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BACK IN ACTION WITH PAULA ABDUL HOLLYWOOD ICONS BETTY WHITE LA THEATRE BEAT SHOWTIMES FUNDRAISING IN LOS ANGELES WITH BEYONCE, JAY-Z, PHARELL & MANY MORE

Making It As A Rising Hollywood Actor

Rakesh Dasgupta

Says "It Is Possible"

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LETTER FROM THE EDITOR Dear Readers, ver wondered what it was like to make it as a Hollywood Actor?

If so, you will love the feature issue in this November issue of Hollywood Weekly. Rakesh Dasgupta sat down with down with our s an ugh ecast roles & tells us why he is a force to reckon with. Filled with a lot of wisdom & insight, Rakesh breaks it all down for us on how to make it in Los Angeles.

"City of Hope" hosted a fundraiser to support Cancer Medicine research. Celebrities that attended were the likes of Beyoncé who gave a timeless performance, Jay-z, Wiz Khalifa, Tiffany Haddish, Pharrell Williams, Rita Ora, Usher & many more. Read our indepth article about the many innovative sponsors of the event & the success of it all.

Paula Abdul is back in action with a close-up interview brought to you by Allison Kugel. Hector Richardson a new staff writer for Hollywood Weekly reviews music for the month of October in his debut "Hollywood Weekly November 2018 Music Review". We also go back in time highlighting an icon in her day "Betty White".

We also have showtimes in theatre brought to you by Steve Zall & Sid Fish.

NOW: News of the World" and "Hollywood Weekly Magazine" are partnering to bring you Hollywood Weekly TV on Spectrum Cable LA and beyond! Stay tuned for all this amazing entertainment coming soon... Follow us online to keep up with the latest news!

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Cheers,

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Paula Abdul N O V E M B B E R

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2 0 1 8

24

Highlighting International Talent On The Rise.

30

Otamara Marrero

Rakesh Dasgupta What It Takes To Make It In Hollywood.

Inside Of The Heart Of A Pop Music Legend.

6

City Of Hope

Stars Of All Likes Gather For A Great Cause In LA.

Hollywood Icons Betty White.

14

Hollywood Spotlight Everything Television.

18 Sofie Dossi Artist Highlight.

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36 LA THEATRE BEAT Presented By Steve Zall & Sid Fish.

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November 2018 Music Review Lil Wayne, T.I Buel & More.

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Feature

Rakesh

Dasgupta What It Takes To Make It

In Hollywood

By Fal Adams

6 • HOLLYWOOD WEEKLY

HOLLYWOOD WEEKLY • 7

Rakesh Dasgupta/Hollywood Weekly© 8 • HOLLYWOOD WEEKLY

I never planned to write Shiva; It just came out of nowhere. I was just scribbling on a piece of paper writing some random cheesy lines/ dialogues and while doing so I started to see a face...

HOLLYWOOD WEEKLY • 9

Hollywood Weekly: You're not from around here. How many continents have you lived on?

Rakesh Dasgupta: Three, actually. I was born in India; I lived in Australia for a very long time and now I'm here in the United States.

Three continents and three countries.

HW: How did you end up here in Hollywood?

RD: Primarily I wanted to come to Hollywood because as they say, this is the "entertainment capital" of the world. This is where I wanted to be, where I needed to be. Not sure why, without having any reasons at the time I have always had a painful feeling I wanted to come to America. From the place I was born, where I was from...coming to America...was like, next to impossible. Financially, my paperwork...it was like something you'd have to know people to do it. It's just like, one in a few thousand.

But then, I guess I was just bound to be here.

HW: Why do you think you stand out amongst other new actors?

RD: My look, that is the first thing. The visuals come first. It puts me in a different bracket.

Sometimes people cannot figure out where I am originally from.

HW: Would you say there is an imbalance of the roles available for you to play?

RD: There's always a stereotype that is there. At the same time, there is a genuine reason as well. If I am casting a character who is a caucasian character, I'll have to cast his parents caucasian and that makes sense.

That is absolutely understandable because some things have reason...but there is always stereotyping on the flip side. The cab driver, petrol station attendants, security guards, etc.

HW: That's unfortunate; you seem so versatile.

RD: I have gotten auditions that required someone with a British accent. I don't know how I got it, but I did. But the stereotypical roles...I never get them because I don't want to get them. When I go for those auditions 10 • HOLLYWOOD WEEKLY

I know very well I'm not going to get them.

Back in Australia I told my agent, "please please please do not, do NOT send me to auditions that are for security guards or any role that requires this look, I don't want to get stereotyped."

HW: So you spoke up to your agent?

RD: I had to. I hated playing the stereotypical stuff and I hate to do commercials. Getting those gigs didn't satisfy my hunger, just another few thousand dollars. I didn't become a actor to play stereotypical roles and sell soap and shampoo to earn a living. I like to act on my choice, not under any compulsion. When I came here, I was seeking representation and this one he asked what kind of stuff I would like to do...so I told him I want to play a leading man in American movies. He said, "you're crazy." I said, "that's what all my friends say." He said, "that's not going to happen. I can give you roles like gas station attendants, bouncers and taxi drivers, that's all I can do." I said, "If that's all you can do, I don't need you."

HW: What kind of films do you enjoy watching?

RD: The films I like to watch are the films I can relate do. More importantly I like to watch films that are entertaining. I like out-and-out comedy because I love to laugh. I can't relate to animation movies, those things don't attract me. I like films such as "The Tourist" with Angelina Jolie and Johnny Depp. It's not too realistic, but it is drama with emotional beats.

"Swingers" with Vince Vaughn - I can watch it again and again...I don't watch a film to criticize it, I watch films for entertainmnet.

HW: Have you ever met and worked with any high-profile actors?

RD: Officially, I didn't, because on IMDB it's uncredited...but I worked as a featured extra in this film called "The Truth" with Cate Blanchett and Robert Redford. My role was something like an office detective. The

most rewarding thing for me was I got to stand right next to Cate Blanchett when she was performing.

HW: You gave up a lot of privilege to follow your dreams. Were there any moments where you just wanted to give up entirely?

RD: I'm not sure. There were certainly a lot of negative vibes coming from all around. I knew I have become a laughing stock for everyone.

HW: What sort of mindset did that put you in?

RD: I realized that if I have to do something different, something that is completely out of the box, I have to walk this road alone. I realized that this is my vision and my vision only. If you want to do something different, something really different in your life, be prepared to lose friends and family It's your road. Just be prepared to walk alone.

If you want to do something different, something really different in your life, be prepared to lose friends and family.

It's your road. Just be prepared to walk alone.

Many thought I need a therapist. But deep down inside I knew I had no choice. I knew I am obsessed. I realized that I am fighting with myself and no one else. My biggest therapy was me, myself. So I just started following my heart because I don't want to regret in my death bed.

You can never satisfy everyone. But if I can satisfy myself, I'll consider myself succesful.

I see things differently, currently I don't have any agent or manager in Hollywood. It is not because I didn't get any representation offers.

It's because I could not find an agent or a manager who carries the same mindset as me.

I could not find a suitable person yet to join this one man team. I could not find a producer for "Shiva" yet because I could not find a producer that has the same view of "Shiva" as me. I am not going to compromise with "Shiva Chatterjee" to give him life.

Rakesh Dasgupta/Hollywood WeeklyŠ Rakesh Dasgupta/Hollywood WeeklyŠ

HOLLYWOOD WEEKLY • 11

RD: It would sound really weird but the fact is, I wanted to become a cop because I wanted to prove someone wrong. I act from my heart.

I knew I wanted to be an actor, but I was temporarily attracted to be a police officer at the time. I told a girl I was going to do it, and she said "you can't". I wanted to prove her wrong...it took me about two years but I did it. When I finally got my badge I asked myself "why did I do this?" It was not to prove her wrong but to prove to myself I can do it. So I didn't even bother to show her my badge, it was not necessary. I remember when I did my first arrest, the job was fun...but then I didn't like it because I wasn't enjoying it. I was like, "why the hell am I staying here...what am I Rakesh Dasgupta/Hollywood Weekly© doing this for?" So I kept asking myself and finally realized that deep down inside I was obsessed with acting. One day in the police HW: How did your script, "Shiva" station I looked at the officer in charge and come about? realized that this ending of my story isn't what RD: I never planned to write Shiva; It just I want for myself. I resigned. came out of nowhere. I was just scribbling on a piece of paper writing some random cheesy HW: Give our readers some insight into your lines/dialogues and while doing so I started to casting process. see a face. In the beginning I kept disregarding RD: Dialogues - sometimes you get lines and it but then his face kept popping up repeatedly sometimes you don't. When I get the lines and I could hear his voice. Surprisingly, I sometimes they are lengthy and sometimes noticed that the lines I scribbled in that piece they are short. I always know my lines, I always of paper actually resonated with his voice. know my dialogues. But I never prepare how Then I just went with the flow.

