Madame White Snake - 47th Hong Kong Arts Festival by Hong Kong Arts Festival

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝術節陣容鼎盛，共有超過1700名來自香港和世界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。今年藝術節的節目多姿多彩，當代及古典音樂、舞蹈、戲劇等不同形式的藝術表演共冶一爐。每個節目從幕後製作到台前演出，均盡顯精湛的藝術造詣和超凡的想像力。我很高興知道最近完成活化的中區警署建築群，即現在的大館古蹟及藝術館，會在兩個周末呈獻約5 0場舞蹈表演，供公眾免費入場觀賞。大家更有機會一起參與在大館的檢閱廣場、監獄操場，甚至是監獄囚室進行的表演節目。牛棚藝術村亦會打造為藝術共生創造社，首度成為藝術節發展作品的平台，場內設有不同創意領域的工作坊，觀眾並可以欣賞一些創作中的作品，感受藝術家的多元創意。除了精彩表演，藝術節亦一如以往，悉心籌備各項教育和外展活動，致力培育本地藝術人才。「香港藝術節青少年之友」計劃讓本地學生有機會觀賞世界級的表演和參與各式各樣的藝術活動。此外，藝術節亦透過後台參觀和大師班等「加料節目」，讓觀眾與國際頂尖藝術家互動接觸，了解節目的幕後製作過程。衷心感謝香港藝術節團隊一直致力推動本港的藝術發展，成績斐然。我亦感謝贊助商和捐款者的大力支持，令每年的藝術節圓滿成功，大獲好評。謹祝二零一九年香港藝術節所有觀眾、參加者和表演者可以盡情享受這次藝術之旅，留下愉快難忘的回憶。

林鄭月娥香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場演出。感謝您與我們一起歌頌表演藝術在舞台上的不同季節和階段。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款。這項資助對香港藝術節每年得以成功舉辦，至關重要。多謝香港賽馬會慈善信託基金持續的支持，為我們致力豐富城中文化生活，打下根基。另外要感謝眾多企業贊助商、慈善基金會以至個人捐助者。他們的慷慨捐助，讓我們能夠呈獻世界各地的優秀藝術家、發展新作、培育年青觀眾，並在國際舞台上引薦本地人才。最重要的是感謝您前來欣賞今天的表演。香港藝術節的成功，正是有賴觀眾的熱情和參與。謹祝您享受藝術節今天這場演出，渡過難忘的時光。

查懋成香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演出。今屆藝術節以「一步一舞台」為主題。舞台，不僅是我們呈獻新穎及經典表演的地方，更是藝術轉化向前的關鍵。頂尖藝術家及明日之星於舞台相遇，各展姿彩；透過忠實致敬及大膽改編，經典劇目得以重現觀眾眼前；嶄新作品以原創設計、技術及敍事方法，挑戰傳統舞台的極限。無論於哪個舞台表演，我們會繼續想像藝術世界的無限可能，亦期望今屆表演能為閣下帶來啟發和歡愉。另外，誠邀您參加「加料節目」的各項活動，深入了解重點表演，令藝術節體驗更全面。謹代表藝術節團隊，感謝您參與香港藝術節，支持我們的使命，為香港締造一個世界級藝術節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節的年度預算約港幣一億三千六百萬，當中香港特區政府的基本撥款佔總收入的近 13%，接近 6% 來自政府新增加的五年限期額外撥款，另外約 28% 需來自票房收入，逾 33% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 20% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞．諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源（約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 27 年來，已為逾 750,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

《白蛇傳》

Madame White Snake 8-9 3月 MAR

香港演藝學院歌劇院 Lyric Theatre, Hong Kong Academy for Performing Arts 演出長約 1 小時 50 分鐘，不設中場休息 Approximately 1 hour and 50 minutes with no interval 英語演出，附中、英文字幕 Performed in English with Chinese and English surtitles

香港藝術節感謝 In Technical Productions Limited 為《白蛇傳》香港演出提供視像顯示器材支持 Hong Kong Arts Festival thanks In Technical Productions Limited for supporting part of the visual display equipment for the HK performances of Madame White Snake 香港藝術節感謝香港君悅酒店提供酒店住宿支持 Hong Kong Arts Festival thanks Grand Hyatt Hong Kong for providing accommodation support for this programme

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

Presents

《白蛇傳》

Madame White Snake 8-9 3月 MAR

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

《白蛇傳》

Madame White Snake 作曲 Composer 周龍 Zhou Long 劇本 Librettist 林曉英 Cerise Lim Jacobs 指揮 Conductor 水藍 Lan Shui 導演及設計米高．卡奧斯

Director and Production Designer Michael Counts

投影設計 S．凱蒂．塔卡

Projection Designer S. Katy Tucker

服裝設計薩恩．皮爾

Costume Designer Zane Pihlstrom

燈光設計趙毅

Lighting Designer Zhao Yi

副燈光設計麥婉瑩

Lighting Associate Elizabeth Mak

髮型設計傑森．艾倫

Wig Designer Jason Allen

戲劇顧問 Dramaturg 哥尼．艾利遜 Cori Ellison 助理導演莎拉．衛薩

Assistant Director Sara Widzer

舞台經理茱莉．赫莉

Stage Manager Julie Hurley

助理舞台經理莉絲．伯納斯 - 費林特薩凡納．庫爾茨

Assistant Stage Managers Lissy Barnes-Flint Savannah Kurtz

製作經理約瑟．尼范特斯基

Production Manager Joseph Levendusky

技術總監克里斯．斯華奇

Technical Director Chris Swetcky

影像工程馬修．梅林格

Video Programmer & Engineer Matthew Mellinger

燈光助理依林．費明

Lighting Assistant Erin Fleming

服裝主管南茜．費莎

Wardrobe Supervisor Nancy Flessas

字幕修訂艾利遜．霍夫、莎拉．連諾斯

Surtitles Editing Allison Voth, Sarah Lennertz

監製 Producer 貝夫．莫里遜製作 Beth Morrison Projects 執行監製白蛇製作

Executive Producer White Snake Projects

聲樂指導葉亦詩

Répétiteur Nina Yip

合唱指導楊欣諾（香港藝術節合唱團）林浩恩（香港兒童合唱團）

Chorus Masters Felix Yeung (The Hong Kong Arts Festival Chorus) Dominic Lam (Hong Kong Children’s Choir)

樂團 Orchestra 香港管弦樂團 Hong Kong Philharmonic Orchestra 合唱團 Chorus 香港藝術節合唱團 Hong Kong Arts Festival Chorus 香港兒童合唱團 Hong Kong Children's Choir

角色及演出 Performers 白蛇（女高音）蘇珊娜．比勒

Madame White Snake (Soprano) Susannah Biller

小青（假聲男高音）麥克．曼尼阿齊

Xiao Qing (Countertenor) Michael Maniaci

許仙（男高音）彼得．譚薛

Xu Xian (Tenor) Peter Tantsits

法海（男低音） Abbot (Bass) 龔冬健 Gong Dongjian This engagement is supported by Mid Atlantic Arts Foundation through USArtists International in partnership with the National Endowment for the Arts and the Andrew W. Mellon Foundation.

藝術節加料節目

《白蛇傳》歌劇創作講座

4.3（一 Mon）7:00–8:00pm

Madame White Snake Reimagined 亞洲協會香港中心

Asia Society Hong Kong Center

與創作團隊見面，了解驚艷的視覺效果背後的創作過程，聽聽他們如何重新演繹這經典名著。

Meet the creative team behind the production as they reflect on the process behind the opera’s stunning visual effects.

英語主講

In English

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更多加料節目詳情 More Festival PLUS

故事大綱

Synopsis 序幕︰傳說

Prologue: The Story

小青走過洪水肆虐後的廢墟，想起往昔的經

Xiao Qing walks through a land devastated by flooding, reflecting on all that has come to pass. She is half-snake and half-woman, companion to her beloved Madame White Snake. Many aeons ago, she was a man and her mistress a woman. Xiao Qing loved Madame White with an unrequited love. When he tried to take her by force, he was defeated and forced into exile. When they died, both were reincarnated as snakes in punishment for their evil ways. But the gods took pity on Xiao Qing and made him a female snake so that he could forever be with his love.

歷。她是半蛇半女人，伴隨在她最愛的白娘子身邊。萬古以前，她是一位男子而白娘子是一位淑女。小青一廂情願地愛著白娘子，後來欲奪不果而遭流放。二人死後轉生為蛇，以懲罰他們上一世的惡行。上天眷顧，讓小青轉世成女性青蛇，永遠伴隨白蛇左右。

第一幕

春：喚醒

ACT 1

Spring: Awakening

第一場：斷橋

Scene 1: At the Broken Bridge

白蛇醒來，發現自己蛻變為一名女子。她感

The White Snake awakens to find she is a woman. She savours the feel of blood rushing through her; she touches her face, hair and body in wonder. Xiao Qing alerts her to a man passing by. Their eyes meet and they recognise each other from a prior life. Madame White asks Xiao Qing to bring the man to her. Xiao Qing conjures up spring rain. The man chivalrously offers Madame White shelter under his umbrella and leaves it with her. She asks him to come to her house to retrieve it.

受到鮮血在身體流動；她好奇地輕觸面容、頭髮與新生的身體。這時，小青告訴她有一名翩翩公子靠近。白娘子與公子四目雙對，記起了彼此前世已相識。白娘子差小青請公子一見。小青施法，天空驟變，簌簌下起雨來。公子殷勤地為白娘子遮雨並將雨傘留給她。白娘子便邀請公子稍後至其府上，欲將雨傘交還。第二幕

夏：熱戀

ACT 2

Summer: Passion

第一場：白宅

Scene 1: At Madame White’s House

白娘子焦急地等待公子到來，並請小青做他

Madame White waits impatiently for the stranger to arrive and asks Xiao Qing to be her matchmaker. Xiao Qing refuses, but Madame White angrily orders her to fetch the man. When he arrives, the man introduces himself as Xu Xian, an herbalist. Xiao Qing explains that Madame White is ill and needs his services. He takes her pulse and listens to her heart speaking of love. Madame White serves him her special tea of four seasons, and he confesses his passion for her. When he asks her to marry him, she makes him promise that he will allow her to leave with Xiao Qing on one night each month, without question or objection. She will not tell him where she goes (in fact, Xiao Qing and Madame White go to the river to shed their skin). Xu reluctantly agrees to this condition.

