衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節
Hong Kong Arts Festival
扎根香港的國際藝壇盛事
A Major International Arts FestivaI ln, Of and For Hong Kong
香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
賽馬會本地菁英創作系列
《陪着你走》 Jockey Club Local Creative Talents Series
Always by Your Side 香港藝術節委約及製作 Commissioned and produced by Hong Kong Arts Festival
2-3, 6-10 3 月 MAR
葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 演出長約 2 小時 30 分鐘，包括一節中場休息 Approximately 2 hours 30 minutes including one interval 粵語演出，附中、英文字幕 Performed in Cantonese with Chinese and English surtitles
封面及製作劇照 Cover and production photographs: ©Harrison Tsui & Keith Hiro
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
《陪着你走》
Always by Your Side 委約及監製 香港藝術節
Producer Hong Kong Arts Festival
導演 鄧偉傑 †
Director Tang Wai-kit†
編劇及製作顧問 李恩霖
Playwright and Production Consultant Roger Lee
編劇及助理導演 郭翠怡
Playwright and Assistant Director Kwok Chui-yi
音樂總監、作曲及編曲 李端嫻
Music Director, Composer and Arranger Veronica Lee
動作指導 郭翠怡 鄧偉傑
Movement Directors Kwok Chui-yi Tang Wai-kit
敲擊編曲 嘿嘿 @ 雞蛋蒸肉餅
Percussion Arrangment Heihei@GDJYB
角色及演員 Cast 周 sir 周國賢
王雨恩 游學修
Mr Chow Endy Chow
Wong Yu-yan Yau Hawk-sau
吳聰敏 章尾而
校長 陳桂芬
Ng Chung-man jamie zhang
School Principal Brenda Chan
Miss Lau 伍潔茵
王雨恩媽媽 杜雯惠
Miss Lau Cecilia Ng
Yan’s Mother Ada To
王雨恩爸爸 何浩源
吳聰敏媽媽 廖淑芬 *
Yan’s Father Mill Ho
Man’s Mother Gladys Liu*
吳聰敏爸爸 林英傑 #
陳偉豪 陳嘉威
Man’s Father Even Lam#
Chan Wai-ho Donald Chan
小丙 林芷沿
明哥 周漢寧
Bing Ming Lam Tze-yuen Chou Henick
阿一 張蔓姿
大大 謝冰盈
Yat Gigi Cheung
Dai Dai Samantha Tse
細細 黃雪燁
阿夢 賈亦勤
Sai Sai Wong Suet-ip
Meng Karen Ka
阿曦 嘿嘿 @ 雞蛋蒸肉餅（敲擊）
阿捷 陳思捷（鋼琴）
Hei Chit Heihei@GDJBY (Percussion) Cedric Chan (Piano)
香港藝術節承蒙香港賽馬會慈善信託基金贊助，策劃了賽馬會本地菁英創作系列音樂劇場《陪着你走》外展活動。 活動包括 : 學校巡迴示範演出及巡迴教育展覽、駐校工作坊及觀賞香港藝術節本地委約及製作節目─《陪着你 走》。外展專場分別於 3 月 1 日晚上 8 時和 3 月 5 日下午 3 時舉行。3 月 5 日下午 3 時外展專場及 3 月 9 日下午 8 時的公開場次為通達專場。 The Jockey Club Local Creative Talents Series Always by Your Side Educational Programme is an outreach project solely sponsored by the Hong Kong Jockey Club Charities Trust. Activities include touring music theatre demonstrations and educational displays, interactive music workshops and Always by Your Side special performances on 1 and 5 March, curated for participants of the programme. Accessible performances on 5 March (3pm) and 9 March (8pm) are available with Cantonese audio description provided by Arts with the Disabled Association Hong Kong.
藝術節加料節目
演後藝人談 Meet-the-Artists
6.3（三 Wed）10:25-10:45pm
廣東話主講
In Cantonese
更多加料節目詳情 More Festival PLUS
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13
製作及創作人員 舞台設計 王健偉 服裝設計 吳達生 燈光設計 楊子欣 音響設計 夏恩蓓
Production and Creative Team 髮妝 李淑明 吳麗珍 黃德洲 張紫君 李淑貞 莫頌偉 符永輝
製作經理 魏婉意
電機師 伍穎雯 梁景欣
執行舞台監督 孔稜斯
Set Designer Jan Wong Costume Designer Alan Ng Lighting Designer Yeung Tsz-yan Sound Designer Ha Yan-pui
Make-up and Hair Stylists Lee Shuk-ming Ng Lai-chun Wong Tak-chau Cheung Tsz-kwan Lee Shuk-ching Ray Mork Fu Wing-fai
Production Manager Gloria Ngai
Production Electricians Ng Wing-man Leung King-yan
音響控制 林佩
Deputy Stage Manager Carmen Hung
Sound Operator Lam Pui
舞台監督 袁建雯
音響技師 魏凱儀
Stage Manager Yuen Kin-man
助理舞台監督 梁雅慈 黎文熙
舞台助理 李鈞皓 謝民權 梁銘浩 黃世榛
Assistant Stage Manager Leung Nga-chi Jeff Lai
Mic Dresser and Audio Technician Ngai Hoi-yee
燈光助理 張啟峰 馮晞彤 葉曉彤 丁鈞培
Wardrobe Supervisor Wong Tik-men
舞台設計助理 蘇善誼 服裝主任 黃廸雯 服裝設計助理 鄧翠怡 服裝助理 莎蔚忻 梁子蔚 燈光編程及控制 林振傑
中文字幕 曾逸林 英文字幕 吳翠茵
Assistant to Stage Designer Ainsley So
Assistant to Costume Designer Tang Chui-yee
Stage Crew Li Kwan-ho Tse Man-kuen Leung Ming-ho Wong Sai-tsun Lighting Crew Cheung Kai-fung Fung Hei-tung Ip Hiu-tung Ting Kwan-pui
Dressers Sha Wai-yan Leung Tsz-wai
Chinese Surtitles Zeng Yilin
Lighting Operator and Programmer Lam Chun-kit
English Surtitles Amy Ng
† 承蒙同流允許執導是次演出 By kind permission of the We Draman Group * 承蒙劇場工作室允許參與是次演出 By kind permission of the Drama Gallery # 承蒙大細路劇團允許參與是次演出 By kind permission of the Jumbo Kids Theatre
鳴謝 Acknowledgements 同流、青年廣場、Click Music Limited、Gopherwood Guitars Hong Kong、草田樂樂有限公司、天高娛樂有限公司、聖雅各福羣會、 香港基督教女青年會、新生精神康復會、賽馬會心志牽社交能力發展及就業支援中心、香港小童群益會、協康會賽馬會星亮資源 中心、香港展能藝術會、盧冠廷先生、陳錦鴻先生、馮穎琪小姐、音樂治療師伍偉文博士、董以真先生、冼立姿小姐 We Draman Group, Youth Square, Click Music Limited, Gopherwood Guitars Hong Kong, Strawberry Fields Ltd., Sky High Entertainment Limited, St James Settlement, HKYWCA, New Life Psychiatric Rehabilitation Association, Jockey Club iReach Social Competence Development & Employment Support Center, The Boys' & Girls' Clubs Association of Hong Kong, Jockey Club STAR Resource Centre, Arts with the Disabled Association Hong Kong, Mr Lowell Lo, Mr Chan Kam-hung, Ms Vicky Fung, Music Therapist Dr Ng Wai-man, Mr Sincere Tung, Ms Renie Sinn
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故事大綱
Synopsis 患有讀寫障礙及過度活躍症的火爆少年阿 恩，在學時期「問題天天都多」，令師生 上下大感頭痛，卻因「自閉姐」阿敏的一 場自殺疑雲，讓二人捲入了一場意想不到 的音樂之旅。 在音樂老師周sir以亦師亦友的方式帶領下， 激發出他們的音樂潛能，更嘗試解開二人 多年來與家人之間的心結，為此開啟了一 扇又一扇的溝通之門⋯⋯
Yan, a fiery young man with dyslexia and attention deficit hyperactivity disorder (ADHD), constantly gets into trouble at school and is regarded as one big headache by teachers and students alike. However, when autistic classmate Man is mistakenly believed to have attempted suicide, the two are brought together to embark on an unexpected musical journey.
