衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝 術節陣容鼎盛，共有超過1700名來自香港和世 界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。 今年藝術節的節目多姿多彩，當代及古典音 樂、舞蹈、戲劇等不同形式的藝術表演共冶一 爐。每個節目從幕後製作到台前演出，均盡顯 精湛的藝術造詣和超凡的想像力。 我很高興知道最近完成活化的中區警署建築 群，即現在的大館古蹟及藝術館，會在兩個周 末呈獻約5 0場舞蹈表演，供公眾免費入場觀 賞。大家更有機會一起參與在大館的檢閱廣 場、監獄操場，甚至是監獄囚室進行的表演節 目。牛棚藝術村亦會打造為藝術共生創造社， 首度成為藝術節發展作品的平台，場內設有不 同創意領域的工作坊，觀眾並可以欣賞一些創 作中的作品，感受藝術家的多元創意。 除了精彩表演，藝術節亦一如以往，悉心籌備 各項教育和外展活動，致力培育本地藝術人 才。「香港藝術節青少年之友」計劃讓本地學 生有機會觀賞世界級的表演和參與各式各樣的 藝術活動。此外，藝術節亦透過後台參觀和大 師班等「加料節目」，讓觀眾與國際頂尖藝術 家互動接觸，了解節目的幕後製作過程。 衷心感謝香港藝術節團隊一直致力推動本港的 藝術發展，成績斐然。我亦感謝贊助商和捐款 者的大力支持，令每年的藝術節圓滿成功，大 獲好評。 謹祝二零一九年香港藝術節所有觀眾、參加者 和表演者可以盡情享受這次藝術之旅，留下愉 快難忘的回憶。
林鄭月娥 香港特別行政區行政長官
I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場 演出。感謝您與我們一起歌頌表演藝術在舞 台上的不同季節和階段。 我們要感謝香港特別行政區政府透過康樂及 文化事務署的年度恆常撥款。這項資助對香 港藝術節每年得以成功舉辦，至關重要。多 謝香港賽馬會慈善信託基金持續的支持，為 我們致力豐富城中文化生活，打下根基。另 外要感謝眾多企業贊助商、慈善基金會以至 個人捐助者。他們的慷慨捐助，讓我們能夠 呈獻世界各地的優秀藝術家、發展新作、培 育年青觀眾，並在國際舞台上引薦本地人 才。 最重要的是感謝您前來欣賞今天的表演。香 港藝術節的成功，正是有賴觀眾的熱情和參 與。謹祝您享受藝術節今天這場演出，渡過 難忘的時光。
查懋成 香港藝術節主席
I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演 出。 今屆藝術節以「一步一舞台」為主題。舞台， 不僅是我們呈獻新穎及經典表演的地方，更是 藝術轉化向前的關鍵。頂尖藝術家及明日之星 於舞台相遇，各展姿彩；透過忠實致敬及大膽 改編，經典劇目得以重現觀眾眼前；嶄新作品 以原創設計、技術及敍事方法，挑戰傳統舞台 的極限。 無論於哪個舞台表演，我們會繼續想像藝術世 界的無限可能，亦期望今屆表演能為閣下帶來 啟發和歡愉。另外，誠邀您參加「加料節目」 的各項活動，深入了解重點表演，令藝術節體 驗更全面。 謹代表藝術節團隊，感謝您參與香港藝術節， 支持我們的使命，為香港締造一個世界級藝術 節。
It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.
何嘉坤 香港藝術節行政總監
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節 的年度預算約港幣一億三千六百萬，當中香港特區政 府的基本撥款佔總收入的近 13%，接近 6% 來自政府 新增加的五年限期額外撥款，另外約 28% 需來自票房 收入，逾 33% 則需依賴來自各大企業、熱心人士和慈 善基金會的贊助和捐款。預計餘下的大約 20% 則來自 其他收入，包括政府針對捐款和贊助收入而提供的配 對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯 科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙 成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、 丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞． 諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克 里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、 皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰． 紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩 娜．包殊烏珀塔爾舞蹈劇場
2019 年藝術節預計收入來源 （約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)
贊助和捐款 Sponsorship & Donations
over 逾
•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、 柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝 坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀． 香港》音樂會、《論語》、《炫舞場》、《大同》、《金 蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 27 年來，已為逾 750,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
33% around 約
20% nearly 近 6% nearly 近 13%
around 約
28%
票房收入 Box Office （2019 年 1 月更新 Updated January 2019）
其他收入（包括按捐款和贊助 收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)
政府的基本撥款 Government Baseline Funding
Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:
dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html
Presents
機器神製作 羅伯特．利柏殊創作及演出
Ex Machina Created and Performed by Robert Lepage
887 27-28
香港演藝學院歌劇院 Lyric Theatre, Hong Kong Academy for Performing Arts
2 月 Feb
1-2 3月 MAR
演出長約 2 小時，不設中場休息 Approximately 2 hours with no interval 英語及法語演出，附中文及英文字幕 Performed in English and French with Chinese and English surtitles 此節目有吸煙場面、巨大聲響及閃光效果 This production contains smoking scenes, loud sounds and strobe light effects
香港藝術節感謝香港君悅酒店提供酒店住宿支持 Hong Kong Arts Festival wishes to thank Grand Hyatt Hong Kong for providing accommodation support for this programme 封面及製作照片 Cover and Production Photographs: © Érick Labbé
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
887 機器神製作 羅伯特．利柏殊
Ex Machina Robert Lepage
編劇、設計、導演及演出 羅伯特．利柏殊
Written, Designed, Directed and Performed by Robert Lepage
英文翻譯 露意莎．貝理雅
English Translator Louisa Blair
創作指導及設計 史提夫．白蘭芝
Creative Direction and Design Steve Blanchet
戲劇顧問 Dramaturg 彼澤．比尤曼 Peder Bjurman 助理導演 愛黛兒．聖亞曼
Assistant Director Adèle Saint-Amand
作曲及音響設計 Composer and Sound Designer 尚 - 塞巴斯汀．歌特 Jean-Sébastien Côté 燈光設計 羅蘭．路蒂埃
Lighting Designer Laurent Routhier
影像設計 菲力斯．法蘭德 - 法佳
Image Designer Félix Fradet-Faguy
副舞台設計 蕭維恩．迪卡里
Associate Set Designer Sylvain Décarie
副道具設計 阿麗安．舒芙
Associate Properties Designer Ariane Sauvé
副服裝設計 尚恩．勒皮埃
Associate Costumes Designer Jeanne Lapierre
製作監督 Production Manager 瑪麗 - 皮埃．加尼 Marie-Pierre Gagné 製作助理 維朗尼卡．聖雅克
Production Assistant Véronique St-Jacques
技術指導 保羅．博古
Technical Director Paul Bourque
巡演監督 瑪麗亞斯．加儂
Tour Manager Marylise Gagnon
技術指導（巡演） 珍．葛斯琳
Technical Director (Touring) Jeanne Gosselin
舞台監督 尼迪亞．貝朗席
Stage Manager Nadia Bélanger
音響監督 弗朗索瓦．歌特 - 科天
Sound Manager François Côté-Fortin
12
燈光監督 雷諾德．佩迪魯
Lighting Manager Renaud Pettigrew
錄像監督 多明尼克．霍利
Video Manager Dominique Hawry
服裝及道具監督 伊莎貝．普朗
Costumes and Properties Manager Isabel Poulin
舞台助理領班 克洛伊．白蘭芝
Head Stagehand Chloé Blanchet
多媒體整合 尼古拉斯．道斯提
Multimedia Integration Nicolas Dostie
技術顧問 凱瑟琳．佳 托比．荷施威爾
Technical Consultants Catherine Guay Tobie Horswill
表演顧問（創作過程） 萊達．卻里尼
Acting Consultant (Creative Process) Reda Guerinik
導演經理人 琳達．布遼 中文字幕 衛武營國家藝術文化中心提供
Director's Agent Lynda Beaulieu Chinese Surtitles Provided by National Kaohsiung Center for the Arts (Weiwuying)