們的媒人。小青勸阻她，但白娘子仍命令她立即把公子帶來。公子受邀到來，自稱許仙，是一名藥師。小青稱白娘子身體抱恙，請許仙醫治。許仙為白娘子診脈，她的心聲訴說着愛意。白娘子為許仙斟一杯以四季原料調配的香茶，他隨即向白娘子表白愛意。許仙向白娘子提出婚約，她答應了，但提出一個條件：以後每個月都要離開許仙一晚，在小青陪同下往別處去，許仙不能追問她們的去向（實情是她們要到湖邊蛻皮）。儘管不情願，但出於對白娘子的愛，許仙還是答應了。

第二場：情愛

Scene 2: A Love Scene

小青看著白娘子與許仙相愛，感到悲喜交織，因為這正是她一直求而不得的愛。

Xiao Qing watches the lovers make love. It is bittersweet, as she has always wanted this love for herself.

第三幕

ACT 3

秋：蛻變

Fall: Decay

第一場：白宅

Scene 1: At Madame White’s House

白娘子與許仙的愛情為人熟識。金山寺方丈

News of the couple’s love has spread far and wide. The Abbot of the Golden Mountain Monastery, who has spent his life promoting the healing power of love, comes to see them. He has meditated for 1,000 years and believes he is one step from Nirvana. When he encounters Madame White, he sees through her human form to the snake she really is. Madame White panics, knowing she has been discovered. The Abbot waits for Xu Xian to come home. He asks him if he knows who his wife truly is. This question stirs up Xu's pent-up suspicion. He confronts his wife, who is afraid to tell him the truth about herself. She tries to deflect his questions by telling him that she is pregnant. Believing the child is from her monthly trysts with a lover, a heartbroken Xu flees from her.

法海致力宣揚愛情的治癒力量，前來會見他們。法海修行千年，深信自己距離涅槃只有一步之遙。他見到白娘子，立即識破其真身是蛇精。白娘子很害怕，知道自己被發現了。法海等待許仙回家，詢問他是否知道妻子的來歷。這個問題一下子激起了許仙在心底積壓許久的疑問。許仙質問妻子，但她害怕說出真相。白娘子為了迴避問題，告訴許仙她懷孕的消息。許仙驚恐，甚至懷疑孩子是白娘子與情人幽會所出。他痛苦地離開了白娘子。

第四幕

冬：負心

ACT 4

Winter: Betrayal

第一場：金山寺

Scene 1: At the Golden Mountain Monastery

許仙來到了金山寺尋找法海，他相信法海知

Xu Xian journeys to the Monastery in search of the Abbot, whom he believes possesses the truth about his wife. The Abbot is reluctant to help him until he learns that the couple is expecting a child. Fearful of a child produced by a demon and a mortal, the Abbot gives Xu a potion, advising him to use it cautiously.

道白娘子的真實身份。法海原本不願意幫助許仙，但得悉白娘子懷上孩子之後卻猶豫了。他害怕凡人與蛇精所生的孩子，便給許仙一瓶藥水，同時告誡他要小心使用。第二場：斷橋

Scene 2: At the Broken Bridge

白娘子感到絕望，她的丈夫已離去數天。她

Madame White is desperate; her husband has been gone for days. She dons her red wedding robe and goes to the Broken Bridge where she and Xu first met. She resolves to tell him the truth. Before she can do so, Xu arrives and tells her that he has been worried about her and the child and has made a potion to help the birth. Madame White knows he has lied. She believes that his love for her is dead. She takes the potion from him and drinks it. She is transformed back into a snake.

披上婚禮紅裙，回到與許仙相遇的斷橋，打算將真實身份告訴許仙。許仙來到橋上，稱自己擔心白娘子和孩子，於是做了一種藥水讓母子平安。白娘子知道丈夫說謊，也深知他們曾有過的愛已不復存在。她喝下那瓶藥水，再一次變回一條白蛇。

尾聲：鬥法

Epilogue: Battle

白蛇與法海鬥法。白蛇以洪水淹沒了法海，

Madame White and the Abbot fight over Xu Xian. She raises the waters to drown the Abbot. The world is engulfed by floods; millions die.

也淹沒了村莊，造成數百萬人死亡。

劇作者的話

Librettist’s Note 《白蛇傳》，單聽名字童年回憶便如泉湧。想起新加坡那酷熱難耐的晚上，我一邊啜咬娘惹紅豆冰，一邊看着白蛇在臨時築起的戶外大戲棚上滑行，耳邊伴隨汽車和貨車發出的刺耳噪音；想起盤腿坐在祖父母家中的地上，目不轉睛地盯着電視螢幕，看她向如癡如醉的觀眾唱出愛意。不死的白蛇追尋人類的愛，代表了我們所有人—祖母、姑婆、母親、保姆和小孩— 渴望美好、隨心所欲的勇氣。我們在無數個星期六曾坐在電視機前，與全亞洲幾百萬觀眾，一次又一次為愛情的死亡而心碎。白蛇神話對中國人影響深遠，以至中國把它列入非物質文化遺產，與京劇、農曆新年並列。故事起源追溯至千年以前的民間傳說，以故事的形式解釋黃河每年泛濫的原因。故事經年來不斷演化，在明朝達到頂峰。無數大戲、電視劇集和電影也以此傳奇為本。這千年神話雖深深影響中國人的集體意識，但西方國家卻鮮有聽聞。要是你不熟識《白蛇傳》，它是一個變形的神話，講述白蛇渴望化成人類體驗愛情的故事。經過千年修行，眾神終於讓她得償所願。她的肉身縱已轉化成漂亮的女人，但本質不改 — 依然是蛇妖（雖然很多人認為真愛已把她徹底改變）。她愛上一位草藥師，跟他結為夫妻，更有了身孕，因此違反了所有傳統禁忌 — 種族、文化和宗教。一名方丈看穿了白蛇的真身，災難自然開始降臨。她的丈夫背叛她，而被背叛那一刻，她變回了蛇妖。激情、愛情、恐懼、欺騙、背叛和死亡！多美妙的歌劇題材！創作歌劇需要大量熱情。要是你不是表演藝術團體，更要有瘋狂的信念，相信憑個人之力能

Madame White Snake. That name evokes a wellspring of childhood memories. I think of sucking on ice kachangs on a sweltering Singapore night as the white snake glides across the makeshift open-air opera stage accompanied by the cacophony of cars and trucks; of sitting crosslegged on the floor of my grandparents' home, glued to the grainy TV screen as she sings her love out to her mesmerized audience. The immortal snake’s quest for human love represented for us all—grandmother, great aunt, mother, nanny and children—the yearning for the ineffable and the courage to follow your heart. We sat for many Saturdays, millions of us all over Asia, to have our hearts broken again and again by love’s death. The legend of the White Snake is so important to the Chinese people that China has designated it an item of “intangible cultural heritage” along with Peking Opera and the Spring Festival. It originated with the Ur people over one thousand years ago as a folk tale to explain the yearly flooding by the Yellow River and has evolved through the centuries, reaching its apex during the Ming Dynasty. Countless Chinese operas, Chinese TV series and Chinese movies have been created from this legend. Yet while our collective Chinese consciousness is imbued with this centuries-old myth, it is little known in the West. For those of you who are not familiar with this legend, Madame White Snake is a transformation myth, the story of a white snake demon who yearns to be human to experience love. After one thousand years of meditation, the gods grant her wish. While she is transformed physically into a beautiful woman, her essence remains unchanged—she is still a snake and a demon to boot (although many maintain she becomes truly transformed by love). She falls in love with an herbalist, marries him and becomes pregnant, thus violating all traditional taboos—racial, ethnic,

夠把熱忱化成現實。我的丈夫和藝術拍擋查理斯跟我同樣相信，我們能從這古老神話，創造出獨一無二的新歌劇，一個能令所有人產生共鳴，讓大家為之心碎的作品。因此我們踏上了這趟冒險旅程，以詩意的英文捕捉這神話的力量，再結合中西方的音樂元素。多精彩的旅程啊，查理斯。白蛇追尋夢想，即使她深知自己違抗了天命。我把《白蛇傳》獻給查爾斯，跟他一起甚麼事也有可能。林曉英

cultural and religious. But an Abbot sees through her human form to the snake and, not surprisingly, disaster strikes. Her husband betrays her, and in the moment of betrayal, she is transformed back into a snake. Passion, Love, Fear, Deceit, Betrayal and Death! What wonderful material for opera! It takes passion to want to create opera. If you are not a performing arts company, it also takes a crazy belief that it is possible for an individual to transform that passion into reality. Charles (my husband and artistic partner), believed with me that from this ancient myth, we could create a truly unique new opera, one which would resonate with all peoples and break their hearts. Thus we embarked on this adventure to capture poetically in English the power of the Legend of the White Snake and combine it with the vigour of both Chinese and Western musical elements. What a journey it has been, dear Charles. The White Snake reaches for her dream, knowing she is defying destiny. Madame White Snake is dedicated to Charles (1933–2010), with whom everything is possible. Cerise Lim Jacobs

與周龍對話

In Conversation with Zhou Long

您從小就有機會接觸西方歌劇，這個特殊背景與您在中國的同輩們不一樣。您的母親是一位歌唱家，而您曾經帶點尷尬地承認自己最喜愛的作曲家之一是普契尼。可以略略介紹您與歌劇的淵源嗎？童年時代，我就開始聽歌劇，那些美妙的歌聲打動了我。我不懂那些語言，但我喜歡那些旋律。在眾多古典作曲家之中，普契尼與柴可夫斯基的旋律最為優美。我的大姨從莫斯科帶了不少唱片回到北京。當然，我每天都聽到母親的歌聲 ─ 不單是歌劇，也有藝術歌曲。她是聲樂老師，經常在家裏給學生上課。有時候，我整天或者整個周末聽到的都是練聲歌唱。歌劇音樂早就耳濡目染我童年的心靈。

Unlike many of your Chinese colleagues, you grew up listening to Western opera. Your mother was a singer, and you've somewhat abashedly admitted that one of your favourite composers is Puccini. Could you talk a little bit about your own background with opera? When I started to listen to opera as a child, the singing touched me. I didn't know the language, but I liked the melodies. Puccini and Tchaikovsky wrote the most beautiful melodies amongst all classical composers. My auntie brought many records from Moscow, and of course I heard my mother all the time—singing not just opera but also art songs, lieder. She gave lessons and often coached students at home. So I heard this all day long, sometimes for an entire summer. This was in

很多人對寫歌劇都有不同的看法。有人認為，歌劇講究累積經驗，所以作曲家應該在年青時代盡早開始投入創作。但是，也有人堅持另一種說法：如果作曲家比較成熟，掌握技巧更加靈活，對於選擇題材以及利用音樂敘事的手法，將更具慧眼。你認同後者的說法吧？每個作曲家都不同。莫扎特非常年輕就開始創作歌劇。但是，尤其是我這一代人，我們身處的現代背景卻不一樣。因為文化大革命，我們沒有機會上學，儘管我的母親是一位聲樂家。但我一點都不為自己到了五十來歲才創作首部歌劇而感到遺憾。《白蛇傳》的故事家喻戶曉，但我們的處理手法重點面向當代觀眾。無論是文學、戲劇性、配器，每一個角色的音樂主題必須具有時代氣息。如果你的創作理念與技巧成熟扎實，當然可以更成功地掌握作品的效果。傳統的歌劇創作需要長時間的修改與嘗試，可是當今卻很少容許我們有這樣的空間。我早就安排好一個周密的創作計劃。我寫過很多管弦樂作品，還有不少包括聲樂的室內樂與現代舞蹈及劇場作品，這些經驗都集中在了我的首部歌劇中。我覺得，這部歌劇好像總結了我至今的創作生涯。這是一個以英語表達的中國傳統故事。你覺得音樂也同樣地包含西方與中國文化嗎？我覺得「中國」或者「西方」這些標籤不重要。音樂蘊藏的戲劇性才是關鍵。在這裏，你必須作出某些決定。我的室樂作品幾乎是無調性的，而我的管弦樂作品則更溫和、更傳統。有些樂評人特別推崇前衛風格的歌劇，可是觀眾大多抗拒這類音樂。所以，我作出了最終決定，選擇了調和。《白蛇傳》一開始，是一個無調性的序幕。它主要包含的元素，是以京劇念白與

my ears for a long time. There are two schools of thought about writing opera: first, that it takes so long to learn that a composer should start as early as possible; and second, that it's better to begin as a mature craftsman, when you have the perspective to pick the right story and the skills to tell it. Was waiting this long an advantage for you? Each composer is different. Mozart started writing opera when he was very young, but in modern times—our generation especially—we have different backgrounds. During the Cultural Revolution, we lost our education. Even though my mother is a singer, I couldn't go to music school. I had no chance to study. But I have no regrets about writing my first opera in my 50s. Madame White Snake is a legend retold for today's audience. The language, the drama, the orchestration, each character's musical theme must all be contemporary. I think the more mature and secure you are in your craft, the better you can do this. Traditionally, opera needed much revision, but today's society doesn't allow for this. So when I started this project, I planned it very carefully. I've written many orchestral pieces, and a lot of vocal writing combined with chamber works and music for modern dance and theatre, all of which combine together in my first opera. I can see this almost as a summary of my entire career. This is a traditional Chinese story being told in English. Did you think of the music as a similar mix of cultures? Choosing "Chinese" or "Western" as a label is not important for me. What's important is the drama in the music, and here you do have to make decisions. My chamber writing is almost atonal— very different from my orchestral writing, which is more mild and traditional. In opera, some critics prefer the avant-garde, but the audience usually

西方無調性手法處理唱腔的結合。聽起來的效果像是吟誦英語的京腔。這不只是選擇中國或者西方傳統，而是把這些元素融合在一起，從風格上達到特定的戲劇效果。當今創作歌劇，難得多次上演。你希望觀眾對你的音樂印象深刻，而不是摸不着頭腦，不知所云。這部歌劇在西方觀眾面前呈現了異國情調的文化氛圍。所謂異國情調，不單是音樂，也包括演出的特性與風格，以及觀眾本身的文化背景。所以，異國情調不只限於一些藝術手法，如引用京劇元素等。異國情調可以是環境與個別人物之間的互動。我創作這部歌劇時，刻意地取用東西方文化都可以認同的元素，好讓來自世界各地的觀眾都有所共鳴。中國觀眾對英文版歌劇《白蛇傳》也會有他們的想法，所以這部歌劇對他們來說，也可能帶有一定的「異國情調」。由司馬勤訪問周龍

doesn't. In the end, I compromised. The prologue is entirely atonal, mostly combining Peking opera recitation with Western atonal text settings. The result is a person speaking in English that actually sounds like Peking opera. This is not simply picking from Chinese or Western traditions, but melding these influences into a style that the story requires. If you write opera today, you only have one shot. You want audiences to remember the music, not spend so much time asking what it is. In this opera, we've illustrated a culture or milieu in some ways exotic to Western audiences. The meaning of "exotic" depends not just on the music itself but also the character and performance style, particularly regarding a given audience's background. Exoticism need not be limited to specific devices, such as quotations from Peking Opera. It can be contained through interaction between environments and individual characters. I made sure I composed entirely, even consistently, from elements identifiable to both Western and Eastern cultures, to sate either audience’s expectations. However, because Chinese audiences may have their own ideas about the White Snake legend, this opera may also be "exotic" for them. As told to Ken Smith

《白蛇傳》的蛻變

A Transformation Story

20 1 1 年獲普立茲獎的歌劇《白蛇傳》，由周龍作曲，而歌詞雖由林曉英撰寫，但她仍歸功於已故丈夫查爾斯．雅各斯，說 :「他是標準的歌劇迷。」她承認自己從事法律工作二十五年後回歸寫作，最先想到的文學類型並不是歌劇劇本。寫歌劇也不是林曉英最初的選擇，因為當時她只是想寫一套聯篇歌曲，慶祝丈夫七十五歲生日。「他已不在乎物質享受，所以我想送給他一些特別的東西。」她在尋找合適的題材時，憶起年輕時看過的《白蛇傳》，很快便敲定了初稿。她笑着回憶道：「他看到我在寫作，問我『這是甚麼？』我告訴他：『這是你的生日禮物。』」但她丈夫是波士頓一位猶太裔律師，對白蛇一無所知。對丈夫來說，這個故事的疑問多於答案。「查爾斯一直在問我，為甚麼白蛇要這樣說，許仙又為甚麼要這樣做。問到最後，我只好以他能理解的方式把故事鋪陳開來。」大概是因為這個原因，林曉英的《白蛇傳》蛻掉了傳統外皮，披上了現代外衣，變得具有真正的國際色彩。她說：「故事不再認定女性是潛在的蛇妖。白蛇深知自己冒着多大風險進入一個新世界，卻下定決心，為夢想而奮鬥。」事實上，女主角開始跟編劇的經歷契合—林曉英是來自殖民時代新加坡的傳統華裔女孩，她一路走向西方，先去澳洲，然後英國，最後美國，還得面對一個不贊成異族通婚的父權社會。她的獨幕劇本雖然簡潔，卻已具備歌劇風貌，作曲家周龍也與之共鳴。周龍也是歌劇新手，在 1 9 8 0 年代中從北京移居紐約。周龍說：「要把一個古老傳說向今天的觀眾重述一遍，像『中國』和『西方』這樣的標籤是派不上用場的。

Although Cerise Lim Jacobs penned the text that would eventually become Zhou Long’s 2011 Pulitzer Prize-winning opera Madame White Snake, she still gives credit to her late husband Charles. “He was the opera fan,” she says, admitting that when she returned to writing after a 25-year legal career, an opera libretto was not the most obvious genre selection. Nor was it her initial choice, having originally conceived the piece as a song cycle for her husband’s 75th birthday. “He was past material things, and I wanted to give him something special,” she says. Searching for a suitable subject, she recalled the White Snake legend from her youth and quickly banged out an initial draft. “He saw me working and asked, ‘What’s this?’ I told him, ‘That’s your birthday present,’” she recalls, laughing. But for her husband, a Boston-based Jewish attorney who did not know from White Snakes, the story raised more questions than it answered. “Charles kept asking ‘Why would she say this?’, ‘Why would he do that?’ to the point that all I could do was flesh out the story in a way he would understand.” Which is more or less how Lim Jacobs's Madame White Snake became genuinely international, shedding its traditional skin and taking on modern trappings. “It was no longer about women being potential snake demons,” she says. “This woman fully understands the risks of venturing into a new world and is determined to fight for her dream.” The title character, in fact, rather began to resemble its author, a traditional Chinese girl from colonial Singapore who made her way westward—first to Australia, then England, and finally the United States—confronting, one might add, a patriarchal society disapproving of mixed marriages.

你必須巧妙運用各種音樂傳統，令故事充滿意義。」當林曉英的劇本擴展為連同序幕和尾聲的四幕劇時，歌劇的規模足以包含周龍為他首部歌劇所構想的音樂對比。他說：「我的室樂作品幾乎是無調性的，而我的管弦樂作品則更溫和、更傳統。」同樣，他的合唱作品也遠不如他譜寫的獨唱聲樂那麼複雜。他說：「《白蛇傳》結合了所有這些要素，幾乎是我當時職業生涯的一次總結。」歌劇由序幕開始，已綜合不同文化的音樂，就像京劇式唸白與荀伯格歌劇式誦唱（Sprechstimme）的獨特混合體。歌劇大體上使用西方的配器，主要由幾件中國樂器來代表某些人物：白蛇用竹笛襯托；許仙以二胡代表；青蛇則以塤表示。青蛇（小青）一角起用了假聲男高音，是靈機一觸的決定，既向西方歌劇的閹伶傳統致敬，也體現了中國戲曲的男旦特色。若說《白蛇傳》的四幕結構為周龍提供了交響樂規模的發揮空間，那麼它也為林曉英呈現整個人生的春夏秋冬。隨着故事發展，她發現此劇與西方歌劇經典有許多相通之處。她說：「首先，這是個有關蛻變的故事，就像《小美人魚》或《露莎卡》（編按：德伏扎克童話歌劇中的水精靈）裏，其他生物變成人類。還有像華格納歌劇《羅恩格林》那樣的故事傳統，其中戀人絕不能透露自己的真實身份。」此劇也有歌劇慣見的魔藥，林曉英指出它要不

Her one-act libretto—concise, yet already operatic— also resonated with the composer Zhou Long, another operatic neophyte who’d relocated from Beijing to New York in the mid-1980s. “For an ancient legend being retold for today’s audiences, labels like ‘Chinese’ and ‘Western’ no longer apply,” Zhou says. “You have to use musical influences in a way that makes sense for the story.” As Lim Jacobs's libretto expanded into four acts, with an additional prologue and epilogue, its span proved large enough to contain the musical contrasts Zhou envisioned for his first opera. “My chamber works are almost atonal, while my orchestral writing is more mild and traditional,” he says. Likewise, his choral works are much less complex than his writing for solo voice. “Combining all these elements, Madame White Snake became almost a summary of my career at that time.” The musical synthesis of cultures begins right in the prologue, a singular blend of Peking opera-style recitation with Schoenberg-like Sprechstimme. Amidst otherwise Western orchestration, key Chinese instruments represent certain characters: White Snake is coloured by a bamboo flute; the scholar (her love interest) is represented by an erhu; her less sophisticated sister Green Snake is musically echoed by a xun. Particularly inspired is casting Green Snake as a countertenor—a tribute both to Western opera’s castrati heritage and falsetto cross-dressing on the traditional Chinese stage. If Madame White Snake’s four-act structure offered Zhou the fullness of a symphony, it presented Lim Jacobs's with the four seasons of a complete life. As the story developed, she found many similarities with the Western operatic canon.

ÂŠ Jill Steinberg

是真的具有神奇力量（這時候華格納的「崔斯坦和弦」就會出現），就僅僅是一劑自欺欺人的假藥（如唐尼采第的《愛情靈藥》）。她說：「在《白蛇傳》裏，你其實不知道白蛇所服的『揭露真相』魔藥是否真的會令她打回原形。許仙告訴白蛇：『我特別調製了這些草藥，可幫助你分娩。』（順便一提，原來的神話沒有這句），她馬上看出許仙在撒謊，因此對許仙的信任和愛情都隨之消逝。她沒有活下去的理由，於是變回蛇身，代表她已心如死灰。」「你也可以當真的來看，認為那藥水確實有效，可逼使白蛇現形。」林曉英半帶淘氣地繼續說：「這種模棱兩可的表現手法，可能會讓傳統的中國觀眾感到非常不安。」不過，林曉英認為更具威脅性的，是意識到白蛇竟是一種情感易受傷害的生物：「她成為人類後，便被人的價值觀、為他們能夠愛和同情所感動。雖然曾經是蛇妖，她卻是個擁有強大力量、能堅決反對專制父權的女人。我想捕捉她那種反叛精神，那種站起來捍衛自己的能力，好證明女性不必有蛇蠍心腸而依然力量強大。」司馬勤節錄自香港藝術節 2019 年之《閱藝》雜誌文章

“First of all, it's a transformation story, much like the Little Mermaid or Rusalka, where other creatures become human,” she says. “There’s also a tradition of stories, like Lohengrin, where lovers never reveal their true identity.” It also fits with opera’s catalogue of potions, which as Lim Jacobs's points out, can either be genuinely magical (cue Wagner’s Tristan chord) or merely a placebo (see Donizetti’s Elixir of Love). “In Madame White Snake, you don’t really know whether the truth potion she takes is real,” she explains. “When the scholar tells her, ‘I mixed these special herbs to help your childbirth’—which is not in the original myth, by the way—she can tell he’s lying, and both her trust and love die. With nothing to live for, her transforming back into a snake marks her spiritual death. “Or if you want to be literal, maybe the truth potion was real and she was forced to reveal herself against her will,” Lim Jacobs continues, a bit mischievously. “This kind of ambiguity can be very disconcerting to traditional Chinese audiences.” More threatening, though, is the very idea of White Snake as an emotionally vulnerable creature, she claims. “Having become human, she’s touched by human values, the ability to love and empathise,” Jacobs says. “She’s a powerful woman—okay, she used to be a demon—but a woman able to hold her own against an authoritarian patriarchy. I wanted to capture that rebellious spirit, the ability to stand up for yourself, to prove that women can be powerful without being demons.” Ken Smith Excerpt from article originally published in HKAF’s 2019 FestMag

周龍

Zhou Long

作曲 Composer 周龍獨特的音樂匯集了東方和西方的審美觀念和音樂元素，備受國際讚譽。2011 年，周龍的第一部歌劇作品《白蛇傳》（波士頓歌劇院與北京國際音樂節聯合委約）獲得第

9 5 屆普立茲音樂獎，使他成為首位獲此殊榮的美籍華裔作曲家。他獲得的獎項包括美國文學藝術院終身成就獎、紐約林肯中心室內樂協會頒發的斯托格國際大獎、多次獲美國國會圖書館庫茨維斯基音樂基金會及哈佛大學弗朗姆音樂基金會委約、美國古根漢基金會獎金、美國國家藝術委員會作曲家委約及美國巴羅基金會國際作曲比賽首獎。周龍和陳怡的交響樂《虎門 1839》唱片專輯提名 2 0 1 6 年格林美獎，同年他獲頒授紐約藝術基金會名人堂榮譽稱號。周龍 1953 年出生於中國北京。1973 年開始向羅忠熔、黎英海、樊祖蔭學習作曲，向嚴良坤學習指揮。1 9 8 3 年畢業於中央音樂學院，師從蘇夏。曾任中國廣播藝術團駐團作曲家。1 9 8 5 年獲紐約哥倫比亞大學獎學金赴美攻讀，師從周文中、達維多夫斯基和愛德華茲。1 9 9 3 年獲音樂藝術博士學位。現任美國密蘇里大學堪薩斯城音樂舞蹈學院邦

Zhou Long is internationally recognised for creating a unique body of music that brings together the aesthetic concepts and musical elements of both the East and West. Winner of the 2011 Pulitzer Prize for his first opera, Madame White Snake, Zhou has also received the American Academy of Arts and Letters Award and the 2012–2013 Elise Stoeger Prize from the Lincoln Center Chamber Music Society. He has been a twotime recipient of commissions from the Koussevitzky and Fromm Music Foundations, Meet the Composer radio programme, Chamber Music America, and the New York State Council on the Arts. He has received fellowships from the National Endowment for the Arts, the Guggenheim and Rockefeller Foundations, and the New York Foundation for the Arts. In 2015, Zhou was nominated at the 58th Grammy Awards with Chen Yi. Born in 1953 in Beijing, Zhou enrolled in the Beijing Central Conservatory of Music in 1977. Following graduation in 1983, he was appointed composer-inresidence with the China Broadcasting Symphony. He travelled to the United States in 1985 on a fellowship to attend Columbia University, where he studied with Chou Wen-chung, Mario Davidovsky and George Edwards, receiving a Doctor of Musical Arts degree in 1993. Zhou is currently Bonfils Distinguished Research Professor of Composition at the University of Missouri– Kansas City Conservatory of Music and Dance.

菲爾斯傑出作曲講座教授。近年作品包括：由青島交響樂團委約的《琴島》序曲，並獲得中國國家藝術基金獎項；由北京交響樂團委約的交響組曲《京華風韻》；及由新加坡交響樂團與英國廣播公司逍遙音樂節聯合委約的鋼琴協奏曲《態勢》。周龍曾多次獲中國文化部音樂作品評獎一等獎，其作品由世界各大音樂團體委約

Recent works by Zhou include his Tsingtao Overture, winner of an award from China National Arts Fund; Beijing Rhyme Symphonic Suite, commissioned by the Beijing Symphony Orchestra; a quartet cocommissioned by Wigmore Hall and Lincoln Center; and his first piano concerto, Postures, co-commissioned by the BBC Proms and Singapore Symphony Orchesra. Zhou’s music of all genres has been widely performed and recorded.

演出並錄製。

林曉英

Cerise Lim Jacobs 劇本 Librettist 林曉英創作了一系列美國歌劇新作，靈感源自故鄉新加坡的多元文化及旅居世界各地的經歷。原創劇本的意念來自神話故事及她現實生活中的經歷。林曉英受丈夫查理斯鼓勵，創作出銜尾蛇三部曲劇本，分別是《那伽》、《吉爾伽美什》和獲頒 2011 年普立茲音樂獎的《白蛇傳》。銜尾蛇三部曲

2016 年 9 月在波士頓首演，評論讚譽為「迷人」（《波士頓環球報》）及「令人瘋狂」（《波士頓音樂情報》）。林曉英生於英治新加坡一個華人家庭，從小受中國、馬來西亞、印度、西方文化，以及基督教、伊斯蘭教、佛教及印度教影響。在新加坡爭取獨立及脫離馬來西亞聯邦的動盪時期，林曉英與家人移居澳洲。她十九歲中途離學，旅居墨爾本、牛津、東蘭辛、溫哥華及匹茲堡，最後定居波士頓。林曉英畢業於匹茲堡大學及哈佛法律學院，畢業後從事法律二十年，曾在波士頓美國檢察官辦公室任聯邦檢察官五年。林曉英退休後重拾對歌劇、音樂、藝術和飲食的愛好。她成立白蛇製作。林曉英的歌劇視野推動表演藝術發展，因而獲《音樂美國》雜誌選為 2 0 1 7 年度人物。她亦獲選入

2018 年波士頓最具影響力有色人種一百人。

Cerise Lim Jacobs creates new American opera from her chequered past in multicultural Singapore and her sojourns around the world. Her original libretti are inspired by the myths that live in our imaginations, the excitement of current events and the people she encounters. With her husband, Charles, she conceived of and wrote the libretti for the Ouroboros Trilogy, comprising Naga, Gilgamesh and the 2011 Pulitzer Prize-winning Madame White Snake. The Ouroboros Trilogy premiered in Boston in September 2016 and was hailed as “enchanted” (Boston Globe) and “bingeworthy” (Boston Musical Intelligencer). Lim Jacobs was born in colonial Singapore under British rule into a traditional Chinese family. She grew up absorbing the disparate influences of Chinese, Malay, Indian and Western cultures and the world religions of Christianity, Islam, Buddhism and Hinduism. During the turbulence following Singapore's independence and secession from Malaysia, her family immigrated to Australia. Lim Jacobs dropped out of school at the age of 19 to follow her heart, and began sojourns that took her from Melbourne to Oxford, East Lansing, Vancouver and Pittsburgh, until she finally settled in Boston, Massachusetts. Lim Jacobs graduated from the University of Pittsburgh and from Harvard Law School. She spent 20 years practicing law and also served for five years as a federal prosecutor at the US Attorney’s Office in Boston. Since retiring from law, she has returned to her creative voice in opera, music, art and food. She is a founder of White Snake Projects (formerly the Friends of Madame White Snake). Lim Jacobs was named a 2017 Mover & Shaper by Musical America—an award given to music professionals for driving the performing arts towards a future shaped by their vision—and was chosen as one of Boston’s 100 Most Influential People of Colour in 2018.