角色表
Characters
周 sir
Mr Chow
全校最受歡迎的代課音樂老師
The most popular supply music teacher in school
王雨恩（阿恩）
Wong Yu-yan (Yan)
患有讀寫障礙和過度活躍症的火爆少年
A short-tempered teenage boy with dyslexia and ADHD
Under the guidance of their music teacher and friend, Mr Chow, Yan and Man discover their musical potential. More importantly, Mr Chow endeavours to untangle the relationships between these two young people and their families, opening door after door to communication…
吳聰敏（阿敏）
Ng Chung-man (Man)
自稱「無心鐵皮人」的自閉症少女
An autistic teenage girl who identifies with the “heartless” Tin Man of Oz
王雨恩媽媽
Yan’s Mother
阿恩心中的怪獸家長，完美主義的中學教師
A perfectionist secondary school teacher perceived by Yan as a tiger mom
王雨恩爸爸
Yan’s Father
翻版王雨恩，長駐內地工作的銀行職員
Yan's mirror image and a banker based in mainland China
吳聰敏媽媽
Man’s Mother
被自己女兒討厭及誤解的電視台二線演員
A B-list television actress who is disliked and misunderstood by her daughter
吳聰敏爸爸
Man’s Father
配音員領班，不了解女兒需要的單親爸爸
A film dubbing supervisor and a single father who doesn’t understand his daughter’s needs
校長
School Principal
虔誠教徒，熱情、友善、有愛心及通情達理 的校長
A devoutly religious, enthusiastic and compassionate leader
Miss Lau
Miss Lau
人見人怕的輔導主任
A school counsellor feared by students
陳偉豪、小丙、明哥、阿一、 大大、細細、阿夢、阿曦及阿捷
Chan Wai-ho, Bing, Ming, Yat, Dai Dai, Sai Sai, Meng, Hei and Chit
同學
Schoolmates
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17
歌曲表 Songs List
《黑掹掹》 作曲︰李端嫻 作詞︰張蔓姿、周漢寧、黃雪燁 謝冰盈、陳嘉威 林芷沿、賈亦勤 編曲︰李端嫻
《音樂信仰》 作曲︰周國賢 作詞︰李倩菱 編曲︰李端嫻
場表 Scenes
Dyslexia
第一幕
Composer: Veronica Lee Lyricists: Gigi Cheung, Chou Henick, Wong Suet-ip, Samantha Tse, Donald Chan, Lam Tze-yuen, Karen Ka Arrangement: Veronica Lee
第一場
學校操場
第二場
音樂室 / 校長室
第三場
音樂室
Music Belief Composer: Endy Chow Lyricist: Yemon Lee Arrangement: Veronica Lee
Act 1
第四場
卡拉OK房
插曲
王雨恩的惡夢
第五場
電梯 / 音樂室
第六場
校長室 / 音樂室
第七場
海灘
第八場
禮堂
Scene 1 Scene 2 Scene 3 Scene 4 Interlude Scene 5 Scene 6 Scene 7 Scene 8
—中場休息—
《F R E N D I I I》（原曲︰《真的愛你》） 作曲︰黃家駒（Beyond） 作詞︰張蔓姿 編曲︰李端嫻
《五個臭皮匠》 作曲︰李端嫻 作詞︰李倩菱 編曲︰李端嫻
《稻草人鐵皮人》 作曲︰李端嫻 作詞︰章尾而、游學修 編曲︰李端嫻
《石頭稻草說》 作曲︰章尾而 作詞︰張蔓姿、周漢寧 黃雪燁、謝冰盈 編曲︰李端嫻
F R E N D I I I (Cover of Beyond's Truly Love You) Composer: Wong Ka-kui (Beyond) Lyricist: Gigi Cheung Arrangement: Veronica Lee
Five Ignorant Cobblers Composer: Veronica Lee Lyricist: Yemon Lee Arrangement: Veronica Lee
The Scarecrow and the Tin Man
第二幕
Schoolyard Music Room / Principal’s Office Music Room Karaoke Yan’s Nightmare Lift / Music Room Principal’s Office / Music Room Beach School Hall — Interval —
Act 2
第九場
吳聰敏的內心世界
第十場
音樂室 / 課室 / 走廊
第十一場
校長室 / 學校天台
第十二場
校園的一角
第十三場
音樂室
第十四場
巴士站
第十五場
音樂室
第十六場
禮堂
第十七場
音樂室
Scene 9 Scene 10 Scene 11 Scene 12 Scene 13 Scene 14 Scene 15 Scene 16 Scene 17
Man’s Inner Thoughts Music Room / Classroom / Corridor Principal’s Office / School Rooftop Somewhere in School Music Room Bus Stop Music Room School Hall Music Room
Composer: Veronica Lee Lyricists: jamie zhang, Yau Hawk-sau Arrangement: Veronica Lee
Stone and Straw Say Composer: jamie zhang Lyricists: Gigi Cheung, Chou Henick, Wong Suet-ip, Samantha Tse Arrangement: Veronica Lee
© Keith Hiro
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19
導演的話
Director’s Note 音樂劇場《陪着你走》利用音樂元素譜出人與
的父母比比皆是，意外地與大眾切身。要關心
人之間另一種溝通橋樑，現場透過不同樂器編
和留意身邊這些有特別需要的小朋友，有時我
織出對話、情感和身體語言等交流。基於音樂
們要將心比己，才會明白為何他們對某些聲音
劇場的理由，劇本中一些情節張力和角色性格
特別敏感、偏食或做出某些行為。我們不能等
需透過音樂場景來呈現，但現場音樂的「即時
待他們去打破障礙後才展開溝通，而是要進入
性」為排練帶來許多可變性，故在執導時具有
他們的世界。如果能夠行前一步，先主動了解
一定挑戰。
他們，他們才會願意打開心窗。希望觀眾看完
除了音樂，《陪着你走》亦談到自閉症、讀寫 障礙、過度活躍症患者等社群，面對這些情況
這次作品後，可以認識更多關於自閉症、讀寫 障礙患者等社群，亦可以把今天所領悟到的付 諸行動，主動與他們溝通，達至共融。 鄧偉傑
The music theatre production Always by Your Side makes use of melodies and rhythms to build a communicative bridge between people. The various instruments played onstage interweave with conversation, emotion and body language to make that connection. In accordance with the conventions of music theatre, plot tension and character personalities must be presented through musical scenes. Yet the spontanaeity of live performance has brought many variations to our rehearsals, thus presenting a number of challenges for a director. Beyond the music, Always by Your Side addresses special educational needs communities living with autism, dyslexia, and attention deficit hyperactivity disorder (ADHD). Parents facing the situations
found within this production can be found all around us, and we have unexpectedly tapped into a public nerve. To care for and be attentive to children with special needs, we need to put ourselves in their shoes. Only then might we understand why some might be sensitive to certain sounds, be picky eaters, or behave in certain ways. We cannot wait for them to overcome society’s obstacles to open up a conversation and enter into their worlds. If we make that first step towards actively understanding them, only then will they be willing to open their hearts. I hope the audience can learn more about these communities and take action based on what they have learnt today to open up doors to communication and create an inclusive society. Tang Wai-kit
© Keith Hiro
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編劇的話
Playwrights' Notes 創作這部劇本，是一個讓自己變得謙卑的過 程。 三年前，我讀到盧盧（盧冠廷先生）於報章上 的一篇訪問，談及他在青年時代克服讀寫障礙 的困難，後來從作曲及演奏中找到另一種表達 自己的渠道，從而感受到滿足感，這令我深深 被撼動。他潛藏的音樂才華神奇地甦醒過來， 成功恢復了自信，在校園裏與同學打成一片。 後來我做了些關於有特殊教育需要的學生的訪 問，每每看到家長、老師、社工、學生們不辭 勞苦地克服各種困難，我的心弦也被猛然牽 動。他們都用自己的方法，在混亂中保持冷靜 和理智，在絕望中探討出清晰的思路，在憂愁 中尋找幽默和樂趣。 無論有特殊教育需要的學生有甚麼志向─作曲 家、舞台演員或動畫師，困擾他們的執念和折 磨，其實也是構成藝術視野不可或缺的部分。 「天賦異稟者與情緒失衡者，如同一個人的優 點與缺點 ，時常都會無法被辨別出來。」 — 埃德蒙．威爾遜
The process of creating this play has been a most humbling journey for me. It started three years ago when I was deeply touched by a newspaper interview with Lo Lo (Mr Lowell Lo) on his anxiety in combatting dyslexia difficulties as a teenager and his joy in discovering an alternative way to express himself by composing and performing music. This miraculous unlocking of his latent musical talent eventually restored his self-esteem and peer acceptance in school. Further research on the local Special Educational Needs (SEN) students frequently tugged at my heartstrings while witnessing how persevering parents, teachers, social workers and students struggled in their ways to bring sanity to chaos, clarity to despair and humour to pathos.
送給在創作期間進行資料搜集時，所認識的 社工及老師，感謝你們對孩子的耐心和對教 育的熱誠，讓我看到一幅又一幅美麗的畫 面，觸動了我的心靈，推動着我的創作。你 們的「善」在我眼中並非微不足道，因為你 讓我對香港的未來心存希望。 送給我的爸媽，謝謝你們的愛及信任，給予 我自主的空間，讓我無後顧之憂地在生命的 道路上奔跑，我活得十分快樂。 送給我的戲劇老師，你們「以人為本」的教 育方式，讓我發掘自己獨有的美麗、有勇氣 面對自己的醜陋及坦然接受自己。我學習到 比戲劇這門學問更為重要的東西，門生畢生 受用。
Our SEN youths are often beset by obsessions and afflictions that are in fact integral to their artistic visions, whether they aspire to be songwriters, stage performers or animation artists.
送給在座的你，若然你正在為生活上某樣東
“Genius and disorder, like strength and weakness, may be inextricably bound together.”
