TAKING BACK SUNDAY
MAY 2015 MUSIC FOR GOOD
LETLIVE
&
A PHO TO ES G AE LE N SMSAY BY IT H
Senses Fail Dustin Kensrue Grieved
After over a decade,
AUGUST BURNS HAS GOT RED THIS HMMAGAZINE.COM VOLUME XXX NO. CXC S INCE 1985 CELEBRATING 30 YEARS
HASTE THE DAY
TWO VOCALISTS, TWO INTERVIEWS!
EMERY
Never alone, newly on their own
VEIL OF MAYA
New vocalist, new women in their lives
2X4’S STEPPING STONE SISTER SIN’S CONFIDENT SHOWING BROADSIDE’S BAPTISM BY FIRE
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HASTE THE DAY HAS REUNITED TO RELEASE THEIR NEW ALBUM “COWARD”. MAY 18TH.
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OPENING STATEMENTS
Photo by Matthew Defeo
8
H M • M AY 2 0 1 5
TABLE OF CONTENTS
LETTER FROM THE EDITOR 12
BROADSIDE BY BEN RICKABY
14
DIGITAL TOUR BUS: DREAM RIDERS BY JOSH WEIDLING
18
IN BRIEF: GRIEVED BY SARAH DOS SANTOS
22
COLUMNS
MATT FRANCIS 24 CAM SMITH 26 RONNIE WINTER 28
HM LIVE: TAKING BACK SUNDAY AND LETLIVE PHOTO ESSAY BY GAELEN SMITH
30
2X4 BY CAM SMITH
46
HM LIVE: SENSES FAIL PHOTOS BY SAVANNAH CHAMBERS
50
9
O
OPENING STATEMENTS
VEIL OF MAYA Marc Okubo has written every Veil of Maya song, but on their latest release, Matriarch, he’s faced with a brand new challenge: a singing vocalist
BY DAVID STAGG
p. 56
HASTE THE DAY Reunions are no longer taboo, but what do you do when you’ve had two singers? Haste the Day wrote an album with both of them, so we interview them both!
STEPHEN KEECH BY RONNIE WINTER JIMMY RYAN BY COLLIN SIMULA
p. 64
DUSTIN KENSRUE Following the belief that has made him successful in music, the former Thrice vocalist puts integrity first on Carry the Fire
BY COLLIN SIMULA
p. 70
SISTER SIN’S LIV JAGRELL Strong, confident, rambunctious and charming, the Sister Sin frontwoman speaks out about what femininity in rock means to her
BY DAVID STAGG
p. 74
EMERY The outspoken group of men behind Bad Christian and BC Music are back on the main stage, writing new music again with the original crew
BY DOUG VAN PELT
p. 90
10
H M • M AY 2 0 1 5
AUGUST BURNS RED As veterans of the metal game, the Pennsylvania-based quintet has license to get away with whatever they want. But, according to them, they’re still getting started
BY JORDAN GONZALEZ
p. 80
11
O
OPENING STATEMENTS
Defining Your Sound August Burns Red is entering into enviable territory in musicdom with a sound so specific, it becomes untouchable As a fan of metal, I’m excited for August Burns Red’s new album. The band has a rare spot in history, having perfected the art of metalcore with their sophomore release, Messengers, bearing the standard for all future releases of the genre. On the eve of their seventh full-length release (and first with a new label, Fearless), they’re about to enter Rage Against the Machine territory where the sound is so EDITOR IN CHIEF
specific, no band gets to touch it. If that 2007 release was
DAVID STAGG
the core of it all, everything since then, from Constellations up to Found in Far Away Places, is built on that same foundation and then expanded and stretched, always for the better. Even the artwork from their first record in 2005 looks
MANAGING EDITOR
DIRECTOR OF PHOTOGRAPHY
DIRECTOR OF ADVERTISING
COLLIN SIMULA
BROOKE LONG
NATHAN KEY
like it could be released tomorrow and still fit right in. August Burns Red’s time-tested sound is due, in part, to
STAFF WRITERS
the commitment the band has made to the long-term goal. They’re the San Antonio Spurs of metal, where everyone is
JORDAN GONZALEZ COLUMNISTS
a leader, everyone gets their say and the team comes before the individual. The other, more actionable aspect of the
SARAH DOS SANTOS, MATT FRANCIS, COLLIN SIMULA, CAM SMITH, RONNIE WINTER
CONTRIBUTING WRITERS
BEN RICKABY, DOUG VAN PELT
ABR Sound is the process they take to write an album. It’s an incredibly democratic, exhausting and laboring process, as you’ll read, but it cleanses like fire. The albums are the
DIGITAL TOUR BUS
JOSH WEIDLING
COVER PHOTO
JEREMY SAFFER
proof. While fans of the band have their personal favorite selections from ABR’s discography, none of their albums
ADDRESS
have ever been dismissed as “a departure” or “worse than before,” and I’ll stand by that statement even for their Christmas record. Long-term success is an honorable goal, and it’s fun to see August Burns Red enjoy the fruits of that
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commitment. It’s a good example to follow. One more note: I’ve committed to absolute truth with the people that support this magazine; as a reader, I’m considering you as that support. I want to note the absence of our Album Reviews section in print for the second straight month. We have not abandoned reviews. We have started
RED BULL GIVES HM WINGS
the process of moving and running all our reviews online. Enjoy the beginning of Summer. August Burns Red’s newest album is one of many jammers coming out in June. Start saving your money now.
HM MAGAZINE (ISSN 1066-6923) ALL CONTENTS COPYRIGHT 2015 EXCEPT WHERE OTHERWISE NOTED. HM CONTENTS MAY NOT BE REPRODUCED IN ANY MANNER,
DAVID STAGG, EDITOR IN CHIEF DSTAGG@HMMAGAZINE.COM 12
H M • M AY 2 0 1 5
EITHER WHOLE OR IN PART, WITHOUT PRIOR PERMISSION. HM IS DEPENDENTLY OWNED AND OPERATED: PSALM 62
J
BROADSIDE
B R O A D
14
H M • M AY 2 0 1 5
S I D E
By Ben Rickaby Photos by Hannah Verbeuren
The band was set to take an extended break when the phone call came in: Fly to Chicago and tryout for a label. Despite a lack of funds and exhaustion from DIY touring, it’s a good thing they did: Broadside signed to Victory Records and jumped right back into the water with their debut album, Old Bones. No breaks yet, though; it’s a good thing they’re young. Tell me a little bit about the band. Where are you guys from, and how did you guys start out? Originally, we’re from Richmond, Virginia, and we started in, I would say, early 2010. I was in a previous band with some friends, and we decided to leave that band and start Broadside. Through the evolution of music and touring, we pretty much met the current lineup. We’ve been touring three years solid now. To cut a long story short. You guys are signed with Victory Records. How did you guys get hooked up with them? We ended up kind of taking a break because we did a bunch of D.I.Y. touring. We toured ourselves into the ground to the point where we were broke, so we decided to take a break for a minute and lay low for a while. My girlfriend-at-the-time got a job out in California, so I was going to take the time and move out there with her. On the way I got an email from Victory saying they were interested and maybe they could setup a showcase with us. At that time, our singer was on tour filling in for a band called July; they were on tour with Hit the Lights and a bunch of other bands. He was on the way home from that and called me up and was like, “Yo, we gotta do this!” He was still kind of on this music high from that tour. He was like, “We have to do the showcase. Fk everything. Let’s just do this.”
15
J
BROADSIDE
How long ago was that?
On the road, 100 per-
we all pull in from early
Unless you’re a drummer,
That was probably com-
cent. Being in the studio
Drive-Thru (Records) days,
that is
ing up on a year now. So
is cool, but you’re under a
like early 2000s — but
almost a year, a little under.
microscope the whole time.
there’s a little more of an
What would you say is
It’s fun and you can relax
aggressive feel than those
the driving force behind the band’s message?
Your first album with
a little and you can hear
bands — we all come from
Victory is Old Bones. How
yourself (play) and it’s not a
that era. Personally, I listen
Honestly, Ollie does all
was
one-time thing.
to everything, as much of
the vocals as far as that
your
time
in
the
You’re
a cliché as that answer is.
goes, and he’s pretty pas-
hanging out with friends
I listen to a lot of hardcore
sionate about everything.
We
and you get to meet new
and pop-punk and also a lot
All the lyrics on this album
went in with Kyle Black in
people. It’s awesome to be
of hip-hop, so it’s a weird
are 100 percent real and
Hollywood, and we were
on the road.
mix.
super passionate. It’s a lot
studio and writing the album? It
was
awesome.
But
the
road?
of issues you come across
there for about a month and a half. We went in
Do you have any songs
Are there any drum-
going from being a young
with 11-to-15 songs we had
on the album you’re par-
mers who are your idol or
adult into (adulthood) and
demoed out.
ticularly proud of or that
maybe got you into drum-
staying positive and rolling
you’re excited for fans to
ming?
with the punches.
We didn’t really know
Yeah! Steve Gadd and a
I think that’s basical-
funny
lot of the older guys, like
ly Broadside in a nut shell.
It was really stressful at
you asked because we were
Denis Chambers. There are
Yeah, life sucks a lot of the
times, but, overall, we came
just
this
a lot of the older guys who
time, but you have to stay as
out with an album I can’t be
last night. My favorite is
are super good, jazzy-fu-
positive as you can and roll
more proud of.
“Playing in Traffic” since
sion type guys. Nowadays,
with it. Without being super
it’s the heaviest one on the
Travis Barker is one of the
corny: “Stay Positive.”
So how did going into
album. It’s the most upbeat
biggest ones.
the studio for this album
(song), I feel. That’s defi-
I like a lot of solid drum-
You guys aren’t a cat
compare to some of your
nitely the one I’m most
mers. Not so much flash,
poster saying, “Hang in
past efforts?
excited about releasing.
but who are really solid. I
there.”
what we were getting into. It was awesome. It was fun.
hear? That’s
actually
talking
about
We had done a D.I.Y. EP
(Laughs) Yeah, life sucks.
before, so this was our first
You guys did a video for
(Editor’s Note: It is); the old
We all go through a bunch
professional album with a
one of the songs on the
Paramore drummer. That
of sh-t, but you just have to
record label. Our producer,
album. How did that go?
guy is solid as a brick. He’s
deal with it.
We
so good. I like a lot of drum-
a music prodigy. He can
decided to do it for “Coffee
mers like that. Like Nate
hear things a normal per-
Talk,” which is the first sin-
(Young) from Anberlin. He’s
being genuine at the same
son wouldn’t hear. I would
gle off the album. I flew
one of my favorites.
time.
be playing something on
out to Chicago and the rest
drums
of the guys drove in from
Kyle Black, is a genius. He’s
and
think,
“Ah,
yeah, I’m killing it! This
It
was
awesome.
Richmond.
is perfect.” He would say,
When we shot the video,
“Yeah, that’s not the best.
it was, like, 8 degrees. I’m
Can you redo it?”
in California now, so it
Staying
positive
but
Exactly. Not cheesy sh-t Have
you
heard
of
like that.
Yogi Watts from Demon Are there any themes
Hunter?
on the record that are
Yeah!
important for you perHe’s
got
that
same
sonally?
In our previous record-
was a drastic difference. It
ings, we didn’t have some-
was snowing everywhere,
kind of style. He’s there
one who was that spot on
but the video was fun to
to support the band and
“Human
and could hear everything. I
shoot. We rented a cafe-
not take over the sound
it’s basically about all the
ended up recording 12-hour
type, Waffle House setting,
with a bunch of drum
bullsh-t that is a “job” that
days for a week, solid. My
a local (diner) there. We all
solos.
people go to just to make
hands
got to test out our acting
were
bloody
and
blistered when I was done, record. So do you prefer being in the studio or on the road?
H M • M AY 2 0 1 5
We have a song called Machines,”
and
That’s
their money then go home
what a drummer’s role is.
and sleep and repeat it over
I mean, you can do all the
and over until they die. Or
What are some of the
flashy stuff and that’s cool,
working just so you can live
influences in the band,
but when it comes down to
in a crappy apartment. The
including yourself?
it, people want to hear a
everyday nonsense of being
song and not a drum solo.
trapped in that kind of life.
abilities, which was fun.
but the results show on the
16
think his name is Zac Farro
Of the band, I would say
Right,
exactly!
“I ENDED UP RECORDING 12-HOUR DAYS FOR A WEEK, SOLID. MY HANDS WERE BLOODY AND BLISTERED WHEN I WAS DONE, BUT THE RESULTS SHOW ON THE RECORD.” — B R OA D S I D E D R U M M E R A N D R E W D U N T O N
The chorus is, “Consume,
be hitting the road soon.
album drops, we’ll hit the
out, the light turns green
repeat and force yourself
Any big tour plans for the
road and go hard.
and I’m driving so I decided
to sleep.” That message is
summer and the rest of
awesome.
the year?
we should fk with him a You guys have been on
little bit. So I start leav-
He wrote a song called
We’re working on that
the road for the better part
ing and the door is flapping
“Damage Kids,” and it’s
right now. We’re going to
of the last three years.
open, and he starts run-
about
and
be out on the East coast out
Have any crazy stories?
ning to get back into the
depression about how tough
to around Texas area this
it is to just live nowadays.
the
anxiety
bunch.
van. Sure enough, he comes
summer. Then we’ll start
Probably some I shouldn’t
running and slams into the
It’s cool because there are
working on a winter tour.
tell (laughs).
door and falls into the van.
a lot of people who have
We basically want to hit the
Actually, when we were
But as soon as he gets in the
dealt with depression and
road nonstop and support
recording the album, we
van and shuts the door, a
anxiety.
the album.
left the studio at midnight
cop pulls us over. Of course
and we were driving back to
that would happen to us.
Ollie
definitely
poured his heart into it, and
We
have
a
it shows. If you read the
So you guys are just lay-
the place we were staying
So we pull over, and, luck-
lyrics, you’ll get emotional.
ing low until the album
at. We were at a stop light
ily, he was really cool and
hits?
and Dorian decided to get
was laughing at our license
With the new record,
We’re doing a lot of press
out and throw some trash
plate since it says ‘I Love
you guys will probably
stuff, and then, once the
away. As soon as he gets
Your Mom.’
17
J
DIGITALTOURBUS.COM
Photo, right, by Kyle Lehman
The Dream Rider For most bands on tour, it’s Walmart-parking-lot hotels and bottled-water showers. But let’s do some role playing here: You accept the rider of a lifetime, and you get to stock it TOURED UP BY JOSH WEIDLING
Joshua Weidling is the Founder and C.E.O of Digital Tour Bus, an online entertainment venture he started in his early 20s. Every month, he finds out more about what it’s like to make a living making music.
18
H M • M AY 2 0 1 5
DOWN AND OUTLAWS FB.COM/DOWNANDOUTLAWS
DAYSEEKER FB.COM/DAYSEEKER @DAYSEEKER (INSTAGRAM) @DAYSEEKERBAND (TWITTER)
“IN MY DREAM RIDER, THERE WOULD BE SHOWERS, CONSTANT WIFI, A MINI RECORDING STUDIO AND TVS, WHICH ARE SELF-EXPLANATORY, BUT, ABOVE ALL ELSE, THERE WOULD BE SALT WATER FISH TANKS! I LOVE ANYTHING TO DO WITH MARINE LIFE, AND IT’D BE SO AWESOME TO TAKE THAT LOVE ON THE ROAD.” — ALEX POLK
It can get lonely on the road. Our rider would provide for some necessary animal friends. Namely: Lil Bub, a hypoallergenic puppy named Chance, an unbroken and unrideable stallion, and a family of river otters. Our green room would require two loaves of fresh sourdough bread, chocolate milkshakes, a replica of a Civil War musket, and The Cheetah Girls first album, signed by all the members. NOT just Raven. All of them. On stage, we would require a roaming Mai Tai bartender, one fog machine per band member and a back-up symphony orchestra (just in case). Most importantly, it’s crucial to stay hydrated and comfortable on tour. We would need bottled water, orange slices, and clean towels, handed to us by Robert De Niro every hour on the hour. 19
J
DIGITALTOURBUS.COM
“BOTSC would really be excited to have a 25 x 25 x 25 foot deprivation chamber for napping purposes, completely sealed and devoid of light and sound. Said chamber would look like a smaller version of the Bupaya Pagoda in Bagan, Myanmar, and it would be furnished with nothing but pillows filled with beaten straw (for softness). “There would be a hidden bag of dark chocolate placed somewhere in the chamber for those who choose to snack instead of nap, but, obviously, they would have to work for it. There would also be an air-tube port — like the ones that drive-thru bank tellers have — where you could order via text just about any beverage imagined, to be delivered inside of the chamber, within minutes, through the tube. “Just in case anyone needed light for a few moments, there would be soft, indirect lighting activated by a ‘clapper’ circuit.”
— TAD DOYLE
RADIO ROOM FB.COM/RADIOROOMDUBLIN
“When we were recording our album last year, we were crazy addicted to Five Guys. If we had an unlimited rider, that’d be totally awesome to have the whole Five Guys menu for every show. All the sauces included, of course. I think we’d blow it all on fast food like idiots because there’s literally nothing around where we live, and we’re all terrible cooks. We make a mean microwaveable pizza though.”
— ROBBIE MURPHY
20
H M • M AY 2 0 1 5
Top photo by Invisible Hour
BROTHERS OF THE SONIC CLOTH
SERVING THE VOICES DEMONSTRATING CHRIST’S LOVE THROUGH RADICAL HOSPITALITY
THROUGH A NATIONWIDE NETWORK OF HOST HOMES, RYFO PROVIDES TOURING MUSICIANS WITH FOOD, SHOWERS, LAUNDRY AND BEDS
R YF O.OR G
|
@RYFONETWORK
|
FB.COM/RYFONETWORK
GRIEVED GENRE HARDCORE LOCATION
STOCKHOLM, SWEDEN
IN BRIEF
BY SARAH DOS SANTOS PHOTO BY SEBASTIAN WEISS WHAT DO YOU LOVE MOST
WHAT DO YOU HOPE LISTEN-
ABOUT BEING A MUSICIAN? WHAT
ERS WILL TAKE AWAY FROM
INSPIRES YOU?