水藍

Lan Shui 指揮 Conductor

水藍由 19 9 7 年到 2 0 1 9 年 1 月一直擔任新加坡交響樂團的音樂總監，之後獲委任為名譽指揮。從 2 0 0 7 至 2 0 15 年，他是哥本哈根愛樂樂團的首席指揮，現時擔任榮譽指揮一職。2019 / 20 樂季起，水藍成為國立臺灣交響樂團新任首席客席指揮。水藍曾以客席指揮身份與美國多個樂團合

Lan Shui served as the Music Director of the Singapore Symphony Orchestra from 1997 to January 2019 and has been appointed Conductor Laureate of the orchestra. From 2007 to 2015, he was the Chief Conductor of the Copenhagen Philharmonic, currently holding the post of Honorary Conductor. From the 2019/20 season onwards, Shui is the new Principal Guest Conductor of the National Taiwan Symphony Orchestra.

作，包括洛杉磯愛樂樂團、明尼蘇達管弦樂團，及三藩市、巴爾的摩、底特律和侯斯頓的交響樂團，並參與檀格塢音樂節和阿斯賓音樂節等演出。在歐洲，他曾與柏林德意志交響樂團、法蘭克福廣播交響樂團、丹麥國家交響樂團、斯圖加特廣播交響樂團、萊比錫中德廣播公司交響樂團、哥德堡交響樂團、畢爾包交響樂團、芬蘭坦佩雷愛樂樂團和德國廣播愛樂樂團合作演出。他亦是奧爾堡交響樂團的首席客席指揮，並與中國愛樂樂團和上海交響樂團維持緊密的合作關係。在水藍的帶領下，新加坡交響樂團成為世界級的樂團，並與 BIS 唱片公司簽下錄製合同。水藍帶領樂團舉辦多個受到廣泛認可的巡迴演出，包括德國、瑞士、日本、中國、香港、台灣、法國、西班牙和美國。生於中國杭州，水藍在上海音樂學院修讀作曲，他畢業於中央音樂學院，跟隨徐新和黃飛立修讀指揮。他在 1 9 86 年與中央樂團在北京完成他的專業指揮首演。

As a guest conductor, Shui has worked in the United States with orchestras including the Los Angeles Philharmonic , Minnesota Orchestra and the San Francisco, Baltimore, Detroit and Houston Symphony Orchestras, as well as appearing at festivals including Tanglewood and Aspen. In Europe, he has performed with the Deutsches Symphonie-Orchester Berlin, hrSinfonieorchester Frankfurt, Danish National Symphony Orchestra, Radio-Stuttgart Radio Symphony Orchestra, MDR Leipzig Radio Symphony Orchestra, Gothenburg Symphony, Bilbao Orkestra Sinfonikoa, Tampere Philharmonic and the Deutsche Radiophilharmonie. He was also Principal Guest Conductor of the Aalborg Symphony Orchestra and maintains a regular relationship with the China Philharmonic Orchestra and the Shanghai Symphony Orchestra. Under Shui’s direction, the Singapore Symphony Orchestra has become a world-class ensemble and enjoys an exclusive recording contract with the BIS Records label. Shui has led the orchestra on several acclaimed tours to Germany, Switzerland, Japan, China, Hong Kong, Taiwan, France, Spain and the USA. Born in Hangzhou, China, Shui studied composition at the Shanghai Conservatory and graduated from the Beijing Central Conservatory, where he studied conducting with Professors Xu Xin and Huang Feili. He made his professional conducting debut with the Central Philharmonic Orchestra in Beijing in 1986.

米高．卡奧斯導演及設計

Michael Counts Director and Production Designer 米高．卡奧斯是一名導演、設計師及娛樂企業家。過去二十年，他主要創作大型裝置藝術、劇場作品，以及創新的媒體及娛樂體驗，作品在非傳統空間展出。《Variety Magazine》稱他為「沉浸式劇場始祖」；《紐約時報》形容他為「瘋狂的天才」；紐約《Time Out》形容他是「紐約最有頭腦的劇場創作人」。卡奧斯曾導演「銜尾蛇三部曲」，包括《白蛇傳》，2016 年在波士頓 ArtsEmerson 演出。近期的創作計劃包括：與 T Bone Burnett 合作的《沒有國家的人》、將於田納西州納殊維爾上演的沉浸式戲劇《八月月亮汽車電影院》，以及為 2 0 1 8 年紐約時裝週設計的特別展覽《一個．人類》。 Michael Counts is a director, designer and entertainment entrepreneur known for creating large-scale installations, theatrical productions and innovative media and entertainment experiences—often in unconventional spaces—over the last 20 years. He has been hailed one of the “forefathers of immersive theatre” by Variety Magazine, a “mad genius” by the New York Times and “one of the most fertile imaginations working in New York theatre today” by Time Out New York. In 2016, Counts directed the Ouroboros Trilogy, including Madame White Snake, at ArtsEmerson in Boston. Upcoming and recent projects include: A Man Without a Country, a collaboration with T Bone Burnett; the August Moon Drive-In, an immersive entertainment experience in Nashville, Tennessee; and a A. Human, a unique special event for New York Fashion Week 2018.

S．凱蒂．塔卡投影設計

S. Katy Tucker Projection Designer S．凱蒂．塔卡是影片及投影設計師，以紐約為根據地。她以畫家及裝置藝術家的身份開展事業，曾在多個畫廊展出作品，包括華盛頓科克倫美術館及紐約藝術空間。她的戲劇與歌劇作品在世界各地演出，包括百老匯及外百老匯，亦於紐約大都會歌劇院、悉尼歌劇院、卡內基音樂廳、紐約市芭蕾舞團、甘迺迪中心、布魯克林音樂學院及紐約公園大道軍械庫等場地演出。近期製作包括：狄文齊．切尼亞科夫的《伊戈王子》，於荷蘭阿姆斯特丹國家歌劇院及紐約大都會歌劇院演出；亞特蘭大歌劇院《漂泊的荷蘭人》；甘迺迪中心《夢斷城西》；及卡利亞里歌劇院《兩個女人》。近期的創作計劃包括：三藩市歌劇院《尼伯龍根的指環》；休斯頓歌劇院《漂泊的荷蘭人》；在《若你聆聽》中與斯萊德及布魯克林青年合唱團合作；及狼的陷阱歌劇團《弄臣》。 S. Katy Tucker is a video and projection designer based in New York City. Tucker began her career as a painter and installation artist, exhibiting her work at a variety of galleries, such as the Corcoran Museum in Washington, D.C. and Artist's Space in New York City. Her work in theatre and opera has been seen around the world, including on and off Broadway and at the Metropolitan Opera, the Sydney Opera House, Carnegie Hall, the New York City Ballet, the Kennedy Center, BAM and the Park Avenue Armory, among others. Recent productions include Dmitri Tcherniakov’s Prince Igor at the Dutch National Opera and Metropolitan Opera, The Flying Dutchman with the Atlanta Opera, West Side Story at the Kennedy Center, and La Ciociara at Teatro Lirico di Cagliari. Recent and upcoming projects include: The Ring Cycle at San Francisco Opera, The Flying Dutchman at Houston Grand Opera, If You Listen with R.B. Schlather and the Brooklyn Youth Chorus, and Rigoletto at Wolf Trap Opera.

薩恩．皮爾服裝設計

Zane Pihlstrom Costume Designer 薩恩．皮爾在紐約定居及工作，為紐約新巴羅克 X IV 舞團的駐團設計師。他亦經常為貝夫．莫里遜製作及白蛇製作設計新歌劇作品。皮爾近期為菲利普．加斯的《完美的美國人》美國芝加哥歌劇院首演設計服裝和佈景。作品包括：瑞典烏普薩拉城市劇場《凡尼亞舅舅》、立陶宛國家劇院《我們的課堂》、芬蘭國家劇院《尤麗迪絲》（赫爾辛基）及羅莎．盧森堡廣場人民劇院《馬克白》（柏林）。其他製作有：上海戲劇學院《麋鹿國王》及《你、我們、我們、所有人》在漢堡及安特衛普的演出（獲提名 2018 年加拿大多拉獎最佳服裝設計）和《奧菲爾》。他 2014 年憑《黑暗胡桃夾子》獲提名紐約戲劇委員會獎；2012 年獲頒美國歌劇導演 / 設計師獎。皮爾是耶魯大學戲劇學院藝術碩士。 Zane Pihlstrom lives and works in New York City, where he primarily designs with the Baroque burlesque dance company Company XIV. Pihlstrom is a regular collaborator with Beth Morrison Projects, White Snake Projects and director Yana Ross. Recently, he designed the costumes and scenery for the American premiere of Philip Glass’s The Perfect American at the Chicago Opera Theater. Favourite productions include Uncle Vanya with Uppsala Stadsteater Sweden; Our Class with The National Theater of Lithuania; Eurydice with the Finish National Theatre (Helsinki); and Macbeth with the Volksbühne (Berlin). Other productions include The King Stag with The Shanghai Theatre Academy; You, We, Us, All with tours to Hamburg and Antwerp (2018 DORA Award Nomination for Outstanding Costume Design); and Orphée. In 2014, Pihlstrom received a Drama Desk nomination for Nutcracker Rouge; in 2012, he won the OPERA America Director/ Designer Competition. Pihlstrom received his MFA from Yale School of Drama.