Additional Poem Speak White, poem © Michèle Lalonde 1968, used with permission of Michèle Lalonde. Michèle Lalonde's poem is a dramatic direct response to the famous Speak White slogan, formerly used on North American plantations to command slaves to speak at all times the language of their white masters. This same expression was later used to urge French-speaking Canadians to speak English and remind them of their inferiority or subordinate position. Additional Music Mer Morte (Jean-Guy Cossette, Gilles Morissette) Éditions Densta and Macadam Cow-Girl. Performed by Arthur et les Jaguars, used with permission of Disques Mérite. Bang Bang (My Baby Shot Me Down) (Sonny Bono) ©Cotillon Music Inc and Chris-Marc Music. Performed by Nancy Sinatra, used with permission of Boots Enterprises Inc. Bang Bang (My Baby Shot Me Down) (Sonny Bono) ©Cotillon Music Inc and Chris-Marc Music. Performed by Claire Lepage, used with permission of Disques Mérite. Mood Indigo (Edward Kennedy Ellington, Irving Mills, Albany Bigard). Performed by Henry Mancini and his Orchestra, 1960, used with permission of SONY/ATV Music Publishing and Songwriters Guild of America for Indigo Mood. Leavin’ On Your Mind (Michael Webb Pierce, Wayne P Walker) Universal Songs of Polygram Intl Inc. Performed by Patsy Cline, used with permission of Universal Music Publishing Canada. Nocturne No 1 in C minor Op 48 (Frederic Chopin) Performed by Martin Gauthier Minuet No 2 (Johann Sebastian Bach) Arrangement by Gabriel Thibaudeau. Performed by Gabriel Thibaudeau and Denis Chabot. Additional Images Photo Donald Gordon (MSTC/CollectionCN: X-40842), used with permission of the Canada Science and Technology Museum. View of the taking of Québec on 13th September 1759 (Hervey Smyth, 1797). Public domain. James Murray (unknown artist, 1770). Public domain. Portrait of Major-General James Wolfe (1727-1759). Attributed to Joseph Highmore. Public domain. Excerpts from the film Hôtel-Château used with permission of the National Film Board of Canada. Excerpts from a film report "Le Samedi de la matraque", used with permission of Radio-Canada Archives. Images of John F. Kennedy assassination from Zapruder Film ©1967 (Renewed 1995). The Sixth Floor Museum at Dealey Plaza. Credits Commissioned by the Arts and Culture Program of the Toronto 2015 Pan Am and Parapan Am Games in co-production with le lieu unique, Nantes; La Comète – Scène nationale de Châlons-en-Champagne; Edinburgh International Festival; Århus Festuge; Théâtre de la Ville-Paris; Festival d’Automne à Paris; Romaeuropa Festival 2015; Bonlieu Scène nationale Annecy; Ysarca Art Promotions – Pilar de Yzaguirre; Célestins, Théâtre de Lyon; SFU Woodward’s Cultural Programs, on the occasion of Simon Fraser University’s 50th Anniversary, Vancouver; Le Théâtre français/English Theatre – Centre national des Arts d’Ottawa; Le Théâtre du Nouveau Monde, Montréal; Tokyo Metropolitan Theatre; Théâtre du Trident, Québec; La Coursive – Scène nationale La Rochelle; Canadian Stage, Toronto; Le Volcan-scène nationale du Havre; The Brooklyn Academy of Music, New York; The Bergen International Festival; the Barbican, London; Holland Festival, Amsterdam; Chekhov International Theatre Festival, Moscow; Les Théâtres de la Ville de Luxembourg; La Comédie de Clermont-Ferrand, scène nationale; Onassis Cultural Centre – Athens; Théâtre de Liège; Walker Art Center, Minneapolis; Cal Performances, Berkeley; Performas Produções, São Paulo; and National Performing Arts Center, Kaohsiung Producer for Ex Machina: Michel Bernatchez (assisted by Vanessa Landry-Claverie and Valérie Lambert) Associate Production - Europe, Japan: Epidemic (Richard Castelli, assisted by Chara Skiadelli, Florence Berthaud et Claire Dugot); The Americas, Asia (except Japan), Australia, NZ: Menno Plukker Theatre Agent (Menno Plukker, assisted by Dominique Sarrazin, Isaïe Richard and Magdalena Marszalek) Ex Machina is funded by the Canada Council for the Arts, Québec’s Arts and Literature Council, and the City of Québec.
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關於《887》
About the Production 《8 8 7》是一趟記憶的旅程。創作意念源於 羅伯特．利柏殊的童年。經過許多年，利柏 殊走進他的記憶深處，並質疑某些記憶的意 義。我們怎樣記得事情？記憶背後運作的原 理是甚麼？個人的記憶如何扣連一個群體的 集體回憶，並產生共鳴？ 《887》探討象徵紀念的標記：公園、街道、 石柱、石碑的名字，以及一直在我們身邊卻 被忽略的歷史遺跡。於是，這齣戲劇的重點 圍繞遺忘、潛意識，以及隨着時間流逝的記 憶，而記憶的局限亦被數碼儲存載體、大量 的數據資訊和虛擬記憶彌補。劇場作為一種 基於記憶行為的表演藝術，是否仍適用於現 今世代？ 利柏殊把這一系列的提問融入他親身演出的 故事裏，用一場結合了戲劇演出和講座的表 演，道出作為一名演員的苦處─除了表演 的文本以外，還要牢記自己的過去，及塑造 他身份的歷史和社會現實。
887 is a journey into the realm of memory. The idea for this project originated from the childhood memories of Robert Lepage. Years later, he plunges into the depths of his memory and questions the relevance of certain recollections. How does memory work? What are its underlying mechanisms? How does a personal memory resonate within collective memory? 887 considers various commemorative markers—the names of parks, streets, stelae and monuments—and the historical heritage around us that we no longer notice. Consequently, the play also focuses on oblivion, the unconscious, and this memory that fades over time and whose limits are compensated for by digital storage, mountains of data and virtual memory. In this era, how is theatre, an art based on the act of remembering, still relevant today? All of these questions are distilled into a story in which Lepage, somewhere between a theatre performance and a conference, reveals the suffering of an actor who—by definition, or to survive—must remember not only his text, but also his past, as well as the historical and social reality that has shaped his identity.
藝術節加料節目
與劇場大師羅伯特．利柏殊對話
28.2（四 Thur）4:15–5:15pm
In Conversation with Robert Lepage Lyric Theatre, Hong Kong Academy for Performing Arts
香港演藝學院歌劇院 羅伯特．利柏殊暢談他的藝術和戲劇事業。
Robert Lepage talks about his art and career.
英語主講
In English
免費入場，需預先登記
Free admission. Registration required
演後藝人談 Meet-the-Artists
1.3（五 Fri）10:05–10:25pm
英語主講
In English
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更多加料節目詳情 More Festival PLUS
導演的話
Director’s Note 劇場大概是最能夠承載集體回憶的表達方 式， 因 此 記 憶 和 劇 場 的 命 題 總 是 息 息 相 關。例證之一，是史實告訴我們，極權統 治 者 若 要 毀 滅 文 化， 首 先 一 定 會 焚 燒 書 籍，接着殺死所有承載旋律、詩詞和劇作 記憶的歌者、說書人和演員。 更實際地看，記憶和劇場當然有着緊密的 聯繫，因為所有劇場的表演者都必須花很 大氣力背誦文本。 一位演員完成首演之後，第一句聽到觀眾 的讚賞難道不是「你的記憶力真強！」或 者「你是如何記得着那些台詞的？」 因此，認知能力衰退和認知障礙症對於演 員來說通常都是十分困擾的問題。 當初開始創作這個作品是源於發掘個人的 回憶，我從來沒有想過，這個起點會引領 我探究上世紀六十年代魁北克的階級鬥爭 和身份危機。 如果將個人回憶裏的個別事件與當時的社 會環境分隔開，那麼抽離的記憶是不完整 的。故此，與其說這次演出是一個成年人 所宣揚的觀點與立場，不如說是一個少年 併合了政治和詩意的回憶旅程。 《8 8 7》對我來說，是對於過去卑微的探 求，從自身零碎的記憶片段，了解社會和 世界的宏觀歷史。
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The themes of memory and theatre have always been closely connected, primarily because theatre is probably the form of expression that best embodies collective memory. The proof is that, throughout history, the first thing a totalitarian regime does to ensure the eradication of a culture is to burn the books—an act that’s usually followed by killing the singers, the storytellers, and the actors who carry the living memory of songs, poems and theatrical works. In a more pragmatic way, memory is strongly tied to theatre because those practicing it must put a lot of effort into memorisation. When an actor makes his or her first onstage debut, aren’t the first comments after the premiere usually, “You’ve got a great memory!” or “How did you learn all those lines?” So, it’s normal that cognitive decline and dementia are themes that are, at the very least, troubling for an actor. I never would have guessed that the exploration of personal memory I embarked on to create this show would lead me to the complexities of the class struggle and identity crisis of 1960s-era Québec. It’s as though the most distant memories of personal events are incomplete if they don’t take into account the social context in which they happened. This show is, therefore, not the discourse of an adult promoting a cause but rather a journey into a pre-adolescent’s memory, where the political and the poetic are often conflated. 887 is, for me, a humble attempt to delve into a history with a small “h” to better understand the one with the big “H”.
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劇場魔法師
Master of the Stage 燈光暗了，帷幕徐徐展開，興奮的竊竊私語
將為觀眾帶來《887》。該作品取名自他童年
聲也戛然而止。對於不了解它的人來說，故
時在魁北克住址的門牌號，以作者個人經歷
事的設定似乎平淡無奇：一齣以蘇美兩國太
為主要題材，探討了當地法語社群和英語社
空競賽為背景的獨腳戲。主人公是來自加拿
群間的緊張關係。利柏殊說，這是對加拿大
大魁北克的兩兄弟：一個寫太空探索論文的
及其語言鴻溝的一種隱喻。
學者和一個同性戀天氣預報員，兩人因母親
這並非利柏殊第一次將個人經歷融入作品
的離世而相聚。
中。加拿大的劇評家李察．佐尼安曾敏銳地
戲迷則再清楚不過：這可是羅伯特．利柏殊
指出：「羅伯特．利柏殊的每一部作品最終
的作品。場景中有地球衛星圖、黑板、傳送
都在講同一件事—羅伯特．利柏殊自己。」
門中如幽靈般說話的人頭像、一個人在映有
佐尼安並非指作者自戀或自我中心。相反，
樹木鬼影的路上騎電單車。兩個半小時後，
評價正正道出了利柏殊如何透過劇場直面他
當觀眾回到現實世界，個個驚訝不已。2018
的性取向（《安徒生計劃》，2005），吸毒
年在新西蘭奧克蘭的一場表演結束後，一位
的經歷（《針與鴉片》，1991），甚至「他
觀眾驚嘆道：「我被表演帶入完全不同的地
生活在有兩對分別說英語和法語的小孩的家
方，無時無刻都沉浸其中。」
庭所經歷的溝通問題」（長達九小時的多國 語言鉅作《眾聲喧嘩》，2008）。
《捕月》是這位加拿大劇場導演備受讚譽的 作品，於 2000 年首演，之後在四十五個城市
在即將於本港上演的作品中，利柏殊將再次
巡迴演出，2 0 0 3 年曾在香港藝術節上演。距
直面他經歷的語言溝通問題。在利柏殊出生
首演近二十年後，該劇於 2018 年在澳洲、新
前，他的父母收養了一對子女，他們在加拿
西蘭以及韓國重演，仍然備受喜愛。《衛報》
大說英語的諾華斯高沙長大，而利柏殊和他
評論家布麗姬．迪蘭尼曾稱讚說：「難以相
的妹妹卻在說法語的魁北克市長大。其中的
信這竟是一場獨腳戲」。
矛盾，對於長期在兩文三語的政治及文化分
利柏殊被譽為「現代意象劇場的煉金術師」。
歧間尋求妥協的香港觀眾來說，並不陌生。
他 1957 年出生於魁北克，十七歲入讀戲劇藝
現在，人們足不出戶便可收看任何內容，連
術學院修讀戲劇，畢業後擔任過演員、作家
戲院也懶得去，利柏殊卻很清楚如何用作品
及導演。他的作品讓他累積了不少獎譽及國
吸引觀眾。他曾說：「必須是只有在劇場才
際名聲。1994 年他創辦 「機器神製作」劇團。
能看到而且值得看的作品。」利柏殊不斷為
翌年，他首度把作品帶到香港藝術節上演，
觀眾帶來全新的劇場體驗，創作銀幕無法複
這部名為《測謊儀》的黑色戲劇，講述了一
製的故事情節，證明了這種藝術形式在當下
個「抽象的偵探故事」，由指標劇團製作。
仍然魅力無窮。 張嘉倫
2 0 19 年，這位劇場大師將重臨本港，並親自 登台演出。在第 4 7 屆香港藝術節中，利柏殊
節錄自香港藝術節 2019 年之《閱藝》 雜誌文章
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Lights dim, curtain parts, and excited whispers are abruptly hushed. To the unenlightened, the premise may not sound particularly exciting: it is a one-man show set against the backdrop of the Soviet-American moon-race. The protagonists are two brothers in Québec—an academic with a thesis on space exploration and a gay weatherman—united by their mother’s death. But theatre fanatics know better: after all, it’s Robert Lepage. There are satellite images of the earth, chalkboards, spectral talking heads in portals, a man riding a motorbike through a path lined with ghostly negatives of trees. Two and a half hours later, audience members emerge stunned: “It felt like you were transported to completely different places the whole time,” one said after a show in Auckland in 2018. This is The Far Side of the Moon, a critically acclaimed work by the Canadian theatre auteur first unveiled in 2000. It proceeded to tour 45 cities, with a stop at the Hong Kong Arts Festival in 2003. Nearly two decades after its initial run, it was restaged in Australia, New Zealand and Korea for a revival in 2018, rapturing critics still: "It’s hard to believe The Far Side of the Moon is a one-man show,” writes Guardian critic Brigid Delaney. Rober t Lepage—hailed an “alchemist of modern imagistic theatre”—was born in 1957 in Québec City. He entered the Conservatoire d’art dramatique to study theatre when he was 17, and worked as an actor, author and director upon graduation. His works would go on to win him numerous awards and international recognition, and in 1994 he founded Ex Machina, his own theatre company. The following year, his work was brought to the Hong Kong Arts Festival for the first time with Polygraph, a "metaphysical detective story” and play noir presented by Théâtre Repère. Now, the theatre visionary is returning to the city, and this time, he will be onstage as an actor himself. For the 2019 edition of the Festival, Lepage performs 887, named after the street
