Maithili Raelle
The Multi-talented IndoAmerican rave of the moment in NYC
Wild Rose & Sparrow
SS25 Collection at Paris Fashion Week with Enchanting Ballet-Core Themed Runway Show
Two Decades Of Entertainment WithThe Kokomaster
D’BAnj
Letter From The Editor
WELCOME READERS
to another issue of Hollywood Weekly!
Welcome to this month’s issue of Hollywood Weekly!
As we delve into the vibrant world of music and culture, we are thrilled to showcase the incredibly talented Maithili Raelle on our cover. This Indo-American artist is making waves in New York City, bringing a fresh fusion of sounds that beautifully reflect her diverse background. In our exclusive interview, Maithili shares her artistic journey, revealing how her experiences shape her music. With collaborations alongside industry heavyweights and a unique style that blends various genres, she is redefining what it means to be a cross-cultural artist in today’s music landscape.
Maithili’s distinctive voice—a harmonious blend of influences—offers a glimpse into her versatility and creativity. She effortlessly combines elements of pop, hiphop, and her Indian heritage, creating a sound that is uniquely hers. As you read her insights, you’ll discover the passion and dedication that drive her craft, along with her aspirations for future collaborations that could further enrich her artistic expression.
In addition to Maithili, we are excited to spotlight the iconic D’banj, whose contributions to the Afrobeats genre continue to resonate globally. His innovative approach and dynamic style are paving the way for a new generation of artists. D’banj’s work exemplifies the spirit of collaboration that is vital in today’s music industry, and we’re eager to see how artists like Maithili can intersect with his sound to create something truly special.
Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.
PUBLISHER/EDITORIAL DIRECTOR
Prather Jackson
VICE PRESIDENT
Bernice Harris
CONTRIBUTING WRITERS
Alex A. Kecskes
Brandon Webster
Carmelita Pittman
LIFE & STYLE EDITOR
Niki Shadrow Snyder niki@projectpopdrop.com
DESIGN & PRODUCTION
Saba Shay Emma Willett
SOCIAL MEDIA COORDINATOR Marci Chorpash
AFRICA CORRESPONDENT & AMBASSADOR Egor Kelly Egorefiok@gmail.com BRAZIL OPERATIONS Fabio Glingani
“Pennies from Heaven” Barshai’s
New York, NY, September 1 1 th , 2024 – Barshai, the New York - based atelier committed to meticulous craftsmanship and narrative - driven design, is pleased to unveil the latest collection for Spring / Summer 2025 titled, “Pennies from Heaven,” which debuted at New York Fashion Week on September 10 th , 2024. The presentation took place within storied walls of St. Mark’s Chur c h in - the - Bowery , an iconic venue
that complements the collection’s exploration of heritage and modernity.
Collection Debut at
“Pennies from Heaven” draws its name and inspiration from the classic 1930s song made famous by Billie Holiday. Expanding on the narrative concept of last season, Spring/Summer ‘25 takes the story of an abandoned gilded age home and explores not the buildi ng, but those who inhabited its dilapidated
walls. The narrative comes alive for Spring / Summer ‘25 as an exploration of the fascinating, chimeric life of Consuelo Vanderbilt, America’s most famous “Dollar Princess.” Through this visual lens, Barshai refl ects on the transition from Victorian elegance to Art Deco modernity, capturing the essence of the “new woman”, a 1920’s term to describe the shift in social conventions around female behavior from domestic to independent.
story to life. Set against a backdrop of velvet - covered platforms, patina - laden chairs, and 20th - century pottery, the models reenacted pivotal moments from Consuelo’s life, offering the audience an immersive, cinematic experience.
The collection features 12 looks, including a distinctive “hair” dress that marks the culmination of last season’s swirling “hair” bra. Key design elements include the extensive use of bias cuts and rosettes, a motif that blooms throughout the collection a nd is a direct reference to Consuelo’s 18th birthday during which she received a single American rose from her ill - fated first love. Grouped into three acts, Barshai’s Spring / Summer ‘25 tells the story of Consuelo’s life from childhood into her later yea rs. The first four looks, cut in shades of white and navy, symbolize her life under her mother’s control, culminating in a crying bridal look. In act two, her early adulthood is celebrated through tailoring and a color palette of “burnt umber,” “twentieth - century teal” and “sage green.” Her later years are celebrated in act three through a surreal abstraction of pennies, embroidered onto corsets and integrated through print.
“For Spring / Summer 2025, I decided to embrace the concept of unexpected good fortune, but with the understanding that even when it rains good news, they are only pennies from heaven,” says Erik Barshai, founder and creative director of Barshai. “This sea son, we focused on ‘flow,’ emphasizing soft wovens and the fluidity of movement, while continuing to push the boundaries of couture tailoring.”
The presentation at St. Mark Church i n - the - Bowery offered a 360 - degree view of this narrative, with a cast of models bringing Consuelo’s
THE FINAL STOP OF THE TRANSFORMERS ONE WORLD TOUR LONDON
SYNOPSIS
TRANSFORMERS ONE is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever. In the first-ever fully CG-animated Transformers movie, TRANSFORMERS ONE features a star-studded voice cast, including Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi with Laurence Fishburne and Jon Hamm.
CAST
Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, with Laurence Fishburne and Jon Hamm.
ROUNDUP ENTERTAINMENT
Digital Marketing Manager
Paramount Pictures
Calling all cinephiles! Dive into the world of social media as the Manager of Digital Marketing at Paramount Pictures. Collaborate with our dynamic team to craft and implement social strategies that ignite excitement and captivate audiences for our blockbuster domestic theatrical releases.
Influencer Communications Associate, Part-Time
Disney Experiences
As part of the Disney Experiences (DX) Global PR team, the role is responsible for identifying and supporting creator engagement, as well as analyzing campaign performance, and is part of a specialized bi-coastal team that works closely with partners across the segment to elevate stories among key advocates and content creators.
Video Editor
Cardone Ventures
As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.
Media Operations Assistant
Louis Vuitton
Louis Vuitton is seeking a Media Operations Assistant to support the Media team across all online and offline channels and campaigns, ensuring operational excellence internally and externally. This position will lead all internal media tracking, supervise team finances, inclusive of issuing media authorizations, PO creation, invoicing balancing budgets while assisting with offline material production.
Creative Services • Product Designer
Creative Artists Agency (CAA)
In this role, they will work directly with the Designers and Project Manager and report to the executive lead of the Creative Services Design team. They will produce creative on a wide range of design projects including corporate announcements and messaging, Outlook email newsletters – internal and external, movie screening collateral, party and event invitations, trade ads, etc.
Regional Promotion Representative
Sony Music Entertainment
As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.
Visual Merchandiser
Warner Bros. Discovery
Warner Bros. is continuing to expand and evolve the Wizarding World of Harry Potter and Fantastic Beasts with our Flagship Wizarding World store, in New York City. Your accountabilities are to collaborate with the senior visual merchandise manager and be responsible for multiple areas.
Sr. Director, Worldwide Publicity
Lionsgate
The Senior Director, Worldwide Publicity will report to the Senior Vice President, Worldwide Publicity as well as work alongside the Senior Vice President, Worldwide Publicity to assist in developing and implementing comprehensive publicity campaigns to promote Lionsgate theatrical releases throughout the lifecycle window.
Program Manager, Merchandising Operations
Netflix
We are looking for a Merchandising Operations expert to join a newly established Merchandising team. As key members of the Technical Merchandising team, Merchandising Operations Program Managers are responsible for driving the execution of all product merchandising strategies and programs.
2024 Seasonal: Social Media Content Producer
Tribeca Film Festival
Tribeca is seeking inventive and experienced Social Media Content Producers for its 2024 Festival. In collaboration with the Marketing team, the Producers will capture the best moments from the 2024 Tribeca Festival, produce interviews with filmmakers and talent, and create social-first editorial videos and photos to share across our various social media platforms.
Freelance Residuals Specialist - MarVista Entertainment
FOX Entertainment
MarVista, a Fox Entertainment Company, is looking for a Freelance Residuals Specialist with solid analytical and organizational skills. The Freelance Residuals Specialist will assist with Residuals and Participation reporting and will work closely with the Production, Business Affairs, and Accounting departments on various projects and will assist with various types of reporting and maintenance of files and documentation.
Animator
Walt Disney Animation Studios
We want versatile CG Character Animators who show outstanding understanding of acting, appeal, entertainment, weight, locomotion, anatomy, and dialogue. If you're funny too, that's a plus. We want artists with a strong point of view who put a personal spin on their work. All positions are based in our Burbank, California studios for Moana 2.