SAMARITANS?
Traveling and making friends.
Hopefully they will learn some
To get away from normal,
lyrics and come to a show. Or, at
everyday life. We’re inspired
least, headbang to it at home.
by the thought of not having a real job.
WHAT DO YOU HAVE PLANNED
THE MESSAGE BEHIND SAMARITANS
Keep busy. A new record is on
CAN BE ARGUED AS COMING FROM
the way, so we want to tour as
A NEGATIVE POINT OF VIEW. DO
much as possible, shoot some
YOU THINK A NEGATIVE APPROACH
music videos and keep being
TO AN ISSUE CAN PRODUCE A POS-
Sweden’s loudest boy band.
AFTER YOUR EUROPEAN TOUR?
ITIVE OUTCOME?
Yeah, because it gets it out of you. And being angry is badass.
GET IN TOUCH WITH GRIEVED FB.COM/GRIEVEDHC
J
COLUMNS
From Nest to Death We learn a myriad of lessons from moms in our youth, like how to potty train to nutrition to egg-driven metaphors about death LIFE IN STEREO BY MATT FRANCIS
Kroes Street. Rockford, Michigan, on the edge
present her my gift. She opened the door and
of Pinewood Forest. I was at once an explorer, an
graciously took the eggs, but that’s when things
animal tamer, a superhero, a soldier, a stuntman
got weird.
and a cowboy. I couldn’t have been more than four.
Matt Francis is a filmmaker/media designer out of Virginia Beach and the drummer for Feral Conservatives, an indie rock band. You can check out his website at mfrancisfilm.com.
24
H M • M AY 2 0 1 5
She explained the eggs were those of a robin, and there were babies inside. Since I touched
We had a huge yard which seemed like a small
the eggs, they now had the scent of a human, so
country to a kid my size (who was also never
when the mother returned to roost, she would
tasked to mow it), divided into sectors: the weep-
now reject the eggs, a death sentence for the baby
ing willow sector; the above-ground pool sector;
robins. That was my mom, ever gracious and wise,
the forest sector where we found our cat dead;
and this was her way of first educating me on life
the backyard swing-set sector where I pushed my
and death.
brother’s friend off the top and right to the ER;
I always associate autumn in Michigan with
and the dirt mounds where the trolls lived. There
long minivan rides and a girl named Leesha. I
was a lot to explore.
never met Leesha personally, and I can’t vouch
Naturally, after crossing and exploring the
for the authenticity of my mom’s retelling of
many lands over the course of a day, I would bring
her tragedy. My Internet fact-checking session
back gifts from my travels and present them to
has turned up little about the song from 1989,
my mother. I once brought her dandelions, the
corroborated only from broader deductions from
rare and beautiful, bright yellow treasure of a
the lyrics.
flower. My mom would kindly put them in a plas-
I was four or five years old. My mom, mostly,
tic cup with water and place them in the window
carted my siblings and I around — to school and
over the sink; she was allergic. I could do better.
church and home, the only real destinations I
On my next odyssey, I found something truly
knew from birth until 17 years old. The soundtrack
magnificent: bright, blue pastel eggs a little larger
on those drives was Michael W. Smith. I’m sure
than a jelly bean, sitting in a hollowed out bed of
there were an equal number of other adult con-
twigs. This was a great find, and I was sure my
temporary Christian musicians, but Mr. W. Smith
mom would love the color. I even knocked on the
left the greatest impression because he was so
door (to my own house!) to more dramatically
amazingly sad. He was a piano based, mid-tempo
pop artist, but when he wasn’t singing
kids,
about finding his place in this world,
suffered from vari-
where
most
he was writing the most depressing
ous cognitive hand-
song ever about a girl named Leesha.
icaps, but some of
Smith’s
them were also con-
half-million selling i 2 (EYE), match-
fined to wheelchairs
es The Land Before Time as the most
or beds. She brought
soul-wrenching stories of my entire
me along, explain-
formative years. I finally asked my
ing to me how they
mom what the words to the song
were different from
meant.
me, but also similar.
“I
Hear
Leesha,”
from
I hear Leesha
I was in first or sec-
Singing in heaven tonight
ond grade at the time.
And in between the sadness
My mom had me put
I hear Leesha
together puzzles with
Telling me that she’s alright
a higher functioning
I had to lift my chin to fix my view
boy on the floor. On
out the van window, watching the bar-
the edge of the living
ren trees pass by on the side of the
room, you could hear
road like still monuments. “Leesha
the artificial breath
was a young girl who didn’t want to
of
live anymore, so she swallowed pills to
machine,
kill herself.”
up and down, a soft
a
life
SINCE I TOUCHED THE EGGS, THEY NOW HAD THE SCENT OF A HUMAN, SO WHEN THE MOTHER RETURNED TO ROOST, SHE WOULD NOW REJECT THE EGGS, A DEATH SENTENCE FOR THE BABY ROBINS. THAT WAS MY MOM, EVER GRACIOUS AND WISE, AND THIS WAS HER WAY OF FIRST EDUCATING ME ON LIFE AND DEATH.
support pumping
A thick dread filled the minivan.
metallic click when it
I felt like I should have asked more
reached its peak. For
questions, but I know for some reason
some reason, I knew I
I didn’t. I had the awareness, even at
wasn’t supposed to look at it so I stole
wanted to revisit where they had
that age, to know when you didn’t pry
glances from the corner of my eye.
first grown up. Like me, we shared a
further into that kind of sensitive ter-
There was a boy a little older than I was
childhood fortress. My parents polite-
ritory, leaving the brief story to swirl
attached to tubes and wires running
ly allowed the girls to walk through
around my head, an uneasy contrast
up around his nose and wrist. He had
the house as I hung out on the side-
in bed with my innocence. My mom’s
a worn-out blanket printed with The
lines. Two planes of existence crashed
despondent retelling struck me like a
Empire Strikes Back. He didn’t seem
in the humble single-family home. I
firsthand account, like Leesha was a
aware of his surroundings, and cer-
was watching from the fringe, walls
mutual friend of hers and Michael’s.
tainly didn’t comprehend how cool his
secured in architecture, as these girls
And, truthfully, I couldn’t comprehend
blanket was.
saw the place as moments: losing
About a week later, my mom would
teeth, Muppet babies, where a high-
sit me down to tell me we wouldn’t be
chair was angled from the dining
Why didn’t this girl want to live? Why
going over to the home anymore. She
room table. For a second, squinting
did we drive around listening to these
told me the boy I did the puzzle with
and hearing their gleeful reminiscing,
melancholy reflections? My mom was
turned off the life support, killing the
I thought I could see it, too.
knowingly giving me back door expo-
boy with the Star Wars blanket. It was
sure to life-ending depression through
an accident in that the perpetrator
glassed
a pop artist. Leesha’s story ended up
couldn’t comprehend the consequenc-
hand-painted fragment gives perspec-
being something I would contemplate
es of his intentional actions, but my
tive to a chapter in someone’s history.
yearly from my teens on. From then
mom told me all of this with the grav-
I’m not sure why, for instance, I can
on, every time that track made an
ity of losing my best friend. I was left
picture my brother’s rock tumbler in
appearance, there was a respectful,
to process the consequences for much
clear focus, while other moments are
uncomfortable silence.
longer and contemplate some sense of
oblique or lost to time. But through the
the fragility of life, right along with
individual pieces of the beautiful win-
something as senseless as murder.
dow, I can see my mother’s hand guid-
that taking pills could kill anyone. I took pills like Tylenol and survived.
My mom was always helping people. She volunteered at our church, hosted
I think of memories like a stainwindow,
where
each
the Wednesday evening kid’s program.
Back at my first home on Kroes
ing me through the inevitable pain
Her willingness to give and her great
Street, we once received a knock from
and loss in life. So to my mom, happy
sense of empathy are two of her best
three teenage girls we had never seen
Mother’s Day. Please open the gift I
qualities. My mom offered to give Bible
before. They explained how they were
sent right away. Those dandelions are
lessons to a home for handicapped
back in town after many years and
thirsty.
25
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COLUMNS
never write a filler piece and I will never come empty handed. I want to take this as seriously as I the lead vocalist of Porterville, CA spoken-word, ambient band Hotel Books. I have played in local punk and hardcore bands in the past, and even have a side project I am slowly hammering out, but Hotel Books is my job, hobby, passion and ministry. Throughout these past tours, I have seen band members come and go, I have seen just how much my actions and words affect those around me. I write this column as someone who makes mistakes every day, someone who has seen the realities of struggling to make a band work out, and someone who
Livin’ on a Prayer
has everything to lose. I want to be transparent, sincere, honest, but also human.
Making a living from your band isn’t easy. New columnist Cam Smith brings stories of struggles, success and witness from his spot on stage in new cities every night ALMOST THERE BY CAM SMITH
Cam Smith is the lead vocalist of Porterville, CA’s Hotel Books. Smith also travels as a spoken-word poet and public speaker.
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H M • M AY 2 0 1 5
I’ve spent three years on the road and I have no intentions of stopping any time soon. I dropped out of college, quit my job and jumped in a van to ful-
Writing for the sake of writing typically does
fill what I believe is a calling. Hotel Books is
not produce promising results. I have learned
a band that expresses stories of heartbreak,
this lesson the hard way multiple times. Often
loss, self-harm, depression, and ultimately,
times, I would try to write lyrics to a song simply
redemption through the Love we have found
because lyrics needed to be written. I did not have
in God. We often sing about the “dark before
an inspiration, I did not have a meaning behind
the dawn” but also the peace that is found
the words, I simply had a deadline so I began to
through surviving and blossoming in a world
write for the sake of getting something written.
of anxiety and confusion. Many of the stories
Every time I took this approach to writing a song,
I will share will focus on the human interac-
the lyrics would end up falling flat.
tions I have between myself and members of
This column is a brand new outlet for me to
the Hotel Books family. I want to highlight
write with purpose. As I face life every day in a
certain struggles and try my best to start a
band who “hasn’t really made it yet,” I want to
conversation about them.
write about the struggles, victories and realities
I want to talk about the confusion of finding
of what I witness on the road, at home and while
one’s identity aside from their band, I want to
traveling on behalf of my public speaking and
talk about the struggles of starting up a band with
preaching opportunities as well. I have followed
purpose, and I want to share the fun and bizarre
many blogs, podcasts and columns written by
encounters we have on the road. I am not a rock
men and women in bands who have “made it”
star, I am not a celebrity, and I am not a wealthy
by some sort of standard, and though I enjoy all
songwriter. I am a musician with a mission who
of these, I wanted to see something written by
hasn’t really made it yet. I hope this column can
someone who is still learning, still growing and
be beneficial to other young musicians, as well
still praying for doors to open every day.
as to music lovers who are looking for further
As I stated before, I try to never write for
perspective of what it is like to be in a band. I
the sake of writing, I only want to write with
will also share conversations I have with other
purpose. Each month, I intend to share stories
musicians on the road and the hard lessons I learn
and information that I witness in my life. I will
along the way.
Cam Smith photo by Andrew Garcia
do with my lyrics. I currently am
Hailed “the most anticipated Metal release of 2015”
“Metal albums this good don’t come around too often.” —Doug Van Pelt, Heaven’s Metal
Debut Release The Chosen Few Release Date: May 26, 2015
on M24 Music Group
Pre-order at worldviewmetal.com See the official video, “Illusions of Love,” on
J
COLUMNS
Photo by Justin Conant
‘She did everything in her power to kill me’ In his inaugural column, Ronnie Winter addresses the suicidal depths of a Marine Corps veteran whose mother, quite literally, never wanted him alive NOT MY STYLE BY RONNIE WINTER
Ronnie,
So what do I do everyday? Work my dead-end job,
To be honest, I don’t know why I am doing this. My
go home, lock myself in my room, listen to music and
name is Ricky, and I am 26 years old and a proud vet-
draw. That is life. I don’t know what to do. All my
eran of the United States Marine Corps.
dreams are crashing around me and I just want to
When my real mother was pregnant with me, she
end it all. ... All the Vet Center can say: “I’ll get bet-
was abusing herself, hoping for a miscarriage. When I
ter.” When? When everything in my life has gone to
was born, she did everything in her power to kill me,
sh-t and all I have is myself, not a strand of support,
from forcing bleach and other chemicals down my
26 years and counting? And everything has gone to
throat, mistreating me, raising me in a dog’s cage.
sh-t? It sounds like I’m rambling, so I’ll just shut up
Fast forward to when I was 6 or 7 years old. One of my
completely.
family members raped me. I was beaten on and didn’t have a childhood. Wasn’t allowed to have friends over
Ronnie Winter is the vocalist and a founding member of The Red Jumpsuit Apparatus. Each month, Winter responds to one question with one rule: No question is off limits. Submit your question: ronnie@ hmmagazine.com
Hi! I’m Ronnie. Thank you for sharing your
unless I was forced to. At age 7, that’s when I started
question with me. First of all, thank you for your
cutting, and it grew worse as the years went by. At a
service, and — although you may not see it now
very young age, I was moving city-to-city, house-to-
— it is a great thing to serve your country, and I
house as I was homeless and living in the streets.
respect you for that.
I lost a lot of friends to suicides, from cutting to
I can relate to your situation in many ways.
overdosing to ending their life by hanging themselves.
I lived on couches for almost a year. I bounced
I joined the Marine Corps to better myself — or so I
from one crap job to another, always month-to-
thought — but it just got worse when I got out. Due to
month. Days dragged on like a 700-page novel
hardship, I was back on the streets, homeless, nowhere
that’s been boring since the first paragraph. It
to go, moving house-to-house. Seven times in less
sounds like you’ve seen a lot. I, too, have seen a
than one year. Even now, I am considered homeless.
lot. We are not so different. Even with drug abuse
I live in a transitional program, and it’s only getting
and domestic violence at home. Once, I had to bail
harder as many thoughts run through my head to the
my own dad out of jail for domestic violence. I can
point where I just want to scream from the top of my
detect anger, too, because I was also angry for a
lungs and end it all.
long time. Too long. The thing was, my anger was
I have no family. No friends. (My) dream of becom-
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H M • M AY 2 0 1 5
Dear Ricky,
or go to a friend’s house or use the phone or go outside
misdirected.
ing a professional tattoo artist or body piercer just
I did notice you did not mention God once in
crumbles down; I keep getting turned down (because)
your message to me. In that respect, we are not
I have no car. I work a dead-end job where the only
alike. When I was able to remove my pride, I was
way to pay rent is to literally starve myself. No matter
able to see most of the anger I was directing at
how hard I try to meet people or make friends, I get
God was truly anger at myself. I understand it
told to fk off, kill myself.
feels like no one cares about your existence. For
“I JOINED THE MARINE CORPS TO BETTER MYSELF, BUT IT JUST GOT WORSE WHEN I GOT OUT. ALL THE VET CENTER CAN SAY IS, ‘IT’LL GET BETTER.’ WHEN? WHEN EVERYTHING IN MY LIFE HAS GONE TO SH-T?”
those of us that believe, the problem
any other way, but He did it that way
know God but have lost hope. It is easy
with that thinking is that it simply
to prove how much He cared. He still
to lose hope, especially when you are
isn’t accurate: We know God cares
cares. He loves you right now, in this
in the middle of losing your life. I once
because we’ve experienced it, seen or
moment. The thing is, you have to
lost faith, too.
unseen, and we use those experienc-
make the decision. You have to let him
es to help other people with similar
in and do his work through you.
issues. Like you and me. We’re not so
Either way, I want you to know the key to a happier life is the connection
That’s what I did. I’m not saying
of one’s mind and body to the Spirit.
getting “saved” will change your life.
As it begins to repair your mind, the
The one we entrust with our lives
It isn’t like winning the lottery; that’s
responsibilities of a job will come and,
believes it was worth it for Him to send
an unrealistic expectation. But it is the
later, doors will start to open to plac-
the thing He loved most (Jesus) as the
first step in saving your mind. God was
es you never knew existed. Trust me,
means of atonement for the things
very clear about life: You have to lose
man, it’s not worth it. One day you will
we do wrong. He could have done it
your life to find it. You may already
see that. Don’t lose hope.
different.
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2X4
H M • M AY 2 0 1 5
Growing Up 2x4 By Cam Smith Photos by Candice Speas “We’re different guys. We have a slightly different sound, but we still know where we want to go. We’re still 2x4.” Kevyn Reece shared those words with me over the phone with a sense of stern confidence. Reece is the vocalist for Texas metalcore outfit 2x4, and the release of their latest EP, MCMLII, brought change for the young group of men, most notably, Reece’s inaugural release with the band. With a music video for the EP’s lead single “Destroy (A Mother’s Beauty)” as my first introduction to this new chapter of 2x4’s career, I was immediately intrigued by the vicious wall of bricks I collided with. After I listened to the full EP, I learned that the intense and dark landscape would never let up for them. Fresh off tour, 2x4 has had to find their stride. They’re now one of the young guns in the metalcore community, but with a caveat: They experienced a complete line-up change with all but one guitarist replaced. They were forced to embark on a refresh-and-revitalize approach to their music and vision. I had the opportunity to get on the phone with Reece as well as guitarist Jayson Braffett. Though I was
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2X4
H M • M AY 2 0 1 5
in a tour van of my own,
couple times before the
our hometown a little bit
Braffett took it well. “It’s
freezing in the evening
release of the new EP, but
of time to understand the
all about doing what needs
Chicago weather, my heart
it felt good to finally play
changes we made, but when
to be done. This is what I
was warmed to hear more
those songs live. The song-
we’re on the road and out
want to do, so I’m going to
about the goals and ideals
writing shifted on the new
of state, all of the songs are
make it happen. We are all
of this new look to 2x4.
material
only
new, and it’s great seeing
on the same page with that:
I first asked the two young
lineup to one member tun-
that kids tend to enjoy the
We want to do this the best
men how it felt to focus in on
ing into the main responsi-
new songs live. Most people
we can. There is no way to
a new lineup, and what the
bilities, so it was cool get-
back home knew us as one
give up on something I care
plan is to further expand.
ting to show that newfound
thing and we knew it would
this much about.”
As Braffett put it, “We want
chapter of 2x4.”
take time for them to get to
from
the
I
continued
on
this
to keep growing and keep
So you released the album
know the new 2x4, but in
stream of thought. When
our momentum going. We
while out with Barrier. What
the end, we’re still the same
you see bands like this end
want to play music all around
was it like touring with other
band.”
due to similar complications,
the world and take it as far
heavy bands and trying to
But where does that fit
do you feel the legacy they
as it can go.” This attitude
stand out and present yourself
in the band’s heavy sound?
leave is as powerful as a band
of determination is evi-
in a real way?
Where does it fit in a genre?
with proper goodbye or do
Once I began asking about
you think these bands just get
dent on the album I heard.
“Like
I
said,”
Reece
Seamlessly constructed, it’s
responded, “We had done
genres,
simply
replaced by the next band who
a diverse palette of ideas.
a couple tours already as
replied, “I’m not a genre
is willing to work through the
The five-song onslaught is
a band, and we knew each
person. Play what you want
complications?
vicious and full of aggres-
other well. I’ve been with
to play. It’s art. As long as no
“I mean, there will always
sion, passion and an undy-
2x4 as a friend for a long
one is trying to rip some-
be bands who come and go,”
ing heaviness that, it seems,
time, so when I got out there,
one else off, they should do
Braffett responded, “and,
fans will have to ultimately
I knew the way they present-
what they want to do.”
usually, some other band
decide whether they like and
ed themselves. I tried to keep
His simple answer was
will take their fan base. But
accept.
it like old times but bring
dense with thought, and it
if a band works hard and
them
myself into it. Combining
helped me understand just
creates good art while they
and
ideas like that made it easy
how little 2x4 is hindered
are a band, I don’t think
crowd response to the new
for us to try something new.”
by any sort of boundary
it matters how they go
album, Braffett respond-
“I think the ultimate
with their sound. When
out. People will remember
ed, “There’s always room
goal for us,” Braffett said
asked if he would tour with
them. With us, we would
to progress. I feel like this
expanding on Reece’s ideas,
bands far out of their genre,
never leave a legacy yet, so
(record) is another chap-
“is to have fun and share
Braffett responded, “I don’t
I won’t stop.”
ter, but we can always
the music we work hard on.
think it matters, really. We
move up and do better.
Any band that is willing to
just want to tour. We don’t
times they are driven by
Yes, there are always hat-
share their art is going to
care about genres; we just
the
ers, but most people have
find an audience that gets
care about touring with
been given, and it was the
been very positive about the
it.” I replied, “Well put. I
hard-working bands.”
last thing he wanted to
new songs. We released the
think you guys definitely
Braffett, who is well-
let me know, too. “Thank
album while out on tour,
present yourselves in a way
versed in facing difficulties
you to anybody who has
so most of the songs were
that captivates a very dedi-
in a band having recon-
kept with us through this
foreign to the crowd, but
cated fan base.”
structing 2x4, offered a
lineup change,” he said.
unique perspective on what
“It means the world to us.
When about
I
the
asked critical
they responded in a posi-
Both young men were
Braffett
2x4
stated
support
multiple they
have
tive way. It was a very good
very
collect-
it takes to choose to push
We’re a different group of
opportunity sharing those
ed during our conversa-
onward. With bands losing
guys and our music may
new songs on the road. We
tion, but also very direct
members, losing their vehicle
be kind of different, but
want this release to be a
and sincere. When I asked
or having other complications
we’re still here. Thank you
stepping stone to the next
about their shift in sound
hinder them, they often go on
for helping us on the road
one. We never want to stop
on the new album and
hiatus, and often times those
with housing and food —
progressing.”
what it means for the 2x4
hiatuses do not end. How did
anything like that. We just
“We’ve
community, Reece imme-
2x4 avoid a situation like this
really appreciate every-
toured with this lineup a
diately responded, “It took
one?
thing.”
He
continued:
calm
and
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SENSES FAIL PHOTOS BY SAVANNAH CHAMBERS
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MOTHERS’ BOYS VEIL OF MAYA BREAKS GROUND ON A NEW FEMININE ERA BY DAVID STAGG
KNOWN FOR THEIR TECHNICAL PROWESS AND DEATHCORE-IEST OF BREAKDOWNS, VEIL OF MAYA HAVE MADE A LIVING FOR THE PAST DECADE MEAT TENDERIZING STAGES AND PUTTING OUT PUNISHING BEAT DOWNS. THEY’VE BEEN PLAGUED WITH CHANGES OVER THE YEARS, BUT THOUGH THE NUMBER OF EX-MAYAS IS HIGH, THEY MAKE UP ONLY HALF OF THE CURRENT LINEUP. THE MAJOR CAVEAT IS THAT ONE OF THOSE NEW MEMBERS IS NOW THE VOCALIST, LUKAS MAGYAR, FROM A RURAL TOWN IN THE UPPER MIDWEST WHERE HE JUST GOT INTERNET. GUITARIST, PRIMARY SONGWRITER AND FOUNDING MEMBER MARC OKUBO TALKS WITH EDITOR DAVID STAGG ABOUT JUST HOW “TERRIFYING” THE PROCESS WAS AND TEACHES US AN EXPERT LESSON IN DEALING WITH HATERS.
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H M • M AY 2 0 1 5
I’m old enough to say it’s
for me, it just sounds natural.
there. I had concepts for all the
after the alter ego Nyu. The
been 11 years since I’ve been
It sounds right. I don’t know. I
songs. I titled all the tracks, and
other Lucy idea was from my
listening to you guys.
guess I’ve written every Veil of
we were going to add concepts
favorite horror movie, Martyrs.
(Laughs) Oh, sh-t.
Maya song. I guess I can’t really
for all of them. They were all
I ended up choosing the Nyu
tell if there’s something wrong
going to be based, loosely, off of
reference.
I know, right? So it’s been
with it. If you’re used to hearing
(female) characters.
quite a journey for you, and
Brandon’s vocals, it does sound a
I’ve been able to be on the
bit different.
I mean, I think Lukas’s lyr-
OK, so “Lucy” is a little bit
ics are — what’s the word I’m
different than I thought. I’m
looking for — they’re abstract
curious about Nyu. She’s the
I was thinking about what it
I didn’t say there’s anything
enough to fit the mold. On future
flipside of a split personality.
would be like in your posi-
wrong with it. I think you were
releases, I think we will defi-
The crazy side is super sadis-
tion, right after you just wrote
prepared for a number of peo-
nitely collaborate a lot more and
tic, who likes to, instead of
that first EP, after (previous
ple to tell you there was some-
write the album as more of a
just kill people immediately,
band) Insurrection. What were
thing wrong with it. Talk about
band instead of my project or
cut their limbs off and let them
you listening to? Looking back,
that: What’s the worst thing
whatever.
bleed out. When you were
what were the things that
somebody could possibly tell
became the foundation for
you? We’re going to torch your
That is going to make this
were writing, were you think-
what Veil of Maya is today?
van because you wrote some-
conversation a lot more fun
ing about anything in particu-
thing like that? What did they
because looking at the song
lar by choosing (Nyu) instead
get at out you for?
titles while listening to the
of Lucy?
other end of it for quite a while.
Well, back then, I was totally trying to be At the Gates,
thinking about the project you
Meshuggah. Those are, like, my
I think that would be hilarious
album is like deciphering a
“Lucy” was already written.
three base bands. That was my
if someone wrote that (laughs).
trivia game, looking up all of
“Lucy” was actually the first
foundation for when Veil started.
People: It’s really frustrating.
these
matriarchs.
song on the album I had written.
I was 17- or 18-years-old. Now I
This is the easiest it’s ever been
Some are kind of fun. Some
We were initially supposed to put
don’t know. Now it’s just a whole
for random kids to put their
of them are pretty obvious,
out an EP in 2013. That was one of
different thing, I guess.
marking all over (every) band
like Daenerys from Game of
the songs on it.
they want to hate on. It’s weird
Thrones; I think people would
“Now we’re adults.”
how everyone feels so entitled
pick that one out. Lisbeth from
You did talk about Lucy in
Yeah. Now it’s like Veil of Maya
to do that nowadays. Ten years
the Dragon Tattoo. Some of
the horror movie Martyrs. Are
sounds like something already
ago, when I was starting to write
these in here, I don’t even
you a big horror movie fan?
so I have to go settle a little bit.
music or going to shows, or
know if I’m right so I’m going
whatever, that was not a thing.
to take a shot.
different
What you got?
Yes, I am. Me, too. What else is on your
Looking back, Veil of Maya
You don’t go and talk sh-t on
is forever going to be known
your favorite band. You just learn
as one of the heavier and more
to like what they’re doing or you
“Nyu,” the first track, I first
I think the French horror mov-
technical bands. They sent
just listen to the song that you
thought was N-Y-U, as in New
ies from maybe five, ten years
over Matriarch. I listened to
like. That’s it.
York University. I was like,
ago are probably my favorite. I’m
it. At first you can hear those
Nowadays,
“What kind of political state-
still waiting for something to get
ment is he making?”
back to that vibe. Martyrs, obvi-
it’s
different
favorites list?
parts in there, but some of it is
because people really, really
a totally new ballgame. When
think that if they bitch enough,
(Laughs) Well, someone just
Lukas came in, what were you
you’ll go back and rerecord the
capitalized that on all the track
thinking? How was the process
album. Just for that. It’s really
listings. We still don’t know why.
going to go?
weird.
High Tension is the best movie that came out of that
I did a little more research,
Well, it was a really difficult
ously. I liked High Tension.
whole era.
decision. It was pretty terrify-
I’ve heard the new record,
though, and based on some
Yeah, yeah, it was great. The
ing, actually. It wasn’t an over-
but I don’t know: Did Lukas
of the other matriarchs on
whole dresser scene. That seems
night thing. We had a lot of peo-
write all of the lyrics to the
your track listing, looks like
to be the one. Or even that intro.
ple that we were auditioning. I
album? If so, how did his lyr-
it comes from the manga-in-
The intro, you know what I’m
guess collectively we just liked
icism play into the songwrit-
spired Elfen Lied. She is the
talking about?
the direction that we could work
ing? Do you know what I’m
split personality of (another)
with Lukas. It just made the most
saying?
track title, “Lucy.” Is that cor-
sense for us.
Yeah, he did write his lyrics.
rect?
It’s kind of hard to force
Unfortunately, we didn’t really
Yeah. There were two Lucys I
everybody I grew up with to
get to collaborate too much on
had in mind (when naming the
feel a certain way or force this
that because the music was com-
tracks), but the name of this
new direction on them. I mean,
pletely finished before he got
particular one was definitely
Yeah, where he’s in the ice cream van. It’s one of the greatest scenes in horror movies. Yeah, it’s like one of the greatest scenes ever.
59
“FOR ME, IT JUST SOUNDS NATURAL. IT SOUNDS RIGHT. I DON’T KNOW. I GUESS I’VE WRITTEN EVERY VEIL OF MAYA SONG. I GUESS I CAN’T REALLY TELL IF THERE’S SOMETHING WRONG WITH IT.”
60
H M • M AY 2 0 1 5
— MARC OKUBO
61
It’s super bizarre. If you
work in progress, for sure. I’m
Oh, when you’re reading it, it’s
the “matriarch” theme? Did
want to talk about establishing
sure he’ll be somewhere near as
just like you’re watching TV. The
you just see all these really
this guy’s character, that’s the
nerdy as the rest of us.
author also wrote a bunch of epi-
cool stories and go “Man, that
sodes for Lost and stuff.
would make a really good con-
perfect way to do it. Yeah.
That’s hilarious. People might recognize “Aeris” because it’s
I kind of know what that guy’s about now.
from Final Fantasy 7. Yes.
(Laughs) That’s great.
cept” and then you fleshed it He’s an American author? It’s an American comic? Yeah, his name is Brian K. Vaughan.
“Three-Fifty” is the only OK, that’s
so
another
manga-inspired
out? At the time, I was not inspired by music so much. I was more into watching movies or reading books and then trying to pen the
one
one. It’s just a little too ambig-
I was still stuck in the manga
soundtrack to the characters or
was
uous for me to figure out. Help
world in my head. I was trying
to the emotions that I’m getting
me.
to piece it all together.
from that.
“Mikasa.” That came from Attack on Titan, is that right? Yep. I don’t have the lyrics sheet or anything, but what was your
OK, I got into comic books
Oh yeah, yeah. That one’s
It’s a new way of thinking out-
pretty heavily within the last few
going to be the tricky one, but Y:
side the box for me. I got really
years. One of my favorite ones is
The Last Man — it’s my favorite
interested by powerful female
called Y: The Last Man. Have you
comic so far.
characters
ever heard of that?
goal with making that the sin-
because,
usually,
when you think of the hero of an Hopefully we can help usher in
action movie or something, it’s
gle, especially when thinking
I haven’t.
a whole new crop of fans because
a dude. There are a lot of times
about the project? How do you
It’s about a dude and his pet
they’ll know about it now.
where the female character is
feel Lukas came through in
monkey. One day every male
“Teleute” is from another
writing it?
of every species on earth dies
comic book called Sandman. It
The way he was explaining it
except for him and his mon-
was for deaths, the character’s
(to me) was that all of the songs
key. The whole planet is run by
real names are like deaths. The
Did you listen to a bunch of
are about an inner journey or
females. Everything. His pro-
song title is kind of weird. She
soundtracks? Were you a big
whatever. It works out in terms
tector’s name is Agent 355, and
goes by Teleute in a few issues
soundtrack fan? Did you aban-
of characters because they’re all
you actually never find out who
or something. I went with that
don the day-to-day listening
obviously going through their
her real name throughout the
because it was a little bit cooler
ritual and move on to some of
own inner journeys. They loose-
whole book series. They even-
sounding.
that more ambient stuff?
ly fit together. He’d never seen
tually come up with nicknames
Attack on Titan before. I’m try-
for her, and Three-Fifty is the
Most of the people who lis-
ing to change that.
one that sticks towards the end
ten to Veil of Maya probably
movie soundtracks are cool, too.
of the book.
grew up reading that comic.
Usually, I will pick up this theme,
You’ve tried to change him
way more badass than the male. I just wanted to focus on that.
Oh yeah. I like video game soundtracks,
mostly.
A
few
Yeah, they’re actually starting
a reoccurring theme of a charac-
Is that a more recent comic?
to make a prequel to it. It’s called
ter I really like. I don’t listen to
We’re doing it one-step at a
Oh, it’s finished now. The
Sandman: Overture.
the whole two-hour long orches-
time (laughs). Honestly, he’s from
author is currently writing a
a really small town. He just got
book called Saga, which is actu-
the Internet a few weeks ago or
ally really popular right now.
and make him watch it?
something.
trated soundtrack, but usually That’s like my childhood reincarnate.
OK, very cool. I guess they operate like TV shows. They
Yeah, yeah. I mean, we’re a
write for seven, eight series?
H M • M AY 2 0 1 5
of every movie I like.
Yeah, it’s back.
That makes me really happy.
62
(there are) a few things I pull out
Have you ever considered The last major question I have about the album is why
doing a video game soundtrack? Doing the music for one?
“IT’S A NEW WAY OF THINKING OUTSIDE THE BOX FOR ME. I GOT REALLY INTERESTED BY POWERFUL FEMALE CHARACTERS. AT THE TIME; I WAS NOT INSPIRED BY MUSIC SO MUCH. I WAS MORE INTO WATCHING MOVIES OR READING BOOKS AND THEN TRYING TO PEN THE SOUNDTRACK TO THE CHARACTERS.” — OKUBO
Oh, I would love to do that. I
probably give you whatever
mean, I don’t know how much I
you need to make it work.
trust myself with it. When I’m by
As far as I’m concerned we
myself, when I’m bored, that’s
need to start this campaign
what most of the music I end up
right now.
writing sounds like.
(Laughs) Well, count me in. I would seriously be honored.
So the answer would be yes,
Or, if it’s a fun film, Danny Elfman.
of playing our old songs. We will still play our old songs.
(Laughs) yeah, yeah. There’s still plenty of metal Is there anything else you
to be had for everyone.
want to drop in here about the new album? I hope people don’t think
We could still write our next CD and make it sound like our first CD that no one bought.
just how quickly. “I don’t know
Back when I played music
we’re limited by trying a new
if it’s going to work out or not.
when I was younger, I always
direction. We’re still the same
“Let’s go back to that when I
It could go down in flames but
wanted to score a movie. I was
band. We’re just trying some new
was making zero money doing
I’m going to say yes.”
obsessed with the way it could
things, that’s all.
this.”
Oh, yeah. If I could just write
affect an entire scene. I always
some music and then send my
loved setting people up like
But that doesn’t limit you.
MIDI-files to someone actually
that, playing with music and
I feel like if, anything, you’re
er
experienced in it then that could
film.
just opening another box.
Like, dude, you were 10 years
Yeah, yeah. All the kids are, “We need you to write anothCommon
Man’s
Collapse!”
be cool. I’d love to contribute.
I mean, seriously. Watching
Me too, but some of the com-
old when I wrote that, and you
I just don’t know exactly how
E.T.? Trying to imagine that
ments I’ve been reading? I don’t
didn’t buy it. It sold, like, 1,100
experienced I am for something
movie without a soundtrack, it’s
know if people get it.
copies.
that serious.
just impossible. The music carries the movie.
I think most of these people probably have a lot of
Or Jurassic Park. Star Wars.
help.
Star Wars, yeah. John Williams
If
they
really
trust
you and your music, they’ll
in general.
And you’re like, “No, man,
Yeah and now you’re just
really! We really have the best
stream it on YouTube or some-
intentions here!”
thing, so that’s cool.
Yeah, right. We’re not trying to piss you off. We’re still capable
I could’ve used your help in 2008, but now it’s 2015!
63
L O V I N G Haste the Day with Stephen Keech, c. 2007
Ronnie Winter talks to Stephen Keech, vocalist for
cold over t here, or i s it
year. I guess Jason was the
album. I’m a punk rocker, so
w a r m?
drummer back then. There
I’m always going to like the
the band from 2005-2011.
Actually, yesterday, it was
were some really awesome
fast stuff. There’s this song
Winter’s favorite Haste the
kind of chilly. For Tennessee
moments of fellowship, like
“World.” That one, actually,
Day album is Pressure the
in the springtime, it’s pretty
late at night at hotels. It
is quite different. It almost
Hinges (2007).
chilly. I think it was 50 some-
always happened in random,
brought be back to Define the
thing degrees and now it’s
sporadic places. The name of
Great Line for a second with
sunny out today.
your band is also my favorite
some of the cool guitar riffs
hymn. Is it true it’s from
and the tones, which is one
Philip Bliss?
of my favorite albums from
What’s up? I’m Ronnie. It’s good to talk to you again. It’s been a while. How are you?
I’m in sunny California, so it’s about 80 degrees. That’s great.
Vocalist Stephen Keech: I’m good. I’m just enjoying a beautiful sunny day in Nashville.
I got the new record. I really love it. I’ve known
It is, yes. It’s also my grandmother’s favorite hymn, which
Underoath. Is that the first clean vocal on the record?
is really interesting I ended
Do you know what? It is,
up joining a band named after
actually. It’s been like gang
that hymn.
vocals or something before,
you guys for a long time.
but that’s pretty much the first
You’ve g ot to lo ve it.
It’s funny going back in my
I think I have three favor-
It’s beaut i f u l t here. Is it
mind to memories of yester-
ite songs from your new
clean vocal. I’m listening to the record,
P E O P L E
W E L L
Haste the Day, IN ALL EARNEST, PLAYED THEIR
FINAL SHOW ON MARCH 11, 2011. FOR FANS OF THE BAND, IT’S EASY TO SPLIT THEIR MUSICAL CANNON AT Jimmy Ryan AND HIS DECISION TO STEP DOWN — THEIR FIRST VOCALIST HAD DECIDED TO LEAVE THE BAND TO PURSUE MARRIAGE, AND, NOT THAT FAR OFF, WOULD ACCEPT A POSITION AT TOOTH AND NAIL RECORDS. TIME WOULD SHOW THERE WOULD ONLY BE TWO VOCALISTS FOR THE BAND, WITH Stephen Keech REPLACING RYAN IN 2005 AND, ULTIMATELY, PLAYING THE FINAL SHOW WITH THE BAND. (RYAN SHOWED UP FOR THE GIG, TOO.) SO WHEN THE BAND ANNOUNCED THEY WOULD BE PUTTING OUT NEW MATERIAL THIS YEAR, THE PUBLIC’S MAJOR QUESTION HUNG LOOMING: HOW WOULD THEY HANDLE JIMMY AND STEPHEN? THE ANSWER TURNED OUT TO BE AN EASY ONE; WITH THE BAND MEMBERS’ FULL COMMITMENTS TO NEW LIVES OUTSIDE OF HASTE THE DAY, SHARING DUTIES WAS NOT ONLY THE MOST PRAGMATIC ANSWER, BUT IT ALSO TURNED OUT TO BE THE BEST ONE. THEIR LATEST ALBUM, Coward, IS A REALLY GOOD PIECE OF WORK, WITH KEECH EVEN PRODUCING THE ALBUM HIMSELF. HM HAD Ronnie Winter, VOCALIST FOR THE RED JUMPSUIT APPARATUS AND Collin Simula , DRUMMER FOR THE NOW DEFUNCT SYMPHONY IN PERIL, INTERVIEW STEPHEN AND JIMMY, RESPECTIVELY, TO REMINISCENCE ON THE TIME THAT WAS AND THE TIME THAT NEVER PLANNED TO BE. AS Coward GETS PUT INTO THE PUBLIC’S HANDS USHERING IN A NEW FUTURE FOR ONE OF FAITHBASED METAL’S CORNERSTONES, THE PEOPLE WILL SAY HASTE THE DAY HAS STILL GOT IT.
Collin
Simula
talks
to
40 F E AT U R E T T E
HASTE THE DAY into them. We’re out on tour at the moment with Embrace Today and Extol and we’ve been playing four new songs every night. The feedback we’ve gotten back is overwhelming in terms of positive response. Everyone says the new songs are better, which excites me because the sound on this record is exactly what we wanted.” At the mention of Embrace Today as tourmates, one might think that differences in belief could be cause for tension. “This tour has been one of the calmest of our career thus far. We toured for about two hundred and sixty days last year. If you were a kid standing in the venue watching us pull up, you wouldn’t know who played in which band because we’re all helping each other out by loading in equipment and such. We’re always supporting each other. Our differences in religious beliefs or whatever it is we may believe hasn’t stood in the way of anything. It’s created friendship and it’s proved to me that it’s good to tour with bands who believe different things.”
BY KRISS STRESS “So you like Fugazi eh?” I’m bewildered at first until Haste The Day vocalist Jimmy Ryan points out his source, “well, it was in your voice mail!” Over the course of a half hour, I’ve talked with the charismatic frontman about touring, their new record and of all things, straight edge. This of course led into a discussion over Ian MacKaye and his various projects over the years including as mentioned, Fugazi. “I’ve been listening to them for 11 years, man. So good...” While Haste The Day certainly isn’t making any strides in the post punk market, they’ve turned heads with relentless touring and last year’s intense and bludgeoning Burning Bridges. This year fans will get the follow up they’ve been craving with When Everything Falls. “On this record we have a whole lot more gang vocals. The music is alot more rock and roll then the last record. We went in
with the producer who’s turned knobs for the likes of AC/DC, Rage Against The Machine and Atreyu. He’s more of a rock and roll producer. That’s more of the sound we were going for. There’s still screaming and heavy guitars but I think for us it’s a step in a more heavy rock kind of direction. The biggest thing is there’s alot more singing on this record.” While the formulaic phrasing employed by many bands is that the harder parts are harder and the softer parts are softer, with When Everything Falls, the statement sticks. The music builds and builds until launching into soaring melodic vocals that impact the listener in the same way as vintage Killswitch Engage or Atreyu before pummeling the speakers with miltantly brutal breakdowns and deathly intense vocals.
Most bands are all pomp and pay no mind to those who get them where they are, but Haste The Day is a different beast in that area. “You know,” states Jimmy, “Last year we were set to play at midnight on the Underground stage during Tooth and Nail day at Cornerstone. MewithoutYou was set to play the same time slot over on Encore and we were all depressed because we figured no one was going to come and watch us. I walked out on stage and the tent was so full I literally cried. I was so shocked and grateful. During our set, there wasn’t just one pit going either, there were four spread throughout the tent. I believe it’s the best show we’ve ever had. We’re playing the same slot on the same stage this year and I’m excited for it. I love getting dirty and having fun. We’re grateful for everything we have.”
States Jimmy enthusiastically, “We started playing a couple of the new songs when we were on tour back in December with Only Crime and Strung Out. Everyone was really hastetheday.com
A lot more rock and roll 114_haste_the_day.indd 1
5/26/2005 8:12:13 PM
Haste the Day “featurette,” issue no. 114 of HM Magazine. Raw layout file, July/August 2005
place Haste the Day called home.
the band, their faith, their writing
can be and how hard it can be.
and their ministry. After all, it’s
It’s a really neat community,
been ten years.
you know?
Jimmy Ryan, vocalist for
I remember Haste the Day
the band from 2001-2005.
standing out as a band because
Simula’s favorite Haste the
— although they were getting
Day album is Burning Bridges
immensely popular, selling tens
Vocalist Jimmy Ryan: I love
(2004).
of thousands of records, getting
hearing from people from the
on huge tours — they never once
touring days. I went to a small
changed as people. Throughout
Bible college so for me, when I
You’ve got a new record
the entire time I’ve known them,
connect with you or guys I had
coming out in a couple weeks.
Absolutely. It’s awesome.
Jimmy Ryan and I go way back.
they were always kind and always
been on the road with, that was
It’s such an interesting con-
My former band, Symphony In
humble. It turned out, fan or not,
like my fraternity. Not neces-
cept to me, this idea of bring-
Peril, played more than a handful
if you met them, you loved them.
sarily the antics that go on in
ing two eras of the same
of shows with Haste the Day in
And they loved you.
some fraternities, but just the
band together to do a record.
the 2000s; our bands were on
In the weeks leading up to the
fact that we lived the same
Specifically
the same page from a ministry
release of Coward, an album that
things. No matter how big or
Generally in our heavy music
standpoint, and Symphony in
features the entire first-and-sec-
small your band is, if you’ve
world, if there’s a vocalist
Peril’s hometown was only three
ond lineups of Haste the Day, I
toured at all, you understand
change, it’s because of drama
hours from Indianapolis, the
wanted to hear about the state of
the logistics of it, how fun it
of some sort.
two
vocalists.
taking it in, and I was like,
just going to talk about old
people out there with worse
“Wow, I think this is the
drama. The world continues
situations in life, but at the
first clean vocal.” I thought
to spin, and it doesn’t spin
end of the day, you just miss
it was cool that you waited
backwards. Except there are
the person you’re supposed
for the third song, assum-
always fans kind of like, “I
to be with all the time.
ing the version I have is the
only like the old school. I
That’s tough. That was one
same track listing as the
don’t like the new school.”
of my hard questions.
public release.
I would push them towards
Yes. It starts with “Began”
I didn’t meet my wife until after the band ended.
“Accept,” at least. Definitely, that’s a full-on,
and ends with “Gnaw.”
original line-up song. That That is the short version.
is all the original members.
(Laughs)
They wrote it and everything.
And now you’re putting out an album. Yeah (laughs). Back in the actual touring days, I really
The second song, “Take,”
What about tour? You’re
didn’t have any commitments
is kind of old school with a
doing a couple of shows.
to anything other than the
Minor Threat vibe. All my
You guys have been a band
band. It’s just kind of weird.
original bands were super
a really long time like The
Traveling all the time, at least
into that. What is the first
Red Jumpsuit Apparatus, so
for some personalities like
single on this album? Is it
I have to ask you — this is
mine, it’s hard.
“Coward?”
kind of a loaded question
No, the first single was “World.” We just really started pushing it a couple days ago on our website, actually. How is that doing? Are you liking the response?
— do you like tour? Do you
especial-
ly if you’re not partying or
bursts. I like it a couple weeks
drinking every night. Not
at a time before the loneliness
only are you morally con-
kicks in around week six or
victed to stay, but you don’t
something.
want to turn your back on your fans. Changing gears,
Yes, honestly. We’ve gotten Are you married with kids
I remember dreading putting
or single? What’s your sit-
out our first song of our other
uation?
of people who had talked a lot
think,
Yes and no. I like it in short
a really good response from it.
records because we had a lot
It’s a lot tougher than people
actually enjoy it?
was Pressure the Hinges the first album you sang on? Yes.
I’m married. I have no kids I remember seeing it live
yet.
for the first time. We’re
of crap about it. Congratulations.
That’s
playing
with
you
guys,
I know that feeling.
awesome. I’m getting mar-
bouncing off stages and
I’m sure you know. It used
ried May 28.
sharing gear. There are a
to be, like, for every posi-
Dude, that’s awesome. It’s
lot of good memories from
tive comment you have three
fun. Go to Mexico and do that
back then. I have to ask,
negative comments, but this
all inclusive thing.
because everyone always asks me, does it feel that
time, I don’t know. Maybe our audience has grown up or something, but they seem to
I live near there. I might It
really enjoy it.
doesn’t
even
matter
where you go. Just do the I’m in a band that’s had multiple
members,
so
I
old? The records?
do that.
all-inclusive thing because it makes the world better.
Yes. Yes, it does. I listened to it the other day, actually. I took a little walk down mem-
know exactly what you’re talking about. I hope fans
I’ll take you up on that.
ory lane through the years
are reading this: It is annoy-
The hard thing is under-
of Haste the Day the other
ing when all you have to say
standing the sadness in the
day. I definitely can hear my
is something that doesn’t
separation. Especially being
19-year-old self in all of that
have anything to do with
a Christian, you really want
record.
the new music. If you’re
to wake up and be positive
going to comment good or
and thankful for all of your
bad, cool. Express yourself.
blessings and for being in
Yes, it’s crazy. Just listening
We’re actually interested
a band and making music.
to that record on the same
in your opinion as musi-
It’s hard to complain when
day I got the invitation to my
cian — but not if you’re
there are so many other
ten-year high school reunion
66
H M • M AY 2 0 1 5
Isn’t that weird?
Haste the Day with Stephen Keech, c. 2007
As far as writing this new record
and
working
with
Stephen and having him pro-
Haste the Day with Jimmy Ryan, c. 2005
worse, it just sounds like us. It’s hard to explain, but it’s just a little different.
duce it, it was just confirma-
Everyone from Burning Bridges
tion of all of the things I always
still lives in Indianapolis. Devin
thought about him. He’s just
(Chaulk,
such a talented man. It had
actually lives, probably, two
been a while since I screamed,
blocks away from me. Brennan
and God really used him to get
(Chaulk, rhythm guitar and
me out of my shell and kind of
clean vocals) and I are super
learn how to scream again. It
close. I really love spending
was an honor to work with him.
time with him; he’s a new dad
I actually sent him a text not
as well. His daughter was born
too long ago that my favorite
right before my son, so it’s been
part of this whole process was
nice to get advice from him
being with him in the studio.
since he’s a little ahead of me in
He’s such a good dude, and I
the dad game.
original
drummer)
think he’s going to do really well as a producer. He’s such a good songwriter.
When you got back together in the same room, did it just gel again? Did it feel like any-
Well,
there’s
never
been
I met him briefly last year
drama between Haste the Day
when I was visiting Nashville,
It’s the weirdest thing. We
members. Ever. I didn’t get to
and he seemed like such a
can literally go years without
“pick” Stephen (Keech) as a
stand-up guy.
seeing each other — I mean
thing had changed?
vocalist when I left the band,
Not only is he stand-up, he’s
we don’t, but we could — and
but I was involved in the talks.
also humble. I’ve never known
it’s the same jokes, the same
I remember talking to Stephen
him to put himself first. I’ve
dynamic and everything that
as I was exiting the band at one
never known him to be a jerk
was always there. It’s such a rare
of our last shows in Denver, just
to people. He’s got a soft heart.
thing to have that. We didn’t
congratulating him and tell-
I don’t know if you can tell,
skip a beat. I’m not even talking
ing him how excited I was for
but I’m a huge fan of Stephen
about music; I’m talking about
him, and reminding him of the
(laughs).
us as friends. The older I get,
responsibility that he has as the vocalist of a band.
that’s the important thing: the What was the dynamic like
relationship. And I love spend-
Honestly, I’ve always looked
writing and recording these
up to him. I know he’s nearly ten
songs? How did you pick who
years younger than me, but I’ve
was singing what? Is there an
Right, I know what you
always looked up to his song-
even balance between you and
mean. Now that I’m in my 30s
writing abilities, his lyrical con-
Stephen?
with a more responsible life,
ing time with those guys.
tent that he writes. He’s a good
I think I’m on five of the 11
for lack of a better term, it’s
man. I remember for a while
songs. Honestly, I let them tell
only those enduring friend-
that online, people thought we
me what they wanted me to
ships that matter in the end.
hated each other, which is the
do, if that makes sense. When
Right. Right. I know relation-
most ridiculous thing. We have
the songs were being written
ships sometimes take effort,
always gotten along really well.
and recorded — I can’t say this
but, in my opinion, the best
I think people like drama and
enough — but I trusted that
friendships I have are the ones
want to put it into people’s lives.
Stephen was going to make the
where I can go six months with-
right decisions for the songs I
out talking to them and there
was going to be on. And it real-
are no hard feelings. We can just
ly turned out great. I’m really
pick up where we left off.
People don’t want to read about guys getting along. Yeah, but there’s never been
thankful.
drama with us. It’s always been great. Honestly, when they’d come through town, I’d go and see them, and I always still
Can you talk a little about the And one song has the entire original lineup, correct? Yeah.
One
song
has
name Coward and the bigger idea behind it? It’s interesting
the
to see that not only are you guys
felt like I was part of the band
Burning Bridges lineup. That
reuniting and doing new music
because they’d include me in
one was really fun. And you can
after a few years, but also not
things. Never any bad blood at
tell which song has that lineup.
being afraid of being abrasive
all.
That doesn’t mean it’s better or
with the title and cover art.
67
Anyway, that’s my rant.
made me feel really old: “I guess
got a bunch of different heads
awesome. Less fortunately, it’s
it was so long ago.” I pretty much
we went back and forth between
the Christian world that is that’s
graduated high school and joined
— a couple ’70s Marshall heads.
more judgmental. I guess that’s
Haste the Day — all the lyrics
We used a Bad Cat head for
the right word for that.
and the way I was screaming. I
most of the high gain stuff. Of
If you take a Christian band
it. Jesus said, “If you follow
was so incredibly intimidated by
course, you’ve got to have a Dual
and you put them on a pedestal
me, you are going to be per-
our producer, Garth Richards.
(Rectifier) rack in there.
and you say, “In order for them
secuted like I was.” It’s some-
to say that they’re Christian, and
thing we’ve been taught. But
Mesa.
if they’re going to play music
like you said, it’s not always
We went nuts on this record,
in front of people, they have to
something we can handle fully.
as far as guitar tone went, which
abide by these guidelines.” And
We do need those prayers. We
I think really turned out for the
if those guidelines aren’t met,
do need that encouragement.
How do you like the switch?
best because they have some-
then that’s when the prosecution
I’m glad you mentioned that.
I love it. It’s amazing because I
thing that’s a little bit more
comes in.
And also a lot of people just
get to do all of my favorite things
unique than other metal records.
in the record process: the shap-
We used a ’72 Deluxe Telecaster
being
the
God (laughs). The one thing
ing of the songs, helping peo-
to record, like, 90 percent of
Pharisees. The difference is that
that actually binds us together
ple find their sound and trying
the guitars through that Bad
Jesus is perfect, and we are not.
is that we’re all not perfect.
that cool thing that sets them
Cat head. We used pretty much
apart from other bands. That was
one pedal the entire time. It was
always my favorite thing to do.
called Night OD by a company
So here we are in 2015, and you’re producing, right? Yes.
I think it’s similar to Jesus prosecuted
Everybody
is
going
to
encounter it, so you just accept
by
don’t realize that they’re not
So, back off, man. Do you know The similarities are there. You can read about it Mark 5.
what I mean? Back off. Worry about yourself. It’s been great
I never really was part of the
called Rawkworks. It acts like a
I just really want to encourage
catching. I’ve got everything I
recording process that much
Tube Screamer. Turn the volume
any person or metal listener to
need. I wish you guys the best
back in the day, other than just
all the way up, the gain pretty far
realize that the bands they’re
of luck. I hope I can make it to
me being able to ask the producer
down, tone in the middle. It just
listening to are not gods. They
one of these shows. Is Casey
if we could try different things.
tightens everything up.
are not God. They are not going
going to mix you guys?
Now,
it’s
awesome
No, we were trying to get him,
to save you.
because
but I guess he’s busy.
I don’t have to commit to the
This is definitely a great gui-
They need just as much sup-
band thing. I never get burnt
tar setting album. I thought
port as a missionary from a
out because I get to do different
the production was great, by
church needs. They need prayer.
I wanted to ask you real quick
projects all the time.
the way. You did a good job.
They need encouraging words
if there is anything charities
they just need to be encouraged.
you want to mention, anything
They do not need to be perse-
else you want to say to your
This
cuted because somebody smokes
fans or anything you feel like I
and a few EPs along the way.
Sunday we had an awesome
a cigarette or somebody does
didn’t cover about the album?
Are you a Pro Tools guys? What
sermon at my church in Mount
something that does not align
I do want to reiterate that
software are you running?
Baldy in California on Christian
with your personal convictions.
whole idea of love, especially
persecution.
Thank you very much. I’m a fellow producer. I love it. I co-produced our last album
Let’s
keep
moving.
definitely
Let’s stop looking at those things
in the hardcore scene because
experienced this, especially
as “separating from God’s min-
it’s been a place where there is
Pro Tools 11?
back in 2011 when we pretty
istry” and start looking at the
still not a lot of it in there. We
I’m on Pro Tools 10 right
much changed gears and went
actual person, start praying for
can love our brothers and start
now because I don’t want to go
fully in the Christian direc-
that person in a positive way and
showing them and stop gossip-
through the hassle of upgrading.
tion. You guys have always
encouraging them in a positive
ing, especially in the Christian
I know it’s probably easy, but it’s
been (in the Christian indus-
way. That’s what we need. It’s
world. Stop acting like our job
a commitment with everything
try), which is something I’ve
really hard because I’ve seen so
is to be offended by everything.
I’ve got going on right now.
always respected. Have you
many bands get so jaded at the
Start loving everybody.
experienced persecution in the
church, and I think that’s wrong,
Pro Tools.
I’ve
I know 100 people who feel
music world or personally on
too. Get over it. We’re not per-
the same way you do so don’t
tour? How has that affected
fect.
sweat it.
you as a band and as a person?
(Laughs)
The
thing
that
I
think
most people would guess as a
Or
find
another
church,
right?
Do you have any recording
Christian metal band would be
Yes, exactly. You can search all
tips you want to share real
that we would be persecuted by
day long, but you’re never going
quick, such as any mics or
all the metal fans out there—
to find a perfect church. You’re
amps you use for modeling or
all the metal heads that are
always going to get hurt at some
anything like that?
stoned to religion or whatever.
point.
I’ll talk about the tone a little
Unfortunately, that’s not real-
But it’s not our job as Christians
bit that we got for guitar on the
ly the case. Actually, fortunate-
to be offended by everything.
new Haste the Day record. We’ve
ly, they are very accepting and
We were never called to that.
68
H M • M AY 2 0 1 5
“WHEN I WAS IN THE BAND, I REMEMBER THERE WAS A YEAR WHERE WE PLAYED 311 DATES. NOT 311 DAYS AWAY FROM HOME, BUT 311 SHOWS. WE WORKED HARD. AND I KNOW, FOR A FACT, THAT WHEN I WAS IN THE BAND, EVERY SINGLE SHOW WE TALKED ABOUT JESUS.” — Jimmy Ryan, Haste the Day Vocalist, 2001-2005
Stephen came up with the
afraid to be a Christian band,
shows with the record coming
title. There’s a song on the
but not over the top loud-
out, and my wife and I were
record called “Coward” — I’m
mouths about it. Ten years
talking last night about these
not on that song, but it’s really
down the road, I know my
shows. I told her the part I’m
powerful. As much as I want to
faith has changed a lot. It’s
looking forward to the most
answer that question, I don’t
been a long journey of ups and
isn’t getting on stage. The part
want to be out of place. I’d rath-
downs, losing faith, gaining
I’m looking forward to the most
er Stephen get to answer that
faith. Ten years later, what
is talking to people.
himself. I’m not trying to dodge
does ministry and faith look
the question (laughs). That’s just
like for Haste the Day?
Haste the Day had a Burning Bridges reunion show a year ago,
I really appreciate you ask-
and there were some people — I
ing that. I actually said this in
want to say 50 to 100 — who
I will say that every step along
another interview not too long
paid extra to come early and see
the way, that kid has been so
ago: I never felt like I was in
our soundcheck. You know, as
transparent, as far as the music
the greatest band in the world.
well as I do soundchecks, they
and his writing goes. One of the
What I did feel like is that I trav-
still aren’t very exciting. But
best qualities a leader can have
eled around with guys I cared
they did pay extra. So I remem-
is transparency. And that is one
about, and we loved people well.
ber standing on the stage when
thing I saw come out of Stephen,
And that was the ultimate goal
we were done and telling every-
as far as his lyric writing goes. I
for me, that we loved people
one, from the microphone, to
love that about him.
well.
stay where they are — unless
his baby, and I’d hate to answer that for him.
Did we make mistakes? Sure,
they had to pee (laughs) — and
more
man. I remember losing my
I went down and I hugged every
with that sentiment. Let me
temper a few times and what-
person who came early. I asked
rephrase the question a little
not, but I’ll say, for the most
them where they came from and
broader: Can we expect this
part, there are very few regrets
how I knew them. The reason I
record to deliver on the inten-
when I think about my time in
did that had nothing to do with
sity of a title like Coward?
that band. I think we did a good
me wanting to look good. It had
job loving people.
everything to do with wanting
I
couldn’t
agree
Yeah. You know, I have it in my car right now. It’s one of
When I was a kid, I got picked
people to feel loved. And, hon-
the only things I listen to. I
on a lot. I wasn’t good at sports.
estly, I feel like Jesus has the
have it in my car so I can learn
I had bad acne. I never had any
desire for us to talk to him. I’m
the songs I know we’re going to
self-confidence at all. I didn’t
nothing like Jesus, but if I can
be playing, but I listen to it all
grow up knowing Jesus, so
do the things I think he would
the way through, including the
I didn’t have him to lean on.
be doing if he were here, then
songs I’m not on. I feel like it’s
My heart has always been for
I want to do it. Does that make
a powerful record. There’s not
the “misfit.” I’ve always loved
sense?
a ton of breakdowns and things
those who don’t necessarily fit
like that; it’s heavy in a different
in, and I think we did a good job
way. I think part of that might
loving those people.
Absolutely. It sounds like, in that regard, Haste the Day’s
just be the emotion behind it. As
From a ministry standpoint,
ministry could be summed up
we get older, we, hopefully, are
I don’t know that anything has
as “loving people well,” just
getting wiser. As we get older,
changed. When I was in the
like Jesus would.
we walk through more things,
band, I remember there was
That’s all I want to do, man.
rather they be awesome things
year where we played 311 dates.
And Haste the Day, by no means,
or harder things. It makes us
Not 311 days away from home,
is number one in any of our lives
stronger as people. I think that
but 311 shows. We worked hard.
anymore. And I don’t mean that
strength comes out on this
And I know, for a fact, that when
other than it’s not ahead of God
record, if that makes sense.
I was in the band, every sin-
and family and all of that.
gle show we talked about Jesus. That leads me to my last
Even if it was just a little blurb
big question, concerning the
here and there, we always talk-
state of the band’s faith as
ed about Jesus because that was
a whole. When I remember
always the goal.
Haste the Day from ten years
We never wanted to make
ago, I always knew you guys to
people feel bad or come across
be super kind and positive and
hateful. We just wanted to let
full of grace. You guys always
people know Jesus loved them.
seemed really happy to me, in
And for me, personally, that’s
a real way. You guys weren’t
still a goal. We’re playing some
You’re not going to go play 311 shows. Yeah, yeah. But the short time we have to do it, I want to make it count.
69
CLARIFIED BY FIRE
DUSTIN KENSRUE’S AUTHENTIC FOUNDATION FOR SONGWRITING, ON DISPLAY WITH LATEST RELEASE, CARRY THE FIRE, EXTENDS HIS LEGACY By Collin Simula
Humans aren’t stupid. At the very
You’ve said that Carry the Fire
mic, “In the Darkness” almost
I like talking about “pur-
core of our being, there is a sense
is the proper follow up to Please
feels ’90s alt-rock, “Death or
pose.” There’s a very specific
of discernment that often speaks
Come Home, but you’ve put
Glory” is Springsteen-like and
purpose to the worship stuff,
louder to our hearts than our other
out a few records in between,
“Gallows” sounded almost like
and, because of that, there are
senses. We know when someone is
under your name as well as The
it could have been on Thrice’s
all sorts of blurry lines with
lying. We know when someone is
Modern Post. Can you explain
Beggars. Was that intentional?
everything else. Not even blur-
faking. We know when someone is
a little more what you mean
Did you set out to write a more
ry; that’s the wrong way to say
pulling the wool over our eyes.
about this being the actual fol-
diverse album?
it. Whatever I’m doing, whatev-
Ask any person about the artists
low up to Please Come Home?
I think I wanted it to be more
er art it is — I want it to be inte-
the love, the actors they admire,
It’s coming from the same
diverse. It also ended up being
grated with who I am and flow-
the people they align with — you’ll
head space. I don’t know. It has
the combination of two projects
ing freely out of that. Whether
find there’s one thread that will
a similar purpose in that it’s not
I was working on. Well, “work-
there’s a more specific purpose
run through them all. Our hearts
a worship record. That’s probably
ing on” is a loose term. I had
or not. There’s no hidden or
and minds are hardwired for it:
the easiest way to say it, to clear
two ideas in my head I ended up
larger purpose other than to
authenticity. We look for integrity.
up confusion. All of the worship
smashing together to make this.
create good music that I like,
We desire realness.
stuff is going to be “rebranded”
I was finding it overly restrictive
that I feel is important and will
Dustin Kensrue’s career has been
under The Modern Post at some
trying to say, “This is the folky,
hopefully connect with people.
defined by authenticity. The earliest
point this year. It’s the record,
Americana record and this is this
Am I thinking about who’s
albums from his first band, Thrice
in my mind, that follows up that
other thing.” I also didn’t really
hearing it? Always. And that
— who recently reunited after three
record. It’s a record I’ve been try-
have time to finish both proj-
doesn’t mean I’m making it to
years of being on hiatus — showed a
ing to make for a long time.
ects, so I ended up just deciding
please someone, but I’m aware
to combine them and see what
of the variety of the people who
happens.
will be listening to it, and that’s
man’s bare heart, sharing all of his doubts and struggles. Later in his
There’s still that heavy spir-
discography, we would see a mature
itual, Christian nature to the
Christian who isn’t afraid to talk
lyrics, but it doesn’t feel like
about the hard stuff.
an overt worship record. You
doesn’t feel like anything is
I think it’s an interesting ques-
can tell there’s a lot of person-
out of place. It’s just so diverse.
tion because it opens up this big-
al stuff in there too.
I think it works really well.
ger topic of what does it mean to
His
first
solo
album
—
a
stripped-down, Ryan Adams-style
going to affect the way I write a It
still
feels
consistent,
song.
folk album called Please Come
Yeah, I tried to describe it as
Thanks. That was one of my
be a Christian or live a Christian
Home — showed a different musi-
the difference between anything
concerns as well. How I was going
life. I think people make these
cal and lyrical side to the Thrice
else I’m doing and a worship
to make it all fit together? I think
false dichotomies — in their
frontman. It was one more overtly
record is the purpose for which
it came together in the end, but it
actions, their schedules, what-
Christian and more conversational
it’s written. There’s obviously a
was definitely worrying me.
ever — where they are going to
in nature. A few years later saw
purpose for corporate worship
Kensrue becoming a worship pas-
music that dictates a lot of what
Please Come Home had a lit-
people at different times. It’s a
tor at one of the largest congre-
you do — or should do, in my
tle bit of help from Teppei
lot of work and it’s disingenuous
gations in the country, an empire
opinion. This is just another solo
(Taranashi, Thrice guitarist).
and people can feel it. So I think
that was highly scrutinized and
record.
Any Thrice player cameos on
there’s a lot to be said for having
the new one?
an integrated approach.
crumbled very painfully and publicly in 2014.
Musically, it’s a lot more
be a different person to different
Nope, it’s all me.
That word, “integrity,” we use
With his newest album, Carry
diverse than Please Come Home.
the Fire, Dustin Kensrue provides
That record felt really stripped
You mentioned purpose. I
upright, but the root of that word
a more diverse and expansive fol-
down, and, even though there
understand the idea that cor-
is a oneness. This person is one
low-up to Please Come Home.
were some full-band songs, it
porate worship has a specific
person, not two people.
We were able to speak with him
was still you with an acoustic
purpose that’s very different
about his current mindset, surviving
guitar and a raw sound. On
from your solo material, but is
church drama and what it means to
Carry The Fire, I think of the
there any element of ministry
be authentic.
title track being more anthe-
to your solo material?
72
H M • M AY 2 0 1 5
it to describe a person who is
Pure authenticity. Yeah. I want my music to have integrity in that sense. To be who
“WHATEVER I’M DOING, WHATEVER ART IT IS — I WANT IT TO BE INTEGRATED WITH WHO I AM AND FLOWING FREELY OUT OF THAT.” — Dustin Kensrue I am. So in that sense, there’s not
I think integrity has been a
many, including myself, for a
I just fostering emotionalism
really a separation between the
huge part of it.
time, to turn away from faith.
or am I really trying to connect people with Jesus?
worship records and this record,
I think another part is that
Has your faith been affected by
other than that “purpose” piece.
we haven’t really been a part
all of the recent events? What
It’s interesting because, aside
In the same way that if I wrote a
of any kind of... There are a lot
does music ministry look like
from any drama or dramatic sit-
marching song, it’d have a spe-
of bands who play the Christian
to you now?
uations, there are a million dif-
cific purpose, even though it’d
circuit who aren’t Christians. Or
still be what I’d write just as a marching song.
smaller
ferent ideas of what music in the
they play music that has noth-
church in the town I’m living in.
church could or should be. And
ing to do with their beliefs but
I serve every three or four weeks
I find myself being, like, I just
is just marketed a certain way.
leading worship there. I took a
want to go to a church where
If I were to describe your
We’ve never really done that. The
pretty long break from it, but I
there are no instruments and we
career based on your lyr-
closest we’ve come to that was
just started back up in February.
just sing some hymns (laughs).
ics alone — integrity and
Vagrant — our label, which is by
My faith — and this is not a judg-
Not that it’s right, but because
authenticity
the
no means Christian — wanted
ment on anyone else — my faith
it’s simple.
words that come to mind. The
to market some of our stuff to
wasn’t shaken at all.
early Thrice records seemed
Christian radio. We were like,
I feel like I’m wrestling with
It’s great to see you’ve found
to explore your spiritual jour-
“Sure, whatever.” That’s the
these really ambiguous or amor-
a new community and are
ney in a harder, more doubt-
most we’ve tipped our toes into
phous feelings about… I don’t
engaged. I’ve known too many
ful place. Some of the later
that world.
even know if it’s... It’s really
people who’ve gone through
about music in the church and
church splits or things like
would
be
records, it seemed like you
We’re
going
to
a
were thinking more about
I remember hearing a Thrice
serving in that way. It’s super
that, not on as grand of a scale
bigger theological concepts.
song on Christian radio here
hard to explain or even talk
as you, and barely come out on
Watching your spiritual jour-
in my city and thinking, well,
about. But that’s just starting
the other side alive, let alone
ney unfold through your lyrics
that’s
to come on, now that I’m back
still believing in anything.
and albums has been mean-
Completely
ingful and really unique. You
guard. But you’ve been able
I think a lot of it is me slow-
happens in a situation like that
don’t see that a lot.
to tackle some big theological
ly processing my time (at Mars
can be a good thing. Inevitably
Cool. Thanks man.
concepts and spiritual matters
Hill) and some of the negative
we see we’re putting our faith in
in a way that feels authentic,
aspects of the culture that exist-
the wrong things, and that can
not like you’re sneaking up on
ed there. But in a larger sense,
be clarifying.
someone.
I love the “big C” Church and
A lot people tend to feel duped when an artist doesn’t
kind
of
interesting.
caught
me
off
into it.
Yeah. I think anything that
as
I think not being part of a
I love the “little c” church and
“Christian” but lyrically feels
world that’s hard to understand
clearly see that stuff is found
ment
like it. Most of the Thrice
for a lot of people has been help-
wherever you are. But I’m excit-
plans in 2015. I know you guys
fans I know are absolutely not
ful in fostering good communi-
ed to be somewhere with more
are playing some festivals and
Christians, but still love your
cation, a conversation with peo-
transparency that’s not quite as
one-off shows, but are there
solo stuff — even some of the
ple from different belief systems
big of a machine.
any bigger plans? New music?
worship stuff — and love what
— or non-belief systems.
describe
their
music
point of view. Do you feel like you are in a unique position?
about
Thrice
teasing
Right now we’re just focusI understand those strug-
you have to say from a spiritual
There’s been a lot of excite-
Up until a few months ago,
gles. I was leading worship at
you were leading worship at
my old church and the culture
ing on playing some shows. But we’re really excited for that.
I think a lot of it has to
one of the campuses of Mars
of worship was so much more
do with integrity. When peo-
Hill Church (the church led by
about being emotional and less
same
Is it nice to be back in the
ple feel like someone has an
Pastor Mark Driscoll, who had
about real connection. When
those guys?
ulterior motive, even if that
a very public downfall over
we left that church and I start-
We actually don’t have very
motive is a good thing, it feels
the last year). A church falling
ed playing in our current com-
much time to practice (laughs).
disingenuous and turns a lot
apart leaves a person more hurt
munity, I started to question
So we’re getting it together at the
of people off. It puts walls up.
than one might think, leading
why I was even doing it. Was
last minute. It’s exciting, though.
room
jamming
with
73
THE CONFIDENT SIBLING SISTER SIN VOCALIST LIV JAGRELL IS THE EMBODIMENT OF THE SEXY ROCK AND ROLL SINGER. BORN TO BE ON STAGE, SHE LOVES PERFORMING, IS FORTHRIGHT AND FUN AND HAS A PASSION FOR AUDIENCE RESPONSE. JAGRELL, WHO RECENTLY POSED FOR PENTHOUSE ALONGSIDE AN INTERVIEW ABOUT HER BAND, AND THE BAND’S WRITE-FOR-LIVE SONGWRITING HELPED SECURE THE BAND A COVETED SPOT ON MAYHEM FESTIVAL THIS SUMMER. A WORTHY VENTURE TO FULFILL FOR AFTER ALMOST THREE YEARS, HER BAND IS READY TO MAKE THEIR RETURN TO THE UNITED STATES
By David Stagg Photo by Helsingphoto
My first introduction to Liv Jagrell, the outgoing vocalist for rock band Sister Sin, was well before she came up over pizza at a conference table in Chicago. Sister Sin’s fifth full-length release, Black Lotus, came out in the United States late last year, but the band — a product of Gothenburg, Sweden, also home to metal gods In Flames — has finally started to gain major traction here in the United States. It’s due, in part, to the rapid rise of female-fronted rock. It’s skyrocketing. Bands like In This Moment, Halestorm, Sister Sin, Butcher Babies and a growing number of others have proven the listening public will spend their money both on the music and at the shows. Halestorm has already won a Grammy, and
vocalist Lzzy Hale’s contemporaries are in line to fill those nominee spots, spots once dominated by acts featuring male vocalists. There are cracks in the dam. For Jagrell, a woman both openly confident in her body as well as her persona, it is the positive aftershocks of women becoming more comfortable with being their inner self on the outside. It’s especially reflective in the rock and metal genre, showing itself true with more female-fronted bands being added to main stages at every major festival. Over lunch with Sister Sin’s label, Victory Records, in the tundra of the Chicago winter, they told me Jagrell, a supremely dedicated fitness fan, would be taking some shots in a controlled setting for an
interview running in Penthouse. Talking to Jagrell about the importance of individual expression was a mutual glass slipper; it was a great fit for some publicity for the band, but also a wonderful opportunity to talk about body image and the emergence of a new breed of leader. Jagrell, herself, one of those leading the way. But when the Penthouse news was released, it was mostly misunderstood Jagrell would be posing in a Penthouse pictorial in what was truly an interview about the band’s new release, similar to other ones in this magazine’s issues. The photo that ultimately ran with the interview was PG-13. If the misconception surrounding the inclusion of the band in the magazine led to judgment, it would be intellectually tragic, as she is one of the most self-confident females I’ve talked to about the modern role of women on stage. She follows her own formula 76
H M • M AY 2 0 1 5
where the first step is vigilantly knowing and protecting who she is. The work she’s done both towards that goal, both physically and mentally, translates to her demeanor on stage. Even better, it translates to her happiness, regardless of what the air around her is filled with, and even when the modeling and stage lights finally dim.
taking charge in the heavy
I think a lot of people would
music scene. Back when you
argue you are the face of the
first started this thing in 2002,
band, either way, and you’ve
what was your goal? Did you
largely taken on a life of your
just want to play some rock and
own. Tell me a little bit back
get in some trouble?
when you were starting that
I started playing when I was 14
band, because I know fitness
or 15. I started my own all-female
has been very important to you
band. Actually, I forced my best
throughout your life. Can you
friend to have a band with me.
talk a little bit about that side
I wanted to be a rock star.
of your life?
That’s been my life goal since
It helps a lot. I run around the
I was 14 and picked up my first
stage very much. I need to be
guitar. I wanted to play music. I
in good shape. Actually, yeah,
wanted to play heavy metal.
I’ve been working out my whole
I had this female band for a
life. My father was a teacher in
couple of years with my best
gymnastics. I was brought up in
Where are you right now?
friends — and continued on to
movement. Your body is built
Right now, I’m actually in
some other bands in between —
for movement. I’ve done a lot
Stockholm, which is my home-
before 2002. I’d just moved to
of things. I played volleyball.
town. We play here tomorrow.
Gothenburg, and I put in an ad
I’ve done gymnastics. I’ve done
We have, like, one day off in the
in some paper that I was looking
dancing. When I found weight
city. I can go home and change
for a band.
training, I think I found my
some clothes, and then we play
Our former guitarist — not the
thing. I really wanted to be a
one we have now — he called
personal trainer. I was always
me and asked me if I wanted
interested in healthy foods. I’m a
Maybe take a shower, right?
to come to an audition for their
vegetarian. I figured out, in 2005,
(Laughs) Exactly.
band. Actually, he was the only
I wanted to become a person-
one that wanted a female sing-
al trainer and help other people also to get healthier lifestyles.
tomorrow.
Are you doing something
er. Everyone else in the band
special for your hometown
wanted the whole Motley Crue
show?
thing where a Vince-Neil-good-
And
you’ve
done
that
No, not as planned. It’s actual-
looking guy was singing. He
alongside all of your releases
ly just my hometown. The rest of
wanted a female, so he asked me
throughout Sister Sin. Is that
the band are from Gothenburg.
to come anyway.
correct? That is correct.
You have a very interesting
Smart man.
story. I think it’s very per-
So I did. They hired me on
Now your latest one, Black
tinent to a lot of our read-
the spot. They were like, “Hey,
Lotus, came out late last year.
ers, especially now that there
we want you.” I think I made an
Let’s talk about that. I want
are a lot of female vocalists
impression (laughs).
to know about the title first. I
“I WANTED TO BE A ROCK STAR. THAT’S BEEN MY LIFE GOAL SINCE I WAS 14 AND PICKED UP MY FIRST GUITAR.” — LIV JAGRELL
77
“I DID THAT BECAUSE I LIKE BEING IN FRONT OF THE CAMER A. I’VE DONE MODELING WORK. I’M NOT AFR AID OF BEING IN FRONT OF THE CAMER A. I’VE DONE A LOT OF WORK THAT’S EXTREMELY MORE NUDE THAN THAT.”
don’t know if you know this,
seems to be a very popular song
but the card-based game Magic
when we play.
I read books, and I watch some
done modeling work. I’m not
movies. I do a lot of reading when
afraid of being in front of the
I’m in the van. I love books. I’ve
camera. I’ve done a lot of work
You’re also going to join the
always been a book lover. I don’t
that’s extremely more nude than
(Laughs) I didn’t know. The
Mayhem Festival this summer.
have time when I’m home or
that. I picked my photographer
thing is, it doesn’t actually mean
Yes. That’s going to be awe-
whatever. I don’t have time, any-
myself, a female photographer
anything. We were thinking
some. I can’t really believe it. ...
more. The only time I have when
from Stockholm.
about what the album should
We’re really looking forward to
I’m on tour is when I’m sitting in
be called. I think it was Dave.
it. We need to come back to the
the van. I read books.
He’s good with words. He just
U.S.A. It’s been over two years.
put together those two words
It’s perfect timing.
the Gathering has a sought-after card called Black Lotus.
and said, “Hey, what about ‘black
We worked out the photos together. We wanted to have it to be a rock queen. That was the
Let’s also talk about some-
goal with the photos. Not nudity.
thing else that happened to
It’s not so much nudity. We just
lotus’?” The first songs we wrote
What are you looking for-
you recently. You got to be
wanted to have a feeling of “rock
were a bit darker than the songs
ward the most to from the
in Penthouse. I think a lot of
goddess queen” doing exactly
from the previous albums; we
United States? Do you expect a
Americans misinterpreted the
what she wanted to do.
wanted to have something with
pretty good response? Coming
news as you were supposed to
dark or black that would suit the
on the Mayhem Festival is
be in a spread for the magazine
I’ve seen the photo. It’s
newer music style. Also, we knew
going to be good no matter
when it was more of an inter-
nothing you wouldn’t see on
we could do something artistic
what. You’ve got a solid round-
view and you agreed to the
TV here in the U.S., which is my
with a black lotus. It doesn’t
up all around you.
picture. Can you phrase how
next question for you. I would
that lined up and about the
imagine you saw a wider gap
response you’ve seen from it?
in responses from the United
mean anything in particular.
I’m expecting a pretty good response. Of course, I know that
You might have inadvertent-
a lot of our fans may not be com-
ly gained a lot of Magic fans
Victory
States than you did in Europe
ing to Mayhem. It’s a festival.
reached out to me. They said
where there’s less of a stigma
without knowing about it. The
There are a lot of fans wish-
they
on that. Could you talk a little
album has been out for a little
ing we were doing headlining
with Penthouse before; several
bit now. What songs do you
shows, too. We are going to try
Victory bands have had inter-
Of course. We don’t have
enjoy the most from it? What
to squeeze in some headlining
views in Penthouse. Penthouse
Penthouse in Europe. We don’t
has seen the most response
shows in between dates. We’ll
had asked for an interview with
have Penthouse in Sweden. Most
from it since you’ve been out
see.
me since we were releasing a new
of the responses, of course, came
album. They were asking to do
from the U.S.A., both the posi-
What do you like to do most
one with the band, Sister Sin.
tive and the negative ones.
I think “Desert Queen” is one
to pass the hours? Do you write
Of course, since I am a female
For me, I hadn’t seen the
of the songs people react to most,
more music? Do you write lyr-
vocalist, they also asked if I could
magazine much. I didn’t know
and it is one of the songs I love to
ics? Do you paint? Do you do
consider doing some shoots for
exactly what it was. I was just,
sing. It’s a little different for me
anything else to keep your
them for the interview. From the
“An interview! I want to do some
to sing. With the other songs, it’s
brain active?
beginning, it was an interview.
photos!”
and people have been listening to it?
Yeah,
absolutely.
have
worked
together
bit about that?
not 110 percent all the time and
We are in our very, very, very
They asked if I could take sep-
I liked the interview very
very fast. I like to sing that song.
tiny little van. We have come to
arate photos for them so they
much. They asked good ques-
I can put more feeling into it. I
like nothing in that. There’s no
could have the rights to those
tions. There were no sleazy ques-
see the people like that song, too.
doing any music when you’re
photos. I did that because I like
tions at all. I liked the photos.
Other than that, “Say No”
squeezed together in a five-seater.
being in front of the camera. I’ve
That’s why I can be proud of
78
H M • M AY 2 0 1 5
— JAGRELL
myself, even though I know it
done or never would have done.
I’ve had my troubles with the
as possible on this album. We
might not be the most tasteful
I’ve never been forced to do it. I
images of a female for a very,
feel like it’s been too long a time.
magazine.
have always used my body in a
very long time. It’s hard, some-
We felt a little bit that it had been
way to express things. That’s the
times, to be a female, especially
too long since we hit the road
way I am.
in music or show business. You
together. We will try to tour as much as possible.
Some people think it was wrong of me to do that. That’s their opinion. They can have it.
Some people are not. I have
know that people will judge you
I feel good about myself anyway.
much respect for Angela, for-
because of your looks and your
mer singer of Watch Enemy,
body. That’s been hard for me.
You were in control of the
who’d never done these things
We’re a live band. We live for the touring and the live shows.
I will not say anything else.
Our plan is to start working on
environment. You got to dic-
because
think
I don’t know how to get around
new songs and a new album early
tate a lot of the terms in which
it’s good for females. I really
that. I don’t have a good answer
next year.
it came out.
respect her opinion. It’s not for
to how we (can get) around
she
doesn’t
Yeah, exactly. When people
me. It’s not my opinion. I’ve
that. Since I’ve been older, I’ve
When you guys finally decide
tweet about it or the websites
always done the things I’ve
been accepting my body more. I
to go back into writing that
talk about it and say it’s wrong —
wanted to do.
don’t think anybody should be
new album, do you guys write
ashamed of their body.
now more — because you’re
then they get another response
If I use my body for it, it’s
because people are defending
my decision. It’s everywhere
me, etc. It’s good publicity.
today. You see naked bodies.
There’s definitely a maturi-
write more for the live show, or
It’s not only females. It’s males,
ty that comes with age where
do you guys still have a dream
too. Naked bodies and sex sells
you learn to grow into your
or an idea of the — like a con-
— a lot. You see it everywhere.
body and feel more comfort-
cept album. Are you guys say-
There’s nothing taboo anymore
able with it. It sounds like you
ing, “No, we’re going to stay
about it. Maybe it should be, but
matured on that level when
on the road. We want to get out
it’s not.
you were younger.
there. We’re going to write as
We have a saying: “All press is good press.” Exactly. I’m thinking that way. When you come over here to play Mayhem Fest and you see
Also, I think we should be
younger women that look up to
proud of our bodies. We should
you, could you speak a little to
five records in — would you
Definitely.
if we would play it.”
not be ashamed of it. I don’t
I don’t think that’s some-
us, actually (laughs). We don’t
body image and how that plays
understand why we’re ashamed
thing Americans are as used
plan so much. We just do the
a part in not only (your por-
of showing our bodies.
to. I don’t think that kids get
music that comes to us. We just
exposed to that as young as
write the music that comes to
trayal in) Penthouse, but also
I think the last one is more like
in the minds of young women.
I think a lot of that comes
they do in other parts of the
our minds and inspires us at the
For me, I’ve actually done
with the Western mindset,
world. A lot of times, we’re
moment.
modeling long before. I’m short,
built more on a more private,
thought that it’s off limits and
The only thing we know is we
so I’ve done alternative model-
buttoned-up moral projection.
bad — parents sleep in differ-
want to keep a certain sound so
ing, tattoo modeling, that kind
I am nothing like that because
ent beds until they’re older,
you can hear it as Sister Sin. We
of thing. I’ve done that for a very
I was brought up in a hip fami-
that kind of thing.
tend to get a little bit heavier
long time, before I even released
ly. I am nothing like that. I
a record. For me, that’s been one
think we should all be proud. It
of my professions, too.
doesn’t matter how your body
I do still want to still talk
do that, a little bit more heavy
It’s not hard for me to do
looks. You should be proud of
about Black Lotus and where you
and aggressive every record.
things like that. I don’t feel like
your body. Of course, it’s easy
guys are going with that.
Maybe the next one will be even
I’m doing anything I’ve never
for me to say.
Exactly.
every record. Maybe we get even heavier. I don’t know. We tend to
We are trying to tour as much
heavier. We’ll see.
79
LOST A NOW F BY JORDAN GONZALEZ
PHOTOS BY KELLAN DEY
AND FOUND
YO
The guys from August Burns Red just don’t fit the metal band stereotype. Their haircuts are usually clean. They don’t wear makeup on stage. Only a few of them have tattoos. They dress more like they’re on the way to a college coffee shop: fitted jeans, crisp button down shirts or baseball tees and shoes designed for comfort. Perhaps that originality has partly led to their passionate fanbase. They’re not always cluttering albums with excessive chugging and 808 drops. So when the news broke the Lancaster, PA quintet were leaving Solid State Records — the only label they’ve ever known — for Fearless Records, many fans were worried of a fallout: Would they go soft? Abandon metal and fall into a money grab of mashup generic metal? Fans should rejoice: the iconic metalcore band’s sixth studio album, Found in Far Away Places, is not soft nor a sell out. The album is a musical expansion, and, as guitarist and primary songwriter J.B. Brubaker puts it, they don’t like “discs scratched in their metal.” But they do like violins and western-themed bridges in between heavy riffs and masterful guitar play. 82
H M • M AY 2 0 1 5
2015 IS BURNING
“THEY SIGNED US BECAUSE
OF THE BAND WE ARE, NOT
BECAUSE THEY WANT TO TURN US INTO SOMETHING ELSE.”
83
more time in the hot sun. As an
that a lot of people view their
keep in touch with them. I mean,
artist on the tour, its not very
roster as being a lot popular,
we have a lot of back catalogs.
difficult from my perspective.
which it is. I can see why that will
We just felt like it was time for a
We don’t have to play a very
be concern to some people. But
new label. We talked a lot differ-
OK.
long set. We don’t have to get
Fearless is just another record
ent labels and we just felt it was
Yeah.
up early and unload all of the
label that’s going to be putting
time to make a switch, a differ-
equipment; we have crew guys
out our albums. It’s like if we
ent perspective on how to move
Right. Just wanted to make
that do that for us. And you have
had gone to some indie label. It
forward.
sure there’s not another way to
a lot of free time to hang out with
wouldn’t change our sound; it’s
address you for the interview.
other friends of yours. I mean,
just a different person to market
You can call me Master Shred.
there are always lots of bands
and distribute our records for us.
that we’ve been on the road with
They signed us because of the
your own record? It’s some-
OK. No.
(from a) previous tour, so it’s
band we are, not because they
thing that’s been popular, I’ve
(Laughs) I’m kidding.
cool to catch up with old friends
want to turn us into something
noticed, with a lot of bands
and stuff. It’s no cliché, but it’s
else. They were, “Here’s, here’s
recently. I was just curious if
We can do that, too!
punk rock summer camp for a lot
your budget. Here’s what we’re
that was ever anything that
(Laughs)
of people. So I personally think
going to do for marketing. Go
touched your minds?
Warped is a lot of fun, and I’m
make your album, and we’ll do
looking forward to it.
the rest.
You go by J.B., right? That’s usually how you go? I do.
That’d be hilarious.
No worries. Let’s get going. Why don’t you catch us up with
indie
record,
like
just
We definitely put very hard thought into that. There was a
Upon hearing the album yes-
time (where) that was definitely
The first thing I want to
terday, did you think it’s a drastic
the (route) we were planning on
touch on is the record label
departure from the ABR sound?
taking.
change.
I’m curious of your opinion on
Worst joke ever. I’m sorry (laughs).
Did you ever consider doing an
Sure.
that.
Ultimately, we decided that it made more sense to work with a well-oiled machine like Fearless
what you all have been up to. If When it first happened, I
I’ll be perfectly honest. I
Records than trying to figure out
(first) noticed (the) Facebook
thought it was ABR, is what I
on the fly how to do this our-
That’s right. Yeah. Well, cur-
comments: “What is this going
heard.
selves — which we’ve never done
rently, we’re at home where
to do? Are, are they going to
we’re doing a lot of stuff for our
lose their sound?” What (does)
new record, which will be com-
this mean for August Burns
ing out on June 30.
Red, for who you guys are?
I’m correct, your next tour is worked out, yes?
OK. Can I ask you a quick quesRight. Right.
tion, Jordan?
Doing the Warped Tour. Doing a follow-up tour on the main
Yeah, yeah.
stage. It’ll be our third time
Have you heard the record?
doing the whole tour on the main
I mean, I think so, too.
it before.
I’ve heard all your albums,
point in our career where we can
seen you guys live many times,
rest and let things happen. We
and it was good. It was orig-
still want to push very hard and
inal. Not to bring myself in
do the best we can to continue to
this, but I will say ABR is what
grow as a band.
We don’t feel like we’re at a
I heard. What we normally do for
I would consider you guys
new records, we kept our core
veterans in this genre and in
stage. We’re really excited to put
I did, actually. Yesterday.
sound and we tried some differ-
the field.
our record out on Warped. It’s a
I understand that coming from
ent things with different parts.
Yeah.
great opportunity for us to get
a (fan’s perspective) — and if
I don’t think anyone is nervous
in front of a lot of people, which,
I look back on how I thought
about a change. I don’t think
So how is the process of put-
you know, is the goal with the
things, then the record is right
you’re going to put in the record
ting out a record this time as
record coming out. We’re shoot-
before I really knew how things
and think, “Oh crap. It sounds
compared to you know, I don’t
ing a couple of music videos.
worked, something like this
like the new Pierce the Veil.”
know, your first few records?
Doing a lot of press and photo
would have been a bit of warning
shoots, stuff of that nature.
to me and to the fan of a band, as
(Laughs)
nerves, is it stressful, is it eas-
well. If I was a big fan of NOFX,
(Laughs) Something like that,
ier?
How is Warped for you guys?
you know, and they went and
you know what I mean? So it’s
From an artist’s perspective,
I feel like Warped is loved or
signed to Atlantic or something,
just a new catalyst for putting out
I’ll say there’s always nerves
hated.
I’d be like, “What the heck?”
our records.
Is it different? Are there any
when you’re releasing new material. We want people to like it,
Well, I can’t think of a bet(Laughs)
us. ... I love Warped. The crew
I know Fearless isn’t a major
positions have to get up really
label. I mean, it wasn’t that dras-
And Solid State’s great. No, we
thinking, “Boy, I hope people
early and unload and do a lot
tic of a change, but I understand
have no issues with them. Still
still like our band and like this
84
H M • M AY 2 0 1 5
You all had been with Solid
you know. So it’s nerve-rack-
ter place than Warped Tour for
State for so long.
ing putting out a record and
85
new record.” It always seems
then these are prioritized as the
over the years. We did that very
done a lot of records, and it’s
like when you release a record, if
songs we’re going to try to use
similar process on Rescue and
hard to say, “The specific goal for
people aren’t feeling it, it seems
for the record.
Restore, but we have always had
this album is this.” We just want
an open forum for writing lyrics.
to write an album of really great
like your career is quickly entering a tailspin.
Now, basically, as we get to (this) lyrics stage, we’re work-
songs. I think that’s always been
We don’t plan to stop anytime
ing on about 12 songs total. And
Is there any song on the
the goal of ABR when writing
soon, so we want to keep putting
you only have one or two songs
album that’s special to you or
new records. We’ve never done a
out music our fans are digging.
left that need lyrics. Maybe they
that you like?
concept album or anything like
That’s why most of the nerves
aren’t fitting the vibe of the
Yeah. I have favorites. And,
that. It’s just been, Put together
come out. We need to see how
songs that are remaining. In that
if you were on the phone with a
as many great songs as you can
it’s going to be received. And
case you can dig a little deeper on
different guy in the band right
and let’s release them. That was
you know, fingers crossed, it’ll
some of the other sets of lyrics
now, you’ll have their favorites
certainly the process.
be received well. But you never
that didn’t make it in the top 12
and they will be different than
know until it will be out and
cut or whatever.
mine.
about.
But, you know, Jacob (Luhrs,
How, how was it working with Jeremy McKinnon, and
vocalist) takes all the lyrics and
Right.
Does the process of making
matches them to songs. And
I tend to lean towards the more
Jeremy’s an old buddy of ours.
it get any easier? You know,
flushes out all of those parts with
linear, almost progressive side of
We’ve been on the road with A
people say if you really love
replacement ones. Then we sit
things for a song. On the songs
Day to Remember off and on
what you do... Is it still hard?
down as a band, with our other
I like, my favorite track is track
since 2009. Actually, 2008 we did
We put as much time in this
producer, Carson Slovak, and
eight, which is called “Broken
Warped together, and we’ve been
as we did on any record. These
comb over everything they’ve
Promises.” It’s the longest song
doing stuff off and on with them
songs don’t just come out quick-
done
on the album. It has a lot of
for years, ever since. So he’s an
ly. There’s a lot of revision, back
their own opinion on how lyrics
almost jammy elements to it.
old friend. I guess he’s a fan of
and forth on chords, trying to get
should be delivered and come
I love the last song on the
ABR, and we’re a fan of him.
everything to stay in a line.
in and stuff like that. That’s the
album, “Vanguard.” It’s, I guess,
We were thinking about if we
I write all the music for the
most stressful part of the entire
the least heavy song on the
had clean vocals on the album,
songs, and then we bring them
recording process, critiquing of
album, and it also has a lot of
who would make the most sense?
together as a band. But we work
the vocals. We know Grant and
instrumental breaks and stuff.
So we asked him, and he was
on the lyrics and vocals last.
Jacob spend a lot of time getting
And, you know what? All the
kind enough to oblige us. He did
Basically, everyone in the band
the vocals in place where they’re
vocals are more melodic; it’s not
his parts in his studio down in
has the option, if they so choose,
really stoked. And then we have
just screaming. I guess the whole
Florida, so we didn’t actually get
to write lyrics. And then we pull
to go, “Wow. I don’t like that
song is kind of more of that tone.
together when we were doing the
all of those lyrics together and
part. I want you to redo it.”
But I really like that more tex-
tracking. But we did leave the
vocally.
Everyone
has
kind of randomize them, so you
We do a lot of voting. Should
don’t know whose lyrics you’re
that be changed? Is it good? A
reading.
lot of back and forth. But it ulti-
Was there any goal when
said, “Here’s your part, dude.
And then we read them. All
mately develops a better final
you’re making the record, I
You can write what you want.”
of them. And then we all score
product just from going through
don’t know, lyrically or musi-
Because, you know, he’s an art-
them, you know? A scale of 1 to 5.
that process.
cally? Or was it something that
ist, he’s a good writer and knows
kind of just unfolded through-
what he’s doing.
Our producers had input in this, as well, so we have some outside
Is that how you always done
perspective. And then we basi-
that process when you made
cally tally up and see what songs
an album?
were scoring the highest. And
86
H M • M AY 2 0 1 5
It’s kind of warped into that
tured and dynamic stuff.
how did that come about?
whole section open, we gave him the lyrics of the song and then
out the process?
So he wrote his own lyrics and
As boring as it is, I think
his own melody, did the whole
it’s more something that just
section and, you know, it was
unfolded. At this point, we’ve
really cool to collaborate with
“I like taking the ‘no rules’ approach to our music, especially at this point. We started dabbling with that on Leveler and our fans were gracious enough to accept us for doing that kind of thing. It gave us more leeway and the confidence to do more things like that in the future, which I foresee us continuing to do.” — Guitarist J.B. Brubaker
him on that and to see how he
stuff, and I think doing outside
works.
the box stuff ... is really fun for
(Laughs) No, nothing like that.
career is Deafheaven. I guess they’re not terribly unknown at
us, especially after six albums,
I saw you and Brent were
this point, since their last record
That was good, I agree. I
to be able to branch out and play
on with Jarrod Alonge, the
got a lot of acclaim, but I think
think his clean vocals fit the
some different genres of music.
YouTube guy. I have to know
that band’s awesome.
song awesome. I heard violins
And just try different things that
how that came about. That was
again on the album.
you might not expect.
a funny, funny video.
Yeah.
There are not a ton of newer bands, especially in the metal-
I like taking the “no rules”
He hit up our publicist and
core world, I am gravitating
approach to our music, especially
wanted to do something with us.
towards. I’m pretty jaded on the
I can’t remember the name
at this point. We started dabbling
We came through Atlanta on our
genre as a whole, being in it for
of the song, but one had a
with that on Leveler and our fans
last tour. He came up with the idea
so long and it changing so much.
Western-themed
were gracious enough to accept
of doing a funny video where we
I don’t like to sing pop choruses
us for doing that kind of thing.
were basically pretending that we
and that kind of thing.
For the Western section (which
It gave us more leeway and the
were always in a Christmas band.
For heavy albums I’m excited
is in track six, called “Majors and
confidence to do more things
We had seen his stuff before and
for this year, the new Between
the Minors”) I couldn’t tell you
like that in the future, which I
knew that he was a funny dude.
the Buried and Me that’s coming
exactly where inspiration for that
foresee us continuing to do.
We improved the whole thing with
out in early July. ... I’ll men-
him, and started to really drive it
tion that we have a guitar solo
bridge.
Where did that come from?
came from or why we launched into that sort of thing. Ever since
It’s become your own lit-
home. We were maybe more dry
from Paul Waggoner of Between
we did “Internal Cannon” like
tle thing, you know? To have
than we should have been with it.
the Buried and Me on (our new
that on Leveler, I’ve been getting
these types of bridges. I think
It was a fun interview to do,
album), on the song “Everlasting
these sorts of questions. “Where
it’s really cool, too.
for sure. Very, very different for
Ending,” that ridiculous guitar
did that come from? Why do a
Thank you. I’m sure there’ll
us because we’re not generally
solo. That was really cool for us.
part like that?” There’s generally
be other people who will think,
known for doing comedy stuff,
Being longtime fans and friends
not ever a great answer. “Well, I
“That song was cool until you
I guess.
of those guys, I know it was real-
heard this. And was feeling this.
went into that part!” (laughs).
So... I wrote this western section” (laughs).
ly special for me personally. What
is
your
favorite
In all seriousness, though, I
up-and-coming metal or hard-
I didn’t realize that. I’d
It just came out. I was noodling
really do see that as a part of
core artist? Are there any new
heard the song, but I didn’t
around and I came up with the
you guys, and it’s cool I saw that
bands you’re listening to?
know that he did that.
backbone of the part. I fleshed it
continuing. I was curious if you
OK. That’s a hard question for
People are going to think
out and turned it into what it is
had gone to the desert for a year
me (laughs). One of my favor-
that’s me, and it’s totally not. I
on the album. I like that kind of
and had this revelation...
ite bands relatively new in their
can’t play that part!
87
“WE DON’T FEEL LIKE WE’RE AT A POINT IN OUR CAREER WHERE WE CAN JUST LIKE REST AND LET THINGS HAPPEN.” — Brubaker
THE BOYS ARE BACK IN TOWN A PHRASE MANY THOUGHT WOULD NEVER BE SAID: “THERE’S NEW EMERY MUSIC”
BY DOUG VAN PELT PHOTOS BY MATTHEW DEFEO
“We have, for this record, spent zero time in a room together.” — Matt Carter
their super-popular Bad Christian
exploding craft brew market, it’s
unwavering and even a dog-
podcast. Knowing this in advance
surprising to find a 30-something
matic belief in staying true to
made me feel comfortable going on
touring musician stuck on generic
Christian community. Why is
their bus, parked outside the Dirty
brand lights.
that so important to you?
Dog Bar in downtown Austin, Texas.
Talking to the multi-instrumen-
Carter: I guess we figured that’s
With their thick Southern drawls
talist Carter on the bus, he told me
the central thing. I mean, all the
and Everyday Joe aura, they made
why the band doesn’t do as well in
other stuff about Christianity
themselves approachable and don’t
the Northeast. “We liken it to the
is super twisted up — cultur-
put up much of a wall of mistrust
culture up there being really tough,
ally and commercially, even —
for media.
and they kind of see us as pussy,”
but the idea of being connected
I found a comfortable spot on the
he explains. “Like, we’re heavy,
to people is the most import-
bus; we engaged in small talk and
but we’re still sassy. Girlie. They
ant part. Everything else will
they offer me a beer. While I stay
like their metal purely aggressive,
come out of that. Maybe they’re
pretty up to date with their pod-
and we’re a fruity version of heavy
important, maybe they’re not.
cast, I should have known founding
metal.”
But if you have a tight-knit com-
The guys in Emery have taken
members of the band Matt Carter
honesty to a new level. They’ve
and Toby Morrell love their mass
made their faults, quirks and every-
market light beer. While most of
amidst
contro-
you would also learn from them.
day personalities accessible through
the United States is enjoying the
versy you’ve stirred up is the
You would also, naturally, gather
munity, people you’re involved One thing that stands out any
of
the
with who are open and honest,
with them. You could, natural-
body, then maybe everybody
you. Especially little kids. The
estly, right now, yes. But 10 or 15
ly, pray with them and worship.
would be disqualified, and we
point is to be careful, don’t lead
years from now I just might be
You don’t necessarily need all the
couldn’t have any leaders then?
somebody astray, but a sermon…
tired. There’s only so much you
institutionalized stuff.
That doesn’t really make sense.
We put so much weight into the
can take.
All the good stuff that’s ever
Morrell: I think most of us
word “sermon.” Is every action
We have conversations with
happened in our lives has come
would be disqualified. If you
I do supposed to be a five-point
people, and I’m not trying to
from the small community, more
really looked at our entire picture
hermeneutical exegesis on what-
convince them, not say, “This
so than the thing at large. I don’t
and our entire life, it’d be really
ever truth? That’s stretching it a
is what I believe,” but put it out
know if we preach that or if that
hard to be qualified as a leader,
bit far, so I would kind of resist
there to think about it, expand
just comes out, but that seems
but, at the same time, I don’t
it, too.
my mind a little bit just to see
like the overlooked thing. We’ve
want to think of myself as this.
Morrell: You can’t attain that.
— and you realize they just don’t
institutionalized
community
The Christian culture is really big
You can’t live by that. You’d go
get it. They’re not going there. I
somehow. We’ve almost reduced
on leadership. There are train-
insane, I think.
do believe there might be a shelf
community to when you’re with
ings and DVDs and conferences.
Carter: And whether or not
life on how long I can actually
somebody for an hour and a half
We heard one today: How to be
people listen to you? That’s for
take it and just go, “Well, I’ll
on Wednesday nights. You have
a More Effective Leader Quickly.
them to decide to listen to you
just keep my ideas to myself,
“church” and you have “commu-
People think, “I’m a leader, so
as a role model or something.
and I won’t push back as hard,”
nity,” and I think that’s a prob-
I need to learn some skills.”
“Leading people astray” is really
because it’s just too exhausting
lem.
(Leadership) is something that’s
abused, in my opinion, because
sometimes.
Morrell: I think for so long, on
kind of endowed upon you as a
it’s license to, in all things, be
We had this conversation the
both sides, people have thought
gift. If we are leaders, it’s noth-
conservative and careful and not
other day. People really don’t
that the supposed “good guy”
ing I did.
daring, not bold and not your-
want their ideas challenged.
does the right thing. Goes to
Carter: From our point of
self. You use “don’t lead peo-
It feels good when somebody
church, believes this, this, this
view, what we’re trying to do is
ple astray” completely as fear.
agrees with you. My whole life,
and this. I think that’s not the
not teaching or (being) leaders.
“So, therefore, don’t do this. Just
people just told me about Jesus
truth. Christianity, like anything
We’re thinking of contributing
don’t do it.” That’s what it always
and God and hell up until I was
else, is so vastly different from
some reality to the stream. Even
means. I’ll push back. Maybe I’m
about 15-, 16-, 17-years-old and
person to person to person, from
if there’s no way I’m qualified,
wrong, maybe I over-push, but
my grandfather quit preaching.
preacher to preacher to preacher,
biblically, to be an elder, pastor,
that’s what I think.
He was a pastor, and I went to
from church to church to church.
shepherd, overseer, bishop — I
We feel like our demograph-
can still talk about whatever I
One thing I love about what
he retired, my parent’s marriage
ic is really under-represented in
feel like on the podcast and peo-
you guys are doing with your
fell apart, and they quit going
the world. You can be real and
ple can listen to it. To me, it’s just
communication
to church because they were so
have questions and have your
talking to Toby and Joey and let-
including people in the con-
real personality, and it can be
ting other people listen. I don’t
versation. A lot of that reflects
I think there’s a point where
good and bad. It’s OK to express
need to count that any more seri-
youth and the mentality that’s
that’s just all you can take. I hope
both of those and not feel con-
ous than how I just described it.
his church my whole life. When
is
you’re
exhausted from it.
embraced by youth, to dissect
we would do that, but I don’t
demned or worried that your
Morrell: I guess, honestly, I
controversial subjects by hav-
know. It’ll be interesting to see,
image is hurt or something like
don’t think I am a teacher. I kind
ing an open discussion. How
for sure, to see how much energy
that. We need a savior, so why
of hope I don’t end up being that.
do you think all this trans-
we have.
do we care about our image? I’m
I don’t want to teach anybody
lates into old age? Do you think
Carter: I’ve always felt differ-
showing you why I need Jesus
anything. I’d rather we (learn)
something’s going to change
ent and opposed to the status quo,
with both the good and the bad.
together.
10 or 15 years from now?
so I can’t imagine that changing.
What do you do about the whole mentality of “being a
Carter: The Bible says not
Morrell: Like that Ben Folds
But how many conversations are
many of you should aspire to
5 song, where you turn into the
you going to have with this per-
teach. (Editor’s Note: James 3:1.)
man or something (laughs)?
son that’s mad that you cuss?
respectable leader” and the
Morrell: That’s funny. I had a
Carter: Are we a little behind
You say the word “damn,” and
“higher standards” put upon
pastor tell me once, “Everything
schedule? I mean, maybe I’m a
they go, ‘Oh, listen…’ You can’t
leaders in the Bible? How do
is a sermon. Everything you do is
later bloomer and doing things
even get to the meat of what it is
you wrestle with that in the
a sermon.” I don’t think I want
late. We’re pretty middle-aged.
because of a word you use!
grand scheme of things?
to believe that. I hope it’s not.
I’m 35; Toby is closer to 40. I
Are you asking, do you think
Carter: You don’t have to be
If that’s the case, then there are
mean, I’ve still got a lot of fire
our views will soften up or that
a leader. If you’re disqualified
sermons about, “Watch how bad
for trying to resist the system
our activity will wane?
from leadership biblically, you
I’m doing at everything.”
or do something different. As of now, I still feel aggressively
Will the flavor change? It’s
tion. Or I can hide the things
I get the point. I agree with
anti-the norm. The norm always
a very freeing, open envi-
that might disqualify me so I
you. What do you think? Do
drives me crazy, so I feel like it
ronment that you promote. I
can continue to be a leader, but
people look at you the same
always will.
wonder if you’re still going to
that don’t make no sense. If you
way?
should make that determina-
knew everything about every-
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H M • M AY 2 0 1 5
Morrell: Well, people watch
Morrell: I don’t know. That’s a great question because, hon-
have the same mindset. I don’t know the answer.
Carter: I just think I’ll be an
ing all the vocals in Charleston,
everything ourselves, so Matt
have made it different in that
equally unique old person. I
South Carolina, while Matt’s in
is needing to get a guitar track
order? Like, if we had made In
won’t be the same as I am now.
Seattle, Washington. Dave’s in
recorded, but at the same time
Shallow Seas next, and then wrote
But I’ll just be a weird, old guy.
Indiana.
he has to talk to a distributor to
Only A Man and recorded it, I won-
The frustrating part is I work
help us distribute the CD. And
der if we would have approached
hard on something and then we
then he has to talk to magazines
the recording and the arrange-
all listen to it together and peo-
to try to get the thing promoted.
ments differently? What if we
ple go, “Here’s my input.” I spent
With that being said, we’re also
wrote those songs now? They
Carter: I think it’s permanent.
hours on that part, so how do
doing our daily jobs. We’re doing
would still come out differently
Morrell: It’s a gift.
we go back? Then I know I allot-
the podcast. We have families
again — even the same songs.
ted this amount of time in my
and all that stuff.
I’m a weird 35-year-old now. I’ll be a weird 65-year-old. Morrell: So, your awkwardness will be a strength?
Let’s talk about the new album. Carter: I’ll talk about the crowdfunding part of it. That is
Morrell: That’s true. Carter: I would be interested in
schedule to do this, so if some-
Morrell: I was talking to Matt
thing changes, that means my
about this the other day. It would
schedule changes for when I get
be so fun to go back and just have
back home.
a month to be in the studio and
thought it was really neat and
seeing that, too. Morrell:
At
the
time,
we
so exciting. It’s so good to put
At the same time, it’s been
record. We did that. With The
creative. I think we might have
ourselves out there. We didn’t
really cool because I believe I’ve
Question, we wrote the record in
left some people: “I don’t know if
want it to be a cash-in thing,
really pushed myself (lyrically
one month and, the next month,
this is the band I’ve loved for the
where we just got a bunch of
and vocally) because it’s just me,
recorded it. It was very fast, but
last two albums? Is this Emery?”
money and said, “Oh cool, now
and I want to try and do some-
I would kill to have that much
And maybe it was too much for
we don’t have to worry about
thing really cool. So, “What does
time now. ... But now, with kids
them in the moment.
the record,” which crowd-fund-
Toby think is really cool right
and my life and everything,
I really love that record. I love
ing can be. With all the other
here?” and “What do I think the
everything is on us, so we have
that time. I love everything
stuff we’ve been doing with Bad
guys will think is really cool?”
to make all of the decisions.
that went into that. That whole
Christian and BC Music, we’re
Carter: It’s really adventur-
At the same time, we get to
time was great. Honestly, when
operating more closely to how
ous. Yeah, there are songs where
make the decisions. Nobody’s
I go back and listen to all of our
a real label operates. There’s
you’re just like, “Ah, classic
going to tell us, “Hey, you really
records, occasionally I’ll pop in
not just an independent band
Emery! This is so cool!” And
need this song to go first on the
The Weak’s End — or whatever
that puts a CD out and puts it
there are songs where you’re
record,” or, “This is your first
record it might be — I’ll play
on iTunes. We’re going to be
like, Man, I’m going to listen this
single.” Whatever we say is what
all of them, and when I hear
in stores. We’re going to have
one a few times and figure out
we get to do.”
that record, I go, man, this is
a distributor. We’re working it.
what the hell this is.
really neat. I love what we did
We have advertising, marketing
Dave Powell (drummer): It’s
If you knew then what you
on this record. Even with this
budgets and all those kinds of
been fun for me, because we
know now, how would your
record right now, that’s what I
stuff and publicity and we’ll be
tracked this album months ago.
career be different and why?
was kind of thinking. One of my
functioning like a full label.
When we tracked it, I didn’t
Morrell: I don’t know if this
favorite bands, if not favorite,
really
know how the lyrics were going
will be cred or cool, but I wish
is Weezer. I would love it if they
exciting to me, on the business
to go. ... It’s like listening to a
I could switch our record, In
wrote another Pinkerton. They’re
side, is that we were able to fund
new band for the first time. It’s
Shallow Seas We Sail, with I’m Only
probably not going to, but that’s
it independently. We’re going
kind of cool. It makes me think.
a Man. I don’t think people were
what I know about Weezer, and
That’s
what’s
been
to use that money to leverage
Carter: We developed a thing
ready for that record. If those
I want that to be Weezer. They
ourselves and put us in a posi-
where we don’t, at any point,
would have switched, it would
could each go to write differ-
tion where we can act like a real
really play together or rehearse.
have been a better transition to
ent records, but when I hear a
label. I’m really looking forward
That’s not really a part of the
get to that record. When that
new Weezer record, I want it to
to working the release and really
process. People ask a lot about
record came out, they thought,
be Weezer. I understand that.
trying to not just cash in on our
songwriting process. Ours is
Emery’s changed everything!
When they listen to Emery, they
2,000 best fans, but still push the
almost entirely digital, as far
What are they trying to do? I
want it to be Emery. Maybe, in
music out to new people.
as working independently and
think that would’ve been a
retrospect, it would have been
Morrell: This time, it was dif-
putting it together when we
smoother transition.
nice to say, “Let’s meet our fans
ferent because we all live all over
track drums. We have, for this
I have to understand a little
a little bit where they’re at so
the place, so we’re doing things a
record, spent zero time in a room
bit more where people are at and
they can move along with us.”
lot over the Internet. I work at a
together. At no point have we
meet them where they are and
Some bands are great at doing
church. I have a family — three
played the song together. Not
not just try to force what I think.
that. Some bands are able to
kids, a wife. And so to fly and
even once.
They can’t even understand it.
change their sound and people
They can’t even speak the lan-
are just (snaps fingers) — they get it immediately.
stay in Seattle for a month? I just can’t do it. I don’t even have the
What else about the album?
guage I’m speaking, like, even
time possible to do it, and we
Carter: It’s taken a lot longer
when we’re talking about the
Carter: I don’t know if some-
than I thought because we are
church or whatever. They need
body could accuse us of being
What’s been different and
doing it without a label. We’re
a transition to move them there.
self-indulgent. Yeah, we like
kind of cool is that I’m record-
doing it ourselves. We are doing
Carter: I wonder if we would
it, but what does that have to
knew that going in.
93
“We never thought about being here. I never thought I’d be a dad, late 30s, doing that on stage. That never occurred to me. We’ll play a show soon and Toby will be 40. It’ll happen.“ — Matt Carter
do with other people liking
nothing to complain about, but it
say, “What do you do?” and I say,
Powell: It’s less embarrassing,
it? Sometimes people do like
felt weird.
“Play in a band.” I’ll say, “I’m in
but, I feel like, if you just tell
the music business,” and they’ll
them what you are and you’re
say, “What do you do?” And I
confident about it, they’ll just accept it or not.
I’m Only A Man. The same with Pinkerton: maybe it’s a failure,
Morrell: That’s still part of that: It still sold great.
but there’s tens of thousands of
Carter: I’ll be glad if our new
say, “I play guitar.” They’ll say,
people who think it’s the best
album sells as much as that one
“What band?” And I’ll say, “I
record possible.
did.
play in a band called Emery,” and
Morrell: I say “really hard rock.”
It was a pivotal time for us,
I have one more detail that
they’ll either go, “Ah. There was
Powell: I used to say that, but
making that record and it not
I hadn’t really thought of that
an old band called Emery that
we’re an emo band. We thought
doing as well as we thought it
plays into this. We were at our
I used to listen to when I was
we were an emo band when we
would. That had an impact on us.
height right before that record
younger.” And I go, “Same one!”
started and then screamo came
I don’t know if we would neces-
came out. Everything was the
Morrell: Still going!
around. Now that’s 13 years old. I
sarily change anything.
most promising it could be. We
Carter: Or they’ll say, “What
guess we called it “screamo” for
Nobody owes us anything. We
were on a big tour. It was when
kind of music is it?” And I’m
awhile. I liked emo music. I still
thought at that time that people
Red Jumpsuit (Apparatus) was
sitting there with this business
like emo music, so I don’t mind
like what we do. I thought, “What
big. We were big and they were
man or somebody old — my age
saying it.
people like is what Matt does.”
really big and the tour was going
— and I’m just like, “Um, it’s
And then I was betrayed to find
super well. We had written only
heavy music.” I’m thinking they
out they liked something that
two songs for Only A Man, and
don’t know the genre. “It’s like
yourselves
I did, not whatever I do, which
we played them on that tour and
punk?” I can’t just tell them it’s
the podcast and doing living
is a mistake. I thought what-
they went over really well. But
screamo or something. They
room shows, your fans proba-
ever I make, they will like, and
that was because it was at our
won’t even know what that is. I’ll
bly feel like they know a little
it’s attached to me. But it really
best possible shows at our biggest
say, “It’s like punk, kind of hard.
more about you. How has that
wasn’t attached to me. The stuff I
possible time and it was super
It’s kind of heavy.” They’ll go,
effected your career?
happened to be doing at the time,
exciting. I think it gave us extra
“OK, cool.” It’s singing, scream-
Morrell: I think it’s helped. I
a lot of people happened to like.
fuel to think that album would
ing. It’s really awkward to be this
think a lot of people only get very
But they didn’t owe me anything.
be big. We were like, “Man, we’re
old. I always go, “We started this
brief interactions with bands
When I made something they
playing the new songs and peo-
band when I was 20, but we’re
that they like. Now, there’s a
didn’t like, they didn’t care.
ple are already going crazy. This
still going,” as if that’s an excuse.
little bit of cool celebrity or mys-
new album is going to be huge.”
It just seems embarrassing that a
tique where their hero is onstage
dad in his ’30s would be pursu-
and you can’t get to them.
How did that affect you?
Now
that
you’ve
vulnerable
made with
Carter: Well, we didn’t get
We spoke about each album at
ing screamo. It feels super weird
We’re just like regular dudes
rich. It prevented us from get-
length, but towards the end. Carter
to say that to people when I’m
with regular families and all that
ting rich. It hurt my feelings a
began to reflect on his sentiments of
explaining it to them.
stuff. I think people really relate
little bit. It gives you a little bit
middle age.
of anxiety. “Wait, you mean I’m
indie rock bands at home. Some
not in control of this? What if we
about being here. I never thought
of them know our band. A lot of
The thing I dislike the most
sell less? What if I can’t do this
I’d be a dad, late 30s, doing that
them don’t. I just gave up trying
is the idea of someone thinking
anymore? What are we going to
on stage. That never occurred to
to describe it.
highly of me because of this thing
do? Do we have to break up? Do
me. We’ll play a show soon and
I need to get a whole other job?”
Toby will be 40. It’ll happen. It’s
You thought you were in control
inevitable, but that’s not some-
Powell: But now it’s actually
body just because they think they
of something and you weren’t.
thing we foresaw or ever even
becoming popular again. It’s like
should talk to me, because I’m
It’s more existential. We still had
thought about.
a revival of music now.
famous. I think now it’s more like
96
H M • M AY 2 0 1 5
We
never
to it, because they’re like me.
thought
a band. We still had fans. It was
Carter:
Powell: I work with a lot of
I tell people all the time. They
Carter: It feels like saying, “ska.” It’s a label that’s old, too.
Carter: A screamo revival!
That’s kind of cool.
I did on stage. That doesn’t feel real. I don’t want to talk to some-
they think they can make a joke at
97
my expense instead of just being
you are? That’s what most peo-
You could just accept these fans,
be really cool. We’ve toured with
in awe. They heard me make a
ple know about me? And I didn’t
and it’s this cool interaction you
other bands that could never
joke on the podcast about poop or
even write the lyrics.
can have. I remember when I
do that. They’d feel so uncom-
It feels way better for people to
could have conversations with
fortable or they have to have a
Carter: It’s completely reliev-
know stuff I think or stuff I say
hundreds of people that you met
certain look or something. We
ing. That’s one of the things
or if I’m annoying or not. That
at a show the day before. It’s
tried that before, but it’s always
about the podcast; that’s really
feels way better. It’s relieving to
kind of exploded beyond that,
backfired on us. We’ve tried to
the main goal. I don’t want this
know that more people under-
but social media has allowed it to
all dress a certain way or look a
to sound arrogant, but I want to
stand about me. It makes it more
where you can create a commu-
certain way, but that’s just not
be known by more people. But
comfortable.
nity with your band or your brand
our personality. We don’t care
or you. That’s real.
that much about it.
something.
known, not known about. A lot
Powell: I think with social
of people know about me, and
media, it’s almost natural for you
There is something to be said
We’re individuals in this band.
that’s uncomfortable. There’s a
to know more about people. We
for a “rock star,” that you can’t
We’re not just a sum or an entity
barrier there, and I don’t know
started with MySpace. I remem-
know this person. That air they
they can’t know or grasp. I’ve
who they are.
ber when we started our Facebook
have attracts people to them, but
always liked the bands like that.
Now it’s just relieving. People
and you had to go and add people.
aside from that, and especially
The bands we’ve toured with and
know what I’m really like. You
This was before you could be a
for us, being real with people
gotten along with are the same.
express yourself through a song
band. I had to go through and add
and our fans is really cool. We
Most people are just real, regular
with some poetic, vague lyrics
hundreds of people a day. “Yes,
like to wear stupid costumes on
people. It probably goes as far up
and that’s supposed to be who
accept!” That’s how it started.
stage and be dumb and not try to
as Kanye West.
98
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V
FROM THE HM VAULT
ISSUE NO. 143 APRIL/ MAY/ JUNE 2010 “FUNNIEST THINGS ABOUT EACH BAND MEMBER?” When asked to share something funny or quirky about each guy, As I Lay Dying guitarist Phil Sgrosso was quick to blurt out, “Josh (Gilbert, bassist) has a Creed tattoo on his leg. ... Nick (Hipa, guitarist) sometimes finds himself being open to be the one what we all kind of mess with. ... Jordan (Mancino, drummer) is pretty quirky, too. He’s got crazy O.C.D. Some days we’ll wake up on the bus and Jordan’s up front, cleaning the entire lounge. ... Tim (Lambesis, vocalist) is usually the dude stuck to his computer all the time, whether it’s school work, band stuff. He’s definitely the most organized member.”