Iʼll throw those lines. But you have to know HW: How does the media help you control positive images and stereotypes of Indian people?

RD: The stereotypes will be there. It's a habit.

It is going to be there, I face that as an actor.

There are two parts to it...a genuine need for a role. But then there is the other part which is called "stereotyping". Let's face it, there is a need to come out of that habit.

HW: Are you aware that in America, for some people, law enforcement can be a controversial subject? You were a police officer and quit to be an actor. Can you elaborate on that at all?

12 • HOLLYWOOD WEEKLY

your lines. I have had so many arguments with acting teachers because I could never agree with them. You got to know your dialogue.

Your dialogue is not your your coat that you would leave it on the chair. Itʼs your blood, it stays with you.

HW: What more can we expect with your script, "Shiva" ?

RD: Shiva is not just a story, itʼs a voice. It has been told by many Hollywood experts that Shiva is not plausible. It has been told by many that Shiva is a representation of an amateur work. It has been told my many that Shiva doesnʼt fit the formula. But many failed to realize that Shiva himself is the formula;

"Shiva" has now received so many awards that I have myself lost count. So I am not sure how would those experts justify their statements?.

But as I always say these awards would have zero value to me unless I can get Shiva made.

Very soon Shiva will get life. Another thing, Shiva is not for the intellectual people. Shiva is not for the critics. Intellectual critics wonʼt be able to relate to Shiva. Shiva is for the ordinary people, the working class.

HW: Where do you see yourself ten years from now?

RD: I want to work as the leading man in American movies. But I see myself in that position before that time. Itʼs not a dream, itʼs a vision.

HW: Do you consider yourself to be a self made man?

RD: I would love to say I am a self made man to gain public sympathy. That would sound so cool. But I would be just lying if I say that.

I had a lot of help. I have been very lucky to have so many unknown people come forward at every stage of my career and help me take that next step forward. Therese Clifford, Paloma Bilson, Rozalin Benlevi Kashani, Prather Jackson and the entire team of Hollywood Weekly - Today I have nothing to give you back but the day I reach that pinnacle, you all would have my back. Thatʼs a promise.

Screenwriting Awards.

Shiva-An unfinished love story...

Rakesh Dasgupta/Hollywood Weekly©

HOLLYWOOD WEEKLY • 13

Coverage

FEATURED

ARTIST

Quincy Joney (L) Dr.Dre (R) Michael Kovac/Getty Images

City Of Hope Stars Of All Likes Gather For A Great Cause In LA By: Polly Foster 14 • HOLLYWOOD WEEKLY

C Jon Platt (L) Pharell (R) Michael Kovac/Getty Images

Lou Simon Photo Credit: Enrique Tubio

Tiffany Haddish Michael Kovac/Getty Images

Coverage

ity of Hope Gala, on behalf of The Prisoner Wine Company – the official wine sponsor of the star-studded evening, hosted at the Barker Hanger in Los Angeles. Hosts Pharrell Williams and Jay-Z awarded Jon Platt, Chairman of Warner Chappell Music, the Spirit of Life Award, for his dedication to the charity’s research and treatment for cancer, diabetes and other diseases.

Guests watched in awe as Beyoncé performed Ava Maria on a stage with a water feature so intense, it pushed Trombone Shorty to a separate stage.

Red-carpet regular Tiffany Haddish was handed a glass of The Prisoner Wine Company wine upon arrival before being escorted into the venue for dinner, where she was ultimately shown to the wrong side of the room. Haddish meandered for what seemed like 30 minutes before finding her place at the table, where she DESPERATELY needed a glass of wine, and was promptly served a glass of Blindfold Chardonnay. “Girls” singers, Bebe Rexa and Rita Ora were all hugs and kisses after reuniting on the red carpet and continuing to the night’s festivities.

Rita Ora (L) Bebe Rexa (R) Michael Kovac/Getty Images HOLLYWOOD WEEKLY • 15

Beyonce Michael Kovac/Getty Images

Annie Q in the club "MDMA" Courtesy of Shout! Studios 16 • HOLLYWOOD WEEKLY

Coverage

Jay-Z (L) Wiz Khalifa (R) Michael Kovac/Getty Images

Usher (L) Tiffany Haddish (R) Michael Kovac/Getty Images

HOLLYWOOD WEEKLY • 17

t h g otli

Sp

r you f o s ode day's s i p o est e as on t t a l e h th TV dram ght c t a C otli rite p o S v a f

TV | Mom

"Puzzle Club and a Closet Party" -- Christy and Wendy help Jill clean out her clos“Uncanny Valley of the Dolls” -- Holmes and Watson discover that the murder of a robotet, which turns out to be a bigger job than expected, and Bonnie, Marjorie and ics engineer may be connected to his groundbreaking secret research in the area of real-life Tammy take up a new hobby, on MOM, Thursday, Nov. 8 (9:01-9:30 PM, ET/PT) on teleportation. Also, when Detective Bell is shut out of a required class he needs in order to the CBS Television Network. Pictured L to R: Anna Faris as Christy, Jaime Pressly complete his master’s degree and join the U.S. Marshal Service, he is shocked to discover the as Jill and Beth Hall as Wendy. Photo: Sonja Flemming/CBS ©2018 CBS Broadcastcourse instructor has personal reasons for denying him access, on ELEMENTARY, Monday, ing, Inc. All Rights Reserved August 13 (10:00-11:00 PM, ET/PT) on the CBS Television Network. Pictured Jon Michael Hill as Detective Marcus Bell JEFF NEIRA/CBS ©2018 CBS Broadcasting, Inc. All Rights Reserved

18 • HOLLYWOOD WEEKLY

Spotlight

TV | Magnum P.l.

"The Cat Who Cried Wolf" - Magnum takes the case of a little girl's missing cat but in the process, stumbles upon another cat's murdered owner who happens to be FBI, on MAGNUM P.I., Monday, Nov 5 (9:00-10:00 PM, ET/PT) on the CBS Television Network. Pictured L-R: Perdita Weeks as Juliet Higgins and Jay Hernandez as Thomas Magnum Photo: Karen Neal/CBS ©2018 CBS Broadcasting, Inc. All Rights Reserved TV | Charmed

"Other Women" GUILT — Mel (Melonie Diaz) is worried about Niko’s (Ellen Tamaki) safety, so Mel and Harry (Rupert Evans) come up with a plan to protect her, but Mel will need her sisters’ help. Meanwhile, Maggie’s sorority sister Lucy (guest star Natalie Hall) turns to her for some help, but Maggie struggles with telling her the truth because it could jeopardize her sorority future. Original airdate 11/11/2018.

HOLLYWOOD WEEKLY • 19

Spotlight

TV | Murphy Brown

TV | Crazy Ex-Girlfriend

"I'm So Happy For You" BIG NEWS IN WEST COVINA — Heather (Vella Lovell) and Valencia (Gabrielle Ruiz) both have changes in their lives which leaves Rebecca (Rachel Bloom) reeling. Meanwhile, Paula (Donna Lynne Champlin) has to adjust to some good news/bad news from her eldest son. Vincent Rodriguez III, Pete Gardner and Scott Michael Foster also star. Ilana Pena wrote the episode, directed by Erin Ehrlich (#405). Original airdate 11/9/2018.

"A Lifetime of Achievement" - The "Murphy in the Morning" team, Avery and Phyllis join Jim Dial at an eventful Lifetime Achievement Award gala in his honor, hosted by Katie Couric (playing herself) and attended by Murphy's worst-ever secretary (Bette Midler), who has a surprising new connection to Murphy. Also, Murphy discovers a kindred spirit in Judge Nate Campbell (John Larroquette), another gala attendee, on MURPHY BROWN, Thursday, Nov. 8 (9:30-10:00 PM, ET/PT) on the CBS Television Network. Pictured L-R: Candice Bergen as Murphy Brown and John Larroquette as Judge Nate Campbell Photo: John Paul Filo/CBS ©2018 CBS Broadcasting Inc. All Rights Reserved.

