Jockey Club Local Creative Talents Series Musical: Yat-sen (tentative title) - 49th HKAF by Hong Kong Arts Festival

Jockey Club Local Creative Talent Series

日新

賽馬會本地菁英創作系列

工作坊展演 Work-in-Progress Preview

獨家贊助 Solely sponsored by

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

大部分節目，當中許多節目更開放予世界各地愛好藝術的觀眾。

衷心祝賀香港藝術節今年踏入第 49 屆。這一年一度的藝術盛事在新冠肺炎疫情的挑戰下，仍然辦得有聲有色，精采可期。

今年藝術節帶來一連串繽紛多彩的網上及現場節目，涵蓋音樂、歌劇、戲劇、舞蹈、電影等多個藝術範疇。總體來說，藝術節會在「遠在咫尺」的主題下，呈獻合共約三百場節目、活動及表演。藝術節的亮點，包括捷克布爾諾國家歌劇院及其兩年一度「布爾諾楊納傑克節」的多場精選數碼版歌劇及音樂會。同樣引人注目的，還有兩部取材自英國劇作家尼爾．巴奈特改編劇作《鼠疫》的發人深省作品，一部為英語版，另一部為粵語版。粵語版為香港本地製作，英語版則由身處六個地區的六名演員作網上實時演出。來自蘇格蘭鄉村的魔術師史葛．蕭凡亦會在網上實時演出，他的互動作品《心靈旅程》每場只限三十位觀眾參與。此外，亦有十六部慶祝香港賽馬會當代舞蹈平台十周年的製作，包括與中國內地及英國藝術家合力創作的作品。在藝術節開幕演出中，香港中樂團會進行兩首曲目的世界首演，而廣獲讚譽的莫斯科莫伊謝耶夫舞團，則會為這國際藝壇盛會作閉幕演出。我很高興市民可於登記後免費觀賞

藝術節一如以往，在學校推廣藝術教育，並透過幕後花絮影片、藝術家對談、演前及演後講座等「加料節目」，讓觀眾與藝術家互動交流。

衷心感謝香港藝術節團隊努力不懈，悉心籌辦以上各項節目及活動。我亦感謝贊助商和捐款者大力支持藝術文化，與藝術文化界共渡時艱。謹祝香港藝術節圓滿成功，為大家帶來一趟精采難忘的藝術之旅。

It gives me great pleasure to congratulate the Hong Kong Arts Festival on the staging of its 49th annual celebration of the arts, and doing so in splendid fashion despite the daunting challenges of the COVID-19 pandemic. This year’s Festival features a cheering range of online and in-venue programmes showcasing music, opera, theatre, dance, film and more. In all, the Festival presents some 300 events, activities and performances under the theme “Separate Together”. Festival highlights include a dazzling digital selection of operas and concerts from the Czech Republic’s National Theatre Brno and its biennial Janá ek Brno Festival. Equally notable are two piercing productions of British playwright Neil Bartlett’s adaptation of The Plague, one in English, the other in Cantonese. The Cantonese version is produced in Hong Kong, while the English version is a live

香港特別行政區行政長官

林鄭月娥

online performance starring six actors in six time zones. Illusionist Scott Silven also performs online and live, from rural Scotland. His interactive production, The Journey, is limited to 30 participants per show. The Hong Kong Jockey Club Contemporary Dance Series celebrates its 10th anniversary with 16 productions, including collaborations with artists from the Chinese mainland and the United Kingdom. The Festival opens with the Hong Kong Chinese Orchestra performing two world premieres and concludes its international slate with the acclaimed Igor Moiseyev Ballet from Moscow. I find it particularly gratifying to note that the vast majority of events are available free of charge, upon registration, with many of them open to arts lovers from all over the world. The Arts Festival’s promotion of arts education in schools continues. And PLUS programmes bring together audiences and artists through behindthe-scenes videos, artist dialogues and pre- and post-performance talks. For all that, and much more, I am grateful to the inspired diligence and dedication of the Hong Kong Arts Festival team. My thanks, too, to the sponsors and donors for their generous support of the arts and culture, particularly in these trying times. I wish you all an enjoyable and memorable Hong Kong Arts Festival.

Mrs Carrie Lam

Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

第 49 屆香港藝術節思考「距離」及「聯繫」的意義，我亦希望藉此機會感謝一眾促成今天表演的支持者，這場表演為我們提供難得的機會，探索與他人聯繫的方法。我衷心感謝香港特別行政區政府透

過康樂及文化事務署提供年度撥款，以及香港賽馬會慈善信託基金持續並堅定地支持我們，也感謝眾多企業贊助商、慈善基金會以至個人捐助者，在這前所未有的挑戰中給予我們莫大的幫助，與我們並肩同行。亦要感謝一眾富有才華的藝術家傾力演出，令今天的表演生色不少。同時也感謝觀眾的參與，令演出能圓滿成功。希望你會在今天的演出中找到屬於自己的聯繫，並像我一樣珍視這些連結。

As we reflect on distance and connection in the 49th Hong Kong Arts Festival, I would like to thank everyone who has made this performance possible, giving us an invaluable opportunity to explore ways of connecting with others. I am grateful to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention; and to The Hong Kong Jockey Club Charities Trust for its staunch and ongoing support. Thanks are also due to our corporate sponsors, charitable foundations and individual donors, who continue to stand by us in these unprecedented circumstances. Sincere thanks also go to all of the participating artists, whose talent and dedication have gone into today’s performance; and to you, the audience, without whom the show would not be complete. I hope you will find your own connection to today’s performance and will treasure it as much as I do.

香港藝術節主席

查懋成

Victor Cha

Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

我連同藝術節團隊，很高興歡迎閣下觀賞第 49 屆香港藝術節的演出。

過去一年，香港以至世界情勢面臨前所未有的變化，使我們都體會到分離和孤獨的滋味。「遠在咫尺」所指的，正是我們這種共同經歷的感

With all my colleagues, I am thrilled to welcome you to this performance in the 49th Hong Kong Arts Festival.

Over the past year, we have shared the isolation resulting from unprecedented circumstances both in Hong Kong and around the world. 受。今屆藝術節的不少節目亦與之 “Separate Together” acknowledges 呼應，身處各地的藝術家及觀眾， what we have all been going through, 因為藝術節的演出及活動而拉近彼 and is referenced in a number 此距離。另一方面，「遠在咫尺」亦 of productions this year. It also 點出所有優秀藝術作品擁有的奇妙 alludes to all the separate artists 力量：既能喚起最獨特、深刻的個 and audiences brought together for 人感受和回應，但同時又能讓觀者 performances and events. At the 一同分享種種奧妙、感動、啟迪 same time, “Separate Together” 和鼓舞。今屆藝術節將呈獻眾多演 describes one of the most magical 出，我衷心希望我們會一起體會藝 aspects of great art: its capacity to elicit uniquely and deeply personal 術的奇妙力量。 responses while paradoxically giving 此外，敬請留意一連串「加料節目」 us a shared moment of wonder, to be 活動，為你在演出以外打開新的觀 moved, inspired and uplifted. I hope 賞角度，令觀賞體驗更豐富。請盡 very much that we will experience this together in many performances in the 情投入！ course of the Festival. Please also look out for ancillary PLUS programmes and events, which are curated to provide additional dimensions to the work presented, and enrich your Festival experience. Enjoy!

香港藝術節行政總監

何嘉坤

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

Tisa Ho

Executive Director Hong Kong Arts Festival

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 A major international arts festival in, of and for Hong Kong

「藝術的創作與演出給世界帶來美麗，給人類引起鼓舞，給生命充實活力，給社會增添光輝……這是舉辦香港藝術節的崇高意義。」

“Creative and representational arts have a common mission. They bring beauty to the world, courage to mankind, vigour to life, and brilliance to society… Therein lies the noble significance of the Festival.” 香港藝術節協會永遠名譽會長邵逸夫爵士 (1907–2014) Sir Run Run Shaw, CBE, HKAF Honourary Life President (1907–2014)

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，致力豐富香港的文化生活。藝術節的節目精采多元，涉獵音樂、歌劇、戲曲、實驗劇場、芭蕾舞以至街舞等林林總總的類型。過往曾獲邀在藝術節舞台表演的國際演藝名家及團體包括一流的國家歌劇院、劇團、管弦樂團，以及眾多具代表性的表演者等。我們亦經常與傑出的國際藝術家及團體攜手製作演出。

我們亦積極與本地演藝人才合作，並致力為新進藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，不少更已在香港及海外多次重演。

為使香港的文化生活更豐富，我們每年於藝術節前及期間主辦一系列多元化並深入社區的「加料節目」，例如電影放映、大師班、展覽、藝人談、後台參觀及文化導賞團等，鼓勵觀眾與藝術家互動接觸。

我們亦銳意將共融藝術理念拓展到社區每一角落。由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限亮」計劃於 2019 年正式開展，透過一系列的演出及多元的教育及社區外展節目，「無限亮」致力創造共融空間，讓不同能力人士均可以一同欣賞、參與及擁抱藝術。

The Hong Kong Arts Festival (HKAF) is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts in February and March each year. Since its launch in 1973, the HKAF has presented top international artists and ensembles across multiple genres—from music, opera, Chinese opera and ballet to break dance and experimental theatre. International guests have included major state operas, established theatres, top orchestras and stars of the day. We also frequently partner with renowned international artists and institutions to produce exceptional new works. We have also collaborated with Hong Kong’s own creative talent to produce work which is now part of the local canon and to showcase emerging local artists. Over the years, the HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance—many with successful subsequent performances in Hong Kong and overseas. As part of our enduring commitment to enriching the cultural life of the city, we organise a diverse range of Festival PLUS activities for the community before and during the Festival to enhance engagement between artists and audiences. These include film screenings, masterclasses, exhibitions,

為了培養未來的藝術家和觀眾，我們大力投資下一代的藝術教育。「青少年之友」成立 29 年來，已為逾 782,000 位本地中學生及大專生提供藝術體驗活動。會員可參加由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排，以及欣賞藝術節演出等。通過「學生票捐助計劃」，藝術節每年亦提供約 10,000 張半價學生票。

香港藝術節是一所非牟利機構，其主要收入除了政府的恆常資助及票房外，極大一部分來自各大企業、熱心人士和慈善基金會的贊助和捐款，以及政府針對捐款和贊助收入而提供的配對資助。

*2021 年 1 月更新 Updated January 2021

過往節目一覽

Visit our programme archive

meet-the-artist sessions and guided backstage and cultural tours. Beyond the main Festival, the HKAF also promotes inclusivity and understanding through the arts. Its “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, strives to create an inclusive space for people with different abilities to share the joy of the arts together. To nurture the next generation of artists and audiences, the HKAF also invests heavily in yearround arts education for young people. Over the past 29 years, our “Young Friends” scheme has reached over 782,000 local secondary and tertiary school students; members can enjoy showcases, pre-performance talks, open rehearsals, Festival performances and in-school workshops led by international and local artists. Donations to the Student Ticket Scheme also make approximately 10,000 half-price student tickets available each year. The HKAF is a non-profit organisation. Its principal income sources are: recurrent funding from the government, box office revenues, and sponsorship and donations made by corporations, individuals and charitable foundations which form a significant portion of total income and also enables the HKAF to receive support from the Government’s matching scheme that matches income generated through private sector sponsorship and donations.

香港藝術節 HONG KONG ARTS FESTIVAL 感謝 would like to thank

獨家贊助 for being the Sole Sponsor of 「賽馬會本地菁英創作系列」

音樂劇《日新》( 暫名 ) 工作坊展演 JOCKEY CLUB LOCAL CREATIVE TALENTS SERIES: MUSICAL: YAT-SEN (TENTATIVE TITLE) WORK-IN-PROGRESS PREVIEW

劇情大綱、角色及歌曲

專題文章

創作團隊簡介

演員簡介

Synopsis, Characters and Songs 賽馬會本地菁英創作系列

Jockey Club Local Creative Talents Series

《日新》（暫名）

YAT-SEN (TENTATIVE TITLE)

Feature Article

Creative Team Profiles

Cast Profiles

工作坊展演 Work-in-Progress Preview

25–28.03.2021 香港大會堂劇院

Theatre, Hong Kong City Hall

演出長約 2 小時 30 分鐘，包括一節中場休息

Approx 2 hours and 30 mins including one interval

粵語演出及主講

Performed and conducted in Cantonese

香港藝術節委約及製作 Commissioned and produced by the Hong Kong Arts Festival

藝術節加料節目

封面照片 Cover Photograph © Worldwide Dance Project

敬請關掉所有響鬧及發光裝置 Please switch off all sound-making and light-emitting devices

本場刊採用環保紙張印刷 This programme is printed on environmentally friendly paper

歡迎觀賞四位主要創作人員的藝術家分享片段，詳情請參閱加料節目網頁 Have a look at the artist sharing video of the four main creative team members for more backstage stories. Please visit the PLUS webpage for viewing link.

請勿擅自攝影、錄音或錄影 Unauthorised photography or recording of any kind is strictly prohibited 如不欲保留本場刊，請於完場後放入場地的回收箱 If you don't wish to keep this booklet, please return it to the admission point

《日新》工作坊展演

Yat-sen Work-in-Progress Preview

監製 Producer

香港藝術節

Hong Kong Arts Festival 作曲及音樂總監 Composer and Music Director

金培達 Peter Kam

編劇 Playwright

陳詠燊 Sunny Chan

角色及演出 Cast

凌文龍 Ling Man-lung 飾 – 孫日新 as Sun Yat-sen

梁景堯 Terrence Leung 飾 – 陸皓東 as Luk Ho-tung

吳肇軒 Ng Siu-hin

飾 – 陳少白、村民、同學 as Chan Siu-pak, villager and classmate

陳熙鏞 Andrew Chan

飾 – 尢列、村民、同學 as Yau Lit, villager and classmate

作詞 Lyricist

黃慶堯 Ronald Wong

導演 Director

陳湛文 Peter Chan

岑偉宗 Chris Shum 馬嘉晉 Eugene Ma

編舞 Choreographer

曾景輝 Terry Tsang

飾 – 楊鶴齡、村民、同學 as Yeung Hok-ling, villager and classmate 飾 – 陸皓東父親、楊衢雲、碼頭工人、同學 as Luk Ho-tung’s father, Yeung Ku-wan, dock worker and classmate

胡希文 Yoyo Wu

飾 – 盧慕貞、村民、同學 as Lu Muzhen, villager and classmate

文愷霖 Bubbles Man

飾 – 陳粹芬、村民、同學 as Chen Cuifen, villager and classmate

錢深銘 Sammy Chien

飾 – 喜嘉里牧師、嘉約翰校長、麥師傅、金爺 as Rev. Charles Robert Hager, Principal John Glasgow Kerr, Mr Mak the temple keeper and Master Kam

歐芷菲 Sofei Au

飾 – 陸皓東母親、孕婦、碼頭工人、同學 as Luk Ho-tung's mother, pregnant woman, dock worker and classmate

翁演陞 Lucas Yung

佈景設計 Set Designer

邵偉敏 Siu Wai-man

燈光設計 Lighting Designer

陳鈞至 Samuel Chan

音響設計 Sound Designer

夏恩蓓 Candog Ha

服裝設計 Costume Designer

譚嘉儀 Mandy Tam

鍵盤手 Keyboard Player

劉諾生 John Laudon

歌唱指導 Vocal Coach

張國穎 Margaret Cheung

音樂助理 Music Assistant

陳嘉璋 Bronwen Chan

製作經理 Production Manager

魏婉意 Gloria Ngai

執行舞台監督 Deputy Stage Manager

林宇凰 Yvonne Lam

助理舞台監督 Assistant Stage Manager

黎文熙 Jeff Lai

飾 – 鄭士良、村民、同學 as Zheng Shiliang, villager and classmate 特別感謝 Initial Fashion 贊助演員吳肇軒宣傳照服飾 Special thanks to Initial Fashion for sponsoring selected outfits used in the promotional image shooting of Ng Siu Hin

劇情大綱

SYNOPSIS

年輕的孫帝象剛從檀香山留洋回來，矢志改變迂腐的中國。他於領洗成為基督徒時，改名「孫日新」。憑着滿腔熱誠和堅定理念，孫日新與好兄弟陸皓東、陳少白、楊鶴

齡、尢列等人開始秘密策劃革命，眾人鬥志激昂，揭竿起義……

然而孫日新真正最重要的鬥爭，其實從未記載在這段耳熟能詳的歷史之中……

The young Sun Tai-cheong, having just finished studying abroad at Honolulu and returned to his hometown in Guangdong, is determined to bring changes to the corrupted China. He then changes his name to “Sun Yat-sen” after being baptised as a Christian. Fuelled by overflowing enthusiasm and perseverance, he teams up with his comrades Luk Ho-tung, Chan Siu-pak, Yeung Hok-ling, Yau Lit and other like-minded folk, secretly planning for revolutions against the Qing government. The group rises in ardent spirit and an uprising is imminent… Sun’s truly pivotal fight, however, has never been recorded on this familiar page of history…

編劇於創作劇本時，曾參考以下文獻及資料： In writing for the script, the playwright has taken reference from the following literature and historical sources:

1 孫文，《上李鴻章陳救國大計書》，1894 年 2 孫文，《倫敦被難記》，甘作霖譯，上海商務印書館，1912 年 3 林百克，《孫逸仙傳記》，香港中和出版，2011 年 4 霍啟昌，《香港與近代中國：霍啟昌香港史論》，三聯書店（香港）有限公司，2019 年 5 《圖說近代．陸海交戰》，中國文化研究院 6 周春燕，《女體與國族：強國強種與近代中國的婦女衛生（ 1895– 1949 ）》，台灣國立政治大學歷史研究所，2008 年 7 劉羡冰，《鄭觀應〈盛世危言〉鄭家大屋》。《文化雜誌》中文版第六期，頁 21，澳門文化學會出版，1988 年

劇情大綱、角色及歌曲

角色

CHARACTERS

Synopsis, Characters and Songs

孫日新 Sun Yat-sen

留學美國的青年，回中國後一心改革中國。

陸皓東 Luk Ho-tung

孫日新由小到大的好朋友，深受日新改革中國的理想所影響。

A young man who has studied abroad in America, and is determined to reform China upon his return.

Sun’s companion since a young age. Deeply influenced by Sun’s ideals of reforming China.

尢列 Yau Lit

與孫日新一同策劃「廣州起義」，四大寇之一。

楊鶴齡 Yeung Hok- ling

與孫日新一同策劃「廣州起義」，四大寇之一。

陳少白 Chan Siu- pak

與孫日新一同策劃「廣州起義」，四大寇之一。

盧慕貞 Lu Muzhen

孫日新在翠亨村鄉下，在父母安排下迎娶的妻子。

陳粹芬 Chen Cuifen

孫日新的紅顏知己，策劃起義時一直在旁支持他。

喜嘉里牧師 Rev. Charles Robert

外籍人士，美國人，為孫日新在香港受洗的牧師。 An American Reverend who baptises Sun Yat-sen in Hong Kong.

嘉約翰校長

外籍人士，美國人，廣州博濟醫院醫科學校校長、醫科教授

Hager

Principal John Glasgow Kerr

Organised the Guangzhou Uprising with Sun. Member of the Four Bandits.

Sun’s wife through family-arranged marriage, who stays in his hometown of Cuiheng.

Sun’s confidante, who stays by his side in organising uprisings.

An American medical missionary who becomes the principal of the Pok Tsai Medical School in Guangzhou.

楊衢雲 Yeung Ku- wan

協助進行「廣州起義」。

鄭士良 Zheng Shiliang

協助進行「廣州起義」。

綠林首領金爺

協助進行「廣州起義」。

Master Kam

Assisted in Guangzhou Uprising.