趙毅燈光設計

Zhao Yi Lighting Designer 趙毅出生於北京，在巴黎長大、美國讀書，目前以柏林為根據地並參與國際項目，為戲劇、歌劇、現場音樂和舞蹈演出設計燈光。合作劇院及戲劇節包括 ArtsEmerson、柯蒂斯音樂學院、紐約原型音樂節、紐約林肯中心劇院、紐約劇場工作室、署名劇院、蘇豪劇院、新藝術劇院、葛夫里劇院、洛杉磯馬克劇院、美國戲劇學院劇院、俄勒岡州莎士比亞戲劇節、英國皇家莎士比亞劇院、達拉斯戲劇中心、威爾瑪劇院、耶魯劇院、柏克萊劇院、亨廷頓劇院及法國洛林芭蕾舞團。他持有耶魯大學戲劇學院及芝加哥大學學士學位，是 2016 年維爾切克基金會創意獎得主。 Zhao Yi is a Beijing-born, Paris-raised and US-educated artist currently based in Berlin and working internationally. His lighting designs for theatre, opera, live music and dance are informed by a rigorous background in fine art photography and a passion for music. His lighting designs have been seen at ArtsEmerson, Curtis Institute of Music, Prototype Festival, Lincoln Center Theater, New York Theatre Workshop, Signature Theatre, Soho Repertory Theater, Ars Nova, the Guthrie Theater, Mark Taper Forum, American Conservatory Theater, Oregon Shakespeare Festival, Shakespeare Theatre Company, Dallas Theater Center, The Wilma Theater, Yale Repertory Theatre, Berkeley Repertory Theatre, Huntington Theatre Company and Ballet de Lorraine in France, among others. He holds degrees from the Yale School of Drama and the University of Chicago, and is a recipient of the 2016 Vilcek Prize for Creative Promise in Theatre.

麥婉瑩副燈光設計

Elizabeth Mak Lighting Associate 麥婉瑩出生於新加坡，現居紐約，是一名燈光、投影及佈景設計師。她在紐約的設計包括：與巴羅劇團合作的《難處》和《漫步森林》；亦曾與 H ER E 藝術中心、「雷達之下」戲劇節、新俄亥俄劇院《冰工廠》及國際外援透明度監察計劃合作。其他地區製作有：費城劇團《麥迪遜之橋》、耶魯劇院《辛白林》及國際藝術與意念節《三姐妹開根號》。國際製作有新加坡國際藝術節《南洋：音樂劇》及《莎樂美：勇敢的女人》（溫哥華國際猶太表演藝術節、多倫多猶太文化節）。她是芝加哥阿伯尼公園戲劇計劃的駐團藝術家、耶魯大學戲劇學院畢業生，亦是 Wingspace 戲劇設計組織成員。 Elizabeth Mak is a Singapore-born, New York-based lighting, projection and scenic designer. New York City designs include The Tricky Part and A Walk in the Woods with The Barrow Group, and work at HERE Arts, Under the Radar Festival, New Ohio Ice Factory and IATI. Regional designs include Bridges of Madison County (Philadelphia Theatre Company); Cymbeline (Yale Repertory Theater); and The Square Root of Three Sisters (International Festival of Arts and Ideas). International designs include Nanyang: The Musical (Singapore International Festival of Arts) and Salomé: Woman of Valour (Vancouver Chutzpah Festival, Ashkenaz Toronto Festival). She is a resident designer with Albany Park Theater Project in Chicago, a graduate of the Yale School of Drama, and a member of Wingspace Theatrical Design.

馬修．梅林格影像工程

Matthew Mellinger Video Programmer and Engineer 馬修．梅林格是一名影像工程師。百老匯作品包括：《真假公主》、《愛與謀殺的紳士指南》、《另一個地方》、《鼓動人心》和《Baby It’s You!》；外百老匯作品有：《孤獨城堡》、《愛在此安息》（紐約公共劇院）、《合適》（署名劇院）、《赤裸：音樂劇》（新世界舞台劇院）、《孤獨，並不》（第二舞台劇院）及《美麗城市》（葡萄園劇院）。 Matthew Mellinger is a video programmer and engineer. His Broadway credits include: Anastasia, A Gentleman’s Guide to Love and Murder, The Other Place, Bring It On: The Musical and Baby It’s You! His Off-Broadway credits include: The Fortress of Solitude (Public Theater), Here Lies Love (Public Theater), Appropriate (Signature Theatre), Bare: The Musical (New World Stages), Lonely, I’m Not (2nd Stage) and This Beautiful City (The Vineyard).

蘇珊娜．比勒白蛇（女高音）

Susannah Biller Madame White Snake (Soprano) 比勒是三藩市歌劇院阿德勒培訓計劃的成員，她在陶比亞斯．皮克的《熱淚傷痕》中飾塞琳娜，及在約翰．哈比森的《戰士之心》中飾洛麗塔，備受評論讚譽，是當代新作的熱門人選。近期演出包括：納殊維爾歌劇團的卡莉．西蒙作品《家庭戲劇》中飾演米嘉、回歸亞利桑那歌劇院演出《亞馬遜河的佛羅倫西亞》的羅薩爾巴，及與 Ensemble Paralléle 合作，在約翰．哈比森《大亨小傳》中飾演黛西。 Susannah Biller is an alumnus of the prestigious Adler Fellowship Program with the San Francisco Opera, where she originated the roles of Selena in Tobias Picker’s Dolores Claiborne and Lolita in John Harbison’s Heart of a Soldier to resounding critical acclaim. She is a highly sought-after artist in new and contemporary works. Other projects include Mica in Carly Simon’s Romulus Hunt with Nashville Opera, her return to Arizona Opera as Rosalba in Daniel Catán’s Florencia en el Amazonas, and Daisy in John Harbison’s The Great Gatsby with Ensemble Paralléle.

麥克．曼尼阿齊小青（假聲男高音）

Michael Maniaci Xiao Qing (Countertenor) 曼尼阿齊曾在美國大都會歌劇院、侯斯頓歌劇院、紐約市立歌劇院、意大利鳳凰歌劇院、那利西厄大劇院及蒙貝利耶歌劇院演出，並在洛杉磯愛樂樂團、波士頓巴羅克樂團及上海歌劇院樂團的音樂會上演唱。他曾亮相北京國際音樂節、溫哥華巴羅克音樂節、蒙特利爾巴羅克音樂節，以及紐約木屑場音樂廳舉行的原型藝術節。他演出《白蛇傳》小青一角，亦曾與波士頓巴羅克樂團合作灌錄莫扎特詠嘆調專輯，由 TEL A R C 唱片發行；在意大利鳳凰歌劇院的《十字軍在埃及》中飾演主角，並在丹麥皇家歌劇院的《凱撒大帝》中飾演尼萊諾一角，兩部作品的影碟均由 DY N A M IC 公司發行。 Michael Maniaci has performed roles with the Metropolitan Opera, Houston Grand Opera, New York City Opera, Teatro La Fenice, Gran Teatre del Liceu and L’Opera Montpellier, amongst others. He has made concert appearances with orchestras including the LA Philharmonic, Boston Baroque and the Shanghai Opera Orchestra. He has appeared at the Beijing International Music Festival, Vancouver and Montreal Baroque Festivals and at the Prototype Festival at National Sawdust. Maniaci originated the role of Xiao Qing in Madame White Snake and has recorded an album of Mozart arias with the Boston Baroque Orchestra (TELARC). He can also be seen on DVD in the title role of Meyerbeer’s Il crociato in Egitto with Teatro La Fenice (DYNAMIC), and as Nireno in Giulio Cesare with the Royal Danish Opera (DYNAMIC).

彼得．譚薛許仙（男高音）

Peter Tantsits Xu Xian (Tenor) 譚薛擅長演唱現代及經典男高音曲目，他的專輯曾獲格林美及英國廣播公司音樂獎提名。近期合作單位包括史卡拉歌劇院、巴伐利亞國立歌劇院實驗工作室、維也納藝術節、哥廷根國際韓德爾音樂節、格蘭特堡歌劇節、奧爾特堡音樂節及荷蘭藝術節。譚薛的演出包括：利蓋蒂《恐怖的末日》（柏林愛樂樂團、倫敦交響樂團）、巴利《愛麗絲的地底冒險》（洛杉磯愛樂樂團、布列頓小交響樂團）、史克里亞賓的第一交響曲、《托斯卡》（巴登 - 巴登音樂節、柏林愛樂樂團），以及梅耶貝爾《北方之星》的主角。 Peter Tantsits specialises in high tenor modern and classic repertoire, with his recordings receiving both Grammy and BBC Music Award nominations. His engagements include appearances at La Scala, Bavarian State Opera, Vienna Festwochen, International HändelFestspiele and the Glyndebourne, Aldeburgh and Holland Festivals. Tantsits has appeared in Ligeti’s Le Grand Macabre (Berlin Philharmonic, London Symphony), Gerald Barry's Alice's Adventures Underground (LA Philharmonic, Britten Sinfonia), Scriabin's Symphony No 1 (ZagrebHRT), Tosca (Festspielhaus Baden-Baden, Berlin Philharmonie) and as the leading tenor in Meyerbeer's L'étoile du Nord (Helsinki and Kokkola).

龔冬健法海（男低音）

Gong Dongjian Abbot (Bass) 龔冬健被墨西哥城《新聞報》譽為擁有「美妙音色組合、清晰發音和熱烈情感」，曾首演周龍《白蛇傳》的法海、瞿小松《弦上的生活》的主角、譚盾《馬可．波羅》的忽必烈，該劇由荷蘭電台室樂團演奏、索尼古典唱片灌錄，以及蘇聰《水銀燈光下的世界》在柏林及瑞士巴塞爾的演出。近期，他在黃若《中山．逸仙》美國首演中飾演宋嘉樹一角，作品由聖達菲歌劇團呈獻。他亦曾演出卑爾根愛樂樂團《馬可．波羅》、北京國際音樂節《白蛇傳》、香港歌劇院及國家大劇院《漂泊的荷蘭人》的達朗德、香港歌劇院《羅密歐與茱麗葉》的勞倫斯神父，以及夏威夷歌劇劇場《唐．卡洛》的菲利普等角色。 Gong Dongjian has been commended for his “wonderful combination of tone, clarity of diction and fervent emotion” (The News, Mexico City). He originated the roles of Abbot Fa Hai in Zhou Long’s Madame White Snake, Lahoan in Qu Xiaosong’s Life on a String, Kublai Khan in Tan Dun’s Marco Polo with Netherlands Radio Chamber Orchestra (recorded by Sony Classics), and Cong Su’s Mercury Light World in Berlin and Basel. Recently, he performed Charlie Soong in the American premiere of Huang Ruo’s Dr Sun Yat-sen with the Santa Fe Opera, Marco Polo with Bergen Philharmonic Orchestra, Madame White Snake with Beijing Music Festival, Daland in Der fliegende Holländer with Opera Hong Kong and NCPA Beijing, Father Laurence in Romèo et Juliette with Opera Hong Kong, and Philip in Don Carlo with Hawaii Opera Theatre.