TV | Riverdale

"Chapter Thirty-Nine: The Midnight Club" ANTHONY MICHAEL HALL AND MICHAEL CONSUELOS GUEST STAR IN A FLASHBACK TO RIVERDALE HIGH CIRCA 1992 — When Betty (Lili Reinhart) confronts Alice (Madchen Amick) about Gryphons and Gargoyles, Alice has no choice but to come clean about how she, along with a young Fred (KJ Apa), FP (Cole Sprouse), Hermoine (Camila Mendes), Hiram (guest star Michael Consuelos), Sierra (Ashleigh Murray), Penelope (Madelaine Petsch) and Tom (Casey Cott), played the game in the early 90’s – and how a shocking mystery has been plaguing them all (#304.) Original airdate 11/7/2018.

20 • HOLLYWOOD WEEKLY

Spotlight

TV | God Friended Me

"A House Divided" -- Miles is sent a friend suggestion for a cab driver who is opposed to his daughter marrying outside their faith. Also, Miles enrolls in a marketing class to help him promote his podcast, on GOD FRIENDED ME, Sunday, Nov. 4 (8:00-9:00 PM, ET/PT) on the CBS Television Network. Pictured L to R: Victoria Janicki as Nia and Brandon Micheal Hall as Miles Finer. Photo: Michele Crowe/CBS©2018 CBS Broadcasting, Inc. All Rights Reserved

TV | Hawaii Five-0

McGarrett investigates a cold case from the 1940s, one that his grandfather and the famous Honolulu detective Chang Apana worked on, and he tries to deduce how the case could have been solved. on the milestone 200th episode of HAWAII FIVE-0, Friday, Nov. 9 (9:00-10:00 PM, ET/ PT) on the CBS Television Network.

The FIVE-0 cast appears as characters from the 1940s. Pictured: Ian Anthony Dale as Adam Noshimuri/ Earl Blackstone - 1941. Photo: Karen Neal/CBS ©2018 CBS Broadcasting, Inc. All Rights Reserved

HOLLYWOOD WEEKLY • 21

Artist

Sofie Dossi

America's Got Talent

By Fal Adams 22 • HOLLYWOOD WEEKLY

A

t the age of seventeen, Sofie Dossi has won over America's hearts with her fluid moves and bold personality. Millions of people all across the world are intrigued by her performances, which have captivated judges like Reba McEntire, Simon Cowell, Howie Mandel, Heidi Klum and Nick Cannon.

She has already made notable acting appearances on Disney and is a fan-favorite with The Ellen Show! Hollywood Weekly caught up with Sofie at the “Sunday Funday with got milk?” event by The California Milk Processor Board at DOJOBOOM. Hollywood Weekly: What's it like being on America's Got Talent?

Sofie Dossi: It was a great experience, I loved it so much...it was where everything all began.

HW: Before you made it onto nationally televised recognition, what kind of ambitions did you have for being out there?

Artist

SD: I actually never aspired to be "out there." I just loved what I did. I did contortion and I just loved it. It came from my heart, then when I got on AGT it turned into that and changed my whole life.

HW: What inspires you as a performer?

SD: I feel like...so many things, I get inspired by anything. I get inspired by looking up at the clouds or thinking of the impossible to do, and making that possible. That's how I create moves, create ideas for YouTube videos and things like that.

HW: Any moments or unique memories on your YouTube channel that stood out?

SD: When I was filming "The Ellen Show" I remember being so excited right before my performance...but the best one was actually VidCon. Right before I went on, I was hearing the crowd and they were screaming so loudly! You feel the energy of the crowd and it's such a surreal feeling.

HW: Do you have any other favorite shows you'd like to be on eventually?

SD: That's a good question. I think "Stranger Things" would be pretty cool HW: Any self care tips/habits to keep your day and routine going?

SD: Always take care of yourself, make sure you feel good. Make sure you always eat right because when you eat right, you feel a lot better.

Sofie Dossi Photo Credit: Fal Adams

HW: Any final thoughts you'd like to share with your audience?

SD: I'm here doing a meet-n-greet because of got milk? “Sunday Funday with got milk?” is part of the California Milk Processor Board’s campaign You Can Always Count on Milk, which captures how being a kid is tough, but no matter how challenging life gets, milk powers them through it all. I'm so excited for what's coming up next. You'll see more of me acting, more from my clothing line, and other surprises. Follow me @SofieDossi!

Lou Simon Photo Credit: Enrique Tubio HOLLYWOOD WEEKLY • 23

Celebrity Spotlight

Paula Abdul ©

Inside the Heart of a Pop Music Legend

Paula Abdul

By Allison Kugel

24 • HOLLYWOOD WEEKLY

I do know that a recipe for failure is trying to please everyone. You never will.

O

n October 3rd, Paula Abdul hit the road on her North American tour; a tour that’s been more than twenty-five years in the making, since her 1992 Under My Spell tour which grossed $60 million in ticket sales (a mint by 1992 standards), yet also yielded some tragedy that almost sidelined the beloved performer forever. The world knows Paula at the plucky, iconic dancer and popstar turned American Idol judge, turned legacy performer. What people may not know is that this Grammy-winning legend had to climb a mountain of adversity, both physical and emotional, to dance again.

For Abdul, this 2018 Straight Up Paula! tour is a miracle in the making. When audiences come out to see her this fall, they will bear witness to one of the greatest comeback stories in show business history.

Because of Abdul’s preference for handling tough times privately, our conversation may shock you, and it will also make you root for her. Abdul’s imitable strength is in her refusal to allow her story to end with tragedy. She insisted on a second act with her long running stint on American Idol as the judge with heart, to Simon Cowell’s stone-cold blunt criticisms of aspiring vocalists. The show introduced her to a new generation of fans. Her Straight Up Paula! tour is a triumphant third act where she’ll share, not only her catalog of music and iconic choreography, but her surprisingly poignant life story.

Beyond singing and dancing, it was Abdul’s million-dollar smile, huge heart and humble responses

Music

during interviews that captured the publics’ affections and helped to define an entire generation. Beginning with her first #1 hit, Straight Up, in 1988, Paula Abdul was a Gen X darling of epic proportions.

She brought something new and engaging to the mix, matching meticulous dance choreography with pop music.

Paula Abdul’s warmth and accessible appeal made an entire generation smitten. As someone put it to me recently, “She could have been your best friend’s sister, your cute neighbor… the girl next door you just had to get to know.”

Allison Kugel: You’ve said that when it comes to your choreography, you would often dream the dance steps up in your mind, and then you would run to the bathroom mirror and go through the steps that you’d already envisioned. I find that so interesting, because that’s how I write. I write by either talking to myself or thinking out loud, whatever you want to call it (laughs); or by having these inspired thoughts that come into my awareness. I’ll then rush over to the computer and type it all out. By the time I get to my computer, it’s already written, just like by the time you get to that mirror the choreography is already done.

Paula Abdul: Exactly the same!

AK: Do you feel that when it comes to your choreography, it’s being channeled through you, like it’s coming from some higher source? Because that’s how I often feel…

PA: Yes, that completely makes sense to me, because sometimes I’ll even question myself, like, “Where did that idea come from?” It’s really strange, but sometimes I can be in this zone where it feels like auto-pilot, and I’m not even aware of it. It’s kind of cool.

AK: I remember reading something your mom said years ago, about you being four or five years old and declaring that you were meant to be a dancer; something to that effect. When did you start taking dancing lessons?

PA: I started taking dancing lessons at seven, but I was four years old when I walked up to the TV set and told my family, “I’m going to do that,” and it was while watching Gene Kelly in Singing in the Rain.

AK: Well, I remember your mom telling a story about a night when it was raining so hard outside that she couldn’t bring you to your dance class, HOLLYWOOD WEEKLY • 25

me, this is an opportunity to create my own vision of what I want to do in terms of interpreting the songs.

I’m incorporating lots of technology and multimedia, and with some storytelling as well. I’m also going to cover some fun things, and some not so fun things, from my life in this show. It’s giving people a little bit more insight into who I am, and the career I’ve had.

Paula Abdul "Opposites Attract" Video © and you were hysterical crying. The thought of missing a dance class was just devastating to you.

Did you actually feel from that very young age that dancing is what you were put on this earth to do?

Paula Abdul: I absolutely did feel that way. I knew what my calling was. It’s very interesting, because I find that with dance, for many young kids, it’s just like that. I hear from so many parents saying that their daughter, that’s all she does. She does her studies, but she takes six classes a week and can’t bear the thought of not being able to make it through a class. Dance can strike a chord in your heart unlike anything else. It gets into your soul and it changes people’s lives. It’s been [therapeutic] for me, and for most people who dance. I hear so many of the same stories.

AK: Is there anything else you feel you are still here to accomplish or experience, that has yet to be done?

PA: I really want to do some more producing, both in television and film. I’d also like to do some more acting, something that is completely against type. I think it would be more challenging and fun, and it allows you to explore in a way where most people have no idea that a character like that can be within you.

AK: Let’s talk about your tour, Straight Up Paula!. Are you going to make each song’s choreography and costumes reminiscent of the original music videos, or will you change it up to reflect present day?

PA: It will be a little of both. I know that fans come to hear those songs, and they will, but I’m not doing a direct replication of those [music] videos. There is a nod to them, with a little bit of nostalgia. But for 26 • HOLLYWOOD WEEKLY

AK: Going back to what we were talking about before, about being in the zone, how do you know when you’re in that zone and your creativity is flowing; versus when it feels forced?

PA: For me, there is such a difference when there is a flow. Eight or nine hours can go by, and I can’t even believe it. And then there are times when it seems like the day will never end. I’ve learned that when the latter is happening, I have to do an abrupt about face and change the environment; step outside, do some other activity to wipe the slate clean. When you’re hitting a wall, it’s stagnant energy. It’s not creative, and it’s not conducive to rehearsal hall or anything else I’m trying to accomplish. For me, muscle memory is now a tricky thing. Your brain also, in terms of remembering, it’s different now. Things that were natural in my body, from so many years of injuries, I need to re-address certain dance moves and change it to what feels better for me now.

AK: When you were talking about time flying by, or crawling by, it reminds me of what Deepak Chopra says about time not really existing, except in our minds. If you’re in the zone, you lose track of time and nine hours feels like nine minutes.

PA: And it’s the best feeling, I’m sure you know!

I can’t stand the latter, when time crawls. It’s the worst. You want to just cancel the day and start fresh the next day.

Allison Kugel: I always say that if you are in a creative field, it’s an odd thing, because you can’t just clock in and clock out. You have to be in a certain creative flow or nothing much is going to happen.

Sometimes the best thing you can do when you feel that way is to not work.

PA: It’s true, because it’s more of a wasted day, and it’s miserable (laughs).

AK: I ask this question of everyone, because I learn so much about people through this question… when you pray, who or what do you pray to?

PA: I believe in God, and I do pray to God. But I am also spiritual in the sense that I know I have angels

around me, and I know to pay attention to the signs I get from the universe. I used to not pay attention to the signs that were right in front of me. I feel that I finally get it. I do pay attention now, as I’ve gotten older, to those signs the universe gives me.

(Paula’s dog wanted some attention and began to get very vocal in the background. We paused for a minute, so Paula could give her some love…)

PA: It’s so funny! Every time I’m doing an interview and she’s supposed to be quiet, she knows, and she starts up (laughs)!

AK: She can join in the conversation!

PA: Do you have any dogs?

AK: I have two dogs whom I adore, and I love hors es as well. I ride horses a lot. Have you ever ridden?

PA: That’s so cool. There is this one place called Miraval Resort and Spa in Arizona. It’s magical and mystical, and they do this whole equine course. It’sunbelievable how vulnerable and therapeutic the ex perience is.

AK: Do you see yourself as a pioneer with putting dance at the forefront of the pop music industry?

Paula Abdul ©

Music

PA: I definitely do. I feel that’s one of my biggest contributions. That’s what people herald me as doing, and it’s nice to know that. It’s nice to know that you can create and spark those kinds of dance crazes, but also that they can stand the test of time. A lot of dancers will say, “You’re American Music Awards dance opening numbers are ‘almanac.’” (Laughs) And artists that will say, “Man, I watched and learned everything that you ever did.” It’s wonderful to hear that.

AK: You came into the business as a dancer, and as a choreographer, and then you ventured into recording music. At that time, although you were extremely commercially successful, you had your share of critics. A lot of other artists at the time said, “She’s really a dancer, just trying to be a singer. She’s off-key, she should stick to choreography…” How did you handle that kind of criticism back then, and how do you handle it now?

PA: I feel like being in this business for over thirty years, you learn how to handle constructive criticism, and just plain old, simple criticism. What I have learned is that, although I can’t just say what the formula is for success, because success is different for everyone, I do know that a recipe for failure is trying to please everyone. You never will. For me, I’m an entertainer that happened to resonate with millions of people. I’m grateful for that. I’ve never claimed to be the best at anything. I’m a constant, perpetual student, and I love learning. I love improving upon weaknesses and nurturing the strengths; and being able to draw upon inspiration from others.

AK: Why do you think you resonated the way you did with my generation; those of us who were coming of age in the late eighties and into the early to mid-nineties?

PA: I think the through-line of most of my success is my heart, and I think that it connects with other people’s hearts, especially women. I have this profound love affair with women. I’ve never been a threat to women. I have been very inclusive, and always thought the most beautiful thing you can do is to recognize beauty in someone else and celebrate that. Because I was always an accessible type of artist, people felt that they knew me, and they do know me.

AK: Do you have a ten-year dream, as in, “in ten years I’d like to be retired, living on the beach.”?

Do you have a plan like that, or is this the dream, to keep singing and dancing for as long as you can?

HOLLYWOOD WEEKLY • 27

PA: I feel extremely grateful that I’m able to do this.

I was sidelined for many, many years because the last time I was on tour I was in a terrible accident in a seven-seater jet. One of the engines blew up and the right wing caught on fire, and we plummeted.

AK: I don’t think many people out there are aware that you went through this ordeal. Were you belted in when the plane began to plummet?

PA: I wasn’t wearing my seatbelt. I was getting ready to put my seatbelt on, but I never made it and I hit my head on the [ceiling] of the plane. It caused me to have paralysis on my right side, and I endured fifteen cervical spinal surgeries. I went through all of that, mostly, privately. Back then, we didn’t have tabloids like we do now. We didn’t have the extent of paparazzi or the [internet], so you were able to contain some information. I was so afraid of being counted out and looked at as damaged goods. The problem was that, at the time, I was. I ended up having to take almost seven years off to have all these different neuro-surgeons operating on me. So, the fact that at this stage of my life, I’m able to do this, is the biggest gift ever!

I am living, in many ways, my dream. But I also would love to branch out into other areas. And I get as much joy behind the scenes as I do from being out in front.

AK: What do you hope audiences will experience when they come out to see you on the Straight Up Paula! tour?

PA: I hope during the show they feel a celebration of fond memories of their time growing up with me.

I also hope people get a chance to know me further, and get a better sense of who I am, with my whimsical ways and my sense of humor. It’s going to be a nod to everything that has inspired me since I was young, and celebrating my career, with the ups and the downs, and everything in between. I hope everyone leaves with a smile on their face.

28 • HOLLYWOOD WEEKLY

Film Review

The Hate U Give Film Review by Kam Williams

Amandla Stenberg Stars in Adaptation of Searing, Inner City Saga 16 year-old Starr Carter (Amandla Stenberg) straddles two different worlds which never intersect, one, black and poor, the other, white and privileged. That's because she lives in the ghetto in Garden Heights, but her parents (Regina Hall and Russell Hornsby) have sent her to Williamson, an exclusive prep school located on the other side of the tracks.

They know that Williamson gives her a better chance of making it out of the 'hood than the local public high school which is only good for girls who want to get “high, pregnant or killed.” Consequently, Starr uses slang when hanging out with her friends on the block, although she always talks properly around her classmates.

Having different personas isn't a problem until the night she accepts a ride home from a party from Khalil (Algee Smith), a close childhood friend she'd lost touch with. While obeying all the rules of the road , they're inexplicably pulled over by the police, ostensibly for “driving while black.”

Starr quietly complies with the condescending cop's (Drew Starkey) every order, since she and her siblings had been carefully trained by her father how to survive such an encounter. However, Khalil opts to challenge the officer and is shot dead in seconds when his hair brush is mistaken for a gun.

Within days, Starr finds herself suddenly being swept up into the eye of a media storm as the only eyewitness to the killing of an unarmed black kid by a white lawman. The community calls for justice, but the only hope of Officer MacIntosh's even being arrested is if Starr testifies before the grand jury.

That is the compelling point of departure of The Hate U Give, a searing, inner city saga directed by George Tillman, Jr. (Notorious). The movie is based on Angie Thomas' award-winning novel of the same name which spent 50 weeks on the New York Times' Young Adult best seller list.

The heartbreaking bildungsroman features a top-flight cast, starting with Amandla Stenberg who is riveting from beginning to end as the terribly-conflicted Starr Carter. Also delivering powerful performances are Russell Hornsby, Regina Hall, Anthony Mackie and Common in service of a timely story certain to resonate with African-American audiences.

A grim reminder of just how tough it is to be young, marginalized and black in a merciless environment oblivious of your plight.

Excellent (4 stars)

Rated PG-13 for violence, profanity, drug use and mature themes Running time: 132 minutes Production Studio: Temple Hill Entertainment / Fox 2000 Pictures / State Street Pictures Studio: 29th Century Fox

HOLLYWOOD WEEKLY • 29

Television

Otomara Marrera ©

Otomara Marrero A Standout in “StartUp”

By Alex A. Kecskes

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A

Miami native, Otmara Marrero’s earliest acting role was in the 2015 telemovie “Instant Gratification.”

She also appeared in episodes of “Ballers” and “Graceland.” In 2016, she was cast in the drama “My Daughter's Dilemma.” The following year, she joined the cast of the feature film “Miss Arizona.” In the web-hacking TV series “StartUp,” Marrero is Izzy Morales, an Internet expert who joins a group of Miami collaborators caught up in digital currency, dirty money, and a Haitian gang.

Thank you for taking the time for this interview. I understand you started out as a dancer for the Florida Marlins. How did you break into acting?

Otmara Marrero: I started doing ballet at three. That was my first love. I did that for 15 years until I was a sophomore in high school.

I wanted to be cool and be on the dance team.

So I auditioned for the team and didn’t make it, but the coach said I should audition for the Florida Marlins and I made that team. I always loved performing but I was really shy and I didn’t have a voice. I thought I was going to dance for the rest of my life but I realized it just wasn’t enough for me. I went back to college, worked at a nightclub, did commercials and that’s when I really found my voice. So I took an iPhone photo of me and submitted it to an agency. I had no experience but I finally landed a part on “Ballers.”

Alex A Kecskes: What attracted you to the role of Izzy Morales?

Otomara Marrero: She’s a super complex Latina. Originally, when I read the pilot, my first thought was, this role was for a man. I was really intrigued by the writer/creator Ben Ketai.

Izzy is from my hometown. So for me to move here and audition, the stars couldn’t have been more aligned. All the technical aspects of the

show and the people attached to it make “StartUp” really great.

I auditioned for the role nine times. They put me through the ringer but I get it. They were gambling on me. I didn’t have a name, no one knew who I was.”

AK: Did you audition for the role? If so, what was that like?

OM: I auditioned for the role nine times. They put me through the ringer but I get it. They were gambling on me. I didn’t have a name, no one knew who I was. I didn’t have a resume. I was green. After my first audition, something felt really right. I did a slow walk from the office to the elevator when I heard Ray (Ricord), one of the executive producers, say, can you come back in for a couple of minutes? They gave me this really long three-page monologue and told me to come back in 10 minutes. So I went back to my car, studied the scene, returned to audition and it felt effortless. After that, I got several callbacks and did a scene with Adam (Brody), who I didn’t recognize. I just started talking to him as if I’d known him forever. I definitely think he thought I was a little crazy.

AK: Izzy is this super smart Internet tech genius. Did you have to bring yourself up to speed on all the tech-speak?

OM: I’m so tech illiterate. My iPhone is like IOS6 or something. I barely use the computer. We’re really fortunate to have people from Silicon Valley. During the first season, I met with a girl who was a professional coder. She kind of taught me the basics. And once you know the basic lingo, you can kind of navigate through and it all begins to make sense.

“What Izzy and I have in common is our ambition. She has her eye on the prize. We’re both very driven by our dreams.”

HOLLYWOOD WEEKLY • 31

AK: How are you like Izzy and how are you different?

OM: I think what really separates us is that she’s this genius level person. And that’s not me. I’m very creative. I think what we probably have in common is our ambition. She has her eye on the prize and that’s something we share. We’re both very driven by our dreams.

She goes to the lowest of lows and the highest of highs, putting her family at risk. And that’s something I wouldn’t do.

AK: Izzy is compelling to watch. What did you draw from to portray a character with so many interesting layers?

OM: The good thing about the show is that Izzy has time to grow and develop, to fall and to get up. I learn so much from her year after year, especially when the script comes together and you start peeling off her layers. I did pull some things from my life experience to develop her character. The show is basically about thee three unlikely characters, who, when they come together, shit just happens. I learned so much from the cast. Through each other, we learn a lot about our own characters.

AK: What do you find most challenging about being in this series?

OM: Having to work with actors that have been in the business for over a decade. Other than that, Ben, our creator and director, is wonderful. He’s so passionate about the show. He took all the right steps and nurtured it, and that’s why it works so well. It comes from a real place.

AK: “StartUp” touches on big government’s overreach of the Internet. Do you think this is where we’re headed as a society?

OM: It’s really scary, but that’s what I like, the current events we’re touching on. Are we headed in that direction? I don’t know. Maybe the Internet should be monitored. When you look at social media, it’s such a gift and a curse. In China, I think the Internet is con32 • HOLLYWOOD WEEKLY

trolled, where they have only a certain amount of hours you can spend on it and what sites you can access. I think the Internet makes people a bit lazy, they don’t do the detailed research.

They just click on a few sites and get what they can from it.

AK: What’s next for you? A romantic comedy? Another action thriller? A dance movie?

OM: A dance movie would be great. I just finished a psychological thriller called “Clementine.” We submitted it to all the festivals.

I initially didn’t get the part of Karen, but a week later, they finally offered it to me and I was thrilled.

HOLLYWOOD WEEKLY • 33

"A large crowd turns up at the BMI Stage for lovelytheband"

"Flor rocks out on the BMI Stage at ACL" "Fickle Friends hit all the right notes during their ACL set on the BMI Stage"

34 • HOLLYWOOD WEEKLY

Photo Credit: Erika Goldring for BMI

"Neighbor Lady plays a set on the BMI Stage at ACL"

"Mikky Ekko crowd surfs during his ACL performance "

"The gentlemen of RF Shannon at the BMI Stage"

"The Naked Giants on t he BMI Stage"

Photo Credit: Erika Goldring for BMI

"Sweet Spirit performs with high energy and high kicks on the BMI Stage"

"A set by Haley Knox on the BMI Stage " HOLLYWOOD WEEKLY • 35

Hollywood

ICONS Photo By Francesco Da Vinci Productions

Betty White

Betty Marion White Ludden (born January 17, 1922, known professionally as Betty White, is an American actress and comedian with the longest television career of any entertainer.

Regarded as a pioneer of television, she was one of the first women to have control both in front of and behind the camera and is recognized as the first woman to produce a sitcom (Life with Elizabeth), which contributed to her receiving the honorary title Mayor of Hollywood in 1955.

She is known for her award-winning roles as Sue Ann Nivens on The Mary Tyler Moore Show (1973–77) and Rose Nylund on The Golden Girls (1985–92) – the Writers Guild of America has included both sitcoms in its list of the 101 Best Written TV Series of All Time[11] – and Elka Ostrovsky on Hot in Cleveland (2010–15).

36 • HOLLYWOOD WEEKLY

LA THEATRE BEAT November 2018 Showings

By Steve Zall & Sid Fish

1.

"Bliss" (or Emily Post is Dead)" In this farcical, domestic tragicomedy, the classical Greek heroines, Clytemnestra and Medea, have been recast as pillpopping housewives, and Antigone is the lovelorn, teenage girl next door. Their "blissful" lives are upended when Cassandra, a colored girl new to town and cursed with the gift of prophecy, arrives with a mind to free them from their dark destinies. Written by Jami Brandli, and directed by Darin Anthony, it runs November 3 through December 2 at the Atwater Village Theatre in Atwater. For tickets call 323472-5646 or visit www.movingarts.org.

2.

"Blacktop Highway" Renowned performer John Fleck reinvents the gothic horror genre in this horrifyingly hysterical tale of taxidermy, transformation and caged creatures. Fleck continues to break new ground playing all the parts (both human and animal) in this brilliantly staged screenplay. Written by John Fleck, and directed by Randee Trabitz, it runs November 9 through December 15 at the Odyssey Theatre in Los Angeles. For tickets call 310477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

3.

"Curtains" Boston’s Colonial Theatre is hosting the opening-night performance of a new musical. When the leading lady mysteriously dies on stage, the entire cast and crew are suspects. Enter a local detective,

2.

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who just happens to be a musical-theatre fan! Written by Rupert Holmes, with music by John Kander, lyrics by Fred Ebb, and directed by Tony Cason, it runs November 9 through November 17 at the Smothers Theatre Pepperdine University in Malibu. For tickets call 310-506-4522 or www. arts.pepperdine.edu.

4.

"Death and Cockroaches" Meet Eric. He’s an aspiring playwright who’s trying to break into TV writing when his Dad interrupts his plans by suddenly getting sick with a terminal illness. Instead of stepping up to his familial duties, Eric runs away from his sadness straight into a ‘Wall of Dicks’. Fortunately, there’s a hot, imaginary Cockroach who’s there to help him to confront his grief and his family’s disappointment. Written by Eric Reyes Loo, and directed by Jennifer Chang, it runs November 9 through December 1 at the Atwater Village Theatre in Atwater. For tickets call 323-379-9583 or visit www.chalkrep.com.

5.

"In a Booth at Chasen’s" Chronicles the marriage of Ron and Nancy Reagan which continues to be written about, talked about, analyzed and scrutinized. To some, Ron’s unyielding devotion to his wife is to be admired and Nancy’s fierce protection of her husband is applauded.

To others, their relationship seemed odd, old-fashioned and even corny. Written by Sam Bennett, with music by Al

5.

HOLLYWOOD WEEKLY • 37

Kasha and Phil Swann, and directed by Kay Cole, it runs November 9 through November 25 at the El Portal Theatre Debbie Reynolds Mainstage in North Hollywood. For tickets call 818-508-4200 or visit www.elportal.com.

"…meantime at HoJo’s" Friday night June 16th, 1972. Across the street from the Watergate Complex, eight men sit inside a Howard Johnson’s motel room and wait. What happens over the next five hours will set in action a series of events that will end the Presidency of Richard Nixon. Written and directed by Christian Levatino, it runs through November 18 at the Complex Hollywood the Flight Theatre in Hollywood. For tickets visit www.thebigeventlive. com.

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"Desert Rats" Brothers Frank and Jesse reunite to plan a kidnapping in a squalid motel room on a hellish day in Barstow. When day turns into night and their hostage is brought out of the trunk, the siblings find their troubles have just begun. Written by Nate Rufus Edelman, and directed by Angie Scott, it runs through November 18 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

8.

"Hamlet" as we’ve never seen it before: Five actors of different races, genders, ages and sexual orientations will all play Hamlet for one act each in this new production that explores the universal nature of this singular character that still haunts and resonates within us all. Written by William Shakespeare, and directed by Matthew Leavitt, it runs through November 18 at the Theatre 68 in North Hollywood. For tickets visit www.the6thact.com.

9.

"King Dick" Christmastime, 1970. The King just spent 100G’s on gifts, and he’s on the run from Graceland.

High on Demerol and liquid Ritalin, and with the help of his

12.

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38 • HOLLYWOOD WEEKLY

dead twin brother Jesse, Elvis concocts a scheme to offer the leader of the free world his influential voice in exchange for a new symbol of power. Written and directed by Christian Levatino, it runs through November 18 at the Complex Hollywood the Flight Theatre in Hollywood. For tickets visit www.thebigeventlive.com.

Twain and Friends: A River Journey" is 10. "Mark a wonderful, family-friendly piece that goes deep

into very topical subjects such as prejudice, religion, and education, with Twain’s signature humor and pathos. Mark Twain returns from The Beyond to introduce some of the characters he met in his travels. Written by Greg White, and directed by Gary Lamb, it runs through November 18 at the Parson’s Nose Theater in Pasadena. For tickets call 626403-7667 or visit www.parsonsnose.com.

11.

"Members Only" Two decades have taken their toll on Pedro Quinn, a gay Latino prizefighter still fighting well into his 40s, ducking his living-legend status and mourning a man he killed in the ring years ago. Meanwhile, a new generation continues to push the cultural and sexual envelope in and out of the ring. Written by Oliver Mayer, and directed by José Luis Valenzuela, it runs through November 18 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit www.thelatc.org.

Vermin" A wickedly funny satire flecked 12. "Radiant with horror. In this outrageous comedy with a killer heart, Ollie and Jill want to tell you about their dream home — but some of the things they did to get it… well, you might find them kind of shocking. Written by Philip Ridley, and directed by Tim True, it runs through November 18 at the Odyssey Theatre in Los Angeles. For tickets call 310-4772055 Ext. 2 or visit www.dn3theatre.org.

16.

Women Have Curves" In a tiny, family-run 13. "Real factory, fabric flies and tempers flare when Ana,

fresh out of high school, rebels against the status quo with dreams of becoming a writer. But deportation and the pressure to not abandon her heritage become a heated debate. Written by Josefina López, and directed by Mary Jo DuPrey, it runs through November 18 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit www.garrymarshalltheatre.org. and Guildenstern 14. "Rosencrantz Hamlet is turned upside down in

Are Dead" this brilliant comedy that thrusts Shakespeare’s two minor characters to the frontlines with no rules except one: they are destined to die. Trapped in a universe where the flip of a coin always comes up heads and pirates can pop-up anytime, Rosencrantz and Guildenstern engage in a battle of wits to try to escape their fate and make sense of a senseless world. Written by Tom Stoppard, and directed by Geoff Elliott, it runs through November 18 at the A Noise Within in Pasadena. For tickets call 626-356-3121 or visit www.anoisewithin.org.

Afternoon" November 22nd, 1963. The 15. "Sunny kickoff of a 46-hour interrogation of Lee Harvey

Oswald in the custody of Dallas Homicide Captain Will Fritz, where they discuss Baynes Barron, Russia, Coca-Cola, Jim Brown, a mysterious package, backyard photographs and Friday afternoon in Dealy Plaza. Written and directed by Christian Levatino, it runs through November 18 at the Complex Hollywood the Flight Theatre in Hollywood. For tickets visit www.thebigeventlive.com.

Little Foxes" another epic drama about a 16. "The Southern family in crisis. Set in the Deep South of

1900, where women have scant options and men seem to hold all the power, Regina Giddens will stop at nothing — even blackmail — to wrest the family business away from her scheming brothers. Written by Lillian Hellman, and directed by Cameron Watson, it runs through December 10 at the Kiki & David Gindler Performing Arts

18.

Center in Glendale. For tickets call 818-506-1983 or visit www.Antaeus.org.

17.

"Cost of Living" John is a rich, quick-witted grad student who has cerebral palsy. Ani is a hilariously foul-mouthed quadriplegic. The people who help them, Jess and Eddie, have their own struggles to contend with. This is a haunting, rigorously unsentimental play about the forces that bring people together and the realities of facing the world with physical disabilities.

Written by Martyna Majok, and directed by John Vreeke, it runs through December 16 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit www.FountainTheatre.com.

What if God turned out to be a Puerto 18. "Steambath" Rican steam bath attendant, assisted by a butler

named Gottlieb? Renowned standup comedian and actor Paul Rodriguez stars in a revival of the hilarious, razor sharp, 1970 off Broadway hit comedy. Written by Bruce Jay Friedman, and directed by Ron Sossi, it runs through December 16 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit www.OdysseyTheatre.com.

19.

"Oppenheimer" Two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognize the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Could it bring about an end of World War II, and all wars? Written

by Tom Morton-Smith, and directed by John Perrin Flynn, it runs through December 30 at the Electric Lodge in Venice.

For tickets call 855-585-5185 or visit www.roguemachinetheatre.com.

Enjoy life more – see a show tonight!

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HOLLYWOOD WEEKLY • 39

By Hector Richardson October proved to be a very busy month in music. Lots of big names dropped projects including Lil Wayne with his much anticipated "Tha Carter V" along with Ella Mai who debuted her self-titled album, T.I. with "Dime Trap" and Gunship with "Dark All Day." 1) GUNSHIP - DARK ALL DAY: Gunship's album "Dark All Day" debuted at the top of the electronic music charts. The single of the same title "Dark All Day" featuring Tim Capello and Indiana, helped get it to that top spot in the electronic genre. The sound of this new release can best be described as synthwave reminiscing 80's cyberpunk— in their own words, “A Neo 80’s Retro Futuristic Assault."

Gunship, a UK-based group, had previously released their self-titled album two years ago with a video for their single "Tech Noir" which showed their love for the 1980's sound and style. Notable songs like "Ready Player One" and "Stranger Things" capture the essence of that same nostalgic sound.

2) LIL WAYNE - THA CARTER V: One of the most anticipated albums in Rap is finally here. "Tha Carter V" reached number 1 in it's first week on the Billboard 200 chart. Lil Wayne's album not only had commercial success, it was also critically-acclaimed as most of us see why he is considered one of rap's top lyricists.

Songs like "Open Letter" and "Mona Lisa" featuring Kendrick Lamar, showcase both versatility and skill. Unlike releases by Kanye West and Nas earlier this year, "Tha Carter V" has 23 tracks with features from the late XXXtentacion, Snoop Dogg, Nicki Minaj, Travis Scott and more...proving to be a winning formula for the New Orleans rapper with his 12th studio album to date.

3) PHORA - LOVE IS HELL: Phora's latest melodic and futuristic R&B album, "Love is Hell" features rappers like 6lack, Trippie Redd, plus appearances by singers Tory Lanez and Breana Marin. This is the Anaheim, California singer/ rapper's second studio album following his 2017 work "Yours Truly Forever."

The record takes on a different perspective of love, which he described as "when I would give more attention to what I love, which is obviously music, who I love would start drifting away and falling apart...” The album has a very cool vibe, definitely worth a listen.

40 • HOLLYWOOD WEEKLY

4) ELLA MAI - ELLA MAI: The self-titled debut studio album by British singer/ songwriter Ella Mai features “Boo’d Up” which is the first single off the album having major radio success. Ella Mai followed it with the second single “Trip” and considers this a throwback R&B album with a grip of retro jams reminiscing the sounds of 90’s R&B. While still maintaining an original sound, “Ella Mai” was executive produced by DJ Mustard, who also signed the British songstress to his 10 Summers label back in 2016. One of the album’s strongest tracks is “Shot Clock” and another, “whatchamacallit” stands out with featured vocals from Chris Brown.

5) T.I. - DIME TRAP: T.I. released his 10th studio album titled “Dime Trap” with production by Dr. Dre, Just Blaze, Swiss Beatz and Scott Storch. “Dime Trap” also features a track produced by T.I.'s son Messiah, called “Light Day” which T.I. refers to as his favorite song on the album. This release comes with a bit of controversy after T.I. filmed his video promo featuring a Melania Trump looka-like that caused the first lady herself to call for a boycott of the Atlanta-based rapper. T.I. shows maturity and honesty in the song “Stay” featuring Victoria Monet and is dedicated to his wife Tiny Harris. On “What Can I Say” the rapper maintains his formula that got him to the top of the rap elite. Other notable tracks “More & More” featuring Jeezy, and the Dr. Dre produced “Dope” are sure not to disappoint his fans.

6) FARAO - PURE-O: Indie Pop songstress Farao released her sophomore album “Pure-O" with stand-out tracks “Marry Me” and “The Ghost Ship” leading us beat-by-beat into the direction she is taking. The singer/songwriter has a very idealistic approach to this album by the instrumentation and arrangements. It can be described as “a danceable contrast between the industrial framework of the beats and synths, and the organic vitality and flow of the vocals and zither” explained in a press release about the album. Notable tracks like “Lula Loves You” and “Truthsayer” show Farao's remarkable range, creating a very enjoyable, musical journey.

7) BUEL- BAD POETRY - An Indie Pop Singer/songwriter born in Turkey, started singing at just 4 years old & her first performance at 12 yrs. old. She released "Bad Poetry" featuring Thai Long Ly in June of this year on Spotify and also a music video. Buel has an amazing voice and talent as she wrote, co-produced and directed the video of her second Single "Chat with a Cloud" of which is currently available on Apple Music, Spotify and everywhere that music is streamed or sold.

Buel has a very unique voice and style so be on the look out as she plans to drop two more singles before she drops her EP early in 2019. You can catch Buel live on November 3rd at The Warehouse Mini Music Festival, an event for the movie "Interstellar” with Owen Wilson. Tickets available at the door, on November 18th at Los Globos on Sunset Blvd starting at 7pm and November 30th at The Study on Hollywood at 7pm. For tickets info and the latest news on this very talented songstress check out her website buelmusic.co and on Facebook and Instagram @Buelmusic.

HOLLYWOOD WEEKLY • 41

Health CJ Comu: Earth Water Founder & CEO

By Fal Adams

42 • HOLLYWOOD WEEKLY

Hollywood Weekly: There are so many different brands out there. What about Earth Water is different from other drinks and why did you choose this industry?

CJ Comu: We are a major disruptor in the water industry. Number one, our water is black...as in, like a cup of coffee black. Number two, it contains 70 of the most important life-essential trace minerals from Planet Earth designed to help you stay healthier, longer. The minerals I'm referring to are everything you'd normally take in supplement form or consume in proper foods like vegetables, protein, etc.

Most people end up going to the local pharmacy and buying a handful of pills and try putting that mineral into their body that way. Earth Water was created by virtue of finding this location here on Planet Earth that contains, beneath the earth, some of the richest minerals known to man. We extract these minerals from underneath this mine, put it in a sealed, marine container that goes to the laboratory. It takes a 40-foot marine container full of minerals and turns it into pure liquid. A 275-gallon "tote" is the term that they use in the industry. It's about the size of a typical office desk. That concentrate is enough to produce 500,000 models of our finished product. There is no food coloring, no chemicals, no carbohydrates, nonGMO, no sugar. It is kosher, vegan and truly the most amazing water that you've ever had. Our product carries a natural 9.5 - 10.5 pH. That's important because much of the pH you see advertised out there is synthetic.

It's the difference between eating real sugar cane or a synthetic sugar.

Natural

"our water is black... as in, like a cup of coffee black"

pH will detox your body, and will not allow toxins such as cancer to grow in a high pH. From the time it is put into the bottle, it has a 2-year shelf life.

Other distinguishable features would be that we use BPA-free bottles which don't crinkle or pop, like the normal bottles you buy that can create more problems for the human being. [Many people are unaware] that those are transported in non-refrigerated marine containers, at temperatures exceeding 100 degrees, so the plastic off-gases the resin into the water. You are probably safer drinking a glass of L.A.'s finest from your tap than a bottle of water you buy at a local convenient store. We are really a supplement, but it happens to be delivered in a bottle of water. Twelve bottles of our products sell for close to $70 dollars USD. It's not water, it is your life and it's from the Earth. It is Earth Water.

HW: What are some of the benefits of having water that is infused with these elements?

CJ: I think the most important thing is when you deal with trace minerals from Planet Earth and what they do for the human body; they do a lot of things.

Really, they fight off bacteria and disease, they detox the body, they put natural electrolytes back into your body and they give you a natural energy no matter what the job is. Those are some of the attributes that are relevant and it goes back to if you just follow me on the supplement term, this supplement is feeding your body what the body needs. In the last four years, I have never been sick. I've been on planes, trains, automobiles, subways, traveled to conferences, hotels, motels...all over the planet and I have not been sick at all. The only thing I've done differently in my life is I drink this religiously; not just one but sometimes two or three times a day.

HW: What is "good body fuel" ?

CJ: Well, we try not to make any medical recommendations for a number of reasons. Everybody's DNA and everybody's composition is completely different, as I say on many interviews and in the press. The human body is an extraordinary, complex machine.

However, taking care of it is a very simple process.

Fueling the body, number one is about proper hydration. Everybody needs to drink 50% of their body weight in water per day. With Earth Water products, I don't have to drink as much. A lot of people hate drinking water because it is terrible, there is no taste and people feel bloated. You only have to drink half of HOLLYWOOD WEEKLY • 43

"We are really a supplement, but it happens to be delivered in a bottle of water." the amount with Earth Water. It hydrates you naturally, it permeates your cell walls and goes right into your bloodstream so you get the natural electrolytes and elements flowing right into your body. It doesn't bloat you, you don't have to drink as much of it and it keeps you naturally hydrated without having to take additional compounds like pills or powders and things like that.

HW: What are some of the more challenging aspects of running your company?

CJ: I think the biggest challenge that we have is when you're an "industry disruptor" and you're doing something to a sector that is rolling along in $20 Billion USD a year (and that's just the U.S. numbers by the way) and everybody's drinking the same product, you will get flack. Our water is black, full of natural elements, it is packaged using the best materials for the product and environment. We came into this industry and we realized our biggest challenge was really education and awareness. A lot of people just don't know who we are. Until people know there is an alternative, they don't know the benefits. By drinking this product not only do you feel great inside, but you start to look better outside including the quality of your skin. It detoxes and enhances your lifestyle.

HW: Where can we actually find this product?

CJ: There is only one place and that is Amazon. We are in 120+ countries around the world, exclusively sold on Amazon.com as a direct consumer company.

However, part of the scoop that we get to give to Hollywood Weekly is that we just signed an agreement with one of the fastest-growing network marketing companies called PURE and it is a nutraceutical company that mirrors our mission statement, the quality of our products, the health and wellness products.

We also allow Earth Water to be sold through this network platform for those people who like to make money buying and selling nutritional products. It is not a requirement, if you would like to you can, but you're not obligated to. If you want to become a member of the PURE network you go to their website at: www.LivePure.com and type in "I want to be a member" and they'll ask you for referral information.

You can build a business around it on a part-time basis or just purchase it as a consumer through Amazon using their website at: www.Amazon.com and type 44 • HOLLYWOOD WEEKLY

in "Earth Water" where you can see all of the great, different product selections we have there. Those are the two options.

HW: Do you have any additional comments on how Earth Water can help improve sleep and overall wellness patterns?

CJ: I can only cite from what I read. I am not a medical professional and we have to be very careful not to give medical advice. But we have some great people on our advisory board including Dr. Liza Leal, who is a very renowned homeopath. She graduated college in a wheelchair and now she's running marathons.

Much of what she talks about are minerals, mineral deficiency in the human body and how bodies break down. Another very well-respected medical professional that we work with is Dr. Leigh Erin Connealy from California. Dr. Connealy is probably one of the top ten, most-respected cancer doctors in the country and she has seen well over 1000 patients. Her entire book is all about minerals, mineral deficiency and supplements; they all go hand-in-hand.

HW: How did you link up with Dr. Liza and how did she help create this item?

CJ: She has her resume that is on our website, and she is involved in certified pain management. She talks about the importance of how peoples bodies are dehydrated.

Earth Water Co-signed by Oscar Winning Actress Viola Davis

EarthWater is 100% natural and is full of electrolytes and powerful antioxidants. It contains ZERO calories, NO artificial flavours or colourings and NO carbohydrates which basically makes EarthWater your new beauty must-have!

Products include FulHum by EarthWater FulHum Caps , FulHum Min-eral Concentrate and Gummies For samples, imagery or quotes, please contact ukpress@earthwater.com

GET SOCIAL @EarthWaterUK / #DrinkDifferent HOLLYWOOD WEEKLY • 45

Books That Make You… Imagine

By Bree Swider

As autumn nears its end, ample reading time is on its way! At this time of year, the books we choose to revel in may make us feel grateful for our own lives – or they encourage us to imagine new heights.

As much as we enjoy feasting on Thanksgiving, how many of us would be grateful to be thrown back to the dawn of the United States – a world without modern conveniences and seemingly infinite dangers? But then there are books that help us grow personally and professionally. Others show us a history only our DNA was aware of, and we reflect on how far our species has come.

Whether full of suspense or wonder, this November grab a heart-warming cup of coffee and your new favorite book. It’s time to be thankful for the books that make us imagine.

IGHT SPOTLOK BO

Defining a New You Raye Mitchell, Esq. helps us to imagine a stronger, healthier self-image through personal branding and negotiation in this installment of her The Winning Edge career series. In this easyto-read but mind-blowing professional guide, you will learn not only how to manage your online reputation, but also how to leverage your marketing strategy.

This book isn’t just a fantastic read for those on the job hunt - it’s a chance to review if your online presence is reflecting who you really are.

Mitchell says, “Building a healthy brand is the key to increasing leverage and impact at the negotiation table. It is a game changer.” And she knows her stuff. How Women Negotiate condenses years of research, experience, and lessons learned from leaders like Michelle Obama and other high-profile influencers.

And the author walks the walk. Mitchell graduated with a J.D. from Harvard Law, obtained an MBA from the Southern California School of Business, runs the New Reality Foundation, a non-profit that supports young women, and has won the Jefferson Award for Public Service, among other notable achievements.

Want to dive in and boost your brand? Then How Women Negotiate is the book for you!

“Building a healthy brand is the key to increasing leverage and impact at the negotiation table. It is a game changer.”

Raye Mitchell, Esq.

Imagine a Real Thanksgiving: Matt Miller in the Colonies

Want a real Colonial experience? Then your best bet is to follow the saga of Matt Miller in Journeyman and Prophet

by Mark J. Rose. In this fascinating twist of fate, scientist Matt Miller is thrown back to pre-Independence America.

Matt must survive new cultural norms in a society that is still in its infancy. And his modern knowledge and sensibilities aren’t as useful as he first hoped.

Throughout this invigorating series, author Mark J. Rose explores the intersections of humanity and advancing technology. He holds a Ph.D. degree in Pharmaceutical Chemistry and is a director of research and development at a major biotech company.

Reflecting on the Strength Within

Laurie Finkelstein takes us on an emotional but hilarious journey in her novel Next Therapist Please.

Picture yourself in Janie Weiss’ shoes: A widow navigates her new life while dealing with anxiety, depression, and OCD. To cope, she expresses herself through art. But now, that isn’t enough.

Through Finkelstein’s sense of humor, you will follow Janie as she remembers each therapist, for better or for worse. This heartwarming journey for happiness and health will help you imagine the complexities, joys, and losses of someone coping with mental illness.

Too Good to Be True

There are some places you don’t want your imagination to go. These seeds of doubt spring up when you hear a deal too good to be true.

In Oubliette, Veronica’s attempt to start fresh with a new job in France sounds like a dream come true, especially for a woman facing bankruptcy. But she couldn’t have imagined the truth behind castle - or that the menacing shadows she grew up with would return.

Vanta M. Black has penned a thriller mystery à la Steven King.

And once you start, there’s no going back.

Visualizing a Breakthrough

In the 1970s, the scientists set on examining DNA could not have imagined how these molecules would change the course of science and our knowledge of history. The Tangled Tree

by David Quammen explores and explains how our genes have developed - and how they affect human health and history.

In this non-fiction bestseller, you can conceptualize the recent discoveries and figures of molecular biology, and what their findings mean for the history of life itself. Rediscover humanity’s core in this astonishing chronicle. The Tangled Tree was shortlisted for the National Book Award for Non-Fiction.

A Different History

Fantasizing about an East Asian getaway this fall? Why not imagine a 1850s steampunk China instead?

A Wild Ride

If you love to imagine an alternate universe, where steampunk is a reality, you’re in luck.

In Laurel Anne Hill’s dark fantasy The Engine Woman’s Light, Juanita receives a vision of a mystical airship.

The mission? To prevent California’s unwanted people from being transported to an asylum via train. With the help of ancestor Billy, Juanita sets out to sabotage the railroad and learns she must thwart a murderous plot.

This thrilling dystopian novel will have you at the edge of your seat.

In Gunpowder Alchemy by Jeannie Lin, the young Jin Soling has fought to keep her family together after her father’s death. Facing financial ruin, her mother’s opium addiction and her brother’s potential bleak fate at a factory, Soling decides to sell a relic of her father’s. This simple act alerts the imperial court - the same court that betrayed her father.

Join Soling on a quest to clear her family’s name, with her only ally being an engineer she was once engaged to.

Jeannie Lin does not disappoint in this thrilling installment of her Gunpowder Chronicles series. And by the end, you’ll be itching to read the sequel Clockwork Samurai.

Love books? Want to win books?

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Visit www.BooksThatMakeYou.com to discover more.

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