Leader of the Lulin triad. Assisted in Guangzhou Uprising. 15

分場

第一幕：新途 ACT ONE: SUN’S JOURNEY

SCENES 第一場拜

Scene One

The Worshipping

第二場新

Scene Two

The Novelty

第三場揀

Scene Three

The Choice

第四場誓

Scene Four

The Vow

第五場破

Scene Five

The New Broom

第六場寇

Scene Six

The Bandits

第七場天

Scene Seven

The Will of God

第八場前

Scene Eight

The Advance

第二幕：薪途 ACT TWO: PASSING THE TORCH 創作中 Work-in-progress

劇情大綱、角色及歌曲

Synopsis, Characters and Songs

歌曲

SONGS 《北帝迎春》

Pak Tai Unlocks the Spring

《七尺木頭》

Smashing the Idol

《新途》

Sun’s Journey

《踏岸》

Seeing the Sea

《義人燭光》

The Light of the Righteous

《 ABCDE 》

ABCDE

《泰山》

Mount Taishan

《男女授受不親》

Never the Twain Shall Meet

《原來世界》

What the World Has in Store

《四大寇》

The Four Bandits

《強戰未來》

Pick Your Battles

《革命香爐》

The Censer of Revolution

（左上順時針起）四位創作人或許正是現代版的「四大寇」──導演馬嘉晉、作詞岑偉宗、作曲金培達及編劇陳詠燊，緊密合作，方有佳作。在是次工作坊展演中，他們將讓觀眾率先預覽成果 (Clockwise from top left) Perhaps aptly named as the modern Four Bandits, the four creatives—director Eugene Ma, lyricist Chris Shum, composer Peter Kam and playwright Sunny Chan—work closely together in Yat-sen to produce a worthy piece of art, which will be delivered as a work-in-progress preview in the 49th HKAF

音樂劇「四大寇」

THE FOUR BANDITS MUSICAL

兩年多前，香港藝術節打算委約香港藝術家，創作一個關於年輕孫中山的音樂劇，先找上音樂家金培達。由他開始，到 2020 年加入導演馬嘉晉，再找來編劇陳詠燊及作詞人岑偉宗，《日新》的四人創作團隊成形。有二十年

音樂劇創作經驗的岑偉宗說，過去都是編劇先寫了一些內容，才找音樂 / 作

詞人，但這次大家由頭談起，「將東西建立再打碎，寫好再修正，是很健康的創作過程。」

Two years ago, the Hong Kong Arts Festival began commissioning local artists to create a musical about the young Sun Yat-sen. First, they brought musician Peter Kam on board, before director Eugene Ma, playwright Sunny Chan and lyricist Chris Shum joined the team, as the Yat-sen creative quartet began to take shape. Shum, who has 20 years of experience creating musicals, says that it would usually be the playwright who makes the first drafts before bringing in musicians and lyricists. But this time, everyone was involved from the beginning, taking part in a journey that he described as “building something and then smashing it, by writing and then polishing; it’s a very healthy creative process”. the works, and they shared with the HKAF their experience of the creative process throughout the production. 18

專題文章

找到自己的呼喚

用音樂劇去寫年輕孫中山，可以怎寫？陳詠燊說：「在這年代談奮鬥很容易流於口號式，我喜歡寫勵志片，但勵志片不容易寫。」他深思熟慮，決定作品要避免歌頌孫中山。他說孫中山對自己而言，又熟悉又遙遠，開始做資料搜集及創作後，他明白孫中山也只是一個人，有很多缺點，「他由叫口號，到下定決心改變世界，到底要動用多少資源，做多少行動？這是一個年輕人準備改變世界的成長故事。現在我沒從前那麼佩服他，但欣賞他在挫敗和矛盾中的遊走能力。近年我寫的每一個作品，命題都是〔關於主角〕做自己，角色的優缺點都要自己承受。」金培達說在創作上，團隊是藉大人物讓平凡人看自己：「每個人都要一點時間去找到自己位置和使命。」馬嘉晉說，孫中山最初在美國讀書，從小成績優異，畢業後回到廣州，一開始無法融入社會，「以外來者的身份回來，他的挫敗、經歷，怎樣令他蛻變成自己想成為的人？」談年紀，導演比其他三人小一截，但若講到音樂劇上的經驗，反而是從事電影編劇多年的陳詠燊是新人，他說：「我很喜歡音樂劇電影，例如《芝加哥》、《星聲夢裡人》，一直想做音樂劇電影，我曾跟電影公司老闆談過，他們叫我不用再想了。難得這次遇上機會，我很興奮。」

Finding one’s calling How does one write a musical about a young Sun Yat-sen? “In this era, talk of action can easily be reduced to shouting slogans,” Chan says. “I really enjoy writing motivational stories, but they’re not easy to write.” He thought long and hard, and decided the show would avoid singing Sun’s praises. Chan said that, to him, Sun felt familiar yet distant, but after Chan began his research and started the creative process, he understood that Sun was also just another human being, with many flaws. “From chanting slogans to making the decision to change the world, how many resources did it take, for how much action? This is a story of a young man growing up as he prepares to change the world. I am less in awe of him now than I was, but I admire his ability to continue on his path, despite the failures and challenges he faced. In recent years, every piece I’ve written has been about finding one’s calling, which means the protagonist has to take responsibility for his/her good and bad qualities.” Kam says that, in creating the musical, the team used the iconic figure to inspire others to look inside themselves. “Everyone needs time to find their own positioning and calling.” Ma says that Sun Yat-sen studied in the USA, earning stellar grades from a young age. After graduating, he returned to Guangzhou but struggled to reintegrate into society there. “He came back as an outsider. How did his failures, his experiences mould him into the person he envisioned for himself?”

Feature Article

Of the four creatives on the show, the director is by far the youngest. But in terms of experience in musical theatre, it’s Chan who’s the newcomer. “I love musical films, such as Chicago and La La Land, and I’ve always wanted to work on one,” the veteran screenwriter says, “I’ve talked to film company bosses about this, but they told me to forget it. This is such a precious opportunity, I’m so excited.” Moving the story with song The artistic language in musical theatre is different from in film. What is usually expressed through dialogue is, in Yat-sen, entrusted to the lyricist, while the expression of emotion is the work of the music rather than the camera. The four creators had to work closely together to produce a worthy piece of art. The creative process involved a lot of interaction, according to Chan. “I had to learn to determine when to use dialogue, when to begin the song,” he says. “For plot progression and the expression of deep emotion, that’s when you hand it over to the songs.” Kam says he has worked on a lot of film soundtracks, where things are different: “In film, emotions can be expressed using close-ups, without dialogue, which gives the audience space to interpret the moment themselves. But in musicals, there’s no blank space—the point of the songs is to move the plot forward.” As for the lyrics? “I believe the lyrics have to express action,” Shum says. “For example, where 19

(From left to right) Yat-sen features a young cast including Ronald Wong, Ng Siu-hin, Ling Man-lung, Andrew Chan and Terrence Leung, who play the roles of the young Yeung Hok-ling, Chan Siu-pak, Sun Yat-sen, Yau Lit and Luk Ho-tung respectively （左起）《日新》邀請一群年輕演員出演，包括黃慶堯、吳肇軒、凌文龍、陳熙鏞、以及梁景堯，分別飾演年輕的楊鶴齡、陳少白、孫日新、尢列及陸皓東

以歌曲推進劇情

音樂劇的藝術語言跟電影有別，平常角色透過對白表達，《日新》必須把部份台詞交予作詞人，部份情緒表達，由鏡頭交予音樂。四個創作人緊密合作，方有佳作。

陳詠燊提及創作過程中有很多互動：「我要學習分析甚麼時候用台詞，甚麼時候交給歌曲。戲劇推進和深刻的情緒表達，就交給歌曲。」金培達說：「我做很多電影配樂，電影表達情緒會用特寫鏡頭，不用對白，觀眾有自己的演繹空 20

dialogue might say ‘I hate you’, in musicals, it has to be, ‘I will kill you’.” He explains that the former needs only to convey emotion, but by adding an element of action, the plot can be moved on. Shum understands the special characteristics of Cantonese and has deep knowledge about writing lyrics in the language. He agrees with composer Leon Ko, who says Cantonese has a huge range of intricate expressiveness when speaking with different people. “There are five levels of expressiveness in Cantonese: grace, brilliance, wittiness,

crassness, spitefulness,” he says. “The pop songs we heard growing up were mostly written to show grace. If a creator does not take this into account when writing for a musical, every character might end up being graceful, and so end up the same.” Working in his mother tongue Cantonese, after living in North America for more than a decade and mostly directing in English, Ma agrees it feels different and is more emotional. He has more than ten years’ experience acting in and directing musicals, and should be teaching theatre at

專題文章

間。但音樂劇不留白，唱的意圖是推進劇情。」

那歌詞的作用又是怎樣？岑偉宗說：「我認為歌詞要講到動作，例如平常對白寫『我好恨你』，在音樂劇上要寫成『我要殺死你』。」他解釋，前者只流於純粹情緒表達，若加上了動作即可推動劇情。岑了解廣東話語韻，對以廣東話入詞素有研究。他認同作曲家高世章所說，跟不同人談話，廣東話在使用上語感的精緻程度極大，「廣東話有五個語感層次：雅、妙、趣、俗、鄙。我們聽流行曲長大，多用雅言入詞，如果創作人沒有留意，寫音樂劇，每個角色都用上雅，就人人都一樣。」

他透露，香港的製作因時間資源所限，一般較流水作業，通常沒有時間做工作坊，但這次以工作坊形式由演員把歌曲試唱，將基本戲劇結構呈現，「工作坊的作用是放大缺點，有問題可馬上調整。」

由零星想法到組成團隊，將材料創作整合，一再打磨，在疫情下這一年，大家透過網絡開會，作品漸漸成型，正如金培達所言：「希望觀眾看過這個 work-in-progress（階段性創作）的音樂劇作品後，會用新的角度去看今後的香港音樂劇。」

對於以母語廣東話創作，在北美生活十多年、以往多執導英文作品的導演認為感受不同，更易觸動。馬嘉晉有十多年演出及執導音樂劇的經驗，本來正在美國三間大學教導戲劇，因應美國疫情下工作停頓，暫時回港。他說：「傳統戲劇通常只有一個視點，但音樂劇有三個作者，作為導演我要綜合大家的視點。」

Feature Article

three US universities; but the pandemic has forced him back to Hong Kong for now. He says, “In traditional theatre, there’s usually just one visual focus, but with musicals there are three authors, and as director, I have to combine everyone's visual points.” He reveals that Hong Kong's productions are often limited by time and resources, leaving them operating more like a factory line, with no time to workshop anything. But in this production the team is running workshops with the actors, which allows them to trial the songs and bring the bare bones of the musical to life. “The point of workshopping is to magnify the shortcomings, so we can immediately fix any problems that emerge.” From the germs of scattered ideas to forming a team, during the pandemic everyone worked together via online conferencing, bringing all the material together and working on it until the musical began to take shape. As Kam says, “I hope that after seeing this work-in-progress, audiences will view Hong Kong musicals in a new way.”

何兆彬何兆彬是記者、編輯及傳媒人。影評作品散見《信報》、《 am730 》等香港報章雜誌。原文刊登於香港藝術節 2021 年之《閱藝》雜誌

Ho Siu-bun Ho Siu-bun is a journalist and editor. His regularly writes movie reviews for press outlets such as Hong Kong Economic Journal and am730. Originally published in the HKAF’s FestMag 2021

Dev donation

作曲及音樂總監 – 金培達

金培達

Peter Kam

作曲及音樂總監

Composer and Music Director

金培達是香港著名作曲家，他曾創作多部華語音樂劇，包括《留住愛》、《天龍八部》、《啊！鼓嶺》、《愛在星光裏》、獲獎無數的《媽媽再愛我一次》，以及 2015 年第 17 屆中國上海國際藝術節的開幕演出《猶太人在上海》。2017 年，他首度創作歌劇《林徽因》。他曾為超過一百部電影譜曲，作品風格多變而動人，更曾十一次獲頒香港電影金像獎最佳原創音樂與最佳原創歌曲獎。1999 年憑《紫雨風暴》獲金馬獎最佳原創音樂獎；2006 年憑《伊莎貝拉》獲柏林國際電影節最佳電影音樂銀熊獎，是該國際獎項第一位華人得獎者。近期作品包括《七月與安生》、《北京遇上西雅圖》系列、《寒戰》系列及 2018 年獲得香港電影最佳原創歌曲獎的《大樂師・為愛配樂》。此外，他獲香港特別行政區政府邀請委約創作香港回歸十

週年主題曲《始終有你》。及後，再獲邀創作北京奧運倒數計時一週年主題曲《 We Are Ready 》。2008 年，他獲香港政府頒發榮譽勳章，肯定其音樂成就及在藝術領域的卓越貢獻。

Peter Kam is a renowned Hong Kong composer. Kam has written numerous musical theatre works, including And Then There’s You, Born to Be a Hero, Love You Teresa, Ah! Ku Liang, the awardwinning Mama Love Me Once Again and Jews in Shanghai, which opened the Shanghai International Arts Festival in 2015. In 2017 Kam composed his first opera Lin Huiyin.

Composer and Music Director – Peter Kam

by the Government of the Hong Kong SAR to compose, “Just Because You Are Here”, the theme song for the 10th Anniversary of the Establishment of the HKSAR. In addition, he was commissioned to compose the theme song for the Beijing 2008 Olympics’ one-year countdown campaign theme song. In 2008, the Hong Kong government awarded him the Medal of Honour for his contributions to the arts.

Kam is an eleven-time winner of Best Original Film Music and Best Original Song at the Hong Kong Film Awards. Known for his diversified and moving compositions, he has scored over 100 films. In 1999, he won Best Original Score for Purple Storm at the 36th Golden Horse Award. In 2006, he won the Silver Bear for Best Film Music for Isabella at the Berlin International Film Festival, a first for a Chinese composer. His recent movie scores include Soulmate, Helios, the Finding Mr Right series, the Cold War series, as well as Concerto of The Bully, which won Best Original Song at the Hong Kong Film Awards in 2018. In 2007, Kam was commissioned

編劇 – 陳詠燊

陳詠燊

Sunny Chan

編劇 Playwright

陳詠燊是香港電影導演及編劇，畢業於香港演藝學院電視電影系，其後於嶺南大學中文系取得碩士學位。2000 年起成為電影編劇，迄今創作了逾二十齣電影劇本，當中包括《新紮師妹》系列、《常在我心》和《下一站天后》等。2018 年首次執導電影《逆流大叔》，獲得第 38 屆香港電影金像獎共十一項提名，其中包括最佳導演及最佳編劇。陳詠燊現時是香港演藝學院的編劇及創意發展講師，亦擔任電視節目主持及撰寫專欄。他亦是香港藝術發展局電影及媒體藝術組主席、香港電影發展基金審核委員會成員、香港演藝學院校友會主席及香港電影編劇家協會邀請執委。

Playwright – Sunny Chan

Sunny Chan is a screenwriter and film director. He graduated from the HKAPA and from Lingnan University with a Master of Arts in Chinese in 2000. Over 20 screenplays he has written have been produced, including the Love Undercover series, Funeral March, and Diva, Ah Hey. In 2018, Chan’s directorial debut Men on the Dragon received 11 nominations at the 38th Hong Kong Film Awards, included Best Director and Best Screenplay. Chan has been a lecturer in Screenwriting and Creative Development at the HKAPA. He has also hosted a number of TV programmes and written columns in the local press. Chan has throughout the years served as chairman of the HKADC’s Film and Media Arts Group, on the Panel of Examiners of the Hong Kong Film Development Fund, as chairman of the HKAPA Alumni Association and as a committee member by invitation of the Hong Kong Screenwriters’ Guild.

作詞 – 岑偉宗

岑偉宗

Chris Shum

作詞 Lyricist

岑偉宗是香港作詞人，其詞作多見於音樂劇及舞台劇，亦散見於電影、電視及流行曲。他憑《如果．愛》的《十字街頭》獲第 43 屆台灣電影金馬獎最佳原創電影歌曲、2006 年 CASH 金帆音樂獎最佳另類作品；憑《大上海》獲第 32 屆香港電影金像獎最佳原創電影歌曲，以及憑《張保仔傳奇》獲 2011 年 CASH 金帆音樂獎最佳正統音樂作品。他曾四度獲頒香港舞台劇獎最佳原創曲詞。他的編劇及作詞的作品包括一舖清唱和台北人力飛行劇團的無伴奏合唱音樂劇《阿飛正轉》（ 2018 ）及一舖清唱的無伴奏合唱說唱劇場《維多利雅講》。他亦為香港話劇團《假鳳虛鸞》擔任粵語歌詞翻譯。近期為電影配樂作詞的作品包括迪士尼《獅子王》（ 2019 ）和《魔雪奇緣 2 》（ 2019 ）粵語版及《緊急救援》（ 2021 ）的插曲《大米》。他的出版著作有《音樂劇場：事筆宜詞》、《半步詞：由音樂劇到跨媒介的填詞進路》及《粵寫粵順戲：岑偉宗劇作選》等。

Lyricist – Chris Shum

Chris Shum is a celebrated lyricist with work spanning musicals, plays, movies, television dramas and pop music. In 2006, he won Best Original Film Song at the 43rd Golden Horse Awards and a prize at the 2006 CASH Golden Sail Music Awards with the song “Perhaps Love”. He also won Best Original Film Song in 2013 at the 32rd Hong Kong Film Award for the theme song of The Last Tycoon. The Legend of Zhang Baoza earned him a prize at the 2011 CASH Golden Sail Music Awards. He has also won the Best Original Music Award four times at the Hong Kong Drama Awards. In 2018, Shum wrote the script and lyrics for Pica Pica Choose, a collaborative production by Mr Wing Theatre Company (Taiwan) and Yat Po Singers. Other works include the script and lyrics for Yat Po Singers’ This Victoria Has No Secrets and Hong Kong Repertory Theatre’s La Cage aux Folles. He also wrote the Cantonese lyrics for the Disney animated films The Lion King (2019) and Frozen 2 (2019), as well as lyrics for the soundtrack of Dante Lam’s film The Rescue (2021). Shum has authored several books on lyric-writing and theatre.

導演 – 馬嘉晉

馬嘉晉是一位香港長大，現居紐約的劇場工作者，他曾獲得戲劇編輯人獎提名，亦為新成立的 International (minor feelings) Trading Company 擔任聯合藝術總監。

馬嘉晉

Eugene Ma

導演 Director

他最近執導的舞台作品包括麗莎．克萊爾的《金剛的誕生》；Cherry Lou Sy （紐約先鋒劇場）的《阿尼瑪與阿尼瑪斯》（紐約公共劇院）；蘇珊 - 洛瑞．帕克斯《在血中》（哥倫比亞大學）；保拉．福格爾的《姊弟親情華爾茲》（俄勒岡莎士比亞戲劇節年度慈善演出）等等，他曾任紐約跳蚤劇院的駐團導演。作為演員權益協會的榮譽會員，他曾參與俄勒岡莎士比亞戲劇節的演出，足跡遍佈美國各地劇院，包括紐約新觀眾劇院、柏克萊劇院、西雅圖話劇團及耶魯大學劇院等。他畢業於紐約大學 Tisch 藝術學院，主修舞台導演及表演。他近期是哥倫比亞大學畢業演出計劃、耶魯大學戲劇系、哈佛大學戲劇、舞蹈與媒體學院的導師，現時為香港浸會大學駐校藝術家。

Director – Eugene Ma

Eugene Ma is a Hong Kongraised, New York-based Drama Desk-nominated multidisciplinary theater-maker and the co-artistic director of the newly formed International (minor feelings) Trading Company. Ma’s recent directing credits include Lisa Clair’s The Making of King Kong (Target Margin); Cherry Lou Sy’s Anima Animus (Public Theater); Suzen-Lori Parks’s In the Blood (Columbia University) and Paula Vogel’s The Baltimore Waltz (Daedalus@ Oregon Shakespeare Festival), among others. He was a resident director at the Flea Theater (New York). A proud AEA union member, Ma was an acting company member of the Oregon Shakespeare Festival, and has performed across the United States at Theater for a New Audience (New York) as well as Berkeley Repertory, Seattle Repertory, Yale Repertory Theaters and more. He received his B.F.A. in Drama (Directing Concentration) from the New York University Tisch School of the Arts. He is a recent faculty member of Columbia University’s Graduate Acting Programme, Yale School of Drama and Harvard University’s Theater, Dance & Media, and currently the Artist-in-Residence at the Hong Kong Baptist University.

編舞 – 曾景輝

曾景輝 2019 年獲香港舞蹈年獎傑出男舞蹈演出獎提名。他於 2019 年發表新舞作《無眼睇》，隨即獲邀於兩個本地藝術節重演，及後再獲意⼤利及台灣的舞蹈節邀請演出。

曾景輝

Terry Tsang

編舞 Choreographer

他曾入讀香港演藝學院舞蹈學院，主修當代舞，並於 2013 至 2019 年間於城市當代舞蹈團任全職舞者。他隨舞團到多個國家及地區巡演，包括挪威、意⼤利、⼟耳其、以⾊列、澳洲、⽇本、韓國、中國內地及台灣；另外，他也活躍於本地製作。他近年專研舞蹈攝影，並成立了 Labora-Terry Arts，繼續對身體的探索和叩問。

Choreographer – Terry Tsang

Terry Tsang was nominated for Outstanding Performance by a Male Dancer award at the Hong Kong Dance Awards 2019. His latest creation Mo Ngaan Tai was restaged at two arts festivals in Hong Kong shortly after its premiere in 2019, and was later invited to festivals in Italy and Taiwan. Previously, Tsang studied at the Hong Kong Academy for Performing Arts, majoring in Contemporary Dance, and was a full-time dancer in the City Contemporary Dance Company (CCDC) from 2013 to 2019. He toured with the company to various countries and regions, including Norway, Italy, Turkey, Israel, Australia, Japan, Korea, Mainland China and Taiwan. He is also an active practitioner in local contemporary dance scene. Terry Tsang also specialises in dance photography with his establishment of Labora-Terry Arts, exploring the possibilities and relationships of the human body.

凌文龍

Ling Man- lung

飾—孫日新 as Sun Yat-sen

凌文龍 2008 年畢業於香港演藝學院戲劇學院，獲頒藝術學士（榮譽）學位，主修表演。他於 2008 至 2018 年間成為香港話劇團的全職演員，至今演出近五十齣舞台劇，作品包括《遍地芳菲》、《脫皮爸爸》、《都是龍袍惹的禍》、《頂頭鎚》、《最後作孽》、《情敵勸退師》等。

他 2016 年憑《最後作孽》提名第 25 屆香港舞台劇獎最佳男主角（喜劇／鬧劇）；2020 年憑《親親麗南》再獲提名第 29 屆香港舞台劇獎最佳男配角（喜劇／鬧劇）。2018 年起，凌文龍開始參演電影演出，憑《黃金花》獲第 20 屆上海國際電影節亞洲新人獎最佳男主角獎提名、第 12 屆亞洲電影大獎最佳新演員獎提名，以及第 37 屆香港電影金像獎最佳男主角提名，並獲最佳新演員獎。

Ling Man-lung is a Hong Kong actor and graduate of the HKAPA, having majored in acting. He was an actor with the Hong Kong Repertory Theatre from 2008 through 2018. He has now appeared in nearly 50 stage productions, including Boundless Movement, Shed Skin Papa, The Emperor, His Mom, a Eunuch and a Man, Field of Dreams and The Sin Family, among others. He was awarded Best Actor (Comedy/Farce) at the 25th Hong Kong Drama Awards in 2016 for The Sin Family, and Best Supporting Actor (Comedy/ Farce) at the 29th Hong Kong Drama Awards for The Beauty Queen of Leenane in 2020. His first film role in Tomorrow Is Another Day in 2017 earned him a nomination for Best Actor in the Asian New Talent Awards at the 20th Shanghai International Film Festival, Best Newcomer at the 12th Asian Film Awards, and Best Actor at the 37th Hong Kong Film Awards, at which he also received the Best New Performer award.

演員簡介

梁景堯

Terrence Leung

飾—陸皓東

as Luk Ho-tung

梁景堯畢業於美國南加州大學，主修戲劇，他曾參與多個劇場演出。最近演出包括三藩市編劇聯會《 Final Boarding Call 》讀劇；劇場空間《隱身的 X 》、《坂本龍馬の背叛！》、《單身．友．情人》，以及香港音樂劇藝術學院《会社人間》。他曾接受美聲技巧訓練。除了舞台作品外，他還積極參與電視演出，並成立男聲室樂合唱團 Signo 推廣古典音樂。在業餘時間，他會撰寫和拍攝有關照顧糖尿病患者的短篇家庭故事。

Cast Profiles

Terence Leung is a graduate of the University of Southern California and he has appeared in several theatre productions. His recent works include Playwrights Foundation’s Final Boarding Call (a staged reading) with Theatre Space’s Invisible X, Uragiri Gomen! and Hong Kong 3 Arts Musical Institute’s White Collar Principle. Leung is a bel canto-trained singer and performs classical music in the vocal group, Signo. In his free time, Terrence Leung has written and filmed short stories about family and care for diabetic patients.

吳肇軒 Ng Siu- hin

飾—陳少白、村民、同學

as Chan Siu-pak, villager and classmate

吳肇軒 2016 年畢業於香港演藝學院戲劇學院，獲頒藝術學士（榮譽）學位，主修表演。他就讀香港演藝學院期間，參演由黃修平執導的《哪一天我們會飛》，其後出道成為演員。畢業後向電影、電視及舞台劇多方面發展。

近期主要演出包括電影《以青春的名義》、《逆向誘拐》及《破處》，以及電視劇《心冤》、《身後事務所》及《地產仔》等。他 2016 年首次參演舞台劇，亮相香港演藝學院戲劇學院畢業作品《慾望號街車》以及《元宵》；2017 年參演三角關係的《家．寶》；2019 年參演風車草劇團的《尋常心》。

Ng Siu-hin is a Hong Kong actor. He graduated from the HKAPA in 2016, with a Bachelor of Fine Arts in drama. During his studies, he began his career with Adam Wong’s She Remembers, He Forgets. After graduating, he started acting in cinema, television and the theatre. His recent works include the films In Your Dreams, Napping Kid, Leaving Virginia; the TV dramas Stained, Afterlife Firm and Who Sells Bricks in Hong Kong. His first theatre experience was HKAPA’s graduation works A Streetcar Named Desire and Twelfth Night in 2016; other performances include Trinity Theatre’s The Rose of the Name in 2017, Windmill Grass Theatre’s production of The Normal Heart by Larry Kramer in 2019.

演員簡介

陳熙鏞

Andrew Chan

飾—尢列、村民、同學

as Yau Lit, villager and classmate

陳熙鏞是 2018 年畢業於香港演藝學院戲劇學院，主修表演，在學期間兩度獲得傑出演員獎，並憑《火臉》獲香港小劇場獎最佳男主角提名。他近年專注身體研究，曾參與史蒂芬．王「心之技藝」課程，並前往丹麥歐丁劇場交流。他現時跟從張國穎學習聲樂，近來熱衷於研究藝術治療、法國戲劇理論家亞陶的學說、作曲以及爵士樂。

Cast Profiles

Andrew Chan graduated from the HKAPA in 2017-2018, with a Bachelor of Fine Arts in drama, majoring in acting. During his studies at the HKAPA, he was twice awarded Outstanding Actor and nominated as Best Actor for the Hong Kong Theatre Libre’s Fireface. In recent years, he has focused on physical theatre and joined Stephen Wangh’s “An Acrobat of Heart” course, also took part with an exchange at Odin Teatret in Denmark. Andrew is currently a vocal student of Margaret Cheung. He is a fan of art therapy, the theory of Antonin Artaud, composing and jazz.

黃慶堯

Ronald Wong

飾—楊鶴齡、村民、同學

as Yeung Hok-ling, villager and classmate

黃慶堯 2018 年畢業於香港演藝學院戲劇學院，主修表演。校內主要演出有《海鷗》、《三便士歌劇》及《三姊妹》等。畢業後參演了天邊外劇團新導演運動《傷逝如她》、進劇場讀劇《群鬼》等製作。2020 年，他參演中英劇團的《初見》，擔演男主角。

Ronald Wong graduated from the HKAPA in 2018, with a Bachelor of Fine Arts in drama, majoring in acting. His school performances include The Seagull, The Threepenny Opera, Three Sisters. After graduating, he began his acting career with Theatre Horizon’s Mourning Becomes Electra, Theatre du Pif’s Ghost and more. In 2020, he was the male lead in Chung Ying Theatre’s Pride & Prejudice.

SEYMF

陳湛文 Peter Chan

飾—陸皓東父親、楊衢雲、碼頭工人、同學

胡希文 Yoyo Wu

飾—盧慕貞、村民、同學

as Lu Muzhen, villager and classmate

文愷霖 Bubbles Man

飾—陳粹芬、村民、同學

as Chen Cuifen, villager and classmate

as Luk Ho-tung’s father, Yeung Kuwan, dock worker and classmate

錢深銘 Sammy Chien

飾—喜嘉里牧師、嘉約翰校長、麥師傅、金爺

as Rev. Charles Robert Hager, Principal John Glasgow Kerr, Mr Mak the temple keeper and Master Kam

歐芷菲 Sofei Au

飾—陸皓東母親、孕婦、碼頭工人、同學

as Luk Ho-tung's mother, pregnant woman, dock worker and classmate

翁演陞 Lucas Yung

飾—鄭士良、村民、同學

as Zheng Shiliang, villager and classmate

陳湛文 Peter Chan

飾—陸皓東父親、楊衢雲、碼頭工人、同學 as Luk Ho-tung’s father, Yeung Ku-wan, dock worker and classmate

陳湛文 2012 年於香港演藝學院戲劇學院畢業，主修表演。他畢業後活躍於香港舞台劇界，曾參演多個本地專業劇團之創作及演出。他 2017 年憑《少年十五二十時》獲得第 26 屆香港舞台劇獎最佳男配角；2018 年主演由陳果導演執導的電影《三夫》，獲第 13 屆亞洲電影大獎最佳新演員及第 38 屆香港電影金像獎最佳新演員提名。除演出外，其自編自導的多元化劇場《蘭陵王．高長恭》曾獲邀請參加第 9屆香港藝穗民化節。近期演出包括音樂劇《利瑪竇》，以及馮志強導演執導電影《失衡兇間：唐樓》與陳果導演執導電影《漁光曲》。

Peter Chan graduated from the HKAPA in 2012, with a Bachelor of Fine Arts in drama, majoring in acting. In 2017, he won Best Supporting Actor at the 26th Hong Kong Drama Awards for POP Theatre’s Brighton Beach Memoirs. In 2018, Chan starred in the film Three Husbands, directed by Fruit Chan, earning nominations for Best New Actor at the 13th Asian Film Awards and the 38th Hong Kong Film Awards. Besides acting, Chan directed, written, and starred in the stage drama Warrior LanLing — In Battle, which was invited to the 3rd Hong Kong People’s Fringe Festival. Peter Chan recently took part in Matteo Ricci The Musical, the film The Unbalanced Space — Tenements (working title) directed by Fung Chi-keung, and the movie Song

演員簡介

Cast Profiles

of The Fishermen, once again directed by Fruit Chan.

television work includes ViuTV’s Next Exit and Showman’s Show.

胡希文 Yoyo Wu

飾—盧慕貞、村民、同學 as Lu Muzhen, villager and classmate

胡希文畢業於香港演藝學院戲劇學院，主修表演。在學期間演出包括《青鳥》、《從八十號 K 開始》、《蝦碌戲班》及音樂劇《伊甸之子》。她憑校內演出《仲夏夜之夢》獲提名第 9 屆香港小劇場獎最佳女主角。近期舞台演出包括 Project Roundabout「不日上演」《香港式離婚》、三角關係《最好的時光》及一路青空劇團《細路桃源》等。

她在 2017 至 2019 年間為 ViuTV 全職合約藝員，並擔任司儀、主持、旁白配音及演員工作。影視作品包括 ViuTV 劇集《未來還未來》及《娛樂風雲》等。她現為自由身舞台劇演員。

Yoyo Wu graduated from the HKAPA School of Drama, majoring in acting. Her school performances include Blue Bird, 80 K, Noises Off, the musical Children of Eden and she was nominated for Best Actress in the 9th Hong Kong Theatre Libre for A Midsummer Night's Dream. Her recent stage performances include Project Roundabout’s The Truth About Lying, Trinity Theatre’s The Best Time, the Radiant Theatre’s Finding Wonderland, among others. She has been a full-time contract artist with ViuTV, her roles including emcee, host, voice-over artist and actress. Her film and

She is currently a freelance stage practitioner. 文愷霖 Bubbles Man

飾—陳粹芬、村民、同學 as Chen Cuifen, villager and classmate

文愷霖 2019 年畢業於香港演藝學院戲劇學院，獲藝術學士（榮譽）學位，主修表演。

她的校內演出包括《我自在江湖》、《美狄亞》、《加數機》及《呂西斯特拉忒》，並憑音樂劇展演《吉屋出租》及音樂劇展演《伊甸之子》（第一幕）兩度獲學院頒發傑出演員獎。她在校期間曾獲頒獎學金，並先後往英國皇家戲劇藝術學院演出及丹麥歐丁劇場交流。

Bubbles Man graduated from the HKAPA in 2019, with a Bachelor of Fine Arts in drama, majoring in acting. Her school works include Dust and Dawn, Medea, The Adding Machine, Lysistrata, while Musical Cabaret: Rent and Musical Cabaret: Children of Eden (Act 1) both granted The Outstanding Actor Awards by the Academy. During her studies at the HKAPA, she was awarded numerous bursaries and also had a chance to perform at the Royal Academy of Dramatic Art in London, England, and to take part in an exchange at Odin Teatret in Denmark. Her recent performances include Project Roundabout’s See You Soon:The Sword Man, Theatre Space’s The Invisible X and Uragiri Gomen!, Chung Ying Theatre Company’s Pride 37

& Prejudice, and the Hong Kong Institute of Aesthetic Education’s The Polar Bear, Unnie.

Marriage of Figaro, Papageno in The Magic Flute, Escamillo, Zuniga, Dancairo and Morales in Carmen, among others.

錢深銘 Sammy Chien

He has sung the title role of Mendelssohn’s Elijah in concert, baritone solos in Dvorák’s Te Deum and Brahms’s Ein Deutsches Requiem, among others.

飾—喜嘉里牧師、嘉約翰校長、麥師傅、金爺 as Rev. Charles Robert Hager, Principal John Glasgow Kerr, Mr Mak the temple keeper and Master Kam

錢深銘 2008 年畢業於香港演藝學院，主修聲樂，曾於 2006 年獲香港青少年歌唱節歌劇演唱比賽冠軍，為 2015 至 2018 年度「賽馬會香港歌劇院青年演唱家發展計劃」的成員。他現為草田合唱團的指揮。他至今所擔演的歌劇角色逾四十個，其中包括《賈尼斯基基》、《費加洛的婚禮》及《唐璜》的男主角；《魔笛》的巴巴基諾、《卡門》的艾斯卡米洛、祖尼加、莫拉萊斯及當卡洛及等。

他亦常於各音樂會及典禮中擔任獨唱，演出作品包括孟德爾頌的《以利亞》、德伏扎克《謝恩讚美頌》及布拉姆斯《德意志安魂曲》等。

Sammy Chien graduated from the HKAPA in 2008, majoring in vocal studies. He is also a graduate of the Jockey Club Opera Hong Kong Young Artist Development Programme. Chien won first prize in the Operatic Aria competition of the Hong Kong Youth Singing Festival in 2006. He is currently the conductor for Music Clover Choir. He has performed more than 40 opera roles, including the title role in Gianni Schicchi, The 38

歐芷菲 Sofei Au

飾—陸皓東母親、孕婦、碼頭工人、同學 as Luk Ho-tung's mother, pregnant woman, dock worker and classmate

歐芷菲 2014 年畢業於香港演藝學院戲劇學院（榮譽）學士學位，主修表演。她在學期間曾參與《馴悍記》、《天邊外》、《造謠學堂》等演出，並兩度獲得傑出演員獎及多個獎學金。

她曾參演劇場作品包括中英劇團《過戶陰陽眼》、《追月亮的人》、《戅大人》、《大龍鳳》（第五鬥）等；香港藝術節《中庸之幸福學堂》；天邊外劇團《盧亭》（香港版）、《漁港夢百年》及香港戲劇協會《喜尾注》等。她曾是中英劇團全職演員，現為自由身演員、編劇及戲劇導師。

Sofei Au graduated from the HKAPA in 2014 with a Bachelor of Arts (Honours) in drama, majoring in acting. During her studies, her work included The Taming of the Shrew, Beyond the Horizon, The School for Scandal. She twice won HKAPA’s Outstanding Actor and won several scholarships recognising her stage acting.

Her recent works include Chung Ying Theatre’s Go Go Ghost, Fly Me to the Moon, The Government Inspector, The Big Big Day; the HKAF’s Doctrine of Happiness; Theatre Horizon’s The Lu-Tings, Century-Old Dreams of a Fishing Harbour and the Hong Kong Federation of Drama Societies’s Funny Money, among others. She was a full-time actress with Chung Ying Theatre and is currently a freelance actress, script writer and drama teacher. 翁演陞 Lucas Yung

飾—鄭士良、村民、同學 as Zheng Shiliang, villager and classmate

翁演陞 2019 年畢業於香港演藝學院戲劇學院（榮譽）學士學位，主修表演。他同年憑《兒欺》獲提名第 11 屆香港小劇場獎優秀男演員，又憑《我自在江湖》獲香港演藝學院的傑出演員獎。

Lucas Yung graduated from the HKAPA with a Bachelor of Fine Arts (Honours) in drama in 2019. The same year, he was nominated for Best Actor for Luna Gale at the 11th Hong Kong Theatre Libre and his role in Dust and Dawn won him the HKAPA’s Outstanding Actor Award.

Plus AD

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member 嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

純銀會員 Silver Member 太古集團慈善信託基金

The Swire Group Charitable Trust

青銅會員 Bronze Members 鷹君集團 Great Eagle Group

上海商業銀行有限公司

Shanghai Commercial Bank Limited

實物支持機構 In-kind Supporters

嘉頓有限公司 The Garden Company Limited

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者

PLATINUM DONORS

HK$140,000 或以上 AND ABOVE

無名氏 (2) Anonymous (2) Burger Collection

鑽石捐款者

DIAMOND DONORS HK$70,000 – HK$139,999

Rusy and Purviz Shroff Charitable Foundation

田家炳基金會

Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation 黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Dr Chung See Yuen Peter and Nancy Thompson Mr William To

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 Anonymous

Initial Fashion

Mr Iain Bruce

馮兆林先生夫人 Mr & Mrs Fung

Shiu Lam Dr Mak Lai Wo

黃乃正及陳頴儀

Ms Wong Pie Yue Cleresa

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (6) Anonymous (6) Ms Anna CY Chan Ms Chan Wan Tung

網上藝術教育捐助計劃 Digital Arts Education Scheme

鑽石捐款者

黃金捐款者 GOLD DONORS

HK$70,000 – HK$139,999

Dr & Mrs Samuel and Ellen Lam Stefan & Caroline Kracht

DIAMOND DONORS

法國巴黎銀行 BNP Paribas Lincoln & Yu-San Leong Sino Group

HK$12,000 – HK$29,999

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

藝術節捐助計劃 Festival Donation Scheme

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

無名氏 Anonymous

Nathaniel Foundation Limited Nine Queens Investment Limited Shun Hing Group

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

Mr & Mrs Jeffrey & Helen Chan Mr SHN Cheng Ms Jenny Hodgson

Mr Stephen Tan Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao Samuel & Amy Wang Mr Andric Yew

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 (5) Anonymous (5) Mr & Mrs David S L Lin Dr Michael Mak Dr Ronald Paul Ng

新作捐助計劃 New Works Scheme

翡翠捐款者 JADE DONOR HK$30,000 – HK$69,999

Nine Queens Investment Limited

Mrs Germaine Tso Ms Wu Tseng Helen

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (4) Anonymous (4)

Mrs A.M. Peyer Leland & Helen Sun Mr Wong Yick Kam Ms Isabel Yiu

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (8) Anonymous (8) Mrs Veryan E. Bradshaw Ms Grace Chiang Ms Fung Man Yee

黃金捐款者 GOLD DONOR

無名氏 Anonymous

純銀捐款者 SILVER DONOR

HK$3,000 – HK$5,999

HK$12,000 – HK$29,999

劉仰澤先生 Mr Lau Yeung Chak HK$6,000 – HK$11,999

無名氏 Anonymous

青銅捐款者 BRONZE DONORS 無名氏 Anonymous

Mr D Chang Ms Christine Lam Ms Savita Leung Mrs A.M. Peyer Ms Janice Ritchie Mr Alex So Mrs Teresa Pong Tam Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

殷和順先生劉善萍女士

Star B Chan & MDB Mr Lee King Fung Mrs A.M. Peyer Mr Alex So Mrs Teresa Pong Tam Dr & Mrs Tsao Yen Chow and Dr Sabrina Tsao

Dr Alfred Lau Ms Khoo Li Lian Flavia & Gary Ma Mr & Mrs Gary Ma Mr Jose Manuel Sevilla Sora.C Mr & Mrs Ian Stone Mrs Teresa Pong Tam Yeung’s family Dr Jason Yeung

Ms Grace Chiang Mr S C Tong Ling Mauretania Co. Ltd. Mrs A.M. Peyer Mrs Teresa Pong Tam

支持及協助 SUPPORT AND COOPERATION Acorn Design Alfie Leung Design

教育局藝術教育組

Arts Education Section, Education Bureau 香港展能藝術會

Arts with the Disabled Association Hong Kong 香港愉景灣酒店

Auberge Discovery Bay Hong Kong 奧地利駐香港總領事館

Austrian Consulate General Hong Kong 樺利廣告有限公司

Avanny Advertising Co Ltd

香港小交響樂團

Hong Kong Sinfonietta 宜必思香港中上環

ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia)

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices Outside Hong Kong

牛棚藝術村

Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊（信息技術）有限公司

CITIC Telecom International CPC Limited 城市當代舞蹈團

City Contemporary Dance Company 城巿花園酒店

Théâtre de la Feuille

Ko Shan Theatre

Kwang Hwa Information & Culture Center

中央人民政府駐香港特別行政區聯絡辦公室

Consulate General of the Russian Federation in Hong Kong SAR, PRC 香港城市大學中文及歷史學系

Department of Chinese and History, The City University of Hong Kong 香港教育大學文化與創意藝術學系

Department of Cultural and Creative Arts, Education University of Hong Kong 嶺南大學文化研究系

Maxibit HK/China

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC Mission Production Company Ltd MOViE MOViE 太古城中心 MOViE MOViE Cityplaza

李鏡輝先生

前進進戲劇工作坊 On & On Theatre Workshop

One Minden Tapas Kitchen 柏斯琴行

Sha Tin Town Hall

Hong Kong Arts Administrators Association

上環文娛中心

Sheung Wan Civic Centre

Hong Kong Arts Centre

Shun Hing Electronic Trading Co., Ltd.

•音樂系 Department of Music •拉闊文化 Cultural Literacy Programme

香港中樂團

Hong Kong Chinese Orchestra 香港大會堂

Hong Kong City Hall 香港文化中心

Hong Kong Cultural Centre 香港黃金海岸酒店

West Kowloon Cultural District Authority 粵海華美灣際酒店

Wharney Hotel wine etc

元朗劇院

Yuen Long Theatre 赤豚事務所

Zhu Graphizs

Southgate Design

事必達推廣有限公司

Speedy Promotion Limited 台灣蘇富比國際房地產

Taiwan Sotheby's International Realty 道風山基督教叢林

Tao Fong Shan Christian Centre 藝林文具印刷有限公司

The Artland Co Ltd 香港八和會館

The Chinese Artists Association of Hong Kong

Hong Kong Philharmonic Orchestra

• 文化及宗教研究系 Department of Cultural and Religious Studies • 音樂系 Department of Music

Hong Kong Tourism Board

西九文化區管理局

信興電器貿易有限公司

香港中文大學

香港旅遊發展局

Wealthy Step Printing Co.

Primasia Corporate Services Limited

Hong Kong Gold Coast Hotel 香港管弦樂團

進富印刷公司

Pixellent

沙田大會堂

Hong Kong Baptist University

WeDraman Black Box Theatre

Piano Arts Service Limited

Gloucester Luk Kwok Hong Kong

香港浸會大學

同流黑盒劇場

PCCW

Royal Pacific Hotel

香港藝術中心

URBTIX

電訊盈科

皇家太平洋酒店

香港藝術行政人員協會

Tuen Mun Town Hall

Patsville Company Ltd

Fringe Club 六國酒店

Trinity Theatre

卓滙達有限公司

犇華企業服務有限公司

藝穗會

三角關係

Parsons Music Limited

Die Konzertisten

Department of Cultural Studies, Lingnan University

Tom Lee Music Company Ltd

城市售票網

Mr Alpha Li

俄羅斯駐香港總領事館

通利琴行

Marco Polo Hongkong Hotel

馬哥孛羅香港酒店

Consulate General of Canada in Hong Kong and Macau Consulate General of the Czech Republic in Hong Kong

THEDO

屯門大會堂

City Garden Hotel

捷克共和國駐香港領事館

綠葉劇團

Liaison Office of the Central People's Government in the HKSAR

MOViE MOViE 太古廣場 MOViE MOViE Pacific Place

加拿大駐香港總領事館

The Pottinger Hong Kong

JellyBin Limited

光華新聞文化中心

CAMPSITE

中環石板街酒店

港青 - 香港基督教青年會 The Salisbury – YMCA of Hong Kong

British Consulate General Hong Kong 百老匯院線 Broadway Circuit

The Hong Kong Academy for Performing Arts

• 戲曲學院 School of Chinese Opera • 戲劇學院 School of Drama • 音樂學院 School of Music

Island Pacific Hotel Hong Kong 高山劇場

Broadway Cinema

香港演藝學院

港島太平洋酒店

BRICK LANE

英國駐香港總領事館

• 文學院 Faculty of Arts

The Chinese University of Hong Kong

按英文名稱首字母排列 In alphabetical order

節目一覽 FESTIVAL PROGRAMME 荀伯格合唱團

Arnold Schoenberg Choir 《節目構想》 Curating the Programme

《後浪漫主義時期的歐洲合唱音樂傳統》 The European Choral Tradition of the Late Romantic Period

粵劇《挪亞方舟》

Cantonese Opera Noah’s Ark

幕後花絮 Behind-the-scenes

《當彩瓷遇上戲曲》 Telling Images of Xiqu on Porcelain

查爾斯．理察－哈梅林音樂會 Charles Richard-Hamelin

Concerts

《面對鋼琴大賽的焦慮》 Conquering Performance Anxiety in Piano Competition

多瑪倉庫劇院《盲流感》

Donmar Warehouse Blindness

香港中樂團 — 樂旅中國

Hong Kong Chinese Orchestra Music About China 俄羅斯莫伊謝耶夫舞團「特備節目」

Igor Moiseyev State Academic Ensemble of Popular Dance Igor Moiseyev Ballet Special

《繼續演出》─ 伊蓮娜．莎巴科娃從藝五十年 Without Intermission – 50 Years of Artistic Life of Elena Shcherbakova

香港小交響樂團英雄 · 貝多芬

Inspired by Beethoven – Hong Kong Sinfonietta•Eroica

賽馬會本地菁英創作系列《後話西遊》/《兩個女子》

Jockey Club Local Creative Talent Series Journey to the West Rewind / Women Like Us

《〈兩個女子〉：追求漫長幸福路的艱辛》 Women Like Us On the Arduous Path to Happiness 《〈後話西遊〉：如何在新常態下繼續取經》 The New Normal of Journey to the West Rewind

賽馬會本地菁英創作系列音樂劇《日新》（暫名）工作坊展演

Jockey Club Local Creative Talent Series Yat-sen (tentative title) Work-inProgress Preview 《〈日新〉創作團隊訪問》 Creative team sharing on Musical Yat-sen

馬修 · 伯恩芭蕾電影系列《仙履奇緣》

Matthew Bourne’s Ballet Film Series Cinderella

幕後花絮 Behind-the-scenes

馬修 · 伯恩芭蕾電影系列《羅密歐與茱麗葉》

Matthew Bourne’s Ballet Film Series Romeo & Juliet

幕後花絮 Behind-the-scenes

馬修 · 伯恩芭蕾電影系列《天鵝湖》

Matthew Bourne’s Ballet Film Series Swan Lake

幕後花絮 Behind-the-scenes

馬修 · 伯恩新冒險舞蹈團芭蕾電影《紅舞鞋》

A Matthew Bourne’s New Adventures production Ballet Film: The Red Shoes 捷克布爾諾國家歌劇院《耶奴法》

National Theatre Brno Jen fa

幕後花絮 Behind-the-scenes

《追尋楊納傑克的足跡》 In the Footsteps of Leoš Janá ek 《樂遊捷地》 Into the Czech Lands

捷克布爾諾國家歌劇院《狡猾的小狐狸》

National Theatre Brno The Cunning Little Vixen

幕後花絮 Behind-the-scenes

捷克布爾諾國家歌劇院《失蹤者的日記》

National Theatre Brno The Diary of One Who Disappeared 《演繹楊納傑克》 Performing Janá ek

《楊納傑克的戀戀情思》 Janá ek's Unrequited Love

巴維．哈斯四重奏

Pavel Haas Quartet

《楊納傑克與馬天奈弦樂四重奏：親暱與著迷》 Janá ek and Martin : Intimacy and Obsessions in String Quartets 《追尋楊納傑克》 Finding Your Own Janá ek

揚．巴托斯鋼琴獨奏會

Piano Recital by Jan Bartoš

《楊納傑克鋼琴作品分析》 Revealing Janá ek and His Piano Works

史葛 · 蕭凡《心靈旅程》

Scott Silven’s The Journey

演後藝人談 Meet-the-Artist

快刀劇場《無晴情天氣報告》

The Chop Pathetic Fallacy

香港賽馬會當代舞蹈平台《當代十年》

The Hong Kong Jockey Club Contemporary Dance Series Dance On and Off

《疫情下舞蹈家如何發展身體潛能》 Dancers at Home 《在不明確的世界中尋找眾聲起舞的意義》 Voice Out Mokita in An Uncertain World

香港賽馬會當代舞蹈平台《沒有大象》/《得體》

《鼠疫》（粵語版） The Plague (Cantonese version) 《為鼠疫作證》 The Witnesses of The Plague

《鼠疫》（英語版） The Plague (English version)

《此時此刻，重讀卡繆〈瘟疫〉》 Seeing your own plague in Albert Camus’s The Plague

維也納交響樂團音樂會

Wiener Symphoniker’s Concerts 導賞講座 Guided Talk

葉氏兒童合唱團兒童歌劇《愛麗絲夢遊仙境》

Yip’s Children’s Choir Children’s Opera Alice in Wonderland

音樂 Music

舞蹈 Dance

戲劇 Theatre

歌劇 / 戲曲 Opera/Chinese Opera

加料節目

藝術家分享 Artist Sharing

幕後花絮 Behind-the-scenes

紀錄片放映 Documentary Screening 講座 Talks

網上展覽 Online Exhibition 請瀏覽香港藝術節網站，查看最新節目資訊 Please visit the HKAF website for latest programme information

www.hk.artsfestival.org

The Hong Kong Jockey Club Contemporary Dance Series Elephant in the Room / Dirty

香港賽馬會當代舞蹈平台《在不明確的世界中尋找意義》

The Hong Kong Jockey Club Contemporary Dance Series Finding Meaning in an Uncertain World

香港賽馬會當代舞蹈平台《 Mokita 》/《眾聲起舞》

The Hong Kong Jockey Club Contemporary Dance Series Mokita / Voice Out

香港賽馬會當代舞蹈平台《火滅》/《煉金》

The Hong Kong Jockey Club Contemporary Dance Series Put Out the Flame / Hermetic Diode

電話 Tel 傳真 Fax 電郵 Email 節目查詢

Programme Enquiry

2824 3555 2824 3798 / 2824 3722 afgen@hkaf.org 2824 2430

香港灣仔港灣道 2 號 12 樓 1205 室

Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

林鄭月娥女士

PATRON

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS

永遠名譽會長

邵逸夫爵士

HONORARY LIFE PRESIDENT

Sir Run Run Shaw, CBE (1907-2014)

執行委員會

EXECUTIVE COMMITTEE

主席

查懋成先生

義務司庫

李錦榮先生

副主席委員

節目委員會主席委員

盧景文教授鄭維新先生鄭惠貞女士梁靳羽珊女士梁卓偉教授文肇偉先生孫大倫博士姚潔莉女士楊光先生

委員

盧景文教授

白諾信教授紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 * 譚榮邦先生姚珏女士李錦榮先生

鄭惠貞女士梁國輝先生

發展委員會主席

副主席委員

顧問

名譽法律顧問核數師

Mr Victor Cha

Vice Chairman

Prof Lo King-man, MBE, JP, SBS

Honorary Treasurer

Mr William Li

Members

Mr Edward Cheng, GBS JP Ms Margaret Cheng Mrs Yu-san Leong Prof Gabriel Leung, GBS JP Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

PROGRAMME COMMITTEE

財務委員會主席

Chairman

梁靳羽珊女士雍景欣女士

鄭阮培恩女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生陳祖澤博士陳達文博士霍璽先生李業廣先生梁紹榮夫人李國寶博士

甘乃迪女士（孖士打）羅兵咸永道會計師事務所

* 榮譽節目顧問 Honorary Programme Advisor 44

Chairman

Prof Lo King-man, MBE, JP, SBS

Members

Prof Giorgio Biancorosso Prof David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig * Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

FINANCE COMMITTEE Chairman

Mr William Li

Members

Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman

Mrs Yu-san Leong

Vice Chairman

Ms Jane Yong

Members

Mrs Betty Yuen Cheng Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao

ADVISORS

The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon Charles Y K Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David K P Li, GBM GBS OBE JP

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR PricewaterhouseCoopers

職員

STAFF

行政總監行政總監助理

何嘉坤 ** 何丹蓉

助理節目經理節目統籌藝術行政見習員物流及接待經理

梁掌瑋 ** 蘇國雲游慧姿 * 葉健鈴余瑞婷 * 譚小敏 * 黃傲軒 * 袁潔敏 * 郭笑 * 金學忠 *

節目節目總監副節目總監節目經理

行政節目經理 ( 行政 ) 節目主任 ( 行政 ) 技術製作經理助理製作經理出版編輯英文編輯助理編輯

外展高級外展經理副外展經理助理外展經理外展主任市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任藝術行政見習員

票務市場經理 ( 票務 ) 票務主任

發展發展總監發展經理

助理發展經理藝術行政見習員會計財務主管會計經理會計主任

人力資源及行政行政經理接待員 / 初級秘書助理

無限亮項目主管項目統籌節目及外展經理助理節目及外展經理市場經理助理市場經理外展統籌助理技術及製作經理高級會計主任

蘇雪凌程鶩誼 * 梁雅芝 * 莫賦斌 * 廖健邦 * Oliver Farry* 鄭豐榮 * 黎家欣 * 李冠輝 ** 鄧冠恆 * 林嘉敏 * 張翠騫 * 李玨熙 * 李萬祺 * 鄭尚榮 ** 胡銘堯 ** 陳志雄 * 周怡楊璞 * 郭駿成 * 陳閏霖 * 劉萍 * 張予心 * 梁彩雲陳偲穎 * 鍾卓祐 * 余潔儀 ** 張慧芝 * 麥紫琴 * 譚樂瑤蘇寶蓮 * 吳樂怡 * 鄺敬婷 ** 杜詩麗 * 蘇永恆 * 譚智盈 * 李美娟黃國愛鍾雅妍 * 陸凱盈 * 林淦鈞 * 陳慧晶 * 雷淑雯 * 朱穎欣 * 汪盈 * 馮顯峰 * 陳梓衡 * 彭健欣 *

* 合約職員 Contract Staff ** 無限亮指導委員會成員 No Limits Steering Committee Members

Executive Director Assistant to Executive Director PROGRAMME Programme Director Associate Programme Director Programme Managers Assistant Programme Managers Programme Coordinator Arts Administrator Trainee Logistics Manager

Tisa Ho** Connie Ho Grace Lang** So Kwok-wan Janet Yau* Susanna Yu* Tracy Tam* Loui Yuen* Stephanie Kuo* Elvis King*

ADMINISTRATION Programme Manager (Administration) Programme Officer (Administration)

Shirley So Spaky Ching*

TECHNICAL Production Manager Assistant Production Manager

Shirley Leung* Benny Mok*

PUBLICATIONS Editor English Editor Assistant Editors

James Liu* Oliver Farry* Rain Cheng*

OUTREACH Senior Outreach Manager Deputy Outreach Manager Assistant Outreach Manager Outreach Officers MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Arts Administrator Trainee TICKETING Marketing Manager (Ticketing) Ticketing Officers DEVELOPMENT Development Director Development Managers

Kenneth Lee** Joe Tang* Carman Lam* Tracy Cheung* Kelvin Li*

Linda Yip Joseph Wong*

Melody Lai*

Michael Lee*

Katy Cheng** Dennis Wu** Dennis Chan* Alexia Chow Michelle Yeung* Joel Kwok* Ben Chan* Erica Lau* Stephanie Cheung* Eppie Leung Stephanie Chan*

Assistant Development Manager Arts Administrator Trainee

Flora Yu** Anna Cheung* Lorna Tam Conny Souw* Lois Ng*

ACCOUNTS Head of Finance Accounting Manager Accounting Officer

Teresa Kwong** Connie To* Peter So*

HR & ADMINISTRATION Office Manager Receptionist/Junior Secretary General Assistant

Judy Tam* Virginia Li Bonia Wong

NO LIMITS Project Administrator Project Coordinator Programme and Outreach Manager Assistant Programme and Outreach Manager Marketing Manager Assistant Marketing Managers Outreach Coordinator Assistant Technical and Production Manager Senior Accounting Officer

Fiona Chung* Helen Luk* Lam Kam-kwan* Ainslee Chan* Germaine Lui* Wendy Chu* Wilson Fung* Jacob Chan* Janice Pang*

Chung Cheuk-yau*

Mak Tsz Kam*

Tiffany Wong*

按英文姓氏首字母排列 In alphabetical order 2021 年 3 月更新 Updated March 2021