Hollywood Weekly Nov Edition

THE BEST OF HOLLYWOOD WEEKLY 2011 • BEST BEAUTY MUST- HAVES, INTERVIEWS & EVENTS!

NOVEMBER 2011

barry sands criminal defense LAWYER TO THE STARS

special features: julia roberts Sandra bullock alan poul

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BEST OF 2011

BEAUTY MUST

HAVES

- NOVEMBER 2011 -

26 FEATURES SANDS 06 BARRY CRIMINAL DEFENSE LAWYER TO THE STARS

Roberts 11 Julia ASC honors 14 Sandra bullock 28 Alan Poul What I learned from Rejection

exclusive profile on a hollywood producer

ENTERTAINMENT 10 rising star 12 Roger Deakins 16 Mike richardson 20 Scene and be seen Alexandra chun

awarded ASC lifetime achievement

the man behind Dark horse comics

the best of 2011

18

SUNSET GOWER

CELEBRATES 90 YEARS

22 Terri melkonian 31 David bianchi NEAL 32 ELISE EXCLUSIVE PROFILE 34 A Litany of Tragedy an HW exclusive Q&A

indie filmmaker takes Hollywood

SUNSET GOWER STUDIOS HOLD STAR- STUDDED EVENT TO BRING AWARENESS TO ELEPHANTS IN CAPTIVITY

LIFE & STYLE

38 minding your beauty 41 Fitness profile : Pilates 42 HW nightlife : Tru 44 LA Theatre Beat 46 Josh Shipp a luxe boot camp for your body and soul

exploring whole body transformation

discover the newest hollywood hot spot

Exclusive profile on the motivational speaker

Hollywood Weekly is a monthly publication wholly owned by Jackson Publishing Company. Š 2011 All Right Reserved. Reproduction of any content without written permission of the Publisher is expressly prohibited. Letters to the editor may be sent to: Editor@JacksonPublishing.com Hollywood Weekly 1438 North Gower Street, BOX 42 Hollywood, California 90028 . For Advertising Inquiries call: (323) 315-9498.

NOVEMBER 2011, VOL. 12 PUBLISHER/EDITOR IN CHIEF Prather Jackson VICE PRESIDENT Bernice Harris

Guest contributor and photographer KAREN bystadt AND me at the “They Dared To Dream” photo exhibition at the arclight cinemas in hollywood *for the story behind the photo of Sandra Bullock above, please turn to page:14

A LETTER From

The Editor

Dearest Readers, This is an exciting time in the extraordinary history of the Sunset Gower Studios. This landmark building is a piece of history as well as a place where incredible productions are created. If Hollywood is the land of dreams, then Sunset Gower Studios is the place to realize them. In this special anniversary issue we revisit a bit of the history that’s made this studio a masterpiece in the land of TV and film. We also take a look back at some of the best of Hollywood Weekly’s stories, must-have items and good ol’ fashioned advice, because you can never learn enough about great things. Along with a trip down 2011’s memory-road, we also extend some fresh and enticing editorials on a few stars- both those who work behind the cameras and those who do the acting in front of them. For remember, it takes more people than most of us ever even consider to create the unforgettable shows that take our minds away on vacations for awhile. Enjoy and embrace the eccentric and creative town of Hollywood ! May you enjoy a lovely fall and look forward to a sunny-LA winter wonderland....

My best,

Jenny Werth Jenny Werth Managing Editor P.S. Please send your thoughts to me at: jenny@hollywoodweeklymagazine.com

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OPERATIONS Erskine D. Mcswain (1991-2000) SENIOR EDITOR Pamela Spyrs MANAGING EDITOR Jenny Werth DIR. OF MARKETING Launy Rhem LIFE & STYLE EDITOR Niki Shadrow ASSOCIATE EDITOR Anthony Calderon GUEST CONTRIBUTOR Karen Bystadt Dallas J. Logan CONTRIBUTORS Christina Anastasiou Yota Batsaras Anthony Calderon Sid Fish Fran Scott Niki Shadrow Pamela Spyrs Sharon Spyrs Jenny Werth Steve Zall

ART DIRECTOR Kristal Lindo SITE DIRECTOR/ GRAPHIC DESIGNER Jenny Lopez PHOTOGRAPHY Karen Bystadt Jenny Lopez PRODUCTION MANAGER Hector Santacruz DISTRIBUTOR NEWSWAYS

KEEP UP WITH HOLLYWOOD WEEKLY AT: www.hollywoodweeklymagazine.com FOLLOW US ON TWITTER: @hollywoodweeklymagazine

Criminal Defense Lawyer

Barry Gerald Sands

By Tony Calderon

( left to right) Steven Adler, Steve-O, tom Sizemore

Loneliness and alienation… Two words that could interchangeably describe the effects of fame and being a celebrity or understanding what fuels an alcoholic or heroin addict – this is the level of insight you need to be a successful Criminal Defense lawyer in Los Angeles, and it’s precisely this kind of keen perception that makes Barry Sands such a powerful, dynamic lawyer.

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Barry Sands has been a Criminal Defense lawyer since 1974, so his passion for protecting our constitutional rights and insuring that our civil liberties are never violated is well documented; but the milestone Barry’s clients profit from most today is his 17 years of sobriety. Since that monumental day on August 16th, 1994 Barry has become a Certified Drug & Alcohol Counselor from U.C.L.A., and he’s a Registered Addiction Specialist – if anyone in the L.A. legal system can empathize with your drug and alcohol problem, be completely committed to helping you recover and ready to fight to keep you out of jail, it’s Barry Sands…

outright abusive home; whatever it was, it gave us a new way of seeing things, but this is a double-edged sword. Like things at the DNA or quantum level, altering one variable can have incredibly drastic effects at the macro level, and so it is with socialization – once you feel you’re on the outside of the “norm” it’s very hard to ever feel comfortable that you “fit in.” There’s always a clear sheet of glass between you and everybody else. Feeling alone and isolated makes you vulnerable and susceptible to being seduced by the false “comfort” of drugs and alcohol – and God help you if the chemical composition of your body predisposes you to addiction. So, now you’ve become an actor or singer, maybe

Thanks to referrals from Dr. Drew Pinsky of “Celebrity Rehab”, many celebrities arrested on drug and alcohol related charges have benefited directly from Barry’s faithful dedication to helping addicts recover from their chemical dependence. Tom Sizemore, Steven Adler and Steve-O have all had court cases dismissed because of Barry’s tenacity in court – Barry Sands is a “Mean Streets Lawyer.” He’s seen it all and he can relate to any world you live in; whether you’re a millionaire in Malibu, a gangster from the hood or a celebrity icon. Barry will tell you the truth about yourself and your situation. This is a rare thing in Hollywood where it seems so many artists are lied to and told what they want to hear by people interested only in using them…

Los Angeles is the boulevard of broken dreams, and it can mean life and death for so many celebrities who are surrounded by followers and groupies and enablers speeding up their self-destruction. Artists are easy targets for these scenarios because primarily we’re people who’ve grown up slightly off-kilter… Something happened early on in our lives that forced us to look at the world in a different way than everybody else. It could have been an unconventional upbringing, a dysfunctional family or an

Dan Nesser and Barry Sands

NOvemBER 2011 - 7

just a few of the unfortunate celebrities who died from addictions a painter or writer, and you have a need bordering on physical hunger to communicate your feelings through art and connect to and interact with people in some meaningful way, and you’re finally able to accomplish this goal and keep your drug and alcohol addiction hidden from the public… for a while…but like Mephistopheles in Goethe’s Faust, the Devil will not be ignored. At any time, whenever it pleases, your drug and alcohol addiction can make an appearance in your daily life, disrupting your world, threatening your career and shaking your existence to its very core, and that’s at best! The worst? That’s a very long list of talented artists who all died much too soon. It’s a sad tale Barry Sands knows well, and it’s why his work is so important to him, but he’s not alone in his mission… he has help.

Dan Nesser is a professional Bail Bondsman who owns his own Bail Bonds Company here in Los Angeles: Dan’s Bail Bonds. Out of all the bondsman in Los Angeles Barry Sands specifically chose Dan as his right-hand man, and they have a close working relationship comparable to Bob Forrest and Dr. Drew. Dan’s temperament complements Barry’s in that they both understand the issue is bigger than getting a case dismissed in court or their client making bail when it comes to drug and alcohol related crimes– the issue is getting the client into rehab. Treat the problem not the symptom. Barry’s signature phrase explaining his and Dan’s philosophy as a Criminal Defense Attorney and a Bail Bondsman is simply this: “Cases come and go, but your life will go on, hopefully, with recovery…”

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Together, Barry and Dan have literally made a name for themselves all over the world via the internet because of their online testimonials and referrals, and Barry’s two main websites: www.celebritycriminallawyer.com and www. bsandslaw.com, and Dan Nesser’s www.dansbailbonds.com Barry’s clients range from actors, musicians, athletes and, of course, the common citizen, and he’s had international clients as far away as China, and domestically across the country– literally coast to coast, from L.A. to Florida and states in-between. The reality, as Barry explains it, is that “people come to L.A. and get into trouble,” so he’ll work with his client’s family and friends who may live outside of California, and sometimes, outside of the country to win the freedom of his client…

This is my second article on Barry Sands, and I’ve been friends with him and Dan for many years now. I’m always humbled by Barry’s love and enthusiasm for helping people recover from their addictions. A conversation with Barry Sands will usually be constantly interrupted by him remembering someone – usually a doctor– who can help the specific needs of one of his clients – “Hold on a second, Anthony, let me write this name and number down…

Okay, Anthony, what were you saying…?” All I can do is laugh…that’s just how Barry is; his clients always come first, as they should, and Barry’s passion and dedication to them shines like bright glowing neon on this boulevard of broken dreams…

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RISING STAR

Alexandra Chun

By: Christina Anastasiou

CA: What’s going on with “The Event?” Word is that it may be distributed on NetFlix? Do you know? How did you like you’re role as Dr. Lu? AC: It hasn’t been picked up yet, still keeping fingers crossed. My role

went from being the acupuncturist to scientist. We’re superpowers at war with each other-we’re exactly like humans and we don’t age.

At first, I thought that I was coming on to just play an acupuncturist.

I was coming on episode by episode. I got called back and my role was written in as being responsible for poisoning the President, played by Blair Underwood. It took a while to kill him.

CA: Sounds like fun! What did you like about her and how did you like the cast?

AC: Well, she’s her purpose. She has the entire human race on her

shoulders. I was in six episodes in the second season. It’s an amazing and interesting show. There’s a black president, a Hispanic, the bad guy is a woman; that’s a little rare. The show deals with global issues and I love that it has so much color-Asians, both good and bad, different genders. Jason Ritter, Blair Underwood, Laura Innes, who plays Sofia Maguire, she’s a doll. The entire cast was wonderful and they all have an amazing acting background. No one knows what will happen with the show. There was uncertainty and I think it just made everyone behave a little more, in terms of there being no egos.

We all just wanted to make good episodes. No one had star attitude, it was an ensemble piece and we all took care of each other.

CA: How do you feel about television vs. film?

AC: T.V. is getting more filmic-that J.J Abrams and James Caviezel

project (“Alcatraz”) I just saw the trailer for it. You see big shows like the “The Event,” using properties of film, so now I feel like the lines are blurred, but I love that.

CA: Talk to me about hotelkasper.com, I love short films.

AC: I wanted to create a series where the viewer is like a voyeur, and

has a private environment; things we all do to a certain extent in a hotel room. Either it being a sense of adrenaline, or loneliness, being in the same room with a wife and kids. It’s been picking up heat and I’ve been approached by an agent to take it to town. I put my own money into shooting and I wanted to do it with a production company that is a little more open to edgy material. Not necessarily adult but where we can talk about race, sex, and families. Its’ my baby project.

CA: I like the idea of the voyeur, we all have our inner voyeur. Do people recognize you?

AC: With the internet and Facebook, it gets overwhelming. I have a

fan page now and it is touching when fans recognize you. I do get characters where in certain instances don’t like Dr. Lu, and it’s a little disconcerting, a little uncomfortable. It’s so weird, but I’m not to the point where I’m getting stalked.

Visit www.hotelkasper.com to see more of Alexandra’s work.

TOM HANKS /JULIA ROBERTS

AMERICAN SOCIETY OF CINEMATOGRAPHERS

HONORS

F

Julia Roberts

rom the 25th Annual ASC Awards on Feb. 13, 2011….

The ASC Board of Governors Award is presented annually to individuals who have made extraordinary achievements to advancing the art and craft of filmmaking. Julia Roberts certainly fits that bill. She lends the true candlepower of stardom to each role, even as audiences sense and connect with her humanity and authenticity.

“In an industry that accords the respect of legendary stardom very infrequently, Julia Roberts has demonstrated continuously – by the strength of her performances and the perfection of her craft– that she has earned this distinction many times over,” says ASC President Michael Goi. “She represents the best of Hollywood to the world.”

As recipient of the ASC Board of Governors Award, Roberts joins a list of honorees that includes Gregory Peck, Steven Spielberg, Martin Scorsese, Warren Beatty, Robert Alltman, Francis Ford Coppola, Robert Wise, Sydney Pollack, Ron Howard, Christopher Nolan, Annette Benning, Sally Field, Jodie Foster, Norman Jewison, Irwin Winkler, Gil Cates, Fay Kanin, Stanley Donen, Sheldon Leonard and critic Charles Champlin. Roberts has appeared in many of Hollywood’s most successful films.

Her films have grossed more than $2.5 billion worldwide at the

box office. She has worked with some of the industry’s most esteemed directors, bringing life to characters and scripts of every description, from romantic comedies to gripping dramas.

As a child growing up in Georgia, Roberts dreamed of becoming a veterinarian. Her parents both had experience as actors and playwrights, and later co-founded the Atlanta Actors and Writers Workshop. Roberts and her siblings also followed an artistic path.

“Julia Roberts has demonstrated continuously by the

strength of her performances and the perfection of her craft- that she has earned this distinction many times over-” ASC President Michael Goi “Cinematographers and actors have a special rapport that begins with mutual trust,” says ASC Awards Committee Chair Richard Crudo. “Julia brings something extra to that relationship, and further elevates what we do with her beauty and grace. She’s a gift to every cinematographer she works with.”

AMERICAN SOCIETY OF CINEMATOGRAPHERS

HONORS Roger Deakins

On February 13, 2011, the Twenty-Fifth Annual American Society of Cinematographers Awards for Outstanding Achievement in Cinematography 2010 was held in Hollywood, California.

This year’s Lifetime Achievement Award honoree was Roger Deakins, ASC, BSC. As noted by the ASC, marking his eleventh feature collaboration with Joel and Ethan Coen, “TRUE GRIT” (2010) was an opportunity for Roger Deakins to return to the Western genre. However, shooting on locations in Texas and New Mexico offered special challenges. “We were on a very tight schedule and didn’t have the luxury of waiting for perfect light on exterior scenes,” Deakins told one reporter. “One of the advantages of storyboarding is that you can structure the day for the way the sun travels across the sky. But you have no control over the weather, and even with good weather, it’s not always possible to predict when the sky will cloud over.

Consequently, we sometimes had to shoot different parts of the same scene in both cloudy weather and sunlight. Digital timing allowed us to blend that material by slightly altering saturation ad contract.

This honor for Roger Deakins, ASC, BSC is the latest in an incredible run that has included double ASC Award nominations in two consecutive years, 2008 (for “Revolutionary Road” and “The Reader”) and 2007 (for “The Assassination of Jesse James by the Coward Robert Ford” and

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“No Country for Old Men”). The four films that earned Deakins his double nominations reflect his niche as a shape-shifting cinematographer for amateur directors with substantive, character-driven scripts. This has led him to collaborate with filmmakers such as Sam Mendes, John Sayles, Martin Scorsese and Norman Jewison. Of course, he is most closely identified with Joel and Ethan Coen, America’s most idiosyncratic auteurs; he has shot 11 films for them since “Barton Fink” (1991), including the current “TRUE GRIT”.

None of this was in the crystal ball when Deakins was a young lad in Torquay, a fishing town on England’s southwest coast. Intending to become a painter, he enrolled in the Bath Academy of Art, but found himself assigned to the graphicdesign department. When the academy brought in professional photographers as guest teachers, Deakins soaked up the lessons, particularly those imparted by Roger Mayne.

At the National Film School, which Deakins entered in 1972, practical instruction was not part of the deal. “I had no formal training, even though I went to film school and art college” he

says with a laugh. “Both were places of anarchy, really. They just gave you an opportunity to find your own way.”

more naturalistic, observational side, and “Martin Scorsese’s Kundun” (1997), which told the story of the Dalai Lama.

Deakins graduated with the idea of making documentaries, and jobs gradually came: industrial films, music videos and in his first big break, a documentary about the war in Rhodesia.

For the next seven years, Deakins shot and sometimes directed documentaries for British television. But a turning point came on a documentary about schizophrenia. “I began to feel that what I was doing was very voyeuristic,” he recalls. “I was quite conflicted. So when I got the chance to shoot dramas, I decided that was more me.”

The following decade was equally busy. Deakins completed 19 features, including two technically pioneering films for the Coens, “O Brother, Where Art Though?” (2000) and “The Man Who Wasn’t There” (2001). Deakins’ recent credits include several features with new creative partners, including Ron Howard (“A Beautiful Mind”), Vadim Perelman (“House of Sand and Fog”), M. Night Shyamalan (“The Village”) and Paul Haggis (“In the Valley of Elah”), as well as forays into animation as a technical consultant on “Wall-E” and “How to Train Your Dragon.

His first dramatic project was a TV miniseries called Wolcott.

Soon thereafter, friend and filmmaker Michael Radford called.

He was to direct his first feature, Another Time, Another Place, a love triangle set in Scotland during World War II, and he’d been impressed by Deakins’ work on Wolcott. “It was also an instinct that he was going to deliver,” says Radford, who adds with a laugh, “Then I had terrible second thoughts! What am I doing? I know the guy, I’ve seen this TV series, but it doesn’t tell me anything. But the film got a 10 minute standing ovation at Cannes. It was a big break for both of us.”

Since 2005, Deakins has freely shared h is opinions and advice in a forum on his website. “Most of my comments end with, “There are no rules,” he says. “Cinematography is personal; it’s something you have to develop yourself. You can’t learn it from somebody else. It’s not just technique. IN fact, it’s less about technique and more about a way of seeing.”

“I never looked back after that,” says Deakins, who would soon accumulate such feature credits as “1984”, “White Mischief”, “Sid and Nancy”, “Person Services”, “Stormy Monday”, “Pacali’s Island” and “Mountains of the Moon”. Not long after, his agent received the script for “Barton Fink”, a satiric period picture set in Hollywood that was to be the Coens’ fourth film. Deakins’ agent recommended he turn it down. “She said it was very strange, and that is seemed to be two different movies,” recalls Deakins. “But I’d heard of the Coen brothers by then, so I said, ‘Wait a minute!”

In addition to marking the start of his collaboration with the Coens, the 1990s brought Deakins his first Academy Award nomination and his first ASC Award, for “The Shawhank Redemption” (1994). He shot another dozen films that decade, including the Coens’ “Fargo” (1996), which showed the brothers’

ROGER DEAKINS AND JOEL COEN

According to the very prestigious organization, American Society of Cinematographers (ASC): “For 92 years, the ASC has remained true to its ideals: loyalty, progress and artistry. Reverence lessons of the past and commitment to embracing the future have been a potent, lasting combination in a world of shifting valued and uncertain motives.”

On December 21, 1918, the ASC was founded by 15 charter members with the following declared purpose: to advance the art of cinematography through artistry and technological progress, to exchange ideas, and to cement a closer relationship among cinematographers. On January 8, 1919, the small group of idealists was granted a charter by the state of California. The annual ASC Awards for Outstanding Achievement in Cinematography exist to serve these noble goals, which were set down more than nine decades ago.

BARTON FINK®/ COURTESTY- 20TH CENTURY FOX TRUE GRIT®/ COURTESTY- PARAMOUNT

NOvemBER 2011 - 13

WHAT I LEARNED ABOUT REJECTION FROM

Sandra Bullock

PHOTO AND ARTICLE BY: Karen Bystedt

I

n the business of acting, having fantastic headshots are crucial. They’re your calling-card that will help you get in the door for auditions. They actively portray YOU – your personality and physicality alike. This is ground zero.

However, it takes more to succeed than even the best shot in the world alone can do. Working on your talent & craft at acting class, assembling the right representation, networking and marketing are all par for the course. And I will be covering tips about all these subjects in the future. But today, I want to talk about what I believe is the most important element of success, something I learned from Sandra Bullock: Confidence and Perseverance.

During the same period, Sandra shot the romantic comedy “LOVE POTION NO. 9”, which she had been told “would make her a star”. It didn’t turn out the way she had hoped, and the movie fell short of anticipated box office numbers. She told me “I never take rejection as rejection, but as an opportunity to learn.”

So, ultimately, what is success? We always hear about the success stories, but rarely the amount of “fail” stories it takes to get to the “success”. As Sandra, and her dog Monster taught me, along with my beautiful little nephews, River and Colter when they first learned to walk: You take your first step. You fall down. You get up. You take another step. You fall down.

You need to enjoy the journey and learn from every experience even the rejections.

So, ultimately, what

I first met Sandra in 1991, three years before her big break with Keanu Reeves in “SPEED”. At the time, she had done three small movies and had a couple of TV credits. She was an up-and-coming actress still struggling to pay her rent when she moved into an apartment around the corner from where I lived.

is success? We always hear about the success stories, but rarely the amount of “fail” stories it takes to get to the

“success.”

I was struck by her “old movie star” looks, and by her positive attitude towards the industry and the acting profession. She was both ambitious and confident. Although she managed to remain completely down to earth and unaffected, there was no doubt in Sandra’s mind that her career would go forward. And she convinced everyone around her to believe it too.

Sandra had a puppy named Monster, a miniature Yorkshire terrier; and I had a white boxer puppy named Oslo. We used to take them for walks together, and I sometimes brought Oslo over to her apartment so they could play. Watching them was amazing. Oslo was so much bigger, and would playfully throw Monster around. But she never thought about laying down belly up or running away. She always bounced right up and ran back for more fun.

This was always such a great analogy to me about anything we wish to achieve in life, especially in the acting business where such a big part of booking a job is bouncing back from any given number of rejections.

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Keep your goal in front of you and enjoy the process. Don’t let yourself get beaten down. See your own success. Own your own success.

Manifest your own success. I will be talking more about how to do this in future blogs. Manifest your own success as Sandra Bullock did, and enjoy the ride of life. I support you completely.

Sandra is not only a Academy Award winning Actress but a busy new mom. She adopted her adorable son Louis Bardo Bullock in Febuary 2010. She splits her time between her homes in Los Angeles and Austin,Texas

Karen Bystedt has photographed everyone from Johnny Depp, Djimon Hounsou, Sandra Bullock, and Brad Pitt, to Andy Warhol. She has appeared on many TV interviews and speaking engagements, and continues to photograph up-and-coming actors and models, while living in Hollywood with her husband Fredrik and their bulldog, Gunnar. She has recently released a book on actors, “They Dared to Dream,” with early photographs and inspirational interviews as an eBook, available on Amazon Kindle, iPad, Nook and all eBook formats and as a hard copy at the Hollywood ArcLight You can view her online Gallery at www.theydaredtodream.com.

Contact- 323.360-8562 www.karenbphotography.com

NOvemBER 2011 - 15

MIKE RICHARDSON

The Man Behind The Fictional Characters That Make Us Smile.

I

n Greek mythology, Pegasus is a flying horse who has the amazing power to soar through the sky.

From the Middle Ages until the Renaissance, Pegasus also symbolized wisdom and a source of inspiration for poets. It’s an enchanting animal that harbors the supernatural ability to feel the freedom of flight while galloping across the sky. Pegasus evokes the kind of magical visuals inside one’s mind that fill the artistic pages of comic books. It’s unlikely you’ll actually ever see Pegasus, yet the unexpected does happen. Behold the incredible journey of Mike Richardson. Here is a man who spent $2000 to start a tiny 400-square-foot comic book store called Pegasus in Oregon, and ended up with a multi-million dollar empire. Last year alone, his company, Dark Horse, brought in around $30 million. Interestingly, his climb from ‘small-town’ to ‘Hollywood VIP’ has been a remarkably smooth transition, especially when compared to the frequent ‘rejection-bound’ path many Angelenos experience during their quest toward their big break. That being said, it’s certainly notable that Mike ‘made it,’ without ever having had any kind of ‘plan’ toward such tremendous success. Literally, step by step, Mike founded a series of businesses in order to create a publishing and filmmaking world that was suited to his purposes.

And it all began with the writers who first visited his small comic store. Besides putting up tons of enticing visuals around his flagship store, he also began bringing in comic writers and authors for signings. Mike recalls there hadn’t been that kind of presence before in Bend, Oregon; he also soon learned some other essential facts that changed the course of his life. “When we’d go out to dinner (with writers) I’d hear that the creators didn’t get to own the creations they made, so I realized I needed to start a publishing company,” Mike recalls. It didn’t matter that he didn’t know anything about the publishing world- he simply decided it was a necessity and took funds from his retail operations and created Dark Horse Comics. Just. Like. That. Dark Horse Comics was a novelty at the time- it wasn’t the norm to treat writers and artists as though they were partners. However, Mike’s

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generosity soon led some of the industry’s top creators to his company to publish and market their creations.

Soon after, Dark Horse Comics began receiving a lot of attention.

“Studios started calling to option our characters at the time…. (but) I had promised the creators that Dark Horse would be different, (but I) didn’t know about this (side of the business) and so I became a producer.” Again, not knowing anything about being a producer, Mike dove in head-first and triumphed a second time. Just. Like. That…Again.

From there, the number of Mike’s accomplishments are dizzying.

Mike’s vision has reached millions of people from the initial launch in 1986 of Dark Horse Presents to Boris the Bear from Dark Horse Comics to the 1988 transformation of comics based on popular films with the release of its hit series Aliens. Regardless, Mike has never been one to slow down simply because he’s already reached success. Quite the contrary! By 1992, Mike had already established Dark Horse Entertainment, Inc. Naturally, it was time to transform film characters into comic book stars. The result of this development was responsible for the unforgettable movies, The Mask and Timecop. Both fantastic films impressed fans by opening number one at the box offices. In addition, as most movie-goers may remember, Cameron Diaz and Jim Carrey both got their start in Hollywood in The Mask. Perhaps at the time we didn’t realize it, but it’s now obvious that when Carrey declared the now infamous line “SMOOOOKING....” in The Mask, he very well could have been referring to the genius of Mike! As Mike fondly recalls, “Once you have two hit movies in one year, you’re good to go.” Well, certainly for Mike anyway.

Since then, there’ve been many more hit films, television projects and even a retail store aptly named Things From Another World, Inc. at Universal Studios CityWalk in Los Angeles. , the store was designed with a crashed spaceship rooted in the building. And luckily for us, the ever-talented Mike has plenty more in store for his entertainment-empire coming soon. “I’ve done some things that I’ve really enjoyed and am proud of- both in comics and film. We’ve got projects going in all directions now. I’ve begun editing again.

I try to be involved in all our companies. I’ve not lost enthusiasm,” Mike says. Indeed he’s a man of his word; all 6

feet 9 inches of him. At 60, with his crisp white hair and unassuming personality, he continues to not only keep up with the ever-rapidly-changing world of technology, but in fact, introduces new transitions that follow today’s digital era. Point in fact, Dark Horse Digital’s brand new proprietary digital-comics application is filled with hundreds of titles for download. “Find (the application) on iTunes and the Dark Horse Digital storefront at Digital.DarkHorse.com,” Mike says with a smile. So, does Mike stop here? Of course not!

In fact, he’s close to shooting a new movie this September in Boston. It’s a movie Mike’s been working on for ten-years; evidence of his unwavering commitment to his craft. The movie has an impressive cast including actors such as Ryan Reynolds and Jeff Bridges. As far as the plot? Let’s just say that it involves dead cops.

With retail stores, digital mediums, movies underway and so much more, Dark Horse Entertainment also celebrates its companies’ twenty-fifth anniversary this year! Indeed, with his usual vigor, Mike certainly doesn’t seem to have any desire to retire. Instead, he seems more motivated than ever to get this movie off the ground and make his way to the next challenge. Like many others, you may wonder where he finds his incredibly creative ideas; who is his muse? “I get inspiration everywhere, anywhere; great books, people, (inspiration) comes from surprising places,” Mike explains. He also flourishes within the creative environment offered in the Sunset Gower Studios where he’s maintained his offices for over three years.

“I like the idea of being on a studio lot... you’re around a lot of creative people, so there’s an atmosphere for creativity.”

To follow in his footprints, Mike has some basic advice. “Anyone who is trying to move into (this industry) has to have thick skin; be persistent; be willing to not have ‘your own way’ every time and be willing to collaborate.” He certainly acknowledges this is a tough business but believes, “if you’re creative and persistent, you can make it.”

Lest we forget the humble beginnings that prompted Mike’s mindboggling journey.

“Who knows,” he says. I started a comic shop that was 400 squarefeet with $2000 and it’s worked out pretty good.” Note to self: Just. Like.

That… Again… and Again….

“Anyone who is trying to move into this industry has to have thick skin; be persistent; be willing to not have ‘your own way’ every time and be willing to collaborate.”

NOvemBER 2011 - 17

red carpet style

hollywood beauty

BEST OF 2011

MUST HAVES BY: Christina Anastasiou & JENNY WERTH

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e have seen many beauty products this year at Hollwood Weekly, these are the most useful products for each season.

Skin- Your skin says everything about you. Do the basics-wash, exfoliate, moisturize and don’t smoke. 1. Dr. Perricone MD. Cosmeceuticals is a great foundation to ease up on blotchy skin and give you a bright glow. Retail $50. 2. After you’ve used your paraben-free face wash, toner, and moisturizer, try Origins Plantscription Anti Anti-Aging Serum. It contains all natural retinol. Dermatologists have known the secret powers of retinol and Origin’s lab have added rosemary, anogessius tree bark and siegesbekia. Tree bark contains Fillbrillin: vital to the skin’s natural elasticity and it’s an antioxidant. Rosemary protects the skin from free radicals. If you’re beginning to see the laugh lines or lines around the eyes, complement the serum with the Origins skin care line. Retail $50; www.origins.com, Hair - Get Blake Lively’s sassy, yet messy French braid at the premiere of “Green Lantern.” L.A. based hair stylist, Richelle Bonilla says, “Try Suave’s Professional Line. 3. If you had a long Hollywood night out and don’t have time to wash your hair, the dry shampoo is great. It adds a hint of shine and your boss will never know that you partied hard the night before.” Retail $2.74; ww.target.com. 4. Next is Suave’s Professional Heat Protection Spray for a tight curl or sexy wave. Protect your hair from damage and use this for a lasting hold. Retail $3.49; www.soap.com. Bikini Zone - Exhale Ladies.... you can finally shave without the worry of the bumps and rashes afterwards!! Bikini Zone has come to the rescue... just lather some on and you’re ready for the beach sans the bumps!

5./6. Bikini Zone After Shave Gel Retail $8.99; www.walgreens.com Eyes - Star struck on Hollywood Blvd? Do it in style. 7. Almay’s one coat triple effect mascara will make your eyes stand out. Two coats are great for added effect and it won’t clump. Retail $7.99 CVS. 8. Bat your way out of trouble with beautiful Andrea MODLash lashes Retail $4.99 CVS pro tools - 9. Andrea Eye Q Eye Make-Up Corrector Sticks,

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8 9 15 11 50 count. Finally a way to get rid of makeup mistakes without all the messy drama, $8.99 Walgreens 10. Fight those frizzy and lack-luster hairs with The Moroccan Beauty Secret.... it’s called ARGAN MAGIC! Your tresses will thank you for their magical transformation after you’ve used a small amount of the Argan Magic Hair Oil for brillant shine. The prices are very affordable. That means visit arganmagicbeauty.com or sachet into CVS. From $12 Nails-11. We all know about beauty products that are eco-friendly and non-toxic. We love Zoya Nail Polish, not only are they vegan, which means they are formaldehyde, camphor, toluene, and dibutyl phthalate-free, but they have every color imaginable. They’ve even invented a new color wheel. If you love nails, this line is for you. Availabe at www.zoya.com keep your glow -12/13. Keep your summer tan and dazzle your skin with Spray Di Sole’s Liquid Bronzer and Sun Gelee. Founder Svetlana Feller has created a high quality eco-friendly product to complement her successful spray tanning service in Studio City, home of many A-list stars. The bronzer is smooth and doesn’t smear. Available at www.spraydisole.com 14. Exfoliating is a MUST! OPI’s brand new Avoplex Revitalizing Hand & Body Scrub is as fabulous as the OPI nail polish line. It polishes skin with fine natural sugar crystals and deeply conditions with OPI’s Advanced Avocado Lipid Complex and natural botanicals, including jojoba and grape seed oils. Using this luxurious scrub will result in softer, younger-looking skin. www.opi.com or ULTA. $11.50. for the men in your life- 15. Supercharged for the skin with a jolt of java, the b3 Shave System products contain coffee, coffee oils, caffeine, Vitamins A, C, E and B-complex; and natural emollients to nourish and revitalize the skin. Each step of the proven four-step system builds on the last; resulting in the closest shave possible. As always b3 products are paraben-free, sulfate-free, and phthalate-free. The b3 Shave System, $85. baristabathandbody.com

NOvemBER 2011 - 19

SCENE & BEST OF

Corrine Bailey and Christian Siriano celebrating the denim brand G-Star during New York fashion week Ms. Jay at the third

annual Vogue’s Fashion Night Out

Rihanna launched her perfume ‘Reb’l Fleur’ at Macy’s and kept her fans waiting for 2 1/2 hours, when she finally showed up she was all excited and danced on stage

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2011

From the New York’s Fashions Night Out to who’s new and hot in Hollywood we’ve got it all covered! Hollywood Weekly is there and ready to bring you with us. These are the highlights of events and celebrities from 2011!

FIDM Debut Designer, Paul Hernandez, Annual scholarship fundraiser Fashion Show presented by FIDM Santa Monica Barker Hangar.

Becky Sapp/ABImages

Diva Barbra Streisand walked the carpet at the Musicares event held just before the Grammys

BE SEEN Peder Borresen, Stefan Dahlkvist and Simen Staainacke, the owners of Moods of Norway.

Moods Of Norway 2nd Anniversary Celebration Mood Of Norway, Beverly Hills Vivien Killilea/ Film Magic

Johnny Depp attended the premiere of “Rango” in Westwood and spent a long time posing for photos and signing autographs for fans.

Shenae Grimes Coke’s 125th Birthday Hosted

by Junk Food at Kitson photographer: Brian Lindensmith Christina Hendricks SmartTouch Gift Lounge, I Can’t Believe It’s Not Butter!

The Nokia Theater Wire image

Helena Bonham Carter is certainly quirky when it comes to her outfits, at the Weinstein after party she even wore different colored shoes

Q & A With

Terri Melkonian A LESSON IN HOW TO GET IT ALL DONE TERRI-STYLE

By Jenny Werth

Mention Terri Melkonian and a myriad of powerful words come into mind- the challenge is where to start! She’s a powerhouse of a woman who embodies what it takes to “make-it” in the ever-shifting and challenging show business industry.

Hollywood seemingly flows through her veins, she has climbed every ladder in Hollywood’s cut-throat business, all while soaking in every lesson made available to her with each step. She’s the quintessential multitasker; innovative problem-solver; and well, simply a dynamo. In our exclusive Q & A with Terri, we find out her next move; plus we hear how her experiences and positive attitude have molded her into the enviable success she is today.

HW: Terri, you are one of the most liked and respected studio executives in the industry - I can’t even count how many producers and execs I have interviewed who tell me you are the first call they make when looking for a home for their film or tv project. We can’t imagine Sunset Gower without your strong presence. What initially inspired you to take on the task of revamping a small indie studio as Sunset Gower after working for the super sized Universal?

just over 2 years, made a hefty profit! The revitalization of Sunset Gower Studios worked.

HW: Wow – and I believe it sold for over $200 million so you’re right, the revitalization efforts really did pay off. I can’t imagine Sunset Gower without your strong presence and I’m sure everyone misses you. Now that you’ve left the studio, what are you working on next?

TM: The studio is at a very good place with all of the stages booked they’re going to be fine. Right before my departure, I secured a long term deal for Aaron Sorkin’s new HBO drama about a cable news show. Scott Rudin and Alan Poul are exec producing it and I’m blown away by the talented team they and HBO have assembled for this sure fire hit. When my friend Michael Hill, who is the Sr. VP of Production at HBO, first called me about the pilot script, I told him we have to do whatever it takes to bring this show to Sunset Gower My job at Sunset Gower came to me very unexpectedly when I Studios. Michael and Sr. VP of Production at HBO Jay Roewe met called my friend Bob Papazian in mid 2006 – looking for stages and me several times until we sealed this sought after deal. Michael and offices to rent. About a year before that, GI Partners had purchased Jay are such great men whom I respect very much – I was honored both the Sunset Gower and the Nickelodeon Studio properties in for the opportunity to work with them. And this high profile show, Hollywood for $110 million. Bob Papazian joined them as the CEO choosing Sunset Gower as their home over many other studios, was and part investor. When I called Bob, I’d just left Universal after 10 sure to bring high visibility and credibility to the studio. At this years and was working as a producer. I’d heard Sunset Gower was same time, I was thrilled to secure the new Shonda Rhimes drama struggling to keep their stages full and was asked by my Universal Scandal– with the help of my favorite studio exec Gary French, boss to send overflow business to them. I’d met Bob the year before who is ABC’s co-head and Sr VP of Production. He is one of the and instantly liked him. Now that I was a producer, I wanted to most ethical and kindest people I have met in this industry and his cool demeanor hasn’t changed one bit bring my business to him. I called to let him know I was stopping by to tour This studio was a diamond in the rough since I knew him at Universal – I’m certainly going to miss him. Shonda his studio and after seeing stages and and I saw tremendous potential is such a gifted writer with already two offices, Bob called me to say he had hit shows, Private Practice and Greys something else in mind for me. He offered me a job which he created for me – said he wanted me to Anatomy – and she can now call Sunset Gower Studios her new come work with him and rebuild the image of Sunset Gower and home! build up the business. But I’d just left a great studio and was now a producer! I turned down the VP of Sales and Marketing job but After leaving the studio, it was time for me to venture on my he was persistent and asked me to take a week to think about it. I own and I launched a development and production company, contemplated and realized what a great challenge this would be for TERRIMEL PRODUCTIONS. I can’t describe how great it feels to me. That’s really what drove me to say yes. This studio was a diamond have the freedom to pick and choose who I want to work and align in the rough and I saw tremendous potential – I knew we could turn myself with now. I’ve built great relationships with producers, this place around. And I really respected and trusted Bob. He had a writers, directors, and studio executives over the years and now very successful producing career prior to Sunset Gower and was not I have the opportunity to work with them in a different capacity driven by ego. We shared the same entrepreneurial vision and he then when I was at Sunset Gower and at Universal. I love my respected my knowledge of the business and treated me as an equal. newfound independence and the ability to surround myself with Once I arrived, I didn’t waste any time. The phone wasn’t ringing talented people whom I respect and continue to learn from, who but that wasn’t going to deter me. I called prospective clients daily. have integrity, and who I enjoy collaborating with. I am reading With the support of industry friends producer Michelle Imperato film scripts daily and receiving projects in different phases of Stabile and FOX VP David Starke, I brought their feature Alvin and production. Some need additional funding and some need The Chipmunks to the studio right away. I joined the Association distribution only – if the project meets the criteria, I can step in of Independent Commercial Producers and lobbied for commercial and help close the deal. I’m also developing television projects and production and we were soon flooded with commercial business. I getting a lot of concept pitches, including some from my 11 year called my friends at ABC and NBC and we brought new television old son! I’m currently developing an unscripted new media project shows to Sunset Gower. Within a year, business was booming that has a fun gaming component to it and this show can work on and we became the Go To studio lot by producers and production multiple platforms. I am extremely busy these days but at the same executives. We promised service and made sure we delivered. I time, I’m having a lot of fun working with people I love. I’ve also wasn’t about to let anyone call us the Sunset Ghetto ever again. been receiving calls to consult for independent studios and if my Word got out about our revitalized studio and Bob began receiving time allows, I’m up for that, too! phone calls from brokers with buyers. Sunset Gower was soon sold to a real estate company Hudson Capital and I heard it was one of HW: What makes your production abilities both superior and/or the largest real estate transactions in Los Angeles. GI Partners, in different from others?

TM: Thank you for your kind words, Jenny. The best part of my job is being able to meet and work with some of the most talented and amazing people I’ve come across during my 15 years in the studio business. This is a small industry where many of us know each other or know of each other. You are only as good as your word integrity and respect is a big deal with me. What I value most is the trust my clients have in me and I would never, ever, jeopardize that.

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hear the filmmakers sharing their experience. Recently, I attended the Machine Gun Preacher screening and realized I know one of the executive producers on the panel. This gave us a chance to connect again and we’ve planned to meet soon. It was good to run into Gerry Butler again, too – he gave a powerful performance in the film and he’s a great guy for any lucky producer to work with. The PGA also offers great learning seminars that producers can take advantage of – I recently completed a six part certification program on Film and TV Finance. I can now pitch more effectively to the networks having learned about their financing methods and ROI. With recent technology upgrades, the opportunities for producers/filmmakers are endless. Any creative individual can purchase a high grade camera and editing software at an affordable price – you can shoot video and upload it on YouTube instantly. Or, create a sizzle reel to pitch an idea to a studio or investors. You can create a web series and get it funded by a company by offering product integration and sponsorship. Contact corporate marketing departments or their ad agencies. The webisode can later be pitched to a network as a possible TV series. The bottom line is, there are many more opportunities for independent filmmakers today so go out and find one that fits and make it work.

Terri Melkonian with Gerard Butler

z TM: I don’t want to say that my abilities are superior to others because every producer has his or her own unique style and process for finding and producing projects. First of all, I’m a huge fan of writers. In my opinion, without a really good story, you have nothing worth producing. I respect their talent and love to be around their creative energy. I look for stories I can completely connect with. I have to feel passionate about it, or I can’t sell it. I’m creative, but I also have a good business mind and can grasp that part of filmmaking equally well. Having a talented director who can really deliver is very important to me. Foreign sales opportunities are more prevalent than ever now – so good casting is also key.

If I’m bringing film investors who are trusting my judgment, it’s my job and reputation to make wise decisions and protect their investment as if it were my own money. I believe in partnering with good people and developing long term relationships – I’m not interested in making a quick buck at the expense of others. I also get tremendous satisfaction in helping others and nurturing talent.

HW: How do you envision a creative production? What will you do to make it more “interesting” than others?

TM: You don’t produce a film or television show by yourself – it’s a group effort. I’m somewhat of a perfectionist and I love working in a collaborative environment with talented people who share my standards and whose positive perspective bring out the best in all of us. Everyone on my team needs to be respected and valued. Their opinions matter and each needs to be heard. I’m a solution oriented person and have no time for negativity. Life is too short and work should also be fun.

HW: What do you feel is lacking in the productions (reality included) today? Why do the producers become so complacent?

TM: Our industry is moving and changing at rapid speed and we have to keep up with the new technologies and opportunities to stay on top of our game or we become insecure and stagnant. I’m a believer in being an innovator and thinking outside of the box.

Business As Usual attitude will not lead you to success these days.

Knock down road blocks and create your own path to get where you want to go. Knowledge is power so don’t stop learning. I was recently admitted into the Producers’ Guild of America and attend many conferences which also include think tank panels. The PGA gives us an opportunity to network and share ideas among our peers and I would recommend producers join this great group. I try to attend their film screenings followed by Q & A– it’s inspiring to

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HW: You are like a shooting star. really; who else has your energy, passion and talent? The whole world of producing will be changed once you are part of it; how does that feel?

TM: I think the world of producing is changing but not because I’m now a part of it. I want to be on the cutting edge and be ready for the changes as they come and create the opportunities for myself.

Happiness in life comes from finding a deep passion for your work and then success will come to you in a very organic, unforced, way.

We are all born with unique talents – we need to discover our gifts, however unassuming they might be, and develop them to serve our life’s purpose and we will, in turn, find true happiness and satisfaction.

HW: Can you give a few words of advice to aspiring producers (directors...). How would you advise them to “make it work” in a city that is so often seen as “impossible.”

Learn your craft, have an immense desire and passion for what you choose to do, and just go out and make it happen for yourself.

Don’t wait for others to open doors for you, create opportunities for yourself and open your own doors. Stay true to yourself and don’t compromise your integrity and reputation for quick success – always protect your greatest brand, you.

HW: Finally, how do you maintain such a positive attitude with life and career challenges?

TM: I’m driven in life not by the achievement of personal financial success but by maximizing my abilities to achieve the highest levels of my capabilities. I don’t define myself or my happiness by my job title. I try to find a good balance in my life and acknowledge every day of life as a gift I am truly grateful for. I cherish every moment I spend with my family and they are my priority. I value my friendships and stay away from those that are consistently negative. I have a happy disposition and will always see the glass as half full – that’s just my nature.

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BY: JENNY WERTH

From the early 1900s to today:

HOLLYWOOD’S FIRST STUDIO CELEBRATES 90

YEARS OF ENTERTAINMENT

A Renown Film Studio Where ‘Yesterday’ And ‘Tomorrow’ Create The Place Known As “Today.”

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he glamorous film nostalgia of the precious past holds hands with today’s 21st century’s cutting-edge-technology; both contained within the walls of the iconic Sunset Gower Studios. Together in collaboration, each of these creations came to life collectively within the extraordinary enterprise of Hollywood’s first true movie studio. It’s a structure like no other…a genuine milestone on the infamous Sunset Boulevard that represents a remarkable piece of history. It’s a landmark edifice that so many of us simply drive by, perhaps without ever realizing that if it weren’t for this building, life as we ALL know it would not even exist. It sounds dramatic, just like the movies so often do. Yet, it merits its acclaim… because as you drive by this studio, you

in fact pass the initial location where the first sound in movies was produced And this is only one of many notable achievements accomplished somewhere inside a sound stage of this legendary studio lot.

Naturally, a universal sense of excitement creates goose bumps on the skin of most spectators after they step onto the Sunset Gower Studios property. It’s a place bathed with historical moments that have become the ‘stuff of legends;’ or simply the ‘exciting storyline’ we all anxiously await to be revealed as a movie weaves its intricate story.

Today, a meander through Sunset Gower or Sunset Bronson Studios will leave most visitors caught somewhere between an era of long, long ago and today’s steady progression of a studio that’s always on the verge of breaking into what’s only ‘in-the-very-near-future.’

Most recently, Sunset Gower Studios has finished a long-awaited remodeling of their distinctive lot. While preserving the historical architectural beauty from the 20s in the original buildings, they have still managed to catapult our generation into the amazing world of high-definition and 3-D technology that has just barely begun to scratch the surface of mainstream entertainment. In fact, along with many of the new celebrated structures, they also have two brand new high-definition studios built to perfection with the best technology available and the most modern capabilities.

Nowhere else can one stroll through the hallways of by-gone eras and hear the whispers from iconic directors such as Frank Capra of “It Happened One Night” discussing the script with Clark Gable and Claudette Colbert. And to have this happen after one just experienced the amazing quality of viewing a brand new film in HD makes it all the sweeter. As many of us know, “It Happened One Night” took home five academy awards. A befitting beginning to the extraordinary success of countless productions created at the Sunset Gower Studios.

Certainly academy award-winner, Clark Gable cannot be replaced; but he certainly set a precedence of award-winning performances that continue on today. And while the history of these prestigious studios dates back to the early 1900s; it’s within only recent years that some of the most notable transformations have taken place.

Naturally, these studios have always had a flair for enthralling changes, and there will always be more to add to the story that manifest within its walls. In fact, if there were a movie about the Sunset Gower Studios, it would demand a sequel… and another after that. It is quite simple really: the studios couldn’t have so elegantly waltzed to where they are today, without the historical lessons and legacy of where they so eloquently danced in the past.

INTERESTING FACTS ABOUT THE STUDIOS: Located in the heart of Hollywood, Sunset Gower Studios’ history goes back to the very beginning of Hollywood itself. In 1911, The Nestor Film Company relocated from New York City to Sunset Boulevard and Gower Street, making it the first studio established in Hollywood.

In 1922, Harry Cohn set up shop alongside Nestor at 6070 Sunset Boulevard. In 1924, Cohn established Columbia Pictures, discovering such iconic talent as Frank Capra. During Hollywood’s Golden Era, Columbia purchased all of the adjacent lots to the original buildings on Sunset Boulevard establishing the nearly 16 acres that make up Sunset Gower Studios today. Then, i n 1958, Harry Cohn passed away, ending an era in Hollywood. His memorial, held on Sunset Gower’s stages 12 and 14, was considered one of the largest in Hollywood history.

Then in 1972, Columbia merged with Warner Brothers and stopped production at Sunset Gower. However not long after, the Pick Vanoff Company purchased the studio in 1977 and renamed it ‘Sunset Gower Studios.’ And ever since 1977, the studio has been home to awardwinning film and television productions including, “The Golden Girls”, “Full House”, “Judge Judy,” “Fresh Prince of Bel Air”, “Dexter”, “The Event”, “Private Practice,” and tons of movies including recently, “The Lincoln Lawyer.”

In 2007, Hudson Capital, the predecessor to the owner, Hudson Pacific Properties, Inc., purchased the studio and embarked on a multi-million dollar capital improvement program to enhance and upgrade the studio; making Sunset Gower Studios the state-of-theart, premier independent production facility it is today. As a part of the capital improvements, Hudson oversaw the construction and opening. These modern building is an artistic masterpiece located right at the entrance to Sunset Gower Studios off Sunset Blvd.

Sunset Gower, along with its sister studio Sunset Bronson, are a dynamic part of the Hudson Pacific Properties portfolio; a portfolio that consists of 13 office, media and entertainment real estate assets totalling more than 4-million square feet. Hudson Pacific is a Los Angeles based, full-service, vertically integrated, publicly traded real estate investment trust focused on owning, operating and acquiring high-quality office and state-of-the-art media and entertainment properties in select growth markets primarily in Northern and Southern California. Alas, the legacy of the studios continue....

Hollywood is indeed a place like no other, and these amazing studios have bared witness to it all.

NOvemBER 2011 - 27

“my so called life”

“six feet under”

ALAN POUL “WHEN A MAN OF GENIUS MEETS A TV SERIES”

BY: JENNY WERTH

When excellent story-telling holds hands with an engrossing plot line, you may very well be under the spell of one of executive producer, Alan Poul’s, shows. That’s why the new series “More As This Story Develops” written by Aaron Sorkin, and starring celebs such as Jeff Daniels, Olivia Munn and Dev Patel, has all of Hollywood simply buzzing with anticipation! The thought-provoking plot is based on all the drama surrounding a 24-hour cable news station. It’s a concept that’s best tackled with the talent of Alan Poul as executive producer and Greg Mottola as the director.

But, we’ll get back to this masterpiece of the story line later. First, you’ll get a bit of the story behind Alan himself; a revered man that helps take a story and turn it into a stroke of genius.

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here are few executive producers in the out of your home town to expose yourself to the “norms” business that are lucky enough to count found in other cultures. “I find that you learn the most about themselves among Alan’s league. He has the behavioral patterns in your culture and your own life by taken a childhood dream to be involved in stepping outside of your own (culture).” For Alan, leaving your the entertainment industry and made it come comfort home behind allows one to experience life on its multitrue; indeed Alan’s one of the few who enjoys faceted terms; not just where one feels a level of familiarity. that ‘happily-ever-after’ type of story. But, he made it happen One mustn’t look further than the award-winning “Six Feet by strategically surrounding himself around positive people Under” to instantly recognize just how far-off from the “average who could teach him the skills he longed to accomplish. life plan” Alan ventured while executive producing a series With an aura of victory surrounding him, Alan found himself that was at best ‘unconventional,’ but at worst, perhaps even in the company of some of Hollywood’s most successful morbid. However, peculiar as it may have been; that’s exactly writers, directors and producers. Naturally without hesitance, what was missing in prime time TV at the time. Everyone in Alan soaked up all the information he found to beneficial. the industry knows that there’s nothing worse than a stale And then, he combined everything together to accelerate and predictable TV series: Everything “Six Feet Under” was his future triumph not. Clearly, much to as a star executive the pride of Alan Poul producer himself. He and the show’s brilliant has produced a varied creator, Alan Ball, the mix of shows and show also wasn’t a appreciates the lessons difficult sell on any and motivational vision level. Alan (Poul) recalls each of them offered. the hype surrounding Many of us remember the series when it him as the executive first began. “The big producer of the highly misunderstanding of acclaimed TV series, “Six Feet Under” (was) (LEFT TO RIGHT) - JEFF DANIELS, OLIVIA MUNN, DEV PATEL IMAGES COURTESY OF GETTY IMAGES “Six Feet Under” which that people thought ‘it’s ran 50 episodes from gruesome, or weird,’ 2001 to 2005. It followed but (once) you read the the addictive tale of a script, you immediately family who owned and knew that it was a ran a mortuary in the brilliant show based bottom of their house. on having brilliant Viewers were literally characters.”

Both obsessed. One of the Alan’s shared all the show’s main stars was responsibilities of the also none-other than the ultra-talented Michael C. Hall of fantastic show. Alan Poul hired all the show’s directors and the cult-following TV series “Dexter.” People also remember supervised them on set and in post-production. While Alan Alan as the executive producer of the short-lived, yet muchBall oversaw and supervised the writer’s room, in addition to admired TV series “My So-Called Life” back in the 90s! He also writing the final polish on the episodes. Plus, who can forget is celebrated as the producer of the comedy movie “Woman the huge stars that were created from this eccentric series? on Top.” And then in 2008, Alan switched gears and became First there’s Michael C. Hall who went from embalming the executive producer of the TV series “Swingtown.” dead as a mortician in his family-owned mortuary to his starring role in the smash hit series “Dexter” (where he’s the People often wonder where writers, producers, directors and murderer.) “We did a big casting search and Michael (C. Hall) actors find inspiration. Just where exactly do they find their at that point had done very little film and TV work, but he was muse? For most creative-types, inventiveness comes in many so gifted and had the intelligence, (the) vulnerability and the forms. For Alan, it’s a fusion of many different provocations. ‘persnickety’ nature of David (his character’s name.) At that “I find inspiration in movies and TV, but also very much in point….. it was very clear that he was it,” recalls Alan. real life. I like to observe human behavior. I love to travel and I travel as much as I can,” Alan explains. Case in point: while Evidently, there’s no lack of TV viewers with a ‘dark side;’ or on a safari in Africa a few years ago, Alan found impetus by simply an interest in the ‘incongruous.’ The proof is in the observing the working of nature on such a grand and intricate continued popularity of other ‘uncommon-type’ TV story scale. “(The animals of the safari) are highly complex and lines such as “The Vampire Diaries” and “True Blood,” where an (witnessing the nature) of even small scale animals taught me audience sits in suspense as they divulge every gruesome and many things about human relationships.” abnormal moment. In fact, these story lines are so common now that they’re actually becoming quite ‘normal’.

Alan’s a man of incredible vision and unique viewpoints. He’s not afraid to express his opinions or divulge some of what As for “Six Feet Under,” the public obsession with the colorful makes him tick. He emphasizes the importance of traveling families’ involvement in the after-life became as clear as the

“I find that you learn the most about the behavioral patterns in your culture and your own life by stepping outside of your own (culture).”

NOvemBER 2011 - 29

“

Alan’s a man of incredible vision and unique viewpoints. He’s not afraid to express his opinions or divulge some of what makes him tick.

shock of a spectator’s expression at an opened coffin. It won nine Emmys, five Golden Globes, and three Grammys including many other prestigious awards. After an amazing five seasons, it was decided that the show needed to finally remain six feet under, forever. Alan says that HBO would have loved to keep it on the air; however, extraordinary story-telling can only go on for so long; sort of like an incredible life that also must eventually find a place to RIP. Thankfully, Alan isn’t one to linger in the past, and certainly not six feet underground. Now we’re all waiting, albeit impatiently, to see how well “More As The Story Develops,” progresses. The new HBO pilot is currently being filmed under the writing direction of Aaron Sorken. What we do know is that the show takes on the state of broadcast journalism by featuring a 24-hour news network. And although it’s a fictional tale, Alan explains that it does certainly grapple with the “twitter-scan” of audience attention and knee-jerk reactions of the media. The central character is a news anchor played by the brilliant Jeff Daniels who goes about tackling the big questions of politics and the legislative and political processes in the West Wing. Alan explains that the show will take on the question many of us ask today: “What has journalism become in today’s world?” Plus, it may just offer us an answer with a show that perhaps displays what cable news could be and should be again. As Alan explains, “I feel like this show has a scope and an ambition. I mean ambition in terms of its purpose, not just in terms of its cost or the scale... (but) it has an ambition of purpose that sadly is hard to find on network television anymore.”

So now we wait as this quintessential visionary helps create a state-of-the-art show that tackles the bewilderment that’s often referred to as network journalism. It’s such a controversial subject, and yet a genuine issue that needs to be confronted. It’s a little like the bizarre realities of the decisions that surrounded the death of each person who made their way “Six Feet Under” during the series’ run.

Some of the more memorable decisions were made in the expansive ‘show-room’ of coffins which were as casually described as the features of a new car; and then of course came the big decision of which floral arrangement to purchase; and the big kicker: who to charge for the funeral?

Dying is not a cheap way out of life; well, not for those who have to pick up the bill anyway. At least it’s the one time you can be certain it won’t be you.

30 - Hollywood WEEKLY

WE FILM ANISSA WILLIAMS C A S T I N G www.anissawilliamscasting.com providing casting services in hollywood for over 20 years

“Eat, Pray, Love’s”

A Indie Filmmaker Taking Hollywood by the Horns

David Bianchi:

By: Christina Anastasiou

A

myriad of filmmakers and actors have realized that the Hollywood game comes with a price. David Bianchi had his name in the press with last year’s box office hit, “Eat, Pray, Love,” where he lent his sexy voice to the film. He’s had small roles in “Independence Day” and “Elizabethtown.” His success hasn’t been an easy road, yet he continues to pound the pavement and knock on doors. He talks to me about his days as a fellow college thespian at Arizona State University, his life in L.A., and why he’s determined to take Hollywood by the horns.

CA: David, really, when do you have time to just be David?

You have four films coming out all at once. You’re busier than Denzel Washington.

DB: I think it’s a shame when entertainers let it go to their heads. It’s

DB: I’m me when I’m working. I have to be proactive every day.

CA: How do you feel about being of mixed race in Hollywood?

CA: “Priest” looks insane. I’m a huge fan of vampire stories, your role is called “Familiar?”

DB: I play “Familiar.” It’s a collective, consortium of evil-doers, a representation of the dead, in post apocalyptic world. I spent three hours in makeup and I couldn’t see.

CA: What did you like about your project, “Silver Case?” It’s such a great cast.

a privilege to be an artist. I have respect for folks who have a grandiose idea of who they are.

DB:

Well, SAG did a survey of casting for African Americans in lead roles and only 2% of the talent pool is cast. Seven percent are from the Latino pool, they only fill a small percentage. We still face a battle, it’s a cultural battle. I may even be compartmentalized myself. I appear African American and I speak Spanish. The reality is that there are Latinos that are in Black America. We’ve just painted pictures a certain way, it’s like we are racist in front of the camera. We have a view of what a Mexican looks like and even me being of mixed race, I’m considered not black enough.

CA: Lets talk about you as a director, writer, and producer. Will you

DB: It’s a crime picture. Eric Roberts is in it. We all play fumbling

return to the stage soon?

underground gangsters fighting for a silver case. The director was Christian Fillipella. He really added the element of pop culture. We had specific wardrobe and specific flashbulbs, it was incredible.

DB: I enjoy being a part of projects. God is good and has a plan for

CA: To see you come from the stages of Arizona and the independent film scene, to L.A.– it’s a bit surreal to me. You’ve come a long way.

Does it ever go to your head?

everyone. I’d love to be back on stage and be in a good position where I can work in L.A. and be on Broadway in New York. I’m ready for it. I know that if I was 23, I would’ve not been able to handle it. I just want to continue to work hard. The attention is great, but it’s all in how you reciprocate that attention. Everybody is always looking and I have to stay ready, because I don’t want to fall short.

NOvemBER 2011 - 31

Elise NeaL

on Disney’s “A.N.T. Farm” and her film “Timeless” BY: Christina Anastasiou

Among the talent behind some of Hollywood’s most successful projects such as 2005’s “Hustle and Flow” and the ABC hit show, “The Hughleys,” is the multifaceted and triple threat, Elise Neal. A natural born performer since the age of six, she began her career as a dancer. Her background has built an intense foundation that has now manifested into her work as both actress and producer.

She is warm and friendly, yet poignant and straight to the point.

She calls Memphis her home, and we love watching her rise as a small town girl with a dream to perform. her ascent to the Hollywood A-list is inspiring.

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H

er talent continually charms audiences with her presence on stage, film, and television. Currently, on Disney’s “A.N.T. Farm,” premiering this month, Elise plays Roxanne, a mother of a musical protégé Chyna. Elise says of Roxanne, “Playing Chyna’s mom is great-I get to play a mom and a party planner, and wear fun costumes.” The show will air Friday nights and will attract a new audience for Neal.

Raised in Tennessee, Elise trained in ballet and in her teens, attended the Philadelphia College of Performing Arts. Soon after, she relocated to New York City. She studied acting, singing, and dancing.

She found herself on Broadway and toured in various musicals. Neal says, “I had three passports, I was always touring.”

Her drive and love of performance have garnered her nominations for best actress and supporting actress.

Neal’s comedic timing earned her one of her most memorable roles where she played “Yvonne,” on the hit show, “The Hughleys.”

The show first aired on ABC and was later picked by UPN for two years, giving Neal a full wind of exposure to American audiences. Earlier in her career, she appeared on countless shows, such as “Living Single,” “The Wayans Bros,” “CSI,” “The Cape,” and “Private Practice.” On “Hustle & Flow” she says, “I loved that it was filmed in my hometown. Terrance Howard once said of me, “They love her- I can’t get any love there!” It is apparent that Neal is proud of her Memphis roots and her love of her hometown, is taking her right back to work on her own first feature film project entitled, “Timeless.” She is delving into producing and writing. On her writing she says, “It allows me to do something I have never done before. “ She co-wrote the film with writer

and actress Robin Thede. Elise continues, “It’s about a woman who runs a dance school. It’s going to be filmed in Tennessee, I can’t imagine anywhere else where I would want to film. The film commission has been very supportive of me.”

Elise is unstoppable and has an infinite zeal for performing. When she is not working on a project, she can be seen in the musical group which she founded called, “Assorted Flavors.”

The group performs regularly at various music and charity events. Elise sings on the group’s catchy pop track called, “Hypnotic.” To tie in with the song, she has partnered with the energy drink Hypnotic and has called upon her famous friends Taryn Manning and Taraji P. Henson to re-launch the brand with a girl’s night out style musical act.

As a regular on the red carpet, she knows how to stay gorgeous. Elise’s stunning statuesque body and beautiful face constantly attract the attention of the press and paparazzi. She is a fitness maven and works out at Barry’s Bootcamp.

Her workouts consist of inclines, sprints, and abs. As a fashionista, she is a fan of Mandalay Designs. She says with a laugh, “I love every fashion magazine, Paris Vogue, Marie Claire, Harper’s Bazaar; I’ve been on who wore it better lists.”

Audiences and critics alike, often connect the strong emotional roles to African American actresses like Halle Berry or Taraji P Henson.

Elise is diverse in her skills and realizes that in order to create the roles she wants, writing will give her that power. When asked about Hollywood’s diversity she says, “I don’t know what’s going on, but I hope that we are going towards a positive direction. We’re seeing all races in film, but it is still a problem. There aren’t enough stories and voices. What we do see, is a lot of diversity in reality shows.”

On “Hustle & Flow” she

says, “I loved that it was

filmed in my hometown.

Terrance

Howard

once

said of me, “‘They love her-

I can’t get any love there!’”

NOvemBER 2011 - 33

ELEPHANT’S DESOLATION IN THE LA ZOO IS UNCOVERED! Hollywood’s Sunset Gower Studios holds red-carpet affair to shar e the truth about elephants held in captivity.

We’ve all heard the proverbial term ‘the elephant in the room,’ and we all know that means there’s a huge ‘animal’ of an issue that everyone in the room is trying to avoid discussing. But thanks to the efforts of some highly concerned A-list celebrities and animal activists, there is finally an elephant in the room that’s being exposed. You see there are hundreds of elephants who suffer needlessly as they’re held in captivity in zoos and circuses around the world. Perhaps not everyone is aware of the crisis, but Kat Kramer is ensuring that changes through her powerful documentary “Elephants and Man: A Litany of Tragedy.”

BY: JENNY WERTH

34 - Hollywood WEEKLY

NOvemBER 2011 - 35

Lily Tomlin, Kat Kramer, Tippi Hedren and Cher

Vincent De Paul and Guest

Billy Bob Thornton, Lily Tomlin, Melya Kaplan, Kat Kramer, Cher, Tippi Hendren and “The Elephant Man”, Chris Gallucci

PAULA POUNDSTONE AND LILY TOMLIN

36 - Hollywood WEEKLY

CHER

Some of Hollywood’s most iconic stars came out to Sunset Gower Studios last week for the world premiere of the documentary that’s shedding some very ugly light on an often ignored topic. Host committee members for the film, including Cher, Billy Bob Thornton, Lily Tomlin and Tippi Hedren all spoke out about their involvement in a campaign to persuade zoos to close their elephant exhibits and move the animals to much larger sanctuaries.

The campaign’s leader, Melya Kaplan, who is also the documentary’s executive producer and founder of the non-profit Voices for the Animals Foundation, joined forces with film producer, Kat Kramer and director Jacek Kropinski to chronicle the history of elephants in captivity. For Kat Kramer’s third installment of her “Films That Change the World” series she carefully choose “Elephants and Man: A Litany of Tragedy.” Kramer wanted to bring attention to the controversy surrounding the new $42 million elephant exhibit that just opened at the LA Zoo in December 2010. While the exhibit is larger, it provides only three acres for the elephants to roam. But being confined to the ‘freedom’ of three or even ten acres doesn’t even come close to solving the problem of elephant confinement in zoos. Espe-

trol them.” She hopes the public learns the truth about these endearing creatures. “An elephant is like a very large child, it has the mentality of an eight-year-old. They want to live with their moms and sibling and aunts. Children wouldn’t want to see them anymore if they knew that they were going to be alone forever without their family and just miserable.”

Cher explained that elephants love their relatives the same way humans do; they mourn and miss their loved ones the same way humans do as well. “It does so much damage just to put them in this confinement when there’s really no reason for it. Something else could be done,” Cher said.

Animals are not any different from humans. We all have feelings. The question is whether we choose to acknowledge that fact. At least we know that at Sunset Gower Studios in Hollywood a revolution of change is well underway.

“Our studios take an active role in supporting filmmakers by hosting screenings, events, and networking opportunities.

The eminent producer/director Stanley Kramer spent most of his film career on our Sunset Gower lot during its run as Columbia Pictures. Many of his socially conscious films, in-

“(Imagine if) you were taken away from your family and keep in solitary confinement… it’s miserable.

And the elephants in zoos and circuses are kept alone because if they were all together, (the trainers) wouldn’t be able to control them.” - Cher cially when you consider an elephant’s natural instinct can be to walk up to one hundred miles per day.

“I wanted to create a think tank and get activists and the media together to have a forum,” Kramer explained about the debut of her documentary. “(Films) can inspire us to think and explore social issues. “The Cove” made such an impact and I hoped to create something else that would create the same impact,” Kramer said. Indeed she has created a work of genius. After viewing the documentary, the picture becomes very clear that keeping these endearing creatures in the confines of captivity is simply another form of torture. To watch an elephant be whipped by its trainer so they can learn how to do ridiculous circus tricks is heart breaking.

It’s beyond words. It’s horrific.

A pioneer in animal rights, Tippy Hedren said, “Parents should know not to take their children to see elephants in zoos and circuses. There’s nothing educational about seeing an elephant standing up on his legs.”

Do we really need to watch elephants in circus acts standing on their hind legs? Is this really a form of entertainment, or are we merely mocking these creature’s nature by training them to do outlandish tricks.

Cher is another host committee who is outraged at the treatment of elephants. “(Imagine if) you were taken away from your family and keep in solitary confinement… it’s miserable.

And the elephants in zoos and circuses are kept alone because if they were all together, (the trainers) wouldn’t be able to con-

cluding “Guess Who’s Coming To Dinner,” were filmed on our sound stages. His daughter Kat Kramer is continuing the tradition of bringing attention to our social conscience through her Films That Changed The World screening series. Last year at this time, we helped her bring attention to a little known film called “The Cove” - which later earned an Oscar and brought worldwide attention to the slaying of dolphins. And now, we had a successful red carpet turnout for “Elephant and Man: A Litany of Tragedy.” Having Cher, Lily Tomlin, Billy Bob Thornton, Ed Begly Jr., Tipi Hedren and so many other talented celebrities come out and support this documentary brought its filmmakers significant media attention,” Terri Melkonian, Vice President of Sales & Marketing for Sunset Gower Studios and Advisory Board member of Films That Changed The World said.

For more information or to help the campaign, please visit www.vtfafoundation.org or call 310-392-5153. As the voice for animals, they are devoted to creating respect and empathy for animals through education, rescue, advocacy, and legislation. There are many ways to volunteer for the foundation. But the change starts with you, please tell your animal-loving friends to stop the insanity and allow these animals their inherent right to enjoy their lives in freedom, instead of confined in jails for our ‘viewing enjoyment.’

NOvemBER 2011 - 37

Minding Your Beauty

A Luxe ‘Boot Camp’ For Your Body And Soul

This summer, leave the vagaries of crash diets behind and embark on a ‘NuBeginning’ indulge in The Most Luxurious Weight Loss Boot Camp around. Set in the picturesque environs of Loire Valley in France, forget basic surroundings, cruel trainers, blood, sweat and tears, as the ultimate in luxury weight loss retreats shows you how to get bikini ready under the sizzling, sultry, French summer sun.

38 - Hollywood WEEKLY

For decades, many before us have incessantly tried one formula or another in the quest of achieving the elusive bikini body that we have always dreamt of. And often, to little avail. Whether a regimen included super somber sustenance, extremely earnest exercising or pricey painful procedures, losing weight has hardly ever been simple, fun or sustainable. That is, until now. Founded by Victoria Wills, the internationally recognized expert in the field of health and wellbeing, NuBeginnings, France promises a sultry new you with copious amounts of summer sun and fun.

Incorporating state-of-the-art facilities and unparalleled luxuries, guests at NuBeginnings have a unique and exclusive opportunity to lose weight and increase their general wellbeing whilst relaxing in the sun and enjoying a vast array of therapies. This weight-loss-boot-camp-meetsluxury-retreat is the number one holiday destination for anybody looking to unwind while shedding those extra stubborn pounds. The secret to their rapid success is in their potent combination of a luxurious retreat with an approach that delivers fantastic weight loss results, with most guests losing over 10 lbs in just under a week! NuBeginnings strives to make the experience enjoyable, offering deep tissue body massages and highly effective hypnotherapy. This unique and exclusive approach to combining exercise with nutritional advice, hypnotherapy and full body massages provides guests the most effective luxury weight loss program available.

So what makes NuBeginnings so astonishingly effective at weight loss? Victoria says “Everyone knows how to lose weight – eat less and exercise more. There is no news in that.

The problem is that people find it so difficult to actually do it.

Subconscious beliefs and behaviors can make it impossible.

In just a few sessions I can help you change your entire relationship with food. Finally, people can be freed from the frustration of their own behavior.”

Victoria Wills’ revolutionary discovery is centered on the principle that the mind is an extremely powerful tool to weight management. By channeling the power of the mind, you can control your emotional responses to certain foods

and eating habits, enabling you to naturally control your diet. Much like a conjurer, she uses extremely effective and pioneering techniques including Neuro Linguistic Programming, Time Line Therapy and Hypnotherapy, to devise a program that will work wonders for you. Victoria’s program has produced shockingly effective results without surgery with simple techniques that you will love to follow.

Victoria’s innovative approach has established her as one of the UK’s most influential and successful weight loss therapists.

Yet, it would be unjust to call the NuBeginnings program a mere weight loss treatment. Their program also teaches you to effectively eliminate stress from the mind and help to avoid natural and stress induced overeating. The program is easy to follow and based on simple ideas and lifestyle changes that can stay with you for good. Their clients have not only benefitted from safe, effective and painless weight loss but have also found the program to be a lifestyle therapy and helped them be more positive each day. Besides looking and feeling great, they enjoy living a healthy, positive and confident life that has them in control.

So, we may all ask ourselves - what could be better than heading off to a luxury retreat in France this summer, staying in a gorgeous historic French Château, eating the finest foods and coming back 10lbs lighter, and feeling better about life than we have ever felt before? It is hard to come up with alternatives that can top this luxury French hideaway, nestled amidst some of the most spectacular scenery in Europe…but the most important reason has to be because you want to do this for you and be the person you always desired to be.

For more information please visit: www.nubeginningsfrance.com www.victoriawills.com.

NOvemBER 2011 - 39

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PILATES CAN CHANGE YOUR LIFE FOR THE

GOOD

By Sharon Spyrs

L

ooking for an alternative to the repetitiveness of the exercise machines you find at the gym? I suggest you look into the effectively intense method of body conditioning known as Pilates (pi-LAH-tees). Today you can find Pilates in the news and spreading through the wave of popularity like never before. Why? Because today’s health-conscious public is discovering what dancers, athletes and rehabilitation therapists have known for decades: that the results of Pilates conditioning are immediate and noticeable.

Just like most forms of disciplined exercise regime, Pilates has been proven to be mentally beneficial as well as physically. It is being appropriately referred to as a form of “active yoga.” For us body-conscious Southern Californians, there are tales of dramatic changes in body mass and tone. Reports of dropping a full size or two in as little as six weeks -- without sacrificing any of the major food groups. Equally interesting are the tales of slenderized hips, shapely calves, leaner thighs, and inevitably, tighter abs.

The main piece of equipment used in Pilates is called the Universal Reformer, a padded bed-like platform with a base that glides back and forth on a track. A variety of bars, pulley, and strap attachments enable you to execute the movements lying down, sitting, kneeling, or standing. The degree of resistance for strength conditioning is determined by the number of springs attached for any given series of exercises.

An instructor is there to lead you to your next exercise and roams the class constantly monitoring students’ movements while offering gentle reminders like “shoulders down,” or “engage your abdominals,” or simply “breathe.” There’s never the dullness that comes with doing the same repetitive routine in a typical gym setting. The environment should be calm yet charged with concentrated energy. Your program changes constantly. Different equipment is introduced, or more advanced variations of already-learned exercises can be added. So you’re always learning new movements and working different muscle groups.

Because of Pilates’ emphasis on proper posture, body alignment, and constant elongation, there are even reports of height gains -- up to a full inch. Inspired by claims of greater strength, flexibility, and mental balance, I was determined to give Pilates a try.

“Whatever you do, Pilates will teach you to do it better. It’s the perfect compliment to any activity, or on it’s own, because it teaches efficiency of movement, says Amy Landon, Pilates instructor at Yoga Works – Costa Mesa, CA.

NOvemBER 2011 - 41

HOLLYWOOD NIGHTLIFE hollywood weekly’s got access to the hottest nightclubs

There are few things more enticing than a glittering new nightspot at the end of a long, hard week. Except a glittering new nightspot... with another secret glittering nightspot hidden underneath it. So welcome to Tru Hollywood open mondays fridays and saturdays. grab your dancing shoes and your friends to enjoy saturday night at tru promoted by joseph Yomtoubian. you won’t be disappointed.

Tru Hollywood Nightclub |1600 N. Argyle Ave | Los Angeles, CA 90028

NOvemBER 2011 - 42

www.LeReef.com Patrick Bastien Photography

www.collaryjewelry.com Actor,Chaice Shannon

(310)836-2446

LA THEAT Let’s see now. Turkey done? Check. Trimmings ready?

Check. Friends and family gathered? Check. Hmmm.

What are you missing? All of the great theatre happenings locally this month, such as: “Blues for an Alabama Sky” Angel is a struggling blues singer and nightclub performer who cannot find a job. Her friend Guy, a costume designer, is also out of work but dreams of being hired to design dresses for the famous African-American singer and dancer Josephine Baker. Their neighbor Delia, a social worker, is trying to organize a family planning clinic in Harlem. Their friend Sam, a doctor, works long hours delivering babies at the Harlem Hospital, and Leland, having recently moved to New York from Tuskegee sees in Angel a memory of lost love. Written by Pearl Cleage, and directed by Sheldon Epps, it runs November 1 through November 27 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit www.pasadenaplayhouse.org.

“A Sentimental Journey” this is the story of the life and times of Doris Day - part stage drama, part musical extravaganza - packed with fantastic songs such as “The Deadwood Stage”, “Secret Love”, “Little Girl Blue”, “Day by Day”, “Que Sera Sera”, “It’s Magic”, and “Young at Heart.” Written by Adam Rolston, and directed by Alvin Rakoff, it runs November 2 through November 20 at the El Portal Theatre in North Hollywood. For tickets call 866-811-4111 or visit www.elportaltheatre.com.

“The Romance of Magno Rubio” using clever word play, rhymes, rhythms, and Philippine love songs this show reveals the lives of migrant workers, their struggles and dreams, and their longings for home and a better life, with this story about a love struck migrant worker in 1930s California. Written by Carlos Bulosan, adapted by Lonnie Carter, and directed by Bernardo Bernardo, it runs November 4 through December 11 at the [Inside] the Ford in Hollywood. For tickets call 323-461-3673 or visit www.fordtheatres.org.

“Radiance: The Passion of Marie Curie” famous for her groundbreaking research in radioactivity, Curie was the only person ever to win two Nobel Prizes in multiple sciences, but not without a struggle. For all the answers that came to her in the lab, Curie’s life is peppered with questions of how to realize the passion she has for both knowledge and love. Celebrated but then rejected by the popular press as both a woman and scientist, Curie is left to define her place in society – and history – on her own terms. Written by Alan Alda, and directed by Daniel Sullivan, it runs November 9 through December 11 at the Geffen Playhouse in Westwood Village. For tickets call 310-9662412 or visit www.geffenplayhouse.com.

“Who’s Your Daddy?” no one expected Johnny O’Callaghan to ever become a father. However, a documentary shoot in Africa becomes a nine-month adventure during which he finds a son… and discovers himself. A comedic, true story, about a single man’s struggle to adopt - against all odds. Written by Johnny O’Callaghan, and directed by Tom Ormeny, it runs November 11 through December 18 at the Little Victory Theatre in Burbank. For tickets call 818-841-5422 or visit www. thevictorytheatrecenter.org.

“Short Eyes” the tough, unforgiving environment of a New York City detention center is the setting for the play’s story. The population of the institution is an assembly of racially and ethnically divided cliques in an internally constructed society with its own rules and boundaries, peopled with violent felons, thieves and killers, whom the world at large has locked away for its protection.

A middle-class white man named Clark, accused of child rape, is brought into the population.

Gentle-mannered Clark, surrounded by tough customers, is befriended by an inmate named Juan, but Juan must keep Clark at arm’s length for Juan’s own protection. Written by Miguel Piñero, and directed by Julian Acosta, it runs November 18 through December 11 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit z “And Then There Were None” opens with a cluster of statuettes--ten little soldiers--sitting on the mantelpiece of a weird country house on an island off the coast of Devon. A nursery rhyme embossed above them tells how each of the soldiers meets his death, until there were none. Eight guests are invited for the weekend by a mysterious host. The guests have never met each other or

RE BEAT

BY STEVE ZALL AND SID FISH

their host. While the guests are assembled for cocktails before dinner, a voice comes out of the air, accusing everyone present of murder, and then one drops dead poisoned. One down and the rest to go. Written by Agatha Chrystie, and directed by Shira Dubrovner, it runs through November 13 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-700-4878 or visit www. thegrouprep.com.

“Hairspray” is the story of big dreams, big girls, and big hair! Typical teenager Tracy Turnblad is obsessed with The Corny Collins Show and teen heartthrob, Link Larkin. Though rejected at the Corny Collins auditions, Tracy shows off some moves at the Sophomore Hop, where Corny Collins gives her a place on his show. Tracy is soon launched to stardom, and once on the show, changes the face of 1960s Baltimore forever. The show includes the songs “Good Morning Baltimore”, “Mama, I’m a Big Girl Now” and “You Can’t Stop the Beat”. Written by Mark O’Donnell and Thomas Meehan, with music by Marc Shaiman, and directed by Larry Raben, it runs through November 13 at the Musical Theatre West in Long Beach. For tickets call 562-856-1999 or visit www. musical.org.

“Hermetically Sealed” a stirring recipe of raspberry tarts, video games, and family secrets - the May family’s daily routine helps them maintain a safe, isolated world where they can almost evade their unspeakable pain. This evening, however, their carefully balanced life may be undone. Written by Kathryn Graf, and directed by Joel Polis, it runs through November 20 at the Skylight Theatre in Los Angeles. For tickets call 702-582-8587 or visit www.ktctickets.com.

“Monkey Adored” the dog is in love with the monkey, who may be having an affair with the cat, who’s smitten with the rat…and let’s not even talk about what the humans are up to. This allegorical and uniquely staged performance utilizes actors, puppetry, and projection in a collision of the comedic and the tragic. It is a tender love story that reeks of a ribald sex farce, set in a brutally violent world where compassion and understanding, might still have a chance. Written by Henry Murray, and directed by John Perrin Flynn, it runs through November 20 at the Rogue Machine Theatre in Los Angeles. For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

“The King of the Desert” depicts a Mexican American boy’s journey of self-discovery through adulthood and the realization of his dreams. Written by Stacey Martino, and directed by Sal Romeo, it runs through December 4 at the Forum Theatre in the El Portal Theatre in North Hollywood. For tickets call 818-508-4200 or visit www.elportaltheatre.com.

“Harbor” the story centers on Jules, a single mother, who must wrestle with the return of her ex-husband following the death of her father. The gloves and more come off when his untimely return to the family sets off a powder keg of emotions. The ensuing struggle over their explosive relationship elicits both laughs and an upheaval of the family in this exploration of what it takes to say good-bye. Written and directed by Jon Cellini, it runs through December 3 at The Victory Theatre Center’s Big Victory in Burbank. For tickets call 818-841-5421 or visit www.thevictorytheatrecenter.org.

“Miss Julie” the study of the embattled relationship between Miss Julie, the imperious, profoundly neurotic daughter of a wealthy count, and Jean, the virile, opportunistic footman whom she goads into a sexual liaison, casts the coldest of eyes at unleashed human sexuality. Written by August Strindberg, and directed by Stan Harrington, it runs through December 4 at the Stella Adler Theatre in Hollywood. For tickets call 323-465-4446 or visit www.plays411.com/missjulie.

Whatever your plans are, have a happy Thanksgiving!

45 - Hollywood WEEKLY

JOSH SHIPP Motivational Teen Speaker

By Niki Shadrow

W

hat was the moment that you knew you were going to be a motivational teen speaker?

JS: I grew up in the foster care system, have never met my parents, and had a pretty rough life. What kids don’t talk out they act out. And the way I dealt with my challenges was by becoming a class clown. Most teachers were completely annoyed by this, but one teacher said to me “Josh when you make your friends laugh… they are listening to you. Then you have the responsibility to say something important.” That really opened my eyes. Most kids greatest skills first present themselves as an annoyance. They just need a caring adult to help shape that annoyance into a relevant skill. BTW- I think it’s pretty cool I used to get kicked outta class for talking and now I get paid for it.

HW:How did you prepare for your first seminar series, how did you choose your message?

JS:My first seminar series was absolutely horrible. I have no idea what I was talking about. Actually I do. And it’s embarrassing. I was, I kid you not, trying to use an illustration of how coleslaw is like success in life. Yeah, stupid. Oh ya know mayonnaise is like your education. It holds it all together, but alone it’s not enough. Who here wants to eat a cup of mayo? Anyone?

Anyone? No. See there…you should be educated but that is not the only ingredient. I think I called it coleslaw: the recipe for success.

Thank God there wasn’t YouTube in 2000. Bottom line is this: most people don’t have the guts to get started until they think they are “good enough.” Get over the fact that you’ll never feel satisfied or good enough or prepared. Just get started. The good news is you don’t have to be perfect to do something, just willing. We all have to get that first time outta the way, and from there we improve and hone and get better.

HW:At what point along the way did you start understanding how to market yourself?

JS:It was truly a trial and error thing for me because unfortunately there wasn’t anyone teaching the business side of things like I do now with Youth Speaker University. There are a lot of people out there like me who want to positively impact others with their advice, but you must understand how to make a living doing this. Otherwise you could have the world’s most inspiring message and if no one hears it…it’s not inspiring anyone. Their loss and yours.

HW:What made you come up with the concept for your book “The Teens Guide To Life Liberty” And “The Pursuit Of Awesomeness”?

JS:I believe it’s not what you say, it’s how you say it. I wanted to create a quote “self-help book for teens” that wasn’t cheesy and that teen’s wouldn’t be embarrassed to have in their possession. This is an important thing for anyone who works with teens to understand-you CAN talk to teens about important, crucial topics…but it’s best to approach it with a sense of humor and lightness. Not to take the TOPIC lightly…but your approach can be HW:What point in your career did the revenue start coming? What does that timeline look like?

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JS: I define success as finding something in life you love so much you’d do it for free, but learning to do it so well you get paid for it. I started speaking because I love it, not because I wanted to make a lot of money. I have made a ton of money ($2.2/million this year alone) but that was NEVER my intention. If you just wanna make money -- go work on Wall Street. This business is about helping others. If you do that well and help a lot of others with your message…the money will be there. Wanna increase your revenue?

Increase your impact!

HW:How long do your speaking engagements last for? Have you ever walked out of an event? Any experiences that were not positive?

JS:Most of my speaking engagements are 45-60 minutes. My seminars with Youth Speaker University are 2-3 days long. A lot of my first speeches were VERY painful. I wasn’t that good of a speaker when I first started. The only way to get better is stage time. Is at-bats.

It’s not THINKING about speaking, but actually doing it. BTW- the same is true with writing and almost any other skill in life. It’s not about contemplation but action. The truth is those early good & bad experiences shape you. You think, “okay this worked really well and dang that part really bombed. Never ever do that again.” Bottom line: you can buy good marketing materials but you EARN a good speech.

HW: Do you think a speaker should have a product to promote from the beginning? If so what should they start with? Do you sell your products after speaking engagements?

JS: If people connect with your message they will inevitably want some sorta follow up. Something to reconnect them with that epiphany. That moment where their eyes were opened to something they hadn’t thought about before. So YES…you should have a product. But again, it’s about providing value to others not just as another revenue source. Is it another revenue source? YES. But if you hurry up and produce some crap book…they will sit in your garage and rot. And you will cry.

HW: What is the best advice you can give someone that wants to follow in your footsteps and become a teen motivational speaker?

JS:First of all…get started. Right where you are. Don’t look at someone like me and fixate on where I’m at now. Look at where I started. In rural Oklahoma, speaking to groups of 22 people. Getting paid $50 if I was lucky! Few people actually do what they wanna do with their life. Don’t miss the opportunity to make your life what you want it to be. That way you PRACTICE what you preach. Secondly, learn from others who have paved the way and are success. That is why I started Youth Speaker University. To train up and coming speakers that want to speak to teens or college students or parents/teachers.

When you learn from the best it saves you time and money. Trust me. It takes ten years to become an overnight success. But with the right training and guidance…maybe you can take the fast track to overnight success. Ya know, 5 years :)

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