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number on which his childhood home resides in Québec. Drawing largely from autobiographical material, the play explores tension between the city's Francophone and Anglophone worlds—a metaphor, according to Lepage, for Canada and its linguistic divide. This is not the first time that Lepage has incorporated personal history into his work. Canadian critic Richard Ouzounian once astutely commented: "Every show that Robert Lepage creates is ultimately about one thing— Robert Lepage.” But Ouzounian was not implying narcissism or egocentrism; rather, it was a reference to how Lepage has, through theatre, confronted his sexuality (The Andersen Project, 2005), experiences with drugs (Needles and Opium, 1991), and even “problems of communication he lived through in a home with two Anglophone and two Francophone children” (in the nine-hour multilingual epic, Lipsynch, 2008). In his current production visiting the city, Lepage tackles this last issue head-on. Lepage’s adopted elder siblings had grown up in English-speaking Nova Scotia, but Lepage and his younger sister were raised in Francophone Québec City. This would be a conflict familiar to Hong Kong’s bi- and trilingual audiences, which have long struggled to reconcile the political and cultural divides between three languages. In a time when everything can be streamed from the comfort of one’s home and even going to the cinema feels like an effort, Lepage understands what it takes to lure audiences to a production: "It has to be something you can only see in the theatre, and it has to be worth it,” Lepage has said. By continuously reinventing the theatre-going experience and creating stories that cannot be replicated on the screen, Lepage has proven why the art form remains compelling in this day and age. Karen Cheung Excerpt from article originally published in HKAF's 2019 FestMag
在劇場重構記憶
Theatre as a Site of Memory 博物館和紀念碑是實在的「記憶場所」， 亦是共同回憶和文化承傳的象徵。它們 正如傳統和語言一樣，起了為特定群體 下定義的作用。 劇場以類似的方式凝聚我們。不論是正 式建築還是非正式空間，它們都是共同 經驗和記憶的有形載體。在劇場的同一 個空間和時空裏，我們熟悉和接納自己 的文化，其他人又志同道合，就會有「在 家」的感覺。用加拿大導演羅伯特．利 柏殊的話來說：「一直以來，記憶這個 主題與戲劇的關係都極為密切，因為戲 劇大概是最能夠體現集體回憶的表現形 式。」 在 今 年 藝 術 節 的 劇 目 之 中， 利 柏 殊 的 《8 8 7》正是圍繞着這些主題的出色作 品。劇目探討「記憶」及「家」的意義， 並運用令人眼前一亮的舞台設計及調度 敘述故事。 從一個層面而言，《887》不過是一齣敘 事出色的自傳式劇作。劇名取自利柏殊 於 1960 年代在加拿大魁北克市的第一個 住址—默里大道 887 號。利柏殊在作品 裏結合了當地歷史和自己身為法裔加拿 大人的童年和青少年回憶，特別是當年 加拿大法語社群（主要為勞工階層）及 英語社群之間的政治局勢及緊張氛圍下 的成長經歷。
Museums and monuments are tangible “sites of memory”—symbols of a shared past and common heritage. Like tradition and language, they fulfil a function in defining particular groups of people. Theatre brings us together in similar ways. Whether formal buildings or informal spaces, they are physical repositories of shared experiences and memories. Familiar and at ease with our culture, we feel “at home” there, with like-minded others, in the same space and time. In the words of Canadian auteur, Robert Lepage, “Themes of memory and theatre have always been closely connected, because theatre is probably the form of expression that best embodies collective memory.” Lepage’s 887 is a standout production at this year’s Festival that touches on these themes. It explores the meanings of “memory” and “home” using remarkable design and staging to tell its story. On one level, 887 is just fascinating autobiography, exquisitely related. With a title referencing his first address, 887 Murray Avenue in 1960s Québec City, Lepage weaves a tale of history and memory about his French-Canadian childhood and adolescence, growing up in a period of political change and tension between the (mainly working class) French and English-speaking communities.
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故事濃縮了魁北克的歷史：不但觸及殖 民 時 期， 更 提 及 法 國 前 總 統 戴 高 樂 於
1 9 6 7 年到訪時所發表、引發爭議的《自 由魁北克萬歲！》演說，並涵蓋時至今 天的轉變。如是者，《887》由個人回憶 引伸至更重大的文化記憶問題。 然而，《887》的創作動機並不止於重訪 過去及家居。利柏殊真正關心的是記憶 的根本性概念：有一次，他需要在一個 重要的公開活動中背誦詩歌，卻無法記 起詩句。由這件驚險小事啟發的《887》， 引伸出不同問題：為甚麼我們只記得某 些事情、其他卻記不起？甚麼是記憶？ 它怎樣運作？又有甚麼機制？ 利柏殊是位說故事能手，擅長令觀眾傾 聽他的每字每句。透過高科技的旋轉裝 置，他把兒時居住的社區完美地縮小、 複製到舞台上，而這個如同建築模型和 巨型娃娃屋的迷你社區裏，更有鄰居、 朋友及家人的微型人偶。這個模型會轉 動；牆壁可以打開和滑動，展示不同的 房間，以及透過螢幕及投影播放出的回 憶片段。利柏殊最近接受訪問時表示： 「戲劇是最能考驗記憶力的一回事。人 們 常 常 問：『 你 怎 樣 記 下 這 麼 多 的 對 白？』」《887》不單純是記憶的考驗。 在這部精彩的製作中，利柏殊起初呈現 了他的家居和回憶，但透過表演和神乎 其技的舞台效果，也成為了我們的家居 和回憶。 約瑟．施力 節錄自香港藝術節 2019 年之 《閱藝》 雜誌文章
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Personal recall broadens into larger questions of cultural memory, as we get a potted history of Québec from colonial times to the controversial 1967 “Vive le Québec libre!” speech by then visiting French President Charles de Gaulle, up to the present day. But the motivation for making 887 was far more than a desire to revisit the past and home. Lepage’s real concern is with the concept of memory itself, provoked by a frightening occasion when he found himself unable to remember the words of a wellknown poem he was due to recite at an important public event. 887 asks, why do we remember some things but not others? What is memory, how does it work, and what are its mechanisms? Lepage is a superb storyteller; we hang on every word. He illustrates his narrative with a hi-tech, rotating set that is a perfect, scaleddown replica of his old neighbourhood, like an architect’s model or huge doll’s house populated with miniature neighbours, friends and family members. It turns and spins; walls swing and slide open to reveal rooms and memories that come alive with video screens and projections. “Theatre is the grand sport of memory,” Lepage stated in a recent interview. “People ask, ‘How did you remember all those lines?’” But 887 is much more than a test of recall. In this extraordinary production, Lepage’s home and memories start as his own, but through his performance and magical stagecraft, they become ours too. Joseph Seelig Excerpt from article originally published in HKAF's 2019 FestMag
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羅伯特．利柏殊
Robert Lepage
編劇、設計、導演及演出 Creator, Designer, Director and Performer
羅伯特．利柏殊擅長各種劇場形式，同時是優
利柏殊曾執導的作品包括彼得．加百列的巡迴
秀的導演、編劇、演員及電影導演。創意十足
演唱會《秘密世界》（1993）、《成長》（2002），
的原創戲劇風格，令他獲得來自世界各地的讚
亦曾設計及執導太陽劇團作品《K À》（2005）
譽。他在劇場採用的新技術，更徹底顛覆傳統
及《圖騰》（2010）；2008 年，為慶祝魁北克
劇場導演的規範。
市四百週年，利柏殊與機器神創作了有史以來
利柏殊畢業於魁北克戲劇藝術學院， 1978 年赴 巴黎求學。1 9 8 4 年，作品《循環》在加拿大巡 演，他緊接創作《巨龍三部曲》（1985）、《芬
最大型的建築投影裝置《影像磨坊》。機器神 亦為魁北克總圖書館成立十週年策劃虛擬實境 展覽《夜間圖書館》。
奇》（1986）、《測謊機》（1987）及《地殼板塊》
利 柏 殊 憑 作 品《 藍 鬍 子 的 城 堡 》 及《 期 望 》
（1988）。
（1993）在歌劇界打響名堂，其後有 1999 年作
1989 年至 1993 年間，他擔任渥太華國家藝術中 心法國劇院藝術總監，同時繼續自己的創作。執 導的作品包括《針與鴉片》（1991）、《科利 奧蘭納斯》、《馬克白》及《暴風雨》（1992）。
1 9 9 2 年的《仲夏夜之夢》讓他成為首位在倫敦
品《浮士德的沉淪》、《1984》（2005）、《浪 子歷程》（2007）、《夜鶯及其他短篇寓言》 （2009）、華格納《尼伯龍根的指環》首部曲《萊 茵的黃金》（2010）、《暴風雨》（2012）及《遙 遠的愛》（2015）。 利柏殊的劇作獲頒多個獎項，包括法國榮譽軍
皇家國家劇院執導莎士比亞戲劇的北美導演。
1994 年，他成立機器神製作，編導首齣電影《我 為兄狂》，接着創作《測謊機》（1996）、《能》 （1997）、《可能的世界》（2000）及《捕月》 （2003）。2013 年，他與佩德羅．彼雷斯共同 導演《眾聲喧嘩》的電影版。
團勳章（2002）、丹尼斯．普樂提雅獎（2003）、 國際安徒生大獎（2004）、斯坦尼斯拉夫斯基 獎（2005）、歐洲國際藝術大獎（2007）、魁 北克市榮譽勳章（2011）、麻省理工大學尤金． 麥德莫藝術獎（2012），以及第十屆格蘭．古 爾德獎（2013）。2015 年，他獲得魁北克市藝
他為機器神製作創作的舞台作品包括《太田川的
術與文學夥伴殊榮，以表揚他發揚魁北克文化
七條支流》（1994）、《奇蹟的幾何》（1998）、
的貢獻。