郭翠怡
西而努力着，不論這是什麼，我想告訴你， 你並不孤單，我們一起努力，加油！
I dedicate this to the social workers and teachers I met during my research. Thank you for your patience and enthusiasm for children. I saw scene after beautiful scene that moved and inspired my creation. Your "goodness" is not trivial in my eyes, because you have given me hope for the future of Hong Kong. I dedicate this to my parents. Thank you for your love and trust, and for the gift of autonomy so that I may pursue my vocation without worry. I am very happy. I dedicate this to my drama teachers, whose humanistic education supported me in discovering my own unique beauty, to face my ugliness with courage and to accept myself. From them I have learned things far more important than theatre. These lessons will stay with me for life. I dedicate this piece to you, the audience. No matter what goal you are pursuing, I want to let you know that you are not alone. We can fight the good fight together. Keep up the good work! Kwok Chui-yi
—Edmund Wilson Roger Lee
李恩霖
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23
音樂總監的話
Music Director’s Note 阿恩和阿敏的故事，其實是你我身邊
a n y b o d y 的故事，超普遍。人就是凹凸巖 巉，他就是他，跟你一樣、不一樣也只是 個 fact，可以扣着人的，就是個「陪」字。 我陪你，你陪我，大家互相陪大家，即是溝 通。「音樂」，不是學會一件樂器，不是深 奧的藝術，而是最直接的溝通工具，它有文 字做不到的感染力。 作為音樂人，我聽到最多的就是：「嗱 嗱。⋯⋯我唔識音樂㗎⋯⋯不過又幾好聽 ⋯⋯」。你未必，更不需要明白樂理，音樂 就像味覺、嗅覺、觸覺，身體是可以用感受 來接收訊息的。有時你根本不需要打開自 己，因為一個波、一隻杯、一下隆然巨響、 電梯機械聲的重複、海灘的浪、打風落雨、 南丫島晚上的寧靜，都是音樂。身邊就是這 些高低抑揚，一直陪着你走，有時合，有時 撞。我作為音樂總監的功能，就是像變魔 術，把它們 reconstruct，可能更像廚師，給 你重新領略。偶然你走了進去，有一秒和外 界disconnect，我就成功了。 希望《陪着你走》能帶你進入阿恩和阿敏的 世界，一陣。 李端嫻
The story of Yan and Man is a story that could belong to any of us—a universal story. People are as varied and uneven as the crags in a stone: that there are likenesses and dissimilarities between us is simply a fact. What connects us is our existing together. I accompany you, just as you accompany me. When we all accompany each other, communication can occur. Music is not the mastery of an instrument, nor is it an esoteric skill. It is the most direct means of communication. It has an affective power beyond words. As a musician, I often hear people say, “Now I know nothing about music, but this sounds pretty good…” You might not, nor do you have to, be fluent in music theory; to feel music is akin to receiving information through taste, smell and touch. Sometimes you don’t even have to open yourself up, because it’s all music: a ball bouncing, a mug, a sudden loud noise, the mechanical purring of a lift, waves at the beach, a rainstorm, the quiet of Lamma Island. The sounds around you rise and fall, always by your side. At times they work in unison; at times they clash. As musical director, my job is to reconstruct these sounds as if I’m playing a magic trick, or, perhaps more like a chef, my presentation leads you to a new interpretation of sounds. If by chance you stumble into that world and lose yourself from the outside for even a second, I’ve made it work. I hope Always by You Side will take you into the world of Yan and Man, if only for a while. Veronica Lee
25
陪着你走，總是幸運
Always by your side, always a blessing 傳說上帝為了阻止人類建造巴別塔，變換共 通的語言，令人類失去溝通的橋樑，各散東 西。其實即使語言相通，溝通又談何容易？ 心底話難以宣之於口，明明有言，卻無語； 想被理解，卻往往不被理解。音樂劇場《陪 着你走》呈現的就是這種建立溝通的過程— 傷痕纍纍，陣痛連連，但仍然值得。老生常 談，但又擊中人心。 劇中一對男女學生—王雨恩和吳聰敏，一 個嘈喧巴閉，說話不經大腦；一個惜字如 金，行徑撲朔迷離。兩人同樣都被視為學校 裏的異類，其實內心一直有個柔軟的世界， 無人知曉。 飾演王雨恩的游學修就看出角色的可愛之 處：「他很直接，不論是罵人或對別人的關 心，從不修飾，加上有過度活躍症，身邊人 會覺得他很煩。但同時很可愛，有需要時會 陪伴你，覺得你做錯了，又會直接罵你。去 到後期，不捨得與朋友分開，更流露出柔情 和軟弱一面。」 至於吳聰敏，觀眾如果細心留意，會發現她 雖然很少表達感受，但其中一直向外界發放 一些「信號」，只是在等待別人調校至適當 的頻率：「吳聰敏很想擁有感情，但不懂去 感受。其實她內心一直有很多話想說，但溝 通方式跟一般人不同，有話想說便會用身體 動作，以身體語言表達感受。」飾演吳聰敏 的章尾而說。 第五場是兩人關係的轉捩點，兩個性情直率 真誠的人，被迫共處一室，開始建立溝通基 礎。兩個在日常生活中處處被標籤的人，並 不會加諸標籤在對方身上，「阿敏和阿恩都
It’s said that to stop humans from building the Tower of Babel, God confounded humanity’s once common tongue; having lost their means of universal communication, humanity thus scattered to settle across the earth. But even with a common language, was communication really ever so simple? It can be difficult to speak what the heart knows: you might have something to say without ever finding the words; you might yearn for connection, yet never be understood. The music theatre production Always by Your Side presents this arduous process of establishing communication—a painful yet worthwhile endeavour— in a seemingly commonplace tale that gets to the heart of human connection. In the story, Wong Yu-yan (“Yan”) and Ng Chung-man (“Man”) are two students: the former is unruly and speaks without thinking; the latter hoards her words like gold and acts in ways that tend to confound. Both are treated as outcasts at school, but in their minds exist gentle worlds that few others understand.
不會覺得大家有問題，所以可以改變大家； 在這場戲，阿敏知道了他怕黑，阿恩亦發現 她不喜歡身體接觸，摸清雙方喜好，這是展 開溝通的一場。」章尾而說。 他們的相處或許暗示了，語言會不會才是最 失效的溝通方式？有時候一些身體動作、眼 神、表情，甚至聲音，反而更能表達真意。 為了這部音樂劇，兩人亦嘗試作曲作詞，以 一首《稻草人鐵皮人》，一曲兩詞，寫出彼 此的優點缺點，反映互相的了解，以音樂作 為溝通媒介。
jamie zhang about her character. “In fact, she has a lot to say in her heart, but her way of communicating is different from most people. If she wants to say something, she does so through body language.” Scene Five is the turning point for these characters’ relationships. When two people with such honest, straightforward dispositions are forced into the same room, the foundation for communication is suddenly laid. These two young people, so often labelled by others in society, would never label each other. “[In the story], we don’t see any problems with each other, so we’re able to change and progress together. In this scene, Man knows that Yan is scared of the dark; Yan knows that Man hates being touched. Learning what each other likes and dislikes is the first step towards communication,” continues zhang.
Yau Hawk-sau, who plays the role of Wong Yu-yan, recognises the lovable side of his character: “He is very straight-forward, no matter if he is yelling at or caring for someone. There is no pretense with him. Add to this mix his ADHD, and the people in his life might find him very annoying. But at the same time, he’s very sweet. He’ll be by your side when you need him, and will directly tell you off if you’ve done something wrong. Towards the end, he also shows a gentle and vulnerable side when he finds it hard to say goodbye to his friends.” As for Ng Chung-man, if the audience looks closer, they might realise that her lack of expression does not, in fact, equal a shortage of emotion. All along, Ng has been sending her own signals out into the world and has simply been waiting for someone to tune into the right frequency. “Ng Chung-man wants to have emotions, but doesn’t know how to feel,” relates actress
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無論是彈結他、打鼓、玩敲擊樂，甚至是 唱 K 唱流行曲，音樂一直在推進劇情發展。 音樂的影響力，亦透過另一個關鍵角色出 現— 周s i r，見證了王雨恩和吳聰敏的成 長。周國賢笑說，其實劇中的周sir不是真的 教音樂：「他有抱負又帶點熱血，認為校長 的一套教學方法過時，決定以音樂帶領他們 衝破關口，用聲音引導他們接觸世界，走出 自己的殼。他相信玩音樂不需要比拼技術， 更重要是學習跟隨別人的節奏。」 比起音樂老師，周sir更像一個社工，以音樂 及自身和媽媽相處的經驗，鼓勵學生與家人 溝通。《陪着你走》亦有着墨於家長和子 女間的關係，如何解開心結，令彼此達至 同步。「每個人都想說，但沒有人願意去聆 聽，其實要溝通，一定要聆聽對方。有一場 戲令我很感動，周sir教他們用身體敲擊樂跟 媽媽溝通，令大家願意踏出第一步。其實即 使不是有特殊學習需要的學生，很多人的家 庭都有各種問題，開始溝通是很重要的，往 後便順其自然吧。」周國賢說。 劇終，吳聰敏和敏媽沒有在一夜之間成為好 朋友，我們看到的是她們溝通的起點。開展 溝通已經難，維持也不見得容易，但只要記 得，能夠陪着別人走一段路，總是幸運的， 便有了繼續下去的力量。 廖健邦
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Does their means of relating perhaps suggest that language is not the most effective means of communication? There are times when bodily movements, looks, expressions, and sounds may be better able to express truth. In this production, both characters also try their hand at composing music and lyrics. With the song The Scarecrow and the Tin Man, their two opposing sets of lyrics reveal each other’s strengths and weaknesses; Yan and Man transmit their mutual understanding through music. Music also plays an important role in fostering the plot development, whether through playing the guitar, drumming, singing karaoke or belting out pop tunes. The power of music is particularly seen through another main character, Mr Chow, who witnesses the growth of Wong Yu-yan and Ng Chung-man. Endy Chow jokes that his character Mr Chow doesn’t really teach music: “He has high ambitions and a bit of passion. He thinks the school principal’s teaching methods are outdated and decides to use music to help the two students break through boundaries and lead them out of their shells and into the world. He believes that playing music is not about competitive skills; it’s more important to learn how to keep up with the rhythm of others.” At times, Chow’s character seems more like a social worker than a music teacher, using both his music and past experiences with his own mother to encourage the two students to communicate with their families. As such, Always by Your Side delves into the parent–child relationship, exploring how to untangle relationship knots and get everyone on the same page. “Everyone wants to say something, but no one is willing to listen. If we really want to communicate, we must listen to one another,” explains Chow. “There is a scene in the play that I found very touching: Mr Chow teaches the two students to communicate with their mothers through body percussion, helping everyone to take the first step [towards understanding]. Even for students that do not require special education, many face a number of problems within their families. Initiating communication is a very important step; afterwards, nature takes its course.”
