Oksana Kolesnikova Exclusive Interview

Celebrating Diversity In The Entertainment

MONTHLY

VANESSA WILLIAMS GRACE, BEAUTY AND GRIT

exclusive photos th 77 Annual Golden Globe Awards with Moët & Chandon

DAVID CARVER

HAMLET THE ROCK MUSICAL

BEDSIDE READING BOOKS TO DEVOUR Photo Credit: Mindy Sahagun-Ruder

KOLESNIKOVA Exclusive INTERVIEW

LETTER FROM THE EDITOR

W

elcome readers to a very special issue of Hollywood Monthly Magazine. We are honored to have Oksana Kolesnikova gracing our cover. She is a composer, concert pianist, entrepreneur...and true testament to "The American Dream".

As the current owner and operator of the Oksana School of Music and Art in Beverly Hills – a facility that has won the coveted Best of Beverly Hills Business Award and which has become recognized on L.A.’s uber-competitive arts education scene – Oksana reaches students in the greater Los Angeles area through in-person and online lessons, with a plethora of professional instructors boasting years of experience under her tutelage. Pupils exhibiting skills of all levels, from beginning to intermediate to advanced, are welcomed in a state-of-the-art environment, and even students in other states or countries get in on the learning experience by way of Skype music lessons.

Yet even with the impressive accomplishment of establishing and running her own music school and recording albums that represent a showcase for her classical pianist expertise, Oksana has further expanded into other ventures, what with the Oksana Management Group, Inc. arm of operations regularly holding exciting mixer events throughout the Los Angeles area, her music school evolving to include well-received After-School Enrichment Programs and more.

Indeed, in a town notorious for sheltering the dreams of everyone who has ever fantasized about becoming famous – or infamous, in some cases – it’s not always easy to cut through the thick fog of Hollywood promises and find one’s footing…but this classically-trained composer, concert pianist and entrepreneur has done just that in a relatively scant period of time.

We are so proud to have Oksana as our Hollywood Monthly Cover Star!

As always, readers, we thank you. We are who we are because of YOU. Wishing you all Peace & Happiness!

Anthony Ewart Associate Editor

PUBLISHER/EDITOR IN CHIEF Prather Jackson VICE PRESIDENT Bernice Harris Michael D. Coxson SENIOR BOOK CURATOR Jane Ubell-Meyer ASSOCIATE EDITOR Anthony Ewart DIRECTOR OF CREATIVE SERVICES & ASST TO THE PUBLISHER Jordan O'Quinn-Campbell MARKETING & SALES Launy Rhem CONTRIBUTING WRITERS Anthony Ewart Alex A. Kecskes Allison Kugel ART DIRECTOR Damian Aragon PRODUCTION MANAGER George Hegedus PRODUCTION DESIGNER Denise Chavez VIDEO EDITOR/ PRODUCER Israel Aleman CHINA OPERATIONS Victor Migalchan victor@hollywoodweeklymagazine.com (213) 220-3052 (424) 371-9900 INDIA OPERATION Ike Sinha Country Director Art4Peace Awards Hollywood Weekly Magazine B1/1565 Vasantkunj New Delhi-110 070 Mobile +919599068592 ASIA OPERATION Joyce Penas Pilarsky HWM Asia Ambassador Email: info@joycepilarsky.com Bench Bello HWM Asia Operations hollywoodmagazineusa@gmail.com Mobile +639273895559

@ANTHONYEWART @ALEXANDRINEPOET

CALL: (424)371-9900 EMAIL: HollywoodWeekly@gmail.com

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6 MUSIC 12

OKSANA KOLESNIKOVA Composer, Concert Pianist, Entrepreneur...

Overcoming Shyness Through Music

14 VANESSA WILLIAMS 18 REGINA DANIELS 26 DAVID CARVER 32 Hamlet the Rock Musical SOUL VISION MAGAZINE 36 Quincy Jones, Youth Employment & Debra Martin Chase HITHA 38 Singer Lesley Ann Warren Joys and Challenges of Acting

Grace, Beauty and Grit

Nollywood A-List Child Star

OKSANA KOLESNIKOVA

Photo Credit: Mindy Sahagun-Ruder

®

HM NOMINEES for BEST PICTURE At The 92ND ACADEMY AWARDS

BEST PICTURE NOMINEES

THE IRISHMAN FORD V FERRARI Martin Scorsese, Robert De Peter Chernin, Jenno Topping and James Mangold, Producers Niro, Jane Rosenthal and Emma Tillinger Koskoff, Producers

JOJO RABBIT Carthew Neal and Taika Waititi, Producers

JOKER Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff, Producers

LITTLE WOMEN Amy Pascal, Producer

MARRIAGE STORY Noah Baumbach and David Heyman, Producers

1917 Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall, Producers

ONCE UPON A TIME...

IN HOLLYWOOD David Heyman, Shannon McIntosh and Quentin Tarantino, Producers

PARASITE Kwak Sin Ae and Bong Joon Ho, Producers

More Nominees in Next Issue

Dear Studio Executives: I am delighted to announce HW’s new Film Division focusing on developing major film projects. Our slate of hi-concept feature films have projected budgets between 5-15 million dollars. I personally feel, HW’s Film Division presents a great opportunity for any major Hollywood studio seeking a conduit to a broad segment of an largely unrepresented society of people.

PRATHER JACKSON

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We have expanded into an international publication with global print distribution into 16 foreign countries. Future editions of HW will identify stories that can easily be adapted into major films.

Below are a few of our current film projects. Please contact me if you are interested.

“LEGAL POSTITUTES” (TREATMENT EXCERPT)

By Prather Jackson

Currently in Pre-Production with Dream Street Entertainment Producer: Gloria Morrison

02

GRASS ROOTS: AMERICA’S SECOND PROHIBITION The Underground War in Compton for the Control & Legalization of Marijuana in the 90s Cable/Streaming Original Series written by Anthony Ewart

“America’s Second Prohibition” tells the story of all the men and women who lost their lives or were incarcerated during America’s prohibition of marijuana. The series focuses on ground zero of the resurgence and explosion of marijuana in America: Compton, California in the 90s -- the birthplace of West Coast Hip-Hop and the new fusion of music and marijuana as a lifestyle. But not everyone who sold marijuana in Compton was a drug dealer, and this was The War. Marijuana activists fighting for the legalization of the marijuana they sold to the community against those who sold crack and heroin -- the real drug dealers. And in the midst of this struggle you had the Crips and Bloods killing each other. But the African-American families in Compton found a way to survive these turbulent times. “America’s Second Prohibition” introduces a global audience to the tough, fascinating characters who populated “Compton of the 90s,” and shows the resilient, joyful loving spirit of African-American families who lived through this violent moment in our history.

03

“PROPHECY”

By Ben Hur

The screenplay revolves around Isaiah, a smart but troubled, bigoted and hateful young African-American man who is going down the wrong road in life. Despite a religious mother challenging him to become someone great, and a wonderful girlfriend who adores him, his intolerance toward White people based on a lie he was told as a child keeps pulling him in the wrong direction. Marred by a victim mentality and an obsession to get rich, when his last hero Dr. Martin Luther King Jr. is assassinated, he loses all hope and succumbs to temptations for making fast money as a drug runner and thief. It is at this time he meets Joshua, a quirky, rather innocent young man of Middle-Eastern descent who has just been released from a mental institution, where he was incarcerated for believing he is Jesus Christ. Joshua’s childish innocence compared to the stark harshness of a streetwise conman makes for odd traveling buddies.

04

“HEROES FROM HEAVEN”

By Dr. Scott Glenn

In the Garden of Eden two beings of light are tricked into consuming a forbidden fruit from the tree of knowledge by a man made of flesh with a sinister smile. Creatures land from the heavens and cast Adam and Eve from paradise. As the millennia go by, their descendants continue to fall further and further from grace. The world is broken into seven different continents.

Each is led by an unfortunate soul who has been twisted by one of the seven deadly sins and given dominance over man.

Together, they rule as the Seven Continental Alliance.

05

THE HOUSE BEHIND THE CEDARS

By Brian Kinsey

For a young mulatto woman passing for white in the Carolinas in the 1870s, her dreams of leaving an oppressive black existence are crushed when the white man she plans to marry discovers her true background, forcing her to return to the black world and embrace her true identity.

Email: HollywoodWeekly@gmail.com or Call: (424) 371-9900

OKSANA

KOLESNIKOVA

Getting to know

OKSANA

KOLESNIKOVA COMPOSER, CONCERT PIANIST, ENTREPRENEUR… AND TRUE TESTAMENT TO “THE AMERICAN DREAM”

W

e recently sat down with Oksana Kolesnikova, the Russian-born classically-trained composer, concert pianist and entrepreneur based out of the Beverly Hills area, to find out more about her roots, her beginnings in Florida, the kind of music she composes, some of her most famous gigs and much more, offering a peek into the businesswoman extraordinaire who has become a true testament to “the American dream.”

The current owner and operator of the Oksana School of Music and Art in Beverly Hills – a facility that has won the coveted Best of Beverly Hills Business Award and which has become recognized on L.A.’s uber-competitive arts education scene – Oksana reaches students in the greater Los Angeles area through in-person and online lessons, with a plethora of professional instructors boasting years of experience under her tutelage. Pupils exhibiting skills of all levels, from beginning to intermediate to advanced, are welcomed in a state-of-the-art environment, and even students in other states or countries get in on the learning experience by way of Skype music lessons.

Yet even with the impressive accomplishment of establishing and running her own music school and recording albums that represent a showcase for her classical pianist expertise, Oksana has further expanded into other ventures,

what with the Oksana Management Group, Inc. arm of operations regularly holding exciting mixer events throughout the Los Angeles area, her music school evolving to include well-received After-School Enrichment Programs and more.

Indeed, in a town notorious for sheltering the dreams of everyone who has ever fantasized about becoming famous – or infamous, in some cases – it’s not always easy to cut through the thick fog of Hollywood promises and find one’s footing… but this classically-trained composer, concert pianist and entrepreneur has done just that in a relatively scant period of time.

Q:Tell us about your move from Russia to the U.S. – what was it like for your family there, and where did you end up settling in America?

Oksana: We moved to the U.S. in the early ‘90s when I was in my mid-teens; life was not easy back home, and the country was going through major economic turmoil and dramatic changes. I feel truly blessed that my family brought us to America, eventually settling in beautiful St. Petersburg, Florida.

HOLLYWOOD MONTHLY• 7

Q: Why did you choose St. Petersburg when coming to the Q: How did you land the prestigious position playing piano USA? daily at the Polo Lounge in the famed Beverly Hills Hotel?

Oksana: I would have to say it was fate; upon arriving in the States, we landed in Miami, but we were heading to San Francisco, and so we took a coastal train to see and experience some parts of America. To say it was marvelous is an understatement – but perhaps more importantly, we struck up a conversation with a fellow traveler who offered a real glimpse into what the U.S. was all about, immediately connecting with this individual. She provided us so much interesting and valuable information, and we truly enjoyed learning about this new place we were calling home. One of the most powerful impressions she left on me was her enthusiasm about this gorgeous city called St. Petersburg; in fact, this enthusiasm had such an effect on us that after a year or so living in San Francisco, we decided to visit the Florida hot spot and fell in love with everything about it. In making St. Petersburg my home, I eventually graduated from Saint Petersburg College – of which I have the fondest memories – and during my tenure there won a piano competition that earned me a full scholarship at Florida State University.

Oksana:To be honest, it was the cumulative result of pure hustle, passion and determination. When my husband and I moved to L.A. in 2006 from the Tampa Bay area to be in the Mecca of the entertainment industry, we didn’t know anyone, and so to establish myself in the new city, we had to literally knock on the doors of countless food and beverage directors of upscale hotels and other venues (who, in Hollywood, handle all entertainment bookings). A lucky break came when one of these managers gave me the contact of a well-established booking agent in L.A. who handles all entertainment for several five-star hotels; after multiple attempts and a passion-endowed perseverance in trying to establish contact with him, he finally took notice and gave me the opportunity to perform daily at one of the most glamorous venues in Beverly Hills, the legendary Polo Lounge, where I performed from 2006 until 2013.

Q: You must have quite the interesting collection of stories – who are some of the celebrities you played for?

Q: What kind of music do you compose? Where can we Oksana: My seven-year tenure at the Polo Lounge was filled with daily excitement and interactions with just about evhear it? ery A-list celebrity – from Arnold Schwarzenegger to Brad Oksana: Being a very versatile musician and having been Pitt, Madonna, Jennifer Lopez and others. I would play at classically-trained, classical music is my first love…and al- the Lounge during lunch hours when these stars would come ways will be. Bach, Beethoven, Mozart, Chopin, Debussy in to have meetings with their managers. One of the best and, of course, my favorite, Rachmaninoff, are all inspira- highlights of that time is when one day I was playing Elton tional beacons for my work. However, in facing the “real John’s ‘Your Song’ when lo and behold, Elton John himworld” following my schooling, I realized that the demand self walks in! He strolled over to the piano, smiled and said, for popular and rock music was greater than the demand for “Nice song, isn’t it?”He then sat at the table next to the piaclassical. Ultimately, I had to switch gears and change with no, and when I was done, he hugged me and complimented the times, as they say, so I delved into discovering and learn- me on my playing. This is just one example of the many ing music of all styles as performed by contemporary artists. celebrity interactions I can tell you about; in fact, some of Indeed, I learned how to play everything from The Beatles these celebrities took notice of my playing and would into Elton John, Queen, Jerry Lee Lewis and everything in quire about private piano lessons. This interaction eventubetween; at one point, I had engaged in seven consecutive ally became the catalyst that helped build my private studio hours of never repeating the same song. Still, my true artistic (teaching celebrities and their kids) and also inspired me to calling is composing my own original music, which I would perform at many gala events and fundraisers. classify as “crossover” – a combination of both classical and modern – and I continue to pour my heart into composing Q: How did you transition from pianist, composer and beautiful melodies, a sentiment that I consider the essen- one-on-one music teacher to educating countless stutial core of my every musical creation. My music is overtly dents on a variety of instruments? deep and intended to inspire contemplation and reflection, Oksana: My first company, the Oksana School of Music, and while I love writing for piano, I have collaborated over the years with many other talented musicians who went on was born grassroots-style, if you will; when I became a to create their own instrumental and vocal arrangements of mom, I could no longer travel and perform as much as I used my music, in varying styles. What’s more, there are about to before, so I focused my energies on building my busi200 YouTube videos depicting me in action on my channel, ness. Thanks to the many years of creating and cultivating contacts at the Polo Lounge, I was ready to transition into dubbed Oksanabella. starting my own venture and becoming a businesswoman.

8 • HOLLYWOOD MONTHLY

I started out by building my studio for piano students, but I soon spotted an opportunity for something unique when many of my existing piano clients would ask me for referrals for the siblings of my students, for the purpose of learning other musical instruments. At that point, I slowly started building a team of contracted professional musicians who shared the same passion for teaching and who wanted to make extra money. This is essentially how the current iteration of the Oksana School of Music was born, offering not only piano but guitar, drums, singing and other instruments. Currently, we have over 70 teachers on our team.

Q: How did you recognize the need for the arts and scholastic enrichment in L.A. schools?

Oksana: It’s not a secret that so many music, arts and foreign language programs have been cut out from schools nationwide.

When I moved to a new school district and was enrolling my son in the new school, I was also hoping to enroll him in extra curriculum after-school programs so he could learn a new skill or subject. At that point, I realized that none of these were available; not only at my child’s school, but in so many others. In understanding that there were so many other parents that wanted the same options as I did, I created exciting and affordable group programs and pitched them to several schools. I received an overwhelming reception for our After-School Enrichment Programs, which now are in many schools throughout L.A. and in Beverly Hills.

Q: What inspired the foreign languages and test prep options to evolve from your music program?

Oksana: In 2010, I launched my second company, Oksana Management Group, Inc., also known as OMG, Inc., and wherein the Oksana School of Music would only offer music lessons, OMG, Inc. would expand to provide foreign language and academic tutoring, being that I saw the growing demand for these subjects through my music lessons clients. In fact, many of the very same clients who had signed up for music lessons ended up needing additional services such as foreign languages and/or academic tutoring for their children. So, once I had informed them about our new expansion, they felt more comfortable working with us rather than searching for an outside solution, being that they could experience everything under one roof, delivered in a professional manner.

Q: How many schools are you serving and where are they located?

Oksana: We initially launched in Beverly Hills, and then expanded into Santa Clarita and South Bay. Currently we service dozens of schools and have reached maximum capacity at our headquarters. However, since the demand for After-School Programs was at an all-time high and we wanted to continue growing our brand nationally, the idea of franchising our business model came along. And so, as of this past October, we launched our own franchise venture, Oksana Franchising International, Inc., allowing us to duplicate the same success through other entrepreneurs nationwide – and, as our namesake suggests, even internationally at some point.

Q: What was the inspiration to make your enrichment program available for franchising?

Oksana: The private education sector is a multi-billion industry. There was and always will be great interest in educating children and providing them opportunities beyond what general education can provide. For as long as there are kids around, their parents will want them to be involved with sports, music, art, drama and, of course, anything to improve their grades through tutoring and strengthening their academics. Through building OMG, Inc., I learned that I could scale my business model to meet this demand; it took us 10 years of hard work plus trial and error to get to this point of success and expansion, but our franchisees can minimize the learning curve and avoid costly mistakes to get to the same point. We provide a proven formula and turn-key operation for other entrepreneurs to be just as successful.

Q: What goes into the preparation for that kind of business offering?

Oksana: Well, I am going to be honest here…it’s not exactly a walk in a park: It entails a lot of hard work, organized

thought and many sleepless nights. It took one year of diligent work and preparation for putting together the layout of the foundation for our Franchise model, with the help of our Franchising Consultant, which made it possible to get it all approved by the FTC and U.S. Regulators. But now, I’m proud to say that as of this past October, Oksana Franchising International is officially approved to award franchises in 35 states, to start with.

Q: What advice do you have for musicians, educators and budding entrepreneurs who want to move beyond their current vocations, but don’t believe they possess the expertise to run a franchise?

Oksana: Be your own boss! And I’m here to help by offering this fantastic franchise opportunity. I’m highly vested in our franchisees’ success; when they succeed, we succeed! To ensure that, we provide several days of in-depth training and ongoing support so they can duplicate our success and attain their own American dream. Also, our competitive advantage is that we make the entry level for our franchisees as smooth and easy as possible by offering very low initiation fees and royalties, and by assigning the largest protected territory.

Q: Are you performing at any upcoming events where we can catch you?

Oksana: Yes, in early 2020, I will be performing at a pre-Grammy Awards party at the Los Angeles Chargers’ penthouse headquarters and will be presented with an Award of Excellence in Education.

I can be followed on social media, where I post my activities and other interesting tidbits; on Instagram: Pianist Oksana and on Facebook: OksanaEnrichment.

Q: What is the website for your services and franchising?

Oksana: www.OksanaEnrichment.

OKSANA FOUNDATION

Mission and Goals for OksanaFoundation.org Children are our future. I personally, truly enjoy working with children and have been dedicating my life’s mission to them. This is what motivates and drives me to succeed every day!

Through our Non-Profit, Oksana Foundation, our goal is to bring educational opportunities to the underprivileged youth.

It all stems from my own experience; I never dreamed about pursuing my talent and passion due to limited means, when I came to this country in my late teens. It was not until others believed in me and gave me the opportunity to pursue a higher education. And that has changed my life!

I am driven to duplicate the same experience by making a positive difference in young people’s lives, who otherwise could not afford it! I want to bring out the talent in each underprivileged child, so it can be nurtured, cultivated and utilized to better the world around them.

I thank all of you who believe and see my vision and decide to join me in this journey of truly making a difference!

Yours Truly, Oksana 10 • HOLLYWOOD MONTHLY

www.OksanaFoundation.org

Oksana’s Photos By: MINDY SAHAGUN-RUDER

Overcoming Shyness Through Music

BY OKSANA KOLESNIKOVA

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Oksana Kolesnikova working with her # 1 student, her son Alessandro

hen I was a little girl, I had a problem many children face: I was shy. It was difficult for me to relate to my classmates, not to mention the trouble I had talking to my teachers. I felt like I had nothing that would show the world that I was special. Then, thanks to my parents, I found music.

I began studying piano and suddenly I was able to open up like never before. I could now understand and appreciate the delightful nuances of a musical work. I gradually learned to swim in the deep end of music, getting immersed in more complex melodies, harmonies and rhythms. I wanted to learn more about the world, the sounds in it and the people and cultures who made them. In turn, I was rewarded with Chopin, Beethoven, and Gershwin. Here are three ways music helped me to overcome my shyness.

Performing: A big part of being a musician is performing and sharing your art with others. Admittedly, the first time I stepped on stage I was nervous, but when I began to play all that melted away. I had a job to do, and once I saw how happy it made everyone it encouraged me to get out in front of people more. Not only was I not nervous, but I was confident, and that confidence extended into all other areas of my life.

Sense of Purpose: Part of my shyness was due to the fact that I felt I wasn’t good at anything, but once I became proficient in piano I realized I must be good at a lot of things. Though it didn’t come all at once, I knew I had a skill not everyone else did. What’s more, I knew I had a hobby and passion to pursue for the rest of my life, and it could only get better with time. Ultimately I turned this passion into a highly rewarding artistic career and business venture.

12 • HOLLYWOOD MONTHLY

Creative Expression: Now that I had these new skills, I wanted to put them to use. Expressing myself verbally, especially to my parents, was very hard for me. Often times, I didn’t even know what to make of my feelings myself. But when I began composing my own music, all of that changed.

I was able to let the notes of the melody say the things I couldn’t. Knowing I had this unique outlet was a tremendous comfort to me. I found it therapeutic and calming.

As every student of music already knows, my experience was not unique. It’s well documented that music greatly expands brain function, helping in the development of abstract thought, motor skills, and even language comprehension.

Children involved in music have a larger growth of neural activity than those who haven’t had music training. Brain images show changes to the networks in the brain associated with fine motor tasks and sound discrimination.

Active participation in music works ears and eyes, large and small muscles. Studying a multifaceted subject such as music develops the ability to visualize the way disparate elements fit together — similar to skills used in fields such as mathematics and science.

Music is the most wonderful of art forms. It’s a time machine through space, connecting eras, sounds and ideas. Overcoming my shyness was just the first of many lessons music taught me. Every child should take the first step in this long, magical journey.

Oksana Kolesnikova is the founder of the Oksana School of Music in Beverly Hills and is a successful artist and entrepreneur. Learn more at www.oksanaenrichment.com.

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LESLEY ANN WARREN New York-born Lesley Ann Warren began her career as

ON HER LATEST FILM AND THE JOYS AND CHALLENGES OF ACTING

BY ALEX A. KECSKES

New York-born Lesley Ann Warren began her career as Cinderella in Disney’s classic feature “Cinderella.” The youngest student in Lee Strasberg’s Actors Studio, Warren went on to play a wide range of vulnerable neurotics and sexy, worldly ladies. These included roles in “Clue,” “Love Hate Love,” and “The Legend of Valentino.” Warren later earned a Golden Globe in the rags-to-riches miniseries “‘79 Park Avenue.” This was followed by her outstanding performance as Norma Cassady in the slapstick musical “Victor-Victoria,” which won her nominations for an Academy Award, a Golden Globe, a New York Film Critics Award and a People’s Choice Award. She also appeared in several high-quality offbeat films, including “Choose Me,” which earned her a People’s Choice Award, and “Songwriter,” which secured a Golden Globe nomination. And who can forget her portrayal as the scatter-brained comedienne in “Will & Grace” and “Desperate Housewives.”

In “3 Days with Dad,” Warren is Dawn, the devoted wife of dying husband Bob Mills (Brian Dennehy).

The darkly comic film brings out the pain, humor, and pathos of a family facing the demise of a cantankerous but lovable curmudgeon.

Thank you for taking the time for this interview.

You have one of the most well-rounded careers in show business. What stands out as your favorite early acting role?

Lesley Ann Warren: Honestly, I don’t have a favorite. I feel so blessed in having had such a wide variety of roles in my career. And so many have been close to my heart. It would be impossible for me to play favorites. From “Cinderella” to “Victor-Victoria” to “Clue” to “3 Days with Dad”—I’m so proud of them all.

14 • HOLLYWOOD MONTHLY

In “3 Days with Dad,” you play the devoted wife of a dying man. What did you draw from to bring the character of Dawn to life?

Warren: The film was based on people that were close to Director Larry Clarke. I really relied on him to give me an overall as well as a specific understanding of the character.

I built from there using a variety of sources. Larry showed me pictures and explained the dynamic of her stepchildren.

So I was able to use all of that in creating Dawn.

What aspect of Dawn’s character did you find most challenging to bring out?

Warren: I think her lack of sensitivity toward others.

What may have come across as selfishness was really the adoration of her husband at the exclusion of her stepchildren. And there was her critical judgmental perspective, her denial. I don’t have a lot of denial in my life. And until the very end, Dawn is unable to accept the reality of what’s happening.

You started dancing ballet at six. If someone offered you a role that included dancing would you take it?

Warren: Absolutely! I did a show for a couple of years called “Dance to the Movies.” It was a theatrical performance that I did with some of the dancers from You Think You Can Dance and Dancing with the Stars. We did it with the Boston Pops, in Ontario and others. It’s a compilation of movie dance numbers. I did that periodically and I just loved it.

HOLLYWOOD MONTHLY• 15

What do you like about comedic roles, like those you played in “Will & Grace” and “Desperate Housewives”?

Warren: It’s interesting because I never look at it as a comedic role. I try to create the character in a situation that’s funny. It’s her quirks and behaviors that are comedic. It takes flight from there. I love to be funny. I have a great sense of humor and I enjoy making people laugh. I feel so lucky that I’ve been able to do both comedic and dramatic work.

Same question for your dramatic roles like those in “Bay House?”

Warren: It’s the other side of the coin. Understanding character, the character’s motivation and the situation she finds herself in. It’s also the relationship to the other characters. If it resonates with me, if it moves me then I have the hope that it will move others as well.

When you develop a character, do you sometimes feel that you get lost in it to the point where you have to back out of it?

Warren: I used to be that way when I was younger—unable to separate myself from the character. But after years of work experience, that isn’t a problem anymore. In a way, it was a saving of my sanity.

Most actors have a love-hate relationship with auditions. What was your most memorable audition?

Warren: At the beginning of my career, I auditioned. My most memorable audition was with Richard Rodgers in “Cinderella.” It was in his apartment with musical supervisor Johnny Green and choreographer Eugene Loring.

Richard asked everyone to step out of the room. He sat at the piano and had me sit next to him. He taught me My Funny Valentine and had me sing it with him. That’s a memory I’ll never forget. My worst audition was for a dancer-stripper role—I can’t remember the film’s title.

But I tried to do this kind of dance in the room with the director and I fell flat on my butt. I was so mortified. And when I tried to get up, I smeared lipstick all over my face.

Needless to say, I did not get the role.

16 • HOLLYWOOD MONTHLY 16 • HOLLYWOOD WEEKLY

Talking about the craft and business of acting, what have you learned about acting that most surprised you?

Warren: I guess it’s what we were talking about earlier. I’d have to stay in character in the scene, especially if it was a dramatic or emotional scene, pretty much all day. As the years went on, I’ve learned how to create that in maybe five minutes before I have to do it and then let it go within minutes afterward. It’s very hard to do that and very heartbreaking to go to those places. I’ve learned that I don’t want to load up my nervous system by staying in it too long before and after.

What scene involved the most takes you ever had to repeat in a film?

Warren: I know they’re out there but I’ve never worked with a director that does many multiple takes.

Had you never pursued acting, what career path would you have taken?

Warren: That’s almost impossible to say because I started dancing at six and went into acting when I was 16 on Broadway. But I’ve always had an interest in homeopathic medicine. For the last 35 years, I’ve been going to doctors who do that. I find it incredibly brilliant and fascinating. I think it’s something I would have had a talent for.

Can you go into your role in the upcoming murder mystery “Blind Psychosis”?

Warren: That was a web series in which the director wanted a 1940s melodrama. He wanted a sort of heightened radio performance of those kinds of murder mysteries. It was a lot of fun to do. But sadly, you’re not with a lot of actors when you’re doing it, so that’s difficult and it makes it less creative in a way.

What did you like about working on “Victor-Victoria”?

Warren: Everything. I loved working with Julie (Andrews).

I absolutely adored Blake (Edwards)—both personally and professionally. He gave me a complete run of my character and allowed me to do tons of improvising. It was one of the more creative, exciting and challenging experiences that I’ve had.

You’ve seen it all. Paid your dues. What advice would you give to young actors just starting their careers?

Warren: I always say the same thing. I worked with Lee Strasberg for ten years—both privately and in the Actors Studio. And I do believe in studying a craft—whatever craft that may be—and being diligent about it. So when you’re lucky enough to get on a set, you have your toolkit you can use in any circumstance.

LESLEY ANN WARREN AS DAWN IN “3 DAYS WITH DAD” HOLLYWOOD MONTHLY• 17

THE GRACE, BEAUTY AND GRIT OF

VANESSA WILLIAMS

By Allison Kugel

V

anessa Williams is a creature unlike any other. It’s as though she came here to impart the ins and outs of living life on one’s own terms. From unwitting societal lightning rod during the 1980s to multi-platinum selling recording artist; and Broadway, film and television star, Vanessa Williams slayed the male-dominated Hollywood dragon long before the #MeToo movement happened. You can tell from talking to her that, both, the scars of past judgment she endured, and the fruits of her sweet success have made their impact. Both created indelible imprints.

In more recent years, Williams stunned audiences with sultry scene-stealing characters on hit series like Desperate Housewives and Ugly Betty. Her recent film starring Orange is the New Black’s Uzo Aduba, Miss Virginia, tackles the socio-economic and educational inequities that urban students of color endure, showcasing a more socially conscious film portrayal.

Vanessa Williams’ exotic beauty strikes you dead on arrival, but Williams does not lead with her looks. She prefers to enter a conversation with intellect, boldness and strength.

Williams is now preparing to take her Broadway-honed stage skills across the pond to London’s West End, where she will be starring in a production of City of Angels, opening at the Garrick Theatre in 2020. She’s also added fashion designer to her packed resume, launching the sexy and sophisticated Vanessa Williams collection for HSN, and fresh on the heels of a multi-album deal with BMG, Williams is working on new music to reflect a collection of musical genres she is currently passionate about.

A renaissance woman for the ages, Vanessa Williams’ life is nothing if not purposeful.

18 • HOLLYWOOD MONTHLY

Allison Kugel: Something told me to read your 2012 memoir, You Have No Idea, which I read cover to cover yesterday. I’m so glad I read your book, because it was the missing piece to really understanding you. The one constant theme throughout your life, it seems, is that you are a natural born rebel!

Vanessa Williams: (Laughs) Yeah.

Allison Kugel: That quality plays out in one way when we’re young, but changes as we get older. How do you express that side of yourself now?

Vanessa Williams: It’s now about being unafraid to take chances. In terms of my career, I just signed on to do City of Angels on the West End [of London]. It’s not a lot of money, but it is an opportunity to work on the West End. It’s always been a dream of mine to live overseas, and to study in London.

I’ll be working at the Garrick Theatre. We start rehearsals in January, we open in March, and the show will be running until the end of July. There are no guarantees, in terms of leaving my life in the states behind, but it’s something that excites me. At this stage of my life it’s all about asking myself what I want to do that I’ve never done. The challenge of it excites me, and doing the same thing bores me.

Allison Kugel: When nude photos of you surfaced during your 1984 reign as Miss America and you were forced to relinquish your crown ten and a half months into your year-long reign, you were counted out there for a while in your twenties.

Do you ever pat yourself on the back these days and say, “I did it!”? Broadway, films, television, platinum-selling recording artist and on and on… do you feel vindicated?

Vanessa Williams: No, I really don’t. I don’t think that, because there’s always that next goal, like, “but I want to originate a role on Broadway;” “but I want to do a movie musical.”

Continued on page 22

HOLLYWOOD MONTHLY• 19

77th Annual Golden Globe Awards with Moët & Chandon

20 • HOLLYWOOD MONTHLY

Credit: Michael Kovac & Joe Scarnici/Getty Images for Moët & Chandon

HOLLYWOOD MONTHLY• 21

There is always something yet to be done. It’s not that I’m never satisfied, but there is always another goal on the horizon. When you’re an actor, it’s like being a gypsy. You jump into another circle of players, and it’s great. Then when it’s over, it’s heartbreaking, but then you’re ready to move on to the next circle. That’s what excites me and that’s what will always propel me to say, “Ok, what’s next?”

Allison Kugel: Clearly, you value adventure over routine.

Vanessa Williams: Well, I look at some people who have been on the same show for eleven or twelve seasons, and it’s a great cash cow. It’s great to have that kind of consistent salary where you can budget and put money away. God bless everyone who has had a series on the air for ten years, but there is an energy that keeps you kind of hungry when you are always looking for the next thing and you don’t know what that next thing is.

Allison Kugel: I want to go back a bit and talk about the beginning. I think people may forget because it was so long ago, but you broke through a pretty significant glass ceiling in your twenties by being crowned the first African American Miss America. You became this societal lightning rod at the time. In 2008, when President Obama was elected as our first African American president, did you feel a connection or kind of kinship with him, since he broke a barrier in a similar way?

Vanessa Williams: Oh, absolutely, in terms of his safety, and his presence was worldwide. But there is an expectation that comes with that honor of breaking barriers. It’s also a tremendous fear, not only for yourself, but for family members; because there is such division, which doesn’t seem to leave us. I thought it was over in the 1980s and it wasn’t; I thought it was over in the 2000s and it wasn’t; and, obviously, it’s still apparent now. So, there is a specific fear and uncertainty that you have, but you have to be brave and you have to continue to do what you were chosen to do, and the job that is before you.

Allison Kugel: Had you ever had that conversation

22 • HOLLYWOOD MONTHLY

with President Obama about that?

Vanessa Williams: I met him right before he began his run for president. I’ve been on the Special Olympics international board for years, and I was on Capitol Hill with the Special Olympics meeting people and trying to raise money for our group. I met him right off the heels of that wonderful speech he’d given at the Democratic National Convention, and word was out that he was someone to watch. I gave my little spiel about how we needed more funding for the Special Olympics. I could see the appeal, and then he announced. When he announced that he was going to run for president, I was definitely in his corner. My mother was coming from the perspective of having lived through Dr. Martin Luther King, Jr. being assassinated, and Kennedy being assassinated, and she was fearful for his life. That’s the generation that she grew up in. I felt that it could happen, and she also, of course, had some issues with it. It just showed the fear that was due to where my mother’s generation had come from.

Allison Kugel: What have you learned about love? What’s been your greatest love lesson?

Vanessa Williams: I’m lucky to have four children, and there is nothing like that love; a love like that never ends. Once they’re out of the house, you’re still, as a mom, always available. You’re still always worried (laughs) and concerned. And you’re still always extremely proud, no matter their age or what they are doing.

Allison Kugel: How do you take care of your body, mind and spirit; and what’s your feel-good routine?

Vanessa Williams: My feel good is waking up with a good cup of coffee and doing a crossword puzzle in the sun. That starts my day off perfectly. And when I get a chance to explore and travel, I love to horseback ride, wherever I am, and go to the stables and find a horse and go on an adventure and explore the terrain on horseback. Spending time at home is also a joy for me. I’m on the road traveling so much, so my happy place is kicking off my shoes and hanging out at home.

Allison Kugel: You’re a practicing Catholic and you attend Church regularly, but in your most quiet and intimate moments, whom or what do you pray to, and what do you pray for?

Vanessa Williams: Hmm... it depends on what it is. I pray to God and my ancestors and my guides, and everyone who has been with me along my journey. As far as what I pray for, it depends on what I want or need at that particular moment; whether it’s guidance, whether it’s “show me the way,” or whether it’s protection for one of my children. It depends on what my particular need is at that moment.

Allison Kugel: What do you think you are here in this life as Vanessa Williams to learn, and what do you think you are here to teach?

Vanessa Williams: I absolutely love to teach, in the literal sense, and I’ve done it for three years in a row at NYU (New York University). I’ve taught Master Classes at Syracuse University, where I went for musical theatre. I also teach women’s groups. It’s teaching strength and to be aware, because you never know when and where something is going to happen for you. Whether that’s your talent, whether it’s an opportunity… just be open to who comes into your life and what they can bring.

offer help. I think I’m here to learn to keep moving ahead.

On this earth we have setbacks, struggles and obstacles. You have to be able to say, “What is this teaching me?” so you can move through it and move ahead in your life. Avoiding something or trying to deny it won’t get you anywhere.

Allison Kugel: Speaking of giving advice to other women, back in 2011 and 2012 you worked on Tyler Perry’s film Temptation with Kim Kardashian while she was going through the separation from her ex-husband, Kris Humphries. The two of you spent some time together during filming. Did she seek your advice about weathering scandal and a media firestorm?

Vanessa Williams: She’d just broken up with Kris [Humphries] and the press was all over the place, so Tyler made it very easy for her to hide from the press on set. Basically, it worked on the set, keeping the press away.

Then we flew back to LA together.

I just needed to be the sounding board for her at that point. Sometimes you don’t need to talk. You just have to let them talk, and you have to listen. She talked Continued on page 24

Allison Kugel: And you’re here to learn?

Vanessa Williams: That as women, for sure, we are a community, and to ask for help. Don’t be afraid to ask for advice or for help. Look for a mentor.

I’ve learned that there are many people that are willing to be teachers and to help you along in your life, so don’t be afraid to ask because there will always be somebody there to HOLLYWOOD MONTHLY• 23

about all the stuff that was happening and her fear of being judged, but that it was something she felt she needed to do.

My advice to her was that you go through the storm, but the dust will settle, and you’ll get an opportunity to see clearly, and it will be a different day; and you’ll feel better and you can move on.

Allison Kugel: Do you consider yourself a trailblazer for women?

Vanessa Williams: I think my history has made me a trailblazer, unknowingly. I’ve always just been myself and that’s how it played itself out.

Allison Kugel: What makes you feel most beautiful?

Vanessa Williams: The sun and the warmth makes me feel beautiful. Every time I land someplace that’s warm, it makes me feel like I’m connected to nature. And that’s without hair and makeup and wardrobe, and all that stuff. It’s just the breeze, the water, and heat that makes me feel like my most natural self. And then being around children. Whether it’s my children who are all grown up… there’s a connection that I have with kids. Maybe because both of my parents were elementary school music teachers, but there is a connection that me and my kids have with young kids that I absolutely love. My connection with children makes me feel so alive.

Allison Kugel: You recently launched your own clothing line, Vanessa Williams, which is available through HSN. The collection is versatile, imaginative and sexy, yet understated. And I love how you incorporate animal prints and patterns with different looks.

Vanessa Williams: Thank you. It’s another opportunity to be creative and I’ve got a great manufacturer, so the quality is fantastic. It’s an extension of what I love, which is putting my stamp on things. I love fashion, and I’ve been fortunate to work on amazing shows, both on television and on Broad24 • HOLLYWOOD MONTHLY

way, where I’ve worked with incredible costume designers and been exposed to fantastic fashion through stylists. And I’ve settled into what my own personal style is, along with what resonates with other people. When I design, I keep my eighty-year-old mother in mind, and then my children; my girls are from age 19 to 32. Everyone’s got their own sensibility, and there’s one piece for everyone to enjoy.

Allison Kugel: When will you be recording your next album?

Vanessa Williams: Now! I just finished recording a children’s album, which will be out next spring. And I’m working on a new album for BMG that will be out next year. We’re leaning towards mood and tropical music for this next album, and there will be more projects to come.

Allison Kugel: Let’s circle back to your upcoming show on London’s West End, City of Angels. You’re a Broadway veteran, but this will be your West End debut!

Vanessa Williams: This will be my “junior year abroad” that I never got the chance to do! In college, I was supposed to go to London and then I became famous that September. So, it’s my delayed junior year abroad, thirty-six years later (laughs). And it’s getting a chance to show my stage talent on another respected stage. My children are not at home, so it’s an opportunity to tick another thing off the bucket list.

Shop the Vanessa Williams collection at HSN and pre-order tickets to see Vanessa Williams star in City of Angels at the Garrick Theatre in London’s West end. Visit VanessaWilliams.com.

Allison Kugel is a syndicated entertainment columnist, author of the memoir, Journaling Fame: A memoir of a life unhinged and on the record, and owner of communications firm, Full Scale Media. Follow her on Instagram @theallisonkugel and at AllisonKugel.com.

Photo Credits: Rod Spicer, Mike Ruiz, Gilles Toucas

HOLLYWOOD MONTHLY• 25

26 • HOLLYWOOD MONTHLY

REGINA

DANIELS:

FROM A CHILD STAR TO AN EMERGING MEGA STAR

BY ZIK ZULU OKAFOR

T

o many of her fans in Nigeria, Regina Daniels is a child prodigy. At only seven she made her debut appearance in Nigeria’s movie industry known as Nollywood in a movie titled Marriage of Sorrow.

It was however in the movie, Child of Miracle, that Regina stirred the soul of movie fans with her professional performance that delineated a child’s crystal understanding of character interpretation and delivery of dialogue. It was a movie that had some of Nigeria’s leading stars including the amazing super star, Ini Edo, a hugely gifted Mercy Johnson and pretty Chika Ike. But perhaps her career in the movie industry is providential.

First, her mother is an actress. Then Regina attended Hollywood International School, a school that bears the name of the world’s biggest movie industry. So, while at home her mother remained a constant mirror in her face to see the biggish picture of a fast growing Nollywood and off to school she adorns the Hollywood school uniform with the echoes of the US staggering movie industry. So, the acoustics around her was movie.

She indeed had to be an actress.

Born October 10, 1999, the fifth in a family of six children, Regina hails from Delta State, one of the 36 states that make up her country, Nigeria, plus the Federal Capital, Abuja. She grew up in Asaba the state capital and began her acting career in this town reputed as the source of the famous River Niger. The state is also a massive destination for Nollywood productions.

Today, Regina, a reticent young woman of a posh aura is one of the fastest growing stars in Nollywood with an impeccable

pedigree. Having starred in over 25 movies, she stands tall among her peers. Some of the movies she starred in include The Enemy I know, Merry Men, Python Girl, The Bat Man, Wipe Your Sorrow, Royal Covenant, Queen Rebecca, Hanging Coffin and Jaja the Great among others.

The former student of Igbinedion University in Edo state, Nigeria and now admitted into the Aldersgate College, Solano in the Philippines, also produced The Jericho and Twins Apart.

Having grown up in Asaba, Regina had seen children of the rustic folks and their perpetual struggle to break away from the shackles of poverty. Supported by her mum, she set up the Regina Daniels Development and Charity Foundation to lend a little hand to these children living below the bread line. Through this Foundation she has given scholarships and organised skill acquisition and empowerment programmes for both children, the youth, adults and women.

In early 2019 Regina Daniels got married to a billionaire businessman, Prince Ned Nwoko. Together, they are now re-writing the story of Nollywood, forming strategic partnerships, investing in movie productions, promoting tourism and music.

Indeed Regina sponsored The Artiste of the Year Award at the 2019 Headies, one of the biggest and most respected music awards in Nigeria.

For her professional race, for her endurance, phenomenal growth in her career and commitment to charity, HWMFF is delighted to give accolades to this glittering star as the Most Outstanding Child Star Outside of United States 2019.

HOLLYWOOD MONTHLY• 27

Books to Devour

by Jane Ubell-Meyer

Books to Devour by Jane Ubell-Meyer

Love is in the air this February! Celebrate the love with a few of our romance books, Loveyour is instyle… the air Celebrate the Need love awith a few of our romance and if romance isn’t pickthis up February! a thriller or business book. romantic books, romance isn’tforyour style… pick up a thriller or business book. and literary getaway?

Joinand us inifthe Hamptons the 2nd Annual Hamptons Bedside Reading AuthorsNeed Weekend on February -March getaway?

1.BedsideReading.com 1770 a romantic and28literary Join us in Hotels: the Hamptons for the 2nd House, Baker House1650, Hotel Maidstone, Topping Rose House and White Fences Annual Hamptons Bedside Reading Authors Weekend on February 28 -March 1.

Water Mill, BedsideReading.com Hotels: 1770 House, Baker House1650, Hotel Maidstone,

Topping Rose House and White Fences Water Mill, Books We Recommend

BOOKS WE RECOMMEND

The Prize by Geoffrey M. Cooper What does it take to win a Nobel Prize? Deceit? Fraud? Maybe even murder? When she finds a drug that has the potential to treat Alzheimer's disease, Pam Weller is certain she's made the discovery of a lifetime. But her success threatens the supremacy of Eric Prescott, a leading figure in Alzheimer's research, who sees his chances at a Nobel Prize slipping through his fingers. His lust for the prize and the accolades that come with it drive him to concoct a plot against Pam that threatens her career, her hat does it take to win a Nobel Prize? Deceit? freedom, and even her life.

The Prize by Geoffrey M. Cooper

W

Fraud? Maybe even murder? When she finds The Pale-Faced Lie byaDavid drugCrow that has the potential to treat Alzheimer’s disease, Pam is certain she’s made discovery of growing up on the In this riveting memoir, DavidWeller Crow presents a searing accountthe of his experience a lifetime.

But her success threatens the supremacy of Navajo Indian Reservation with a mentally ill mother and violent father, an ex-con from San Eric Prescott, leading in When Alzheimer’s research,found the courage to Quentin who groomed him to bea his partnerfigure in crime.

David ultimately who sees his chances at a Nobel Prize slipping through change his life, he unwittingly triggered a plot of revenge that forced him into a deadly showdown his fingers. His lust for the prize and the accolades that with his father. Raw and palpable, “The Pale-Faced Lie” is an unforgettable testament to the power come with it drive him to concoct a plot against Pam of forgiveness and strength her of the humanher spirit. thatthe threatens career, freedom, and even her life.

The Pale-Faced Lie When We Found Home by Susan Mallery Life is meant to be savored, but that’s not easy with no family, limited prospects and a pastby David Crow you’d rather not talk about. Callie Smith doesn’t know how to feel when she discovers she has aWhen brother and a sister—Malcolm, who grew up with affection, wealth and privilege, and Keira, a n this riveting memoir, We Found Home streetwise twelve-year-old. Despite her trepidation, she moves into the grand family home with her _David Crow presents a

by Susan Mallery siblings and grandfather on the shores of Lake Washington, hoping just maybe this will be the searing start account of his exof a whole new life. But starting over can be messy. Callie and Keira fit in with each other, but perience not growing up on the ife is meant to be savored, but that’s not easy with their posh new lifestyle, leaving Malcolm feeling like the odd man out in his own home. Navajo Indian Reservation -with no family, limited prospects and a past with Becoming a family will take patience, humor, a little bit of wine and a whole lot of love. But love isn’ta mentally ill mother you’d rather not talk about. Callie Smith doesn’t father, an exMalcolm’s strong suit…until he learns that an open heart, like the family table, can always makeand roomviolent for know how to feel when she discovers she has a brothcon from San Quentin who er and a more. sister—Malcolm, who grew up with affec-

I

L

groomed him to be his parttion, wealth and privilege, and Keira, a streetwise ner in crime. When David The Body Double

by Emily Beyda twelve-year-old.

Despite her trepidation, she moves ultimately A dark, glittering debut novel, The Body Double is the suspenseful story of a young woman who is found the courinto the grand family home with her siblings and age to change recruited by a stranger to give up her old life and identity to impersonate a reclusive Hollywood star. A his life, he ungrandfather on the shores of Lake Washington, hopwittingly strange man discovers our nameless narrator selling popcorn at a decrepit small-town movie theatertriggered a plot of ing just maybe this will be the start of a whole new revenge that forced him into and offers her an odd and lucrative position: she will forget her job, her acquaintances, even her name, life. But starting over can be messy. Callie and Keira a deadly showdown with his fit in with each other, but not with their posh new father. Raw and palpable, lifestyle, leaving Malcolm feeling like the odd man out in his own home. Becoming a “The Pale-Faced Lie” is an family will take patience, humor, a little bit of wine and a whole lot of love. But love unforgettable testament to isn’t Malcolm’s strong suit…until he learns that an open heart, like the family table, the power of forgiveness can always make room for more. and the strength of the hu28 • HOLLYWOOD MONTHLY

man spirit.

The Body Double by Emily Beyda

A

dark, glittering debut novel, The Body Double is _-the suspenseful story of a young woman who is recruited by a stranger to give up her old life and identity to impersonate a reclusive Hollywood star. A strange man discovers our nameless narrator selling popcorn at a decrepit small-town movie theater and offers her an odd and lucrative position: she will forget her job, her acquaintances, even her name, and move to Los Angeles, where she will become the body double of the famous and troubled celebrity Rosanna Feld.

The Price of Time by Tim Tigner

T

here’s a secret in Silicon Valley. A discovery. An invention. One so startling and surprisingly sinister that it needs to be kept—at any price. Tim Tigner takes a step back from his bestselling Kyle Achilles series to introduce Zachary Chase and Skylar Fawkes in a fresh standalone novel that’s bound to keep you glued and guessing. With secluded meetings, sudden disappearances and strange murders; secret agents, skillful assassins and sexy locations; The Price of Time is packed with fast-paced action and first-class intellectual intrigue. Propelling the thrills and perched at the middle of the mystery is one of humanity’s great questions: Would finding the Fountain of Youth be a blessing?

The Storm Beyond the Tides by Jonathan Cullen

Cold Silence

by Danielle Girard

A

widow and ex-FBI agent __of hard-earned courage, Cody O’Brien is finally enjoying the quiet life, providing a good home for herself and her eightyear-old son, Ryan. Then Ryan is kidnapped in broad daylight.

And Cody knows why. Her life is a dangerous lie, easily exposed by the killers responsible for her husband’s murder. Failed by the Witness Protection Program, she’s on the run again, trusting only herself to save her son while heading blindly toward a past that wants only one thing from her: cold-blooded revenge.

J

uly 1939. War is on the horizon but on Monk Island, Maine life goes on as usual. As the daughter of a lobsterman, Ellie Ames’ future seems limited until a mysterious German couple comes off the ferry with their nineteen-year-old son. From the moment she meets Karl Brink, the two become inseparable and not everyone approves because locals are suspicious of outsiders. Ellie ignores their scorn, however, and the secret she learns about Karl’s family makes her even more determined to be with him. The magical summer ends when the Brinks suddenly have to go home. And although Karl promises to return in the fall, by then Europe is at war. Two years pass and Ellie has all but given up hope when she gets a letter in the mail that will change her life forever. The Storm Beyond The Tides is the story of the unlikely romance between a small-town girl and a German on the eve of the Second World War and explores a frightening time in America’s past—when U-Boats prowled the East Coast and put small, coastal communities on the frontline of a global conflict.

Bulwark by Brit Lunden

C

lay Finnes is the sheriff of a small town in Georgia called Bulwark. Recently separated -from his wife, all he can think about is what went wrong, and will Jenna ever come back to him. He’s troubled by a bothersome reporter trying to build a story from what he thinks is a normal day in his life. Clay has to admit that the fantastical stories, told by an accident victim as well as unusual sightings of wolves, things are getting a bit strange. A visit to the ominous Gingerbread House makes him realize that his life as he knows it will never be the same.

HOLLYWOOD MONTHLY• 29

The Association

by Sharon Ann Ziegler

N

ATIONAL INDIE EXCELLENCE AWARDS 2019 FINALIST IN THE LEGAL THRILLER CATEGORY! A YOUNG FEMALE ATTORNEY TAKES ON A POWERFUL HOMEOWNERS ASSOCIATION AND UNCOVERS FRAUD, MYSTERY, AND MURDER! Champaign, Georgia, Davis County: A young attorney and her husband have relocated to the small, idyllic town for his new job, and she’s on an extended hiatus after becoming exhausted and weary of her profession. Yet she knows she needs to get back in the legal game, even though it won’t be easy. Now discouraged and out of practice, she must start fresh, with new determination and new clients.

Through an acquaintance, she meets the Wainrights, an older couple living in Covington Commons, a cluster of three neighborhoods advertised as a luxury lakeside community. In truth, though, such a description only applies to one neighborhood in Covington Commons: Eagle’s Nest. Both Mockingbird Heights and Peacock Plains have become sad displays of utter neglect, in awful disrepair after years of inattention. The Wainrights need her help to prove allegations as to the person—or persons—responsible for it. After painstaking research into claim after claim, she soon realizes the obviously guilty party.

At the forefront, is the Association—the board and committee members who oversee everything and every decision at Covington Commons. Its members have taken what was once a decent organization and turned it into an operation based entirely on corruption and dishonesty that operates according to the whims and greed of only a privileged few.

With prejudicial and biased purveyors of justice at the helm, prior lawsuits against the Association have been routinely dismissed early on. Our attorney heroine must find it within herself to navigate and succeed in a world where grossly confident men grandstand in gold jewelry, private investigators are always listening, and judges are not honorable—a world where people aren’t at all who they seem to be.

Non Obvious Megatrends

by Rohit Bhargava

T

he future belongs to non-obvious thinkers. This book is your guide to becoming one. For the past ten years, Rohit Bhargava’s signature annual Non-Obvious Trend Report has helped over a million readers discover more than 100 trends changing our culture and how business is done. Now for the first time after a decade of publishing more than 100 trend predictions, for the first time to identify ten revolutionary new Megatrends that are transforming how we work, play and live.

The Golf Course Millionaire by Robin Richter

W

hen properly applied, golf has the amazing power to introduce you to interesting and influential people; to establish lasting relationships with movers and shakers; and to help you reach your full potential in your career and in your social circles. In short, golf has the incredible power to improve your life! Robin Richter, former golf pro, has been playing golf for over four decades. She has built her successful promotional products company, Wearable Imaging, Inc., through the many meaningful relationships that were developed on the golf course. In her book, The Golf Course Millionaire, Robin shares how a great hobby can lead to fulfillment both on the course and off; in business and developing lasting friendships and alliances. If you’re an avid golfer, this book will help you to use the sport to improve your life. If you don’t play golf, she provides ways to use golf to connect with influencers too! Get Robin’s book to leverage the amazing power of golf and witness the transformation that will happen to you!

30 • HOLLYWOOD MONTHLY

Conversations With Our Authors Q&A with Matt Coyle, author of Lost Tomorrows Q: Why did you decide to write the conclusion to Rick Cahill’s deceased wife’s story in LOST TOMORROWS? A: The death of Colleen Cahill has been the driving force for Rick’s quest for redemption from the very first book, YESTERDAY’S ECHO. I knew at some point Rick would have to discover the truth about her death. LOST TOMORROWS was the right time because at the beginning of the book, Rick is at his nadir, questioning the decisions he’s made since his wife died.

Q: This is book 6 in the series, will a new reader who reads LOST TOMORROWS feel lost not knowing the backstory to Rick’s life?

A: I don’t think so. The book reads well as a standalone. The important parts related to Colleen are addressed just enough so new readers understand Rick’s actions.

Q: Why did you choose to write the Cahill series in first person?

A: All of the books are very personal. I didn’t want any distance from Rick and the action on the page. The books are character driven and I wanted the readers to know why Rick does what he does and how much each action affects him.

Q: How has Rick Cahill changed from the beginning of the first book, YESTERDAY’S ECHO, to the beginning of LOST TOMORROWS? A: He’s become more damaged, darker, and unsure of the decisions he makes.

Q&A with Deke Copenhaver, author of The Changemaker Q: What inspired you to write “The Changemaker: The Art of Building Better Leaders”?

A: Having spent nine years as mayor of Augusta I saw the impact positive, ethical, inclusive and unifying leadership can achieve in a community and I wanted to provide a road map to benefit current and future leaders. I believe that being successful in local politics by maintaining my character and integrity while treating people with dignity and respect shows that leading in the right way can be done through any leadership platform including those provided by political office.

Q: Is it possible to be successful with this type of leadership in today’s political climate?

A: Definitely as people will go to a positive alternative to politics or business as usual if you provide one for them. Constantly challenging the status quo and the mindset of

“but we’ve always done it this way” is key to changemaking leadership at any level.

Q: What is one of the most important lessons for individuals on a leadership journey?

A: The only power which true leaders should concern themselves with is the power to inspire and lift up the people around them from all walks of life. For me, politics was never about seeking power but rather about seeking to empower the people I served.

Q: What do you want to achieve through your book?

A: I believe that sustainable, positive change through civic engagement must start at the grassroots level so basically I’m trying to start a grassroots revolution to change the world. I’m also hoping that the book will continue to cut across all demographics and bring people from all walks of life together to have a conversation about how we can work together to implement positive change in our communities, our businesses and ourselves.

***** Bedside Reading places books by the bedsides in luxury hotels. For more info, visit BedsideReading.com*****

DAVID CARVER’S ON A MISSION FROM SHAKESPEARE WRITTEN BY ANTHONY EWART

W

hen discussing Hamlet with a friend recently we found ourselves swept up in the emotions of the characters. The most tragic being Ophelia. I don’t need to watch a “special feature” on the making of Natalie Merchant’s fantastic 1998 album “Ophelia” to know she was inspired by the greatest Ophelia in history. Our sweet sister Ophelia who was unfortunately toyed with

by Hamlet like a cat playing with a mouse until she took her own life.

speare’s brain. That is the source, in case you were wondering what book you can find the source in. Saxo Grammaticus’ dramatic name notwithstanding, there is no book of absolute source material for Hamlet.

There is only Shakespeare.

So, let’s circle back. The power of the fictional characters in Hamlet to emotionally move us is so strong it is considered Shakespeare’s greatest play on many levels. Artistically, emotionally -- spiritually. And his longest. This isn’t like the paperback There have been many sources peo- “Romeo and Juliet” you tucked in ple believe Shakespeare borrowed your back pocket in high school so from to create his Masterpiece. But you could memorize the lines. Or that would be like saying Wolfgang was that just me?

Puck should thank the manufacturers of each of the ingredients he uses But other than Shakespeare what is for his dishes. Maybe a shout-out the most emotionally charged piece to “Foster Farms.” The “Life of Am- of art we have as a culture today? leth” written in the 13th century by Haters you can email me later, but Saxo Grammaticus contain legends I’m going with “The Rock Power that scholars believe Shakespeare Ballad.” All the emotional catharsis may have had access to and that in- you need in a song under 4 minspired him to create the sad Prince ute -- unless you count Meat Loaf ’s of Denmark. Please let’s be clear: 1993 classic power ballad “I’d Do the emotions that Shakespeare elic- Anything for Love (But I Won’t Do its in Hamlet are generated purely That),” which melts your heart slowfrom the right hemisphere of Shake- ly, like a crock-pot, in 12 minutes.

32 • HOLLYWOOD MONTHLY

Journey’s rock power ballad “Open Arms” clocks in at 3:18, but remember what Einstein said about time and relativity. When you’re thinking about someone you love and listening to Steve Perry sing Open Arms you can reflect your entire relationship in the span of three minutes.

Legendary Concert Producer David Carver, of David Carver Films and David Carver Music has taken Hamlet as source material for his “Hamlet The Rock Musical,” opening Valentine’s Day at the gorgeous El Portal Theatre in North Hollywood. This is “The Date Event” of 2020.

Hamlet and Rock Music. Madness you say? What does Shakespeare have to say to that?

“Though this be madness, yet there is method in’t” from “Hamlet,” written by William Shakespeare

HamletTheRockMusical.com

FEATURES FROM

Photograph by Art Streiber

QUINCY JONES

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“

Congratulations on your achievements! Quincy is not just about me, It’s about US . . . The collective is always greater than the individual. UBUNTU I am because we are.

– Quincy D. Jones

“

Each month we will celebrate a living legend. We kick off this celebration of greatness in our inaugural issue with Quincy Jones, a global icon. “Q” has worked with other entertainment greats from Sarah Vaughan and Frank Sinatra, to Michael Jackson and countless others. He continues to inspire veteran artists and newcomers with his outpouring of music and his generosity as an ambassador for humanity. He has never stopped lifting as he climbs. We thank him for reaching out as we embark on our maiden voyage of SoulVision Magazine. We also congratulate him on the extraordinary documentary “Quincy” about his life and works that is currently streaming on Netflix. Thank you for your lifetime of dedication to humanity and speaking to all of us with your beautiful music and expressions of love.

December 2018/January 2019 | soulvisionmagazine.com COMMUNITY

Life’s Interpretation: Youth Empowerment

“Help youth showcase their unique talents.”

Each month we will highlight a community program that aligns with the values of SoulVision. We believe engaging with one’s community is critical to fostering positive change in the world. For our inaugural issue, we highlight Life’s Interpretation, LLC, a nonprofit youth engagement program based in Richmond, VA. Life’s Interpretation provides workshops, classes and client based services in music, media, marketing and film.

Students at all skill levels are invited to participate. The program allows youth to express themselves through the visual and audio arts. In other words, it’s cool and encourages young people to share their talents as they work on building a better village for all of us.

To get involved, email lifesinterpretation@gmail.com or visit lifesinterpretation.com to learn more.

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HOLLYWOOD MONTHLY• 35

“

You learn by experience.

“

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DEBRA MARTIN CHASE: THE FACE OF HOLLYWOOD Debra Martin Chase is an influential and powerful force in the film industry. She has been responsible for producing some of the most well-known films that speak to an entire generation of young women and people of color. If you’ve seen Sparkle, The Princess Diaries, Cheetah Girls, Sisterhood of the Traveling Pants, Just Wright, and Rodgers and Hammerstein’s Cinderella then you are familiar with her vision of female power and diversity in film and television. It is rare to have access to the people behind the scenes—producers, writers, directors, and executives—that make the movie magic happen. Ms. Chase—the first African-American female producer to have a deal at a major studio—is passionate in her reflections as a Hollywood executive and pioneer.

Debra and her team recently completed principal photography for Harriet, the Focus Features biopic on Harriet Tubman. She travels from coast to coast, living in NY and LA. When asked why she wanted to be in the film and television industry, she says, “I got into this business because growing up as a child devouring film and television, I never saw people who looked like me. So, one of my incentives for getting into the business was to put people on screen who

looked like me, both from an ethnic and female standpoint.”

She wants young women of color to see themselves in her work and say to themselves, “I can be anything. I can be the princess. I can be the CEO. I can be whatever I want to be.”

Chase was born into a family who valued education and hard work. She earned her J.D. from Harvard Law School. Her mother was a professor at the City College of Chicago and her Dad was a sergeant for the LAPD. Her uncle is a lawyer and her aunts have masters degrees from Northwestern University. Her late grandmother was a part of the Great Migration from New Orleans to Chicago. She passed away twenty-six days before her one-hundredth birthday “with her mind and spirit sharp until the very end.” Her grandmother’s grace and spirit continue to be positive influences on her life.

Her parents divorced by the time she was twelve. Even though Debra and her two younger siblings lived with their mother, their dad continued to be a positive force in their lives. His immense passion for television and film set in motion young Debra Martin’s love for all things cinema. A typical discussion at most family’s dinner table would be about current events or politics. In the Martin household, her dad would lead a lively discussion about film and television.

As Chase looks back on her childhood, she says, “Two of the most important lessons I learned from my parents were that they never put limits on me and they supported me in taking risks. They always let me know that I could do anything that I wanted to do. The sky was the limit.” She continues explaining why her parents’ approval was pivotal in making her who she is today. “I was a lawyer at a big law firm, and it’s a very secure route to take and I was doing very well, but I would say to myself, ‘This is not my destiny; this is not what I’m supposed to be doing.’ So a few years into practicing law, I completely rebooted and started over in film and television, not without questions of course, but at the end of the day, my parents supported me because they knew it was important for me to be happy.”

When Chase made the change from a big law firm in New York City to Columbia Pictures, her purpose in life became more clear. I was in a two-year executive development program at Columbia that was designed to bring people from different disciplines into the movie business in order to create more well-rounded executives. I met the chairman of the studio, Frank Price—one of the last of the old-guard studio bosses—at a studio luncheon. A few months later, he brought me on to be his executive assistant, and that was really my big break in the business.

Price became my mentor. Because he wanted me to learn the business, I accompanied him to all of his meetings, read scripts for him, handled special issues and at the end of the day, he would let me ask questions about any of the decisions he made during the day….” She formed Martin Chase Productions after working for Columbia Pictures, running Denzel Washington’s Mundy Lane Entertainment and Whitney Houston’s Brown House Productions.

All work and no play wouldn’t be much fun. Chase feels blessed to have plenty of friends and family to share the fruits of her success. “I live in NY and LA, so I’m a big consumer of arts and culture.” She supports the arts by sitting on the boards of the NYC Ballet, Second Stage Theater, and Mount Holyoke College, her alma mater. As a filmmaker, she believes in the importance of knowing what’s going on in all mediums of culture and the arts. She is also a traveler. Last year she went on a safari in Botswana and Zimbabwe. When she travels, she says, “It is important to see both the similarities with and differences from people around the world. As a human being, knowing what people are thinking and feeling is important.”

In the age of social media, there have never been more opportunities for young creatives to showcase their work to the right people. Chase agrees with this observation but emphasized that you have to “...get training, learn how to write a script, learn how to use a camera—get your basic skills, then do the work because you learn by experience. You learn by trial and error; and if you’re not doing the work, no one will see your work or bring you into their environment.”

Ms. Chase’s advice calls to mind a quote from the late poet laureate, Maya Angelou — “Nothing will work unless you do.”

This article was initially published on December 20, 2018, and updated on November 1, 2019.

When we wrote this story we were not at liberty to talk in detail about her latest film, Harriet. We went behind the scenes and found ourselves awestruck at what she and the crew were filming. Here is a special video of “Stand Up” from Focus Features that captures the spirit behind the new motion picture starring Cynthia Erivo as Harriet.

To learn more about Debrah Martin Chase, follow her on Facebook @Debra Martin Chase, Instagram @debramchase, and Twitter @DebraMChase. Get your tickets to see “Harriet” here: harrietfilmtickets.com/.

HOLLYWOOD MONTHLY• 37

e h T

FUTURE

IS THE ONLY THING THAT WILL ALWAYS REMAIN undecided.

HITHA

38 • HOLLYWOOD MONTHLY

We all focus on what might happen in the future, trying to find our paths and what our lives will look like years from now. We try to predict it.

What we do not realize is everything we do now will impact the future. The year 2020 is not only the beginning of a new year but the start of a new decade. A lot of things can happen over the next ten years to make this world a better place. We need to make sure that our world thrives in the years to come. The question is how? The youth hold the future in their hands.

The first step for a bright future is guiding and taking care of them.

Teenagers will one day have control of the future, but why does it look so bleak? Teenagers will one day take over the workforce, and many of us are not ready. Being a Teenager in this chaotic world is challenging. Many of us have access to the internet, meaning that we see when rainforests are burning down or when government officials are being excused from work. Teenage minds can be affected by everything around us, including music, education, social media, people, technology, and more.

The smallest things can alter what we think. Making sure that teenagers are influenced by optimistic thoughts from the sources around them would benefit their outlook on the world which would benefit the future.

A H T I H

The number of economic & other issues that are present today changes what the younger generations believe their future will look like, causing their minds to plummet into a downward spiral. This causes feelings of hopelessness and various mental problems such as depression to arise because they believe that they cannot change the outcome in our world. Right now, many of us are stuck in a place where everything is unclear. We are confused on what to think, how to act, whom to talk to and what to believe. I feel Teenagers can change this perception. We need to make goals and stay determined to fulfill them to make this world a better place.

Though our teenage years are confusing, they are an asset too. We are not children, and we are not adults either. Although it will be rough, the phase we are in can benefit us. We have the capabilities of learning fast like children while having the maturity of adults. The combination of these two characteristics can be used as a great weapon on how to save our world. Problems like pollution, world hunger, wars or even overpopulation can be solved by people who are truly passionate to pursue peace. To add on, we also have the drive in us to turn things positive in our teenage years. When we are extremely passionate about something, we do not stop until it happens. Being able to learn, and yet have a sense of maturity and grit is our superpower! We should start to use this superpower now to determine the success of our future. We all need hope, whether we are teenagers or adults, or senior citizens. Sometimes we all can get lost in our own thoughts, but we still need hope. We need to hope for a better life, a better future, and a better world.

Start by influencing the younger generation to not make the same mistakes from the past. We need to encourage younger generations to work together and create harmony between each other. To create a planet full of love and optimism; all we need to do is start now.

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