Lighting Artist
Walt Disney Animation Studios
We currently have an exciting opportunity for Lighting Artists to join our extraordinary, award-winning team at our Burbank, CA studio for Moana 2. Responsible for lighting, rendering, and compositing shots together with both character and environment renders into a final frame until it meets the vision of the Director, Production Designer, Director of Cinematography: Lighting, and Lighting Supervisors.
New Upcoming Releases
New Upcoming Releases
Gladiator II
November 22
Only in Theaters
The Best Christmas Pageant Ever November 8
Only in Theaters Bread & Roses
November 22
Only on Apple TV Juror #2
November 1
Only in Theaters
Small Things Like These November 8
Only in Theaters Red One
November 15
Only in Theaters
RUMBA
A COMMUNIST STORY WITH A HAPPY ENDING
Interview by Prather Jackson
How did your cultural background influence the development of the Rumba concept?
Rafael Suárez: When I committed to writing Rumba, I needed a meaningful inspiration. That’s when I decided to use the concept of ‘Slavery,’ which, if you look up the definition, is the practice or institution of holding people as chattel involuntarily and under threat of violence—which is what’s been going on in Cuba dating back to the Atlantic Slave Trade when a vast population of African ancestors were brought to the island as prisoners of war, mainly from the kingdoms of Benin and Yoruba in western Africa. And to their surprise, they were immediately baptized by their white owners as Roman Catholics and prevented from practicing their Pagan faith. You may ask why ‘Slavery’ is my most significant influence. And I’ll tell you why. If you look at Cuba, from 1959 to now, the only thing Castro’s government hasn’t done to us Cubans (openly) differently than those white slave-owners is to put a shackle on our legs. Believe me. I say this because that’s how the government has treated us for the last 65 years. Like a slave.
In what ways did your experiences in Guantanamo Bay shape your perspective and storytelling?
Rafael: After escaping Cuba in the summer of 1994, during the ‘Cuban raft exodus’ also known as the ‘Balsero crisis,’ my life was never the same. One night, my father came home with the news: ‘We are leaving for the United States in a few hours,’ he said. Fast forwarding the long traumatic ocean journey, first to the Cayman Islands, where we spent a few months at a refugee camp. Then, I’m not
sure how we escaped that place, but we got detained by the American Navy as we headed to Mexico. I remember how they ordered us to shut off the small boat’s engine, and seconds after we got in their big boat, they blew up our little boat with dynamite. Then, they took us straight into Guantanamo Bay. Every single terrifying event immediately became like a tattoo on my heart. It was permanent. I was fourteen years old. I remember the nightmares of crossing the dark shark-infested water in the name of freedom and showering outdoors with barbed wires all around me. Many times, fights would break out, and people would get badly hurt. Luckily, I had a few relatives with whom I kept myself safe. Sadly, some other kids weren’t as lucky as I was; they had no one to look after them… it was terrible.
What challenges did you face in bringing this story to light, and how did you overcome them?
Rafael: Because of my writing style, I faced many challenges in bringing the story to light. For example, introducing Changó (the protagonist’s sidekick or unconditional friend), one of the most feared Gods in the Yoruba religion, associated with thunder, lightning, and fire. I want the reader to understand the reason why I chose him. I needed a solid father-like figure, strong, fearless, and bold, but also someone with a good heart who knew he wasn’t perfect—far from it. But if you flip the coin, I had to be extremely careful when using a religious symbol like him. In the story, Changó, among other things, gives the protagonist a reason to question not just his Pagan faith (something that is super important in Cuba) but the value of friendship. Another chal-
lenge was portraying the Cuban Army as a monster who sexually molested new soldiers and sometimes even killed anyone who refused to follow orders (something I can’t say for sure if that ever happened). Another of my favorites is making the readers think of the notorious Cuban Mafia as ‘the bad guy of the story,’ so they can later learn that such criminal organization becomes the story’s sort of bridge between good and evil. But in this case, they would represent the good guys, not the evil ones. Regardless of the challenges, I focused on the one concept I love the most— ‘creative writing,’ which ultimately helped me put the pieces of my puzzle together.
What messages or emotions do you hope readers will take away from your story?
Rafael: This book is about not just my experiences and emotions, but the side effects of generations derived from those who were born and raised in a communist dictatorship, like Luis ‘Luisito’ Suárez, the protagonist, whose life takes the most dramatic turn after he spent years believing in Castro and the so-called Cuban Revolution. And, like many of us, that’s when he decides to fight back and liberate his brothers and sisters from the same communist demon who took his mother’s soul. But if there were only one thing I would like others to take from the story— for those who enjoy visiting Cuba or are planning to visit, hoping to have a great time, maybe learn about Ernest Hemingway’s favorite drink—the daiquiri, or perhaps take a puff of a Cohiba Cigar, Fidel Castro’s favorite cigar, or maybe learn how to salsa dance the only way Cubans knowhow, my message to you is, DON’T DO IT. You are not helping the citizens of Cuba
because the only people who can eat, drink, and smoke what you are eating, drinking, and smoking without getting harassed are those working with the government. And if you visit Cuba after knowing this, you should be ashamed of yourself.
Can you discuss the role of music and dance in your storytelling, particularly in conveying the essence of Rumba?
Rafael: Everyone knows that Cubans love to dance. Growing up, I always believed that was why, no matter how hard it got for us, we could take the wrong moment and turn it into a fun experience. Just turn the radio on and start listening to some good old Rumba. That did it for my grandparents on my father’s side. One of my favorite discoveries during my research is that some people would argue that Rumba is not only a rhythmic dance with Spanish and African elements originating in Cuba but also a protest of sorts, a vital form of self-expression for people denied other freedoms. I also learned that Rumba, the Afro-Cuban music and dance genre, has been historically considered a black thing and a particularly potent symbol of the masses and working-class identity. Changó, who is associated primarily with dance, plays a vital role in the story when the protagonist starts questioning the God’s powers concerning Castro and the Cuban Revolution. Something that makes things complicated for the deity. But here is a ‘spoiler’ for you— in the end, he chooses to accept his mistakes. Then, he moves on to forgive and support the protagonist’s final decision to liberate his brothers and sisters. Something he knew would happen since the day he (the protagonist) was born.
What was your most surprising or unexpected discovery while researching and writing your book?
Rafael: Some things I read while doing my research are exciting. First, Santería and Voodoo share deep African roots and influences. Are they a ‘Cult’ or ‘Black Magic?’ I don’t think I can answer that. The second thing is that although most Africans were forced to convert to Catholicism upon arrival in the New World, many continued to practice their native religions at the same time. The third thing is the common misconception that Afro-Cubans blended the two religions into one. Still, a more accu-
rate way to think about religious syncretism in Cuba is to say that the two systems continued parallel to each other in the minds of the Afro-Cuban people, who didn’t see any contradiction between them. Finally, something that I think could be very confusing for the rest of the world is how Practitioners of Santería might describe themselves as Catholic, attend masses, and baptize their children as Catholic while also practicing their African-based religion. But keep in mind—although Santería plays a big part in the story, I want the reader to think of it as a piece of a puzzle, mainly used in a spiritual art form, not necessarily religious.
How did you balance authenticity and artistic interpretation when recounting real-life events?
Rafael: Even though I use many facts in my book, balancing their authenticity by utilizing my artistic interpretation was not as easy as I thought. However, I kept building a strong foundation, mainly focusing on the story’s backbone. I must have worked on that for several years until I was satisfied. But then, I didn’t want to write something sad and depressing like most immigrant stories. I also didn’t want to pity the Cuban people. We are strong people who don’t like handouts. So, I started thinking of some of our most prominent qualities. My favorite thing has always been that we find humor in everything. After all the shit we’ve been through, we wouldn’t be here without some humor. So, I use that as the story’s platform. That’s how I was able to incorporate Castro. I wanted to make fun of him. And it worked. But, without a doubt, my focus was on the ending. I kept telling myself that the ending must be the most extraordinary thing or event. To do that, I had to think of something that had not happened yet in real life because if it did, it wouldn’t be something unique like Rumba. That was by far the most challenging part of the book-writing process. The ending also needed to be a great ‘open’ ending. I thought of Friedrich Nietzsche, who believed that pursuing authenticity required courage. So, that’s what I did.
Can you talk about any specific individuals, television programs, or films that have influenced your storytelling style or the themes explored in your book?
Rafael: Most of my ideas come from
watching television. I’m not a big reader, but I enjoy watching anything interesting on TV. I grew up watching black-and-white westerns and novels (soap operas). I must have seen hundreds of movies. I love that black-and-white era. Sometimes, I’d like to watch the same film several times to ensure I didn’t miss anything. But I know something happened to me after watching the television series ‘The Sopranos.’ Something inside me told me I could be a writer or at least write something never written before, like the show that put David Chase on the map. It was brilliant. So, I started thinking of the idea. A few years later, I came up with Rumba: Haunted by his mother’s murder, a young Afro-Cuban Army soldier turns to Santería to find the demon he believes responsible. Several years later, before giving up on a promise, he gets raped and nearly killed by his platoon captain, who seems to be possessed by the same childhood monster. Breaking his religion’s rules, the deranged soldier arranges the highranked officer’s death. Then, he flees the country with the help of his exiled uncle in Miami—who, to the young man’s surprise, confesses to being a Cuban government spy infiltrating the Cuban Mafia.
Considering the potential adaptation into a movie or show, how would you like your story portrayed on screen?
Rafael: Nothing will make me happier than finding great minds who could help me expand Rumba into something bigger. This story is like a cake with a lot of layers. And a lot of brown sugar, too. That’s for sure. All the major studios know that Cuba has a lot of potential. But I think they are all waiting for communism to go away so they can bring their billions and invest. But that could take 100 years. So, in the meantime, all I need is one great Hollywood producer who invites another great Hollywood producer, who invites a great director who invites a great DP, and so forth. However, it will only work best with a Cuban and Cuban American cast. I keep seeing more and more shows and movies with actors who are not only entirely out of character but also who portray poor personification, with terrible accents and zero essence—things that I believe can make a film not great but grand. All jokes aside, I’m sure Al Pacino knows that Andy Garcia would have played a more realistic Tony Montana.
Queenissima:SUSTAINABLE LUXURY BEGINS HERE
INTERVIEW WITH NATALIE SPIVAK
Discover more about Queenissima, the epitome of luxury and sensuality in fashion, where elegance seamlessly meets sustainability. Queenissima is not just a brand—it’s a statement of grace, confidence, and allure, tailored for the modern queen who values both style and the planet. At Queenissima, luxury and sustainability go hand in hand. From glamorous evening gowns to sensual lingerie, every
piece is crafted with a deep commitment to creating stunning fashion that respects the Earth.
With Queenissima, you don’t just wear luxury—you wear a one-of-a-kind expression of art, creativity, elegance, and eco-conscious sophistication. Each design is a masterpiece, each garment tells a story, and wherever you go, you’ll turn heads and spark conversations. Embrace
the art of fashion with Queenissima, where your wardrobe becomes a gallery of exclusive, hand-painted pieces that celebrate your individuality. Where luxury meets passion for the planet, where every woman is treated like royalty, and where every outfit is a celebration of femininity. Indulge in the ultimate, uniquely luxurious experience—because you deserve nothing less.
Photo credits:
Model: Queenissima @queenissima, Miss Europe Switzerland
Designer: Queenissima @queenissima, @ queenissima.fashionart
Photo: Reto Turotti @reto.turotti
MUAH: Sabina Alieva Markovic @sabonya82, @sa_bridalstyle
Nails Artist: Svitlana Zakrenychna @nailsandgo.zh, @xvsvetlana
Beauty care: Victoria Zinevych @dr.zinevych
Earrings: Zemphira @zemphira_jewellery
Health care: Sunclinik, Zurich
Retouch: Iryna Voitenko @by_i.voitenko
PR: Top PR Agency @toppragency
Is fashion a passion for you?
Natalie Spivak: Fashion has always been a deep passion and a significant part of my life since childhood. I fell in love with it when I was just five years old. Even at that young age, I was fascinated by the details of clothing and the art of color matching. My mother was an elegant fashion icon, and I admired every outfit she wore. She made beautiful gowns herself and taught me the craft. For her, fashion was both a hobby and a lifestyle. As a successful leader in the economic world, she ran a big luxury hotel while always looking beautiful and stylish, both in public and at home. I never saw her wearing anything old, unfashionable, or unattractive. Her style was always very feminine and elegant. I inherited this passion for fashion from my mother, and it has stayed with me throughout all my life.
When did you create your first outfit?
Natalie: When I was around five years old, I received a kids sewing machine as a gift. Naturally, my first creations were gowns for my Barbies, as well as bedsheets, covers and pillows for them. Even then, I somehow understood the importance of bedtime comfort, and I wanted my Barbies to sleep soundly in beautiful nightwear. So, from an early age, I was already thinking about style and comfort, even for my dolls.
How did you get started? How did you become a designer?
Natalie: It was destiny, I suppose—I never planned it. I started modeling when I was 14 years old, and with each photoshoot and every Fashion Week in New York, London, Milan, and Paris, I found myself admiring the talented designers I walked for. I always thought fashion was a complex and capricious industry, and as a model, I saw a different side of it. People only see the final product—the fashion shows and collections in stores—but behind the scenes, it requires an immense amount of work, time, and the teamwork of many professionals before the public sees a beautiful fashion show or a new collection in shops.
Over the years, I’ve created many of my own outfits and always loved dressing oth-
ers. In addition to designing my own garments, I was the one who did the shopping for my entire family, since neither my dad nor my brother enjoyed the process. But I loved it, and I always put together stylish looks for them. It’s something I’ve done my whole life.
I was invited to an event where a stranger passed by me, handed me a white ladie’s jacket, and simply said, “This is for you.” Then he left. Standing there at luxury event in Monaco, surrounded by other guests, I couldn’t stop thinking: Why did I get this jacket? What should I do with it? At first, I considered throwing it away. But I believe everything happens in life for a reason, so I decided to appreciate what the Universe had given me.
I took the jacket home, washed it, and hung it in my wardrobe. During Venice Film Festival, when I had two planned red carpet appearances, my designer dresses didn’t arrive on time, I was suddenly left without dresses. That’s when I remembered the white jacket and decided to paint it. I created my first red carpet outfit, “Red Carpet Star.”
The second outfit I created for Venice Film Festival attracted all the media attention. “Look here, look here!” is what I heard nonstop from all cameras on the red carpet. I had never experienced such success before, even though I had always worn luxurious, very expensive, and exclusive gowns. I received numerous compliments and caught the eye of both print and TV media, especially in Venice, Italy, where I believe people have some of the best taste. This reassured me that I had done something right.
I tested my next outfit at World Economic Forum in Davos, creating a jacket with a special meaning tailored for the top business world. I find it fun to create unique slogans that match the event or the personality. So, I painted on my jacket: “Top men rule the world, blondes rule the top.” This jacket also met with success in the serious business world. People came up with compliments and advices, encouraging me to continue and offering insights on how to navigate the business world. I felt I’m on a
right path as so many intelligent, successful billionaires liked my designs and voluntarily offered their support and advice.
I experienced similar success at Snow Polo in St. Moritz, Berlin, Cannes, and Zurich Film Festivals. I even received compliments from the producer of Met Gala. All of this encouragement has inspired me to continue my Queenissima journey.
How do you create your outfits?
Natalia: It comes from within—you can’t predict it or control it. As a model, I understand how crucial it is to have comfortable shoes that are also healthy for your feet and don’t cause damage. That’s why every pair of shoes I create is designed with comfort and foot health in mind.
I approach each outfit as a thrilling exploration—not just of color, texture, and design, but of the story it tells and the mood it sets. Queenissima is a vibrant expression of self and creativity. It goes beyond simply clothing the body; it’s an art form that allows individuals to convey their identity, mood, and unique personal style.
What does “Queenissima” mean?
Natalie: This word doesn’t exist in any dictionary—it’s my own creation, born during my time in London. I coined it over 12 years ago, and my friends began calling me by this name. Also it was my modeling name for years. Since early 2019, I’ve been using it widely on Instagram and other social media platforms. Over the years, many magazines and billboards have featured this name.
You know, I never intended for people just to wear my name as is customary in brands. I want a completely different message to share with the world. Through the name “Queenissima,” I want to inspire pride, confidence, respect, and love. I want each of you to feel like a Queenissima when you wear it. Yes, you are Queenissima. I believe every one of you deserves to be treated like a queen. I want you to feel unique, irreplaceable, beautiful, sexy, feminine, and to enjoy special attention and moments. Life bellissima if you are Queenissima.
Threads of Empowerment:
Siray Kong’s Journey from Glamour to Social Change
By Brandon Webster
The fashion world is often viewed as a realm of unattainable beauty and superficial glamour, but one woman is rewriting this narrative, blending the allure of the catwalk with the spirit of social change. Here at Hollywood Weekly, we had the honor to meet a fashionista whose life story transcends the boundaries of the industry, bringing a new dimension to what it means to be a designer in today’s world.
This story chronicles the journey of a designer who, after the shimmer of Miami Swim Week, shifts gears to the starkly different reality of feeding the homeless and fighting against human trafficking. Her mission is deeply personal, rooted in her mother’s traumatic past and a fierce determination to improve the lives of those around her. Our guest is not just a designer; she’s a storyteller, an advocate, and a humanitarian. In the high-stakes world of fashion, where superficiality can often overshadow substance, she stands out for her commitment to social causes. Her non-profit, Piece of Sunshine, has become a platform for change, taking small but intentional
actions to make a difference. From beach cleanups to providing clothes with dignity to the homeless, every endeavor is a step toward a better world.
Her personal story is one of triumph over adversity. As a child of a mother ensnared in the sex trade and bearing the scars of abuse, our guest rose to become Miss Asia USA, refusing to be defined by her past. Instead, she’s channeled her experiences into empowerment, sharing her story not for sympathy but as a beacon of hope for others.
The Royal Kingdom fashion show, a brainchild of our guest, is more than just a display of garments. It’s a celebration of humanity, treating everyone like royalty and reminding us that the true value of fashion lies in its ability to connect us to our cultural heritage and social consciousness. But it’s not all about grand gestures. Our guest emphasizes the importance of staying spiritually grounded amidst the chaos of life. Whether it’s through gardening or simply being present, she maintains a balance that keeps her centered and focused
on her mission. The podcast doesn’t end with a fade-out but with an invitation—an invitation to a private fashion show, an invitation to engage with her work on social media, and, most importantly, an invitation to join her in making a positive impact. As our guest extends her hand to us, she reminds us that change starts with individual actions, with the threads we choose to weave into the fabric of our society. This fashion designer’s story is more than a tale of success; it’s a clarion call to all of us. Her life is a testament to the fact that beauty isn’t just about what we wear or how we look. True beauty is in the strength to empower others, in the resilience to overcome, and in the courage to transform pain into purpose. Through her journey, she shows us that fashion can be a force for good, a medium for advocacy, and a path to change.
Q & A
HW: How did the start of your fashion show, Royal Kingdom begin?
Srey: “Royal Kingdom Fashion Show started about three years ago, and I did this because I believed there were a lot things that could done diffrently within fashion shows. For instance, people miss hospitality, they miss personal connection. In this world of business, nobody wants to be vulnerable. When you’re working at a fashion show and you’re spending so much money to be a part of it, I would like some kind of reassurance emotionally from the venue. I call it Royal Kingdom because I believe we are all royalty. We are the son and daughters of the almighty king that lives in heaven and that’s the way everyone should be treated.”
HW: How did your personal background influence your commitment to social causes?
Srey: “Learning about my mother’s traumatic past, including her experiences with rape and human trafficking, profoundly impacted me. It gave me a heavy heart and a drive to support others facing similar adversities.”
HW: What motivated you to feed the homeless and initiate beach cleanups?
Srey: “Observing the stark contrast in homelessness between Minnesota and California sparked my 13-year commitment to feeding the homeless and initiating beach cleanups. It started with just a few friends in Venice Beach and expanded from there.”
HW: Can you share more about your nonprofit, Peace and Sunshine?
Srey: “Peace and Sunshine focuses on creating positive change through small, intentional actions. Its mission extends to being mindful of children’s safety and providing dignity through clothing distribution at homeless outreach events.”
HW: How do you maintain spiritual grounding and organization in your life?
Srey: “I dedicate time to spiritual activities like gardening to stay present and grounded. I avoid being hard on myself for uncompleted tasks, celebrate accomplishments, and set boundaries to preserve mental well-being.”
HW: What’s the significance of the upcoming private fashion show on June 1st at Mission Bay Home Mall?
Srey: “The fashion show is a way to showcase my clothing line and engage with the community. It’s also an opportunity to support philanthropic efforts, like feeding children in Africa, and share my Cambodian heritage.”
HW: How does your creative process influence your work and personal projects?
Srey: “My creative process is a narrative journey where I turn every aspect of my life into a story. This approach includes designing dresses and everyday experiences, aiming to make a positive impact through community engagement.”
SHOP OUNISRAY
ROYAL KINGDOM
I grew up watching Indian musical films during the 70s/80s. In fact, I can still remember the lyrics to all the songs in “Yeh Vaada Raha” and I know the names of most of the famous Bollywood stars from back then to the 90s and beyond.
My love for Bollywood never waned and when I attained adulthood, I owned an entertainment blog, E4PR, where I dedicated a section to write about Bollywood film stars and cross-over Indian music and movie stars into the American and British Entertainment Industries.
It therefore came as no surprise when I was called upon to interview the lovely Maithili Raelle, an Indo-American talent in New York City.
Maithili is one of the very few cross-over Indo-US female artistes in New York and is working with a very talented team. She has collaborated with Epic, RCA and Republic record labels, respectively, as well as 41 rap group, the biggest rap group in the Metro NYC area right now.
My description of Maithili’s distinctive voice would be... a sweet blend of Norah Jones and Ciara, with a touch of Doja Cat; while she exudes an Eve kind of attitude. I listened to all her songs on Spotify and watched “Heavy On It”, “I Grow” and “Falling For You” on YouTube. Maithili’s undeniable music talents are glaringly obvious, as all her songs showcase her versatility.
The focal point of Maithili’s multiple talents, for me, are her singing and rapping skills, which are beautifully fluid, adding grace to her music. I particularly loved the Indian belly dance beats in “Heavy On It”. They reminded me of the 2013 song, Addictive, by Truth Hurts ft Rakim, Dr Dre and Pharrell, which had similar beats.
The world is now witnessing cross-over Indian rap and hip hop music talent finally being acknowledged and appreciated in the American Entertainment Industry. From not being visible during the whole American rap revolution to now successfully dominating the American scene.
It may have taken a while, but cross-over Indian music talent is finally getting the
recognition it deserves. They are finally at a stage where they can fund, market and show the world their art and culture.
On a separate note, I would like to suggest an Afrobeats collaboration for Maithili with superstars like D’Banj, Burna Boy or Rema; This would add more spice and worldwide appeal to Maithili’s brand. Burna Boy and Indian singer and rapper, Sidhu Moose Wala (of blessed memory), have already blazed a trail for others, with their collaborative hit song, “Mera Na”. I would love to see Maithili explore this option as well. It may be new terrain for her, but it will be worth her while.
For more information about Ms Raelle, please check her website: www. maithiliraelle.com
Follow Ms Raelle on social media: @maithiliraelle on Instagram and TikTok.
You can also find her all her music on Spotify; and her music videos & mixtape on YouTube, by typing her name in the search box.
Finally, see (below) excerpts of questions from my interview with Ms Raelle and her answers:
1). Where are you from and how does that affect or influence your work?
Maithili: I’m from New Jersey and I’ve pretty much just grown up here my entire life. Now, I go back and forth between NJ and New York City, since I go to college there. Being from the tri-state area really has broadened my overall general perspective on life. You come across many people from different walks of life with diverse ethnic backgrounds. There’s a heavy emphasis on having to hustle in order to achieve success for yourself, and this, in turn, has strongly encouraged me to work hard towards achieving my dreams. Meeting so many types of people has exposed me to different genres of music and how you can intertwine them with one another. As an artist, this can be seen reflected in my music. If you take a look at each song, it’s not boxed into one style. I’m constantly pulling inspiration from all types of music.
2). Who are your biggest artistic influences?
Maithili: My biggest influences are Whitney Houston, Ariana Grande and Tate McRae.
3). Tell me about your favorite medium.
Maithili: When it comes to being a singer, my favorite medium has to be live performances. I love tapping into that other part of me that people don’t see on a daily basis, this other character. The entire process of the transformation starts with makeup, hair and then, the outfit. There’s always that bit of anxiousness that kicks in before the performance, but that’s because I want itto be amazing and care about giving it my all. As soon as that music starts, it’s like I go on autopilot. Just being out on the stage everytime feels so surreal. After each performance, I feel like I’m on an energy high. It’s the best feeling in the world, seeing all the time and effort you took to work on your craft or a specific project materialize into a great end product. Along with live performances, though I love the process of getting ready for a music video, whatever it may require. The day of the music video shoot does get a little stressful, but I genuinely have so much fun putting everything together and performing in this different aspect. It’s such a thrill to see everybody’s reactions, whether it’s people from my team who’ve seen me working on it or even just my parents and friends at my shoot.
4). Where do you find inspiration?
Maithili: I find inspiration from my own personal experiences, other artists that I both listen to or look up to, as well as other types of art like movies and books.
5). When is your favorite time of day to create?
Maithili: Honestly, I don’t really have a favorite time to create. I love to create at all times. It’s kind of when I’m able to fit the time in because I’m a full-time student at NYU as well. I will say though, I definitely am more productive when I have earlier late morning/afternoon sessions.
6). What motivates you to create?
Maithili: What motivates me to create is my love for music. I live and breathe music everyday. Whether I’m actively creating music or not, I’m constantly surrounded by it. It’s like an open book for me with blank pages, waiting for the story to be written. It might be a story that’s already been written, reflecting my personal experiences, or it might be a narrative waiting to be written and told as a story. The same way in which other artists have created songs that have resonated with me is the same thing I aim to do as well for others in my own artistic way. I want to create songs for others to help them feel relatable or comforted knowing that someone else like myself has also gone through it.
7). How do you define success as an artiste?
Maithili: I define success as an artist in multiple ways. I think one of the most important ones is being able to constantly push the boundaries of your own ability. Not being a one trick pony. Trying new things musically, whether tapping into different vocal techniques or sounds. Always being creative and keeping an open mind to the process. Along with that would be having the ability to emotionally connect with your audience. I think the ultimate test is if you can make the audience feel the song as if they went through it and that you’ve provided them an escapism from their life for the 90 mins or however long they’ve come to see you.
8). How do you develop your art skills?
Maithili: I develop my skills by constantly creating more music. The only way to grow is to practice and learn. You’ll either find me in the recording studio working on music, dance practice, vocal lessons or in school. Ever since taking up this journey, there’s been nothing more important to me than working on my craft to become the best I possibly can.
9). Does art help you in other areas of your life?
Maithili: Music definitely helps me in other areas of my life. As much as it’s an escapism for listeners, it’s an escapism for me as an artist too. It helps me a lot emotionally. Music can really change my
mood and I really lean on it for support. Whether it’s getting that confidence or helping me relax or even just getting me through that little breakdown.
10). How can your work affect societal issues?
Maithili: My music can affect societal issues by bringing awareness and telling stories from different perspectives. Around a year ago, I released a song called “Unstoppable” in collaboration with the Be the Voice anti bullying campaign. This was a special song to me when creating it and I’m very proud to have been invited down to Selma, Alabama, to perform Unstoppable as part of the musical act of an anti-bullying assembly.
11). How do you navigate the professional art industry?
Maithili: It can definitely be challenging and confusing, but I’m very grateful to have an extremely talented and supportive team behind me, as well as very supportive parents. I wouldn’t be where I am today without all of these amazing people. As they say, it takes a village to raise a child.
12). Which art trends inspire your current work?
Maithili: Currently, genre-fusion and vocal experimentation is a huge thing that’s been inspiring my music. I don’t want to be confined to one lane. I want to create something new and surprising that the world hasn’t seen and can get excited about.
13). How has your style changed over time?
Maithili: My style has evolved and grown from putting out my first release, Falling For You. It’s really interesting because from the whole production and
register and was exploring different vocal techniques. Now fast forwarding to my latest song, Heavy On It, I’ve begun to experiment more and really taken myself out of my comfort zone. I never really thought I would throw rap into a song. It wasn’t the first thing on my mind, but at the end of the day, why not? Why not try new things and push the boundaries? With Heavy On It, it’s a completely different song, as it brings out aspects of my cultural identity of being Indian into my music, and is supported by the visuals for the very first time in my music. Something I want to lean more into and experiment
14). What are your favorite and least favorite parts of professional art?
Maithili: There’s definitely highs and lows to doing music professionally, but no matter, what I wouldn’t trade it for the world. I am beyond grateful for being given the opportunity to pursue it.
One of my favorite things is the rush of excitement you get from performing live or after the end of a music video shoot that I’ve been working so hard to prepare for, or seeing others love your own creation as much as you do. It’s the most rewarding and fulfilling thing as an artist. I love being able to meet new people and other artists in the industry and learning their backstory and getting to know them. It’s such a wonderful experience to see others like yourself doing it as well. It can be very inspirational for your own music and could lead to collaborating on projects together. I think some of my least favorite parts are that no matter what, people will always have an opinion about you as a person or what you’re doing. Honestly, though, I’ve grown to not be bothered at all by it and to just keep focusing on making music and on my craft, because that’s what makes me happy. Another big thing that’s my least favorite part of pursuing professional music, is the uncertainty. There is no
timeline for the trajectory of your career, because everyone’s path is different. That really stresses me out sometimes because I’m in college too. It would just be really nice to know where my life is heading lol.
15). Do you have a network of other artistes, and if so, how do they support you?
Maithili: I don’t have a network of other artists, but I support all artists. Being a creative isn’t always easy.
16). Is there a specific environment or material that’s integral to your work?
Maithili: As an artist, I definitely love to be in collaborative spaces. Whether its acoustic spaces for working on vocals, the recording studio as a fun creative playground, or rehearsal spaces with mirrors, when doing dance lessons. Material wise, it’s very very important to be hydrated and have water or a drink with electrolytes; and quick snacks like pineapple and green apples are a go to, especially in the studio.
17). Who would you most like to create with?
Maithili: I would love to work with Tate Mcrae the most. Ever since I saw her in concert recently, I’ve been more obsessed with her as an artist and truly look up to her as one of my inspirations. She has a certain type of raw, relatable style of lyric writing. I think it’d be super cool to hear the contrast between our voices dancing together in a song.
18). If you could open a show for any artiste, who would that be?
Maithili: Definitely Ariana Grande. I’ve always looked up to her and it would be an absolute dream of mine.
Albright College at New York Fashion Week Very NEW
Nine Collections Shine Bright at the Albright College NYFW Show
Albright College marked its fourth showing at New York Fashion Week (NYFW). with an eagerly awaited runway fashion show. Following the tremendous achievements of the past three years, Albright College, renowned
for its nationally ranked Liberal Artsbased fashion design, merchandising, and costume design programs, proudly presented the innovative designs of nine recent graduates on the prestigious runways of NYFW.
The show opened with Milford, Pennsylvania’s Mary Quinn's collection of artfully dimensional floral bouquets and subtle colorations that seamlessly married garden party whimsy with the sophistication of silk charmeuse and chiffon. The opening piece of the show, a floral encrusted
cropped bustier worn atop a double layer skirt pairing, proved the perfect piece to not only open the show, but also made it clear that Spring 2025 was calling.
The following collection by Michelle Nguyen, blended the country inspirations of her native Reading, Pennsylvania with the contemporary cuts of Asian streetwear to much lauded affect. Her collection featured youngspirited pieces like a grass green A-line mini-dress appliqued with a red barn worn over a white blouson sleeved blouse with Peter Pan collar that married schoolgirl uniform preppy with Tokyo’s Ginza edgy aesthetic.
Next came another local Reading,
PA native, Truc Phuong Ha, whose collection radiated effortless style and creativity with inventive, yet versatile pieces. Each silhouette she showed employed a novel mixing of fabrications and asymmetrical cuts which made the viewer take a double look at each to truly understand that these pieces were not errors, but rather thoughtful and intriguing plays on proportion. Ha’s collection would be equally at home in the office as it would be at an evening party with friends or walking down the world’s most trendy fashion thoroughfares.
Hailing from Howell, NJ, Abby Thomas-Ridgway next presented an uber feminine collection of airy day dresses in appliquéd eyelet that could be worn in a variety of settings from summersoirees to a dressy day with friends. Thomas-Ridgway’s collection
was also versatile enough to attract the young set as well as the next generation on the fashion cycle. Lydia Simone‘s swimwear provided the natural bridge to the show and transitioned the mood from daywear to evening. The Philadelphia native left all in the room yearning for a day at the beach or poolside at their favorite resort with her easy-breezy styles that were dressed up by just the right amount of color contrasted cascading ruffle detailing. Another New Jersey native, Felicia Oyekola kicked off the traditionally dresser second half of the run of show with a collection of brilliantly tailored dresses that deftly walked the fine line
between costume and fashion to great success. Her collection of bridal dresses was equal parts classic and brilliantly hued ensembles for the ethnic or modern bride.
Brooklyn born, Kamiah Jean pumped up the conceptual volume with her collection of slashed and reconstructed ensembles that utilized chain and other hardware elements to shape the silhouette while simultaneously ornamenting the wearer.
NEW YORK
Jean’s final two “dresses” proved the ultimate showstopper with their body-con tube dresses worn under boned cages which created voluminous proportions while adding none of the visual heaviness that once was the norm with such pieces.
Horsham, PA’s Mia Rezza served to clean up the visual landscape with her collection of mocha silk charmeuse evening dresses that were softened even further with her deftly placed sky blue silk chiffon accents. Ressa’s collection left several in the room applauding as the models made the way around the event’s U-shaped runway. Returning designer, and Reading, PA native designer, Stephanie Vargas Hemmings closed the show with bold, hand-sewn textures and innovatively detailed styles. Standout pieces like a deep blue softly detailed dresses that
combined several hand techniques, and the final two looks to walk, which married a novel print into the mix with enormously proportioned over layers.This remarkable event served as a testament to Albright College’s unwavering commitment to fostering emerging talent and pushing the boundaries of fashion creativity. The audience at NYFW was treated to a mesmerizing showcase of diverse perspectives, innovative designs, and groundbreaking concepts, underlining the institution;s pivotal role in shaping the future of the fashion industry.
Albright College’s presence at NYFW continues to solidify its position as a powerhouse in the fashion education landscape, where students are nurtured, challenged, and explore their creative potential to the fullest. Albright College looks forward to its continued journey of shaping the fashion world, one innovative collection at a time.
First Lady Bonita Mitchell Champions Mental Health Awareness with 'Let This Mind Be In Me'
Mental health awareness is a popular topic on TV talk show programs and public health forums across America. Behind every solution-based strategy, it takes leaders who envision them. First Lady Bonita Mitchell is one such leader. Known for her inspiring music and community outreach, First Lady Bonita Mitchell’s latest project--a deeply personal single titled “Let This Mind Be In Me”-launched in September during Suicide Prevention Month. The project represents a movement to support the cause of mental health awareness.
“Let This Mind Be In Me”, now available on all major digital platforms, is more than just a single release. It is a heartfelt call to action for communities, churches, and mental health advocates to rally around those who suffer from anxiety, depression, and other issues that reflect a growing mental health crisis, affecting individuals and families from all walks of life.
At the heart of “Let This Mind Be In Me” is First Lady Bonita Mitchell’s own story--a journey of faith, perseverance, and healing. Bonita’s connection to the song runs deep, as it was born during a trying time in her personal life when her marriage, faith, and mental resilience were all tested.
The message of “Let This Mind Be In Me” goes beyond personal healing. Bonita envisions it as a resource for mental health
advocates, pastors, and community leaders seeking to uplift people who are struggling. In a time when the stigma surrounding mental health is slowly being broken down, her song provides
a faith-driven approach to coping with life’s hardships--encouraging listeners to lean on spiritual strength and community support.
With the release of “Let This Mind Be In Me”, First Lady Bonita Mitchell hopes to bridge the gap between faith and mental health, offering a message of compassion, strength, and resilience. In a time when so many are searching for light in the darkness, her music stands as a powerful reminder that healing is possible, and that through faith, we can find our way to a better tomorrow.
At its core, she sees the song as a supportive resource for communities nationwide to utilize in their mental health programs. Bonita urges churches, community leaders, and mental health professionals to incorporate the song into their work, using it as a tool for reflection, healing, and growth.
First Lady Bonita Mitchell’s commitment to mental health awareness continues to shine through her music. As she embarks on this latest chapter in her career, she remains steadfast in her mission to be a source of hope for those facing life’s greatest challenges.
International Singer Xandra Myriam X Embraces Pure Jazz with New Album,
‘Have
You Ever’
In the world of classic jazz, there are those who play notes and those who embrace them. Xandra Myriam X is one such musician who doesn’t just perform—she invites you into her world of pure jazz with her exceptional vocals and musical interpretation. Her new album, Have You Ever, is a testament to her pure passion for jazz, her unique creative vision, and her authentic sound of jazz. Xandra Myriam X is not just contributing to the genre; she’s evolving it.
With influences ranging from the classic stylings of Ella Fitzgerald and Sarah Vaughan, Xandra Myriam X’s sound blends pure jazz and artistic expression. Her passion for music is heard in each song. Xandra brings emotion and depth through poignant vocals that define her music. Each note she sings is as intentional as it is spontaneous, creating an atmosphere that captivates and moves her listeners.
Her new album, Have You Ever, captures the essence of Xandra’s approach to jazz—a fusion of improvisational flair and poignant storytelling. The song invites listeners on an emotional journey, asking questions about love, loss, and the human experience. Her deeply personal connection to the music shines through in her performance, showcasing her ability to transform vulnerability into strength through lyrics and melody.
Xandra’s approach to creating this album reflects her gift as a musical storyteller. Each song on Have You Ever feels like a chapter in a broader narrative, guiding the listener through a journey of introspection, hope, and transformation. Her compositions are layered, complex, and rich with meaning, offering something new with each listen. Whether it’s the haunting harmonics of “Reflections of You” or the celebratory tones of “Dawn of a New Day,” Xandra masterfully intertwines her personal experiences with universal themes, making her music relatable and deeply resonant.
Her vocal expression blends a solid foundation of instrumentation taking jazz to new heights of excellence. Her new album is a hallmark of her creative process. Xandra pulls inspiration from life reflections funneled through the sound of jazz. Her
ability to merge these elements seamlessly into the language of jazz gives her music a refreshing modernity without losing its core of pure jazz.
As a Grammy contender, Xandra Myriam X’s is not just a reflection of her exceptional talent but also a recognition of her ability to breathe new life into jazz while staying rooted in its core values. This recognition marks an important milestone in her career and further solidifies her place among the modern-day icons of the genre.
Beyond the music, Xandra is passionate about using her platform to advocate for causes close to her heart. She’s committed to raising awareness about mental health, particularly within the artistic community, and has partnered with various organizations to support emerging musicians. Her dedication to giving back echoes through her music, as she continually uses her art to inspire hope and resilience.
Xandra Myriam X is not merely an artist; she is a visionary. As she continues to redefine jazz for a new generation, she stands at the forefront of a movement that values authenticity, emotion, and experimentation. Her new album, Have You Ever, is just the beginning of what promises to be a long and illustrious career, filled with groundbreaking music and meaningful contributions to the world of jazz and beyond.
For fans of the genre, Xandra’s music is a breath of fresh air that revives the spirit of jazz while taking it boldly into the future.
Have You Ever is a great jazz album for its exceptional jazz tracks and authentic vibe. Whether you’re a long-time jazz enthusiast or new to the genre, Xandra’s music will capture your interest. Her work contributes to the genre’s rich legacy and sets the stage for what’s to come in the ever-evolving world of jazz.
With her recognition as a Grammy Contender in jazz, Xandra Myriam X is ready to show the world just how powerful and transformative jazz can be in the hands of an artist with a vision.
Your Network, Simplified with eZWay Interactive.
Eric Zuley is an award-winning entrepreneur, best-selling author, digital coach, speaker, host, actor, and producer, recognized for his transformative impact in the entertainment and digital marketing industries. As the Chairman and CEO of eZWay Network, Zuley has built a multimedia marketing empire, reaching millions of homes and mobile devices through TV shows, podcasts, and digital content. His work has been seen on major platforms like ABC, NBC, CBS, FOX, TMZ, and he’s graced the cover of Hollywood Weekly Magazine, along with over 15 other leading publications.
Zuley is celebrated for his ability to connect and promote businesses through his influential eZWay Movement, a digital
concierge service endorsed by over 500 celebrities, influencers, and CEOs. His contributions have earned him prestigious accolades, including awards from Congress and the City and County of Los Angeles. He is also a Universal Peace Federation Ambassador, representing over 180 countries. A pioneer in digital media, Zuley is recognized as one of the top 10 social media influencers and a marketing mogul, having mastered the art of monetizing media. He hosts EZ Talk Live, which has aired on KDOC and KXLA,
and is now available on his own network, eZWay TV on platforms like Roku and Amazon Fire. His latest venture, the eZWay Interactive App, has expanded the reach of his eZWay Wall of Fame, which garners nearly 800,000 monthly visitors and 11.6 million total visitors, providing a platform for influencers and businesses to connect and grow.
Multi-Talented Cultural Broadcaster JonVA
JONVA, known to many as ‘The Legend’, is an American artist, musician, humanitarian, international music producer, mentor, songwriter, and Berklee College of Music-Boston Masters scholar based in New York. Jonva is also the host and executive producer of the much-acclaimed podcast show ‘LiveLifeBHappy/24/7, streaming on Amazon Music around the world. From the very tender age of 2 years old, music has always been Jonva’s life passion and dream.
Jónva began his musical journey studying with world-class jazz pianist Alex Darqui, a bandmate of the great Jaco Pastorius and a protege of the iconic Herbie Hancock. Jonva has worked with greats like Ben E. King and an array of performers around the world. Jonva debuted his talents on his 2022 4-song EP release of the Jonva Experience Project 2.0 , with artists from Shanghai, the United Kingdom, Amsterdam, and the United States. The Legends’ most recent studio collaboration project, “Somedays,” highlighted Jonva’s skills as a coproducer with the Abbey Roads Studio team; featuring UK artist Adam Wedd and Atlanta native Aqthesinger.
Ven continues his journey with new collaborations in 2023 as he teams up with the multi-talented American actress, writer, producer, and artist Caren Lyn Tackett. Caren is best known for her work with 4Kids Entertainment, which includes titles such as Winx Club, Pokémon Chronicles, Shaman King, and Teenage Mutant Ninja Turtles. Tackett has worked in various Broadway productions in New York City, including Hair, Rent , High Fidelity , Brooklyn, and The Times They Are A ‘Changin’.
Together they release their “Quantum Music” EP collaboration to the world, titled “Tomorrow’s Goodbye”.
Jonva recent musical venture, brings him to the United Kingdom back for another studio project collaboration with indie artist and songwriter BBFEENIX.
D’Banj Marks 20-Year Milestone latest Album: The Entertainer: D’Sequel
Koko
D’Banj unveils track-list and release date for anticipated fifth studio album ...features Youssou N’Dour, Wyclef Jean, Akom and Awilo Logomba
Lagos, Nigeria, Friday, July 5th –Nigerian global music sensation, Dapo Oyebanjo, popularly known as D’Banj, has unveiled details of his highly-anticipated latest studio album such as cover artwork, track listing, and release date. The new project entitled ‘The Entertainer – D’Sequel’ is set to be released worldwide on Friday, August 16th, 2024 by DB Records and is now available for pre-save.
D’Banj’s upcoming fifth album, ‘The Entertainer – D’Sequel’, is a creative blend of Afrobeats and Afropop, with eleven songs and two bonus tracks. Its global feature list includes Grammy award winner, Wyclef Jean, Congolese icon, Late Fela Kuti’s Egypt ’80 Band, Awilo Logomba, Youssou N’Dour, American star Akon, South African megastar and NBC’s The Voice sensation, Chechi Sarai.
The new album, a follow-up to his 2008 magnum opus, ‘The Entertainer’ includes collaborations with Nigerian musicians, Phyno, Timaya, Kayswitch, Zlatan, Peruzzi, Bhadboi Oml and Chuchu Lee. As part of his legacy to mentor and showcase the next big talents, D’Banj also featured Specikinging off his talent discovery project, Cream Platform.
Sharing his excitement, D’Banj said, “Life is a maze of self-discovery and my new album, ‘The Entertainer –D’Sequel’ confirms this truth to me. It’s a true reflection of my growth as an artist and my continued commitment to pushing the boundaries of African music. The past 20 years have been an incredible ride, and I am grateful for the support and love I have received. I am thrilled to share this new chapter in my musical journey with my fans.”
Propelled by a partnership with creative powerhouse, The Temple Company and leading music company, gamma, D’Banj continues his 20-year on stage milestone with a series of intimate live performances and concerts across major cities around the world. He will also connect with fans via exclusive meet-andgreet events, mentoring sessions, and engaging thought-leadership interactions.
Speaking on the album, Sipho Dlamini, President, Africa & Middle East, gamma, said, “The only way we grow and conquer the global music market as Africans, is by understanding that no one wins alone.
Having the honour to work with African giants like D’banj – my brother, the team at Temple, Idris, Larry Gaaga – my twin and Yemisi – my sister, is the start of something big. Not just for Nigeria or West Africa – but for whole continent. Go out and stream this album.. Let’s show the world that Africa is ready to lead.”
About D’Banj
With his infectious sound and electrifying stage performances, D’Banj earned the moniker ‘The Entertainer’ early in his career. He was one of the pioneers who laid the building blocks of Afrobeats’ global footprint, with achievements including a 2010 international collaboration with American rap legend Snoop Dogg, on Mr Endowed (Remix) and a 2011 global deal with Kanye West and his GOOD Music.
D’Banj became the first Nigerian
musician to chart on the number nine spot on the UK Singles Chart with his monster hit, ‘Oliver Twist.’ His extensive global collaborations include working with stars such as Bono, Big Sean, Idris Elba and Fally Ipupa. His music has attracted major awards and recognitions from BET, MTV Africa Music Awards, MTV Europe Music Awards, Soundcity Music Awards, Channel O Music Video Awards, The Headies and Nigeria Entertainment Awards.
Hashtag
#EntertainerTheSequel #20YOD
#20YearsOfDbanj #2oyearsofgreatness
Social Media
Instagram – @iambangalee
Twitter – @iamdbanj Faceboook – Dbanjofficial
Koko
1.Koko
2.Kala Ft. Awilo Logomba
3.Yours Truly Ft. Phyno
4.Since 04
5.Peaky Blinders
6.Worthy Ft. Youssou N’dour X Chechi Serai
7.I am Legend Ft. Wyclef Jean
8.Melody
9.Serious Ft. Chuchu Lee X Egypt 80 Band
10.Healer Ft. Peruzzi
11.Taya Ft. Timaya X Zlatan x Kswitch X specikinging X Badboy OML
12.Koko Remix Ft Akon
13.World famous
D’Banj: TwoDecadesOfEntertainmentWithTheKokomaster
D’Banj: Two Decades Of Entertainment With The Kokomaster (By Egor Kelly, UK & Africa Correspondent, Hollywood Weekly).
Superstar singing and rap sensation, D’Banj, is in Hollywood right now, as part of his ongoing worldwide tour to celebrate 20 years of his music career, as well as to unveil his 7th studio album, ‘The Entertainer: D’Sequel.
I caught up with D’Banj for a quick interview, just as he was about to attend his Intimate Showcase Album Release Party on 20th September, which was organized by Kimball Entertainment at W Hollywood Hotel.
While waiting for D’Banj, who is also nicknamed The Kokomaster or Bangalee, to join me, a wave of nostalgia sweeps over me, as I reflect on how far he has come and how he has successfully managed to stay relevant for over two decades in this highly competitive music industry.
I have been a D’Banj fan since his first foray into music, and still remember the lyrics to most of his popular songs like “Tongolo” and “No long thing” from about 18 years ago, “Fall In Love,” “Mr Endowed” featuring Snoop Dog, and the pièce de résistance of that era, “Oliver Twist,” in 2012, featuring Kanye West, who signed him to his G.O.O.D. Music label in 2011.
In fact, The Kokomaster will be pleasantly surprised to learn that I massively promoted his 2011
KokoKoncert back then, with my PR firm in London, E4PR. The event took place at HMV Apollo at Hammersmith in London, and I wrote extensively about it. The publicity materials are still on my Facebook page and blog.
That KokoKoncert is one event that would forever remain etched in the memories of genuine D’Banj fans. Nobody knew at the time that Kanye West had also come to support D’Banj. It was a well kept secret that was meant to be revealed at the end of D’Banj’s performance that night. When Kanye appeared at the end of the concert to perform with D’Banj, the hall went wild. Kanye ended the show by taking off his heavy gold chain and putting it around D’Banj’s neck. This seal of approval from Kanye said it all.
My reminiscences are interrupted as D’Banj suddenly comes into view, delivering a beaming smile. I compose myself, smile back and state, “Hello, D’Banj. My name is Egor Kelly and I am the UK & Africa Correspondent for Hollywood Weekly”.
“I’m D’Banj!” he replies, in his trademark fast rap voice.
D’Banj is blissfully unaware that he is about to be interviewed by a superfan, so on the spur of the moment, I just decide to surprise him and “drop it like it’s hot!”
I say to him, “Well, I’d usually start by asking you to introduce yourself to our readership, but I have to acknowledge that The Kokomaster aka Bangalee, needs no introduction. I must greet you specially... Your face show... Your shoe
shine... Your teeth white... We outside... March while you step... March while you step... Wave while you step... oya... Wave while you step... fi-le!”
Visibly chuffed to hear me churn out the lyrics to one of his hit songs, “Face Show”, D’Banj immediately raises both his hands above his head and shouts, “fi-le”! “Oshe”! (some of his favorite catchphrases). By now, he is almost jumping out of his seat in excitement and I am inadvertently almost jumping out of mine too, as his energy is infectious! Lol!
At this point, I am reminded of why D’Banj is the most energetic performer and entertainer I know. He dances and raps so fast with so much energy, that you are bound to lose 15-20 calories per minute as you dance and rap along to his catchy tunes! Think of the way you’d excitedly rap along to Busta’s “Touch It” remix lyrics or “Pass The Courvoisier”... and you’d get my drift! “Rapwise” (for want of a better word to use), D’Banj is, to Nigeria, what Busta Rhymes is, to America.
D’Banj goes on to say that this is the best introduction to an interview that he has ever had and that I am a true “Kokolet”! Another one of his catchphrases, Kokolet is a term fondly ascribed to female fans of The Kokomaster. I inform him that I have been a Kokolet for two decades and have been subscribed to his YouTube channel (D’banj) since its inception.
We exchange a few more pleasantries and then I proceed with my interview. See below:
One on One Interview with D’Banj
1). What is your creative process like?
D’Banj: My creative process usually starts with a brainwave, which could be anything from a melody I hear in my head to a concept for a song. Once I have the foundation, I work with my producers to explore the sound further. I like to let the music guide me.
2). What is your favorite time of day to create?
3). What motivates you to create?
D’Banj: My motivation comes from life experiences, the people around me, and my fans. I’m also motivated by the challenge of constantly evolving and pushing the boundaries of my sound.
D’Banj: It depends. Music is very spiritual. It could be anytime of the day... in the morning, during the day or at night.
4). What are your musical influences?
D’Banj: My musical influences come from a variety of sources. I grew up listening to Legends like Fela Kuti, Michael Jackson, Wyclef Jean, Shina Peters, Michael Jackson and Youssou N’dour.
5). How did you first get into music?
D’Banj: I first got into music after my older brother, Femi Oyebanjo (of blessed memory), introduced me to the harmonica. After his passing, when they brought back his remaining things, the only item I picked was his harmonica, and I’ve kept playing it till this day. That moment changed everything for me, as music became more than just something I enjoyed; it became a part
of me.
6). What bands/artists do you enjoy listening to?
D’Banj: I enjoy listening to a variety of bands and artistes, but some of my favorites include Fela, U2 and red hot chilli pepper. I appreciate the artistry and passion they bring to their music.
7). What do you think makes your music unique?
D’Banj: I think there are a few things that make my music unique. My blend of Afrobeat with other genres like hip-hop, pop and dancehall, sets me apart. I also have a certain energy and charisma that comes through in my performances and connects with my audience. That’s why they call me Africa Michael Jackson.
8). Do you have any funny or interesting stories about your time in the music industry?
D’Banj: In my over 20 years of being a musician, I have definitely had my share of funny and interesting stories. One time, I was performing at a show, and in the middle of the performance, my mic suddenly stopped working. Instead of panicking, I turned it into an interactive session with the audience, and they started singing along.
9). What was your experience like touring?
D’Banj: I’m an Entertainer and I get fulfilled seeing my fans being entertained; in fact I’ve been told I’m their joy giver.
10). How do you feel about your latest album/release?
D’Banj: This particular album, The Entertainer: D’Sequel, is very special to me; it is a celebration of my 20 years as an all-round entertainer. I featured amazing artists, some of which not just me, but Africa as a whole, have looked up to and put us on the map.
11). What tips would you give to aspiring musicians?
D’Banj: To become successful, aspiring musicians need to keep a few key things in mind. Most importantly, practice makes perfect. Work hard on your craft, be consistent, and stay true to yourself. Also, stay humble, be willing to learn from others, and never stop networking. The music industry is about relationships just as much as it is about talent.
12). How do you manage to balance maintaining your privacy with living your life in the public eye?
D’Banj: I think it’s important to have a healthy balance between the two. I cherish my private moments with family and close friends, but I also understand that connecting with my fans is super important, so I make sure I connect with my fans through Social Media.
13). How do you deal with constructive criticism?
D’Banj: I always see constructive criticism as positive. I take the remarks on board and, where applicable, try to learn from them. I believe growth comes from being open to feedback and constantly striving to improve while staying true to yourself.
14). How do you handle creative differences with collaborators?
D’Banj: I think it’s important to have an open mind when working with others and to be willing to try new things. Like I always say, collaboration is the new competition. Balance, communication and respect, are key.
15). What do you wish you could tell your younger self about making it in the music industry?
D’Banj: Believe in yourself, keep pushing, you never know who is watching.
16). What are your thoughts on the current state of the music industry?
D’Banj: African music Industry right now is at the fore front of the global scene and it has a potential to be bigger and more long lasting, because it is rich in our culture, sound and tradition; so there is a need for us to come as one and build it together by having the right collaborations, global partnerships and policies.
17). What do you think the future of music holds?
D’Banj: Amazing things, I believe. We may see more collaborations between the different genres and artists from different parts of the world as the global music scene becomes more interconnected because it’s a digital world.
18). How has your style changed over time?
D’Banj: I’ve always been an Entertainer, and not just a musician. My style has evolved as I’ve grown as an artist in so many ways. I’d say I’ve become more experimental with collaborations, lyrics and my sound. Thanks to Social Media, my fans can now get to know me outside of the music and still get entertained.
At this point, I will conclude this piece with my final observations about D’Banj. Although he did not initially realize that he was about to be interviewed by a super Kokolet, D’Banj rose to the occasion like a true professional and performed brilliantly.
Anyone who has met D’Banj will reiterate my words that his charisma is on another level. If you came with any preconceived notions, he will dispel them in minutes and you will be on team D’Banj. Simply put... He has the X factor. He is Africa Micheal Jackson.
LA’s King of Couture, Walter Mendez, Debuts SS25 Collection “La Vie en Rose” at Paris Fashion Week
Paris, France (October 1, 2024) – Fashion designer Walter Mendez made a breathtaking debut at Paris Fashion Week with his Spring/Summer 2025 collection, “La Vie en Rose.” Following the poignant “Golden Cage” collection, which celebrated vulnerability and the beauty found beneath the surface, Mendez invited audiences on a transformative journey of true beauty lying within.
Inspired by the idea of melting away the golden cage, “La Vie en Rose” captured the fluidity of love, as fabric swayed like a gentle breeze, intertwining beauty and emotion. The collection encouraged onlookers to view the world through rose-colored glasses, celebrating wonder and freedom. With delicate textures that flowed gracefully, Mendez’s designs reflected the delicate hues of spring, while the central motif of blooming roses was interpreted in shimmering metallic accents and ethereal petals. Gowns featured intricate draping that danced with movement, evoking the tender caress of rose petals and the essence of young love.
“This moment was deeply significant to me as a queer Latin American designer,” Mendez shared. “It transcended personal achievement, symbolizing the limitless possibilities available to those who dare to dream beyond conventional boundaries. I hoped to inspire others to embrace their authentic selves and recognize that their stories are vital to this narrative.”
With each piece, Mendez wove a poetic narrative that reflected the vibrant pulse of the world around us, reminding us that beauty is always present, waiting to be woven into our personal stories. This collection was not just an array of
At e lier
garments but a celebration of grace and movement, embodying nature’s timeless elegance.
Walter Mendez’s presentation at Paris Fashion Week marked a significant milestone in his artistic journey, showcasing the beauty of selfexpression and creativity.
About the Designer
Walter Mendez has been hailed as “LA’s King of Couture,” reviving the value of “Made in America” craftsmanship and innovative designs; but more importantly, Walter exemplifies the American Dream, showcasing the power of perseverance and creativity. Born in Guatemala, and raised in Los Angeles,CA; Walter’s diverse background empowered a vision for a brighter future. Walter’s talent quickly gained recognition from celebrities such as Beyoncé, Mariah Carey, Selena Gomez, Jennifer Lopez, Britney Spears, and many others. Walter Mendez stands as an emblem of timeless elegance and relentless ambition, a visionary whose designs challenge conventions and elevate American fashion.
About the Brand
Walter Mendez Atelier, founded in 2012 and based in Los Angeles, CA, is a distinguished couture brand renowned for its luxurious and sophisticated designs. Specializing in bespoke creations, the atelier offers a highly personalized and exclusive experience to its discerning clientele.
Known for its elegant silhouettes, intricate detailing, and premium materials, Walter Mendez Atelier consistently appeals to a high-end audience. The brand has garnered significant attention in the fashion world, notably with a prominent presence at prestigious events such as New York Fashion Week and Los Angeles Fashion Week. In addition, the brand maintains a strong digital presence, offering followers an insider’s view of its latest collections, behind-the-scenes moments, and exclusive updates through social media. With designs gracing the red carpet, celebrities, and featured in leading fashion publications, Walter Mendez Atelier is a staple in celebrity fashion and luxury style.
The Walter Mendez Atelier is celebrated for its couture gowns and readyto-wear collections that exemplify glamour and modern elegance.
HAUTE COUTURE FASHION SHOW
The Lavender Gala
INTRODUCTION
OCTOBER