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At the story’s conclusion, Ng Chung-man and her mother may not have become best friends overnight, but we have witnessed the starting point of their road to connection. Initiating communication may be difficult, and maintaining that connection is just as challenging. But if you remember how lucky you are to have someone by your side, you’ll always have the strength to carry on. James Liu
Proud Official Outdoor Media Partner poad.com
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@ poadmedia
賽馬會本地菁英創作系列
Jockey Club Local Creative Talents Series 《陪着你走》，是賽馬會本地菁英創作系列的 第五個全新創作。藝術節陪伴着這個系列的發 展，一年一度，好像不經不覺，其實殊不容 易。從第一個作品歌劇《大同》（ 2 0 1 5）到今 天的音樂劇場《陪着你走》，觀眾見證了我們 與藝術家、演出者和後台人員共同創造的一個 又一個舞台；體裁、形式儘管大異其趣，但都 切合系列的精神—展現本地創作菁英的獨特才 華，為他們提供盡量優良的條件和環境，創作 本地藝壇難得一見的新作品。 六年下來，除了上述兩部作品，我們還製作了 街舞劇《炫舞場》（ 2 0 1 6）、音樂與詩歌交融 的《世紀．香港》音樂會（ 2 0 1 7）及創新粵劇 《百花亭贈劍》（ 2 0 1 8），題材皆與香港及中 華文化息息相關，而形式及創意皆有所創新。 如果要做一個小小的總結，我們可以歸納以下 幾點，作為策劃這個系列的製作指標： 一、立足香港，發掘有特色及意義的新內容， 配以新鮮之舞台表現形式，打破固有的創作及 製作規限，向難度挑戰。 二、促進不同範疇、界別及世代的藝術家衷誠
Always by Your Side is the fifth creation of the Jockey Club Local Creative Talents Series. HKAF has been accompanying the development of this series, and while these once-a-year events seem to pass by with the blink of an eye, they are no simple affairs. From the first production of the opera Datong: The Chinese Utopia (2015) to today’s music theatre production, the audience has witnessed our journey with artists, performers and backstage personnel at every stage. Though the genres and forms may vary, each work captures the spirit of the series: to showcase the unique talents of local creatives and provide a creative environment conducive to creating the types of new works that are rarely found in the local arts scene.
in and appreciation for operas, musicals and crossdisciplinary art forms we aim to nurture. To achieve the above production goals, each work must undergo a lengthy process of design, development and production. The results aren’t guaranteed, but every year, the investment and risks are worth it; each production is a valuable learning experience. We would like to thank all the artists both on and offstage, as well as the Hong Kong Jockey Club Charities Trust. So Kwok-wan Associate Programme Director, Hong Kong Arts Festival
Six years on and, in addition to the above - mentioned works, we have produced the street dance drama Danz Up (2016), the staged cantata Hong Kong Odyssey (2017), and the innovative Cantonese opera Pavilion of a Hundred Flowers (2018). The themes of these productions resonate with Hong Kong and Chinese cultures and are innovative in concept and form. To bring this to a point, the mission of the series can be summed up as follows:
跨界合作，尤其着重傳承，以及發掘年青一代 藝術菁英。 三、除了成熟的觀眾，同時更注重年青觀眾 群，培養他們對歌劇、粵劇、音樂劇及跨界藝 術形式的欣賞能力和興趣。 要達到以上的製作目標，每個作品需經過長時間 的設計、發展與創作過程。成績沒有保證，但每 年都是一次值得的投資和冒險，都是寶貴的一 課。感謝台前幕後的所有藝術菁英，感謝香港賽 馬會慈善信託基金。
1. Rooted in Hong Kong, we aim to discover unique and meaningful new content, presented through novel forms that break through creative and production conventions and embrace challenges; 2. We encourage the collaboration of artists across disciplinary, industry and generational lines, with a particular focus on the transmission of heritage and the unearthing of a younger generation of creative talents; 3. While targeting mature audiences, we are also concerned with a younger public, whose interest
蘇國雲 香港藝術節副節目總監
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鄧偉傑
Tang Wai-kit 導演 Director
© Harrison Tsui
畢業於香港演藝學院戲劇學院，主修表 演。 1 9 8 9年至 1 9 9 2年期間，鄧偉傑於巴黎 馬塞馬素國際默劇學校進修默劇； 1 9 9 2 年 至 1 9 9 8 年任教於香港演藝學院戲劇學院；
1 9 9 8 年至 2 0 0 2 年到倫敦攻讀導演碩士課 程，並參與當地劇團演出； 2 0 0 0年至 2 0 0 7 年於韓國首爾參演多部劇目及在大學任教演 技課程； 2 0 0 7 年回流香港，擔任同流劇團 藝術總監。 導演作品包括《野豬》、《許三觀賣血 記》、《不期而遇的男人》（同流／香港藝 術節）、《烏合之眾》及《炫舞場》（香港 藝術節）等，也有不少自導自演的作品如 《聖訴》、《魂遊你左右》（同流）、《笑 之大學》（糊塗戲班）等。另外曾演出《山 羊》（同流）及《聖荷西謀殺案》（香港藝 術節）等。 鄧偉傑多年來獲得不少獎項，分別憑《笑之 大學》獲得第十九屆香港舞台劇獎最佳導演 及最佳男演員；憑《許三觀賣血記》獲第九 屆華文戲劇節劇目獎；憑《荒誕．存在》獲 第七屆香港小劇場獎最佳男主角。他亦擔任 香港戲劇協會幹事（ 1 9 9 2年至 1 9 9 8年）、 香港專業戲劇人同盟副會長（2 0 1 5年至
2017年）及會長（2017年至今）。
Tang Wai-kit graduated from the School of Drama at the Hong Kong Academy for Performing Arts (HKAPA), majoring in acting. He studied mime at the École Internationale de Mimodrame de Paris Marcel Marceau from 1989 to 1992. From 1992 to 1998, he taught at the HKAPA School of Drama. From 1998 to 2002, he pursued a master’s degree in directing in London, while working on local productions. From 2000 to 2007, he performed in various theatre productions and taught university acting courses part-time; he returned to Hong Kong in 2007 and became the Artistic Director of We Draman Group. As a director, his credits include: Wild Boar, Chronicle of a Blood Merchant and The Unexpected Man (We Draman/HKAF); and The Crowd and Danz up (HKAF), among others. His self-directed, self-acted works include: Doubt (John Patrick Shanley); The Woman in Black (We Draman); and University of Laughs (The Nonsensemakers), among others. He has also acted in We Draman’s The Goat, or Who is Sylvia?, Hong Kong Arts Festival’s Murder in San Jose, and more. Tang has won numerous awards, including: Best Director and Best Actor at the 19th Hong Kong Drama Awards for University of Laughs; the Drama Award at the 9th Chinese Drama Festival for Chronicle of a Blood Merchant; and Best Actor in the 7th Hong Kong Theatre Libre for Absurdity, Existence. He has worked in the Hong Kong Federation of Drama Societies (1992–1998) and at the Alliance of Theatre Professionals of Hong Kong as Vice-President (2015–2017) and President (2017–present).
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李恩霖
Roger Lee 編劇及製作顧問 Playwright and Production Consultant
© Chris Chan
李恩霖在香港讀書時已熱愛電影，十九歲隨 家人移居美國。於俄勒岡大學畢業並取得經 濟學學士學位，繼而取得註冊會計師資格， 在三藩市及紐約兩地的勝家公司任職稅務會 計七年，並於工餘時間拍攝八毫米實驗短 片。 回港後，憑短片製作經驗獲香港電台聘任助 理編導一職。 1 9 8 3 年為港台的半小時節目 《溫馨集》執導其中兩集。於 2 0 1 3 年以自 由工作者的身份重返港台，執導半小時紀錄 片系列《黃金歲月》中以退休住家女工為題 材的兩集。 李恩霖曾為多部電影擔任監製及財務總 監，包括許鞍華執導的《女人四十》（蕭 芳芳憑此片獲頒 1 9 9 5 年柏林影展最佳女主 角殊榮）、《桃姐》（葉德嫻憑此片獲頒
2 0 1 1 年威尼斯影展最佳女主角）及《明月 幾時有》（ 2 0 1 8 年香港電影金像獎最佳電 影）。其中，《桃姐》更是根據他與效力其 家逾六十載、照顧四代人的家傭鍾春桃之間 的真實故事改編而成。李恩霖的傳記《桃姐 與我》亦於2012年3月出版。 李恩霖曾為香港藝術節的 2 0 1 5 年委約作品 《金蘭姊妹》擔任編劇及製作顧問。
Roger Lee was an avid film lover during his school days in Hong Kong before immigrating with his family to the US at age 19. After graduating from the University of Oregon with a Bachelor of Business, he worked as a CPA tax accountant for Singer Company in San Francisco and New York for seven years, and created 8mm experimental short films in his after-work hours. His short film portfolio helped him land his first media job at Radio Television Hong Kong (RTHK) as an assistant director. At RTHK, he directed two half-hour episodes for the Love Series in 1983. He returned to RTHK in 2013 as a freelancer to direct two half-hour episodes on the subject of retired housemaids for the Golden Age documentary series. His experience as a producer and financial controller in the film industry included three collaborations with film director Ann Hui in Summer Snow (winner of the Best Actress Award for Josephine Siao at the 1995 Berlin Film Festival), A Simple Life (winner of the Best Actress Award for Deanie Ip at the 2011 Venice Film Festival) and Our Time Has Come (winner of Best Film at the 2018 Hong Kong Film Awards). A Simple Life was based on the true story of his housemaid, Taojie, who worked for four generations of the Lee family over 60 years. His memoir, Taojie and Me, was published in March 2012. Lee was the playwright and production consultant for the HKAF-commissioned play The Amahs in 2015.
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郭翠怡
Kwok Chui-yi 編劇及助理導演
Playwright and Assistant Director
郭翠怡畢業於香港演藝學院戲劇學院，主修 表演。2 0 1 0 /1 2劇季為中英劇團全職演員。
2 0 1 7年前往法國跟隨菲利普．高利耶深 造。目前為自由身劇場工作者、黑目鳥劇團 成員，以及榞劇場一年制全方位課程演技導 師。 曾獲香港小劇場獎優秀女演員獎；提名包括 香港戲劇協會最佳女配角（悲 / 正劇）、最 佳女配角（喜 / 鬧劇）及香港小劇場獎最佳 劇本。 演出作品包括榞劇場《在牛池灣轉角遇上彩 虹》、一路青空《魔法豆腐花》、韓嘉政 及林建洪編舞《凹凸》、演戲家族《愛情漫 曼谷》、團劇團《人生罅隙》（重演）、新 視野藝術節甄詠蓓戲劇工作室《黑色星期 一》、黑目鳥劇團《在平坦的路上看不到日 出》及香港藝術節《愛之初體驗》等。 編劇作品包括黑目鳥劇團《去你的愛情》、 新域劇團《A Lonely Planet B》、演戲家族 《愛情漫曼谷》、王耀祖獨腳戲《被＿消失 的人》，亦曾為香港電台撰寫單元劇。導演 作品包括國際綜藝合家歡《愛面書網遊仙 境》、榞劇場《睇你點死》、澳門戲劇農莊 《在平坦路上看不到日出》。 2 0 1 4 年創作 首部獨腳戲《一人無方》，翌年與團劇團合 辦重演。
Kwok Chui-yi graduated from the School of Drama at the Hong Kong Academy for Performing Arts, majoring in acting. She was a full-time actress in Chung Ying Theatre Company from 2010 to 2012. In 2017, she studied acting under Philippe Gaulier in France. She is currently a theatre freelancer, a member of the Black Bird Theatre, and an instructor of Radix Troupe’s acting courses. Kwok was awarded the Outstanding Actress Award at the Hong Kong Theatre Libre and has been nominated for Best Supporting Actress in the Tragedy/Drama and Comedy/Farce categories at the Hong Kong Drama Awards, as well as Best Script at the Hong Kong Theatre Libre. Her performance works include: An Accidental Rainbow (Radix Troupe); Magic Tofu Flower (The Radiant Theatre); Puzzle, choreographed by Flora Hon and Kelvin Lam (Dance On Series); The Lesson I Learnt in Bangkok (Actors’ Family); Gap Life (The Whole Theatre); Black Monday (New Vision Arts Festival – O Theatre Workshop); Freedom of Expression (Black Bird Theatre); and HKAF’s Journey to Home. She wrote the script for Black Bird Theatre’s Suck At Love, Prospects Theatre’s A Lonely Planet B, Actor’s Family’s The Lesson I Learnt in Bangkok and Joe Wong’s monodrama Where is my batman? She has also written television scripts for RTHK. She directed HK International Arts Carnival’s facehome, Radix Troupe’s Radix Series: The Watching Dead, and Theatre Farmers in Macau’s Freedom of Expression. In 2014, Kwok created her first monodrama No One Party, and worked with The Whole Theatre on its re-run the following year.
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李端嫻
Veronica Lee 音樂總監、作曲及編曲
Music Director, Composer and Arranger
畢業於香港中文大學音樂系，主修作曲，後 獲香港演藝學院頒發音響工程文憑，成為香 港少數女音響工程師之一，自 2 0 1 1 年離開 黃耀明的人山人海工作室後，現為陳光榮
Click Music 旗下製作人，從事音樂、廣告、 電影、劇場、唱片創作。曾與黃耀明、楊乃 文、張信哲、容祖兒、a t 1 7、何韻詩等香港 及台灣歌手及樂隊合作。此外，李端嫻更 曾與亞里安、陳珊妮、范曉萱分別成立樂隊
Minimal、拜金小姐、100%，活躍獨立音樂 界。其音樂在中、港、台三地均獲好評。 李端嫻特別喜歡影像與劇場媒體配樂，曾合 作的表演團體包括進念二十面體、台灣人力 飛行劇團、風車草劇團、神戲劇場等。近年 頻密參與電影及廣告配樂，作品包括《明 明》、《跟我的前妻談戀愛》、《華麗之 后》、《極光之愛》、《空手道》、《逆向 誘拐》、《非分熟女》等，更憑電影《那夜 凌晨，我坐上了旺角開往大埔的紅 VA N》獲 第三十四屆香港電影金像獎最佳原創電影音 樂。她亦曾參與製作的廣告品牌包括 A g n è s b.、Fujifilm、麥當勞、恆生銀行、新世界地 產及職業安全局等。
Veronica Lee graduated from the Music Department of the Chinese University of Hong Kong, majoring in composition. She received a diploma in audio engineering from the Hong Kong Academy for Performing Arts and became one of the few female sound engineers in Hong Kong. She left Anthony Wong’s People Mountain People Sea Studio in 2011 and is now working in Chan Kwong-wing’s Click Music as a composer and producer in music, advertisements, film, theatre and record production. She has worked with Hong Kong and Taiwanese singers such as Anthony Wong, Faith Yang, Jeff Chang, Joey Yung, at17, Denise Ho and others. Lee is also co-founder of the bands Minimal, Materialgirl, 100% with Arion Au Yeung, Sandee Chan and Mavis Fan respectively and remains active in the independent music industry, garnering critical acclaim in mainland China, Hong Kong and Taiwan. Lee enjoys working on visual and theatre media soundtracks. She has worked with theatre companies like Zuni Icosahedron, Mr Wing Theatre Company, Windmill Grass Theatre and Dionysus Contemporary Theatre. She often works on music compositions for film and television. Her works include Ming Ming, My Ex-Wife’s Wedding, Diva, Endless Nights in Aurora, The Empty Hands, Napping Kid and The Lady Improper. She won the Best Original Film Music award at the 34th Hong Kong Film Awards for her work on The Midnight After. She has also worked with commercial brands like Agnès b., Fujifilm, McDonald’s, Hang Seng Bank Limited, New World Development Co Ltd. and the Occupational Safety and Health Council, among others.
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周國賢 周sir
Endy Chow Mr Chow
© Harrison Tsui
香港音樂人和創作歌手。2004 年出道即憑同名 E P 及首張個人專輯《溫室氣球》獲得 香港各大音樂頒獎典禮新人獎。2006 年再與兒時好友以樂隊 Zarahn 身份出道。周國 賢的個人代表作品包括《目黑》、《地下街》、《漢城沉沒了》、《有時》、《Children Song》及《今生不回家》。他也為其他歌手創作歌曲，包括何韻詩《眼淚教我的事》、 陳奕迅《四季》、楊千嬅《吻所有女孩》及麥浚龍《雷克雅未克》等。 在歌手事業以外，周國賢在舞台劇、影視、音樂錄像導演方面均有作嘗試。曾擔任舞 台劇《梁祝．下世傳奇》、電影《半醉人間》、《愛比死更冷》及 ViuTV《三一如三》 等作品男主角。 Endy Chow is a Hong Kong musician and singer-songwriter. He debuted in 2004; his self-titled album Endy Chow EP, together with his first solo album The Greenhouse Balloon, won him the Best New Artist Award at various Hong Kong music awards ceremonies. In 2006, he debuted the band Zarahn, formed in collaboration with his childhood friend. His solo hits include Black Eyes, Underground Street, Seoul is Sinking, Sometimes, Children Song and No Return. Chow has also composed for other singers, such as Denise Ho’s The Science of Crying, Eason Chan’s Four Seasons, Miriam Yeung’s Kissing all the Girls and Juno Mak’s Reykjavik. Chow has moved beyond singing to explore theatre, film and television, including work as a music video director. He has been the lead actor in the drama Butterfly Lovers, ViuTV’s 3 x 1, and the films Cocktail and Love is Cold.
游學修 王雨恩
Yau Hawk-sau Wong Yu-yan 游學修畢業於香港演藝學院電影電視學院，主修編劇。曾為 ViuTV 自編自導自演劇集 《仇老爺爺》，亦曾參演微電影《愛不難》、《哪一天我們會飛》、《同囚》、《中 英街一號》（第十三屆大阪亞洲電影節最佳電影）及《起底組》等電影。 © Harrison Tsui
Yau Hawk-sau graduated from the School of Film and Television at the Hong Kong Academy for Performing Arts, majoring in scriptwriting. He wrote, directed and acted in ViuTV’s series Haters Gonna Stay. He has also acted in various films, such as For Love, We Can, The Dream, She Remembers, He Forgets, With Prisoners, No. 1 Chung Ying Street (Best Picture in the 13th Osaka Asian Film Festival) and Keyboard Warriors.
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© Harrison Tsui
章尾而
伍潔茵
吳聰敏
Miss Lau
jamie zhang
Cecilia Ng
Ng Chung-man
Miss Lau
1997 年出生，2016 年以唱作女歌手身份出道，首支派台歌《化夢》榮登各大流行榜 三甲位置。2018 年加盟新唱片公司 Strawberry Fields，包辦首支派台作品《已回不去》 的作曲填詞及主唱。於 2017 年參與舞台劇表演《逝去的花火》。
資深劇場演員、聲線訓練及演技導師。現為榞劇場聯席藝術總監、香港藝術發展局（戲 劇界別）審批及評審員。1996 年畢業於香港演藝學院戲劇學院（一級榮譽）藝術學 士學位，主修表演。2007 年於澳洲悉尼國家戲劇學院完成戲劇碩士課程，主修聲線 訓練。伍潔茵兩度獲香港舞台劇獎最佳女主角獎及最佳女配角獎。1998 年至 2001 年 為中英劇團全職演員；2001 年至 2011 年於香港演藝學院戲劇學院（表演系）擔任全 職講師，教授演技及聲線訓練。2011 年至今活躍於劇場演出及教授聲線運用。
jamie zhang was born in 1997. In 2016, she released her debut single Dream On, which immediately topped the pop charts. In 2018, she joined the Strawberry Fields label, where she wrote the melody and co-wrote the lyrics for her first single on the new label, There’s No Turning Back. In 2017, she took part in the theatre performance The Fading Spark.
陳桂芬 校長
Brenda Chan School Principal
© Harrison Tsui
資 深 舞 台 工 作 者， 參 與 演 出 劇 目 百 餘 齣 並 擔 任 主 角。2 0 1 2 年 成 立 慈 善 團 體 A r t s ’ Options，致力推動藝術生命教育，服務社會。現為香港藝術發展局戲劇審批員、香港 戲劇協會及香港小劇場獎評審委員。陳桂芬曾獲多個舞台演出獎項，包括三度獲得舞 台劇獎最佳女配角及小劇場優秀女演員。2 0 1 8 年，憑劇場空間《2 7 個小孩的媽媽》 獲最佳女主角獎，亦曾監製多個舞台作品，並演出多齣影視作品。近年更開始導演， 屢獲最佳導演提名。 Brenda Chan is an experienced stage practitioner who has performed in the main cast of more than 100 programmes. In 2012, Chan founded the charity Arts’ Options, devoted to the promotion of lifelong education in the arts. She is now an examiner at the Hong Kong Arts Development Council and an adjudicator of the Hong Kong Federation of Drama Societies and Hong Kong Theatre Libre. Chan has won numerous theatre performance awards, including three Best Supporting Actress accolades at the Hong Kong Drama Awards and a Best Actress award at the Hong Kong Theatre Libre for Theatre Space’s The Woman with 27 Children in 2018. She has appeared in many film and television productions and has recently begun directing, with several nominations for Best Director.
Cecilia Ng is an actress, vocal trainer and acting instructor. She is currently the Associate Artistic Director of Radix Troupe and an examiner and assessor for the Hong Kong Arts Development Council’s drama category. In 1996, Ng graduated from the School of Drama at the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts (First Class Honours) in acting. She obtained her master’s degree from the National Institute of Dramatic Art, Sydney in 2007, majoring in Voice/Text Training. She has twice won Best Actress and Best Supporting Actress accolades at the Hong Kong Drama Awards. From 1998 to 2001, Ng was a full-time actress at Chung Ying Theatre Company, and from 2001 to 2011, she was a full-time lecturer at the HKAPA School of Drama, teaching acting and vocal training. Since 2011, she has been active in theatre performance and vocal training.
杜雯惠 王雨恩媽媽
Ada To Yan’s Mother 電台節目主持、編劇、音樂創作人及演員。曾參演、編劇或擔任音樂創作的製作包括 奔騰製作《星下談》、《傳說鐘的故事》、《龍鳳耍花槍》及風車草劇團《穿紅靴的 貓》。憑中英劇團《人生唯願多知己》榮獲第五屆香港舞台劇獎最佳創作音樂（音樂 總監兼作曲及作詞）；及憑春天舞台《窈窕淑女》榮獲第七屆最佳女主角（喜劇 / 鬧 劇）。杜雯惠曾任香港電台文化及音樂節目編導，主持音樂及清談節目。2003 年推 出唱片《人間定格》；2005 年任教香港大學通識課程；2014 年重返香港電台主持親子、 精神健康及娛樂資訊節目。 Ada To is a radio host, playwright, composer and actress. She has performed in: Starry Starry Night, The Tale of the Clock, Lungfung Sa Fatsoeng (Ben And Benson); and The Cat in Red Boots (Windmill Grass Theatre). She won the Best Original Soundtrack at the 5th Hong Kong Drama Award as musical director, composer and lyricist for Chung Ying Theatre Company’s A Bosom Friend is Hard to Come By, and was named Best Actress (Comedy/Farce) at the 7th Hong Kong Drama Awards for Spring-Time Group’s My Fair Lady. To was the director of RTHK’s cultural and music programmes, hosting music and talk shows. In 2003, she released her solo album, People Freeze Frame; in 2005, she became a Liberal Studies instructor at the University of Hong Kong. In 2014, she returned to RTHK, hosting parent–child, mental health and entertainment news programmes.
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何浩源
林英傑
王雨恩爸爸
吳聰敏爸爸
Mill Ho
Even Lam
Yan’s Father
Man’s Father
何浩源多年來從事舞台、電影及電視幕前、導演及戲劇導師工作，合作團體包括香港 話劇團、中英劇團、電視廣播有限公司等。1990 年以優異成績畢業於香港演藝學院， 主修表演；1989 年及 1990 年獲演藝學院傑出男演員獎及獎學金；2015 年於香港演藝 學院完成戲劇教育碩士課程。20 0 2 年憑演戲家族《蛋散與豬扒》的角色阿明獲提名 香港戲劇協會舞台劇獎最佳男配角（喜劇 / 鬧劇）；導演作品《畀唔起咪鬼畀》獲匯 澳傳媒劇評稱讚為編導大師級。他現為香港戲劇協會香港舞台劇獎評審，也是即興喜 劇大激鬥創辦人及藝術總監。
畢業於香港演藝學院戲劇學院導演系碩士課程（2018）及表演系深造文憑（1991）。 他從事戲劇教育超過二十八年。1991 年至 1997 年間為赫墾坊全職演員，1999 年創立 大細路劇團；曾為澳門小山藝術社執導《魔法寶石》、《十兄弟》及《反斗西遊記》 （澳門、上海世博巡演，2010）。近年執導作品包括《多事妹的白日夢》（2016；愛 丁堡藝穗節，2017）、《唐吉訶德》（碩士畢業作品）及《小海螺與大鯨魚之環保遊 世界》（2018）。曾任西九文化區管理局諮詢委員（2009 年至 2017 年）、香港戲劇 協會評審委員及香港學校戲劇節評判及導師，現為大細路劇團藝術總監兼劇團經理、 香港藝術發展局審批員。
Mill Ho has been working in theatre, film and television as an actor, director, and drama instructor for many years. Ho has worked with the Hong Kong Repertory Theatre, Chung Ying Theatre Company and TVB, among others. He graduated from the Hong Kong Academy for Performing Arts in 1990, majoring in acting; in 1989 and 1990, he was awarded the Most Outstanding Actor Award and scholarships from the academy. Ho also completed an MFA in Theatre Education at HKAPA. He was nominated as Best Supporting Actor (Comedy/Farce) at the Hong Kong Federation of Drama Societies’ Hong Kong Drama Awards for his role as Ming in Actors Family’s Under Construction. His directorial work Can’t Pay? Won’t Pay! was praised by RECAP853 theatre critics as a directorial and production masterpiece. He is now an adjudicator for the Hong Kong Drama Awards and is the founder and art director of Comedy Battle.
Even Lam graduated from the School of Drama at the Hong Kong Academy for Performing Arts with An Advanced Diploma in Acting (1991) and an MFA in Directing (2018). Lam has been a drama educator for more than 28 years. From 1991 to 1997, he was a full-time actor for the Exploration Theatre. In 1999, he founded Jumbo Kids Theatre. Lam directed Magic Gem (Little Mountain Arts Association, Macau), The Ten Brothers and The Last Journey to the West (Macau and Shanghai World Expo versions in 2010). Some of his recent directorial works include: Toasty’s Day Dreaming (2016, Edinburgh Fringe Festival 2017), I Don Quixote (MFA Directing Thesis Production) and Snail and Whale Travel Around the World (2018). He was a member of the Consultation Panel for the West Kowloon Cultural District Authority (2009–2017), a reviewer for the Hong Kong Federation of Drama Societies and an adjudicator and instructor for the Hong Kong School Drama Festival. He is now artistic director and theatre manager for Jumbo Kids Theatre and an examiner of the Hong Kong Arts Development Council.
廖淑芬 吳聰敏媽媽
Gladys Liu
陳嘉威
Man’s Mother
陳偉豪
資深舞台演員、監製、戲劇節目及戲劇教育策劃人。現為劇場工作室行政總監及駐團 演員、香港藝術發展局戲劇界別審批員及評審員、賽馬會創意藝術中心黑盒劇場評審 員。香港演藝學院藝術（榮譽）學士，主修表演。曾赴美國紐約 H B S t u di o 鑽研音樂 劇表演，也是前赫墾坊劇團及前亞洲電視全職演員，亦曾任香港浸會大學人文學科戲 劇講師、香港演藝學院戲劇學院演技講師。廖淑芬曾獲香港舞台劇獎兩屆最佳女主角 及兩屆最佳女配角 ( 喜 / 鬧劇 )。
Donald Chan
Gladys Liu is an experienced stage actor, producer, drama programmer and drama education planner. She is currently the executive director and actress-in-residence of Drama Gallery, an examiner and reviewer for the Hong Kong Arts Development Council’s drama category, and a reviewer for the JCCAC Black Box Theatre. Liu obtained a Bachelor of Fine Arts (Honours) in Acting at the Hong Kong Academy for Performing Arts (HKAPA) and studied musical performance in New York at HB Studio. She was previously a full-time actress at Exploration Theatre and ATV, and was drama instructor at the Hong Kong Baptist University and the School of Drama at the HKAPA. She won Best Actress and Best Supporting Actress (Comedy/Farce) twice at the Hong Kong Drama Awards. She specialises in playing emotional roles with odd characterisations, and is a skilled has mastered both acting and singing.
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Chan Wai-ho 陳嘉威畢業於香港演藝學院戲劇學院，獲頒藝術學士（一級榮譽）學位，主修表演。 在學期間憑《朱莉小姐》獲傑出演員獎。近年合作單位包括香港藝術節、香港話劇團、 浪人劇場。近期演出廣告：大新銀行、香港寬頻、維他無糖茶。陳嘉威亦主理融合音 樂、旅遊、攝影的個人品牌「Walking With Saxophone」，分享賣藝旅遊心得。 Donald Chan graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts (First Class Honours) in Acting. His performance in Miss Julie during his studies won him an award for Outstanding Actor. He has recently collaborated with the HKAF, the Hong Kong Repertory Theatre and Theatre Ronin. His recent advertising credits include work with Dah Sing Bank, the Hong Kong Broadband Network, and Vita No Sugar Tea. Chan also manages his personal music, travel and photography brand, “Walking With Saxophone”, sharing his experiences busking around the world.
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林芷沿
謝冰盈
小丙
大大
Lam Tze-yuen
Samantha Tse
Bing
Dai Dai
2014 年於香港演藝學院戲劇學院學士畢業。現為自由身演員。演出包括：香港話劇 團《太平山之疫》、《灼眼的白晨》；同流《生生》、《活在香港》、《山羊》（讀 劇）、《赤道上的冰花男孩》；香港藝術節《炫舞場》；香港展能藝術會《路一起走》。
謝 冰 盈 2015 年 於 香 港 演 藝 學 院 戲 劇 學 院（ 榮 譽 ） 學 士 畢 業。 近 期 演 出：I n spire Workshop《愛比資本更冷》（提名第八屆香港小劇場獎優秀女演員）；一條褲製作《流 徙之女》、《黃面佬》；天邊外劇場 《李逵的藍與黑》（東北村落版）；糊塗戲班《螢 火蟲》、《戲女人間》；7A 班戲劇組《失戀，我們分手吧！》；香港話劇團 《迂迴曲》 及天邊外劇場《傷逝如她》等。
Lam Tze-yuen graduated from the Hong Kong Academy for Performing Arts in 2014 with a Bachelor of Fine Arts (Honours) in Acting. He is now a freelance actor. Lam’s professional theatre credits include: 1894 Hong Kong Plague and White Blaze of the Morning (Hong Kong Repertory Theatre); LUNGS, Life In Hong Kong, The Goat and Frosty Boy on the Equator (We Draman); Danz Up (HKAF) and The Path Together (Arts with the Disabled Association Hong Kong), among others.
周漢寧 明哥
Chou Henick
Samantha Tse obtained her Bachelor’s Degree (Honours) from the School of Drama at the Hong Kong Academy for Performing Arts. Her recent acting credits include: Deconstructed, for which she was nominated as Best Actress at the 8th Hong Kong Theatre Libre awards (Inspire Workshop); Sweet Mandarin and Yellow Face (Pants Theatre Productions); The Black and the Blue of a Man (Theatre Horizon); The Rainbow Troops and My Fail Lady (The Nonsensemakers); Love to Forget (Class 7A Drama Group); Twist and Turns (Hong Kong Repertory Theatre); and Mourning Becomes Electra (Theatre Horizon).
黃雪燁
Ming
細細
周漢寧於香港演藝學院戲劇學院（榮譽）學士畢業，主修表演，現為自由身演員。在 校演出包括《Crave》、《Pippin》及《魔零》等；校外演出則有中英劇團《戇大人音 樂劇》、天台製作《復仇變奏曲》及 ViuTV 電視劇《教束》。
Wong Suet-ip
Chou Henick graduated from the School of Drama at the Hong Kong Academy for Performing Arts with a Bachelor’s Degree (Honours) in Acting. Chou currently works as a freelance actor. His acting credits in school include: Crave, Pippin and Morning, among others. His off-campus acting credits include: Chung Ying Theatre Company’s The Government Inspector: The Musical, Rooftop Productions’ The Furies and ViuTV’s drama Limited Education.
黃雪燁 2016 年於香港演藝學院戲劇學院，( 榮譽 ) 學位畢業。現為自由身演員、歌唱 指導及樂隊「墓誌銘」主音。近年演出作品：香港話劇團《原則》（2018 年新版和 首演）、天邊外劇場《教父阿塗》、浪人劇場《與西西玩遊戲》。
張蔓姿
Sai Sai
Wong Suet-ip graduated from the School of Drama at the Hong Kong Academy for Performing Arts in 2016 with a Bachelor of Fine Arts Degree (Honours) in Acting. She is a freelance actress, singing coach, and vocalist for the band Epitaph. Her recent credits include Principle (New version and premier 2018) (Hong Kong Repertory); The Resistible Rise of ARTURO UI (Theatre Horizon); and Playing with XiXi (Theatre Ronin).
阿一
賈亦勤
Gigi Cheung
阿夢
Yat 張蔓姿 2016 年畢業於香港演藝學院戲劇學院，主修表演。近年演出：天邊外劇場《李 逵的藍與黑》（東北村落版）、香港話劇團《局》等。她亦有擔任聲音設計、作曲及 現場演奏，並參演電影、短片及廣告。現為自由身演員。 Gigi Cheung graduated from the School of Drama at the Hong Kong Academy for Performing Arts in 2016, majoring in acting. Her recent credits include The Black and Blue of a Man (Theatre Horizon); and The Office (Hong Kong Repertory Theatre), among others. She has also worked in sound design, composing and live music performance. Cheung appeared in films, short videos, and advertisements and currently works as a freelance actress.
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Karen Ka Meng 賈亦勤畢業於鄧樹榮戲劇工作室一年制專業形體戲劇青年訓練課程。現為自由身 演員、歌唱及無伴奏合唱導師；她是 Voice n joy A r t 創辦人、女子無伴奏合唱組合 Echogram 及舞蹈天使成員。近年參演作品：演戲家族《一水南天》、爆炸戲棚《我和 青天有個秘密》、鄧樹榮專業演員實驗室展演《我點解要係 Steve Jobs》及浪人劇場《裸 「言泳」無邪》。 Karen Ka graduated from Tang Shu-wing Theatre Studios’ one-year professional physical theatre training programme and now works as a freelance actor, singer and a cappella teacher. She is the founder of Voicenjoy Art and a member of the female a cappella group Echogram and DancingAngels. Her recent acting credits include: A Tale of the Southern Sky (Actors’ Family), Fly Bao to the Moon (Boom Theatre), Who Needs To Be Steve Jobs (Tang Shu-wing Professionals’ Laboratory Showcase) and Sentimental (Theatre Ronin).
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吳卓曦（嘿嘿@雞蛋蒸肉餅）
王健偉
阿曦 / 敲擊
舞台設計
Ng Cheuk-hei (Heihei@GDJYB)
Jan Wong
Hei/Percussion
Set Designer
香港音樂人。醉心於創作另類節奏，並加入民族敲擊樂器配搭出新穎的聲音。嘿嘿於 2012 年與友人組成獨立女子樂隊「雞蛋蒸肉餅」，與隊員烘焙出嶄新音樂類型「算 術民謠」。成團至今已錄製了三張唱片，並有幸獲邀到美國、冰島、日本、澳洲、韓 國以及大中華地區的音樂節演出。曾合作歌手包括黃耀明、何韻詩、林二汶、盧凱彤、 6 號 @RubberBand、小肥及 Emmy The Great 等。
2011 年畢業於香港演藝學院舞台及製作藝術學院，主修舞台及服裝設計，擔任舞台 / 場景設計的作品包括《公園 裡》、《空凳上的書簡 2：繼續書寫》、《最後一次西遊》、《烏合之眾》及《大汗推拿》等。舞蹈設計作品包括： 《紅樓．夢三闋》、《紫玉成煙》、《千里走單騎》等。近年，與何應豐聯合設計的《咏嘆調》及《紅樓．夢三 闋》分別獲得香港舞蹈聯盟最值得表揚佈景設計及傑出舞台設計。
Ng Cheuk-hei (Heihei) is a local musician devoted to experimenting with alternative rhythms and creating new sounds with folk percussion instruments. In 2012, Heihei co-founded the independent female band GDJYB with her friends. Together, they have experimented with an innovative new genre: Math Folk. GDJYB has since recorded three albums and has been invited to perform in music festivals in the US, Iceland, Japan, Australia, Korea and the Greater China region. The band has worked with renowned artists such as Anthony Wong, Denise Ho, Eman Lam, Ellen Joyce Loo, Mau Ho Cheong@Rubberband, Terrance Siufay and Emmy the Great.
Jan Wong graduated from the HKAPA School of Theatre and Entertainment Arts in 2011, majoring in theatre and costume design. His works as a set designer includes: The Park, Special Delivery 2: Politely Intractable Still, Heading West 3, The Crowd, The Massage King, among others. His designs for dance productions include Reveries of The Red Chamber, Waiting Heart and Guan Yu’s Ride of 1,000 Miles. Recently, his work on The Island Whisperers and Reveries of the Red Chamber with Ho Ying-fung won the Hong Kong Dance Alliance’s Outstanding Set Design Award and Outstanding Stage Design Award.
吳達生 服裝設計
Alan Ng
陳思捷
Costume Designer
阿捷 / 鋼琴
Cedric Chan Chit/Piano 陳思捷是一位融合古典與現代風格的鋼琴家及作曲家 ，也是福音音樂會「Madshow」 音樂總監，以及著名色士風鋼琴二人組「朱思馬即」成員。2015 年憑第三張專輯《命 運》榮獲 IFPI 國際唱片業協會全年最暢銷古典、戲曲唱片大獎。 陳思捷畢業於香港演 藝學院，主修鋼琴演奏，師承羅乃新女士；2016 年與「樂聚．管樂」演奏歌舒詠的《藍 色狂想曲》。 流行曲作品包括《先入為主》、《棋王》、《浪漫時代》、《我選擇笑》、 《幽靈》、《24》及《寵物的畢業禮》等；亦曾參與《明月幾時有》、《一個好爸爸》 及《衝上雲霄》等影視作品的音樂演出。 此外，陳思捷亦投身鋼琴教育，現為全港 學生音樂比賽大會主要評委。 Cedric Chan is a pianist and composer who merges classical and modern music. He is musical director of the gospel concert Madshow and a member of the saxophone and piano duet Chu Sze Magic. His third album, Destiny, was named the Best Selling Classical Album of 2015 by the International Federation of the Phonographic Industry (IFPI). In 2016, he performed Gershwin’s Rhapsody in Blue with the orchestra Musicphilic Winds. His pop song credits include: Preconception, The Chess Master, Romantic Times, I Choose to Smile, Ghosts, 24 and Pet Graduation. He has participated in the music production for several well-known films and television series, such as Our Time Will Come, Run Papa Run and Triumph in the Skies. Chan is devoted to piano education and is now the main adjudicator of the Hong Kong Student Music Competition. Chan graduated from the Hong Kong Academy for Performing Arts, majoring in piano, and is a student of Ms Nancy Loo.
吳達生畢業於香港演藝學院科藝學院，其後前往英國倫敦時裝學院進修。1994 年起為廣告及音樂錄影帶擔任造 型和美術指導。舞台劇服裝設計作品包括 W 創作社《男男女女男》（獲提名第二十四屈香港舞台劇獎最佳服裝 設計）、《味之素》、《夏風夜涼》、《下一秒我就憎你》；神戲劇場《狂揪夫妻》；香港藝術節《香港家族》； 風車草劇團《哈雷彗星的眼淚》；英皇舞台《奪命証人》，《短暫的婚姻》等。 Alan Ng graduated from the Hong Kong Academy for Performing Arts School of Technical Arts and pursued further studies at the London College of Fashion. Since 1994, he has worked as a costume designer and art director for advertisements and music videos. He has designed costumes for productions including: W Theatre’s Les Hommes et Les Femmes (nominated for Best Costume Design at the 24th Hong Kong Drama Awards), Unknown, I Want It That Way and Hate You in a Second; Dionysus Contemporary Theatre’s Le Dieu Du Carnage; HKAF’s A Floating Family; Windmill Grass Production’s No Place Like Home; Emperor Entertainment’s Witness for the Prosecution and My Very Short Marriage, among others.
楊子欣 燈光設計
Yeung Tsz-yan Lighting Designer 畢業於香港演藝學院科藝學院，獲頒藝術學士學位，主修舞台燈光設計。在學期間憑香港演藝學院作品《菲爾德》 獲香港舞台劇獎最佳燈光設計。畢業後再憑同流《關愛》、香港話劇團《安．非她命》、《結婚》及《父親》五 度獲此殊榮。2012 年憑香港舞蹈團作品《雙燕 - 吳冠中名畫隨想》獲第十四屆香港舞蹈年獎「最值得表揚舞美」。 2011 年及 2015 年獲代表香港參加布拉格舉行的舞台設計四年展。現為自由身舞台工作者。 Yeung Tsz-yan graduated from Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts in Theatre Lighting Design. During her studies, her work on Phaedra was awarded Best Lighting Design at the Hong Kong Drama Awards, an award which she received again for her subsequent work on We Draman’s Iron and Hong Kong Repertory Theatre’s Attempts on Her Life, Marriage and The Father Le Père. In 2012, she received the Outstanding Design for Dance Award at the 14th Hong Kong Dance Alliance Dance Awards for Two Swallows: Ode to Wu Guanzhong. She was chosen to represent Hong Kong at the Prague Quadrennial in 2011 and 2015. Yeung is currently a freelance stage practitioner.
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夏恩蓓
袁建雯
音響設計
舞台監督
Ha Yan-pui
Yuen Kin-man
Sound Designer
Stage Manager
夏恩蓓畢業於香港演藝學院舞台音響及音樂錄音系，現為音響設計師及工程師，作品涵蓋劇場、舞蹈、音樂會、 音樂劇及多媒體演出，近作包括《奮青樂與路》（第二十七屆香港舞台劇獎最佳音響設計獎）；一舖清唱《大殉情》 （重演）（第二十六屆香港舞台劇獎最佳音響設計獎）；進念•二十面體《維根斯坦》；城市當代舞蹈團 / 一舖 清唱《香．夭》等。其他作品包括香港話劇團《一頁飛鴻》、任白慈善基金《再世紅梅記》及 W 創作社《小人國》 系列等。
畢業於香港演藝學院舞台及製作藝術學院，主修藝術、項目及舞台管理。現為自由身舞台工作者。
Ha Yan-pui is a graduate of the Theatre, Sound and Music Recording Department at the Hong Kong Academy for Performing Arts. She is a sound designer and engineer in drama, dance, concert music and multi-media productions. Her recent design works include Sing Out (Best Sound Design at the 27th Hong Kong Drama Awards); Our Immortal Cantata for Yat Po Singers (Best Sound Design at the 26th Hong Kong Drama Awards); Wittgenstein for Zuni Icosahedron; and Requiem HK for City Contemporary Dance Company. Other works include: Footprints in the Snow (Hong Kong Repertory Theatre); The Reincarnation of Red Plum (Yam Kim Fai & Pak Suet Sin Charitable Foundation) and the Little Hong Kong series (W Theatre) among others.
梁雅慈
Yuen Kin-man graduated from the Hong Kong Academy of Performing Arts School for Theatre and Entertainment Arts, majoring in arts, event and stage management. She is now a freelance stage practitioner.
助理舞台監督
Leung Nga-chi Assistant Stage Manager 梁雅慈畢業於香港演藝學院，主修藝術、項目及舞台管理。畢業後參與不同劇團的製作，包括心創作劇團、鄧樹 榮工作室、劇場工作室、非凡美樂、W 創作社。現為自由身舞台管理工作者。
魏婉意
Leung Nga-chi graduated from the Hong Kong Academy for Performing Arts, majoring in arts, events and stage management. She has participated in various theatre productions since graduation with Bravo Theatre, Tang Shu-wing Theatre Studio, Drama Gallery, Musica Viva and W Theatre. She is now a freelance stage management practitioner.
製作經理
Gloria Ngai Production Manager 魏婉意於香港演藝學院畢業，主修舞台及技術管理。畢業後曾與多個藝術團體合作，包括香港歌劇院、香港藝術 節、鄧樹榮戲劇工作室、法國五月藝術節及 ABA 製作。近年亦為莎士比亞環球劇團及 Sell a Door 劇團等多個海外 團體的製作擔任本地製作經理。 Gloria Ngai graduated from the Hong Kong Academy for Performing Arts, majoring in stage and technical management. She has collaborated with many arts organizations since, including Opera Hong Kong, HKAF, Tang Shu-wing Theatre Studio, Le French May and ABA Productions Ltd. She also works as a production manager for overseas groups performing in Hong Kong, recently including Shakespeare’s Globe (UK) and Sell a Door Theatre Company Ltd (UK), among others.
孔稜斯
黎文熙 助理舞台監督
Jeff Lai Assistant Stage Manager 黎文熙 2018 年畢業於香港演藝學院，主修藝術、項目及舞台管理。曾擔任 Kids Gallery 音樂劇《小美人魚》及《小 飛俠》、賽馬會香港歌劇院青年演唱家發展計劃 《歌劇百年盛宴》 執行舞台監督；Face Production 《Catch Me If You Can》、觀塘戲團 《當我回來，你還會和我一起飛？》 舞台監督，亦曾在香港中樂團實習並參與該團於 2018 年的中國內地巡演。現為自由身工作者。 Jeff Lai graduated from the Hong Kong Academy for Performing Arts in 2018, majoring in arts, events and stage management. His stage management credits include: The Little Mermaid Musical and Peter Pan: The Musical (Kids Gallery); Opera Carnival (Jockey Club Opera Hong Kong Young Artist Development Programme); Catch Me If You Can Musical (Face Production); and When I Return, Will You Fly With Me? (Kwun Tung Theatre). He was also an intern with the Hong Kong Chinese Orchestra and participated in the orchestra’s 2018 mainland China tour. He is now a freelance practitioner.
執行舞台監督
Carmen Hung Deputy Stage Manager 畢業於香港演藝學院舞台管理系。近年參與製作包括卵之只《等死研究所》、W 創作社 《小人國 6》；風車草劇 團《忙與盲的奮鬥時代》；Neway 光影音樂劇場《告別之後》；演戲家族音樂劇《一屋寶貝》（五度公演）、《遇 上 1941 的女孩》（2014 年重演）等。六度參與香港藝術節香港賽馬會當代舞蹈平台。曾獲香港戲劇協會頒發傑 出執行舞台監督獎。現為自由身表演藝術工作者。 Carmen Hung graduated from the Hong Kong Academy for Performing Arts, majoring in stage management. Her recent work includes: Laboratory of Lungg, W Theatre’s Little Hong Kong Season 6, Windmill Grass Theatre’s Lazy People are Always Busy, Neway’s Ever After, and Actors’ Family’s The Passage Beyond and 1941 Girl, among others. She has participated in HKAF’s the Hong Kong Jockey Club Contemporary Dance Series six times, and was recognised by the Hong Kong Drama Awards for Outstanding Stage Management. She is now a freelance performing arts practitioner.
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鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited
•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery
•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
瑪琳．艾爾梭與聖保羅交響樂團
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
CHCH
16/2
8pm
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
克雷莫納弦樂四重奏
Quartetto di Cremona
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD
李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
-《雙篇雙人舞》 -「兩地書」-《沒有大象》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
DANCE
舞蹈
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
8pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
16/3
8pm
4-5/3
8:15pm
18/3
8pm
Dead Centre Hamnet
CCST
CCCH
正點劇團 《哈姆尼特─莎士比亞之子》
CHCH
21-22/3
8pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
22/2 23/2 23/2 23/2
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
Matsuev and Friends Play Jazz
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
希薇雅．佩瑞茲．克露絲 《夜妝》
8pm 7:30pm 4pm 9:30pm
戲劇
時光之音 《西班牙文藝復興合唱代表作》
香港賽馬會當代舞蹈平台 -《舞鬥》
亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
THEATrE
香港中樂團 《九千年的邂逅》
舞蹈
《白蛇傳》 作曲：周龍 | 編劇：林曉英
CCGT
Oper Leipzig Wagner’s Tannhäuser
DANCE
歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
3pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
CCCH
9/3
8pm
CCCH
14/3
8pm
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
APAD
26-27/2
8:15pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
Euripides Laskaridis / Osmosis TITANS
23/3 24/3
8:15pm 5pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
資料截至 Information as of: Jan 2019
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」
25/1/2019
PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
《好！擊！動！》同樂日 P is for Percussion! Family Day 互動敲擊展覽
��動啦� 大堂音樂會
Interactive Percussion Exhibition
Feel the Pulse NOW!!! Foyer Performance
14/3 - 15/3 四至五 Thu to Fri 12:00nn - 8:00pm 展覽 Exhibition
⯝顥 F R E E
16/3 六 Sat 2:00 - 6:00pm 互動環節 Interactive Session
16/3 六 Sat 4:30 - 5:30pm
香港文化中心大堂 Foyer, HK Cultural Centre
香港文化中心大堂 Foyer, HK Cultural Centre
⯝顥 F R E E
拇指琴工作坊
� ��樂�工作坊
Thumbiano Workshop
Musical Bottle Workshop
16/3 六 Sat 11:00am - 1:00pm 香港文化中心平台工作室 Podium Workshop, HK Cultural Centre
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
16/3 六 Sat 2:00 - 3:00pm 4:00 - 5:00pm 香港文化中心平台工作室 Podium Workshop, HK Cultural Centre
26/1/2019
《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目主任（行政） 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff