Hollywood Weekly Dr. Letran: Done by One by Hollywood Weekly Magazine, LLC

Threads of Empowerment Threads of Empowerment

Siray Kong’s Journey from Glamour to Social Change

Barshai’s Collection Debut at NYFW

Letter From The Editor

WELCOME READERS

to another issue of Hollywood Weekly!

This month’s issue is brimming with inspiring stories and exciting features that showcase remarkable talent across various fields.

We’re thrilled to bring you an exclusive interview with author Rafael Suárez, who discusses his compelling novel RUMBA. Rafael shares insights into how his personal experiences in Cuba and journey to America shaped this work, which resonates deeply with readers. In the world of fashion, we spotlight the innovative Natalie Spivak, known professionally as Queenissima. This seasoned fashionista is making waves with her sustainable luxury clothing line. We’re also excited to feature Dr. Emily Letran, whose work is making significant impacts. Her story of professional excellence and dedication is sure to inspire our readers. For those looking to fill their calendars, our ROUNDUP section offers a diverse array of activities – from cozy nights in with a good book to lively concerts for music enthusiasts. Movie and TV buffs will appreciate our curated list of upcoming releases. Whether you prefer the big screen experience or streaming from home, we’ve got recommendations to suit all tastes.

This issue also shines a spotlight on an eclectic mix of notable individuals, including Barshai, Andre Barnwell, Siray King, and many others.

We hope this edition inspires, entertains, and introduces you to new ideas and talents. Happy reading!

Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.

Prather Jackson

Prather Jackson Publisher

PUBLISHER/EDITORIAL DIRECTOR

Prather Jackson

VICE PRESIDENT

Bernice Harris

CONTRIBUTING WRITERS

Alex A. Kecskes

Brandon Webster

Carmelita Pittman

LIFE & STYLE EDITOR Niki Shadrow Snyder niki@projectpopdrop.com

DESIGN & PRODUCTION Saba Shay Emma Willett

SOCIAL MEDIA COORDINATOR Marci Chorpash

AFRICA CORRESPONDENT & AMBASSADOR Egor Kelly Egorefiok@gmail.com

BRAZIL OPERATIONS Fabio Glingani Rico@lapenda.net (310) 567-3333

INDIA OPERATIONS Ike Sinha Mobile +919599068592

VIETNAM OPERATIONS Dr. Emily Letran emily@dremilyletran.com

“Pennies from Heaven Barshai’s

Barshai, the New York - based atelier committed to meticulous  craftsmanship and narrative - driven design, is pleased to unveil the latest collection for Spring / Summer  2025 titled, “Pennies from Heaven,” which debuted at New York Fashion Week on September 10 th , 2024.  The presentation took place within storied walls of St. Mark’s  Chur c h in - the - Bowery , an iconic venue that  complements the collection’s exploration of heritage and modernity.

Collection Debut at

“Pennies from Heaven” draws its name and inspiration from the classic 1930s song made famous by Billie  Holiday. Expanding on the narrative concept of last season, Spring/Summer ‘25 takes the story of an  abandoned gilded age home and explores not the buildi ng, but those who inhabited its dilapidated walls.  The narrative comes alive for Spring / Summer ‘25 as an

exploration of the fascinating, chimeric life of  Consuelo Vanderbilt, America’s most famous “Dollar Princess.” Through this visual lens, Barshai refl ects  on the transition from Victorian elegance to Art Deco modernity, capturing the essence of the “new  woman”, a 1920’s term to describe the shift in social conventions around female behavior from domestic to  independent.

The collection features 12 looks, including a distinctive “hair” dress

Grouped into three acts, Barshai’s Spring  / Summer ‘25 tells the story of Consuelo’s life from childhood into her later yea rs. The first four looks, cut  in shades of white and navy, symbolize her life under her mother’s control, culminating in a crying bridal  look. In act two, her early adulthood is celebrated through tailoring and a color palette of “burnt umber,”  “twentieth - century teal” and “sage green.” Her later years are celebrated in act three through a surreal  abstraction of pennies, embroidered onto corsets and integrated through print.

“For Spring / Summer 2025, I decided to embrace the concept of unexpected good fortune, but with the  understanding that even when it rains good news, they are only pennies from heaven,” says Erik Barshai,  founder and creative director of Barshai. “This sea son, we focused on ‘flow,’ emphasizing soft wovens and  the fluidity of movement, while continuing to push the boundaries of couture tailoring.”

The presentation at St. Mark  Church i n - the - Bowery  offered a 360 - degree view of this narrative, with a cast  of models bringing Consuelo’s story to life. Set against a backdrop of velvet - covered platforms, patina -  laden chairs, and 20th - century pottery, the models reenacted pivotal moments from Consuelo’s life,  offering the audience an immersive, cinematic experience.

that marks the culmination of last  season’s swirling “hair” bra. Key design elements include the extensive use of bias cuts and rosettes, a motif  that blooms throughout the collection a nd is a direct reference to Consuelo’s 18th birthday during which  she received a single American rose from her ill - fated first love.

TV Producer Andre Barnwell: From Howard University to BET The Story of a Hitmaker

Andre Barnwell is known as one of America’s hit TV producers in the comedy world. Andre began his successful journey, starting with his roots and passion for education at Howard University. He and fellow Howard student Kamala Harris often congregated with other honor students at the Howard Student Union expressing their dreams for a big future to change the world for the better. Later, Harris became a successful politician currently serving as the Vice President of America and the democratic candidate for president in 2025. Barnwell himself went on to become one of television’s most successful producers in the comedy world producing pioneering TV hits like BET’s Comic View and the hit sketch show The Way We Do It.

Before Nick Cannon’s “Wild ‘n Out” and “A Black Lady Sketch Show,” a groundbreaking series changed the landscape of sketch comedy: “The Way We Do It”. As the first black sketch comedy show on television, it premiered with high-

energy comedic sketches and improvisation while showcasing an impressive roster of comedic talent representing a multicultural comedy blend. This pioneering series not only entertained but also shattered barriers, carving out a space for black and brown comedians in a genre often dominated by others.

Led by a powerhouse cast that included Rickey Smiley, Leslie Jones, Doug Williams, Belinda Foster, Darius Bradford, Red Grant, Darren Carter, Speedy, Traci Carter, Chloe Gadson, Jeff Garcia, Roman Murray, Shang, Mike Bonner, and Tommy Chun, “The Way We Do It” was a celebration of black humor and creativity. Its creator, Andre Barnwell, envisioned a series that could rival the likes of “Saturday Night Live,” bringing the sharp wit and comedic genius of black performers to the forefront. As a

experience on BET’s “Comic View,” Barnwell was uniquely positioned to launch this ambitious project, leveraging his expertise to cultivate a platform where a multicultural group of comedians could truly shine using their own comedic gifts in a supportive environment that he fostered.

BET’s “The Way We Do It” stands out because of its comedic content and the respect and creative freedom provided to its cast by Barnwell himself. Barnwell believed in giving his performers the space to write and act out their sketches, fostering a collaborative atmosphere that resulted in a vibrant showcase of talent that set a precedent and new bar for sketch comedy TV

Andre Barnwell

BBR

MUSIC GROUP/ BMG NASHVILLE SIGNS

COUNTRY MUSIC DUO

RYAN AND RORY

Today Releasing the Summer Smash “Pour Decisions,” the Duo Readies Self-Titled Debut EP for July 26

Opening for Sam Hunt on Friday, August 23 in Memphis, Tennessee and on Saturday, August 24 in Gary, Indiana

BBR Music Group/BMG Nashville is thrilled to announce the signing of country music duo Ryan and Rory Ryan Follesé is a Nashville native, 2X PLATINUM #1 hit singer-songwriter and American Music Award winner. Rory John Zak, from Raleigh, North Carolina, is a multi-instrumentalist singer-songwriter who has played over 300 shows per year since he was 17. The duo today released the buzzy party starter “Pour Decisions.” The lively, summer smash is a nod to the universal heartache bandaid and launches their highly anticipated self-titled debut EP, coming July 26. Listen to “Pour Decisions” HERE and pre-order/ pre-save/pre-add the EP HERE

“Filling a much-needed space in the format, country duo Ryan and Rory are introducing themselves with a fresh sound on ‘Pour Decisions,’" shares JoJamie Hahr, BMG Nashville, EVP Recorded Music. “Ryan Follesé's award-winning success and masterful songwriting paired with Rory John Zak's multi-instrumental abilities and relentless passion for delivering captivating performances provides a firm foundation as we lean towards their debut, self-titled EP in July.”

“‘Pour Decisions’ is our song of the summer, whether you’re in the car, on the beach or boat, or making ‘pour decisions’ with your friends at the bar while having a good time,” says Rory.

“This song is one of those rare experiences where it felt like you have a co-writer up above and the song kind of writes itself. It doesn’t happen often, but when it does everyone feels it. We can’t thank our co-writers, studio personnel, our team and label enough for making this special song our very first release,” says Ryan.

Son of #1 songwriters Adrienne and Keith Follesé (Faith Hill, Tim McGraw, Martina McBride), Ryan co-wrote all six tracks on the debut, including five with his hitmaker family, while

Rory added his masterful instrumentals and expertly smooth harmonies to Ryan’s robust lead vocals.

Up next, Ryan and Rory will open for Sam Hunt on Friday, August 23 in Memphis, Tenn. at Radians Amphitheater and on Saturday, August 24 in Gary, Indiana at Hard Rock Live. For tickets and tour updates, visit ryanandrorymusic.com.

Ryan and Rory EP Tracklisting:

1. Pour Decisions (Ryan Follesé, Kevin Bard, Emily Reid, Maya Kurchner, Remy Gautreau)

2. State I’m In (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

3. Cowboy Cry (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

4. Drunk and Lonely (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

5. This Town (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

6. Thanks Mama (Ryan Follesé, Keith Follesé, Jamie Follesé, Anna Follesé)

Photo ID (L-R): Jordan Keller (KTAG Law), Dustin Kovacic (KTAG Law), John Hamlin (Switched On Management), Jon Loba (BMG), Ryan Follesé, Rory John Zak, Darin Murphy (CAA), Chris Burrus (CAA), Peter Strickland (BMG), Ford Pickert (Switched On Management); not pictured: JoJamie Hahr (BMG) and Katie Kerkhover (BMG)

Photo Credit: Daniel Brown

ROUNDUP ENTERTAINMENT

Digital Marketing Manager

Paramount Pictures

Calling all cinephiles! Dive into the world of social media as the Manager of Digital Marketing at Paramount Pictures. Collaborate with our dynamic team to craft and implement social strategies that ignite excitement and captivate audiences for our blockbuster domestic theatrical releases.

Influencer Communications Associate, Part-Time

Disney Experiences

As part of the Disney Experiences (DX) Global PR team, the role is responsible for identifying and supporting creator engagement, as well as analyzing campaign performance, and is part of a specialized bi-coastal team that works closely with partners across the segment to elevate stories among key advocates and content creators.

Video Editor

Cardone Ventures

As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.

Media Operations Assistant

Louis Vuitton

Louis Vuitton is seeking a Media Operations Assistant to support the Media team across all online and offline channels and campaigns, ensuring operational excellence internally and externally. This position will lead all internal media tracking, supervise team finances, inclusive of issuing media authorizations, PO creation, invoicing balancing budgets while assisting with offline material production.

Creative Services • Product Designer

Creative Artists Agency (CAA)

In this role, they will work directly with the Designers and Project Manager and report to the executive lead of the Creative Services Design team. They will produce creative on a wide range of design projects including corporate announcements and messaging, Outlook email newsletters – internal and external, movie screening collateral, party and event invitations, trade ads, etc.

Regional Promotion Representative

Sony Music Entertainment

Visual Merchandiser

Warner Bros. Discovery

Warner Bros. is continuing to expand and evolve the Wizarding World of Harry Potter and Fantastic Beasts with our Flagship Wizarding World store, in New York City. Your accountabilities are to collaborate with the senior visual merchandise manager and be responsible for multiple areas.

Sr. Director, Worldwide Publicity

Lionsgate

The Senior Director, Worldwide Publicity will report to the Senior Vice President, Worldwide Publicity as well as work alongside the Senior Vice President, Worldwide Publicity to assist in developing and implementing comprehensive publicity campaigns to promote Lionsgate theatrical releases throughout the lifecycle window.

Program Manager, Merchandising Operations

Netflix

We are looking for a Merchandising Operations expert to join a newly established Merchandising team. As key members of the Technical Merchandising team, Merchandising Operations Program Managers are responsible for driving the execution of all product merchandising strategies and programs.

2024 Seasonal: Social Media Content Producer

Tribeca Film Festival

Tribeca is seeking inventive and experienced Social Media Content Producers for its 2024 Festival. In collaboration with the Marketing team, the Producers will capture the best moments from the 2024 Tribeca Festival, produce interviews with filmmakers and talent, and create social-first editorial videos and photos to share across our various social media platforms.

Freelance Residuals Specialist - MarVista Entertainment

FOX Entertainment

MarVista, a Fox Entertainment Company, is looking for a Freelance Residuals Specialist with solid analytical and organizational skills. The Freelance Residuals Specialist will assist with Residuals and Participation reporting and will work closely with the Production, Business Affairs, and Accounting departments on various projects and will assist with various types of reporting and maintenance of files and documentation.

Animator

Walt Disney Animation Studios

We want versatile CG Character Animators who show outstanding understanding of acting, appeal, entertainment, weight, locomotion, anatomy, and dialogue. If you're funny too, that's a plus. We want artists with a strong point of view who put a personal spin on their work. All positions are based in our Burbank, California studios for Moana 2.

Lighting Artist

Walt Disney Animation Studios

We currently have an exciting opportunity for Lighting Artists to join our extraordinary, award-winning team at our Burbank, CA studio for Moana 2. Responsible for lighting, rendering, and compositing shots together with both character and environment renders into a final frame until it meets the vision of the Director, Production Designer, Director of Cinematography: Lighting, and Lighting Supervisors.

New Upcoming Releases

RUMBA

A COMMUNIST STORY WITH A HAPPY ENDING

Interview by Prather Jackson

How did your cultural background influence the development of the Rumba concept?

Rafael Suárez: When I committed to writing Rumba, I needed a meaningful inspiration. That’s when I decided to use the concept of ‘Slavery,’ which, if you look up the definition, is the practice or institution of holding people as chattel involuntarily and under threat of violence—which is what’s been going on in Cuba dating back to the Atlantic Slave Trade when a vast population of African ancestors were brought to the island as prisoners of war, mainly from the kingdoms of Benin and Yoruba in western Africa. And to their surprise, they were immediately baptized by their white owners as Roman Catholics and prevented from practicing their Pagan faith. You may ask why ‘Slavery’ is my most significant influence. And I’ll tell you why. If you look at Cuba, from 1959 to now, the only thing Castro’s government hasn’t done to us Cubans (openly) differently than those white slave-owners is to put a shackle on our legs. Believe me. I say this because that’s how the government has treated us for the last 65 years. Like a slave.

In what ways did your experiences in Guantanamo Bay shape your perspective and storytelling?

Rafael: After escaping Cuba in the summer of 1994, during the ‘Cuban raft exodus’ also known as the ‘Balsero crisis,’ my life was never the same. One night, my father came home with the news: ‘We are leaving for the United States in a few hours,’ he said. Fast forwarding the long traumatic ocean journey, first to the Cayman Islands, where we spent a few months at a refugee camp. Then, I’m not sure how we escaped that place, but we got detained by the American Navy as we headed to Mexico. I remember how they ordered us to shut off the small boat’s engine, and seconds after we got in their big boat, they blew up our little boat with dynamite. Then, they took us straight into Guantanamo Bay. Every single terrifying event immediately became like a tattoo on my heart. It was permanent. I was fourteen years old. I remember the nightmares of crossing the dark shark-infested water in the name of freedom and showering outdoors with barbed wires all around me. Many times, fights would break out, and people would get badly hurt. Luckily, I had a few relatives with whom I kept myself safe. Sadly, some other kids weren’t as lucky as I was; they had no one to look after them… it was terrible.

What challenges did you face in bringing this story to light, and how did you overcome

them?

Rafael: Because of my writing style, I faced many challenges in bringing the story to light. For example, introducing Changó (the protagonist’s sidekick or unconditional friend), one of the most feared Gods in the Yoruba religion, associated with thunder, lightning, and fire. I want the reader to understand the reason why I chose him. I needed a solid father-like figure, strong, fearless, and bold, but also someone with a good heart who knew he wasn’t perfect—far from it. But if you flip the coin, I had to be extremely careful when using a religious symbol like him. In the story, Changó, among other things, gives the protagonist a reason to question not just his Pagan faith (something that is super important in Cuba) but the value of friendship. Another challenge was portraying the Cuban Army as a monster who sexually molested new soldiers and sometimes even killed anyone who refused to follow orders (something I can’t say for sure if that ever happened). Another of my favorites is making the readers think of the notorious Cuban Mafia as ‘the bad guy of the story,’ so they can later learn that such criminal organization becomes the story’s sort of bridge between good and evil. But in this case, they would represent the good guys, not the evil ones. Regardless of the challenges, I

which ultimately helped me put the pieces of my puzzle together.

What messages or emotions do you hope readers will take away from your story?

Rafael: This book is about not just my experiences and emotions, but the side effects of generations derived from those who were born and raised in a communist dictatorship, like Luis ‘Luisito’ Suárez, the protagonist, whose life takes the most dramatic turn after he spent years believing in Castro and the so-called Cuban Revolution. And, like many of us, that’s when he decides to fight back and liberate his brothers and sisters from the same communist demon who took his mother’s soul. But if there were only one thing I would like others to take from the story— for those who enjoy visiting Cuba or are planning to visit, hoping to have a great time, maybe learn about Ernest Hemingway’s favorite drink—the daiquiri, or perhaps take a puff of a Cohiba Cigar, Fidel Castro’s favorite cigar, or maybe learn how to salsa dance the only way Cubans know-how, my message to you is, DON’T DO IT. You are not helping the citizens of Cuba because the only people who can eat, drink, and smoke what you are eating, drinking, and smoking without getting harassed are those working with the government. And if you visit Cuba after knowing this, you should be ashamed of yourself.

How did you balance authenticity and artistic interpretation when recounting real-life events?

Rafael: Even though I use many facts in my book, balancing their authenticity by utilizing my artistic interpretation was not as easy as I thought. However, I kept building a strong foundation, mainly focusing on the story’s backbone. I must have worked on that for several years until I

was satisfied. But then, I didn’t want to write something sad and depressing like most immigrant stories. I also didn’t want to pity the Cuban people. We are strong people who don’t like handouts. So, I started thinking of some of our most prominent qualities. My favorite thing has always been that we find humor in everything. After all the shit we’ve been through, we wouldn’t be here without some humor. So, I use that as the story’s platform. That’s how I was able to incorporate Castro. I wanted to make fun of him. And it worked. But, without a doubt, my focus was on the ending. I kept telling myself that the ending must be the most extraordinary thing or event. To do that, I had to think of something that had not happened yet in real life because if it did, it wouldn’t be something unique like Rumba. That was by far the most challenging part of the book-writing process. The ending also needed to be a great ‘open’ ending. I thought of Friedrich Nietzsche, who believed that pursuing authenticity required courage. So, that’s what I did.

Can you talk about any specific individuals, television programs, or films that have influenced your storytelling style or the themes explored in your book?

Rafael: Most of my ideas come from watching television. I’m not a big reader, but I enjoy watching anything interesting on TV. I grew up watching black-and-white westerns and novels (soap operas). I must have seen hundreds of movies. I love that black-and-white era. Sometimes, I’d like to watch the same film several times to ensure I didn’t miss anything. But I know something happened to me after watching the television series ‘The Sopranos.’ Something inside me told me I could be a writer or at least write something never written before, like the show that put David Chase on the map. It

was brilliant. So, I started thinking of the idea. A few years later, I came up with Rumba: Haunted by his mother’s murder, a young Afro-Cuban Army soldier turns to Santería to find the demon he believes responsible. Several years later, before giving up on a promise, he gets raped and nearly killed by his platoon captain, who seems to be possessed by the same childhood monster. Breaking his religion’s rules, the deranged soldier arranges the highranked officer’s death. Then, he flees the country with the help of his exiled uncle in Miami—who, to the young man’s surprise, confesses to being a Cuban government spy infiltrating the Cuban Mafia.

Considering the potential adaptation into a movie or show, how would you like your story portrayed on screen?

Rafael: Nothing will make me happier than finding great minds who could help me expand Rumba into something bigger. This story is like a cake with a lot of layers. And a lot of brown sugar, too. That’s for sure. All the major studios know that Cuba has a lot of potential. But I think they are all waiting for communism to go away so they can bring their billions and invest. But that could take 100 years. So, in the meantime, all I need is one great Hollywood producer who invites another great Hollywood producer, who invites a great director who invites a great DP, and so forth. However, it will only work best with a Cuban and Cuban American cast. I keep seeing more and more shows and movies with actors who are not only entirely out of character but also who portray poor personification, with terrible accents and zero essence—things that I believe can make a film not great but grand.

SHOHEI OHTANI BECOMES FIRST 50/50 PLAYER IN MLB HISTORY

SETS ALL-TIME SINGLE-SEASON HOME RUN MARK FOR DODGERS

LOS ANGELES – With a home run in the seventh inning of today’s game against the Miami Marlins, his second round-tripper of the game, to go with two stolen bases, Dodgers designated hitter Shohei Ohtani became the first MLB player ever with 50 home runs and 50 stolen bases in the same season. Ohtani also became the all-time Dodger single-season record holder in home runs, passing Shawn Green’s club record of 49.

single game since at least 1901, according to MLB.com.

The 30-year-old Ohtani was already the fastest player in MLB history and sixth overall to reach the 40/40 mark, doing so August 23 with a stolen base and walk-off grand slam in the Dodgers’ 129th game of the season (126th game for Ohtani). Previously, Ohtani joined the 30/30 club on July 30, becoming the third Dodger to reach that milestone following Raul Mondesi (1997, 1999) and Matt Kemp (2011).

Entering 2024, Ohtani had career highs of 46 home runs and 26 stolen bases, both in 2021 when he won the first of his two American League Most Valuable Player awards. Through June 30 this season, his 26 home runs outpaced his 16 stolen bases, but Ohtani then turned on the jets. After being thrown out on his first stolen-base attempt after the All-Star Game, Ohtani has stolen 28 in a row without being caught, over only 52 games.

Ohtani stole third base in the first inning for his 50th steal of the season (and later followed with his 51st steal). Then, in the top of the sixth, he homered to right center field for his 49th blast of the year, before reaching the unprecedented milestone with a 109.7-mph shot to left field off pitcher Mike Baumann. The homer gave Ohtani a career-high five hits, to go with seven RBI. He also became the first player with at least five hits, multiple home runs and multiple stolen bases in a

On the home run side, Ohtani has already posted a series of milestones, including his first homer as a Dodger (April 3), most homers by a Japanese-born player (176, April 21) and his 200th career homer (July 13). The seven longest homers by a Dodger this year belong to Ohtani, peaking at 476 feet on June 18 at Colorado. Ohtani also has the Dodgers’ top five homers in exit velocity during the Statcast era, led by a 118.3 mph blast on April 23 at Washington.

Ohtani has three multi-homer games in 2024 (also May 5, June 16) and 10 multi-steal games, including three steals on August 3 and September 2. Ohtani has

also stolen a base and hit a homer in the same game 13 times in 2024, tying Rickey Henderson’s MLB record (1986). With 12 homers and 15 steals in August, he became the sixth player since 1920 to lead MLB in homers and steals in a calendar month. Ohtani is the only player in Dodger history with two months of at least 12 homers in the same season.

Queenissima:SUSTAINABLE LUXURY BEGINS HERE

INTERVIEW WITH NATALIE SPIVAK

Discover more about Queenissima, the epitome of luxury and sensuality in fashion, where elegance seamlessly meets sustainability. Queenissima is not just a brand—it’s a statement of grace, confidence, and allure, tailored for the modern queen who values both style and the planet. At Queenissima, luxury and sustainability go hand in hand. From glamorous evening gowns to sensual lingerie, every

piece is crafted with a deep commitment to creating stunning fashion that respects the Earth.

With Queenissima, you don’t just wear luxury—you wear a one-of-a-kind expression of art, creativity, elegance, and eco-conscious sophistication. Each design is a masterpiece, each garment tells a story, and wherever you go, you’ll turn heads and spark conversations. Embrace

the art of fashion with Queenissima, where your wardrobe becomes a gallery of exclusive, hand-painted pieces that celebrate your individuality. Where luxury meets passion for the planet, where every woman is treated like royalty, and where every outfit is a celebration of femininity. Indulge in the ultimate, uniquely luxurious experience—because you deserve nothing less.

Photo credits:

Model: Queenissima @queenissima, Miss Europe Switzerland

Designer: Queenissima @queenissima, @ queenissima.fashionart

Photo: Reto Turotti @reto.turotti

MUAH: Sabina Alieva Markovic @sabonya82, @sa_bridalstyle

Nails Artist: Svitlana Zakrenychna @nailsandgo.zh, @xvsvetlana

Beauty care: Victoria Zinevych @dr.zinevych

Earrings: Zemphira @zemphira_jewellery

Health care: Sunclinik, Zurich Retouch: Iryna Voitenko @by_i.voitenko

PR: Top PR Agency @toppragency

Is fashion a passion for you?

Natalie Spivak: Fashion has always been a deep passion and a significant part of my life since childhood. I fell in love with it when I was just five years old. Even at that young age, I was fascinated by the details of clothing and the art of color matching. My mother was an elegant fashion icon, and I admired every outfit she wore. She made beautiful gowns herself and taught me the craft. For her, fashion was both a hobby and a lifestyle. As a successful leader in the economic world, she ran a big luxury hotel while always looking beautiful and stylish, both in public and at home. I never saw her wearing anything old, unfashionable, or unattractive. Her style was always very feminine and elegant. I inherited this passion for fashion from my mother, and it has stayed with me throughout all my life.

When did you create your first outfit?

Natalie: When I was around five years old, I received a kids sewing machine as a gift. Naturally, my first creations were gowns for my Barbies, as well as bedsheets, covers and pillows for them. Even then, I somehow understood the importance of bedtime comfort, and I wanted my Barbies to sleep soundly in beautiful nightwear. So, from an early age, I was already thinking about style and comfort, even for my dolls.

How did you get started? How did you become a designer?

Natalie: It was destiny, I suppose—I never planned it. I started modeling when I was 14 years old, and with each photoshoot and every Fashion Week in New York, London, Milan, and Paris, I found myself admiring the talented designers I walked for. I always thought fashion was a complex and capricious industry, and as a model, I saw a different side of it. People only see the final product—the fashion shows and collections in stores—but behind the scenes, it requires an immense amount of work, time, and the teamwork of many professionals before the public sees a beautiful fashion show or a new collection in shops.

Over the years, I’ve created many of my own outfits and always loved dressing oth-

ers. In addition to designing my own garments, I was the one who did the shopping for my entire family, since neither my dad nor my brother enjoyed the process. But I loved it, and I always put together stylish looks for them. It’s something I’ve done my whole life.

I was invited to an event where a stranger passed by me, handed me a white ladie’s jacket, and simply said, “This is for you.” Then he left. Standing there at luxury event in Monaco, surrounded by other guests, I couldn’t stop thinking: Why did I get this jacket? What should I do with it? At first, I considered throwing it away. But I believe everything happens in life for a reason, so I decided to appreciate what the Universe had given me.

I took the jacket home, washed it, and hung it in my wardrobe. During Venice Film Festival, when I had two planned red carpet appearances, my designer dresses didn’t arrive on time, I was suddenly left without dresses. That’s when I remembered the white jacket and decided to paint it. I created my first red carpet outfit, “Red Carpet Star.”

The second outfit I created for Venice Film Festival attracted all the media attention. “Look here, look here!” is what I heard nonstop from all cameras on the red carpet. I had never experienced such success before, even though I had always worn luxurious, very expensive, and exclusive gowns. I received numerous compliments and caught the eye of both print and TV media, especially in Venice, Italy, where I believe people have some of the best taste. This reassured me that I had done something right.

I tested my next outfit at World Economic Forum in Davos, creating a jacket with a special meaning tailored for the top business world. I find it fun to create unique slogans that match the event or the personality. So, I painted on my jacket: “Top men rule the world, blondes rule the top.” This jacket also met with success in the serious business world. People came up with compliments and advices, encouraging me to continue and offering insights on how to navigate the business world. I felt I’m on a

right path as so many intelligent, successful billionaires liked my designs and voluntarily offered their support and advice.

I experienced similar success at Snow Polo in St. Moritz, Berlin, Cannes, and Zurich Film Festivals. I even received compliments from the producer of Met Gala. All of this encouragement has inspired me to continue my Queenissima journey.

How do you create your outfits?

Natalia: It comes from within—you can’t predict it or control it. As a model, I understand how crucial it is to have comfortable shoes that are also healthy for your feet and don’t cause damage. That’s why every pair of shoes I create is designed with comfort and foot health in mind.

I approach each outfit as a thrilling exploration—not just of color, texture, and design, but of the story it tells and the mood it sets. Queenissima is a vibrant expression of self and creativity. It goes beyond simply clothing the body; it’s an art form that allows individuals to convey their identity, mood, and unique personal style.

What does “Queenissima” mean?

Natalie: This word doesn’t exist in any dictionary—it’s my own creation, born during my time in London. I coined it over 12 years ago, and my friends began calling me by this name. Also it was my modeling name for years. Since early 2019, I’ve been using it widely on Instagram and other social media platforms. Over the years, many magazines and billboards have featured this name.

You know, I never intended for people just to wear my name as is customary in brands. I want a completely different message to share with the world. Through the name “Queenissima,” I want to inspire pride, confidence, respect, and love. I want each of you to feel like a Queenissima when you wear it. Yes, you are Queenissima. I believe every one of you deserves to be treated like a queen. I want you to feel unique, irreplaceable, beautiful, sexy, feminine, and to enjoy special attention and moments. Life bellissima if you are Queenissima.

DONE by

ONE

Duke Ellington “

ACTION To WIN seminar on Dr. Emily’s birthday in San Diego

The way we spend our time, defines who we are.

Jonathan Estrin, American Producer and Actor “

Irecently attended an Ultra Event hosted by my mentor Brendon Burchard, and he shared the mindset of Done By One, the Daily Prioritized Action, that helped him grow his businesses over the years. Although the concept was not new, the commitment to finish big tasks by a daily self-imposed limit was enlightening.

Many busy entrepreneurs go through the day swamped with tasks. If you own multiple businesses, multiply the tasks. If you have a family with kids, the day can start with automatic overwhelm!

Over the years, I have learned to prioritize my tasks as a busy mom with several businesses. When my kids were younger, the first daily priority was to get my little people ready for school, out the door, and into the van by 8am. In my 3 dental offices, we all knew to schedule complex cases in the morning—definitely before I had to dash off at 2pm to pick up my kids from school.

“I don’t need time. I need a deadline.”

When I travel, I love to schedule early flights so I can do some work on the plane or just catch the red eye to sleep when I’m supposed to be sleeping, even if uncomfortably. Being intentional about time management has been part of my way of life for several decades.

We live in an advanced society. We have robots serving foods and cars driving by themselves. We have watches that automatically count our steps. We walk around with monthly and yearly calendars in the palms of our hands, being able to map out our lives to the

ACTION To WIN Egypt

minute. And yet, we have “no time.”

It is not so much that we don’t have time. The challenge is the management of our attention. We may be focusing our attention on the wrong thing and stay busy doing menial tasks.

Ask any young mother how she goes through the day with laser focus, nurturing her baby while still whipping up dinner, checking the homework of older kids, then catching a few hours of sleep before getting up to do the same thing again. Look at any sports champion who concentrates on winning a game with intense focus and a training ritual every day.

It is the intention we set and the energy and effort we give to our prioritized tasks that help us achieve what we want. When we are crystal clear about our intentions, we can set up our days and focus on the activities that will move the needle for us. The people who achieve goals and stay successful are those who know what to focus on

and direct their energy and efforts towards that, almost exclusively and in a nonnegotiable manner.

When the intention is “Done By One,” we now set a time limit to achieve certain goals by one o’clock. This means saying no to distractions, which could be unscheduled phone calls, random text messages, or scrolling on social media. Every time we allow ourselves to be interrupted, it takes at least 20 minutes to get ourselves back into focus. If a business owner can master this, he or she will go through the day being much more productive simply by eliminating life distractions.

In my entrepreneurial journey, starting as a refugee from Viet Nam, I have learned marketing strategies and best practices to

grow business. Gaining knowledge from coaches and mentors was crucial because it provided me insights to fast-track success without years of “experimenting.” My calling to be a coach is the result of seeing other mentors and coaches touching and influencing others’ lives, sometimes for decades. Over the years, I have had the privilege

Knighted as a Lady by Prince Rafael of The Royal Order of Constantine The Great and Saint Helen

Sharing joyful occasion with youngest son Author and Editor Austin Nguyen

of learning from Dr. Howard Farran and Linda Miles in dentistry, personal growth and business excellence from Brendon Burchard and Sharon Lechter, and magnetic marketing from Dan Kennedy.

I learned that you don’t have to be “famous” to everyone—you just need to be “famous” with your intended and chosen audience. Positioning yourself as an authority and creating your own economy have been my approach to the people I serve. I am the dentist “who take patients to the movie” in my local community, “the best Mom in the world” in some women circles, and the host of ACTION To WIN among microinfluencers.

I learned different strategies, from creating and hosting events to connecting with other influencers, through my NLP coach Matt Brauning

back in 2015. For several years now, I have hosted my own seminars in many countries over 4 continents. They are small but impactful. My speakers introduce stages to one another. My clients shine on my stage as new industry influencers. Most of all, my attendees achieve breakthroughs and leave the events feeling charged and inspired. It is not uncommon that I hear an attendee make a life-changing decision after my presentation. I cannot measure all the ripple effects globally.

I do know that I change lives.

As a dentist, I change people’s health and beauty and therefore their lives. As a speaker and coach, I change people’s mindset, actions, and therefore lives. It is my dream to help everyone become the best version of themselves. I hope to

see you all at my seminars, workshops, and other speaking engagements. I can also present on industry stages and help accelerate business growth across multiple verticals. Visit my website at www.DrEmilyLetran.com to find out more information.

“The future belongs who believe in the beauty their dreams”

Eleanor Roosevelt

belongs to those beauty of

“The future belongs to those who believe in the beauty of their dreams”

Eleanor Roosevelt

Sunset Boat Ride with the speakers of ACTION To WIN, Costa Mesa

Threads of Empowerment:

Siray Kong’s Journey from Glamour to Social Change

By Brandon Webster

The fashion world is often viewed as a realm of unattainable beauty and superficial glamour, but one woman is rewriting this narrative, blending the allure of the catwalk with the spirit of social change. Here at Hollywood Weekly, we had the honor to meet a fashionista whose life story transcends the boundaries of the industry, bringing a new dimension to what it means to be a designer in today’s world.

This story chronicles the journey of a designer who, after the shimmer of Miami Swim Week, shifts gears to the starkly different reality of feeding the homeless and fighting against human trafficking. Her mission is deeply personal, rooted in her mother’s traumatic past and a fierce determination to improve the lives of those around her. Our guest is not just a designer; she’s a storyteller, an advocate, and a humanitarian. In the high-stakes world of fashion, where superficiality can often overshadow substance, she stands out for her commitment to social causes. Her non-profit, Piece of Sunshine, has become a platform for change, taking small but intentional

actions to make a difference. From beach cleanups to providing clothes with dignity to the homeless, every endeavor is a step toward a better world.

Her personal story is one of triumph over adversity. As a child of a mother ensnared in the sex trade and bearing the scars of abuse, our guest rose to become Miss Asia USA, refusing to be defined by her past. Instead, she’s channeled her experiences into empowerment, sharing her story not for sympathy but as a beacon of hope for others.

The Royal Kingdom fashion show, a brainchild of our guest, is more than just a display of garments. It’s a celebration of humanity, treating everyone like royalty and reminding us that the true value of fashion lies in its ability to connect us to our cultural heritage and social consciousness. But it’s not all about grand gestures. Our guest emphasizes the importance of staying spiritually grounded amidst the chaos of life. Whether it’s through gardening or simply being present, she maintains a balance that keeps her centered and focused

on her mission. The podcast doesn’t end with a fade-out but with an invitation—an invitation to a private fashion show, an invitation to engage with her work on social media, and, most importantly, an invitation to join her in making a positive impact. As our guest extends her hand to us, she reminds us that change starts with individual actions, with the threads we choose to weave into the fabric of our society. This fashion designer’s story is more than a tale of success; it’s a clarion call to all of us. Her life is a testament to the fact that beauty isn’t just about what we wear or how we look. True beauty is in the strength to empower others, in the resilience to overcome, and in the courage to transform pain into purpose. Through her journey, she shows us that fashion can be a force for good, a medium for advocacy, and a path to change.

Q & A

HW: How did the start of your fashion show, Royal Kingdom begin?

Srey: “Royal Kingdom Fashion Show started about three years ago, and I did this because I believed there were a lot things that could done diffrently within fashion shows. For instance, people miss hospitality, they miss personal connection. In this world of business, nobody wants to be vulnerable. When you’re working at a fashion show and you’re spending so much money to be a part of it, I would like some kind of reassurance emotionally from the venue. I call it Royal Kingdom because I believe we are all royalty. We are the son and daughters of the almighty king that lives in heaven and that’s the way everyone should be treated.”

HW: How did your personal background influence your commitment to social causes?

Srey: “Learning about my mother’s traumatic past, including her experiences with rape and human trafficking, profoundly impacted me. It gave me a heavy heart and a drive to support others facing similar adversities.”

HW: What motivated you to feed the homeless and initiate beach cleanups?

Srey: “Observing the stark contrast in homelessness between Minnesota and California sparked my 13-year commitment to feeding the homeless and initiating beach cleanups. It started with just a few friends in Venice Beach and expanded from there.”

HW: Can you share more about your nonprofit, Peace and Sunshine?

Srey: “Peace and Sunshine focuses on creating positive change through small, intentional actions. Its mission extends to being mindful of children’s safety and providing dignity through clothing distribution at homeless outreach events.”

HW: How do you maintain spiritual grounding and organization in your life?

Srey: “I dedicate time to spiritual activities like gardening to stay present and grounded. I avoid being hard on myself for uncompleted tasks, celebrate accomplishments, and set boundaries to preserve mental well-being.”

HW: What’s the significance of the upcoming private fashion show on June 1st at Mission Bay Home Mall?

Srey: “The fashion show is a way to showcase my clothing line and engage with the community. It’s also an opportunity to support philanthropic efforts, like feeding children in Africa, and share my Cambodian heritage.”

HW: How does your creative process influence your work and personal projects?

Srey: “My creative process is a narrative journey where I turn every aspect of my life into a story. This approach includes designing dresses and everyday experiences, aiming to make a positive impact through community engagement.”

SHOP OUNISRAY

ROYAL KINGDOM

THE FINAL STOP OF THE TRANSFORMERS ONE WORLD TOUR LONDON

SYNOPSIS

TRANSFORMERS ONE is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever. In the first-ever fully CG-animated Transformers movie, TRANSFORMERS ONE features a star-studded voice cast, including Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi with Laurence Fishburne and Jon Hamm.

CAST

Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, KeeganMichael Key, Steve Buscemi, with Laurence Fishburne and Jon Hamm.

Albright College at New York Fashion Week

VeryNEW

Nine Collections Shine Bright at the Albright College NYFW Show

Albright College marked its fourth showing at New York Fashion Week (NYFW) on Saturday, September 7th, with an eagerly awaited runway fashion show. Following the tremendous achievements of the past three years, Albright College, renowned for its

nationally ranked Liberal Arts-based fashion design, merchandising, and costume design programs, proudly presented the innovative designs of nine recent graduates on the prestigious runways of NYFW.

The show opened with Milford, Pennsylvania’s Mary Quinn's collection of artfully dimensional floral bouquets and subtle colorations that seamlessly married garden party whimsy with the sophistication of silk charmeuse and chiffon. The opening piece of the show, a floral encrusted

cropped bustier worn atop a double layer skirt pairing, proved the perfect piece to not only open the show, but also made it clear that Spring 2025 was calling.

The following collection by Michelle Nguyen, blended the country inspirations of her native Reading, Pennsylvania with the contemporary cuts of Asian streetwear to much lauded affect. Her collection featured youngspirited pieces like a grass green A-line mini-dress appliqued with a red barn worn over a white blouson sleeved blouse with Peter Pan collar that married schoolgirl uniform preppy with Tokyo’s Ginza edgy aesthetic.

Next came another local Reading,

PA native, Truc Phuong Ha, whose collection radiated effortless style and creativity with inventive, yet versatile pieces. Each silhouette she showed employed a novel mixing of fabrications and asymmetrical cuts which made the viewer take a double look at each to truly understand that these pieces were not errors, but rather thoughtful and intriguing plays on proportion. Ha’s collection would be equally at home in the office as it would be at an evening party with friends or walking down the world’s most trendy fashion thoroughfares.

Hailing from Howell, NJ, Abby Thomas-Ridgway next presented an uber feminine collection of airy day dresses in appliquéd eyelet that could be worn in a variety of settings from summersoirees to a dressy day with friends. Thomas-Ridgway’s collection

was also versatile enough to attract the young set as well as the next generation on the fashion cycle. Lydia Simone‘s swimwear provided the natural bridge to the show and transitioned the mood from daywear to evening. The Philadelphia native left all in the room yearning for a day at the beach or poolside at their favorite resort with her easy-breezy styles that were dressed up by just the right amount of color contrasted cascading ruffle detailing. Another New Jersey native, Felicia Oyekola kicked off the traditionally dresser second half of the run of show with a collection of brilliantly tailored dresses that deftly walked the fine line between costume and fashion to great

success. Her collection of bridal dresses was equal parts classic and brilliantly hued ensembles for the ethnic or modern bride.

Brooklyn born, Kamiah Jean pumped up the conceptual volume with her collection of slashed and reconstructed ensembles that utilized chain and other hardware elements to shape the silhouette while simultaneously ornamenting the wearer. Jean’s final two “dresses” proved

NEW YORK

the ultimate showstopper with their body-con tube dresses worn under boned cages which created voluminous proportions while adding none of the visual heaviness that once was the norm with such pieces.

Horsham, PA’s Mia Rezza served to clean up the visual landscape with her collection of mocha silk charmeuse evening dresses that were softened even further with her deftly placed sky blue silk chiffon accents. Ressa’s collection left several in the room applauding as the models made the way around the event’s U-shaped runway. Returning designer, and Reading, PA native designer, Stephanie Vargas Hemmings closed the show with bold, hand-sewn textures and innovatively detailed styles. Standout pieces like a deep blue softly detailed dresses that

combined several hand techniques, and the final two looks to walk, which married a novel print into the mix with enormously proportioned over layers.This remarkable event served as a testament to Albright College’s unwavering commitment to fostering emerging talent and pushing the boundaries of fashion creativity. The audience at NYFW was treated to a mesmerizing showcase of diverse perspectives, innovative designs, and groundbreaking concepts, underlining the institution;s pivotal role in shaping the future of the fashion industry.

Albright College’s presence at NYFW continues to solidify its position as a powerhouse in the fashion education landscape, where students are nurtured, challenged, and explore their creative potential to the fullest. Albright College looks forward to its continued journey of shaping the fashion world, one innovative collection at a time.

AREAA: Be Part Of A Global Brand Changing Lives Through Real Estate

One of the privileges of traveling and speaking is to meet wonderful people all over the world. Two years ago, I met a group of Vietnamese real estate entrepreneurs at Top Gun Mastermind in Napa Valley, hosted by visionary Joseph Lam. They gathered to learn and celebrated camaraderie. As time went by, I became acquainted with an organization that nurtured these great minds. This national non-trade organization is called AREAA, Asian Real Estate Association of America, with 19,000 members and 43 chapters in the US and 2 in Canada.

“If your actions inspire others to dream more, do more and becomemore, you are a leader.”

- John Quincy Adams

AREAA Founders Allen Okamoto and John Wong and chair emeritus Jim Park had done just that. They established the organization to promote sustainable homeownership for the AANHPI community and help Asian American realtors unite and excel in their own communities.

“We need to stand up more and say we are here,” declared Mr. Wong. Over more than two

decades, AREAA Presidents have made sacrifices, put their lives on hold, and come to Washington, D.C. to advocate for policies, elevating the Asian community and their message of unity.

AREAA has created a big family! I realized this when I traveled with my friends and

The iconic AREAA Global CEO, Carmen Chong, fearless leader

Showcase of “A Fragile Flower” movie trailer at AREAA leaders’s meeting , San Diego

Top Gun Mastermind, Napa, with AREAA leaders Theresa Nguyen and Joseph Lam

AREAA Leaders Meeting 2024, San Diego

AREAA leaders Lyllian Nguyen and Quynh Nguyen: We reached out to local AREAA members to have lunch, share boba chats, or create Facebook Messenger groups where members just raise their hands to help without condition. I truly believe AREAA has built a “cult” that represents peace, love, commitment, and success.

One of the iconic figures in AREAA is Global CEO Carmen Chong. Behind the friendly smile is a sharp, determined leader who represents AREAA all over the world with a heart of gold that keeps on giving. Carmen demonstrates grace, patience, and excellence every single time I met her. She travels the world to meet other leaders and expand every member’s horizon. She creates her own legacy through her children because let’s face it, that’s what Asian MOMS will do with every chance they have!

In a phone interview with Mr. John Wong, I asked him what the number one reason is for why someone should join AREAA. “To

be seen and heard,” he emphasized. He quickly shared his story as a child of immigrants, witnessing how his parents were “invisible” because they did not speak the language. “I was the interface, the translator who connected my parents to the world.” Their “world” was Chinatown, he said. Now, what gives Wong the most joy is to help them feel “included” and empowered. AREAA is not just an organization. It is a movement to empower the community.

Mr. Wong also has a message for the upcoming real estate entrepreneurs who may not be part of an organization. He describes the trajectory of success not as a straight line, but as the steps paved with support and empowerment. AREAA is that platform to inspire individuals on that path to success and greatness. He truly believes when more people are successful, it will include one’s own success.

When I asked John about the upcoming AREAA National Convention, he said that

conference will wonderfully demonstrate that their members work hard, do impactful things, and enjoy being in the presence of like-minded people. He shared that a new member often describes his or her first national conference as “walking into the room for the first time and everyone treating me like they’ve known me for years!” I had to laugh and told him, “That happened to me!”

What you can do next is join your local AREAA local chapter to connect, network and grow your sphere of influence. The upcoming national AREAA meeting promises three days of pure excitement and invaluable insights into the ever-evolving real estate market. Come to learn the latest trends and marketing strategies from A-List producers. It will be an unmissable event, packed with opportunities to grow your business and make lasting impressions.

Sharing the American Dream book with AREAA Dream Creators, John Wong and Jim Park

Uplevel to new height with 2026 National President Elect, Brian Kap Ahn

Fight Night's Dazzling Debut

70s Chic, High Fashion, and Cinematic Drama

NEW YORK, NY — Last night, Wednesday, September 4, Peacock celebrated the premiere of limited series FIGHT NIGHT: THE MILLION DOLLAR HEIST at Jazz at Lincoln Center, followed by an exclusive after party in The Appel Room overlooking Columbus Circle and Central Park.

Coinciding with the eve of NY Fashion Week, the red carpet kicked off with a surprise fashion show in partnership with GQ. Drawing inspiration from the series, models showcased high-fashion 70s-inspired looks, blending retro styles with modern sophistication. Adding to the 70s flair, the red carpet featured a replica of Chicken Man’s (played by Kevin Hart) 1966 Cadillac Calais, custom-built by the renowned West Coast Customs.

Over 800 guests were ushered into the Rose Theater for a packed screening of the first two episodes, "Round One: The Ballad of Chicken Man” and “Round Two: Fight Night”. Following the screening, attendees enjoyed an exclusive after-party, emanating 70’s nightclub, complete beats from DJ Trauma, and a photo op with Roc Nation’s Lenny Santiago’s iconic gold couch.

Attendees included Executive Producer Will Packer; Executive Producer, Writer, Creator, and Showrunner Shaye Ogbonna; Executive Producer and Star Kevin Hart; and cast including Samuel L. Jackson, Taraji P. Henson, Don Cheadle and Terrence Howard, Chloe Bailey, Sinqua Walls, Dexter Darden, Lori Harvey and more.

Additional celebrity guests included writer and comedian Amber Ruffin, Love Island USA S6 winner Kordell Beckham, actress and comedian Ego Nwodim (Mr. Throwback, SNL), actor and comedian Adam Pally (Mr. Throwback), WWE Star “Sheamus” Stephen Farrelly, rapper and singer SAINt JHN, actress Lorraine Toussaint, rapper Busta Rhymes, Chicago Sky basketball star Kysre Gondrezick, Guerdy Abraira (The Real Housewives of Miami), Karen Huger (The Real Housewives of Potomac), Sunny Hostin (The View) and more.

Fight Night: The Million Dollar Heist premieres Thursday, September 5 with 3 episodes at launch, and a new episode weekly on Thursdays only on Peacock.

Award-winning pianist ELEW has been announced as support to 17-time Grammy Award winning artist STING on the North American leg of his acclaimed “STING 3.0" Tour, presented by Cherrytree Music Company and Live Nation.

A native of Camden, New Jersey, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student, upon graduation, he toured the world, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra, Elvin Jones, Cassandra Wilson, Roy Hargrove, and John Hendricks among others. In 1999, Eric won the Thelonious Monk International Piano Competition, at the time, the most coveted prize in all of Jazz.

A decade into his career, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning, critically acclaimed albums, ELEW has re-imagined songs by The Killers, Nirvana, Coldplay and Michael Jackson to name a few. Inspired by the European masters of Baroque Counterpoint, ELEW has innovated the technique

CHERRYTREE MUSIC COMPANY & LIVE NATION ANNOUNCE ELEW AS SUPPORT ON “STING 3.0” TOUR

THE

WILTERN - LOS ANGELES, CA NOVEMBER 12, 13, 15 & 16, 2024

of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide-ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. He has named this technique Counterbop.

His album Cubism - ELEW plays Rosenwinkel, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented.

In addition to piano performance, appearing in and scoring for film, ELEW is a prominent international DJ. He has created disco infernos for multiple events such as The World Economic Forum, TED, Art Basel, A-list Oscar parties, the Monte-Carlo Gala, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases, ELEW places the turntables within the piano, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has led to him creating

yet another brilliant innovation he calls Piano Turntablism. He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music festival. ELEW is a genuine master of the piano and artistic genius.

Last month, “STING 3.0” kicked off in Europe with the 17-time Grammy Award winning icon performing his most electrifying hits joined by virtuoso guitarist and longtime collaborator, Dominic Miller, and dynamic drummer Chris Maas (Mumford & Sons, Maggie Rogers), from his timeless discography. Following the tour launch, NME reported “Sting begins 2024 tour with Police hits and deep cuts,” while Consequence praised the performance describing the trio as “sounding in fine form, filling out the songs’ arrangements with impressive umph. Unsurprisingly, Stings’ bass was the star of the show, as he was given the sonic room to provide counter melodies and booming basslines with impact.”

The North American leg of "STING 3.0" Tour kicks off at the Fillmore in Detroit, MI on September 17th followed by a special series of shows with multiple-night stints in some of the most legendary theatres across North America.

Known for his groundbreaking work as a solo artist and as the frontman and songwriter in the seminal group The Police, Sting, managed by Martin Kierszenbaum/Cherrytree Music Company, has consistently pushed the boundaries of musical innovation throughout his illustrious

career. The "STING 3.0" Tour represents a new dynamic era showcasing selections from his vast catalog through the urgent lens of a tight three-piece combo.

Tickets for all shows on the “STING 3.0” tour are on sale now on sting.com. The tour will also offer a variety of VIP packages and experiences. Packages vary but include premium tickets, specially designed VIP gift item, limited edition tour poster & more. VIP package contents vary based on offer selected. For additional information, visit vipnation.com.

“STING 3.0” NORTH AMERICAN TOUR ITINERARY

Tuesday, Sept. 17

Wednesday, Sept. 18

Friday, Sept. 20

Saturday, Sept. 21

Sunday, Sept. 22

Monday, Sept. 23

Tuesday, Sept. 24

Wednesday, Sept. 25

Monday, Sept. 30

Tuesday, Oct. 1

Friday, Oct. 4

Sunday, Oct. 6

Monday, Oct. 7

Wednesday, Oct. 9

Thursday, Oct. 10

Saturday, Oct. 12

Sunday, Oct. 13

Tuesday, Oct. 15

Wednesday, Oct. 16

Sunday, Oct. 20

Monday, Oct. 21

Tuesday, Oct. 22

Monday, Oct. 28

Tuesday, Oct. 29

Friday, Nov. 1

Saturday, Nov. 2

Wednesday, Nov. 6

Thursday, Nov. 7

Tuesday, Nov. 12

Wednesday, Nov. 13

Friday, Nov. 15

Saturday, Nov. 16

Detroit, MI

Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON

Philadelphia, PA

Boston, MA

Brooklyn, NY

Port Chester, NY

Washington, D.C.

Miami, FL

Atlanta, GA

Chicago, IL

San Francisco, CA

Los Angeles, CA

Filmore Detroit

Massey Hall

The Met The Met

MGM Music Hall

@ Fenway Park

MGM Music Hall @ Fenway Park

Brooklyn Paramount

The Capitol Theatre

MGM National Harbor

Fillmore Miami Beach

Cobb Energy Performing Arts Center (CEPAC)

Auditorium Theatre

The Masonic

The Wiltern

ABOUT STING:

In Sting’s distinguished career, the Rock and Roll Hall of Famer has received 17 GRAMMY Awards® and sold 100 million albums worldwide from his combined work as one of the most distinctive solo artists in the world and former front man of The Police. A composer, singer-songwriter, actor, author and activist, Sting also has received a Golden Globe, four Oscar nominations, a Tony nomination, Billboard Magazine’s Century Award and Kennedy Center Honors.

Sting’s support for human rights organizations such as the Rainforest Fund, Amnesty International, and Live Aid mirrors his art in its universal outreach. Along with wife Trudie Styler, Sting founded the Rainforest Fund in 1989 to protect both the world’s rainforests and the indigenous people living there. Visit sting.com for more information.

ABOUT THE CHERRYTREE MUSIC COMPANY:

Founded in 2005 by multi-platinum, Grammy-nominated songwriter/producer Martin Kierszenbaum, the Cherrytree Music Company provides management, record label and publishing services to a boutique roster of artists, producers and mixers who push the creative envelope in popular music. In the 19 years since its inception and launch of its first-ever release, Feist’s “Let It Die” album, Cherrytree has had an indelible impact on the music landscape from managing celebrated musician and cultural icon Sting to launching Lady Gaga’s first two albums. The Cherrytree Music Company has also released culturally ground-breaking records and commercial successes by Ellie Goulding, LaRoux, Far East Movement and Robyn whose 2010 Cherrytree release “Body Talk” was named Album of the Decade by Rolling Stone. The Cherrytree Music Company, responsible for over 40-million-unit sales to-date, remains a vital source for popular music and catalyst for artist collaboration and innovation. For more information on the Cherrytree Music Company, visit cherrytreemusiccompany.com.

ABOUT LIVE NATION ENTERTAINMENT:

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

THE

ACADEMY TO HONOR

RICHARD CURTIS, QUINCY JONES, JULIET TAYLOR, MICHAEL G. WILSON & BARBARA BROCCOLI

AT

15TH GOVERNORS AWARDS

Oscar® statuettes to be presented on November 17

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced on June 12th that its Board of Governors voted to present Academy Honorary Awards to Quincy Jones and Juliet Taylor, the Jean Hersholt Humanitarian Award to Richard Curtis and the Irving G. Thalberg Memorial Award to producers Michael G. Wilson and Barbara Broccoli

The Oscar® statuettes will be presented at the Academy’s Governors Awards event on Sunday, November 17, 2024, at the Ray Dolby Ballroom at Ovation Hollywood.

“The recipients of this year’s Governors Awards have set the bar incredibly high across their remarkable careers, and the Academy’s Board of Governors is thrilled to recognize them with Oscars,” said Academy President Janet Yang. “The selection of Michael G. Wilson and Barbara Broccoli is a testament to their success as producers of the fan-favorite Bond series and their contribution to the industry’s theatrical landscape. Richard Curtis is a brilliant comedic storyteller whose tremendous charitable efforts embody the

meaning of the Jean Hersholt Humanitarian Award. Quincy Jones’s artistic genius and relentless creativity have made him one of the most influential musical figures of all time. Juliet Taylor has cast iconic and beloved films and paved a new path for the field. Their profound love of cinema and indelible contribution to our art form make these five individuals truly deserving of these honors.”

Curtis’s film credits include “Notting Hill,” “Bridget Jones’s Diary,” “Love Actually” and “About Time.” He earned an Oscar nomination for his screenplay for “Four Weddings and a Funeral.” Curtis is the co-founder of Comic Relief UK and USA, and his fundraising work over 40 years has helped raise more than $2 billion and supported over 170 million people. In 2005, he co-created Make Poverty History and helped produce the Live 8 concerts. Most recently, he co-founded the group Project Everyone, giving practical support to the UN’s Sustainable Development Goals, and established the ethical investment campaign Make My Money

Matter, which has helped transfer £1.3 trillion into sustainable pensions.

A prominent figure with an illustrious musical career spanning seven decades, Jones has produced and composed an expansive body of work. His film credits include “In the Heat of the Night” and he has earned a total of seven Oscar nominations for his work on such films as “In Cold Blood,” “The Wiz” and “The Color Purple,” receiving a Best Picture nomination for the latter. In 1967, Jones was the first Black composer to be nominated in the Original Song category. Throughout his career, he has collaborated with Lesley Gore, Michael Jackson, Frank Sinatra, Steven Spielberg and Oprah Winfrey, among others. Jones was the recipient of the Jean Hersholt Humanitarian Award in 1994.

Taylor is a prolific casting director who is behind some of the most acclaimed casts in film history. Some notable credits from her 50-year career include “Taxi Driver,” “Annie Hall,” “Big,” “Sleepless in Seattle,” “Schindler’s List,” “Interview

with the Vampire,” “Angela’s Ashes,” “Midnight in Paris” and “Blue Jasmine.” She has worked with directors including James L. Brooks, Nora Ephron, Mike Nichols, Martin Scorsese and Steven Spielberg, to name a few.

Wilson and Broccoli of EON Productions are producers of the James Bond film series. They have produced some of the most successful 007 films ever including “Casino Royale,” “Quantum of Solace,” “Skyfall,” “Spectre” and “No Time to Die.” Wilson and Broccoli have produced and executive produced independent film projects such as “Film Stars Don’t Die in Liverpool,” “Nancy,” “The Rhythm Section,” “Till” and “The Accidental Getaway Driver.” They are directors of the Broccoli Foundation, founded by Dana and Albert R. (Cubby) Broccoli to support the arts, medicine and education. Cubby Broccoli received the Thalberg Award in 1981. Barbara Broccoli is the second woman to receive the Thalberg Award.

The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences of any discipline, or for outstanding service to the Academy.”

The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry by promoting human welfare and contributing to rectifying inequities.”

The Irving G. Thalberg Memorial Award, now an Oscar statuette, is presented to creative producers “whose body of work reflects a consistently high quality of motion picture production.”

The 15th Governors Awards is proudly supported by Rolex, the Exclusive Watch of the Academy of Motion Picture Arts and Sciences.

ABOUT THE ACADEMY

The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 10,500 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, housed at the Academy Museum of Motion Pictures, the Academy’s Margaret Herrick Library and the Academy Film Archive, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through the Academy Museum, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry and film fans –through their shared passion for making and watching films.

ABOUT ROLEX AND CINEMA

For many decades, Rolex has maintained close ties with the world of cinema. Its watches have played a role in numerous films, including Oscar®-winning masterpieces. The company promotes excellence, encourages the preservation and transmission of the cinematic arts and celebrates progress by accompanying cinema legends and budding talents: through Testimonees such as Martin Scorsese, James Cameron and Jia Zhang-ke, its partnership with the Academy of Motion Picture Arts and Sciences and the Rolex mentoring programme for talented young filmmakers. Rolex has partnered with the Academy of Motion Picture Arts and Sciences since 2017, serving as Proud Sponsor of the Oscars®, hosting the event’s Greenroom, while also supporting the Governors Awards, known for recognizing lifetime achievement and humanitarian efforts in the film industry. To assist in the preservation of film history for future generations, Rolex became a Founding Supporter of the Academy Museum of Motion Pictures in Los Angeles and a partner of The Film Foundation. Through its support of the film industry, Rolex champions excellence, the perpetuation of knowledge, the conservation of the art of filmmaking and the rise of new talent.

Governer's Award winners: Juliet Taylor (top left), Quincy Jones (top right), Barbara Broccoli and Michael G. Wilson (bottom left), and Richard Curtis (bottom right).

First, for September, we recognize Hispanic Heritage Month, as declared in this motion by Supervisors Hilda L. Solis and Janice Hahn. We celebrated by uplifting some incredible artists with work on display in Whittier’s Los Nietos Community Senior Center, and collaborating with LA Plaza de Cultural y Artes, Michelin starred Chef Gilberto Cetina, City of Paris, and Food Temple to highlight food as culture as part of our LA/Paris Cultural Olympiad artistic

Celebrates Hispanic Heritage Month

collaboration projects.

This month we were also excited to bring back our LA County Arts Intern Summit day in person, where I had the joy of welcoming over 60 college students to Leimert Park for a day of fun, learning, cultural connection, and networking!

Supervisor Holly J. Mitchell, Arts Commission President Leticia Buckley, and I provided remarks, followed by breakout sessions including a drum circle

at World Stage, professional headshots provided by Las Fotos Project, a walking tour of the community, and a conversation on art and technology with artist Ben Caldwell. We ended the day with a panel of arts and culture leaders talking about the role of culture in their careers and in stewarding the past, engaging the present, and envisioning the future of Leimert Park and all the communities of Los Angeles County.

Bolero Familiar by Wayne Healy.