葉亦詩聲樂指導

Nina Yip Répétiteur 葉亦詩畢業於美國印地安納大學音樂學院，獲得音樂系的鋼琴演奏學士和碩士學位。她曾為一百五十多齣歌劇、輕歌劇和音樂劇擔任彩排伴奏和指導，並與芝加哥歌劇院、加州太平洋歌劇院、洛杉磯歌劇院和香港歌劇院等合作。曾與她合作過的指揮有天那、史隆及度曼等；歌唱家則有瑪利亞．尤恩、尊盧．貴力高、妲妮絲．貴芙及夏綠蒂等。她現時為香港歌劇院首席練唱指導。 Nina Yip received her Bachelor and Master of Music degrees in piano performance from Indiana University School of Music. Yip has been a rehearsal pianist and coach for over 150 operas, operettas, and musical productions with companies including Lyric Opera of Chicago, Opera Pacific (California), Los Angeles Opera and Opera Hong Kong, among others. Yip has worked with conductors and singers such as Georg Tintner, Steven Sloan, John DeMain, Bruno Aprea, Maria Ewing, Gino Quilico, Denyce Graves and Charlotte Church. She is now Principal Répétiteur at Opera Hong Kong.

楊欣諾合唱指導（香港藝術節合唱團）

Felix Yeung Chorus Master (The Hong Kong Arts Festival Chorus) 指揮楊欣諾屢獲殊榮。他現為香港聖公會教省及聖約翰座堂的音樂總監；也是香港最出色的室內合唱團之一 Die Konzertisten 的音樂總監。楊欣諾為 2015 香港藝術發展局藝術新秀獎（音樂）得主，並於 2 0 1 6 年獲頒英國皇家音樂學院副院士榮譽，以表揚他的音樂貢獻。 Award-winning conductor Felix Yeung currently combines his office as Director of Music at St John’s Cathedral and Provincial Music Director of Hong Kong Sheng Kung Hui. He is also Music Director of Die Konzertisten, one of Hong Kong’s foremost chamber choirs. Yeung was given the Award for Young Artist (Music) in 2015 by the Hong Kong Arts Development Council. He was elected an Associate of the Royal Academy of Music in 2016 as an outstanding alumnus of the Academy.

林浩恩合唱指導（香港兒童合唱團）

Dominic Lam Chorus Master (Hong Kong Children’s Choir) 林浩恩為香港兒童合唱團舊生，畢業於美國西敏合唱學院碩士課程，主修合唱指揮，現為香港浸會大學合唱團及香港聲蜚合唱學院指揮。他亦以指揮及伴奏身份隨香港兒童合唱團到中國、葡萄牙、澳洲、愛沙尼亞及芬蘭等地作交流演出。 Dominic Lam is an alumnus of the Hong Kong Children’s Choir (HKCC) and obtained a Master of Music in Choral Conducting at Westminster Choir College, USA. He is currently the conductor of the Hong Kong Baptist University (HKBU) Choir and SingFest Choral Academy (SFCA). Lam has toured to China, Portugal, Australia, Estonia and Finland with HKCC as conductor and accompanist in recent years.

香港管弦樂團

Hong Kong Philharmonic Orchestra 願景：呈獻美樂啟迪心靈香港管弦樂團被喻為亞洲最前列的古典管弦樂團之一。在為期四十四週的樂季中，於每年共演出超過一百五十場音樂會，把音樂帶給超過二十萬名觀眾。梵志登自 2012/ 13 樂季正式擔任香港管弦樂團音樂總監一職。他是現今國際古典樂壇最炙手可熱的指揮之一，由 2018/ 19 樂季起，亦正式成為紐約愛樂樂團第二十六任音樂總監。余隆由 2015/ 16 樂季開始為首席客席指揮。樂團在音樂總監梵志登的領導下，完成了多個宏大的演出計劃，當中包括為期四年的華格納《尼伯龍的指環》四部曲的歌劇音樂會及錄音。樂團積極於海外展開巡演，包括歐洲、中國內地各大城市，以及於 2017 年赴首爾、大阪、新加坡、墨爾本及悉尼演出，以慶祝香港特區成立二十週年。樂團獲香港政府慷慨資助，並獲首席贊助太古集團、香港賽馬會慈善信託基金和其他支持者的長期贊助，成為全職樂團，每年定期舉行古典音樂會、流行音樂會及推出廣泛而全面的教育和社區外展活動；並與香港歌劇院和香港藝術節合作演出。樂團最初名為中英管弦樂團，後來於 1957 年改名為香港管弦樂團，並於 1974 年職業化。樂團亦是註冊慈善機構。

Vision: To inspire through the finest music-making The Hong Kong Philharmonic Orchestra (HK Phil) is recognised as Asia’s foremost classical orchestra. Presenting more than 150 concerts over a 44-week season, the HK Phil attracts more than 200,000 music lovers annually. Jaap van Zweden, one of today’s most sought-after conductors, has been the orchestra’s music director since the 2012/13 concert season. Maestro van Zweden is also the 26th music director of the New York Philharmonic for the 2018/19 season. Yu Long has been principal guest conductor since the 2015/16 season. Under the dynamic leadership of Music Director Jaap van Zweden, the HK Phil has accomplished various ambitious initiatives including the four-year project to perform and record the complete Ring of the Nibelung (Richard Wagner). The orchestra has toured extensively—to Europe, throughout Mainland China on numerous occasions, and to Seoul, Osaka, Singapore, Melbourne and Sydney in 2017 as part of the HKSAR’s 20th anniversary celebrations. Thanks to a significant subsidy from the Hong Kong Government and long-term funding from principal patron Swire, the Hong Kong Jockey Club Charities Trust and other supporters, the HK Phil now boasts a full-time annual schedule of classical music concerts, pop concerts, extensive education and community programmes, and collaborations with, among others, Opera Hong Kong and the Hong Kong Arts Festival. Originally called the Sino–British Orchestra, it was renamed the Hong Kong Philharmonic Orchestra in 1957 and became fully professional in 1974. The HK Phil is a registered charitable organisation.

音樂總監 Music Director

梵志登 Jaap van Zweden

首席客席指揮 Principal Guest Conductor

余隆 Yu Long

第一小提琴 FIRST VIOLINS

雙簧管 OBOE

豎琴 HARP

梁建楓朱蓓把文晶程立毛華張希

韋爾遜

譚懷理

Leung Kin-fung ★ Bei de Gaulle # Ba Wenjing Cheng Li Mao Hua Zhang Xi

第二小提琴 SECOND VIOLINS 梁文瑄艾瑾方潔冒異國冒田中知子

Leslie Ryang Moon-sun ▲ Ai Jin Fang Jie Mao Yiguo Tomoko Tanaka Mao

Li Jiali ■ Cui Hongwei Li Ming Damara Lomdaridze Zhang Shuying

大提琴 CELLOS 方曉牧陳怡君李銘蘆潘穎芝

Fang Xiaomu Chen Yichun Li Minglu Letty Poon

笛子 CHINESE FLUTE

史安祖

楊偉傑

Andrew Simon ●

低音單簧管 BASS CLARINET

二胡 ERHU

艾爾高

黃樂婷

Lorenzo Iosco

Yeung Wai-kit *

Wong Lok-ting *

巴松管 BASSOON 莫班文

崔祖斯

Benjamin Moermond ●

Adam Treverton Jones

圓號 HORNS 柏如瑟托多爾

施樂百馮嘉興

Russell Bonifede ■ Todor Popstoyanov

Robert Smith Fung Ka-hing *

長號 TROMBONE

Jiang Xinlai ◆ Chang Peiheng Feng Rong

高基信

Christian Goldsmith

龐樂思

Megan Sterling

胡淑徽雲維華

首席 Principal

■

聯合首席 Co-Principal

First Associate Concertmaster

James Boznos ●

敲擊樂器 PERCUSSION ●

●

★ 樂團第一副首席

定音鼓 TIMPANI

長笛 FLUTE 史德琳

單簧管 CLARINET

小號 TRUMPETS ■

低音大提琴 DOUBLE BASSES 姜馨來張沛姮馮榕

Amy Tam *

低音巴松管 CONTRA BASSOON

中提琴 VIOLAS 李嘉黎崔宏偉黎明林慕華張姝影

Michael Wilson ●

Sophia Woo Shuk-fai Ivan Wan *

# 樂團第三副首席 Third Associate Concertmaster ◆

副首席 Associate Principal

▲

助理首席 Assistant Principal

* 特約樂手 Freelance Player

香港藝術節合唱團

The Hong Kong Arts Festival Chorus Chorus Master: Felix Yeung Rehearsal Pianist: Alexander Wong

合唱指導：楊欣諾排練伴奏：黃歷琛香港藝術節合唱團主要由來自 Die Konzertisten 的成員，及額外聘用之歌手組成。

Die Konzertisten（DK）為香港室內合唱團。本樂季，D K 與英國大天使古樂團及其指揮高恩合作，演出巴赫《B 小調彌撒曲》。DK 近年參演的香港藝術節節目包括：愛沙尼亞國家交響樂團及男聲合唱團（2 018）、德布西歌劇《佩利亞斯與梅麗桑德》（2018）、盛宗亮《紅樓夢》（2 0 17）及翩娜．包殊烏珀塔爾舞蹈劇場《死而復生的伊菲格尼》（2014）。

The Hong Kong Arts Festival Chorus is made up of members of Die Konzertisten and singers additionally engaged for this production. Die Konzertisten (DK) is recognised as one of Hong Kong’s foremost chamber choirs. Recent highlights include a collaboration with the period-instrument ensemble Arcangelo and its director Jonathan Cohen on Bach’s Mass in B minor. DK has appeared in previous Hong Kong Arts Festival programmes, including Estonian National Symphony Orchestra & Male Choir (2018), Debussy’s Pelleas et Melisande (2018), Bright Sheng's Dream of the Red Chamber (2017) and Gluck’s Iphigenia in Tauris with Tanztheater Wuppertal Pina Bausch (2014).

Chorus List Soprano 陳穎欣陳基望鄭罡宜朱愷雯鍾穎琛馮善怡何沚箋劉卓盈謝杰芯黃祖瀅黃靖黃琰葶

Tenor 鄭文俊許家臻洪思行盧達智潘立恒

Joyce Chan Wing-yan Harmony Chen Chi-wang Connie Cheng Chu Hoi-man Chung Wing-sum Fung Sin-yee Eunice Ho Jee-jin Rainbow Lau Cheuk-ying Helen Te Janelle Wong Cho-ying Nadia Wong Jing Sarah Wong Yim-ting

Bass 鄭文偉張嘉笙林洛劉奕朗鄧百佑曾廣釗曾樂麒

Alto 何毅詩張凱琪李卓麟梁淑嫻梁穎思沈培娜丁山曦謝慧心楊千影

Victor Cheng Ernest Hui Edison Hung Sze-hang Arthur Lo Tat-chi Michael Poon

Elsie Ho Cheung Hoi-ki Terry Lee Cheuk-lun Rita Leung Susanna Leung Wing-sze Margaret Sang Anna Ting Vivian Tse Young Chin-ying

Michael Cheng Artus Cheung Ka-sang Brian Lam Lok Lau Yik-long Jason Tang Pak-yau Charles Tsang Kwong-chiu Tsang Lok-ki

香港兒童合唱團

The Hong Kong Children's Choir 音樂總監兼首席指揮：霍嘉敏

Music Director & Principal Conductor: Kathy Fok

香港兒童合唱團成立於 1969 年，為香港

The Hong Kong Children’s Choir (HKCC) was founded in 1969 as the first children’s choir in Hong Kong. HKCC is a registered non-profit-making charitable organization and has made tremendous contributions to children’s arts training in Hong Kong. It now has over 5,000 members and has grown into a diversified arts organization for children.

首隊兒童合唱團，並為政府註冊非牟利慈善團體，多年來積極推動藝術培訓，為香港音樂及文化界培育不少人才。現時香港兒童合唱團擁有超過五千名團員，更發展為一個多元兒童藝術團體。合唱團每年均獲不同團體邀請到外地演出，把愛與和平的訊息傳遍世界，足跡遍佈多個國家。合唱團經常在香港的歷史性時刻演出，包括 1 9 9 7 年香港政權交接儀式、1 9 9 8 年香港國際機場開幕典禮，以及近年慶祝香港回歸十五週年及二十週年之文藝晚會及活動。

HKCC is invited to perform overseas each year, spreading the message of love and peace in different parts of the world. The choir has been well-received and appreciated in many countries. HKCC has taken part in many historical moments, including the Hong Kong Handover Ceremony in 1997, the opening ceremony of the Hong Kong International Airport in 1998, the Hong Kong Disneyland Grand Opening in 2005, and recently performances celebrating the 15th Anniversary as well as the 20th Anniversary of the establishment of HKSAR in 2012 and 2017.

Chorus List 陳卓怡陳昶晞陳匯嘉陳卓琳陳穎希鄭晴羲鄭學思鄭樂瑤鄭雍穎卓以琳張庭騫蔡凱喬鄒日晴鍾恩皓侯樂天何沛澄葉澄

Chloe Chan Cheuk-yee Hayley Chan Celine Chan Hui-ka Rachel Chan Chan Wing-hei Cheng Ching-hei Eleanor Cheng Hok-sze Noel Cheng Cheng Yung-wing Cheuk Yee-lam Cheung Ting-hin Kelsey Choi Chow Yat-ching Nadia Chung En-hao Timothy Hau Ho Pui-ching Ip Ching

郭懷謙林雪穎李詠珊梁琇嵐梁子臻李蕎廖心延駱家熙盧佐孜倫睿哲麥天心伍悅彭子朗蘇筱甯譚曉晴譚昊然譚伊晴

Raphael Kwok Wai-him Lam Suet-wing Lee Wing-shan Ada Leung Sau-laam Herbie Leung Tsz-chun Li Kiu Liao Sum-yin Lok Ka-hei Loo Jor-tsz Lun Yui-chit Gabriel Mak Tin-sum Ng Yuet Pang Tsz-long Dorothy So Siu-ling Tam Hiu-ching Tam Ho-yin Tam Yee-ching

鄧梓駿鄧瑤鄧旭婷曾蒨渟曾子桓謝雅文衛昭璇黃可晴黃晟皓王雪穎黃天嵐黃子才王宇洸翁可言鍾戎黃君朗

Tang Tsz-chun Melissa Tang Yiu Tang Yuk-ting Claudia Tsang Erin Tsang Tsz-wun Tse Nga-man Katarina Wai Chiu-shuen Wong Ho-ching Wong Shing-ho Wong Suet-wing Tina Wong Tin-nan Wong Tsz-choi Merrill Wong Yu-kwong Yung Ho-yin Denise Chung Yung Anson Wong Kwan-long

貝夫．莫里遜製作

Beth Morrison Projects 貝夫．莫里遜製作成立於 2006 年，一直走在音樂及戲劇的前沿，支援當代作曲家及多媒體合作者創作突破性的歌劇、歌劇劇場及音樂劇場新作。貝夫．莫里遜製作鼓勵旗下藝術家大膽嘗試，創作出多元化而根基深厚的美國當代劇作。單單在過去五年，貝夫．莫里遜製作便為全球二十二個城市、四十三個場地製作新作。他們致力於發展前瞻的音樂表現形式，更獲《歌劇資訊》雜誌形容為「獨樹一幟」。

2 0 1 3 年，貝夫．莫里遜製作及 HE R E 藝術中心共同創辦紐約原型音樂節，每年一月一連十日呈獻七部當代歌劇劇場及音樂劇場新作。《紐約客》形容原型音樂節為「美國歌劇演變所需」；《紐約時報》形容音樂節「令人振奮的創新、值得參照」。貝夫．莫里遜製作自 2 0 1 4 年起遷到洛杉機，與當地藝術機構合作日增，包括洛杉磯歌劇院、洛杉磯愛樂樂團、福特劇團及瑞谷社區學院。貝夫．莫里遜製作亦是國家木屑場藝術展演

Since 2006, Beth Morrison Projects (BMP) has been a tastemaker at the forefront of musical and theatrical innovation by supporting living composers and their collaborators during the creation of ground-breaking new works in opera, opera-theatre, and vocal-theatre. BMP encourages risk-taking in all its artists, resulting in provocative works that represent a dynamic and lasting legacy for a new American canon. Over the past five years alone, BMP has produced works in 43 venues in 22 cities around the world. BMP’s commitment to cutting edge musical expression has created “its own genre" (Opera News) of originality. In 2013, Beth Morrison Projects and HERE Arts Center co-founded the PROTOTYPE Festival, which showcases contemporary opera-theatre and music-theatre projects over ten days each January. The New Yorker recently wrote that the festival is “essential to the evolution of American Opera”, and the New York Times called the festival “Bracingly innovative…a point of reference”. The 2014 bi-coastal expansion to Los Angeles sprang from growing partnerships with institutions such as the LA Opera, the LA Phil, the Ford Theatres and RVCC. BMP is a National Sawdust Artist-in-Residence.

中心的駐場藝團。

白蛇製作

White Snake Projects 白蛇製作致力創作具製作價值及社會倡議的原創歌劇，前身為白蛇傳之友協會。製作旨在： •講述與當代息息相關的原創故事 •與擅長以音樂表達這些故事的美國作曲家合作 •推廣共融與代表性 •透過歌劇作品鼓勵大眾關注社會議題 •將三分之一座位留給社會上有需要人士白蛇製作請來美國作曲家創作美國歌劇，把當代經驗注入歌劇新作之中，如同白蛇一樣，從蛇精化身為人。白蛇製作創辦人查爾斯和林曉英均是反傳統者，查爾斯去世後，林曉英繼續完成《白蛇傳》，以美國作曲家的音樂描述人們集體回憶中帶有神話色彩的傳奇故事。

White Snake Projects (formerly the Friends of Madame White Snake) creates original opera of the highest production values combined with social activism. We… • tell original stories with contemporary relevance • collaborate with American composers adept at telling these stories • promote inclusion and representation • engage our community on social issues that emerge organically from the stories we tell • provide access by donating one-third of all seats to under-served communities Like our namesake, the legendary White Snake demon who becomes human to live intensely, we transform present day experiences into new opera made in America by American composers. Founded by the iconoclasts Charles and Cerise Lim Jacobs, White Snake Projects’ mission has been carried on by Cerise following Charles' death through investing in American composers musically adept at telling myth-based stories living in our collective imaginations.

鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport •In Technical Productions Limited

•香港德迅貨運代理有限公司 Kuehne & Nagel Limited •立信專業顧問 Lap Shun Professional Consultant •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Bethan and Tim Clark •Dr David Fang •HUI Silvia •Ms Khoo Li Lian

•Legrand Jewellery •Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan

青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Michael and Jennifer Barth •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

節目時間表 Programme Calendar 歌劇戲音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》作曲：周龍 | 編劇：林曉英

香港中樂團《九千年的邂逅》

時光之音《西班牙文藝復興合唱代表作》李飈打擊樂團《巴羅克．探戈》《好！擊！動！》親子音樂會李飈打擊樂團

爵士樂世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

2-3/3 9-10/3

雲門舞集 45 週年林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、愛丁堡皇家蘭心劇院與北安普敦皇家及德蓋特劇院聯合製作《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作羅伯特．利柏殊創作及演出《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!

《好！擊！動！》同樂日 P is for Percussion! Family Day 互動敲擊展覽

��動啦� 大堂音樂會

Interactive Percussion Exhibition

Feel the Pulse NOW!!! Foyer Performance

14/3 - 15/3 四至五 Thu to Fri 12:00nn - 8:00pm 展覽 Exhibition

⯝顥 F R E E

16/3 六 Sat 2:00 - 6:00pm 互動環節 Interactive Session

16/3 六 Sat 4:30 - 5:30pm

香港文化中心大堂 Foyer, HK Cultural Centre

⯝顥 F R E E

拇指琴工作坊

� ��樂�工作坊

Thumbiano Workshop

Musical Bottle Workshop

16/3 六 Sat 11:00am - 1:00pm

16/3 六 Sat 2:00 - 3:00pm 4:00 - 5:00pm

香港文化中心平台工作室 Podium Workshop, HK Cultural Centre

報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org

藝術節加料節目節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列講者︰葉芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

贊助人

林鄭月娥女士

PATrON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳祖澤博士陳達文先生梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

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STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤何丹蓉梁掌瑋蘇國雲葉健鈴余瑞婷 * 蘇雪凌黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮胡銘堯周怡楊璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲黃煒城 * 余潔儀張慧芝 * 譚樂瑤蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷杜詩麗 * 蘇永恆 * 馮紹昌簡凱彤 * 李美娟黃國愛楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Officer (Administration) Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff