慢進行的。」

撰文：Adam Wright，香港藝術節編輯。

原文刊登於香港藝術節 2023 年之《閱藝》

© Petra Greening

This revelation for Tamanoir's co-founders—creative director Samuel Lepoil and producer Rémi Large—came over the previous 12 months while the duo was presenting The Castaways, a self performance about disappearance and memory for 20-40 participants who are guided by a soundscape, internal voices and choreographic cues transmitted via an audio headset to interact with the spaces and people surrounding them.

Before then, Tamanoir had incorporated innovations such as virtual and augmented reality, and projection mapping into its cutting edge productions that lay at the intersection of immersive theatre, dance and the latest technology. For example, Call Me Calamity (2020) and City of Foxes (2021) both utilised motion capture and VR to immerse participants into their interactive, alternative worlds.

"But when we tested a prototype

of The Castaways [using audio only], we found that some people at the end were crying, some were left in complete silence," Large says. "We never saw that before with our VR experiences and we realised that sound alone is way more immersive.

"The explanation is simple. With VR, you're limited by what you can see. But with audio

headsets, the only limit is your own imagination. This way you can beat the immersion of any VR project, even the biggest ones. But you can't beat your own imagination."

Lepoil adds that Tamanoir had noticed the constraints and limits of VR in a theatre setting, particularly in the way that participants could connect with each other. "So the idea was to remove this technology but find a way to keep the same quality of immersion and interactivity. That's why we started to use sound—as Remi said, the imagination is the best graphical rendering engine available."

Tamanoir was founded in 2017 by Lepoil, who has a background in interactive design and theatre, and Large, who had a previous career as a dancer followed by work in cinema. FestMag caught up with the friendly Lepoil and Large when

©Luster Angle Limited

©Luster Angle Limited

they were in Hong Kong last September preparing for their 2023 Jockey Club InnoArts Series performances titled First Steps that are a spiritual successor to The Castaways, but with some notable differences. In the Hong Kong shows, created with the assistance of local artists including dramaturgist Enoch Cheng, audience members can register to be a participant when they purchase a ticket. They will be guided on stage by audio cues over headsets and will be joined by professional dancers while they perform in front of other audience members.

"The concept of the Hong Kong shows is about 'first steps'," Lepoil says. "We spent three years in a kind of secure environment putting up defences not only against COVID-19, but also against each other. We have lost touch with what it's like to

take risks and to be open to each other. And so we want to offer the audience, the members of the public, an opportunity to take their first steps on stage as a way to feel once again what it's like to take risks."

Large adds: "We want everyone to feel safe on stage. We want everyone to feel welcome. And so we start with really easy and simple instructions. And after that, when everyone feels more confident, we introduce more of the instructions that are more open to interpretation and people can express themselves more at the end of the experience. But it's gradually evolving during the show."

©Luster Angle Limited

Text: Adam Wright, HKAF Editor Originally published in the HKAF’s 2023 FestMag

與鄭得恩、廖月敏對話 Conversation with Enoch Cheng and Sudhee Liao

未知中伸手探步

Stepping into the unknown

來自法國的食蟻獸沉浸式藝術工作室，與擔當戲劇構作、廣東話改編聯合導演的鄭得恩、副編舞廖月 敏等香港藝術家一起創作《第一步》。這是一場結合舞蹈與沉浸式互動體驗的嶄新演出，二十四位參 與觀眾在台上，戴着耳機，聽取指令，與五位專業舞者一起展開各種動作，讓二百多個座位觀眾欣賞 一場不一樣的劇場演出。

Together with Tamanoir Immersive Studio, Hong Kong artists Enoch Cheng and Sudhee Liao have created First Steps, a seminal performance that combines dance with an interactive immersive experience. Presented by Cheng as Dramaturge, Adapter and Associate Director (Cantonese version) and Sudhee Liao as Associate Choreographer, First Steps invites 24 participating audience members to join five professional dancers on stage and share something quite remarkable. The participants are asked to put on headphones and unfurl into a series of movements as they follow audio instructions, while the 200 spectating audience members remain in their seats and watch the performance unfold.

真實的情緒

對本地受眾以至參與者而言， 是名副其實的「第一步」，也是 一場跨地域合作，當中的文化 差異、語言不同、操作困難、 素人參與、期待落差等等， 構成演出難度之大，可想而 知，鄭得恩不得不承認：「超大 挑戰！」

這當然不是一般的素人演出。

鄭得恩解釋：「坊間的素人演 出，無論有多『素』，他們也有 一定程度的訓練，然後上台， 他們知道自己要做甚麼，而且 願意，即使被邀請，但擁有主 動權。」但《第一步》的參與觀 眾，則是買票進場，他們不知 道自己將會接受甚麼、做些甚 麼，「就像買了票去主題樂園， 然而卻不知道這是否一個『樂 園』。」所以參與者的情緒、身 體是真實的，無論演出好不好 看，都是真實的，「就算我們

假設失敗，他們的反應都是真 實的。」

與鄭得恩合作多年的廖月敏， 笑言最初接觸這個項目時，覺 得很特別，概念有趣，「這不 是一般的舞蹈演出，更像是身 體移動，有自發性的成份，較 感受性、體驗性。觀眾不僅可 以參與，也可作座上客。」正

因為項目有趣、具挑戰性，吸 引她參與其中。廖月敏於新加 坡出生及成長，早年來港修讀 香港演藝學院現代舞系，至今 居港逾十年，擁有多元文化及 成長背景。於兩地合作的《第 一步》擔當副編舞，她的工作 便是宏觀整個畫面，處理和調 動專業舞者和二十四位參與觀 眾的身體動作等細節，就連音 樂、燈光，都要兼顧，「我首 先不會稱之為『跳舞』，事實 上舞蹈的定義很模糊，『行行企 企』算不算？轉兩、三圈才算

是？」所以參與觀眾不必擔心 懂不懂跳舞，「男女老少都做 得到。」

鄭得恩是一位多媒介藝術家， 創作範疇涉獵流動影像、裝 置、舞蹈、劇場、策展、表演 及活動等等，這次參與《第一 步》的創作，他首先要做大量 資料搜集、文本分析等工夫， 然後提煉精粹和動機，並設計 一個讓大家溝通的框架，互 相聆聽。

他另一重要工作，是把來自法 文指令的英文翻譯及改編至中 文，加以潤飾，讓參與者聆聽 指示後作反應。儘管他早年 獲倫敦大學金匠學院創意書寫 碩士，對語言、語感等觸覺敏 銳，但談到指令的傳達，亦苦 笑說甚有難度，他們會做到清 晰，但這跟精準不一樣，「譬 如『舉手』，如果大家舉手的高

度不協調，那會不會好看？但 換另一角度去看，如果一切協 調，都可以很難看。另外，怎 樣令他們接受指令，但不是一 個『機械人』？」至於參與者 會否來不及去聽、理解不了內 容，甚至拒絕做出動作？這些 全是他們需要處理的事情。「的 確有許多不確定性，所以每場 演出都不同。」

但廖月敏強調，這場演出之美 麗，就是這些「不確定性」， 而作為座位觀眾，能夠旁觀不 同參與者的個性，也很有趣， 「看到參與者踏出第一步，彷彿 看着他們成長，會很為他們驕 傲。」鄭得恩說，《第一步》是 一場很純粹的劇場體驗，令參 與者知道身體是屬於自己的， 而且可以動起來，「就算失敗， 至少這是屬於你自己的經驗。」

撰文：黃子翔

©Luster Angle Limited

In terms of authenticity

The inventiveness of the show might make it a literal “first step” for both the participants and the local audience alike. The involvement of nonprofessional dancers, possible technical difficulties, as well as differences in culture, language and expectations, are among the many challenges this transregional collaboration has faced. “It’s quite an effort,” admits Cheng.

Guaranteed, First Steps is not like any other performance by non-professional dancers. “Most of the regular people we see in performances today are more or less trained before going on stage. They know what they are doing and are proactive. They all have the right to initiate even if

invited.” In contrast, the people on stage in First Steps could be anyone who bought a ticket to the show. They have no idea what they will be dealing with or what they will have to do. “It’s like getting a ticket to a theme park, but not knowing if it has the thrills you’re looking for.” Whether the performance turns out to be a success or not, all participants will emote and move in real time. “Even if all our presumptions fail, we will have elicited real reactions.”

Liao, Cheng’s long-time collaborator, took an immediate interest in the project, believing that it felt special from the start.

“First Steps is not a regular dance performance, but involves more self-initiative body movements. It’s more sensual and immersive

than others, as audience members are both participants and spectators.” The challenges and inventiveness of the project were both interesting to Liao, a contemporary dance graduate from The Hong Kong Academy for the Performing Arts who is originally from Singapore but has been based in Hong Kong for more than 10 years. In First Steps, Liao is tasked with arranging movements for both the dancers and the participating audience, while keeping in mind the entirety of the miseen-scène, as well as music and lighting arrangements. “For one, I wouldn’t call it ‘dancing’,” Liao says. “It’s still unclear what constitutes ‘dance’. Is pacing around considered dancing? Or does it take a few more spins

©Luster Angle Limited

before it becomes a dance’?” She sees no need for the audience to be concerned if they don’t have any experience with the medium, since the choreography is designed for everyone of all ages and genders.

As a multimedia artist, Cheng’s practice involves moving images, installation, dance, theatre and curation, performance, among others. He laid the groundwork for First Steps by diving into an avalanche of research material and textual analysis, extracting from there the essence and motives embedded in the concept and weaving together a framework through which every party involved could communicate.

To ensure that the participants immediately understand the instructions and respond appropriately during the performances, Cheng is also responsible for translating and polishing the English or Chinese content that originates from French. Cheng may have completed his Master’s degree in Creative Writing at Goldsmiths, University of London, but he has still encountered challenges in trying to effectively deliver the instructions. Clarity, he says, might not always mean accuracy. “Take ‘raising hands’ as an example. If the raised hands are not levelled, will it still look presentable? Too much coordination might not work either. How participants will be able to act out the instructions naturally is something we also gave a

lot of thought to.” There are countless scenarios to consider, such as whether participants fail to grasp the situation fast enough, or even go so far as to refuse to act according to the instructions. “We do face a lot of uncertainties,” said Cheng. “Every performance will be one of a kind.”

But Liao emphasises that these “uncertainties” are what make the performance beautiful. To her, the event will also be intriguing from the spectators’ point of view, since they will be able to identify varying personalities among the participants. “To witness them taking a first step is to see them grow,” said Cheng. He sees First Steps as a pure theatre experience, one that allows participants to become more aware of their command over their own bodies through various movements. “Even if they fail, the experience is theirs and theirs only.”

《第一步》創作軌跡

The First Steps Creative Timeline

法國團隊抵港前準備工作

1. 邀請三十名香港觀眾測試及檢討

2. 法國團隊修改文本

3. 與香港舞者排練及舉行工作坊

4. 英語旁白錄音

5. 調整句子節奏及指令時長

6. 製作廿四條不同聲軌

7. 混音及置入音訊裝置

8. 重複步驟 1 至 7 製作第二至四稿

9. 英語文本接近完成

10. 廣東話版本改篇開始

11. 圍讀

12. 廣東話版本錄音

13. 以英文版為藍本製作聲軌

14. 混音及置入音訊裝置

15. 邀請三十名香港觀眾進行測試

16. 討論及檢討

17. 因應英語最終版本調整廣東話文本

18. 以最終文本修改音樂、燈光、投影及舞蹈

19. 3 月 10 至 12 日於西九自由空間正式演出（ 5 場）

20. 每場 24 名，共 120 名參與觀眾與五名專業舞者共 同演出

French team conducts preparation work before arriving in Hong Kong

First draft of script written in French Script tested and evaluated with French audience Script edited and translated into English

French team arrives in Hong Kong

1. Hong Kong audience invited for testing and evaluation

2. Script edited by French artists

3. Dance workshop and rehearsal with local dancers

4. English voice recording

5. Audio rhythm and timing adjusted

6. Two dozen individual soundtracks produced

7. Soundtracks mixed and loaded into the 24 audio devices

8. Steps 1-7 repeated to create second, third and fourth drafts

9. English script approaches final version

10. Cantonese adaptation begins

11. Script reading

12. Cantonese voice recording

13. Two dozen individual soundtracks based on English version created

14. Soundtracks mixed and loaded into the 24 audio devices

15. Thirty Hong Kong audience members invited fora testing and evaluation

16. Discussion and evaluation

17. Adjustment of Cantonese script based on final English version

18. Music, lighting, projections and choreography adjusted according to final script

19. Performances from March 10-12 at Freespace, WKCD (five performances)

20. Performances feature 24 participating audience members per show; 120 participating audience members perform in total with five professional dancers on stage

藝術節以錄像記錄這次製作的創作過程及幕後花絮，紀錄 片將在 2023 年 5 月上載至 HKAF Digital 供大眾觀賞。

藝術節衷心感謝所有前來測試及提供意見的參與者

The Hong Kong Arts Festival is preparing a short documentary on the creative process with behind-the-scenes footage from this production. The documentary will be uploaded to HKAF Digital for public viewing in May 2023.

The HKAF sincerely thanks all testing participants for their participation and feedback

食蟻獸沉浸式藝術工作室

Tamanoir Immersive Studio

來自法國巴黎的創作單位食蟻 獸沉浸式藝術工作室利用沉浸

式技術，創建現場表演藝術新 形態。工作室由雷米．拉殊和 塞繆爾‧利波爾於 2017 年創 立，其願景乃探索個體與其身

體的關係，再擴展至他者，建 立人與人的聯繫。繼驚艷威尼

斯雙年展、康城 XR 和巴黎新影 像後，他們目前專注為香港藝

術節或巴黎歌劇院等創作大型 沉浸式表演。

「連接」和「重新連接」這兩個

詞可以定義食蟻獸每一場演出 體驗。他們利用科技，給予參 與者時間和空間切身感受，探 索表演為情感及官能帶來的衝

擊。當中雖用上科技，手法卻 是隱藏。為此，他們設定工作 流程，流程幫助他們營造富親 密感，讓人感覺切實在場，彼 此緊靠的體驗。

食蟻獸創造的演出體驗可謂與 公眾共同編寫。每項創作從一 開始就經測試，以便理解公眾 對作品的反應。食蟻獸的創作 人試圖觀察參與者各方面的互 動細節，然後加以推進。食蟻 獸希望整個演出體驗是源於集 體意識，而非只是個獨斷獨行 的表演。

未來，食蟻獸力求創作更多公 眾參與式演出，一起顛覆固有 演出體驗。通過自我變革及藝 術創作，實現建構永久場地和 設計公眾活動的願景。

Tamanoir Immersive Studio is a French creative company based in Paris using immersive technology to challenge the worldwide live art scene. It was founded in 2017 by Remi Large and Samuel Lepoil, with the aim of connecting people to their bodies and to each other. After success at the Venice Biennale, Cannes XR and the Paris New Image Festival, Tamanoir is currently focusing on creating large scale immersive shows for prestigious institutions such as the Hong Kong Arts Festival and Paris Opera.

“Connect” and “reconnect” are two words that define every Tamanoir experience. It uses technology, often in invisible ways, to offer a time and a space for participants to engage in deep emotional and sensorial exploration. For that purpose, it has created a workflow that helps provide experiences with presence, intimacy and togetherness as their main themes.

Experiences at Tamanoir are cowritten with the public. Every creation is tested from the outset to help Tamanoir understand how the public interacts with it and enable the company to push it even further. In this way, Tamanoir Immersive Studio hopes to offer experiences that are not created by one individual mind, but by our collective consciousness.

In the future, Tamanoir hopes to create more participative and

transformative experiences to lay the foundation for permanent places and public events dedicated to self transformation through movement and art.

編創人員簡介 Creative Team Profiles

伯姆是一位居住在巴黎的互動 藝術家。他着力在演出體驗中 突破互動極限，探索各種姿勢 和情感之間的聯繫。

他在法國戈布蘭及索邦大學修 讀互動設計，並在樂寇戲劇學 校學習戲劇後，開始創作沉浸 式虛擬現實戲劇表演，如《叫 我災星少女》（獲康城虛擬實

境大獎）。伯姆逐漸從他的作 品移除科技，專注於身體和思

想之互動，而不是只顧操控按 鍵和屏幕。他因而創作出「自 動表演」，所有參與者都按照 提示走動和說話。

Böme aka Samuel Lepoil

導演 Director

「自動表演」的參與者無須事前 準備，他們會收到各式走動和 說話提示，可能是音頻、智能 電話或各類設備紙張。這種創 作模式帶觀眾進入說故事的新 時代。本是觀眾的參與者不是 來聽或看，他們參與其中，成 為創作者一員。藝術家的角色 只是為他們提供框架。

《第一步》採用的就是這種集體 創作的「自動表演」模式。

Böme, aka Samuel Lepoil, is an interactive artist based in Paris. He is dedicated to exploring the connections between gestures and emotions through experiences that push the limits of interactivity.

After studying both interactive design at Gobelins and The Sorbonne, and theatre at Lecoq, Böme started creating immersive theatre shows in VR, including Call Me Calamity (which won the VR award at Cannes). Progressively removing technology from his work, Böme focuses on interactions between bodies and mind, and not just with buttons and screens. To do that, he creates performances, known as “auto-performances”, in which all participants move and talk while following prompts.

An auto-performance is made up of unprepared participants and choreographed with prompts that can be delivered over audio, smartphone, paper or any other device. It foreshadows a new era of storytelling, in which the participant is not there to listen or watch, but is the main creator of the piece. The artist only provides the framework for them to do so.

First Steps is part of a collection of creations using this format of auto- performances as their common ground.

鄭得恩 Enoch Cheng

戲劇構作、廣東話改編聯合導演 Dramaturge, Adaptation and Associate Director (Cantonese version)

跨媒界藝術家，所使用的媒界 包括流動影像、裝置、策展、 舞蹈、劇場、表演、活動、寫 作、時裝及教育。作品探討不 同領域及傳統的界限及互相聯 繫之處，關注命題包括歸宿、 旅程、關懷、跨文化歷史、虛 構、記憶、時間、絕種及流散。

近年作品包括香港藝術中 心《好奇害死貓》（ 2021，與 李沛妍合作）、紐約藝術設計 博物館《 Handle with Care 》 （ 2022 ）、香港大會堂《將來留 座》(2022)、媒體藝術節「機緣 都會」《黛玉形成》（ 2023 ）。

他是倫敦大學金匠學院創意書 寫碩士，曾為亞洲文化協會獎 助得主（ 2020 ），曾任世界各 地不同藝術機構駐場藝術家： 美國自然史博物館（ 2020 ）、 德國諾伊斯霍姆布洛伊島基金 會（ 2019 ）及法國巴黎西帖國 際藝術中心（ 2018 ），以及德

國斯圖嘉特孤獨城堡基金會的 藝術家學人（ 2017–2018 ）。

Cross-disciplinary artist Enoch Cheng explores recurrent themes of belonging, cross-cultural history, memory, migration and extinction through moving image, installation, dance, theatre and performance.

His recent performances include Curiosity Kills the Cat (with Li Pui-yan, 2021, Hong Kong Arts Centre), Handle with Care (2022, Museum of Arts and Design, New York), TO ARRIVE (2022, Hong Kong City Hall) and Remembering the Red Chamber (2023, West Kowloon Cultural District's media arts festival SerendiCity).

In 2020, Cheng was awarded the Asian Cultural Council Fellowship and was artist-in-residence at the American Museum of Natural History, New York. Cheng has also been artist-in-residence at the Museum Insel Hombroich, Neuss (2019), Laureate at the Institut Francais, Paris (2018), and artist-fellow at Akademie Schloss Solitude, Stuttgart (2017–2018).

廖月敏畢業於香港演藝學院， 獲得藝術學士學位，主修當代 舞蹈。她具豐富舞蹈員經驗， 經常與不同的國際編舞家合 作，曾在不同國際舞蹈節及於 劇院、畫廊和場域特定空間的 演出中表演。

廖月敏近期的編舞作品包括： 在聲形 2022 演出的《故障》；

西九文化區的城市當代舞蹈節 首演作品《 Simulacra 》； 香港 舞蹈聯盟的網上劇目，並於 Nowness Asia 放映《聯動》；在 2021 年新加坡藝術週，並於上 海當代藝術博物館和香港大館 演出的《即時上演： 迷感》； 以 及與視覺藝術家陸浩明合作， 分別於 2017 年和 2018 年的香港 藝術節首演的《壓‧觸感》和 《煉金》。

廖月敏與廖捷凱共同執導的電 影《徊影》，在 2020 年新加坡 國際電影節首映，並於 2021 年 法國真實電影節、2021 年鹿特 丹國際電影節、2021 年巴塞隆 拿亞洲電影節、2021 年 30 70 紀錄片節和 2021 年跳格國際

舞蹈影像節公映。她現為獨 立舞蹈藝術家、編舞家和舞蹈 教育者。

Sudhee Liao graduated from The Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts majoring in Contemporary Dance. She has wide-ranging experience as a dancer, having worked extensively with a range of international choreographers. She has performed in international dance festivals and

various productions across a range of theatres, galleries and site-specific spaces.

Her recent works as a choreographer include Glitch, which was performed at Soundforms 2022; Simulacra, which premiered at the CCDC Contemporary Dance Festival, West Kowloon; Interconnectivity, an online programme for Hong Kong Dance Alliance and featured on Nowness Asia; Going live: dancing with enigmatic perception, shown during Singapore Art Week 2021, at the Shanghai Power Station of Art and Tai Kwun, Hong Kong; and Haptic Compression and Hermetic Diode, a collaborative piece with visual artist Andrew Luk which premiered at the Hong Kong Art Festival in 2017 and 2018 respectively.

Liao also co-directed the film Faraway My Shadow Wandered with Liao Jiekai, and it premiered at the Singapore International Film Festival 2020, Cinema du reel 2021, International Film Festival Rotterdam 2021, Asian Film Festival Barcelona 2021, 30_70 Doc Fest 2021 and Jumping Frames 2021. She is currently an independent dance artist, choreographer and dance educator.

廖月敏

Sudhee Liao

副編舞

Associate Choreographer

尚·勒貝勒戈

Jean Le Bellego

食蟻獸沉浸式藝術工作室作曲及音 響設計 Composer and Sound Designer, Tamanoir Immersive Studio

尚·勒貝勒戈是一位創新的法 國作曲家，他視聲音為創造真 實和想像空間的方式。

他年少時是鋼琴家和音樂家， 往後他繼續音頻電子學研究， 並獲得音效設計碩士學位。學 術成就引領他考究聲波，細思 其技術及讓我們舞動的能力。

他因而對創作互動音樂和身臨 其境的聲效產生濃厚興趣。

他尋求嶄新的音樂和身體交流 方式，創作跟隨動作變化的 聲效，聆聽參與者，並以音 樂回應。

他的遠見使他利用豐富紋理的 聲音場景，創造自家音樂身 份。這位身臨其境聲效開拓 者，努力突破此新領域的極 限，並推動參與觀眾成為音樂 作品的核心。

Jean Le Bellego is a groundbreaking French composer who

sees sound as a way to create new spaces, real and imaginary.

A pianist and musician since his youth, he decided to continue his studies in audio electronics with a Master's degree in Sound Design. This path led him to study sound waves, both their technical nature and their capacity to move us.

It was through these studies that he developed a deep interest in the composition of interactive music and immersive sounds. He is looking to change the way music and bodies talk to each other, creating sound that follows movements, and music that listens and reacts to the participants.

His vision led him to create a musical identity based on rich sonic constructions of textures and materials. As a trailblazer in immersive sound, he is trying to push the limits in this new area and encourage participants to be at the centre of the musical composition.

孖田（黎智勇）

Martin Lai Chi-yung

畢業於香港演藝學院，主修音 響設計及音樂錄音。在學期 間曾兩度獲頒成龍獎學基金， 畢業後曾於香港電台擔任錄音 師，現為香港作曲家及作詞家 協會會員。黎智勇憑中英劇 團《復仇者傳聞之驚天諜變反 擊戰》一劇獲香港戲劇協會頒 發第 25 屆香港舞台劇獎「最佳 音響設計」及「最佳配樂（提 名）」。

2010 年曾為香港電台 7.1 聲道廣 播劇《毒戒》作音響設計及混 音，獲紐約廣告節頒發「工藝 與技術—最佳剪接」獎，2018 年為電影《非同凡響》配樂。 於近年擔任香港藝術節的大會 音響工程師。2005 年成立公司 Marsical Label 從事音樂、音響 及錄像等製作，並於香港演藝 學院及香港教育大學任兼職導 師，近年參與有關藝術科技的 研究及演出。

Martin Lai graduated from The Hong Kong Academy for Performing Arts, majoring in Sound Design and Music Recording. While studying at the Academy, he received the award for Best Sound Operator and was the recipient of the Jackie Chan scholarship. After graduation, Lai worked at Radio Television Hong Kong as a sound engineer.

In 2010, he worked as a sound engineer for the 7.1-channel surround-sound radio drama The Curse, and received the awards for Craft and Technique and Best Editing at the New York Festivals Awards in 2011. In 2016, he received the award for Best Sound Design from the Hong Kong Federation of Drama Societies. He is a member of the Composers and Authors Society of Hong Kong and an active sound designer and music composer in various performing arts fields. Lai was involved in the film score for the 2018 Hong Kong film Distinction. He established the Marsical Label to provide quality services in sound, music and video productions in 2005 and now works as a parttime tutor at the HKAPA.

梁梓楹

-ying

畢業於香港演藝學院舞台及科 藝製作系，主修音響設計。設 計以外，在學時曾策劃及監製 《穗 2 0 》； 近期音響設計作品包 括《神奇的秘密日記》、《孤伶 伶遇上幸運星》、《露宿的愛》； 展覽《倘若時間也沒法為你的 愛作證》等。她亦曾於多個演 出擔任現場演奏。

Char Leung graduated from The Hong Kong Academy for Performing Arts’ Department of Media Design and Technology, majoring in Sound Design. While at school, she planned and produced Meal Ticket 2.0 along with other design projects. Her recent theatre works include Secret of the Mystical Diary, When Lonely Meets Lucky and Stardust Alley, and exhibitions including The Invalid Evidence of Love. She has also been a live performer in numerous stage productions.

保羅·莫萬

Paolo Morvan

燈光設計 Lighting Designer

保羅·莫萬是一位法國舞台設 計師，創作建基於夜店場景設 計、電子音樂和數碼藝術。他 發掘黑暗隱約環境的可塑性， 思考空間、身體、光線和音樂 之間的聯繫。

這種跨界混合的場景設計方 式，使他不斷拓寬創作界線， 介入更多。項目從構思到執 行，整個過程都由他負責監 督。他認為每次藝術介入，都 能增強連貫性，建構更廣闊強 大的藝術世界。他果斷革新， 探索各式物料和技術，以求為 作品脈絡呈現最佳效果。

他曾與活動策劃行業、現場 表演和音樂錄像的創作單位合 作。他正開發自家藝術項目， 採用獨特手法調節燈光和空間。

Paolo Morvan is a French scenographer rooted in the nocturnal universe of clubs, electronic music and digital arts. He develops dark and subtle environments, questioning the links between space, body, light and music.

This hybrid approach to

Char Leung Chi

音響及混音 Mixing and Sound Engineer

scenography has led him to constantly expand his fields of intervention, while taking charge of each project from its conception to its construction. He sees each intervention as an opportunity to develop a strong and coherent universe, not hesitating to vary and explore different materials and techniques in order to best suit the creative context.

Working with various collaborators from the events industry, live performance and music videos, he is now developing his own artistic projects with a singular approach to light and space.

先後畢業於香港演藝學院和澳 洲昆士蘭科技大學。2000 至 2018 年期間回母校香港演藝 學院任識舞台燈光講師，多年 來和各地商業及文化演藝單位 合作，並參與商場、商廈和表 演場地燈光系統設計和顧問工 作。憑香港芭蕾舞團《神人暢》 和《春之祭》分別入圍 2017 和 2020 年香港舞蹈年奬「最佳視 覺效果」。近作有新加坡華文藝 術節《 Tri 家仔》和香港藝術節 《超真實》裝置音樂會。

Mak Kwok-fai graduated from The Hong Kong Academy for Performing Arts and the Queensland University of Technology. He worked at his alma mater the HKAPA as a lecturer in lighting from 200018, and has collaborated with different performing units in the commercial and cultural sectors in various cities and participated in the design and consultancy for lighting systems

at shopping malls, buildings and performance venues. His work with Shenren Chang, Harmony between Gods and Men and Rite of Spring for the Hong Kong Ballet, was nominated for Best Visual Effects at the 2017 and 2020 Hong Kong Dance Awards. His recent works includes Tri Ka Tsai (the Huayi Festival of Art, Singapore) and Hyperreality (the Hong Kong Arts Festival).

麥國輝

Mak Kwok-fai 副燈光設計 Associate Lighting Designer

舞者 Dancers 程偉彬

Rex Cheng Wai-pan

舞者

Dancer

獲香港演藝學院頒發獎學金修 讀編舞碩士及中國舞系學士畢 業。畢業後旋即成為香港動藝 舞蹈團註團舞者現為演藝學院 客席導師、獨立編舞、舞者及 太極/瑜伽/普拉提遵師及考獲 中國武術段位制二段。

近年舞蹈演出作品包括李思颺 《見習人類》及黃大徽《春之 祭》等，他過去數年亦發表其 個人編舞作品，包括《庖丁》、

《獨 ‧蝸》、《兩生》及與台灣嵬

舞劇場於 2018 年 10 月高雄首演 的合編作品《原點》。其作品 《獨‧蝸》更榮獲 2018 年香港舞 蹈年獎傑出小型場地舞蹈製作。

程偉彬亦積極參與海外的交流 活動，包括世界舞蹈聯盟高峰 會中教授「太極之養生功用工 作坊」、獲 Scottish Ballet 邀請 教授中國當代舞蹈工作坊及隨 香港藝術發展局參加首爾表演 藝術博覽會等。

Rex Cheng graduated from The Hong Kong Academy for Performing Arts with a Bachelor’s degree majoring in Chinese Dance and a Master’s degree in Choreography (with a HKAPA local scholarship). He joined DanceArt HK as full-time dancer after graduation. Currently, he works as a part-time teacher at the HKAPA, a freelance dance artist and choreographer, and a tai chi, yoga and Pilates tutor. He started to learn tai chi and Choy Li Fut at the age of 10, and has been the champion at various traditional wushu and tai chi competitions. He also acquired a Level Two certificate in the Wushu Duan Wei System.

In recent years, he has presented numerous choreography works and his masterpiece Solitary was named the 2018 Outstanding Small Venue Production at the Hong Kong Dance Awards.

Cheng is also involved in cultural arts exchange programmes, and has conducted a masterclass at the World Dance Alliance Global Summit in Canada and a contemporary Chinese dance workshop for the Scottish Ballet, as well as taking part in a visiting artists group at the Performance Arts Market in Seoul sponsored by Hong Kong Arts Development Council.

何芳婷

Fonteyn Ho Fong-ting

舞者

Dancer

何芳婷畢業於香港演藝學院 （榮譽）學士學位，主修現代 舞，副修編舞。六歲開始學習 中國舞，並且學習拉丁舞、街 舞以及佛朗明哥舞。 她更獲得 2020/21 年度當代舞蹈學院獎 學金。

在學期間，她與許多新興藝術 家合作，並參與了不少的舞蹈 表演。曾合作的編舞包括 Marso Riviere（法國）、 Christina Mertzani （希臘）、 Raewyn Hill（澳大利 亞）、Jaime Redfern（澳大利亞）、 John Utans（澳大利亞）、Richard Causer（澳大利亞）、黃狄文（香 港）、李咏靜（香港）、 曾景輝 （香港）、 陳紹傑（香港）。

在香港，何芳婷曾與城市當代 舞蹈團、TS Crew 和東邊舞蹈 團合作。 她是一位拉丁舞老 師，對駕馭各種舞蹈風格富有 經驗，是一位靈活多變的表演 者。她正致力發展自己獨一 無二的風格，同時專注於現代

Fonteyn Ho Fong-ting graduated from The Hong Kong Academy for Performing Arts, majoring in Contemporary Dance and a second major in Choreography. She was a recipient of the Contemporary Dance Faculty Scholarship 2020-21. During her time at the academy, she worked with a number of emerging artists and performed in a wide range of dance performances. She has worked alongside choreographers including Marso Riviere (France), Christina Mertzani (Greece), Raewyn Hill (Australia), Jaime Redfern (Australia), John Utans (Australia), Richard Causer (Australia), Dominic Wong (Hong Kong), Li Yong-jing (Hong Kong), Terry Tsang (Hong Kong) and Billy Chan (Hong Kong).

In Hong Kong, she has worked with the City Contemporary Dance Company, TS Crew and the E-Side Dance Company. Ho is also a Latin dance teacher with experience in various styles of dance that enable her to be a flexible performer who’s developing her own unique style. She is now focusing on contemporary dance and aims to bring a positive message to society through her artistry.

劉柏康是一名自由身舞者，

系畢業。他曾與不同藝術家 和團體合作包括 TS Crew、 多空間、Folded Paper Dance and Theatre、東邊舞蹈團、新 約舞流、誇啦啦藝術集匯、 Make a Move Collective 、 MichaelDouglas Collective 及 Kammeroper Köln。

他曾以合唱歌手身份參與香港 歌劇院及香港管弦樂團的合唱 和歌劇製作。他亦曾在香港小 童群益會及新生會擔任導師。 劉柏康是會計師，POLESTAR® Pilates Mattress 教練並擁有物 理學學士和碩士學位。

Lau Pak-hong is a freelance dance artist who graduated from the Cologne University of Music and Dance, majoring in Contemporary Dance. He has collaborated with different artists and ensembles including TS Crew, Y-Space, Folded Paper

Dance and Theatre, the E-Side Dance Company, Passover Dance, Absolutely Fabulous Theatre Connection, Make a Move Collective, MichaelDouglas Kollektiv and Kammeroper Köln.

Lau has participated as a chorus member in various productions with Opera Hong Kong and the Hong Kong Philharmonic Orchestra. He has also taught at organisations including The Boys’ and Girls’ Club Association and the New Life Psychiatric Rehabilitation Association to share his movement philosophy and somatic practices. He is an accountant, a certified Polestar Pilates Mattress trainer and holds Bachelor’s and Master’s degrees in Physics.

舞，旨在透過藝術向社會傳達 積極訊息。

在科隆音樂和舞蹈大學舞蹈

畢業於香港演藝學院戲劇學 院，主修表演。

主要參與作品包括:香港藝術 節青少年之友《都市浪漫歌廳》 （導演）、新視野藝術節《告不 可報》、香港話劇劇《言說之 外》（聯合編導/演出）、香港 藝術節 X 上海話劇中心《烏合 之眾》（現場演奏）等。

現為榞劇場全日制全方位戲劇 證書課程演技及形體導師，自

Chester Wong graduated from The Hong Kong Academy for Performing Arts’ School of Drama, majoring in Acting. He has worked as a full-time actor for the Hong Kong Repertory Theatre and Atelier Theatre Hong Kong. Wong is currently a freelance theatre artist also teaching acting and movement in the Radix Troupe.

Wong’s recent works include Romantic Cabaret for the Young Friends of the Hong Kong Arts Festival; Report ii : the illegal i at the Hong Kong New Vision Festival (as cowriter and performer); The Void by the Hong Kong Repertory Theatre (as co-writer, director and performer); Living up to HER by The Mills (as performer); Report I by Jockey Club New Arts Power (as performer); We are Now SIX by Zuni Icosahedron (as performer); The Crowd by the Hong Kong Arts Festival x Shanghai Dramatic Art Centre (as composer and pianist); Time x V by Radix Troupe (as director) ; Dest. by Radix Troupe (as director) and more.

Instagram : chetwps

由身劇場工作者。

自由身舞蹈藝術工作者，畢業 於香港演藝學院當代舞系。 曾參與創作包括城市當代舞蹈 團合家歡當代舞蹈劇場《 Ben sir 百舞感忌卜卜齋》、《 Ivana X Serrini Fairy Nice to Meet You Live 2022 》、小龍鳯舞蹈 劇場社區文化大使 2022《城市 漫遊步行演出—城市漫舞》、 《 Dansations 舞聲舞息》IV 階 段呈現（澳門）、西九文化區 梅田宏明《在與不在》和《密不 可分》、鄧樹榮戲劇工作室《哈 姆雷特》、舞蹈劇場《當打之 年》及《賞味期限》（於內地巡 演）、《 HINS LIVE IN HONG KONG THE NEXT 20 張敬軒演 唱會》、小息跨媒介創作室《未 來表演實驗室#1 》、多空間 《四圍跳——元朗舞蹈自由行》、 一舖清唱《阿飛正轉》（任導演 助理）、香港舞蹈聯盟《舞蹈 新鮮人系列 2021 》、東邊舞蹈 團《圍一》、香港藝術節賽馬會 當代舞蹈平台《沒有大象》（曾 於內地巡演）、流白之間《 4 分 33 秒》、舞青 DNA2019《玩下 啫！》、不貧窮藝術節 2019《記 憶方糖》（曾於台灣恆春演出和 交流）。

Carmen Yu is a freelance dance artist who graduated from The Hong Kong Academy for Performing Arts with a degree in Contemporary Dance. Her recent works include City Contemporary Dance Company’s Ben Sir’s Dancing Academy—from taboo to BENboo, Ivana X Serrini Fairy Nice to Meet You Live 2022, the Siu Lung Fung Dance Theatre’s Community Cultural Ambassador 2022 City Ramble and Dance, the Macau Ieng Chi Dance Association’s Dansations IV incubation project (work in progress presentation); Exist, or not by the West Kowloon Cultural District Phygital D; MW Dance Theatre’s The Formidable Year and Shelf Life (mainland China tour); The Next 20 Hins Live in Hong Kong 2022; Littlebreath Creative Workshop’s Future Performing Arts Lab #1; Y-Space’s Dancing All Around Yuen Long; Yat Po Singers’ Pica Pica Choose (as director’s assistant); the Hong Kong Dance Alliance’s New Force in Motion series 2021; the E-Side Dance Company’s Duality; The Hong Kong Jockey Club Contemporary Dance Series’ Elephant in the Room; Blank Space Studio’s 4’33”; CCDC’s WuQing DNA 2019: Play What!; and Let’s Be Together Arts Festival 2019’s Memory of Sugar (which later toured to Hengchun, Taiwan).

卡麗雅．索曼德

Claire Saumande

聲音演出（英語）

Voice Talent (English)

卡麗雅．索曼德畢業於巴黎索 邦大學，獲法語及比較文學碩 士學位，以及巴黎佐治比才音 樂學院戲劇研究證書。她曾在 巴黎水族劇場、巴黎國立高等 美術學院等地演出，所參與的 中、短篇電影獲多個藝術節獎 項。其藝術實踐不拘一格， 涉獵範疇豐富，包括導演、表 演、編劇、攝影、廣播及沉浸 式劇場。

Claire Saumande graduated from the Sorbonne with a Master's degree in French and Comparative Literature and a certificate in Theatrical Studies from the Georges Bizet Conservatory in Paris. She has performed on the stage of the Théâtre de l'Aquarium and at the Beaux-Arts de Paris, as well as in short and medium-length films that have won awards at several festivals. Her artistic practice is transversal and also touches on directing, performance,

scriptwriting, photography, radio podcasts and immersive theatre.

at the 2010 Hong Kong Theatre Libre for Oleanna (2009), and as Best Actress (Comedy/ Farce) at the 2014 Hong Kong Drama Awards for The Golden Dragon (2013).

Tsoi is an actress, MC, dubbing artist, accredited mediator and former host of Mark Six.

蔡運華

Shirley Tsoi Wan-wa 聲音演出（廣東話）

Voice Talent (Cantonese)

2013 年香港藝術發展獎「藝術 新秀獎（戲劇）」得主。蔡運 華畢業於香港中文大學新聞與 傳播學院，於 2004 年冬天投 身劇場工作，成為職業演員。

2014 年憑《金龍》提名第 23 屆 舞台劇獎最佳女主角，憑《奧 利安娜》提名第二屆香港小劇 場獎最佳女主角。

她曾任香港賽馬會六合彩主 持。現為演員、主持、配音員 及認可綜合調解員。

Shirley Tsoi embarked on a career in the theatre in 2004 after graduating from the School of Journalism and Communication at the Chinese University of Hong Kong. She received the award for Young Artist (Drama) at the 2013 Hong Kong Arts Development Awards. She was also nominated as Best Actress

製作人員簡介 Production Team Profiles

魏婉意

Gloria Ngai

製作經理 Production Manager

劇場工作者魏婉意以擔當歌劇 和國際巡演項目的製作經理著 稱。她畢業於香港演藝學院， 主修舞台及技術管理，並於中 央聖馬丁藝術與設計學院取得 碩士學位。魏婉意畢業後曾 繆，與多個香港藝術團體合 作，包括香港藝術節、香港 歌 劇院、進念二十面體、香 港城市室樂團、鄧樹榮戲劇工 作室、香港小交響樂團及一鋪 清唱。她亦曾與倫郭莎士比亞 環球劇場、Sell a Door Theatre Company、Tall Stories、倫郭利 瑞克漢默史密斯劇院、蒙地卡 羅歌劇院等國際團體合作。

Gloria Ngai is a widely recognised production manager for opera and international touring productions. She has collaborated with different international companies including The Globe and Selladoor, Tall Stories, Lyric Hammersmith (UK) and Opera Monte Carlo.

Ngai received her degree from The Hong Kong Academy for Performing Arts and her Master’s degree from Central Saint Martins. She has worked with different performing arts groups in Hong Kong, including the Hong Kong Arts Festival, Opera Hong Kong, Zuni Icosahedron, the City Chamber Orchestra, Tang Shu Wing Theatre Studio, the Hong Kong Sinfonietta and Yat Po Singers.

現為自由身舞台工作者。

Yan Fan graduated from The Hong Kong Academy for Performing Arts, majoring in Arts, Events and Stage Management. She has been involved with various productions such as Sabrina Lee’s Romance of the Red Pear Blossom; The Reincarnation of The Red Plum by the Yam Pak Charitable Foundation and Xiqu Centre; Theatre du Pif’s 4.48 PSYCHOSIS; Crow.H (staged in Japan); the Hong Kong Arts Festival’s A Floating Family and Frogman; and Josie and The Uni Boys’ We Go Berzerka Explode Into Life.

She is now a freelancer.

范文恩

Fan Man-yan 舞台監督及執行舞台監督

Stage Manager and Deputy Stage Manager

畢業於香港演藝學院，主修 藝術、項目及舞台管理。曾 參與多個製作，近期包括龍 劍笙《蝶影紅梨記》； 任白慈 善基金 x 西九戲曲中心《再 世紅梅記》； 進劇場《 4 48 PSYCHOSIS 》（首演及北京演 出）、《 Crow H 》(日本）；香港 藝術節《香港家族》三部曲、 《蛙人》；Josie and The Uni Boys 的《 We Go Berzerka Explode Into Life 》等。

梁烯樺

Leung Hei-wa

助理舞台監督

Assistant Stage Manager

梁烯樺是自由身舞台工作者。

她近期參與製作包括： 前進 進戲劇工作坊《在新的一 天，我們繼續往理想前進》、 《案內人 Hongkongshima 》、 《誰殺了大象》、《放逐》； 同流《毒》、《巴黎公社的 日子》、《赤道上的冰花 男孩》、《聖訴》； 進劇場

《 CLAIRE 空海之迴》；3ami

《 Side by Side by Sondheim –

A Musical Entertainment 》； 舞合劇場《 Stay/Away 》；MaD Festival；香港比舞等。

Leung Wai-ha is a freelance theatre practitioner.

Leung's recent works include On A New Day, Hongkongshima, Who Killed the Elephant and A Fork in the Road by On & On Theatre Workshop; Poison, The Days of the Commune, Frosty Boy on the Equator and Doubt by Wedraman; Claire by Theate du Pif; Side by Side by Sondheim—A Musical Entertainment by 3ami; Stay/ Away by Hook Dance Theatre; and productions with the MaD Festival and Hong Kong Dance Exchange.

黃翊豐

Sean Wong

排練助理

Rehearsal Assistant

黃翊豐畢業於香港中文大學藝 術系，從事創作、藝術教育及 相關項目策劃，為不同群體設 計工作坊，探索以藝術體驗觸 發共同學習的可能性。常用媒 介包括素描、攝影及文字創作。

Sean Wong graduated from the Fine Arts Department of the Chinese University of Hong Kong. He is an artist educator exploring the possibilities of encouraging co-learning in communities by bringing in various arts experience and workshops. His practice mainly involves drawing, photography and creative writing.

雷米．拉殊

Rémi Large

聯合監製

Co-producer

雷米．拉殊曾是舞蹈家和紀錄 片製作人，是食蟻獸沉浸式藝 術工作室的創始人。該工作室 為文化機構創作結合表演藝術 和新科技的演出體驗。

拉殊經歷舞蹈演員和製片人生 涯後，在巴黎索邦大學攻讀學 位，後轉向於電影業發展。他 為 13 製作公司拍攝紀錄片，並 擔任導演工作一年半，開始對 這種藝術風格產生熱情。

他重回大學求學時認識了塞繆 爾‧利波爾。二人製作了他們 首個虛擬現實節目《拯救托馬 斯》，該節目最終被法國電視 台收購。

拉殊從未忘記他對舞蹈和表演 藝術的熱情。他決定與利波爾 一起創辦食蟻獸，專門創作身 臨其境的演出體驗。他們聯合 執導巴黎國家歌劇院首部 360 ° 預告片 ； 憑藉結合戲劇和虛 擬現實的《狐狸之城》獲得法 國新影像藝術節 XR 市場企劃

獎。他們利用動作捕捉技術捕 捉現代舞者亞歷山大‧範達爾 的姿體動作，立體地呈現在巴 黎 104 藝術中心的虛擬現實體 驗之中。

他的渴求始終如一 ： 借助沉浸 式技術拓展表演藝術的界限。

A former dancer and documentary producer, Rémi Large is the co-founder of Tamanoir Immersive Studio, which creates experiences combining the performing arts and new technologies for cultural institutions.

After a career as a dancer and a producer, Large finally turned to the cinema by earning a degree at the University of ParisSorbonne. He then worked for a year and a half on documentaries at 13 Productions, both in production and directing, and became passionate about the genre.

After returning to university he met Samuel Lepoil. Together, they produced their first virtual reality project, which was bought by France Télévisions: Saving Tomas.

But Large has never forgotten his passion for dance and the performing arts. He and Lepoil decide to start Tamanoir, a studio dedicated to creating immersive experiences for the performing arts. He co-directed the first 360° teaser for the Paris National Opera, he won the XR Market Prize at the New Images Festival for A City of Foxes, which

combines theatre and virtual reality, and he used motion capture to bring into 3D the contemporary dancer Alexandre Fandard during a virtual reality experience with the CentQuatre. His desire remains the same: to expand the horizons of the performing arts using immersive technologies.

質素的方法。

Michael Lee is currently an independent producer, involved in projects covering music, theatre, dance, multimedia and exhibitions. He has collaborated with organisations including the Hong Kong Arts Festival, West Kowloon Cultural District (music and outdoors), the Drama School of The Hong Kong Academy for Performing Arts, Tai Kwun (performing arts), the East Kowloon Cultural Centre, Arts with the Disabled Association Hong Kong, HKU MUSE and Taikoo Place.

李玨熙

Michael Lee

聯合監製 Co-producer

李玨熙現為獨立製作人，涉足 音樂、劇場、舞蹈、多媒體 創作及展覽。近期項目策劃及 製作合作單位包括： 香港藝術 節、西九文化區管理局表演藝 術（音樂與戶外）、香港演藝 學院戲劇學院、大館（表演藝 術）、東九文化中心、香港展 能藝術會、港大繆思樂季及太 古坊等。

李玨熙畢業於香港浸會大學音

樂系，主修大提琴，及後取得 英國皇家音樂學院演奏科學碩 士學位，在英期間研究線上遙

Lee graduated with a Bachelor’s degree in Music Studies from the Hong Kong Baptist University and later obtained a Master’s degree in Performance Science from the Royal College of Music in London. During his stay in the UK, he researched performance psychology and communication behaviour in synchronous online rehearsal and performance.

距排練的行為及提升演出心理

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃

Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏 ( 2 ) Anonymous ( 2 )

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

Assistant Project Managers

Assistant Marketing Managers

Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Development Officers

Arts Administrator Trainee

Temporary Development Assistant

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting Officer

HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*