《捕月》（2000）、新編《巨龍三部曲》（2003）、 《安徒生計劃》（2005）、《眾聲喧嘩》（2007）、 《藍色的龍》（2008）、《德翁女形》（2009）、 《撲克牌》（2 0 1 2），以及新版《針與鴉片》 （2013）。近期製作包括《887》（2015）及《羽 毛筆》（2016）。
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Versatile in every form of theatre craft, Robert Lepage is equally talented as a director, playwright, actor and film director. His creative and original approach to theatre has won him international acclaim and shaken the dogma of classical stage direction to its foundations, especially through his use of new technologies. He graduated from the Conservatoire d’art dramatique de Québec and studied in Paris in 1978. In 1984, his play Circulations toured Canada, followed by The Dragons’ Trilogy (1985), Vinci (1986), Polygraph (1987) and Tectonic Plates (1988). From 1989 to 1993, he was Artistic Director of the Théâtre français at the National Arts Centre in Ottawa. Meanwhile pursuing his own creative projects, he directed Needles and Opium (1991), Coriolanus, Macbeth and The Tempest (1992). With A Midsummer Night’s Dream (1992), he became the first North American to direct a Shakespeare play at the Royal National Theatre in London. In 1994, he founded Ex Machina, then wrote and directed his first feature film, Le Confessional, followed by Polygraph (1996), Nô (1997), Possible Worlds (2000) and The Far Side of the Moon (2003). In 2013, he co-directed Triptych with Pedro Pires, an adaptation of the play Lipsynch.
Mill. For the Grand Bibliothèque’s 10th anniversary, Ex Machina created the virtual reality exhibition, The Library at Night. Lepage made a grand entrance in the opera world with Bluebeard’s Castle and Erwartung (1993). His continued with La Damnation de Faust (1999), followed by 1984 (2005), The Rake’s Progress (2007), The Nightingale and Other Short Fables (2009) and Das Rheingold (2010). His latest stagings include The Tempest (2012) and L'Amour de loin (2015). Lepage’s work has been recognized by many awards. Among the most important: the Légion d’honneur (2002); the Denise Pelletier Prize (2003); the Hans Christian Andersen Prize (2004); the Stanislavski Award (2005); the Prix Europe (2007); the Médaille de la ville de Québec (2011); the Eugene McDermott Award in the Arts at MIT (2012); and the Tenth Glenn Gould Prize (2013). In 2015, he was made Compagnon des Arts et des lettres du Québec, for his contribution to developing and extending the influence of the Québec culture.
With Ex Machina, he created for the stage The Seven Streams of the River Ota (1994), Geometry of Miracles (1998), The Far Side of The Moon (2000), a new version of The Dragons’ Trilogy (2003), The Andersen Project (2005), Lipsynch (2007), The Blue Dragon (2008), Eonnagata (2009), Playing Cards (2012) and a new staging of Needles and Opium (2013). Current productions include 887 (2015) and Quills (2016). Lepage directed Peter Gabriel’s Secret World Tour (1993) and Growing Up Tour (2002) and designed and directed Cirque du Soleil shows KÀ (2005) and TOTEM (2010). For Québec City’s 400th anniversary in 2008, Lepage and Ex Machina created the largest architectural projection ever achieved: The Image
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© Rolex_Thomas Laisné
關於機器神製作
About EX MACHINA
1 9 9 4 年，羅伯特．利柏殊為新劇團 命名，詢問共同創辦人的意見，並 加上唯一的條件：他希望名字裏不 要有「劇團」一詞。機器神製作後 來 匯 聚 演 員、 作 家、 佈 景 設 計 師、 技 術 人 員、 歌 劇 演 唱 家、 布 偶 師、 電腦動畫師、影像藝術家、雜技演 員和音樂家，成為一間跨界別的劇 團。製作團隊深信，表演藝術如舞 蹈、 歌 劇、 音 樂， 需 與 錄 像 藝 術 如 電 影、 影 像 藝 術、 多 媒 體 等 結 合。 此外，他們相信藝術能讓來自魁北 克及世界各地的科學家、編劇、佈 景畫家、建築師與藝術家交會，創 新的藝術形式將從中發酵、形成。 機器神製作期望能成為一個實驗場 所， 迎 難 而 上， 培 育 新 劇 場 形 式， 在新千禧年代後普及更多觀眾。
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In 1994, when Rober t Lepage asked his collaborators to help find a name for his new company, he had one condition: the word theatre could not be part of the name. Ex Machina is thus a multidisciplinary company bringing together actors, writers, set designers, technicians, opera singers, puppeteers, computer graphic designers, video artists, contortionists, and musicians. Ex Machina’s creative team believes that the performing arts—dance, opera, music—should be mixed with recorded arts— filmmaking, video art, and multimedia—and that there must be meetings between scientists and playwrights, set painters and architects, and artists from Québec and the rest of the world. New artistic forms will surely emerge from these gatherings. Ex Machina wants to rise to the challenge and become a laboratory, an incubator for a form of theatre that will reach and touch audiences from this new millennium.
露意莎．貝理雅 英文翻譯
Louisa Blair English Translator 露意莎．貝理雅是一位翻譯和作家，她在加拿大魁北克市出生、英國長大，現居魁北 克。她翻譯過多部有關魁北克的歷史、文化和政治的著作及博物館展覽。她也出版過 短篇小說和數十篇關於加拿大的宗教、醫療和原住民土地權利的文章。貝理雅的英文 著作有《盎格魯：魁北克不為人知的一面》（2005）和《監獄與書架：莫林中心的歷 史》（2016）。 Louisa Blair is a translator and writer born in Québec City, Canada and raised in the UK; she currently resides in Québec. She has translated numerous books and museum exhibitions about history, culture and politics in Québec. She has also published short stories and dozens of articles about religion, healthcare and indigenous land rights in Canada. Her books in English include The Anglos: The Hidden Face of Québec City (Éditions Sylvain Harvey, 2005) and Iron Bars and Bookshelves: A History of the Morrin Centre (Baraka Books, 2016).
史提夫．白蘭芝 創作指導及設計
Steve Blanchet Creative Direction and Design
©Ghislain Martineau
史提夫．白蘭芝是機器神製作的創作總監，從事藝術、文化及廣告行業二十年。他曾 修讀平面設計，1994 年畢業於法國傳媒學校，及後在巴黎黑正方設計公司擔任設計 師。1996 至 2013 年間，白蘭芝任職加拿大歌瑟廣告公司，其主理項目曾獲國家及國 際獎項。 他在 2005 年首次與機器神製作合作，籌備作品《影像磨坊》，並擔任該製作的聯合 創作和聯合影像設計，至 2013 年為止。他其後創作《887》及與利柏殊聯合設計並策 劃沉浸式展覽《夜間圖書館》。 他亦曾參與短片、節目、戲劇及出版合作項目。 Ex Machina Creative Director Steve Blanchet has worked in the artistic, cultural and advertising world for 20 years. Trained as a graphic designer, he completed his education at l'Ecole francophone des attachés de presse (ÉFAP) in 1994 and worked as a designer at the Carré Noir agency in Paris. From 1996 to 2013, he worked at Cossette, where several of his social campaigns received national and international awards. He began his collaboration with Ex Machina in 2005 with The Image Mill and was co-creator and image co-designer until the final edition in 2013. This was followed by work on the creation of 887 and the immersive exhibition The Library at Night, for which Blanchet directed the creation and co-signed the design with Robert Lepage. His career has been punctuated with collaborations in short films, shows, plays and publications.
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彼澤．比尤曼 戲劇顧問
Peder Bjurman Dramaturg 彼澤．比尤曼出生於 1966 年，是一位導演和編劇。他從事視覺劇場，他的劇團「缺 失之環」扎根瑞典斯德哥爾摩。199 4 年，他在斯德哥爾摩與利柏殊首度合作，該次 製作是在瑞典皇家戲劇院上演的《夢幻劇》。比尤曼其後為《捕月》提供意念、擔任 《安徒生計劃》聯合編劇，並為《撲克牌》四部曲擔任戲劇顧問。 Peder Bjurman (b. 1966) is a director and scriptwriter working in the field of visual theatre with his company The Missing Link based in Stockholm, Sweden. His first collaboration with Robert Lepage was in 1994 with A Dreamplay at the Royal Dramatic Theatre in Stockholm. Bjurman also provided the original idea for The Far Side of the Moon, co-wrote The Andersen Project, and worked as dramaturg for the Playing Cards project.
愛黛兒．聖亞曼 助理導演
Adèle Saint-Amand Assistant Director 愛黛兒．聖亞曼完成加拿大國家戲劇學院的訓練，加入危機劇團。2005 至 2012 年間 與克里斯蒂安．萊龐特在多部作品中合作。她於 2 0 0 8 年認識費特維．杜布瓦，自此 至 2014 年參與了所有抽屜底劇團的製作，同時擔任劇團的行政助理 。她曾與多個劇 團合作，包括白紙劇團、新實驗劇場、Théâtre L'Escaouette、舊劇場 17 和三叉戟劇院。 其他合作項目包括亞歷山大．費克圖的「我們在此」劇團、史提夫．格隆及耶穌劇團 《莎士比亞與卡羅琳》，以及緊急出口劇團《克里斯蒂安的三次流放》的加拿大巡演。 聖亞曼自 2012 年起與機器神製作在數個作品中合作。 After finishing her training at the National Theatre School, Saint-Amand joined the team of Théâtre Péril, where she worked with Christian Lapointe on numerous productions from 2005 to 2012. She worked with Théâtre des Fonds de tiroirs on all of their productions from 2008 to 2014, in addition to serving as the company’s administrative assistant. She also has worked with Théâtre Blanc, Nouveau Théâtre Expérimental, Théâtre L'Escaouette, Théâtre de la Vieille 17 and Théâtre du Trident. Saint-Amand has had the opportunity to work with the Nous sommes ici collective and Alexandre Fecteau, as well as with Steve Gagnon and Théâtre Jésus, Shakespeare et Caroline. She has travelled across Canada with Les trois exils de Christian E (Théâtre Sortie de secours). Since 2012, she has worked with Ex Machina on several occasions.
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尚-塞巴斯汀．歌特 作曲及音響設計
Jean-Sébastien Côté Composer and Sound Designer 尚 - 塞巴斯汀．歌特是一位音樂家和音響設計師，曾為數個魁北克市的戲劇和舞蹈製 作創作配樂。他在 1999 年參與製作《捕月》，加入機器神製作。其後，他定期參與 該團的製作，包括《安徒生計劃》、《塞萊斯蒂娜》、《巨龍三部曲》、《1984》、 《藍色的龍》、《德翁女形》、《暴風雨》、《撲克牌》四部曲的《葵扇》和《紅心》， 以及 2013 年版本的《針與鴉片》。他亦曾與知名加拿大導演如丹尼爾．布祿克斯、 瓦吉．穆阿瓦德和弗朗索瓦．謝拉特合作。 Musician and sound designer Jean-Sébastien Côté wrote musical scores for several Québec City theatre and dance productions before joining Ex Machina on The Far Side of the Moon in 1999. Since then, he has worked regularly on the company’s projects, including The Andersen Project, La Celestina, The Dragons’ Trilogy, 1984, The Blue Dragon, Eonnagata, La Tempête, SPADES and HEARTS from the Playing Cards tetralogy, and the 2013 version of Needles and Opium. Between projects with Ex Machina, he has worked with various renowned Canadian directors such as Daniel Brooks, Wajdi Mouawad and François Girard.
羅蘭．路蒂埃 燈光設計
Laurent Routhier Lighting Designer 路蒂埃在以舞台燈光設計為專業前，曾修讀電影及攝影。他曾為利柏殊、法朗高．德 拉哥尼、米高．勒米厄及維克多．皮隆的作品擔任燈光設計。他亦參與創作並巡演太 陽劇團首個場地表演節目《極度狂熱》。 近年，路蒂埃主要研究如何在不同的戲劇場景中應用影片和燈光。這些研究方向促使 他參與魁北克市新年慶典及魁北克日的燈光、影片及佈景設計工作。他曾為二十多套 電視節目設計燈光和影片，同時擔任製作的攝影指導。近期，他與魁北克三叉戟劇院 合作，為劇院的三套作品《奧德賽》、《拉勒米計劃》及《披着大衣的》設計燈光。 Laurent Routhier studied film and photography before specializing in stage lighting design. He has designed lighting for shows by Robert Lepage, Franco Dragone, Michel Lemieux and Victor Pilon. He was also involved in the creation and tour of Délirium, Cirque du Soleil’s first arena show. In recent years, his creative research on different applications of video and lighting for creating scenic environments has led to his participation in lighting, video and set design for Québec City’s New Year’s celebrations and Saint-Jean-Baptiste Day events. He has also designed lighting and video for more than 20 broadcast television shows, on which he has also worked as director of photography. More recently, he has been creating lighting design for three productions by Québec City’s Théâtre du Trident: The Odyssey, The Laramie Project and Les Enrobantes.
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菲力斯．法蘭德-法佳 影像設計
Félix Fradet-Faguy Image Designer 菲力斯．法蘭德 - 法佳是一名影像設計師、平面及立體設計師、動態設計師及錄影師， 加入機器神製作後參與製作建築投映作品《影像磨坊》（2011 至 2013 年版）。他曾 參與 2014 年蒙特利爾燈光節和卡加利牛仔節百週年慶祝等演出。他亦為企業活動、 電視及音樂節目、博物館展覽及劇場作品製作影片，包括米高．勒米厄及維克多．皮 隆的戲劇作品《伊卡里》。 Video designer, 2D/3D designer, motion designer and videographer Félix Fradet-Faguy joined the Ex Machina team with the creation of the architectural projection The Image Mill for the 2011, 2012 and 2013 editions. He has also worked on projections for the 2014 Montreal Festival des Lumières and the 100th anniversary of the Calgary Stampede. He has created video content for corporate events, television and music shows, museum exhibitions, and theatre productions including the play Icare by Michel Lemieux and Victor Pilon.
蕭維恩．迪卡里 副舞台設計
Sylvain Décarie Associate Set Designer 蕭維恩．迪卡里 1995 年於魁北克市成立獨立當代藝術畫廊 RO U J E。他熱衷於藝術， 同時因為佈景畫家的工作而對佈景設計產生興趣。 2000 年至 2008 年間，迪卡里為數個魁北克戲劇作品及電影擔任舞台技術人員，2009 年成為三叉戟劇院技術總監。2011 年，迪卡里完成首個佈景設計作品─維羅妮可． 歌特的《盛宴》。他其後為魁北克夏季音樂節一個兒童節目《大玩具車》設計佈景。 最近幾年，迪卡里主要為電影擔任藝術指導，並為電視節目擔任佈景設計師。《887》 是他回歸劇場後首部作品，亦是他首次與機器神製作合作。 Sylvain Décarie founded independent contemporary art gallery ROUJE in Québec City in 1995. Passionate about fine arts, he developed an interest in set design through working as a scenic painter in specialized studios. Between 2000 and 2008, Décarie worked as a stage technician on several theatrical productions and films in Québec. He became the technical director of Théâtre du Trident in 2009. In 2011, he completed his first set design for Véronique Coté’s Banquet and later for a children’s show at the Festival d'été de Québec, Le Grand Trotino. For the last several years, Décarie has been working primarily as an artistic director on film sets and a set designer for television shows. 887 marks his return to the theatre and his first collaboration with Ex Machina.
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阿麗安．舒芙 副道具設計
Ariane Sauvé Associate Properties Designer 阿麗安．舒芙 2010 年於魁北克戲劇藝術與音樂學院畢業，為劇場及電視作品擔任佈 景及道具設計師。她的近期作品有：《費莉絲蒂》、《施卡本及費杜的詭計》、《終 局》及博迪劇院《一僕二主》。2013 年至 2015 年間，她為安娜 - 瑪莉．奧利花的《每 天死亡》、寄生者劇團的《失序》、尚普蘭劇院《麻煩先生》、《訪客》擔任佈景及 道具設計，其他作品包括潛望鏡劇院《胖子秀》及第一幕劇院的《魅力》。2 0 1 5 年 至 2017 年間她曾任《887》的佈景設計、博迪劇院《永遠為你瑪麗．露》及三叉戟劇 院《再生》的佈景及道具設計。她的代表作包括 TVA 劇集《G 大廈》的道具設計。 Since graduating from the Conservatoire d’art dramatique de Québec in 2010, Ariane Sauvé has worked as a set and prop designer for theatre and television. She was recently set and prop designer for Félicité, The Impostures of Scapin and Feydeau, Endgame, and Servant of Two Masters at Théâtre de la Bordée. From 2013 to 2015, she designed the set and props for Anne-Marie Olivier’s Mourir tous les jours, le désordre for Les Écornifleuses, L’Emmerdeur and Les Visiteurs at Théâtre Petit Champlain, L’Gros Show at Théâtre Périscope, and Charme at Théâtre Premier Acte. From 2015 to 2017, she was prop designer for 887 and set and prop designer for À toi pour toujours Marie Lou at Théâtre de la Bordée and Venir au Monde at Théâtre du Trident. She is also known for her work as prop designer for the television series Complexe G on TVA.
尚恩．勒皮埃 副服裝設計
Jeanne Lapierre Associate Costumes Designer 尚恩．勒皮埃 2004 年於魁北克戲劇藝術學院畢業，其後為多個蒙特利爾和魁北克的 製作擔任服裝及道具設計。她曾與機器神製作數度合作，擔任《藍色的龍》的道具設 計。她也曾為本作品的巡演擔任服裝及道具經理。 Since graduating from the Conservatoire d’art dramatique de Québec in 2004, Jeanne Lapierre has worked as costume and property designer on many shows in Montreal and Québec. She has collaborated on several productions of Ex Machina, including serving as property designer for The Blue Dragon. She has also toured with this show as the costume and property manager.
41
鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members
嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited
其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council
•British Council •Canada Council for the Arts •HEED
實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited
•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer
•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery
•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching
•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan
•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮
新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho
•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong
支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church
•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong
•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs
節目時間表 Programme Calendar 歌劇 戲 音樂 /曲 OPERA / CHINESE OPERA MUSIC
萊比錫歌劇院 華格納《唐懷瑟》
CCGT
1/3 2/3
7pm 6pm
Madame White Snake by Zhou Long and Cerise Lim Jacobs
APAL
8-9/3
7:30pm
粵劇《百花亭贈劍》 毛俊輝導演作品（更新版）
Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)
STTHAUD
1-2/3
8pm
粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年
Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance
9/3 10/3 11/3 15-17/3
7:30pm 2:30pm 7:30pm 7:30pm
香港小交響樂團 小號巨星納卡里亞科夫
Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet
CHCH
16/2
8pm
瑪琳．艾爾梭與聖保羅交響樂團
Marin Alsop with the São Paulo Symphony Orchestra
CCCH
21-22/2
8pm
Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time
CHCH
22/2
8pm
鮮于睿權鋼琴獨奏會
Yekwon Sunwoo Piano Recital
CHCH
23/2
8pm
帕佛．約菲與 NHK 交響樂團
Paavo Järvi with the NHK Symphony Orchestra, Tokyo
CCCH
28/2
8pm
法國世紀樂團：白遼士 150 指揮：麥森．帕斯高
Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal
CCCH
2/3 3/3
8pm 4:30pm
萊比錫歌劇院合唱團 《歌劇合唱盛會》
Chor der Oper Leipzig Opera Chorus Concert
CCCH
3/3
8:15pm
馬祖耶夫鋼琴獨奏會
Denis Matsuev Piano Recital
CHCH
7/3
8pm
馬祖耶夫與得獎新晉鋼琴家匯演
Matsuev and Young Laureates Piano Gala
CHCH
8/3
8pm
Quondam Spanish Renaissance Choral Masterpieces
CHCH
9/3 10/3
8pm 4pm
Li Biao Percussion Group - From Baroque to Tango
CCCH
15/3
8pm
P is for PERCUSSION! Family Concert by Li Biao Percussion Group
CCCH
16/3
8pm
洪儷僖管風琴獨奏會
Riyehee Hong Organ Recital
CCCH
18/3
8pm
克雷莫納弦樂四重奏
Quartetto di Cremona
CHCH
21-22/3
8pm
爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》
Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams
APAD 22/2 23/2 23/2 23/2
8pm 7:30pm 4pm 9:30pm
2-3/3 2/3 3/3
4:30pm 8pm 8pm
《白蛇傳》 作曲：周龍 | 編劇：林曉英
香港中樂團 《九千年的邂逅》
時光之音 《西班牙文藝復興合唱代表作》 李飈打擊樂團《巴羅克．探戈》 《好！擊！動！》親子音樂會 李飈打擊樂團
爵士樂 世 / 界音樂 JAzz / WOrLD MUSIC
- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會
Oper Leipzig Wagner’s Tannhäuser
- Marco Mezquida Piano Solo - Jorge da Rocha Solo
世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》
World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go
HKAC-ST
馬祖耶夫爵士樂隊
DANCE
舞蹈
Matsuev and Friends Play Jazz
CCCH
9/3
8pm
湯瑪士．夸斯托夫四重奏 《Nice 'N' Easy》
Thomas Quasthoff Quartet Nice 'N' Easy
CCCH
14/3
8pm
希薇雅．佩瑞茲．克露絲 《夜妝》
Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)
CCCH
22/3
8pm
香港藝術節 @ 大館
HKartsFestival@TaiKwun
TK
2-3/3 9-10/3
雲門舞集 45 週年 林懷民舞作精選
Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works
CCGT
21-23/2 24/2
8:15pm 2pm
Euripides Laskaridis / Osmosis TITANS
APAD
26-27/2
8:15pm
歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊 《泰坦 – 諸神之舞》
CCGT CCCH CCST CHCH
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall
CHT APAL APADT HKAC-ST
香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
DANCE
舞蹈
香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》 亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》
The Hong Kong Jockey Club Contemporary Dance Series - Dance Off
CCST
- Double Bubble
CCST
- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA
CCST
28/2, 1/3 2/3 15/3 16/3 20-21/3
8:15pm 3pm 8:15pm 2:45pm 8:15pm
KTT-BBT APA-DT
12-13/3 1-2/3
8pm 8:15pm
THEATrE
戲劇
漢堡芭蕾舞團 – 約翰．紐邁亞 《胡桃夾子》
The Hamburg Ballet - John Neumeier The Nutcracker
CCGT
13-15/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《貝多芬計劃》
The Hamburg Ballet - John Neumeier Beethoven Project
CCGT
19-20/3
7:30pm
漢堡芭蕾舞團 – 約翰．紐邁亞 《約翰．紐邁亞的世界》
The Hamburg Ballet - John Neumeier The World of John Neumeier
CCGT
23/3 24/3
7:30pm 2:30pm
重新劇團 《追憶消逝的人生》
Theatre Re The Nature of Forgetting
CCST
21-24/2 23-24/2
8:30pm 4:30pm
瑞士默劇團 《百變樂園》
Mummenschanz Reloaded
APAL YLT-AUD
21-22/2 24/2 24/2
7:30pm 1pm 5pm
倫敦燃料劇團、布里斯托爾老域劇團、 愛丁堡皇家蘭心劇院與北安普敦皇家及 德蓋特劇院聯合製作 《攀越冰峰》
A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void
CHT
21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm
機器神製作 羅伯特．利柏殊創作及演出 《887》
Ex Machina Created and performed by Robert Lepage 887
APAL
27-28/2, 1-2/3 8pm 2/3 3pm
賽馬會本地菁英創作系列 《陪着你走》
Jockey Club Local Creative Talents Series Always by Your Side
KTT-AUD
2,6-9/3 3,9-10/3
8pm 3pm
正點劇團 《哈姆尼特─莎士比亞之子》
Dead Centre Hamnet
CCST
4-5/3
8:15pm
正點劇團 《契訶夫處女作》
Dead Centre Chekhov's First Play
CCST
8-9/3 9-10/3
8:15pm 3pm
北京李六乙戲劇工作室 《哈姆雷特》
Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark
CCGT
7-8/3 9/3
7:30pm 2:30pm
《九江》
Gangsters of Hong Kong
CHTH
8-9,13-16, 20-23/3 10, 17, 24/3
8pm
Ontroerend Goed 《金錢世界》( 英語版 )
Ontroerend Goed - £¥€$ (LIES) (English Version)
TK-F Hall
《金錢世界》( 粵語版 )
- £¥€$ (LIES) (Cantonese Version)
12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3
6pm 9pm 3pm 6pm 9pm 3pm
離奇作業劇團 《蛙人》
curious directive Frogman
CDAV
12-15/3 12-15/3 16-17/3 16-17/3
7pm 9pm 3pm 5pm
傑夫．索貝爾 《家》
Geoff Sobelle Home
APAL
14-16/3 16/3
8pm 3pm
皮普．德爾邦諾劇團 《快樂大本營》
Compagnia Pippo Delbono La Gioia (Joy)
APAL
22-23/3
8pm
馬里安諾．潘恩索廸及瑪利亞劇團 《三個女人搞革命》
Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night
CCST
23/3 24/3
8:15pm 5pm
3pm
資料截至 Information as of: Jan 2019
KTT-BBT KTT-AUD YLT-AUD STTH-AUD
葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall
YMTT TK CDAV
油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village
藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術 愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗 香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!
漢堡芭蕾舞團的世界
The World of Hamburg Ballet
漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema ������Nijinsky 2/3 六 Sat ���������J.S. Bach: Christmas Oratorio 24/3 日 Sun ������Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk
������������ Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
h ,JSBO 8FTU
16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre
漢堡芭蕾舞團����������� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU
報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org
藝術節加料節目 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic
特備節目 SpecialS 25/1/2019
26/1/2019
樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital
20/2/2019
聖保羅交響樂團四重奏 SPSO String Quartet
22/2/2019
香港藝術節傑出文化領袖講座系列 講者︰葉 芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)
20/2/2019
公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團 與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras
22/2/2019
聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭 細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career
22/2/2019
馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop
28/2/2019
NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance
22/2/2019 24/2/2019
《舞城遊蹤》 Choreography Walk
26/2/2019 3/3/2019
《家常便飯》 Family Dinner
2/3/2019
2/3/2019
《歌劇探秘同樂日》Opera Adventure Day
2/3/2019
28/2 - 3/3/ 2019
「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition
《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert
2/3/2019
《一齊玩》戲劇工作坊 We PLAY Theatre Workshop
16/3/2019
《好！擊！動！》同樂日 P is for Percussion! Family Day
2/3/2019
法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique
3/3/2019
萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig
3/3/2019
法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz
3/3/2019
萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert
21/3/2019
藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier
舞蹈 DaNce 19, 23/2/2019
雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop
1/3/2019
公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble
11/3/2019
藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing
13/3/2019
漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking
15/3/2019
漢堡芭蕾舞團早課參觀 Observing Company Class
15/3/2019
《胡桃夾子》後台參觀 Backstage at The Nutcracker
4/3/2019
《白蛇傳》歌劇創作講座 Madame White Snake Reimagined
9, 11/3/2019
時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell
9/3/2019
馬祖耶夫爵士樂隊演前導賞講座︰ 古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz
16, 24/3/2019
漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass
17/3/2019
漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids
13/3/2019
湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass
19/3/2019
漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project
14/3/2019
23/3/2019
漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier
湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II
13, 14/3/2019
李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group
15/3/2019
李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango
16, 17/3/2019
洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass
歌劇／戲曲 OpeRa 1, 2/3/2019
萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser
2/3/2019
萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour
12/3/2019
蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong
戲劇 THeaTRe
16/3/2019
《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition
16/3/2019
拇指琴 及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance
28/2/2019
藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage
16/3/2019
9/3/2019
藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare
20/3/2019
克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration
22/3/2019
希薇雅．佩瑞茲．克露絲 演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible
電影 FilM 27/2/2019 2, 24, 30/3/ 2019
《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema
贊助人
林鄭月娥女士
PATrON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳祖澤博士 陳達文先生 梁紹榮夫人 +
PrOGrAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONOrArY SOLICITOr AUDITOr
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISOrS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers
HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP
榮譽節目顧問 Honorary Programme Advisor
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430
職員 行政總監 行政總監助理 節目 節目總監 副節目總監 節目經理 節目經理（行政） 助理節目經理 節目統籌 節目行政主任 物流及接待經理 •技術 製作經理 助理製作經理 •出版 英文編輯 中文編輯 助理編輯 •外展 高級外展經理 助理外展經理 外展統籌 外展助理 藝術行政見習員 市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 藝術行政見習員 市場經理（票務） 客戶服務主任 發展 發展總監 發展經理 副發展經理 助理發展經理 發展統籌 發展助理 會計 會計主管 助理會計經理 會計主任 人力資源及行政 人力資源及行政經理 人力資源及行政主任 接待員 / 初級秘書 助理 無限亮 高級項目經理 助理節目及製作經理 助理外展經理 助理技術經理 市場統籌 高級會計主任 項目主任 香港藝術節 @ 大館 製作人 技術統籌
STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers
何嘉坤 何丹蓉 梁掌瑋 蘇國雲 葉健鈴 余瑞婷 * 蘇雪凌 黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *
陳韻妍 林淦鈞 * 胡鎮華 *
梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝 張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮 胡銘堯 周 怡 楊 璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲 黃煒城 * 余潔儀 張慧芝 * 譚樂瑤 蘇寶蓮 * 莫穎哲 * 袁愷晴 *
黎家欣 *
林嘉敏 *
鍾玉如 *
張嘉麟 *
楊恆怡 *
麥紫琴 *
鄺敬婷 杜詩麗 * 蘇永恆 * 馮紹昌 簡凱彤 * 李美娟 黃國愛 楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周 怡 *
陳穎業 *
Tisa Ho Connie Ho
Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Administration Officer Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators
技術統籌 * Technical Coordinators*
歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、 許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu
藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、 何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、 樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff