Hollywood Weekly International Edition

Celebrating Diversity In The Entertainment Industry

Women in exhibition PAGE 12

Trish Cook PAGE 16

GOLDEN TEACHERS

FROM ANGELENO RECORDS

DR. Charletta

DENNIS WOMEN OF EXCELLENCE SERIES Page 20

PAGE 24

Letter From The Editor

WELCOME READERS to another Celebrating Diversity In The Entertainment Industry issue of Hollywood Weekly Magazine.

In this issue, we'll be taking a trip to Detroit, Michigan, which is otherwise known as "The Motor City." Our featured Detroit native, Dr. Charletta Dennis, is an accomplished and noted psychiatrist in the field of medicine.

She is consciously devoted to her Kian craft and making a difference in the Kavousi lives of others. In addition to her success in the medical field, she is GOLDEN TEACHERS currently making her mark on the FROM ANGELENO RECORDS world of mental health, becoming a DR. Charletta co-host on “Doc Talk" and publishing her first book "Anxiety Unmasked WOMEN OF EXCELLENCE SERIES Page 20 During the Covid-19 Pandemic."

This issue features Kian Kavousi, an actor known for his roles in Pulp Fiction, The Last Castle, and Bosch, along with visual artist and actor Paula Andrea Placido, who is now part of Showtime's The L Word cast and the new Apple+ series Sugar.

We are putting numerous creators in the spotlight, including Rae Finn is a sensational new fashion designer taking over Nashville with her clothing line "Hogwash 'n Rhinestones," and she is set to be the new "It Girl" in the Fashion world. In addition, we have music artist and philantropist Frank Graves, Ukraine-born Yelena Skye and her rise into the filmmaking world, writer/director Jesse V. Johnson and Ren Martinez, who followed the footsteps of her parents to become a singer-songwriter and actress.

Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.

PUBLISHER/EDITORIAL DIRECTOR Prather Jackson VICE PRESIDENT Bernice Harris BOOK EDITORS Jane Ubell-Meyer ASSISTANT TO THE PUBLISHER Hailey Ashley

SPOTLIGHT

PAGE 6

PAGE 24

DENNIS

Anthony Ewart Associate Editor Hollywood Weekly Magazine

HW NEWS

Music, Film and More WIE

Women in Exhibition

LIFE & STYLE EDITOR Niki Shadrow Snyder niki@projectpopdrop.com DESIGN & PRODUCTION RF Medina Emma Willett SOCIAL MEDIA COORDINATOR Marci Chorpash Helen Siddall AFRICA CORRESPONDENT & AMBASSADOR Egor Kelly Egorefiok@gmail.com BRAZIL OPERATIONS Fabio Glingani Rico@lapenda.net (310) 567-3333 INDIA OPERATION Ike Sinha Mobile +919599068592

Anthony Ewart

04 12

CONTRIBUTING WRITERS Alex A. Kecskes Carmelita Pittman

LATIN AMERICA Karla Silva Karla@monarks.Biz 818.254.5505

16 20

Trish Cook

An American Dream Dr. Charletta Dennis

On the Rise

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ROUNDUP

TV & FILM

THIRD ANNUAL ACADEMY MUSEUM GALA THE ACADEMY MUSEUM GALA WILL CELEBRATE THE ACCLAIMED MUSEUM’S TWO-YEAR ANNIVERSARY AND WILL HONOR MERYL STREEP, MICHAEL B. JORDAN, OPRAH WINFREY, AND SOFIA COPPOLA ON DECEMBER 3, 2023

Images: Meryl Streep, photo by Brigitte Lacombe; Michael B. Jordan, photo by Juan Veloz; Oprah Winfrey, photo by Ruven Afanador; Sofia Coppola, photo by Melodie McDaniel

THE ACADEMY Museum Gala, which had been postponed last month in the wake of Hamas‘ attack on Israel, has been rescheduled for December 3, 2023.

The Gala will celebrate the acclaimed museum’s two-year anniversary and will honor three-time Academy Award-winner and 21-time Academy Award-nominated actor Meryl Streep, award-winning actor, producer and director Michael B. Jordan, Academy Award-nominated actress and producer, author, and global media leader Oprah Winfrey, and Academy Award-winning and three-time Academy Award-nominated filmmaker and actor Sofia Coppola.

As a fundraiser, the event has been greenlit to move forward by WGA and SAG-AFTRA. The evening will help raise vital funds to support museum exhibitions, education initiatives, and public programming, including screenings, K-12 programs, and access initiatives in service of the general public and the local community of Los Angeles.

Supported by Rolex, the official watch partner and founding supporter of the Academy Museum, the Gala is being cochaired by Academy Award-nominated director Ava DuVernay, Academy Museum Trustee, physician, producer, philanthropist, and entrepreneur Dr. Eric Esrailian, Academy Award-winning actor and Academy Museum supporter Halle Berry, and Academy Museum Trustee and screenwriter, director, producer Ryan Murphy.

4 • HOLLYWOOD WEEKLY

“We are excited to gather again at our third annual Academy Museum Gala to celebrate the power, global impact, and indelible importance of cinema. I am truly honored to recognize four artists, Meryl Streep, Michael B. Jordan, Oprah Winfrey and Sofia Coppola, whose creativity and passion have inspired and shaped our culture in such powerful ways,” said Jacqueline Stewart, Director and President of the Academy Museum. “We are truly grateful to our co-chairs Ava DuVernay, Dr. Eric Esrailian, Halle Berry and Ryan Murphy, for hosting this special evening and to Rolex for their continued support of the Museum and cinema worldwide.”

The four awards presented at the Academy Museum Gala reflect the museum’s continued mission to advance the understanding, celebration, and preservation of film and to contextualize and challenge dominant narratives around cinema. The awards presented at this year’s gala include: • The Icon Award, presented to Meryl Streep, celebrating an artist whose career has had a significant global cultural impact.

• The Vantage Award, presented to Michael B. Jordan, honoring an emerging artist or scholar who is helping to contextualize and challenge dominant narratives around cinema.

• The Pillar Award, presented to Oprah Winfrey, which acknowledges exemplary leadership and support for the Academy Museum.

• The Visionary Award, presented to Sofia Coppola, honoring an artist or scholar whose innovations have advanced the art of cinema.

The 2023 Academy Gala Host Committee, also announced today, includes Adrien Brody, Aldis Hodge, Ariana DeBose, Ashley Park, Billie Lourd, Bryce Dallas Howard, Catherine Martin, Chloë Sevigny, Colin Farrell, Colman Domingo, Dakota Fanning, Danielle Deadwyler, Demi Moore, Don Cheadle, Eddie Redmayne, Elle Fanning, Eve Hewson, Gabrielle Union, Gina Prince-Bythewood, Goldie Hawn, Jared Leto, Jay Ellis, Jeff Goldblum, Jeffrey Wright, Jodie Turner Smith, Joel Kim Booster, John Travolta, Kate Hudson, Keke Palmer, Kirsten Dunst, Letitia Wright, Lin-Manuel Miranda, Matt Bomer, Meg Ryan, Michael Keaton, Naomi Scott, Natasha Lyonne, Nicole Kidman, Olivia Wilde, Questlove, Rachel Zegler, Rashida Jones, Regina Hall, Rian Johnson, Riley Keough, Rita Wilson, Selma Blair, Seth Rogen, Sharon Stone, Stephanie Hsu, Steven Yeun, Tom Hanks, Tracee Ellis Ross, Willem Dafoe, Yahya Abdul-Mateen II, Yorgos Lanthimos, Zoë Kravitz, and More among others.

The 2022 Academy Museum Gala honored Julia Roberts, Miky Lee, Sir Steve McQueen, and Tilda Swinton and the 2021 Academy Museum Opening Gala honored Haile Gerima and Sophia Loren as well as Academy Museum Campaign Leaders Annette Bening, Bob Iger, and Tom Hanks.

ROUNDUP

TV & FILM

Trolls Band Together

THIS HOLIDAY season, get ready for an action-packed, all-star, rainbow-colored family reunion like no other as Anna Kendrick and Justin Timberlake return for the new chapter in DreamWorks Animation’s blockbuster musical franchise: Trolls Band Together.

After two films of true friendship and relentless flirting, Poppy (Anna Kendrick) and Branch (Justin Timberlake) are now officially, finally, a couple (#broppy)! As they grow closer, Poppy discovers that Branch has a secret past. He was once part of her favorite boyband phenomenon, BroZone, with his four brothers: Floyd (Golden Globe nominated electropop

THRILLER 40 SHOWTIME TODAY announced that the new documentary feature THRILLER 40 will make its debut on streaming and on demand for Paramount+ subscribers with the Paramount+ with SHOWTIME plan on Saturday, December 2, and premiere that day at 8 p.m. ET/PT on SHOWTIME. The feature will also make its international debut on December 2 on Paramount+ in the UK, Australia, Canada, Italy, France, Germany, Switzerland, Austria, Latin America and South Korea and on MTV internationally, excluding China and Japan.

Forty years after the release of Michael Jackson’s “Thriller” – the best-selling album of all time worldwide – Director

sensation Troye Sivan), John Dory (Eric André; Sing 2), Spruce (Grammy winner Daveed Diggs; Hamilton) and Clay (Grammy winner Kid Cudi; Don’t Look Up).

BroZone disbanded when Branch was still a baby, as did the family, and Branch hasn’t seen his brothers since.

But when Branch’s bro Floyd is kidnapped for his musical talents by a pair of nefarious pop-star villains—Velvet (Emmy winner Amy Schumer; Trainwreck) and Veneer (Grammy winner and Tony nominee Andrew Rannells; The Book of Mormon)—Branch and Poppy embark on a harrowing and emotional journey to reunite the other brothers and rescue

Floyd from a fate even worse than popculture obscurity.

Featuring Trolls’ signature psychedelic joy-bomb of new and classic pop hits, Trolls Band Together stars a dazzling cast of musical superstars and comedic powerhouses as new franchise characters, including four-time Grammy nominee and Latin Grammy winner Camila Cabello (Cinderella) as Viva; Zosia Mamet (The Flight Attendant) as Crimp; and 12-time Emmy winning drag icon RuPaul Charles as Miss Maxine.

Returning cast includes Grammy, Emmy and Golden Globe nominee Zooey Deschanel as Bridget; Christopher MintzPlasse as Gristle, the Icona Pop duo Aino Jawo and Caroline Hjelt as Satin and Chenille, Grammy winner Anderson .Paak as Prince D, comedian Ron Funches as Cooper, SAG nominee Kunal Nayyar as Guy Diamond and Emmy winning SNL legend Kenan Thompson as Tiny Diamond.

Trolls Band Together is steered by returning director Walt Dohrn and producer Gina Shay, and is co-directed

by Tim Heitz (head of story, Trolls World Tour). DreamWorks Animation’s Trolls films—2016’s Trolls and 2020’s Trolls World Tour—have sung and danced their way to record-breaking success, earning an Oscar® nomination for Best Original Song and fueling one of the largest and most beloved entertainment brands in the world.

Nelson George takes fans back in time to experience the making of the recordbreaking album and the release of the accompanying short films that forever redefined the music video format.

Featuring never-before-seen footage and exclusive interviews, THRILLER 40 chronicles the creation of a pre-internet global phenomenon unlike anything before it or since. “Thriller” launched Michael Jackson into mega-stardom and to this day continues to influence all aspects of culture and entertainment, including the worlds of music, dance and fashion. Music and entertainment luminaries including Usher, Mary J. Blige, Will.I.Am, Mark Ronson, Misty Copeland, Maxwell and John Landis are featured in the documentary.

THRILLER 40 is produced by Optimum Productions and Company Name. Colin Hanks, Sean Stuart, John Branca and John McClain serve as producers.

HOLLYWOOD WEEKLY • 5

PAULA ANDREA PLACIDO On The L Word,

An established visual artist and actor, Paula Andrea Placido joins the cast of Showtime’s The L Word: Generation Q and is set to star in the new Apple+ series Sugar alongside Colin Farrell. In L Word: Generation Q , Paula is Roxy, an adventurous, unpredictable girl who draws on her upscale background to make life one endless party.

Hacks, Sugar, and her Visual Arts

By Alex A. Kecskes 6 • HOLLYWOOD WEEKLY

Born in San Francisco de Macrois in the Dominican Republic to an Argentine-Italian father and Colombian mother, Paula grew up in West Palm Beach, Florida before moving to Los Angeles to pursue her acting career. Paula is best known for her role in the 2nd season of the Emmy-winning HBO comedy series Hacks, where she played Rian, Ava’s hot subletter/tenant who she ended up hooking up with. Paula then appeared on Shameless’ last season, where she played Calista, a lesbian bartender, who opens up a new queer bar in Gallagher’s neighborhood. Paula has also appeared in The Resident, Never Have I Ever, All Rise, The Shrink Next Door, and Star Trek: Picard. In her free time, Paula enjoys riding her motorcycle, painting, and staying fit.

commercial acting or theatrical, you still have the same feeling of impostor syndrome, that the casting director made a mistake. There’s this voice in your head that’s constantly betraying you, and you have to learn to dominate that. There’s a lot of fear but with practice, repetition, and understanding what you’re going to do, the bigger picture, that fear goes away. If you concentrate on why you’re there, to create something, and dispel those negative thoughts—like what is everyone thinking about you, you’ll have a lot more fun.

You’ve had so many roles. Is there a particular type of role you enjoy more than others?

Paula: I thought it would be dramatic roles, that the more dramatic the scene, the better actor I would appear. But I realized that I love comedy. It’s so much more fun and lighthearted to go to work and not have to search for my deep emotions, which can be really draining.

Doing comedy is such a joy because it goes by so much faster. There’s laughter, everyone’s having a good time, and the pacing and improv are so much fun.

What drew you to The L Word and the role of Roxy in particular?

Paula: For me, growing up, the L Word felt like a bucket list. I always wanted to be part of the show. I was so excited when I got to audition for it. I think I auditioned two or three times for different characters.

I had no idea who I was auditioning for since they gave me dummy sides to read.

So I tried to interpret each character the best way I knew how. But it feels really special to be on the show, to be part of the LBGT community. I would have taken any character they offered me. It just felt like such a milestone for me.

You started as an artist. Was there an actor, TV show, or film that inspired you to pursue acting?

Paula Placido: I Always wanted to be an actor but art was definitely my foot in the door. That’s how I got into art school.

But If I had to point to a specific film that drew me into acting, it would be Harry Potter. I was about the same age as Daniel Radcliffe when the first movie came out. I remember seeing those clips on the screen and saying, I want to do that. So I bugged my mom enough to get me into art school and then segued into performing that way.

My father was an artist and he said the hardest thing to draw was hands. But you’re really good at it.

Paula: Thank you. I was in the fifth grade and I fell in love with The Creation of Adam

by Michelangelo. I just started tracing the hands and got so used to the lines that I was able to draw them freehand later on. I love it. It’s also therapeutic because there are so many tiny details in the hand.

Okay. Your first acting gig. Was it nerve-wracking, terrifying, exciting?

Paula: Nerve wracking. Whether it’s

Most actors have a love-hate relationship with auditions.

Paula: I really enjoy the self-tape auditions because all the other variables are taken out. The appointment time, rushing through traffic, sitting in a waiting room with a bunch of people that are dressed like you. You sometimes hear others auditioning in the other room and you’re making choices since they’re getting in your head. Self-taped auditions are so much more relaxing. I can review my work and say ok, I can do better. I think I’ve learned a lot from that process.

HOLLYWOOD WEEKLY • 7

Roxy and Dani have an interesting relationship. There’s passion and conflict. What makes their relationship work?

Paula: They’re such good friends. There’s that bond with a friendship that develops over the years—you speak the same language and you’re on the same beat. I think that’s the situation with Dani and Roxy. I have friendships where we’ve gone for years without hanging out or even connecting but when we get together, it’s like we never missed a beat. We’re right back where we put a pause on it. I think ultimately, Roxy cares so much about Dani, more than intimately. There’s that bond and the friendship matters so much to Roxy that they’re willing to put their feelings aside to help each other.

Behind every party girl, there’s usually some painful secret. Will we see more of Roxy’s backstory?

Paula: I’m hoping we will. I don’t know but I think it would be very cool if saw Roxy’s and Dani’s story a bit more, their history, and why their stories went their separate ways.

Do you have a favorite scene in The L Word this season?

Paula: Yes. It should be coming out very soon. Roxy does something really naughty and it causes Dani to have a really fun time. It’s a pretty hilarious scene. We don’t see that side of Dani very often but it will be a real treat for the fans.

Will you continue as Rian in Hacks?

Paula: I have no idea. Who knows what they’re getting into? In the second season, they were on a tour bus. I think it would be very cool if Rian can make some sort of amends or Ava can make amends so that the miscommunication of sleeping till one o’clock and kicking her out is smoothed out. Personally, it was a bit harsh but I love the scene. It was so well written. It was one of the episodes that I’d watched before auditioning for the show so I was already a huge fan. I would love to come back.

What can you tell us about Sugar? Can you describe your character, Charlie?

Paula: Charlie is smart and incredibly loyal. She has a history with Sugar played

by Colin Farrell. She has Sugar’s back, helping him do some detective work and 8 • HOLLYWOOD WEEKLY

surveillance, sort of a technical expert. It takes place in L.A. as a genre-bending detective drama. It has a Hollywood aspect to it, a filmmaking family. I love stories that take place in L.A. I think Colin’s a brilliant actor and I feel lucky to work with him.

Will Charlie have a love interest?

Paula: I was pitching it. But, no, I don’t think so.

What have you learned about this business that surprised you?

Paula: How fast it goes. Which is why it’s so important to be prepared, to do your work. Because when you’re on set, there’s no time for anything. When I was in class, they’d say you don’t have to worry, we’ll fix this or that. But on set, there’s no time, you have to be on top of it. Everyone’s

a professional, they have a job to do and they all want to go home at a decent hour.

Any advice for young actors just starting out?

Paula: Study. Put in the work. And really understand your characters and the scene.

The partying and fame can wait if you’re really serious about your career. There are a lot of people trying to get in so it’s really competitive. For me, it was being one hundred percent committed.

What were you like in high school?

The girl most likely to…?

Paula: Mmm. Most likely to be drawing in class when I’m supposed to be paying attention to the teacher (laughs). I went to art school as a visual arts major and I minored in drama. I auditioned for the theater program but I didn’t get in.

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Played at the same high school as Oklahoma State’s Collin Oliver,Talyn Shettron, Tabry Shettron, Calvin Bundage and others.

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ARTIST

FRANK

GRAVES

W

Islands CA. Graves’ professional singing career took off with the soul group, The Dynamic Soul Seven, who performed throughout Kentucky and Ohio.

Frank Graves’ talents are quite diversified. He has studied theater and on-camera commercial techniques at the DeVore Artist studios. Graves is a gifted singer, actor, writer, musician, and allaround incredible entertainer.

Most recently Frank Graves has performed with members from the renowned group Earth, Wind and Fire and Honey Cone. Graves’ music is being carried on MWMN Radio, and is currently on the last leg of his 3 month tour as part of “The Magical Music of Motown”. Graves recently graced the movie screen as one of the lead actors in the Lifetime Movie To Kill A Stepfather and has been nominated for his second academy award.

Frank Graves can be found on Facebook @ArtistFrankGraves and Instagram @frankgravesmusic. Frank Graves’ music is streaming on all music platforms.

ith a contemporary style of his own, Frank Graves composes and performs his own songs with the desire to touch the heart, soul, and mind of every listener. As a veteran soul singer, Graves captures just the right amount of old school funk rhythms and contemporary beats and vibes that impact modern culture, while catering to all audiences. His booming vocals, timeless melodious harmonies, and unbounded energy envelop every stage he graces. A wellrounded fiery entertainer, Frank Graves’ golden voice brings a sultry and sexy presence to every stage performance. His full vocal control, range and rock-solid runs make him a contender in the Soul, R&B and Gospel genres providing music that carries longevity.

In his effort to do away with the toxic masculinity that currently saturates the music industry, Graves’ songs cater to his respect and adoration of women while being the voice of true gentlemen everywhere. Frank believes that music is “an everyday reminder of how you live your life”. In addition to providing music that embodies gratitude and appreciation such as “If I Were a Love Song” and “Loving You”, Graves uses his musical platform to combat social issues such as homelessness in his emotionally expressive recently released single “See About Me” (video to be released soon). Frank believes he best summarizes music as “beauty, because each day there’s a change in self and life granted by God’s grace and mercy.

Because of this, I will never take anything for granted.”

Along with Frank Graves’ busy music and entertainment schedule, he is committed to giving back to his community. He has been a volunteer with the California Highway Patrol for 8 years, helping to facilitate the Annual Christmas Toy Drive, among other duties. As a member of Agape Community Church in Lancaster, Ca, Graves has worked with the Mission’s Society to feed families at the local Domestic Violence shelter for 8 years. Frank also remembers the fallen soldiers of the Vietnam War as a member of the Vietnam Memorial Wall member, helping to educate others of the history and purpose of the Antelope Valley Mobile Vietnam Memorial Wall.

Graves initially joined the Army and PRESS RELEASES completed thirty-three years of military service as an Active/Reservist serving The Sacramento News and Review columnist, Buzz Norton states,”… with the Army, Navy, Air Force, and Graves has great pipes, and if you dig Luther Vandross, you’ll like his the Air National Guard. As a member “To My Lady”. of the Navy, during Operation Desert Shield/Desert Storm, he entertained the The Sacramento Suttertown News, writer Tim McHargue, describes troops and tourists in the Persian Gulf Graves’ music as, “…a soulful ballard with Graves’ smooth vocal and as part of the USO shows aboard the upbeat synth sound…gives the song “To My Lady” a professional cruise ship, Cunard Princess. Frank was contemporary feel.” presented the prestigious VIP Gold Plate Award for his outstanding performance Frank was the United Kingdom (International Unisong Contemporary as a solo artist. He completed his last twelve years of military service as the Award Winner) first place for best musician writer with the gospel lead vocalist for the 562nd Air National song “Solid Rock” Guard Band of the Southwest, Channel

10 • HOLLYWOOD WEEKLY

PERFORMANCES & RECOGNITIONS Hollywood Weekly Magazine (Cover Feature) 2022 Independent Music Show Magazine BBC/UK 2022 Shakespeare Festival / Mandarin singer 2001 Exonerated / Actor (David Keaton) 13th Annual Cultural Historical and Educational Award (2006) UniSoul Records/UniSoul Host Raggae mix Station Grammy Recording AcademyGospel Music Association LA Music Awards The Hollywood 360 BMI Member MWMN Radio October 2022 #1 Song of the Month “Yes To Your Will” (Gospel) Magical Motown, Santa Barbara, Lobero Theater, CA 2022 Loving You Concert, Palmdale Playhouse, CA 2022 Documentary: Claudette Rogers Robinson (Smokey Robinson Ex. Wife) Netflix 2021 Freedom Celebration Concert, Amphitheater Palmdale CA 2018 Black History Gospel Concert, Agape Community Church Lancaster February 2015-2019 Palmdale Playhouse Gospel and R&B performances - 2003, 2005, 2007, 2008, 2009, 2017, 2018 SC Blues Concert, Malarkey Blues Club, Long Beach 2015 AV Grand Oasis Jazz Festival VIP Club, w/The O’Jays 2014 Arcadia Blues Club, AD/Soul & Co. Arcadia, CA, 2012 – 2013 R&B Toyota Music Festival, 2012 Maui Sugar Mill Blues Club, Tarzana, CA, Solo 2011 Multiple performances for the U.S. Military and CD/ DVD recordings (1993 – 2005) Mr. Stevie Wonder Humanitarian Foundation Concert, LA 2001 Nominee for the 8th Annual Los Angeles Music Awards (Jesus) 2001

HOLLYWOOD WEEKLY • 11

WIE: WOMEN IN EXHIBITION The dynamic global network comprising women professionals from the cinema, multimedia technologies, and out-of-home entertainment industries, is thrilled to announce the opening of applications for the third edition of their highly acclaimed WIE Mentorship Program.

BY MARCI CHORPASH Launched with resounding success at CinemaCon 2022, the WIE Mentorship Program seeks to cultivate a supportive environment for the professional growth of women at various stages of their careers. This initiative provides a unique opportunity for one-on-one mentorship, catering to individuals passionate about advancing their skills and knowledge in the dynamic realms of cinema.

Prospective mentors, who bring a wealth of experience and insights, as well as mentees, driven by ambition and a thirst for knowledge, are warmly invited to apply. By participating in this mentorship program, individuals have the chance to build meaningful connections, gain valuable guidance, and contribute to the overall advancement of women in the entertainment industry.

WIE Logo

About the CEO, Heather Blair Heather is a seasoned sales executive with a diverse background in marketing and communications. She began her educational journey at Tarrant College in Texas, where she studied Marketing and Communications.

Upon relocating to California, she embarked on her sales career with the Creative Industry Handbook, an entertainment directory.

Heather's impressive trajectory led her to 12 • HOLLYWOOD WEEKLY

the role of Associate Publisher at Themed Entertainment 411, a global directory of vendors serving attractions and theme parks.

In her entrepreneurial spirit, Heather established OuiMarket4U, a consulting company that represented many of her former advertisers. Transitioning into the realm of entertainment technology and new media, she assumed pivotal roles as Director of Sales and Marketing for publicly traded Valcom, Inc., and SNAPeMedia, a division of World Touch Gaming. Her contributions extended to her tenure as an Account Executive for Point 360, where she successfully secured clients in broadcast and post-production. Furthermore, she served as the Western Territory Channel Manager for Asia Media Products, excelling in the same markets. For eight years, Heather dedicated herself to selling 4D theater technology as the Head of Cinema Sales for MediaMation, a leading interactive technology company. During her tenure, she not only secured global cinema accounts but also orchestrated the acquisition of film titles from major studios for programming in MX4D theaters.

In 2019, Heather founded and assumed the role of President at Global 501C3 Women in Exhibition, an organization committed to empowering women in the cinema exhibition industry through mentorship, networking, and advocacy for equal opportunities in speaking engagements.

Her passion for bridging the worlds of cinema and esports led to the establishment of the Cinema Esports Alliance Corporation, facilitating essential dialogues between these two dynamic communities. This journey ultimately culminated in her current position as Senior Account Manager at LG Electronics, specializing in cinema and esports venue solutions. Heather continues to make significant contributions to the convergence of these exciting industries.

What inspired you to create WIE? I experienced a shift in my career, not due to any shortcomings on my part but simply because of my gender. My employer explicitly conveyed, "no disrespect to you, but this is a man's world" in the context of cinema exhibition. He had sold the company, and I predicted the incoming CEO, who happened to be a man, would replace me with a man.

This change materialized exactly as predicted, five months into the new CEO's tenure.

In response to this challenge, I teamed up with another industry executive who was also navigating a career transition. The mutual support we provided each other was uplifting. Recognizing the need for a platform to empower and highlight females in our industry, I believed that establishing Women in Exhibition as an official 501C3 organization would allow us to fulfill this purpose effectively.

What are some examples of topics and speakers from your Speaker Series?

The Speaker Series originated as a Virtual Happy Hour, born out of the necessity to adapt our plans for CinemaCon, where we had initially intended to host a lively party sponsored by Coke, but was cancelled due to the pandemic.

Our inaugural Happy Hour event featured my friend, Grammy artist Herbie Hancock, who graciously shared insights into his life as an artist who was house bound due to COVID, sparking engaging conversations with the attendees. Our second Happy Hour session, held on a Sunday morning, was joined by Nick Vallelonga, the screenwriter of the Oscar-winning film "The Green Book," starring Viggo Mortensen and Mahershala Ali. As our Virtual Happy Hours gained momentum, we secured participation from influential figures like Mark Cuban. Opting for a weekday, daytime slot, Mark's involvement transformed the happy hour sessions into a compelling Virtual Speaker Series.

Our speaker series has hosted a stellar lineup, including renowned personalities such as

AGT Judge Howie Mandel, Actor David Dasmalchian, Stevie Salas (guitarist for Rod Stewart), directors like Adam Rifkin and Patty Jenkins, executive producers like Kelly McCormick, and industry leaders such as Tom Rothman of Sony, Chris Aronson of Paramount, Lisa Bunnell of Focus Features, and many more. Notable cinema executives, including B&B Theatres’ CEO Bob Bagby, Cinemark’s CEO Mark Zoradi, CMO Wanda Geirhart, AMC's CCO Elizabeth Frank and SR VP Ops Jennifer Douglass, IMAX President Megan Colligan, and ALAMO’S CEO Shellie Taylor, have also graced our virtual speaker series.

Please tell us about your Mentorship Program.

The Mentorship Program pairs our mentees in the field of their choice with a mentor they have either suggested or one we have found for them. Last year my mentee Sammy Mardowski of Marcus Cinemas wanted to learn about esports- she asked for me.

We met every few weeks and have bonded professionally and personally.

Who have been some of your mentors?

Shelli Taylor, Marie Zablocki, Amy Mader, Jaclyn Bennet, Carrie Dietrich, Lesley Vander Woude, Heather Morgan, Loren Nielsen, Lucy Mann- Mariam El Bach leads the Program.

Please tell us about the Panel Parity Project.

The Panel Parity Project, a key initiative led

by Women in Exhibition (WIE), represents a proactive and impactful approach to addressing gender imbalance within industry conferences and trade events. Recognizing the importance of diverse voices and perspectives, WIE takes the initiative to reach out to conference and event producers, helping in curating panels that offer a broad selection of talented speakers.

This project is grounded in the understanding that achieving gender parity in panel discussions is not only about promoting equality but also about enriching the quality of discourse. By collaborating with event organizers, WIE aims to provide a pool of qualified, interested, and available speakers and moderators who can bring a variety of experiences and viewpoints to the forefront.

The emphasis is not solely on increasing the

number of women on panels but also on ensuring that these women are recognized for their expertise and contributions in their respective fields.

What success story/ies can you share that were a result of WIE? Through Women in Exhibition, our members are gaining unparalleled access to individuals they might not typically have the opportunity to connect with, given the diverse array of roles within the exhibition industry that our members occupy. This unique platform has become a catalyst for bridging professional gaps, fostering interactions among women working in different capacities within exhibition, and creating a valuable network that transcends traditional boundaries. Our members are forging meaningful connections, accessing insights, and building relationships with individuals who bring diverse perspectives and experiences to the table, enriching their professional journeys in ways not possible through conventional channels.

President and Founder of WIE, Heather Blair

What programs can we expect to see from WIE in the future?

Panel Parity, Mentorship, Speaker Series and Scholarship Program (enabling women to attend events they may normally find financially challenging).

WAYS TO SUPPORT WIE INDIVIDUAL MEMBERSHIP Join WIE as an individual member by signing up for membership, which is priced at $25. This not only grants access to a vibrant network of professionals but also signifies a personal commitment to fostering diversity and inclusion within the exhibition industry.

SPONSORSHIP

Individuals and organizations can contribute to WIE's mission by becoming sponsors. This can take the form of financial donations or sponsoring specific events organized by WIE. By providing financial support, sponsors play a crucial role in facilitating the various programs and initiatives that empower women within the industry.

CORPORATE MEMBERSHIP Companies can demonstrate their commitment to gender diversity by becoming a corporate member of WIE. Corporate memberships are tiered based on the size of the company, ranging from $500 to $1500. This not only provides valuable networking opportunities for employees but also aligns the company with a commitment to supporting women in the exhibition sector.

EVENT SPONSORSHIP

Sponsoring specific events organized

by WIE is a targeted way to support the organization. Whether it's a networking event, a speaker series, or a workshop, sponsors contribute to the success of these initiatives and help create a platform for women to connect, learn, and grow.

COMMITTEE PARTICIPATION

Actively engage with WIE's mission by joining a committee. This hands-on involvement allows individuals to contribute their skills, expertise, and time towards specific initiatives and projects undertaken by WIE. Committee participation provides a direct way to shape and enhance the impact of the organization.

FOR MORE INFORMATION, GO TO WOMENINEXHIBITION.COM

HOLLYWOOD WEEKLY • 13

WOMENINEXHIBITION.COM @ExhibitionWomen @women.in.exhibition Women In Exhibition Women in Exhibition

Elevating Excellence: Unveiling Women in Exhibition's Four Pillars of Empowerment Panel Parity: Shaping the Narrative

Virtual Speaker Series: A Platform for Inspiration

Illuminate our commitment to balanced representation. Join us in breaking barriers as we ensure that every panel reflects the rich tapestry of qualified, interested and available talent within our industry.

Immerse yourself in thought-provoking discussions. Our Virtual Speaker Series brings industry visionaries to provide their personal and professional journey, insights, trends, and inspiration from the forefront of entertainment.

Mentorship Program: Guiding the Future

Scholarship Program: Investing in Potential

Step into a world of professional growth and collaboration. Our Mentorship Program connects experienced leaders with aspiring talent, fostering a culture of support and empowerment.

Our Scholarship Program empowers deserving individuals with the resources to attend industry events and make a lasting impact in the world of exhibition.

Interested in becoming a member or a corporate sponsor?

Learn more at WomenInExhibition.com

YELENA

request for compliments, but from me he got 12 pages of notes, which led to an entirely new draft. I also connected him to a cinematographer friend looking for a worthy project. They have just finished their third film together.

I see what you mean by “catalyst”. Any other favorite examples?

I was traveling in my native Ukraine five years ago and discovered the workshop of an iron-ore miner, Vasyl Pilka, who does these miraculously fine and detailed glass etchings of the most extraordinary historical scenes and documents. I immediately resolved to make a documentary about his work. This resulted in his getting attention all over Europe as an artist, which has been vital for sustaining him during this dark time in Ukraine.

Yelena Makarczyk, known as Yelena Skye in her production endeavors, is truly the quintessential renaissance woman.

Born and raised in Ukraine and some of the most far-flung regions of the Soviet Union, she arrived at UCLA as an international student at the tender age of 15. She learned English while rooming with other foreign students doing the same, creating bonds that have lasted a lifetime. She studied filmmaking, literature and linguistics, and soon after was part of a team that made an Emmy-winning documentary on the Romanov dynasty. Her multi-language skills organically cemented her career in localization. She became an expert in subtitling and dubbing in L.A.’s postproduction industry, known for having one of the most impressive rolodexes of translators anywhere.

You call yourself, above all, a “catalyst.”

Can you elaborate on that?

I have always straddled multiple aspects of filmmaking, from the conception, writing and production side, to the purely post-production realm. I know firsthand how essential it is to get both ends of the process right – even if little glamour attaches to the localization side of it.

(Notice how there is no award for Best Subtitling at the Oscars? There should be.) Here’s a story that illustrates how essential that part of the process is: About a decade ago, I was contacted by an indie French filmmaker who had sunk virtually his last dime into making his movie, and when it came time to submitting it to an American film festival he hired the cheapest translator he could find. At the L.A. screening, there were several instances when the audience laughed

at moments that were supposed to be dramatic, even poignant. He was mortified and asked for my help.

It didn’t take me long to realize that the subtitles were awkward and literal, and often unintentionally comical. For example, one of the aspects of translation that most people don’t grasp is the ubiquity of “false friends” – the same word that doesn’t have the same meaning in both languages. For example, “affair” in English usually describes an adulterous sexual relationship, but “affaire” in French refers to a business deal. It’s not hard to imagine how this could be confusing, to put it mildly, in a subtitle. (In French, “liaison” is used for a love affair, and that itself is another false friend to its English cognate.) I had the film re-subtitled for him by one of my expert translators, and the new reaction he received at other festivals gained the film several awards and a distribution deal. Two years later, he brought me a new script to have translated and then asked for my opinion on the content. This is usually a pro forma

This must be a dark time for you, too.

Yes, it has been. I have a large number of Ukrainian cousins, many of them who are more like siblings to me. I have raised tens of thousands of dollars to help them survive the war and also contributed subtitling to three short films about specific battles for Ukrainian Military Intelligence. I’ve also lost male members of my family as well as close childhood friends and colleagues in the war.

Sometimes being so connected to every corner of the world isn’t so enviable. Over the years, I have lost several translators to various conflicts in Chechnya, Afghanistan, Russia, Ukraine, and most recently, Israel.

But being a citizen of the world, both professionally and personally, has far more upsides than not. For example, I have also been able to help émigrés who left everything behind, including an illustrator who does the most beautiful pet portraits imaginable, starting with the love of my life, my beautiful German Shepherd, Nikita.

TRISH COOK An American Dream

BY MARCI CHORPASH

Born in a small town near Cincinnati, Ohio, Trish Cook persevered to make her dreams come true.

Today she is an accomplished Producer, Actor and Writer with many TV and Film projects to her credit.

What can you tell us about your background?

I grew up in Ohio; but coming from a military family, we relocated a lot. When we moved to New Jersey I went to Manhattan to study at The Stella Adler Conservatory, The Actors Studio and more. There were really tough teachers, as well as amazing and talented people. I struggled there. I failed a lot; but refused to quit, I wasn’t brought up that way. After many auditions I was cast in a few commercials, Off Broadway Shows, and the New York Soaps. I was so young and just wanted to improve.

My first real movie role was in an independent film entitled “The Messenger”.

It was taken to the Cannes Film Festival for distribution. I had ten callbacks for that role!

My second film was for a small part in “Working Girl”. I remember it was freezing cold because they shot the scenes on The Staten Island Ferry, during Winter. I was so nervous and naive, I almost got on the wrong ferry. Next, was a tiny part in “Ghostbusters 2”. At the rehearsal, freezing again, in a brand new coat, the great and funny Howard Ramos “slimed me” with green goo!

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Trish Cook

When I arrived in LA I booked a movie the first week. It was an adorable Sid Melton comedy; Frank Sinatra Jr. was directing.

Final editing never happened because Sid passed away. After that, I worked as Director of Operations for MMG. We made three A-list films: “Dark Tide", “13”, and “The Experiment”.

I really wanted to create family films, so I moved onto the Paramount Studio Lot, as an Independent Producer. With my longtime colleague, CEO of Minds Eye Entertainment, we made a wonderful Western feature called, “Forsaken”, starring Kiefer and Donald Sutherland. I produced many additional films since then, and have been cast in various and wonderful roles in film, TV and commercials.

taught me to read the credits for movies and TV shows. Maybe he was planting seeds, too.

At six-years-old I took baton lessons. I participated in many National Competitions.

The best part was twirling to patriotic songs like ‘Stars and Stripes Forever”. I loved the competition of it all, even though I lost many,

I won some too. It was the American way, just keep trying, working and… dreaming.

Since age six, my dream was… somehow… to go to California, to work. That was always my dream.

Trish Cook

What are you working on now?

I was cast in a recurring role for a new pilot series. I’m also involved in the biggest film project of my career and my favorite family comedy feature film project “Hassle At The Castle” is in production.

At the end of November, I’ll be shooting a permanent display for the Getty Museum.

I’m going to be… I know it’s shocking…The Goddess of Love. Others will be featured in the display, too.

Additionally, I’m producing a documentary called “God & I”. This started out to be testimonials of people and how God has touched their life. It also includes people that had near death experiences. I do believe in God, and that my life was saved. I was in a fire. I don’t know how I survived; that was life changing. I was convinced that I was spared to do something good. This isn’t about me.

It’s about quality entertainment and positive messages, and to stop the media that teaches people how to do bad things. Audiences deserve better movies like “It’s a Wonderful Life”. I want to be part of movies like that. I love to bring joy and make people laugh.

What inspired you to perform at such an early age?

I grew up in a little house with blue collar people. At five-years-old my mother would sing to me, “Hollywood…da-da-da-da-dada-da.” I have no idea why my mother sang that to me. She didn’t sing it to my siblings.

Mom planted a seed in my brain, I guess. She was wonderful; I loved to hear her sing. Dad HOLLYWOOD WEEKLY • 17

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HOLLYWOOD WEEKLY • 19

Women of Excellence Series:

Charletta Dennis, M.D., CCHP NAACP Image Award Contender and Talk Show Host on the Rise

By Prather Jackson

D

etroit, "The Motor City", is one of the key cities of innovation in America. The Motor City is known for its creative inventions in enterprises that set trending standards in the nation.

From the success of Motown Records, Detroit established the foundation of R&B music with an array of star talent such as Diana Ross and The Supremes to Stevie Wonder, all developed and orchestrated by the legendary genius of Berry Gordy.

This Detroit-based vision boldly set the tone for the evolution of R&B in the music industry as it continues to be a force in setting trends in music.

As one of America’s leading cities of innovation, the city of Detroit embraces and shapes the brilliant leadership and talents of exceptional visionaries who dedicate their lives to creating positive change in communities. It molds and shapes leaders who are determined to transform the landscape of the nation through speaking the language of modern society and bringing innovative solutions to social issues to the table. In today’s modern landscape of a technological society, one of the key social issues is the subject of mental health. There’s a new trailblazer on the horizon setting the tone for bringing forth key solutions toward the comfort of conversation pertaining to gaining and attaining optimum mental health in America. Her name is Dr. Charletta Dennis.

A Detroit native, Dr. Charletta Dennis, is an accomplished and noted psychiatrist in the field of medicine. She is consciously devoted to her craft and making a difference in the lives of others.

In addition to her success in the medical field, she recently landed a position as cohost of a talk program, “Doc Talk,” a show that specializes in providing information to the public about mental health and other health topics.

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Dr. Charletta Dennis is an exceptional talent in her multitalented career and roles of service in our society. Charletta's grounded authenticity is undeniable as she has a devoted admiration toward her city of Detroit, and she lets you know it with joyful recognition. In our recent interview with Charletta, she shared this about her city: “I love my hometown of Detroit for so many reasons. Let’s start with…Motown and the Motor City!

Motown gave birth to a lot of great music.

Also, a lot of Detroiters were able to raise their families by working for the Big 3. Being around this kind of great energy invigorates your own dreams. It inspired me to work toward the dreams I envisioned. I am grateful to Detroit. The energy of the city led me to step out and find my purpose.”

When Charletta walks into a room, she captures the attention of everyone

Dr. Charletta Dennis

inside that room without saying one word. Her personality is one of a woman who embraces society one person at a time. Charletta has a pure zest for life, a natural charisma with people, and a humble grace that shines, a grace that is comparable to another woman of excellence: Dr. Coretta Scott King.

Charletta's story is one of struggle and triumph that defines her rich and endearing demeanor. Her educational intellect is exceptional and very relatable in terms of her choices and approach to working with people. Her main objective in her career work is to make sure she reaches people with positive solutions to their problems. She effectively reaches people from all walks of life through the specialty art of pure conversation, whether it be in talking to a group of youth or speaking on camera about mental health solutions.

A SPEEDY UP-BRINGING Her road to success began in humble beginnings in her childhood.

As a child, she saw the positive effects of Detroit’s economic growth with the Ford Motor Company and other successful enterprises." She also saw the juxtaposition of challenges for some residents in her hometown. As a child, she was faced with the struggles of economic challenges. The light always shined through the darkness as she watched her family find ways to make ends meet. Soon, Charletta realized that the path to success in her future pointed in the direction of dedicating her time toward a solid education in school. She made the point that she was determined to find a path to success to overcome the challenges of economic issues that she and her family faced in her community.

Her road to success began with her search for more education, which soon led to her entrance into the medical field.

Growing up in a fast-paced city was not easy for Dr. Charletta Dennis. In our recent interview, she shared about how she became pregnant at the age of 14 years old. She reflected and realized that it was not going to be easy to raise a child, as a child herself. Charletta shared these heartfelt thoughts on her experience as a teen mom: “I was determined to make a life for myself and my children. In essence, I would have to say I was more inspired by who I did not want to become.

I grew up in a drug-infested and poor area of Detroit and did not want that to be my future. I did not want to continue living in poverty, so I had to look within to change the course of my life.”

MEDICINE AND THE MIND As a teen mom, Charletta realized that she had to go to work to help support and raise her child. At the same time, Charletta spent time in thought looking toward the future of what she could become. In a moment of reflection during our interview, she shared that sometimes you meet the right people at the right time who open doors for you through sharing information and even opportunities that may be available to you. In the case of her road to medicine, it began as a stepwise

journey as Charletta shared in conversation with us.

Charletta began working fulltime at a fast-food restaurant to make money to take care of her child. A pivotal moment in her life journey came during a conversation at work while she worked on the night shift at a fast-food restaurant.

On one particular night, two professional paramedics came into the restaurant. They began a conversation with her about a paramedic course that they were teaching. She learned from them about the opportunity to sign up for the course, and she did. After taking the paramedic course, Charletta realized that there was a connection there, but she needed to take a different direction. She researched and soon began taking courses as a medical assistant and later started her studies toward further opportunities in the field of medicine. Soon, she made it a point to take courses toward a bachelor’s degree in the field of nursing in her quest to find her niche in the world of medicine— where she knew she belonged.

Charletta opened up about a powerful conversation that changed her life.

One day during her studies toward her bachelor’s in nursing, she had a discussion with someone in college who she knew. She shared her good grades in medical courses and her new goal to attend medical school with the goal of becoming a doctor with them. The response she received was challenging because she was told that it would be unlikely that she would be able to complete her studies to become a medical doctor. These words would discourage a lot of people; but for Charletta, this response reflected her inner compass of guided truth. She set the pace for the next phase of her development by demonstrating tenacity and perseverance.

Instead of discouraging Charletta, these words fueled her determination to work toward her vision to study every class it took to become a doctor in the medical field, and she did just that.

Charletta moved toward the fine universities of higher education in her

native city of Detroit for the shaping of her future career in medicine. Through perseverance and hard work, Charletta received her Bachelor of Science in Nursing from the University of Detroit Mercy. She continued her studies and soon received her medical degree from Wayne State University School of Medicine, completing her residency in Psychiatry at WSU/Henry Ford Health System in Detroit. She completed her fellowship training in Forensic Psychiatry at the prestigious University of Michigan and the Center for Forensic Psychiatry.

In today’s progressive society, Dr. Charletta Dennis has truly become one of the nation's trailblazers specializing in the field of forensic psychiatry with her quest to champion the cause of mental health as a spokesperson and advocate. Dr. Dennis is certified by the American Board of Psychiatry and Neurology in the fields of Psychiatry as well as Forensic Psychiatry.

In addition, Dr. Charletta Dennis is certified in Correctional Health Care by the National Commission of Correctional Health Care. She is featured on U.S. News and World Report as a noted psychiatrist in the nation. She now serves as the lead psychiatrist and medical director of Priority Health, recognized as a “Notable HOLLYWOOD WEEKLY • 21

Leader in Behavioral Health” by Crain’s Detroit Business. In her expertise, Dr. Charletta Dennis has conducted peer reviews to assess and structure strategic care for patients. Through her insight and expertise, she continues to play a significant role in increasing access to mental health services statewide.

Dr. Charletta Dennis penned a popular literary work that is enlightening and informative as she addresses the topic of anxiety, its symptoms, and how to deal with it during the pandemic as well as post-pandemic in everyday life. The title of her published book is

“Anxiety Unmasked During the Covid-19 Pandemic: A Global Mental Health Concern."

A VOICE FOR OTHERS In addition to her medical practice and leadership, Dr. Charletta Dennis is a sought-after expert as a guest on television news programs with her recent appearances including NBC News WOOD TV speaking on helpful information on PTSD awareness. She was also featured on Good Day Northern Michigan on the CBS network as a featured expert on mental health and wellness.

Her road to television began with her appearance as an expert on three

Above: Dr. Charletta Dennis' book "Anxiety Unmasked During the Covid-19 Pandemic: A Global Mental Health Concern" published on November 16th, 2022 Right: Dr. Charletta Dennis is currently a contender for the NAACP Image Awards (trophy picture in image); nominations are set to be announced on January 25, 2024.

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episodes of "For My Man" where she realized the value of television as a way to educate the public about mental health issues. Charletta shared this about appearing on the show: “I absolutely loved going through the cases and being part of that show. That show is what led me to begin thinking about becoming a host of my own show. I even thought about starting out with a podcast to discuss all things medicine." Soon after her appearance on the show, another opportunity came her way. She was offered the role of Co-Host of "Doc Talk" with Priority Health Network. When asked about her role as Co-Host, Charletta shared this:

“

I feel so alive when I'm educating the public. There is an opportunity to reduce stigma regarding mental health or even just seeking treatment and I would like to be that voice for the masses.

”

During our interview with Dr. Charletta Dennis, she received the news that her role as Co-Host of the talk show, "Doc Talk", is now receiving additional accolades. Dr. Charletta Dennis is now an NAACP Image Award Contender for Outstanding Talk Show Host in a News and Information Series. Her response to receiving the news speaks volumes about her exceptional character as a woman of excellence.

Charletta shared, "This recognition is absolutely unbelievable, and I feel so grateful to even be on the ballot. I can't even get to the thought of being in the building because I wake up and think, 'Is this real?' This is absolutely amazing, and I have been all smiles. I’m excited, anxious, and giddy all at the same time. I am truly honored, and I think about this opportunity during my daily affirmations."

Dr. James Forshee, MD, MBA, senior vice president and chief medical officer at Priority Health, shared this about Dr. Dennis: “Dr. Dennis is a tremendous asset to her team, our organization, and

our members. She leads by example and fosters an environment of care and compassion in her daily work. Priority Health is excited she is being recognized for her deep compassion for the mental wellness of our communities.”

From the momentum that continues to move upward in both careers as an exceptional and recognized psychologist in her field as well as a talk show host, we can project what is next for Dr. Charletta Dennis. There is a baton ready for her to grab and she has what it takes to handle it.

Coretta Scott King, a trailblazer in social change, once spoke these words: “There comes a time when time itself is ready for a change... The greatness of a community is most accurately measured by the compassionate action of its members.”

America embraced Dr. Phil on CBS with his focus on psychology and addressing social issues. America is now ready for the next level of leadership in mental health through talk TV. In 2024, the nation is ready for Dr. Charletta: The New Face of Talk TV and Mental Health Awareness.

Charletta's grace in demeanor and poised intellect are naturally appealing as seen on-camera in her work as Co-Host of "Doc Talk". With her busy schedule as a professional psychologist and co-host, she is also now a sought-after interviewee on major television news programs. When asked about what inspires her in her multitalented roles, she had this to share.

When it comes to talk show hosts and women of excellence, Charletta expressed that she is truly inspired by another woman of excellence whose trajectory of success continues to evolve and shine around the world. Oprah Winfrey.

Charletta shared these poignant thoughts:

“

What I admire about Oprah is that she is multi-talented. From radio to TV to movies, she has soared. She is a public figure and a successful businesswoman. She co-founded the cable television network Oxygen and also launched her “OWN” network. She is a billionaire philanthropist who has donated millions to various charities supporting education and disaster relief.

What she has done in the public eye has been absolutely remarkable.

”

HOLLYWOOD WEEKLY • 23

GOLDEN TEACHERS:

The Change from ANGELENO RECORDS is Blowin’ in the Wind

By Anthony Ewart

M

usic is different now. The most dramatic shift has been in hip-hop. The Sugar Hill Gang started it all with their party hit “Rappers Delight.” Blondie had the world dancing to her eccentric hip-hop narrative “Rapture,” but the The Furious Five released their somber, realistic portrayal of life in their hip-hop classic “The Message” and the genre switched gears. This song set the stage for rappers interested in songs about racism, drugs and social injustice. These artists were ultimately led back to the real foundations of hip-hop: the spoken poet Gil Scott Heron and the powerful writers of “The Last Poets.” In the beginning, these rappers learned, rhyme was about social change. This revelation led to the birth of culturally conscious rap groups, the most prominent being Public Enemy. The late 80s and early 90s saw this new racial and social awareness boom in hip-hop music, and then came the in-fighting, the diss tracks and the deaths.

Hip-hop is the only musical genre, with the possible exception of reggae, that has experienced such a mass level of fatalities and carnage among its artists. Whether it’s drug related or outright murder, the body count is tragically high. The rap scene is unrecognizable now. The only

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message delivered through mumble rap and derivative, cloned beats is materialism, narcissism and classism.

Angeleno Records is a conscientious hip-hop company stepping into a world at war around us, literally and figuratively. Hollywood has finally cannibalized itself and forced actors to strike, and with the scandalous amount of unpaid music royalties to artists in the recording industry musicians and singers may do the same. In all this chaos the youth of America are essentially standing on a conveyor belt, as in Pink Floyd’s “The Wall,” slowly being dropped off into a meat grinder. Three boys who jumped off that conveyor belt at the last moment, dropping a shoe or two into the meat grinder, are Riggy Marz, El Diablo Beats and Sunny Darko, the founders of Angeleno Records.

The name of their recording company is an homage to the city these men love, the City of Angels, where Riggy Marz and El Diablo Beats were born.

This is not a company with one mission, Angeleno Records has many missions, because these are Artists bringing back a care and concern for social injustice, or the harm we do to ourselves with drugs when we can’t deal with the stress of our

lives or the situation we’re in.

There are many ways to get on a conveyor belt to your death, addiction may be the quickest.

Angeleno Records was born in the mind of rapper and former addict Riggy Marz, and his dream has finally come to fruition along with his sobriety.

ANGELENO RECORDS GOLDEN TEACHER (ONE): RIGGY MARZ “In the end, the disease of addiction stripped almost everything from me. I almost quit music and the though of suicide seemed like a good idea. That’s when I started Angeleno Records, when I sobered up. I started writing a gratitude list with music and sobriety at the top, realizing I’m grateful for the good and bad because it makes me a better storyteller. As an Artist and Healer, what effect would I really have on people if I haven’t suffered through similar circumstances myself and survived?

My nightmarish past has become my message and my most powerful tool in life.”

Bob Dylan was a contemporary of The Last Poets, and he was an advocate for standing up to oppression when he played folk music acoustically. That all changed when he switched to electric guitar, but a young Riggy Marz fell in love with that

early Dylan. Songs like “Blowin’ in The Wind,” “The Times Are A Changin’,” and “A Hard Rain’s Gonna Fall.” Dylan’s lyrics inspired Riggy to write his own poetry.

Hip-hop has always been an attractive force and soon Riggy’s poetry became rap verses. He developed his own rap style based on a deep love of words, but was lured by an equally powerful force: drugs.

Sunny Darko was living an almost identical life in Sacramento California. Like Riggy, Darko was passionate about poetry and hip-hop, and in his youthful exuberance to party he discovered a sleeping disease inside of himself: addiction.

ANGELENO RECORDS GOLDEN TEACHER (TWO): SUNNY DARKO “I’ve survived drug addiction, betrayals of my closest friends, the loss of my father, as well as losing everything in a structure fire a year later. If there’s one thing I’ve learned you don’t know how strong you are until you know how strong you are. At the end of the day I just want to be a light for those still in the dark and to remind people to keep evolving, the possibilities are infinite.”

El Diablo Beats also grew up in Sacramento, and is considered by all a musical genius. He plays an assortment of instruments, including guitar, bass and most importantly for rappers, drums.

El Diablo Beats completed the nucleus of Angeleno Records in the early days, creating a compelling trifecta of two rappers and a musical prodigy for their beats. One huge aspect that sets El Diablo Beats apart from many other beat makers is his vast knowledge of music.

Rap, Rock, Blues, Folk, Heavy Metal, Punk, Country -- to El Diablo Beats, they’re all just different flavors he uses to create his incredible beats.

ANGELENO RECORDS GOLDEN TEACHER (THREE): EL DIABLO BEATS “My goal as a music producer is to custom craft the desired soundtrack to any genre of music, while making a signature, timeless sound.”

Lyricist extraordinaire Blaze Aliaz moved from Miami to Sacramento and a trifecta of emcees was born when he met Riggy and Sunny Darko. It was clear Blaze was destined to be a rapper and he was recruited into Angeleno Records. At the innocent age of eight-years old Blaze’s Mother decided to buy music albums for him from a catalogue to keep his mind active. Unbeknownst to her the albums she chose were rap classics from the second Golden Age of rap, the 90’s. Like Riggy Marz and Sunny Darko, Blaze grew up identifying himself as a poet with high standards. A hip-hop connoisseur with a love for rhymes and phat beats, ready to make his literary mark in the pantheon of hip-hop music.

ANGELENO RECORDS GOLDEN TEACHER (FOUR): BLAZE ALIAZ “If my verse doesn’t give me chills I won’t release it. It took my lifetime to get your attention. There is no time or words to waste.”

Deadbeat Donnie is originally from Akron, Ohio, and out of all the members of Angeleno Records seem s the most grateful to be able to give back to hip-hop all that he has received. I spoke earlier of the tragedy in hip-hop, but Deadbeat Donnie sees the good. He’s a beat maker, like El Diablo Beats, and like El Diablo Beats he’s historian of rap music. He recognizes that the world of hip-hop has given hope to kids as a means of selfexpression and self-identification. Rap is a genre that has produced legitimate artists, past and present. Deadbeat

Donnie joins Blaze in yearning to evolve the pantheon of hip-hop.

ANGELENO RECORDS GOLDEN TEACHER (FIVE): DEADBEAT DONNIE “I would just like to give back the culture that made me. Now that I’ve found like-minded people with the same work ethic I believe together we really have something to offer.”

Angeleno Records is about shifting consciousness to reveal we are living in a dystopian society now.

Lyricist, Poet and Emcee, Sunny Darko, was heavily influenced by the majestic songwriting of Jim Morrison, legendary frontman for “The Doors.” Like Morrison, Sunny Darko has strong visions of a different world than we live in now. A world of harmony, love and respect. His medium of dissemination to transport to his ideal society is hip-hop music.

Riggy Marz is the little boy who fell in love with the powerful words and strong Melodie’s of Bob Dylan, and grew into a Titan, with the battle scars to prove it.

The depths of the underworld Riggy Marz escaped would shock Dante Alighieri, the great poet of the “Divine Comedy,” or “ Dante’s Inferno.” The early life of Riggy Marz is a Quentin Tarantino movie far above any NC-17 rating by the motion picture association. Yet, from the wasteland of crime and drug addiction Riggy Marz survived. There had to be a reason.

Quentin Tarantino famously said he knew his life was protected while he was writing “Pulp Fiction” because he believed his film “had to be made.” He felt it was destiny, and he was right.

“Pulp Fiction” did take the pantheon of film in a completely new direction. This rationale is the only logical reason Riggy Marz survived his vicious years of drug addiction. Angeleno Records was destined to come into existence.

Riggy Marz, Sunny Darko, El Diablo Beats, Blaze Aliaz and Deadbeat Donnie were fated to band together like brothers in war. As a team, a “Circle of Bosses,” as they refer to themselves, their Angeleno Records is a tornado blowing a steady, consistent stream of phat beats and messages of independent thought and self-empowerment in the wind. All you have to do is listen.

Left to right: Riggy Marz, Sunny Darko, El Diablo Beats, Blaze Alias and Deadbeat Donnie HOLLYWOOD WEEKLY • 25

On Wearing Two Hats on One Ranger

WRITER/DIRECTOR

JESSE V. JOHNSON

B

orn in Winchester, England, writer/ director Jesse V. Johnson is best known for the action crime drama Avengement, the action war epic Hell Hath No Fury, and the action comedy Debt Collectors. In the white-knuckle action-thriller, One Ranger, a gunslinging Texas ranger (Thomas Jane) tracks an international terrorist (Dean Jagger) set on detonating a bomb in the heart of London.

When the lawman's partner is killed, he is drawn into partnership with a British intelligence agent (Dominique Tipper) and her boss (John Malkovich) to bring the outlaw to justice -- dead or alive.

Thank you for taking the time for this interview. What prompted you to write this film? Was it based on reallife Texas Ranger Joaquin Jackson?

I did read his book, One Ranger, which was 26 • HOLLYWOOD WEEKLY

fascinating but my film takes a completely different direction and has nothing to do with the Texas riot. When I first came to Los Angeles, I worked on the TV show, Walker, Texas Ranger. We'd fly into Dallas and they had a statue dedicated to Captain McDonald, the most prominent of the “Four Great Captains” of Texas Ranger history. There’s a famous quote from McDonald, who was called in to quell a riot. When he got off the train, the townsfolk asked where the rest of the Rangers were and he replied, “One riot, one Ranger.” I found the Texas Rangers wonderfully fascinating and historically romantic. Because here’s this up-to-date 21st-century law enforcement agency that still wears the 1860s uniform with a white Stetson hat, gun belt, and boots. It keeps them and us in touch with the great frontier of the American West.

By Alex A. Kecskes

As writer and director, you wore two hats in bringing One Ranger to life.

What was that like?

It's wonderful because I don't offend anyone when I make last-minute changes. I do whatever works in the year-and-a-half it takes to develop it, finance it, produce and direct it. I have to consider the budget and stunts and other things when I’m writing it.

But it’s a bit more fun when it’s your script.

Did you storyboard any of the shots?

I work from a very detailed shot list, which I generate the night before. Because I know how much time we have, what limitations I’ll encounter, where people are, and the locations I'm dealing with. I can have a seven-page shot list. For action scenes and special effects, where there are a lot of moving parts, I will storyboard. If you're dealing with 30 or 100 people, a storyboard

can be very useful. I started storyboarding at a very young age. My uncle was a second-unit director and my crash course was storyboarding his action scenes.

You teamed a gunslinging down-toearth Texas Ranger with a smart and sassy British intelligence agent. What was your thinking there?

I've had a lot of luck with interesting buddy movies. It allows you to have one character who may behave one way in a particular situation and another who is completely different. So the audience gets the benefit of two perspectives. This is why audiences like buddy movies. They're more interesting. You get more bang for your buck. Dominique was absolutely wonderful.

Thomas was quite intimidating and a force of nature in his own right. Had his sidekick been the slightest bit nervous around him, it wouldn’t have worked. But Dominique was utterly fearless and very good with guns, silencers, explosives, and props. She’d watch how to handle them once then use them like a pro. I loved the way she dressed and wore her hair, everything worked. She was totally against type.

Are there different rules for shooting in London as opposed to the US? I was quite surprised by how similar things in the US and Britain have become. Twenty years ago, it was different—they had breaks for tea where we had to stop for half an hour twice daily. But now it’s more like a modern American film set. I thought we’d have trouble with the guns because England is a very anti-gun country. The first day we had this enormous shootout

with machine guns and real heavy ordnance. I told the crew to do one take because the police would be coming to shut us down. But as it turned out, after all the shooting, there wasn’t a single complaint.

Can you go into the challenges you faced in that wild off-road desert chase at the beginning?

OMG, that was hair-raising. We had this incredible car that was capable of hitting 140 mph over rough desert terrain. Dean Jagger who plays McBride got into this car going about 100 mph. When he came back, all the blood had gone out of his face. He looked at me with this expression of horror and we burst out laughing. When you’re hitting 100 mph, the road disappears very quickly so we had to plan our run carefully.

The boy singing an Irish song was an interesting touch. What were you going for there?

It was a heartbreaking moment. I was trying to show that these men were not your classic bad guys, that at some point, they had been freedom fighters. And I wanted to do it with not a lot of dialog.

Thomas Jane and Dominique Tipper on the set of One Ranger

Jane and Dominique take quite a beating in those brutal, realistic fight scenes. Who choreographed them and did anyone get hurt?

Those were choreographed by Dan Styles.

He’s very good with actors. The actors did most of the stunts but there were times when we used doubles. Dominique didn’t want to have anyone step in for her. We had to twist her arm to let the double do one or two scenes. Most people don’t realize that fight scenes take a lot of stamina.

It’s not like a real fight; movie fights are really exhausting. You have to throw everything into it to make it look as realistic as possible. Thomas Jane portrayed a character that simply wouldn’t give up so he did a great job. I wanted each character to fight with whatever they had--knives, forks, guns, dishes. I wanted to show them beating people up as well as getting beat up. I didn’t want the sort of clean, polished martial arts stuff you sometimes see in action films.

You’ve been in the film industry for many years. What have you learned about filmmaking that surprised you?

I was surprised at how much joy and satisfaction I get out of this business. Every film, every set is different. And every actor is unique and a pleasure to work with. Each film is a surprise and presents something new. To be honest, I was surprised at how little I know. And that it’s possible to keep learning. Because the moment you get cocky and think you know everything, that’s when you’re rudely awakened. Each film sets the bar a little higher.

What advice would you give young, aspiring filmmakers trying to break in or just starting out?

Write and read. Don’t occupy your time with large amounts of social media. Read about how the guys did it 20 years ago. The business really started in 1919. Read about the challenges they faced. What the film was about—the storylines. And be receptive because it’s all been done. So you need to know what’s been done before you. A real filmmaker will have a deep understanding of what went before and their films show it. You should also read short stories by Hemingway, Jack London, and other great storytellers. Educate yourself and then write. Your first script will be awful, but that’s okay. Just keep trying and you’ll get the hang of it eventually.

HOLLYWOOD WEEKLY • 27

28 • HOLLYWOOD WEEKLY

By Alex A. Kecskes

RE N MARTI N EZ Formerly Ren Farren talks about her art and soul

S

inger-songwriter and actress Ren Martinez (formerly Ren Farren) is the youngest daughter of singer Leslie Ren and actor ‘A’ Ren (“Longmire”).

Ren’s performing roots run deep and she is now taking the music world by storm with her captivating vocals, heartfelt songwriting, and electrifying performances. Her distinctive blend of music fuses poetic lyricism and captivating pop sensibilities.

Ren has released two EPs and multiple singles that reflect her evolution as an artist. Recently collaborating with producer and close friend Madison Scheckel, known as Wolfy. Ren is on the brink of unveiling her upcoming record.

Ren sang before she could talk and embraced acting from the age of six, participating in local plays. She graduated from the Popular Music Performance program at the University of Southern California where she honed her songwriting and vocal skills. During her college years, Ren discovered contemporary artists spanning pop, hip-hop, rock, and country genres. This

30 • HOLLYWOOD WEEKLY

unique blend of classic influences and contemporary training has given her a sound that bridges the gap between introspective storytelling and captivating melodies. She has since released albums like Good Girl and Where I am Wild, with hit singles like Uncool, Lose the Night, See Me Through, and Crier. Her music is currently available on Spotify, Soundcloud, and iTunes.

Ren has performed at Madame Siam in Hollywood and created a moving tribute to Joni Mitchell at the Odyssey Theatre Ensemble alongside Jean Claudes. She continues to grace the city’s stages with her soulful performances. Her tracks have been featured on television shows like Hacks, New Girl, Friends from College, Single Parents, and The Young and the Restless, solidifying her status as a versatile artist with a sound that resonates far and wide. Ren’s impact isn’t confined to the studio alone. She’s also making waves in the acting world, engaging in voiceover work, and recently performing in a Sam Shepard play.

Thank you for taking the time for this interview. Every artist is driven by something to succeed creatively.

What drove you to become a recording artist?

Ren Martinez: I just love to sing. Since I was a little kid, it’s been such a huge part of the person I’ve become. I grew up with so much music in my house. But there wasn’t a specific moment when I decided to become a singer/songwriter.

It’s just always what I did. I grew up in the 90s and the early 2000s. I was obsessed with music and musicians. I saw what they were doing with their lives and I knew then that it would make me happy. I knew that singing, performing on stage, writing music, and being an artist—there was just nothing else I wanted to do. So it’s an innate part of me. It’s hard to say where that motivation came from, but when I started writing songs in earnest—when I was finishing high school and starting college—it all started to take shape for me. I realized that if I could hone that skill, it would make this dream so much more fulfilling.

I wanted to be a songwriter but I was very daunted by that. When I had this song that I wanted to share, everything started to shift into gear for me.

So you were one of those girls dancing in her room singing with a hairbrush in your hand?

Ren: (laughs). Yeah, that was me. When I was little, every time, I went to a bowling alley or skating rink, they always had these sticker machines with all these Popstar stickers. I shared a bedroom with my sister when I was little and my side of the closet mirror was covered with stickers of Britney Spears and the Backstreet Boys.

I had cassettes and my family’s boombox and I was totally obsessed with music.

Some recording artists adopt a certain style; others seem to reinvent themselves over time.

How has your singing/songwriting style evolved?

Ren: That’s such an interesting question.

I think I’m after the same thing in my songwriting. I think I’m really trying to get to some kind of truth that I can express in the most emotional way possible. I’ve always loved different genres of music—pop, hip-hop, rock, folk, and country. When a song speaks to me, it’s one that I feel exists within all genres. Songs by someone vulnerable and emotional. I’m devoted to the skill of songwriting. I’m like a songwriter’s songwriter if that makes sense. That has stayed consistent with me. It’s been about perfecting that skill over time, although, I don’t think it will ever be perfected. I like to hone in on one thing all the time—whether it’s more fun or more bare-bones and emotional. I try to combine vulnerability with something that gets to the heart of an emotion as creatively as possible.

How do you create a new song? Do you start with lyrics or a tune in your head? And how do you then refine it?

Ren: I went to music school here in L.A. and some of my friends are songwriters and musicians. I’ve been around so many people with different styles. For a lot of people, if they’re really fluid with an instrument, they’ll tend to write from that place. But I can play guitar and piano and so lately, I’ve been spending more

time with an instrument and trying to figure out where I want the song to go.

But for the most part, a lyric or melody will come into my head—just a line to two. Sometimes I’ll rush to record a voice memo on my iPhone. I think songwriters have to be the top users of that iPhone app (laughs). I have hundreds of recordings on my iPhone of just me singing in the car. For me, It’s often the lyric and tune all at once. If I come up with a lyric, it’ll come to me in that musical way. Then I’ll try to figure out the music and chords that go under it.

What recording artist was your biggest influence when you first started?

Ren: My parents’ music fundamentally influenced me. We listened to Jackson Browne and Joni Mitchell. I was coming of age when Britney Spears was big. It’s funny, I remember my parents’ music and this bubble-gum 90s pop. One of the first CDs I ever bought was Michelle Branch’s Spirit Room album. She was like 16 when they recorded that. She was the first person I ever remember who made me feel like I’d discovered something, it was a special kind of catalyst. I had this album where I knew every word and loved every song. She wasn’t much older than me. She did this rock-pop thing with this really cool, interesting voice. She was influenced by Alanis Morissette and Liz Phair. I loved Britney Spears but I didn’t see myself as Britney.

Billboard described your music as blending “boy bands and Britney with storytelling folk” and put your release of Good Girl on their list of the 25 Best Rock Songs of 2017. What inspired you write and perform that song?

Ren: I wrote that song in 2016 after an awful breakup that really threw me.

It left me questioning my worldview.

Two or three months later, there was a political upheaval and it was generally not a good year. I went through this personal and political frustration. I went to the first women’s march in DC with my mother and I remember writing the majority of Good Girl in the hotel room we were staying in. I’m such a personal songwriter, and that song was about that personal relationship dissolving. So I was an angry songwriter at that moment.

The performance of your zoriginal song See Me Through at the Odyssey Event was incredible.

What inspired you to write that song?

Ren: That was a product of that same breakup. It was probably my saddest song. I’m a pretty bare-bones piano and guitar player. My friend Brian Robert Jones produced that and has produced my new album. He played just the chords with me singing over them, slowly and sparingly--like as we were kind of demo’ing out the song. For me, that song was like a channeling of pain. So letting it be just my vocal on top of these low quiet chords felt like the right way to handle it. The song is really hard to perform live as it takes a lot out of me. I tend to write songs that are hard to sing, but that one was very cathartic. I try to have a moment in a song where I try to bring in a bit of an opposite perspective— some levity at some point. Same with a happy, fun song. At a certain point, I’ll try to get real with it.

What do you find challenging about voice-over work?

Ren: Yeah, I’ve been doing that for about six years or so. I’ve done different things for animated series and English language dubbing for live-action work. I did a show for Netflix called Baby, where I was on the show for three seasons dubbing this Italian language show. It’s really fun.

Will you be performing overseas?

Ren: Nothing scheduled. I’d love to do it.

Do you currently have a new song rattling in your head that’s dying to get out?

Ren: That’s so interesting. I just got the masters back on this new album. I love singing Jazz standards. But there is a song I wrote while in the shower. And it’s still rattling around in my head.

What were you like in high school?

The girl most likely to…?

Ren: (laughs) I did win most musical awards in my high school. I went to a small school. There were maybe 180 students in my grade. I was doing all the performing arts—choirs, plays, musicals. I was very much into creative writing. Some of my best friends have been involved with me in theater.

HOLLYWOOD WEEKLY • 31

RAE FINN’S

HOGWASH ‘N RHINESTONES: WHERE REBEL SOUL MEETS ROCKSTAR COWGIRL

By Anthony Ewart

Photo by Melissa Core of Dead Horse Branding

O

wner and designer of Hogwash 'n Rhinestones, Rae Finn grew up as the youngest of five girls in the small town of Holliston, Massachusetts.

Rae was always drawn to abandoned, discarded objects. In her mind, she was saving them. Rae developed her mantra, "No thread gets left behind!"

Rae started her upcycled clothing line "Hogwash 'n Rhinestones" in 2011, and she's still going strong! Upcycling means raising the value of vintage pieces of clothing by reconfiguring them into a brand new design encompassing all the elements. The sum of Rae's designs is much greater than their parts.

32 • HOLLYWOOD WEEKLY

Hogwash 'n Rhinestones has been described as "Rebel Soul meets Rockstar Cowgirl," and what should be added is "and every girl and woman between that beautiful spectrum!"

Yes, the plot thickens! Rae is from the East Coast, which means a Southern woman is in a state of mind. Rae grew up in Boston with the heart of a sassy Southern rockstar, and she found a way to let her loose in the world. Now it's your turn! All of Rae's designs are 100% original and unique because the source material always changes. The point is that no matter where you live, Rae Finn's Hogwash 'n Rhinestones will unleash your inner cowgirl!

Rae's creative vision emerged as she embarked on celebrating uniqueness and blending vintage aesthetics with modern sensibilities. Each piece tells its own story by repurposing materials that would otherwise go to waste. The brand champions sustainability while offering fashion-forward pieces, one stitch at a time.

Hogwash 'n Rhinestones defines the art of revamping, deconstructing, and bedazzling clothing. Each piece is oneof-a-kind that is sure to make a true fashion statement.

With a deep appreciation for vintage clothing and a determination to salvage discarded treasures, Rae launched on a transformative journey that would redefine sustainable fashion. She discovered that nothing should go to waste, and her passion for upcycling was ignited.

Each piece of clothing produced by Rae tells its own story, blending vintage aesthetics with modern sensibilities. By repurposing materials that would otherwise go to waste, the brand champions sustainability while offering fashionforward pieces, one stitch at a time.

Hogwash ‘n Rhinestones defines the art of revamping, deconstructing, and bedazzling clothing. Each piece is one-of-a-kind and is sure to make a true fashion statement.

As the company was founded in 2011, Rae’s creative vision emerged as she embarked on celebrating uniqueness and blending vintage aesthetics with modern sensibilities.

Each piece is handcrafted and deconstructed to salvage discarded treasures.

With a deep appreciation for vintage clothing and a determination to salvage discarded treasures, Rae embarked on a transformative journey that would redefine sustainable fashion. Digging for curbside gold with her dad in Holliston, Massachusetts, Rae developed a keen eye for hidden potential in discarded items. She discovered that nothing should go to waste, and her passion for upcycling was ignited.

HOLLYWOOD WEEKLY • 33

AVERY KONRAD

By Alex A. Kecskes

On the series FROM, complex characters, and dancing roles

H

ailing from British Columbia, Avery Konrad studied at Vancouver Film School and landed her first role as Gina Sarland in R.L Stein's The Haunting Hour series.

Konrad later co-starred in Paramount+ Honor Society, about a high school senior who stops at nothing to get into Harvard.

Konrad also played Chance Sinclair in Amazon's horror-thriller Broil. And she portrayed Roan Harper, Juliette Lewis’ sister in the acclaimed Facebook Watch series, Sacred Lies: The Singing Bones.

Additional credits include recurring roles in ABC's The Good Doctor, Netflix's Van Helsing, and CBC's Unspeakable.

Currently, Konrad stars in Epix's contemporary sci-fi horror/drama, FROM. The series unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out,

No matter how hard it gets, you have to be your own cheerleader and believe in yourself more than anything they must also survive the threats of the surrounding forest—including the terrifying creatures that come out when the sun goes down. As Sara Myers, Konrad is a wild card among the town's residents: some think her mind was simply fractured by the residents of the town; others wonder if, in her madness, she is closer to the secrets of the town than anyone else.

Besides her work in film and television, Konrad is an accomplished dancer. She

has worked on several music videos and performances with her dance career.

When her childhood friends opened Legacy Dance Productions in her hometown, she began teaching dance to children, which has grown into a huge passion for her to this day.

Thank you for taking the time for this interview. FROM is a real nail bitter about survival. What drew you to the role of Sara Myers?

The overall storyline and her character were very interesting because she has so many layers. She's such a wild card in the town. Also, the team behind the series was a huge draw. And to bring her character to life was a dream come true.

What did you draw from to play such a mysterious character in a nightmarish town?

I had lots of help from my acting coach, Deb Podowski, who coached me for all episodes. When I’m in the depths of playing Sara, it’s hard to see the things that are popping up on the page, things you don’t see when you’re glancing over it.

So to have Deb point those things out was really helpful in keeping Sara’s humanity alive, which I felt was really important.

What did you find most challenging about being in this series and playing Sara?

I think all of the content she deals with— the darkness—can kind of bleed into your life a little bit. But having practiced with season one and coming into season two,

34 • HOLLYWOOD WEEKLY

I kind of knew what I was getting into.

So that was very helpful but to keep that alive, the consequences of maintaining that can be challenging. But it's all worth it because I get to do what I love.

Do you have a favorite scene or scenes?

There’s one scene with Chloe (Van Landschoot), who plays Kristi in the clinic, which was a lot of fun to shoot. I love the scenes in season one with Harold (Perrineau). Those were awesome. Also the scene in season one, episode five, where Sarah kills Nathan (Paul Zinno). It was difficult but rewarding.

Yeah, the neck-stabbing scene. Are you sometimes put off by all the blood and gore?

When I’m there, no; but seeing it on screen, it’s different. But because I was there in the scene, I kind of know where everything was coming from.

You’re an accomplished dancer. If you were offered a role in Footloose or Black Swan, which would you take?

Oh, that’s really difficult. There’s a lot of darkness in Black Swan. If I was coming off of FROM, I’d probably go for Footloose because it’s more lighthearted. But both would be incredible projects to be part of.

You've played a variety of roles in TV and film. What have you learned about this business that surprised you?

That's a really good question. I think finding people who you can trust is really important. But sometimes, unfortunately, the cliches are true. And thankfully, falling into FROM, the creators, producers, and cast are all caring people.

And to be able to create this series with them has been very rewarding. I'm grateful to be part of it.

Any advice for young actors eager to make it in this business?

Taking classes. And if it's something you really want to do, don't give up, keep going. No matter how hard it gets, you have to be your own cheerleader and believe in yourself more than anything.

What were you like in high school? The girl most likely to….?

Be the class clown, always trying to make people laugh. I was always goofing around making people feel better.

HOLLYWOOD WEEKLY • 35

Musician Dylan Garcia, A Good Guy On The Horizon

By Anthony Ewart

T

here are many Good Guys who have lived. We’ve read about them in history books, biographies and autobiographies.

I define Good Guys as generous and self-less. A man concerned with helping others as he helps himself. A men genuinely happy to see people he knows succeed in life.

A Good Guy is a man who respects women, the way Dylan Garcia respects his wife and Queen, Gabriela. A Good Guy respects himself and most importantly, other cultures.

By these standards Dylan Garcia is a Good Guy, and an amazing singer/ musician on the rise. Dylan’s musical style has gone through many phases. He began with a love for Hip-Hop and R&B, and expanded to Rock and Spanish Rock, like icon Carlos Santana.

The first songs Dylan wrote were love songs about a recent heartbreak.

He taught himself to play guitar and was ready to start singing his blues. Of course he played many styles of music, but Dylan’s lyrics were always poignant and poetic. It was the multiple Grammy winning (5 times) Venezuelan producer Kenny O’Brien who gave Dylan his first name, because he reminded him of legendary songwriter Bob Dylan.

From the very beginning of Dylan’s career he had an eye for recognizing

talent in others. He began hosting his own Hip-Hop shows at clubs in his hometown of Oxnard, CA, featuring himself and other rappers and bands. Dylan has a catalogue of almost one hundred songs written, and with all the talented musicians he knew decided to start his own record label: KOALA DRIVE, LLC

At his recent sold out performance at the Whiskey a Go Go on Sunset Blvd., Dylan demonstrated why he’s known as an incredible performer with a huge heart. The performance was dedicated to his late brother, and had a theme of mental health awareness.

Some of Dylan’s albums have been titled “GOOD KARMA,” “REFLECTIONS OF MY IMPERFECTIONS" & #relationshipgoals.

Dylan Garcia is a special human being sharing positive light and creating positive music. Not surprisingly, Dylan is a wave rider. He finds peace on the ocean, contemplating his life and the lives of others. You may find him early one morning if you’re on the beach.

Don’t worry if you see him on the horizon surfing a huge wave. He’s protected by the Universe. He’s a Good Guy.

Dylan Garcia with wife Gabriela HOLLYWOOD WEEKLY • 37

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SOLVING HISTORY’S GREATEST LITERARY MYSTERY Rarely does one run into such a logical pleading of truth…

SHAKESPEARE: The Truth Behind the Name is a fantastic ‘detective’ story about ‘Shakespeare’, a magnetic history lesson and, first of all, a refreshing and revelatory living of truth in one of the greatest cases of ‘oblivion’ in history…A savorous, detective-worthy investigation…Robin Phillips’ passion and extensive knowledge on the subject comes across as accomplished and fascinating, but most importantly – convincing.

BE EPIC LONDON FILM FESTIVAL, LONDON, UK

(This film) is a sensational experiment…The research carried out by the director in this film is articulated as a fascinating and evocative narrative, a real storytelling, therefore created with wisdom…the wealth of sources, images and details, combined with a great attention to staging, make this film a completely successful experiment. (It) is therefore a film of impressive breadth, capable of reconciling the virtues of cinema and those of theater and uniting them with the depth of its story. Hopefully, Robin Phillips will delve further into this wonderful cinematic quest.

ROME PRISMA AWARDS, ROME, ITALY

Her case is so compelling, it is hard to imagine anyone successfully challenging her claims…(Phillips) does a fabulous job stating her case and leaving little doubt as to who Shakespeare really was, dispelling the commonly accepted myth… (This film) is a brilliant documentary…an ambitious undertaking and without question, a labor of love. There’s an enthusiasm that is quite contagious as clues and truths are revealed and old arguments crumble and fall…Excellent work.

WORLD PREMIERE FILM AWARDS, NYC, USA

The numerous comparisons in the movie ensure that the viewer finds clarity in the claims of the storyteller…(This) documentary never loses its proximity with fun…Robin Phillips has done her research quite well. She has presented a side that must be considered seriously both in the academic and the artistic circles revolving around Shakespeare. (Phillips’ movie) would inspire the admirers of Shakespeare to think about his existence, his life beyond a name.”

BEHIND THE CURVE FILM FESTIVAL, PARIS, FRANCE

IMDb.com: 105 Wins & 24 Nominations, including 23 BEST Documentary, numerous BESTS in Historical, Biographical, Educational, Experimental, Inspirational, Sound Design, Production Design, Research, Original Concept and Costume Design -- awarded by professionals from 88 film festivals around the world.

Amazon Prime, Hulu, iTunes, Vimeo, YouTube etc.

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