D’BAnj Two Decades Of Entertainment With The Kokomaster
“Pennies from Heaven”
Queenissima Sustainable Fashion BEgins Here
Barshai’s Collection Debut at NEW YORK FASHION WEEK
2 • HOLLYWOOD WEEKLY
Letter From The Editor WELCOME READERS to another issue of Hollywood Weekly! This month, we had the privilege of speaking with Afrobeats sensation D’Banj about his latest album “The Entertainer: D’Sequel,” marking 20 years in the music industry. Set for release on August 16th, 2024, the album features collaborations with artists like Wyclef Jean and Youssou N’Dour. In our interview, D’Banj shared insights on his creative process, citing life experiences and fans as key inspirations. He reflected on his journey from being inspired by his older brother to becoming the “Kokomaster” known for his energetic performances. D’Banj discussed balancing privacy with public life and his approach to collaboration and constructive criticism. Looking ahead, he envisions a more interconnected global music scene. With “The Entertainer: D’Sequel,” D’Banj continues to push boundaries, blending Afrobeats with hip-hop and dancehall, cementing his status as a pioneer in the genre and a true global entertainer. We are also featuring a fashionista in our issue, and it is none other than Queenissima! Using this fancy term as her modeling name and clothing line brand, Natalie Spivak has been in the fashion industry for quite some time. Her mission is to create sustainable clothes that give off the perfect dose of luxury everyone needs. She has an incredible interview, so check her article out! Like keeping busy? Whether you want to stay home and read the newest book, or spend a night out and sing your heart out at a concert, this month's ROUNDUP has something for everyone!
D’BAnj Two Decades Of Entertainment With The Kokomaster
“Pennies from Heaven”
Queenissima
Barshai’s Collection Debut at NEW YORK FASHION WEEK
Sustainable Fashion BEgins Here
HERE’S WHAT WE’VE GOT!
04 10
Pennies From Heaven Fashion Round Up Entertainment
VICE PRESIDENT Bernice Harris CONTRIBUTING WRITERS Alex A. Kecskes Brandon Webster Carmelita Pittman LIFE & STYLE EDITOR Niki Shadrow Snyder niki@projectpopdrop.com DESIGN & PRODUCTION Saba Shay Emma Willett
SOCIAL MEDIA COORDINATOR Marci Chorpash
Need something new to watch? We’ve got you covered! We’ve highlighted some new movies and TV shows coming out in the next month; you can find these in theaters or on some of your favorite streaming platforms.
Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.
PUBLISHER/EDITORIAL DIRECTOR Prather Jackson
16 20
QUEENISSIMA Sustainable Luxury D’ Banj Afrobeats Sentation
...and more!
Hollywood WEEKLY is a publication wholly owned by Prather Jackson HOLLYWOOD WEEKLY MAGAZINE LLC. © 2024 All Rights Reserved. Reproduction of any content without written permisssion of the publisher is expressly prohibited. Letters to the editor may be sent to: HOLLYWOODPUBLISHER@GMAIL.COM. 8345 Reseda Blvd #117, Northridge, CA 91324. For advertising inquiries call: (424) 228 9849
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Barshai’s
“Pennies from Heaven”
Collection Debut at
NYFW
Barshai, the New York-based atelier committed to meticulous craftsmanship and narrative-driven design, is pleased to unveil the latest collection for Spring / Summer 2025 titled, “Pennies from Heaven,” which debuted at New York Fashion Week on September10th, 2024. The presentation took place within storied walls of St. Mark’s Churchin-the-Bowery, an iconic venue that complements the collection’s exploration of heritage 4 • HOLLYWOOD WEEKLY
and modernity. “Pennies from Heaven” draws its name and inspiration from the classic 1930s song made famous by Billie Holiday. Expanding on the narrative concept of last season, Spring/Summer ‘25 takes the story of an abandoned gilded age home and explores not the building, but those who inhabited its dilapidated walls. The narrative comes alive for Spring / Summer ‘25 as an
exploration of the fascinating, chimeric life of Consuelo Vanderbilt, America’s most famous “Dollar Princess.” Through this visual lens, Barshai reflects on the transition from Victorian elegance to Art Deco modernity, capturing the essence of the “new woman”, a 1920’s term to describe the shift in social conventions around female behavior from domestic to independent. The collection features 12 looks, including a distinctive “hair” dress
Grouped into three acts, Barshai’s Spring / Summer ‘25 tells the story of Consuelo’s life from childhood into her later years. The first four looks, cut in shades of white and navy, symbolize her life under her mother’s control, culminating in a crying bridal look. In act two, her early adulthood is celebrated through tailoring and a color palette of “burnt umber,” “twentieth-century teal” and “sage green.” Her later years are celebrated in act three through a surreal abstraction of pennies, embroidered onto corsets and integrated through print. “For Spring / Summer 2025, I decided to embrace the concept of unexpected good fortune, but with the understanding that even when it rains good news, they are only pennies from heaven,” says Erik Barshai, founder and creative director of Barshai. “This season, we focused on ‘flow,’ emphasizing soft wovens and the fluidity of movement, while continuing to push the boundaries of couture tailoring.” The presentation at St. Mark Churchin-the-Bowery offered a 360-degree view of this narrative, with a cast of models bringing Consuelo’s story to life. Set against a backdrop of velvet-covered platforms, patina- laden chairs, and 20th-century pottery, the models reenacted pivotal moments from Consuelo’s life, offering the audience an immersive, cinematic experience.
that marks the culmination of last season’s swirling “hair” bra. Key design elements include the extensive use of bias cuts and rosettes, a motif that blooms throughout the collection and is a direct reference to Consuelo’s 18th birthday during which she received a single American rose from her ill-fated first love.
HOLLYWOOD WEEKLY • 5
THE FINAL STOP OF THE TRANSFORMERS ONE WORLD TOUR
LONDON
SYNOPSIS TRANSFORMERS ONE is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever. In the first-ever fully CG-animated Transformers movie, TRANSFORMERS ONE features a star-studded voice cast, including Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi with Laurence Fishburne and Jon Hamm.
CAST
Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, with Laurence Fishburne and Jon Hamm.
6 • HOLLYWOOD WEEKLY
HOLLYWOOD WEEKLY • 7
ROUNDUP
ENTERTAINMENT Digital Marketing Manager Paramount Pictures Calling all cinephiles! Dive into the world of social media as the Manager of Digital Marketing at Paramount Pictures. Collaborate with our dynamic team to craft and implement social strategies that ignite excitement and captivate audiences for our blockbuster domestic theatrical releases.
Influencer Communications Associate, Part-Time Disney Experiences As part of the Disney Experiences (DX) Global PR team, the role is responsible for identifying and supporting creator engagement, as well as analyzing campaign performance, and is part of a specialized bi-coastal team that works closely with partners across the segment to elevate stories among key advocates and content creators.
Video Editor Cardone Ventures As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.
Media Operations Assistant Louis Vuitton Louis Vuitton is seeking a Media Operations Assistant to support the Media team across all online and offline channels and campaigns, ensuring operational excellence internally and externally. This position will lead all internal media tracking, supervise team finances, inclusive of issuing media authorizations, PO creation, invoicing balancing budgets while assisting with offline material production.
Creative Services • Product Designer Creative Artists Agency (CAA) In this role, they will work directly with the Designers and Project Manager and report to the executive lead of the Creative Services Design team. They will produce creative on a wide range of design projects including corporate announcements and messaging, Outlook email newsletters – internal and external, movie screening collateral, party and event invitations, trade ads, etc.
Regional Promotion Representative Sony Music Entertainment As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.
Visual Merchandiser Warner Bros. Discovery Warner Bros. is continuing to expand and evolve the Wizarding World of Harry Potter and Fantastic Beasts with our Flagship Wizarding World store, in New York City. Your accountabilities are to collaborate with the senior visual merchandise manager and be responsible for multiple areas. 8 • HOLLYWOOD WEEKLY
ENTERTAINMENT
ROUNDUP
Sr. Director, Worldwide Publicity Lionsgate The Senior Director, Worldwide Publicity will report to the Senior Vice President, Worldwide Publicity as well as work alongside the Senior Vice President, Worldwide Publicity to assist in developing and implementing comprehensive publicity campaigns to promote Lionsgate theatrical releases throughout the lifecycle window.
Program Manager, Merchandising Operations Netflix We are looking for a Merchandising Operations expert to join a newly established Merchandising team. As key members of the Technical Merchandising team, Merchandising Operations Program Managers are responsible for driving the execution of all product merchandising strategies and programs.
2024 Seasonal: Social Media Content Producer Tribeca Film Festival Tribeca is seeking inventive and experienced Social Media Content Producers for its 2024 Festival. In collaboration with the Marketing team, the Producers will capture the best moments from the 2024 Tribeca Festival, produce interviews with filmmakers and talent, and create social-first editorial videos and photos to share across our various social media platforms.
Freelance Residuals Specialist - MarVista Entertainment FOX Entertainment MarVista, a Fox Entertainment Company, is looking for a Freelance Residuals Specialist with solid analytical and organizational skills. The Freelance Residuals Specialist will assist with Residuals and Participation reporting and will work closely with the Production, Business Affairs, and Accounting departments on various projects and will assist with various types of reporting and maintenance of files and documentation.
Animator Walt Disney Animation Studios We want versatile CG Character Animators who show outstanding understanding of acting, appeal, entertainment, weight, locomotion, anatomy, and dialogue. If you're funny too, that's a plus. We want artists with a strong point of view who put a personal spin on their work. All positions are based in our Burbank, California studios for Moana 2.
Lighting Artist Walt Disney Animation Studios We currently have an exciting opportunity for Lighting Artists to join our extraordinary, award-winning team at our Burbank, CA studio for Moana 2. Responsible for lighting, rendering, and compositing shots together with both character and environment renders into a final frame until it meets the vision of the Director, Production Designer, Director of Cinematography: Lighting, and Lighting Supervisors.
Check Out Future Issues of Hollywood Weekly For More Featured Opportunities in Entertainment! https://issuu.com/hollywoodweekly HOLLYWOOD WEEKLY • 9
ew
New Upcoming Releases
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Brothers
Disclaimer
Shrinking
October 17
October 11
October 16
Only on Prime
Only on Apple TV
Only on Apple TV
Joker
Exhibiting Forgiveness
October 18
White Bird
October 4
Only In Movie Theaters
Only In Movie Theaters
Only In Movie Theaters
October 4 10 • HOLLYWOOD WEEKLY
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New Upcoming Releases
Nickel Boys
Where’s Wanda
Smile 2
October 25
October 2
October 18
Only in Movie Theaters
Only on Apple TV
Only in Movie Theaters
The Money Game
October 11
Tulsa King
September 27
Murder in a Small Town
Only in Movie Theaters
Only in Movie Theaters
Only on Prime
October 3
HOLLYWOOD WEEKLY • 11
RUMBA A COMMUNIST STORY WITH A HAPPY ENDING Interview by Prather Jackson How did your cultural background influence the development of the Rumba concept? Rafael Suárez: When I committed to writing Rumba, I needed a meaningful inspiration. That’s when I decided to use the concept of ‘Slavery,’ which, if you look up the definition, is the practice or institution of holding people as chattel involuntarily and under threat of violence—which is what’s been going on in Cuba dating back to the Atlantic Slave Trade when a vast population of African ancestors were brought to the island as prisoners of war, mainly from the kingdoms of Benin and Yoruba in western Africa. And to their surprise, they were immediately baptized by their white owners as Roman Catholics and prevented from practicing their Pagan faith. You may ask why ‘Slavery’ is my most significant influence. And I’ll tell you why. If you look at Cuba, from 1959 to now, the only thing Castro’s government hasn’t done to us Cubans (openly) differently than those white slave-owners is to put a shackle on our legs. Believe me. I say this because that’s how the government has treated us for the last 65 years. Like a slave. In what ways did your experiences in Guantanamo Bay shape your perspective and storytelling? Rafael: After escaping Cuba in 12 • HOLLYWOOD WEEKLY
the summer of 1994, during the ‘Cuban raft exodus’ also known as the ‘Balsero crisis,’ my life was never the same. One night, my father came home with the news: ‘We are leaving for the United States in a few hours,’ he said. Fast forwarding the long traumatic ocean journey, first to the Cayman Islands, where we spent a few months at a refugee camp. Then, I’m not sure how we escaped that place, but we got detained by the American Navy as we headed to Mexico. I remember how they ordered us to shut off the small boat’s engine, and seconds after we got in their big boat, they blew up our little boat with dynamite. Then, they took us straight into Guantanamo Bay. Every single terrifying event immediately became like a tattoo on my heart. It was permanent. I was fourteen years old. I remember the nightmares of crossing the dark shark-infested water in the name of freedom and showering outdoors with barbed wires all around me. Many times, fights would break out, and people would get badly hurt. Luckily, I had a few relatives with whom I kept myself safe. Sadly, some other kids weren’t as lucky as I was; they had no one to look after them… it was terrible. What challenges did you face in bringing this story to light, and how did you overcome them?
Rafael: Because of my writing style, I faced many challenges in bringing the story to light. For example, introducing Changó (the protagonist’s sidekick or unconditional friend), one of the most feared Gods in the Yoruba religion, associated with thunder, lightning, and fire. I want the reader to understand the reason why I chose him. I needed a solid father-like figure, strong, fearless, and bold, but also someone with a good heart who knew he wasn’t perfect—far from it. But if you flip the coin, I had to be extremely careful when using a religious symbol like him. In the story, Changó, among other things, gives the protagonist a reason to question not just his Pagan faith (something that is super important in Cuba) but the value of friendship. Another challenge was portraying the Cuban Army as a monster who sexually molested new soldiers and sometimes even killed anyone who refused to follow orders (something I can’t say for sure if that ever happened). Another of my favorites is making the readers think of the notorious Cuban Mafia as ‘the bad guy of the story,’ so they can later learn that such criminal organization becomes the story’s sort of bridge between good and evil. But in this case, they would represent the good guys, not the evil ones. Regardless of the challenges, I focused on the one concept I love the most— ‘creative writing,’
HOLLYWOOD WEEKLY • 13
which ultimately helped me put the pieces of my puzzle together.
was satisfied. But then, I didn’t want to write something sad and depressing like most immigrant What messages or emotions stories. I also didn’t want to pity do you hope readers will take the Cuban people. We are strong away from your story? people who don’t like handouts. Rafael: This book is about not So, I started thinking of some of just my experiences and emotions, our most prominent qualities. My but the side effects of generations favorite thing has always been that derived from those who were we find humor in everything. After born and raised in a communist all the shit we’ve been through, dictatorship, like Luis ‘Luisito’ we wouldn’t be here without some Suárez, the protagonist, whose humor. So, I use that as the story’s life takes the most dramatic turn platform. That’s how I was able after he spent years believing in to incorporate Castro. I wanted to Castro and the so-called Cuban make fun of him. And it worked. Revolution. And, like many of us, But, without a doubt, my focus that’s when he decides to fight was on the ending. I kept telling back and liberate his brothers and myself that the ending must be sisters from the same communist the most extraordinary thing or demon who took his mother’s soul. event. To do that, I had to think of But if there were only one thing something that had not happened I would like others to take from yet in real life because if it did, the story— for those who enjoy it wouldn’t be something unique visiting Cuba or are planning like Rumba. That was by far to visit, hoping to have a great the most challenging part of the time, maybe learn about Ernest book-writing process. The ending Hemingway’s favorite drink—the also needed to be a great ‘open’ daiquiri, or perhaps take a puff ending. I thought of Friedrich of a Cohiba Cigar, Fidel Castro’s Nietzsche, who believed that favorite cigar, or maybe learn pursuing authenticity required how to salsa dance the only way courage. So, that’s what I did. Cubans know-how, my message to you is, DON’T DO IT. You Can you talk about any are not helping the citizens of specific Cuba because the only people individuals, television who can eat, drink, and smoke programs, or films that have what you are eating, drinking, and influenced your storytelling smoking without getting harassed style or the themes explored are those working with the in your book? government. And if you visit Cuba Rafael: Most of my ideas come after knowing this, you should be from watching television. I’m not ashamed of yourself. a big reader, but I enjoy watching anything interesting on TV. I grew up watching black-and-white How did you balance westerns and novels (soap operas). authenticity and artistic I must have seen hundreds of interpretation when movies. I love that black-and-white recounting real-life events? era. Sometimes, I’d like to watch Rafael: Even though I use many the same film several times to facts in my book, balancing their ensure I didn’t miss anything. But authenticity by utilizing my I know something happened to me artistic interpretation was not after watching the television series as easy as I thought. However, I ‘The Sopranos.’ Something inside kept building a strong foundation, me told me I could be a writer mainly focusing on the story’s or at least write something never backbone. I must have worked written before, like the show that on that for several years until I put David Chase on the map. It 14 • HOLLYWOOD WEEKLY
was brilliant. So, I started thinking of the idea. A few years later, I came up with Rumba: Haunted by his mother’s murder, a young Afro-Cuban Army soldier turns to Santería to find the demon he believes responsible. Several years later, before giving up on a promise, he gets raped and nearly killed by his platoon captain, who seems to be possessed by the same childhood monster. Breaking his religion’s rules, the deranged soldier arranges the highranked officer’s death. Then, he flees the country with the help of his exiled uncle in Miami—who, to the young man’s surprise, confesses to being a Cuban government spy infiltrating the Cuban Mafia. Considering the potential adaptation into a movie or show, how would you like your story portrayed on screen? Rafael: Nothing will make me happier than finding great minds who could help me expand Rumba into something bigger. This story is like a cake with a lot of layers. And a lot of brown sugar, too. That’s for sure. All the major studios know that Cuba has a lot of potential. But I think they are all waiting for communism to go away so they can bring their billions and invest. But that could take 100 years. So, in the meantime, all I need is one great Hollywood producer who invites another great Hollywood producer, who invites a great director who invites a great DP, and so forth. However, it will only work best with a Cuban and Cuban American cast. I keep seeing more and more shows and movies with actors who are not only entirely out of character but also who portray poor personification, with terrible accents and zero essence—things that I believe can make a film not great but grand.
HOLLYWOOD WEEKLY • 15
: a m i s s i SUSTAINABLE een
Qu
LUXURY BEGINS HERE
Discover more about Queenissima, the epitome of luxury and sensuality in fashion, where elegance seamlessly meets sustainability. Queenissima is not just a brand—it’s a statement of grace, confidence, and allure, tailored for the modern queen who values both style and the planet. At Queenissima, luxury and sustainability go hand in hand. From glamorous evening gowns to sensual lingerie, every
INTERVIEW WITH NATALIE SPIVAK piece is crafted with a deep commitment to creating stunning fashion that respects the Earth. With Queenissima, you don’t just wear luxury—you wear a one-of-a-kind expression of art, creativity, elegance, and eco-conscious sophistication. Each design is a masterpiece, each garment tells a story, and wherever you go, you’ll turn heads and spark conversations. Embrace
the art of fashion with Queenissima, where your wardrobe becomes a gallery of exclusive, hand-painted pieces that celebrate your individuality. Where luxury meets passion for the planet, where every woman is treated like royalty, and where every outfit is a celebration of femininity. Indulge in the ultimate, uniquely luxurious experience—because you deserve nothing less.
Photo credits: Model: Queenissima @queenissima, Miss Europe Switzerland Designer: Queenissima @queenissima, @ queenissima.fashionart Photo: Reto Turotti @reto.turotti MUAH: Sabina Alieva Markovic @sabonya82, @sa_bridalstyle Nails Artist: Svitlana Zakrenychna @nailsandgo.zh, @xvsvetlana Beauty care: Victoria Zinevych @dr.zinevych Earrings: Zemphira @zemphira_jewellery Health care: Sunclinik, Zurich Retouch: Iryna Voitenko @by_i.voitenko PR: Top PR Agency @toppragency 16 • HOLLYWOOD WEEKLY
INTERVIEW Is fashion a passion for you? Natalie Spivak: Fashion has always been a deep passion and a significant part of my life since childhood. I fell in love with it when I was just five years old. Even at that young age, I was fascinated by the details of clothing and the art of color matching. My mother was an elegant fashion icon, and I admired every outfit she wore. She made beautiful gowns herself and taught me the craft. For her, fashion was both a hobby and a lifestyle. As a successful leader in the economic world, she ran a big luxury hotel while always looking beautiful and stylish, both in public and at home. I never saw her wearing anything old, unfashionable, or unattractive. Her style was always very feminine and elegant. I inherited this passion for fashion from my mother, and it has stayed with me throughout all my life.
When did you create your first outfit? Natalie: When I was around five years old, I received a kids sewing machine as a gift. Naturally, my first creations were gowns for my Barbies, as well as bedsheets, covers and pillows for them. Even then, I somehow understood the importance of bedtime comfort, and I wanted my Barbies to sleep soundly in beautiful nightwear. So, from an early age, I was already thinking about style and comfort, even for my dolls.
How did you get started? How did you become a designer? Natalie: It was destiny, I suppose—I never planned it. I started modeling when I was 14 years old, and with each photoshoot and every Fashion Week in New York, London, Milan, and Paris, I found myself admiring the talented designers I walked for. I always thought fashion was a complex and capricious industry, and as a model, I saw a different side of it. People only see the final product—the fashion shows and collections in stores—but behind the scenes, it requires an immense amount of work, time, and the teamwork of many professionals before the public sees a beautiful fashion show or a new collection in shops. Over the years, I’ve created many of my own outfits and always loved dressing oth-
ers. In addition to designing my own garments, I was the one who did the shopping for my entire family, since neither my dad nor my brother enjoyed the process. But I loved it, and I always put together stylish looks for them. It’s something I’ve done my whole life. I was invited to an event where a stranger passed by me, handed me a white ladie’s jacket, and simply said, “This is for you.” Then he left. Standing there at luxury event in Monaco, surrounded by other guests, I couldn’t stop thinking: Why did I get this jacket? What should I do with it? At first, I considered throwing it away. But I believe everything happens in life for a reason, so I decided to appreciate what the Universe had given me. I took the jacket home, washed it, and hung it in my wardrobe. During Venice Film Festival, when I had two planned red carpet appearances, my designer dresses didn’t arrive on time, I was suddenly left without dresses. That’s when I remembered the white jacket and decided to paint it. I created my first red carpet outfit, “Red Carpet Star.” The second outfit I created for Venice Film Festival attracted all the media attention. “Look here, look here!” is what I heard nonstop from all cameras on the red carpet. I had never experienced such success before, even though I had always worn luxurious, very expensive, and exclusive gowns. I received numerous compliments and caught the eye of both print and TV media, especially in Venice, Italy, where I believe people have some of the best taste. This reassured me that I had done something right. I tested my next outfit at World Economic Forum in Davos, creating a jacket with a special meaning tailored for the top business world. I find it fun to create unique slogans that match the event or the personality. So, I painted on my jacket: “Top men rule the world, blondes rule the top.” This jacket also met with success in the serious business world. People came up with compliments and advices, encouraging me to continue and offering insights on how to navigate the business world. I felt I’m on a
right path as so many intelligent, successful billionaires liked my designs and voluntarily offered their support and advice. I experienced similar success at Snow Polo in St. Moritz, Berlin, Cannes, and Zurich Film Festivals. I even received compliments from the producer of Met Gala. All of this encouragement has inspired me to continue my Queenissima journey.
How do you create your outfits? Natalia: It comes from within—you can’t predict it or control it. As a model, I understand how crucial it is to have comfortable shoes that are also healthy for your feet and don’t cause damage. That’s why every pair of shoes I create is designed with comfort and foot health in mind. I approach each outfit as a thrilling exploration—not just of color, texture, and design, but of the story it tells and the mood it sets. Queenissima is a vibrant expression of self and creativity. It goes beyond simply clothing the body; it’s an art form that allows individuals to convey their identity, mood, and unique personal style.
What does “Queenissima” mean? Natalie: This word doesn’t exist in any dictionary—it’s my own creation, born during my time in London. I coined it over 12 years ago, and my friends began calling me by this name. Also it was my modeling name for years. Since early 2019, I’ve been using it widely on Instagram and other social media platforms. Over the years, many magazines and billboards have featured this name. You know, I never intended for people just to wear my name as is customary in brands. I want a completely different message to share with the world. Through the name “Queenissima,” I want to inspire pride, confidence, respect, and love. I want each of you to feel like a Queenissima when you wear it. Yes, you are Queenissima. I believe every one of you deserves to be treated like a queen. I want you to feel unique, irreplaceable, beautiful, sexy, feminine, and to enjoy special attention and moments. Life bellissima if you are Queenissima. HOLLYWOOD WEEKLY • 17
Threads of Empowerment: Siray Kong’s Journey from Glamour to Social Change By Brandon Webster The fashion world is often viewed as a realm of unattainable beauty and superficial glamour, but one woman is rewriting this narrative, blending the allure of the catwalk with the spirit of social change. Here at Hollywood Weekly, we had the honor to meet a fashionista whose life story transcends the boundaries of the industry, bringing a new dimension to what it means to be a designer in today’s world. This story chronicles the journey of a designer who, after the shimmer of Miami Swim Week, shifts gears to the starkly different reality of feeding the homeless and fighting against human trafficking. Her mission is deeply personal, rooted in her mother’s traumatic past and a fierce determination to improve the lives of those around her. Our guest is not just a designer; she’s a storyteller, an advocate, and a humanitarian. In the high-stakes world of fashion, where superficiality can often overshadow substance, she stands out for her commitment to social causes. Her non-profit, Piece of Sunshine, has become a platform for change, taking small but intentional
18 • HOLLYWOOD WEEKLY
actions to make a difference. From beach cleanups to providing clothes with dignity to the homeless, every endeavor is a step toward a better world. Her personal story is one of triumph over adversity. As a child of a mother ensnared in the sex trade and bearing the scars of abuse, our guest rose to become Miss Asia USA, refusing to be defined by her past. Instead, she’s channeled her experiences into empowerment, sharing her story not for sympathy but as a beacon of hope for others. The Royal Kingdom fashion show, a brainchild of our guest, is more than just a display of garments. It’s a celebration of humanity, treating everyone like royalty and reminding us that the true value of fashion lies in its ability to connect us to our cultural heritage and social consciousness. But it’s not all about grand gestures. Our guest emphasizes the importance of staying spiritually grounded amidst the chaos of life. Whether it’s through gardening or simply being present, she maintains a balance that keeps her centered and focused
on her mission. The podcast doesn’t end with a fade-out but with an invitation—an invitation to a private fashion show, an invitation to engage with her work on social media, and, most importantly, an invitation to join her in making a positive impact. As our guest extends her hand to us, she reminds us that change starts with individual actions, with the threads we choose to weave into the fabric of our society. This fashion designer’s story is more than a tale of success; it’s a clarion call to all of us. Her life is a testament to the fact that beauty isn’t just about what we wear or how we look. True beauty is in the strength to empower others, in the resilience to overcome, and in the courage to transform pain into purpose. Through her journey, she shows us that fashion can be a force for good, a medium for advocacy, and a path to change.
Q & A
HW: How did the start of your fashion show, Royal Kingdom begin?
HW: Can you share more about your nonprofit, Peace and Sunshine?
Srey: “Royal Kingdom Fashion Show started about three years ago, and I did this because I believed there were a lot things that could done diffrently within fashion shows. For instance, people miss hospitality, they miss personal connection. In this world of business, nobody wants to be vulnerable. When you’re working at a fashion show and you’re spending so much money to be a part of it, I would like some kind of reassurance emotionally from the venue. I call it Royal Kingdom because I believe we are all royalty. We are the son and daughters of the almighty king that lives in heaven and that’s the way everyone should be treated.”
Srey: “Peace and Sunshine focuses on creating positive change through small, intentional actions. Its mission extends to being mindful of children’s safety and providing dignity through clothing distribution at homeless outreach events.”
HW: How did your personal background influence your commitment to social causes? Srey: “Learning about my mother’s traumatic past, including her experiences with rape and human trafficking, profoundly impacted me. It gave me a heavy heart and a drive to support others facing similar adversities.” HW: What motivated you to feed the homeless and initiate beach cleanups? Srey: “Observing the stark contrast in homelessness between Minnesota and California sparked my 13-year commitment to feeding the homeless and initiating beach cleanups. It started with just a few friends in Venice Beach and expanded from there.”
HW: How do you maintain spiritual grounding and organization in your life?
MODEL ENTREPRENUER PHILANTHRAPIST SHOP OUNISRAY
Srey: “I dedicate time to spiritual activities like gardening to stay present and grounded. I avoid being hard on myself for uncompleted tasks, celebrate accomplishments, and set boundaries to preserve mental well-being.” HW: What’s the significance of the upcoming private fashion show on June 1st at Mission Bay Home Mall? Srey: “The fashion show is a way to showcase my clothing line and engage with the community. It’s also an opportunity to support philanthropic efforts, like feeding children in Africa, and share my Cambodian heritage.” HW: How does your creative process influence your work and personal projects?
ROYAL KINGDOM
PIECE OF SUNSHINE
Srey: “My creative process is a narrative journey where I turn every aspect of my life into a story. This approach includes designing dresses and everyday experiences, aiming to make a positive impact through community engagement.”
Learn more about Siray @ siraykongofficial.com
HOLLYWOOD WEEKLY • 19
o K D’Banj Marks 20-Year Milestone latest Album:
The Entertainer: D’Sequel
D’Banj unveils track-list and release date for anticipated fifth studio album ...features Youssou N’Dour, Wyclef Jean, Akom and Awilo Logomba Lagos, Nigeria, Friday, July 5th – Nigerian global music sensation, Dapo Oyebanjo, popularly known as D’Banj, has unveiled details of his highly-anticipated latest studio album such as cover artwork, track listing, and release date. The new project entitled ‘The Entertainer – D’Sequel’ is set to be released worldwide on Friday, August 16th, 2024 by DB Records and is now available for pre-save.
D’Banj’s upcoming fifth album, ‘The Entertainer – D’Sequel’, is a creative blend of Afrobeats and Afropop, with eleven songs and two bonus tracks. Its global feature list includes Grammy award winner, Wyclef Jean, Congolese icon, Late Fela Kuti’s Egypt ’80 Band, Awilo Logomba, Youssou N’Dour, American star Akon, South African megastar and NBC’s The Voice sensation, Chechi Sarai.
The new album, a follow-up to his 2008 magnum opus, ‘The Entertainer’ includes collaborations with Nigerian musicians, Phyno, Timaya, Kayswitch, Zlatan, Peruzzi, Bhadboi Oml and Chuchu Lee. As part of his legacy to mentor and showcase the next big talents, D’Banj also featured Specikinging off his talent discovery project, Cream Platform.
20 • HOLLYWOOD WEEKLY
Sharing his excitement, D’Banj said, “Life is a maze of self-discovery and my new album, ‘The Entertainer – D’Sequel’ confirms this truth to me. It’s a true reflection of my growth as an artist and my continued commitment to pushing the boundaries of African music. The past 20 years have been an incredible ride, and I am grateful for the support and love I have received. I am thrilled to share this new chapter in my musical journey with my fans.”
Propelled by a partnership with creative powerhouse, The Temple Company and leading music company, gamma, D’Banj continues his 20-year on stage milestone with a series of intimate live performances and concerts across major cities around the world. He will also connect with fans via exclusive meet-andgreet events, mentoring sessions, and engaging thought-leadership interactions. Speaking on the album, Sipho Dlamini, President, Africa & Middle East, gamma, said, “The only way we grow and conquer the global music market as Africans, is by understanding that no one wins alone.
Having the honour to work with African giants like D’banj – my brother, the team at Temple, Idris, Larry Gaaga – my twin and Yemisi – my sister, is the start of something big. Not just for Nigeria or West Africa – but for whole continent. Go out and stream this album.. Let’s show the world that Africa is ready to lead.”
About D’Banj With his infectious sound and electrifying stage performances, D’Banj earned the moniker ‘The Entertainer’ early in his career. He was one of the pioneers who laid the building blocks of Afrobeats’ global footprint, with achievements including a 2010 international collaboration with American rap legend Snoop Dogg, on Mr Endowed (Remix) and a 2011 global deal with Kanye West and his GOOD Music. D’Banj became the first Nigerian
o k o musician to chart on the number nine spot on the UK Singles Chart with his monster hit, ‘Oliver Twist.’ His extensive global collaborations include working with stars such as Bono, Big Sean, Idris Elba and Fally Ipupa. His music has attracted major awards and recognitions from BET, MTV Africa Music Awards, MTV Europe Music Awards, Soundcity Music Awards, Channel O Music Video Awards, The Headies and Nigeria Entertainment Awards. Hashtag #EntertainerTheSequel #20YOD #20YearsOfDbanj #2oyearsofgreatness
Social Media Instagram – @iambangalee Twitter – @iamdbanj Faceboook – Dbanjofficial
1.Koko
2.Kala Ft. Awilo Logomba 3.Yours Truly Ft. Phyno 4.Since 04
5.Peaky Blinders
6.Worthy Ft. Youssou N’dour X Chechi Serai 7.I am Legend Ft. Wyclef Jean 8.Melody
9.Serious Ft. Chuchu Lee X Egypt 80 Band 10.Healer Ft. Peruzzi
11.Taya Ft. Timaya X Zlatan x Kswitch X specikinging X Badboy OML 12.Koko Remix Ft Akon 13.World famous
HOLLYWOOD WEEKLY • 21
D’Banj: Two Decades Of Entertainment With The Kokomaster D’Banj: Two Decades Of Entertainment With The Kokomaster (By Egor Kelly, UK & Africa Correspondent, Hollywood Weekly). Superstar singing and rap sensation, D’Banj, is in Hollywood right now, as part of his ongoing worldwide tour to celebrate 20 years of his music career, as well as to unveil his 7th studio album, ‘The Entertainer: D’Sequel. I caught up with D’Banj for a quick interview, just as he was about to attend his Intimate Showcase Album Release Party on 20th September, which was organized by Kimball Entertainment at W Hollywood Hotel. While waiting for D’Banj, who is also nicknamed The Kokomaster or Bangalee, to join me, a wave of nostalgia sweeps over me, as I reflect on how far he has come and how he has successfully managed to stay relevant for over two decades in this highly competitive music industry. I have been a D’Banj fan since his first foray into music, and still remember the lyrics to most of his popular songs like “Tongolo” and “No long thing” from about 18 years ago, “Fall In Love,” “Mr Endowed” featuring Snoop Dog, and the pièce de résistance of 22 • HOLLYWOOD WEEKLY
that era, “Oliver Twist,” in 2012, featuring Kanye West, who signed him to his G.O.O.D. Music label in 2011. In fact, The Kokomaster will be pleasantly surprised to learn that I massively promoted his 2011 KokoKoncert back then, with my PR firm in London, E4PR. The event took place at HMV Apollo at Hammersmith in London, and I wrote extensively about it. The publicity materials are still on my Facebook page and blog. That KokoKoncert is one event that would forever remain etched in the memories of genuine D’Banj fans. Nobody knew at the time that Kanye West had also come to support D’Banj. It was a well kept secret that was meant to be revealed at the end of D’Banj’s performance that night. When Kanye appeared at the end of the concert to perform with D’Banj, the hall went wild. Kanye ended the show by taking off his heavy gold chain and putting it around D’Banj’s neck. This seal of approval from Kanye said it all. My reminiscences are interrupted as D’Banj suddenly comes into view, delivering a beaming smile. I compose myself, smile back and state, “Hello, D’Banj. My name is Egor Kelly and I am the UK & Africa Correspondent for Hollywood Weekly”.
“I’m D’Banj!” he replies, in his trademark fast rap voice. D’Banj is blissfully unaware that he is about to be interviewed by a superfan, so on the spur of the moment, I just decide to surprise him and “drop it like it’s hot!” I say to him, “Well, I’d usually start by asking you to introduce yourself to our readership, but I have to acknowledge that The Kokomaster aka Bangalee, needs no introduction. I must greet you specially... Your face show... Your shoe shine... Your teeth white... We outside... March while you step... March while you step... Wave while you step... oya... Wave while you step... fi-le!” Visibly chuffed to hear me churn out the lyrics to one of his hit songs, “Face Show”, D’Banj immediately raises both his hands above his head and shouts, “fi-le”! “Oshe”! (some of his favorite catchphrases). By now, he is almost jumping out of his seat in excitement and I am inadvertently almost jumping out of mine too, as his energy is infectious! Lol! At this point, I am reminded of why D’Banj is the most energetic performer and entertainer I know. He dances and raps so fast with so much energy, that you are bound to lose 15-20 calories per minute as you dance and rap
along to his catchy tunes! Think of the way you’d excitedly rap along to Busta’s “Touch It” remix lyrics or “Pass The Courvoisier”... and you’d get my drift! “Rapwise” (for want of a better word to use), D’Banj is, to Nigeria, what Busta Rhymes is, to America. D’Banj goes on to say that this is the best introduction to an interview that he has ever
had and that I am a true “Kokolet”! Another one of his catchphrases, Kokolet is a term fondly ascribed to female fans of The Kokomaster. I inform him that I have been a Kokolet for two decades. We exchange a few more pleasantries and then I proceed with my interview. See below: 1). What is your creative process like? D’Banj: My creative
process usually starts with a brainwave, which could be anything from a melody I hear in my head to a concept for a song. Once I have the foundation, I work with my
producers to explore the sound further. I like to let the music guide me. 2). What is your favorite time of day to create? D’Banj: It depends. Music is very spiritual. It could be anytime of the day... in the morning, during the day or at night. 3). What motivates you to create? D’Banj:
My motivation comes from life experiences, the people around me, and my fans. I’m also motivated by the challenge of constantly evolving and pushing the boundaries of my sound. 4). What are your musical influences? D’Banj: My musical influences come from a variety of sources. I grew up listening to Legends like Fela Kuti, Michael Jackson, Wyclef Jean, Shina Peters, Michael Jackson and Youssou N’dour. HOLLYWOOD WEEKLY • 23
5). How did you first get into music? D’Banj: I first got into music after my older brother, Femi Oyebanjo (of blessed memory), introduced me to the harmonica. After his passing, when they brought back his remaining things, the only item I picked was his harmonica, and I’ve kept playing it till this day. That moment changed everything for me, as music became more than just something I enjoyed; it became a part of me. 6). What bands/artists do you enjoy listening to? D’Banj: I enjoy listening to a variety of bands and artistes, but some of my favorites include Fela, U2 and red hot chilli pepper. I appreciate the artistry and passion they bring to their music. 7). What do you think makes your music unique? D’Banj: I think there are a few things that make my music unique. My blend of Afrobeat with other genres like hip-hop, pop and dancehall, sets me apart. I also have a certain energy and charisma that comes through in my performances and connects with my audience. That’s why they call me Africa Michael Jackson. 8). What was your experience like touring? D’Banj: I’m an Entertainer and I get fulfilled seeing my fans being entertained; in fact I’ve been told I’m their joy giver. 9). How do you feel about your latest album/release? D’Banj: This particular album, The Entertainer: D’Sequel, is very special to me; it is a celebration of my 20 years as an all-round entertainer. I featured amazing
artists, some of which not just me, but Africa as a whole, have looked up to and put us on the map. 10). What tips would you give to aspiring musicians? D’Banj: To become successful, aspiring musicians need to keep a few key things in mind. Most importantly, practice makes perfect. Work hard on your craft, be consistent, and stay true to yourself. Also, stay humble, be willing to learn from others, and never stop networking. The music industry is about relationships just as much as it is about talent. 12). How do you manage to balance maintaining your privacy with living your life in the public eye? D’Banj: I think it’s important to have a healthy balance between the two. I cherish my private moments with family and close friends, but I also understand that connecting with my fans is super important, so I make sure I connect with my fans through Social Media. 13). How do you deal with constructive criticism? D’Banj: I always see constructive criticism as positive. I take the remarks on board and, where applicable, try to learn from them. I believe growth comes from being open to feedback and constantly striving to improve while staying true to yourself. 14). How do you handle creative differences with collaborators? D’Banj: I think it’s important to have an open mind when working with others and to be willing to try new things. Like I always say, collaboration is the new competition. Balance,
communication and respect, are key. 15). What do you wish you could tell your younger self about making it in the music industry? D’Banj: Believe in yourself, keep pushing, you never know who is watching. 16). What are your thoughts on the current state of the music industry? D’Banj: African music Industry right now is at the fore front of the global scene and it has a potential to be bigger and more long lasting, because it is rich in our culture, sound and tradition; so there is a need for us to come as one and build it together by having the right collaborations, global partnerships and policies. At this point, I will conclude this piece with my final observations about D'Banj. Although he did not initially realize that he was about to be interviewed a super Kokolet, D'Banj rose to the occasion like a true professional and performed brilliantly. Anyone who has met D'Banj will reiterate my words that his charisma is on another level. If you came with any preconceived notions, he will dispel them in minutes and you will be on team D'Banj. Simply put... He has the X factor. He is Africa Michael Jackson
HOLLYWOOD WEEKLY • 25
New York Fashion Week
N y r e V
Nine Collections Shine Bright at the Albright College NYFW Show Albright College marked its fourth showing at New York Fashion Week (NYFW) on Saturday, September 7th, with an eagerly awaited runway fashion show. Following the tremendous achievements of the past three years, 26 • HOLLYWOOD WEEKLY
Albright College, renowned for its nationally ranked Liberal Arts-based fashion design, merchandising, and costume design programs, proudly presented the innovative designs of nine recent graduates on the prestigious runways of NYFW. The show opened with Milford, Pennsylvania’s Mary Quinn's collection of artfully dimensional floral bouquets and subtle colorations that seamlessly married garden party whimsy with the sophistication of silk
charmeuse and chiffon. The opening piece of the show, a floral encrusted cropped bustier worn atop a double layer skirt pairing, proved the perfect piece to not only open the show, but also made it clear that Spring 2025 was calling. The following collection by Michelle Nguyen, blended the country inspirations of her native Reading, Pennsylvania with the contemporary cuts of Asian streetwear to much lauded affect. Her collection featured youngspirited pieces like a grass green A-line mini-dress appliqued with a red barn worn over a white blouson sleeved blouse with Peter Pan collar that
married schoolgirl uniform preppy with Tokyo’s Ginza edgy aesthetic. Next came another local Reading, PA native, Truc Phuong Ha, whose collection radiated effortless style and creativity with inventive, yet versatile pieces. Each silhouette she showed employed a novel mixing of fabrications and asymmetrical cuts which made the viewer take a double look at each to truly understand that these pieces were not errors, but rather thoughtful and intriguing plays on proportion. Ha’s collection would be equally at home in the office as it would be at an evening party with friends or walking down the world’s most trendy fashion thoroughfares. Hailing from Howell, NJ, Abby Thomas-Ridgway next presented an uber feminine collection of airy day dresses in appliquéd eyelet that could
W E N
be worn in a variety of settings from summersoirees to a dressy day with friends. Thomas-Ridgway’s collection was also versatile enough to attract the young set as well as the next generation on the fashion cycle. Lydia Simone‘s swimwear provided the natural bridge to the show and transitioned the mood from daywear to evening. The Philadelphia native left all in the room yearning for a day at the beach or poolside at their favorite resort with her easy-breezy styles that were dressed up by just the right amount of color contrasted cascading ruffle detailing. Another New Jersey native, Felicia Oyekola kicked off the traditionally dresser second half of the run of show
with a collection of brilliantly tailored dresses that deftly walked the fine line between costume and fashion to great success. Her collection of bridal dresses was equal parts classic and brilliantly hued ensembles for the ethnic or modern bride. Brooklyn born, Kamiah Jean pumped up the conceptual volume with her collection of slashed and reconstructed ensembles that utilized chain and other hardware
K R YO
elements to shape the silhouette while simultaneously ornamenting the wearer. Jean’s final two “dresses” proved the ultimate showstopper with their body-con tube dresses worn under boned cages which created voluminous proportions while adding none of the visual heaviness that once was the norm with such pieces. Horsham, PA’s Mia Rezza served to clean up the visual landscape with her collection of mocha silk charmeuse evening dresses that were softened even further with her deftly placed sky blue silk chiffon accents. Ressa’s collection left several in the room applauding as the models made the way around the event’s U-shaped runway. Returning designer, and Reading, PA native designer, Stephanie Vargas Hemmings closed the show with bold,
hand-sewn textures and innovatively detailed styles. Standout pieces like a deep blue softly detailed dresses that combined several hand techniques, and the final two looks to walk, which married a novel print into the mix with enormously proportioned over layers.This remarkable event served as a testament to Albright College’s unwavering commitment to fostering emerging talent and pushing the boundaries of fashion creativity. The audience at NYFW was treated to a mesmerizing showcase of diverse perspectives, innovative designs, and groundbreaking concepts, underlining the institution;s pivotal role in shaping the future of the fashion industry. Albright College’s presence at NYFW continues to solidify its position as a powerhouse in the fashion education landscape, where students are nurtured, challenged, and encouraged to explore their creative potential to the fullest. Albright College looks forward to its continued journey of shaping the fashion world, one innovative collection at a time. HOLLYWOOD WEEKLY • 27
ACTION To WIN seminar on Dr. Emily’s birthday in San Diego
DONE by
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ACTION To WIN Egypt
“ I
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ACTION To WIN Egypt
ACTION To WIN Egypt
The way we spend our time, defines who we are. Jonathan Estrin, American Producer and Actor
recently attended an Ultra Event hosted by my mentor Brendon Burchard, and he shared the mindset of Done By One, the Daily Prioritized Action, that helped him grow his businesses over the years. Although the concept was not new, the commitment to finish big tasks by a daily self-imposed limit was enlightening. Many busy entrepreneurs go through the day swamped with tasks. If you own multiple businesses, multiply the tasks. If you have a family with kids, the day can start with automatic overwhelm!
Over the years, I have learned to prioritize my tasks as a busy mom with several businesses. When my kids were younger, the first daily priority was to get my little people ready for school, out the door, and into the van by 8am. In my 3 dental offices, we all knew to schedule complex cases in the morning—definitely before I had to dash off at 2pm to pick up my kids from school.
“I don’t need time. I need a deadline.” Duke Ellington
When I travel, I love to schedule early flights so I can do some work on the plane or just catch the red eye to sleep when I’m supposed to be sleeping, even if uncomfortably. Being intentional about time management has been part of my way of life for several decades. We live in an advanced society. We have robots serving foods and cars driving by themselves. We have watches that automatically count our steps. We walk around with monthly and yearly calendars in the palms of our hands, being able to map out our lives to the
Knighted as a Lady by Prince Rafael of The Royal Order of Constantine The Great and Saint Helen
minute. And yet, we have “no time.” It is not so much that we don’t have time. The challenge is the management of our attention. We may be focusing our attention on the wrong thing and stay busy doing menial tasks. Ask any young mother how she goes through the day with laser focus, nurturing her baby while still whipping up dinner, checking the homework of older kids, then catching a few hours of sleep before getting up to do the same thing again. Look at any sports champion who concentrates on winning a game with intense focus and a training ritual every day. It is the intention we set and the energy and effort we give to our prioritized tasks that help us achieve what we want. When we are crystal clear about our intentions, we can set up our days and focus on the activities that will move the needle for us. The people who achieve goals and stay successful are those who know what to focus on
and direct their energy and efforts towards that, almost exclusively and in a nonnegotiable manner. When the intention is “Done By One,” we now set a time limit to achieve certain goals by one o’clock. This means saying no to distractions, which could be unscheduled phone calls, random text messages, or scrolling on social media. Every time we allow ourselves to be interrupted, it takes at least 20 minutes to get ourselves back into focus. If a business owner can master this, he or she will go through the day being much more productive simply by eliminating life distractions. In my entrepreneurial journey, starting as a refugee from Viet Nam, I have learned marketing strategies and best practices to
grow business. Gaining knowledge from coaches and mentors was crucial because it provided me insights to fast-track success without years of “experimenting.” My calling to be a coach is the result of seeing other mentors and coaches touching and influencing others’ lives, sometimes for decades. Over the years, I have had the privilege
Sharing joyful occasion with youngest son Author and Editor Austin Nguyen
of learning from Dr. Howard Farran and Linda Miles in dentistry, personal growth and business excellence from Brendon Burchard and Sharon Lechter, and magnetic marketing from Dan Kennedy. I learned that you don’t have to be “famous” to everyone—you just need to be “famous” with your intended and chosen audience. Positioning yourself as an authority and creating your own economy have been my approach to the people I serve. I am the dentist “who take patients to the movie” in my local community, “the best Mom in the world” in some women circles, and the host of ACTION To WIN among microinfluencers. I learned different strategies, from creating and hosting events to connecting with other influencers, through my NLP coach Matt Brauning
back in 2015. For several years now, I have hosted my own seminars in many countries over 4 continents. They are small but impactful. My speakers introduce stages to one another. My clients shine on my stage as new industry influencers. Most of all, my attendees achieve breakthroughs and leave the events feeling charged and inspired. It is not uncommon that I hear an attendee make a life-changing decision after my presentation. I cannot measure all the ripple effects globally.
see you all at my seminars, workshops, and other speaking engagements. I can also present on industry stages and help accelerate business growth across multiple verticals. Visit my website at www.DrEmilyLetran.com to find out more information.
I do know that I change lives. As a dentist, I change people’s health and beauty and therefore their lives. As a speaker and coach, I change people’s mindset, actions, and therefore lives. It is my dream to help everyone become the best version of themselves. I hope to
“The future belong who believe in the be their dreams” Eleanor Roosevelt
“The future belongs to those who believe in the beauty of their dreams” Eleanor Roosevelt
gs to those eauty of
Sunset Boat Ride with the speakers of ACTION To WIN, Costa Mesa
32 • HOLLYWOOD WEEKLY
Fight Night's Dazzling Debut 70s Chic, High Fashion, and Cinematic Drama
Peacock celebrated the premiere of limited series FIGHT NIGHT: THE MILLION DOLLAR HEIST at Jazz at Lincoln Center, followed by an exclusive after party in The Appel Room overlooking Columbus Circle and Central Park. Coinciding with the eve of NY Fashion Week, the red carpet kicked off with a surprise fashion show in partnership with GQ. Drawing inspiration from the series, models showcased high-fashion 70s-inspired looks, blending retro styles with modern sophistication. Adding to the 70s flair, the red carpet featured a replica of Chicken Man’s (played by Kevin Hart) 1966 Cadillac Calais, custom-built by the renowned West Coast Customs. Over 800 guests were ushered into the
Rose Theater for a packed screening of the first two episodes, "Round One: The Ballad of Chicken Man” and “Round Two: Fight Night”. Following the screening, attendees enjoyed an exclusive after-party, emanating 70’s nightclub, complete beats from DJ Trauma, and a photo op with Roc Nation’s Lenny Santiago’s iconic gold couch. Attendees included Executive Producer Will Packer; Executive Producer, Writer, Creator, and Showrunner Shaye Ogbonna; Executive Producer and Star Kevin Hart; and cast including Samuel L. Jackson, Taraji P. Henson, Don Cheadle and Terrence Howard, Chloe Bailey, Sinqua Walls, Dexter Darden, Lori Harvey and more.
writer and comedian Amber Ruffin, Love Island USA S6 winner Kordell Beckham, actress and comedian Ego Nwodim (Mr. Throwback, SNL), actor and comedian Adam Pally (Mr. Throwback), WWE Star “Sheamus” Stephen Farrelly, rapper and singer SAINt JHN, actress Lorraine Toussaint, rapper Busta Rhymes, Chicago Sky basketball star Kysre Gondrezick, Guerdy Abraira (The Real Housewives of Miami), Karen Huger (The Real Housewives of Potomac), Sunny Hostin (The View) and more. Fight Night: The Million Dollar Heist premieres Thursday, September 5 with 3 episodes at launch, and a new episode weekly on Thursdays only on Peacock.
Additional celebrity guests included HOLLYWOOD WEEKLY • 33
Pianist ELEW.
CHERRYTREE MUSIC COMPANY & LIVE NATION ANNOUNCE ELEW AS SUPPORT ON “STING 3.0” TOUR THE WILTERN - LOS ANGELES, CA NOVEMBER 12, 13, 15 & 16, 2024
Award-winning pianist ELEW has been announced as support to 17-time Grammy Award winning artist STING on the North American leg of his acclaimed “STING 3.0" Tour, presented by Cherrytree Music Company and Live Nation. A native of Camden, New Jersey, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student, upon graduation, he toured the world, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra, Elvin Jones, Cassandra Wilson, Roy Hargrove, and John Hendricks among others. In 1999, Eric won the Thelonious Monk International Piano Competition, at the time, the most coveted prize in all of Jazz. A decade into his career, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning, critically acclaimed albums, ELEW has re-imagined songs by The Killers, Nirvana, Coldplay and Michael Jackson to name a few. Inspired by the European masters of Baroque Counterpoint, ELEW has innovated the technique of simultaneously executing two inde34 • HOLLYWOOD WEEKLY
pendent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide-ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. He has named this technique Counterbop. His album Cubism - ELEW plays Rosenwinkel, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented. In addition to piano performance, appearing in and scoring for film, ELEW is a prominent international DJ. He has created disco infernos for multiple events such as The World Economic Forum, TED, Art Basel, A-list Oscar parties, the Monte-Carlo Gala, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases, ELEW places the turntables within the piano, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has led to him creating yet another brilliant innovation he calls Piano Turntablism. He literally plays two
different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music festival. ELEW is a genuine master of the piano and artistic genius. Last month, “STING 3.0” kicked off in Europe with the 17-time Grammy Award winning icon performing his most electrifying hits joined by virtuoso guitarist and longtime collaborator, Dominic Miller, and dynamic drummer Chris Maas (Mumford & Sons, Maggie Rogers), from his timeless discography. Following the tour launch, NME reported “Sting begins 2024 tour with Police hits and deep cuts,” while Consequence praised the performance describing the trio as “sounding in fine form, filling out the songs’ arrangements with impressive umph. Unsurprisingly, Stings’ bass was the star of the show, as he was given the sonic room to provide counter melodies and booming basslines with impact.” The North American leg of "STING 3.0" Tour kicks off at the Fillmore in Detroit, MI on September 17th followed by a special
series of shows with multiple-night stints in some of the most legendary theatres across North America. Known for his groundbreaking work as a solo artist and as the frontman and songwriter in the seminal group The Police, Sting, managed by Martin Kierszenbaum/Cherrytree Music Company, has consistently pushed the boundaries of musical innovation throughout his illustrious career. The "STING 3.0" Tour represents a new dynamic era showcasing selections
from his vast catalog through the urgent lens of a tight three-piece combo. Tickets for all shows on the "STING 3.0" tour are on sale now on sting.com. The tour will also offer a variety of VIP packages and experiences. Packages vary but include premium tickets, specially designed VIP gift item, limited edition tour poster & more. VIP package contents vary based on offer selected. For additional information, visit vipnation.com.
“STING 3.0” NORTH AMERICAN TOUR ITINERARY Tuesday, Sept. 17 Wednesday, Sept. 18
Detroit, MI Detroit, MI
Filmore Detroit Filmore Detroit
Friday, Sept. 20 Saturday, Sept. 21 Sunday, Sept. 22 Monday, Sept. 23 Tuesday, Sept. 24 Wednesday, Sept. 25
Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON
Massey Hall Massey Hall Massey Hall Massey Hall Massey Hall Massey Hall
Monday, Sept. 30 Tuesday, Oct. 1
Philadelphia, PA Philadelphia, PA
The Met The Met
Friday, Oct. 4
Boston, MA
MGM Music Hall
Sunday, Oct. 6
Boston, MA
MGM Music Hall
Monday, Oct. 7 Wednesday, Oct. 9 Thursday, Oct. 10
Brooklyn, NY Brooklyn, NY Brooklyn, NY
Brooklyn Paramount Brooklyn Paramount Brooklyn Paramount
Saturday, Oct. 12 Sunday, Oct. 13
Port Chester, NY Port Chester, NY
The Capitol Theatre The Capitol Theatre
Tuesday, Oct. 15 Wednesday, Oct. 16
Washington, D.C. Washington, D.C.
MGM National Harbor MGM National Harbor
Sunday, Oct. 20 Monday, Oct. 21
Miami, FL Miami, FL
Fillmore Miami Beach Fillmore Miami Beach
Tuesday, Oct. 22
Atlanta, GA
Cobb Energy Performing Arts Center (CEPAC)
Monday, Oct. 28 Tuesday, Oct. 29 Friday, Nov. 1 Saturday, Nov. 2
Chicago, IL Chicago, IL Chicago, IL Chicago, IL
Auditorium Theatre Auditorium Theatre Auditorium Theatre Auditorium Theatre
Wednesday, Nov. 6 Thursday, Nov. 7
San Francisco, CA San Francisco, CA
The Masonic The Masonic
Tuesday, Nov. 12 Wednesday, Nov. 13 Friday, Nov. 15 Saturday, Nov. 16
Los Angeles, CA Los Angeles, CA Los Angeles, CA Los Angeles, CA
The Wiltern The Wiltern The Wiltern The Wiltern
@ Fenway Park @ Fenway Park
ABOUT STING: In Sting’s distinguished career, the Rock and Roll Hall of Famer has received 17 GRAMMY Awards® and sold 100 million albums worldwide from his combined work as one of the most distinctive solo artists in the world and former front man of The Police. A composer, singer-songwriter, actor, author and activist, Sting also has received a Golden Globe, four Oscar nominations, a Tony nomination, Billboard Magazine’s Century Award and Kennedy Center Honors. Sting’s support for human rights organizations such as the Rainforest Fund, Amnesty International, and Live Aid mirrors his art in its universal outreach. Along with wife Trudie Styler, Sting founded the Rainforest Fund in 1989 to protect both the world’s rainforests and the indigenous people living there. Visit sting.com for more information.
ABOUT THE CHERRYTREE MUSIC COMPANY: Founded in 2005 by multi-platinum, Grammy-nominated songwriter/producer Martin Kierszenbaum, the Cherrytree Music Company provides management, record label and publishing services to a boutique roster of artists, producers and mixers who push the creative envelope in popular music. In the 19 years since its inception and launch of its first-ever release, Feist’s “Let It Die” album, Cherrytree has had an indelible impact on the music landscape from managing celebrated musician and cultural icon Sting to launching Lady Gaga’s first two albums. The Cherrytree Music Company has also released culturally ground-breaking records and commercial successes by Ellie Goulding, LaRoux, Far East Movement and Robyn whose 2010 Cherrytree release “Body Talk” was named Album of the Decade by Rolling Stone. The Cherrytree Music Company, responsible for over 40-million-unit sales to-date, remains a vital source for popular music and catalyst for artist collaboration and innovation. For more information on the Cherrytree Music Company, visit cherrytreemusiccompany.com.
ABOUT LIVE NATION ENTERTAINMENT: Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com. HOLLYWOOD WEEKLY • 35
The Get Together Foundation, in partnership with Rock Cellar Productions, is proud to announce
“The 988 Lifeline Charity Event”
988awareness.org
LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Kevin Wachs (L) and Mare Wachs arrive at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)
LOS ANGELES, CALIFORNIA - SEPTEMBER 08: (LR) J.J. Boone, Eden Alpert, and Tricia Fisher arrive at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul” (Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)
LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Rob Morrow arrives at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)
“Heart and Soul” is a musical tribute to the life and times of Donny Hathaway. Performers include Terrell Edwards (East Bay Soul), Freda Payne (“Band of Gold”), Rob Morrow (Northern Exposure), Alisan Porter (The Voice), Jaidyn Triplett (I Carly), Josh Triplett (The Neighborhood), Carly Smithson (American Idol), Andy Vargas (Santana). As a crucial resource for individuals in mental health crises, the 988 Suicide & Crisis Lifeline offers immediate support and intervention, connecting callers with trained counselors through a simplified three-digit number. The need
for accessible mental health resources has never been more urgent, and this event aims to amplify the Lifeline’s impact by raising both awareness and funds to enhance support services for those in need.
illness, Hathaway’s profound legacy endures through his timeless music, including classics like “A Song for You”and duets with Roberta Flack. This special performance will feature a talented cast of actors and singers interpreting Hathaway’s iconic songs and sharing his story.
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Event Highlights: “Heart & Soul” – A Musical Tribute: The centerpiece of the evening will be the debut of ”Heart & Soul,” a multimedia tribute celebrating the life and music of legendary soul singer Donny Hathaway. Despite his struggles with severe mental
About Get Together Foundation: Founded in 2001 by Kevin and Mare Wachs, the Get Together Foundation (GTF) is a non-profit 501(c)3 organization dedicated to creating positive change
through music and community support. With a track record of successful fundraising events and impactful programs, GTF’s mission includes providing direct services to children and families in need, crisis relief, and music enrichment for underprivileged youth.. Join Us in Making a Difference By attending “The 988 Lifeline Charity Event,” you are contributing to a vital cause that aims to save lives and provide essential support to those affected by mental health crises. Help us spread the word, tell a friend, and support the 988 Lifeline in its mission to offer hope and help to those in need.
CRISIS RELIEF: At the onset of the COVID-19 Pandemic
in March 2020, GTF took immediate action and developed a hand- wash kit program with help from L.A. Care, Restaurant Depot, and its parent company, Earthly Body. These kits, containing hand-wash soap, purified water, hand towels, and an information card, and assembled by our volunteers, were donated to LAHSA, the Los Angeles Homeless Services Authority, LA County’s main agency servicing unsheltered homeless families and individuals. The program grew and is now servicing several homeless agencies through the greater Los Angeles area including The Midnight Mission. FOOD DELIVERY - “TAKIN’ IT TO THE STREETS” Our mobile meal program delivers hot, healthy meals to children and families without access to kitchens or shelters.
Our CARE-a-VAN has brought, nutritious and balanced meals to those temporarily housed in motel districts or living in encampments. We continue this effort with Rock & Eat Pop-ups and on-demand requests. BRIDGE HOUSING Casa de Vida is our rapid re-housing family crisis shelter in the San Fernando Valley in cooperation with Hope of the Valley. With the additional support programs, social services, health care, parenting classes, food donations, employment assistance, and special events, the goal is to transition families quickly into permanent housing, with tools and life skills to help build a more promising future.
“We know were are going to save a life.” - Kevin Wachs
Interview with Founder Kevin Wachs 1. How did the idea for the “988 Lifeline Charity Event” come about, and what inspired Get Together Foundation and Rock Cellar Productions to collaborate on this initiative? The get together foundation is always on the look out for new causes. We are very intimately involved with the homeless community in Los Angeles. Being so close we see how mental health is so prevalent in the homeless and feel that in needs to be further addressed. It is a huge factor of the homelessness crisis so we decided to tackle the issue at one of its root causes. 2. What were the main goals of the event, and do you feel like they were
LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Kevin Wachs arrives at 988Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)
achieved?
need.
Yes, absolutely. Our main goal for the event was suicide awareness - sharing the hot-line number. When that worked we had to raise money to get staff trained to run the hot line so our second goal was funding which we achieved as well.
4. In what ways do you think this event will help raise awareness and funds for the 988 Lifeline, and what future impact do you envision?
3. How was the 988 Suicide & Crisis Lifeline highlighted during the event, and what message were you hoping to send to the audience?
5. Looking ahead, how does the Get Together Foundation plan to continue supporting the 988 Lifeline and mental health initiatives?
The big message was that help is only one phone call away. We also wanted to acknowledge that depression and suicide can happed to anyone - and to for people to be able to recognize the signs and get their friends and family the help they
Were going to lean into the professional Beauty Industry to find qualified first responders- we feel that so many unload on their hairdressers and barbers and we feel that it makes them such qualified candidates.
“We know were are going to save a life.”
HOLLYWOOD WEEKLY • 37
TV Producer Andre Barnwell: From Howard University to BET
The Story of a Hitmaker
Andre Barnwell is known as one of America’s hit TV producers in the comedy world. Andre began his successful journey, starting with his roots and passion for education at Howard University. He and fellow Howard student Kamala Harris often congregated with other honor students at the Howard Student Union expressing their dreams for a big future to change the world for the better. Later, Harris became a successful politician currently serving as the Vice President of America and the democratic candidate for president in 2025. Barnwell himself went on to become one of television’s most successful producers in the comedy world producing pioneering TV hits like BET’s Comic View and the hit sketch show The Way We Do It. Before Nick Cannon’s “Wild ‘n Out” and “A Black Lady Sketch Show,” a groundbreaking series changed the landscape of sketch comedy: “The Way We Do It”. As the first black sketch comedy show on television, it premiered with high38 • HOLLYWOOD WEEKLY
energy comedic sketches and improvisation while showcasing an impressive roster of comedic talent representing a multicultural comedy blend. This pioneering series not only entertained but also shattered barriers, carving out a space for black and brown comedians in a genre often dominated by others. Led by a powerhouse cast that included Rickey Smiley, Leslie Jones, Doug Williams, Belinda Foster, Darius Bradford, Red Grant, Darren Carter, Speedy, Traci Carter, Chloe Gadson, Jeff Garcia, Roman Murray, Shang, Mike Bonner, and Tommy Chun, “The Way We Do It” was a celebration of black humor and creativity. Its creator, Andre Barnwell, envisioned a series that could rival the likes of “Saturday Night Live,” bringing the sharp wit and comedic genius of black performers to the forefront. As a
Andre Barnwell seasoned executive producer with experience on BET’s “Comic View,” Barnwell was uniquely positioned to launch this ambitious project, leveraging his expertise to cultivate a platform where a multicultural group of comedians could truly shine using their own comedic gifts in a supportive environment that he fostered. BET’s “The Way We Do It” stands out because of its comedic content and the respect and creative freedom provided to its cast by Barnwell himself. Barnwell believed in giving his performers the space to write and act out their sketches, fostering a collaborative atmosphere that resulted in a vibrant showcase of talent that set a precedent and new bar for sketch comedy TV
BBR MUSIC GROUP/BMG NASHVILLE SIGNS COUNTRY MUSIC DUO RYAN AND RORY Today Releasing the Summer Smash “Pour Decisions,” the Duo Readies Self-Titled Debut EP for July 26 Opening for Sam Hunt on Friday, August 23 in Memphis, Tennessee and on Saturday, August 24 in Gary, Indiana Photo ID (L-R): Jordan Keller (KTAG Law), Dustin Kovacic (KTAG Law), John Hamlin (Switched On Management), Jon Loba (BMG), Ryan Follesé, Rory John Zak, Darin Murphy (CAA), Chris Burrus (CAA), Peter Strickland (BMG), Ford Pickert (Switched On Management); not pictured: JoJamie Hahr (BMG) and Katie Kerkhover (BMG)
BBR Music Group/BMG Nashville is thrilled to announce the signing of country music duo Ryan and Rory. Ryan Follesé is a Nashville native, 2X PLATINUM #1 hit singer-songwriter and American Music Award winner. Rory John Zak, from Raleigh, North Carolina, is a multi-instrumentalist singer-songwriter who has played over 300 shows per year since he was 17. The duo today released the buzzy party starter “Pour Decisions.” The lively, summer smash is a nod to the universal heartache bandaid and launches their highly anticipated self-titled debut EP, coming July 26. Listen to “Pour Decisions” HERE and pre-order/ pre-save/pre-add the EP HERE. “Filling a much-needed space in the format, country duo Ryan and Rory are introducing themselves with a fresh sound on ‘Pour Decisions,’" shares JoJamie Hahr, BMG Nashville, EVP Recorded Music. “Ryan Follesé's award-winning success and masterful songwriting paired with Rory John Zak's multi-instrumental abilities and relentless passion for delivering captivating performances provides a firm foundation as we lean towards their debut, self-titled EP in July.”
Rory added his masterful instrumentals and expertly smooth harmonies to Ryan’s robust lead vocals. Up next, Ryan and Rory will open for Sam Hunt on Friday, August 23 in Memphis, Tenn. at Radians Amphitheater and on Saturday, August 24 in Gary, Indiana at Hard Rock Live. For tickets and tour updates, visit ryanandrorymusic.com. Ryan and Rory EP Tracklisting: 1. Pour Decisions (Ryan Follesé, Kevin Bard, Emily Reid, Maya Kurchner, Remy Gautreau) 2. State I’m In (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé) 3. Cowboy Cry (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé) 4. Drunk and Lonely (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé) 5. This Town (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé) Photo Credit: Daniel Brown 6. T hanks Mama (Ryan Follesé, Keith Follesé, Jamie Follesé, Anna Follesé)
“‘Pour Decisions’ is our song of the summer, whether you’re in the car, on the beach or boat, or making ‘pour decisions’ with your friends at the bar while having a good time,” says Rory. “This song is one of those rare experiences where it felt like you have a co-writer up above and the song kind of writes itself. It doesn’t happen often, but when it does everyone feels it. We can’t thank our co-writers, studio personnel, our team and label enough for making this special song our very first release,” says Ryan. Son of #1 songwriters Adrienne and Keith Follesé (Faith Hill, Tim McGraw, Martina McBride), Ryan co-wrote all six tracks on the debut, including five with his hitmaker family, while HOLLYWOOD WEEKLY • 39