June 2017 Portfolio

Page 1

The LADG 2017

SKIN; HIDES; MASS; THESIS 2016

WHOLE DICTONOMY 2014

DESIGN DEVELOPMENT 2015

DIS-APPEARANCES 2015

XEFIROTARCH 2015

DOGS TO MASSES 2016


Los Angeles Design Group (The LADG) Project: 2015 Chicago Biennial Role: Production of Diagrams & Drawings. Credits Shared With: Andrew Holder (Principal), Claus Benjamin Freyinger (Principal), Jon Lain, & Kenji Hattori. *Published in a + u 2017:05 “Emerging Architects in USA” issue.


FIRST FLOOR

SECOND FLOOR

Los Angeles Design Group (The LADG) Project: House in Los Angeles Role: Contribution to 3D Modeling, Drawing & Diagram Production for SD Presentation. Credits Shared With: Andrew Holder (Principal), Claus Benjamin Freyinger (Principal), Kenji Hattori.


C IFI

C PA

W

E VI

DR

BASELI

NE TR

AIL FIRST FLOOR

SECOND FLOOR


DN

DECK

DN

BATH

LIVING

PATIO

DN

BEDROOM DINING

KITCHEN

POWDER ROOM / LAUNDRY

N SCALE 1’ = 3/16” SCHEME 2 FIRST FLOOR PLAN

PATIO DN

PATIO

OFFICE / GUEST

MASTER

BATH MASTER BATH

N

N

SCALE 1’ =3/16” 3/16” SCALE SCHEME 2 SECOND FLOOR PLAN SCHEME 2: SECOND FLOOR


Los Angeles Design Group (The LADG) Project: SureFoot Retail Store Role: Project Design, Design Development, Preliminary drawings for CD Drawing set. Credits Shared With: Andrew Holder (Principal), Claus Benjamin Freyinger (Principal), Kenji Hattori.


Display Wall 1 TV 3’-2”

3’-4”

Electrical Access

Existing Hot Tank Units Counter

12'-2 1/2"

3'-5" Clear

ar 2'-8 3/4" Cle

"

6'-2

Millers Storage Shelf

3'-6" Clear

7'-2 1/2"

TV

6"

2'-0"

7’-3 1/2”

4'-10"

Scanning

Printers & Files (Compact Fridge) Storage / Employee Shelving 6"

Office ar

" Cle

Double Sided Seating Bench *12 Seats 0" 10'-

Display Wall 2

5'-0

11’ - 0”

Foaming

Trash

Mobile Shelving *504 Pairs of Boots / Liners

13'-9 1/2"

Trash

3'-

ar

le

C

" '-0

New Work Bench ar

le

C

3'-4" Clear

" 4'-6

7"

36” Path of Travel *Per Code

3 7'-2

3/4"

Electrical Access 22'-5 1/4"

lay

Disp

6"

2'-1"

4'-0"

STORE DATA : Front of House = 558 SF Back of House = 383 SF Seating = 12 Boot Storage = 504 Pairs Display Shelving = 120’ - 4” Linear

10'-1 1/2"

3 Wall

N

SCALE 1/4”=1’-0” FLOOR PLAN

Flexible Display

3'-0"

1'-11"

10'-0"

3'-1"

1'-0" 1'-0"

Orthotic Blanks

Storage Miller

Storage Below

Slat Wall Accessory Display

1'-6" 1'-6"

1'-2 1/4" 1'-2 1/4" 1'-1 1/2"

Display Wall 3

DATE: 05-12-2017 PROJECT: SFW

SCALE 1/4”=1’-0” SECTION A & B

1'-6 3/4"

2'-11 3/4"

2'-2"

Mobile Boot Storage

Slat Wall Accessory Display

2’-3”

3'-1" 2'-0 1/4"

1'-11 3/4" 1'-11 3/4"

9'-0"

1'-11 3/4"

Display Wall 1


SKIN; HIDES; MASS; THE HYPER-TEXTURAL OBJECT IN HYPER-TEXTURAL CONTEXT Advisor: Hernan Diaz Alonso Summer 2016 Skin and Mass are inseperable, but their logics operate in completely different ways. Mass creates inhabitable space, program, and most important form; skins excess, accent, and elaborate. Skins operate on a cosmetic level as manipulation of mass dig deep to mutate form. Operating almost exclusively on a surface level layering of furry [hyper-textural] skins work to transform mass into a new project. Maybe the comparison of a toupee changing the character of a face or gure into a new identity would be appropriate here, or one extravagant fur coat turning a human body into animal form would be the best comparison. Embracing the power of the architectural skin to mutate and transform; layers are overlaid inthe excessive manner to empower the architecural skin as form making mechanism. Mass and skin become separable; what’s underneath is made beautiful; and the skin hides become the new form [or mass].



ASSEMBLAGE STUDIO Norwalk House: Private Residence Competition Roles in project Include: -Design -Production -Physical Modeling -Rendering -Spatial & Furniture Layout

ASSEMBLAGE STUDIO Apartment Complex ClubHouse Roles in project Include: -Design -Production -Rendering -Research for materials and furnishing

BUNNYFiSH STUDIO NUVEDA Dispensaries: Schematic Design Roles in project include: -Spatial Layout -Modeling -Rendering / Post Production


Design Development Instructor: Herwig Baumgartner (B+U) & Brian Zamora (Gehry Technologies) Fall 2015

I-Beam Interior Framing Interior Finish Fiber Reinforced Panel Wood Fiber Insulation FRP Framing RHS

Aluminum Frame Concrete

HVAC Duct Floor I-Beam Floor Edge Beam

I-Beam Interior Finish Interior Framing Fiber Reinforced Panel Wood Fiber Insulation

Wood Fiber Insulation Fiber Reinforced Panel 1/4” Embedded Clip Joint 1/4” Embedded Aluminum Plate

FRP Framing RHS

1/8” Folded Powder Coated Aluminum Fold Guide Seamless Weld

Aluminum Frame Concrete Slab Floor I-Beam Floor Edge Beam HVAC Duct

Insulation Opaque Glass Insulating Glass Mullion

Wood Fiber Insulation Fiber Reinforced Panel

Seamless Weld 1/8” Embedded Bolt 1/8” Folded Powder Coated Aluminum Fold Guide

Entire Project Design Development project shares credit with: Majeda Alhinai, Jinhee Kim, Stanley Lin, and Xiaonan Yang.


WHOLE DICTONOMY - MONOLITHICITY AND MATERIAL AMBIGUITY IN ARCHITECTURE Instructor: Marcelo Spina Fall 2014

Supported by advanced digital and manufacturing technology, Monolithic architecture became the predominant form of the avant-garde, but also of its resistance in the last two decades. Rodolfo Machado and Rudolph El-Khoury argued in 1995, that in its allegorical mode, monolithic architecture has more to do with representational strategies than pure material qualities or construction systems. Substantiating and at the same time challenging this assumption, this class aims to investigate the inherent relation between monolithic form and the expression of material solidity in architecture. Specifically, the course will concentrate into both intricate [tectonic] and composite [concrete and other advanced contemporary building technologies] forms of construction and material assembly. Tectonic information from Coop Himmelb(l)au’s Dalian Center was extracted and applied to Jean Nouvel’s Tokyo Opera House competition entry with intentions to keep the strong monolithic presence of the original submission while adding new life to the form through its tectonics.

Credits Shared With Oscar Abrahamsson, Anhuar Farah, Colin Jacobs, & Joseph Lock


XEFIROTARCH Office of Hernan Diaz Alonso Summer 2015 Responsibilities on all Xefirotarch Projects Include: Design, Modeling, Production & Post Production.

Fromt Left to right, & Top to Bottom: Shenzhen Library and Museum Competition, Ruusupuisto Competition, Conexion Barceloneta, House Credits on all projects are shared with William Virgil,Polina Alexeeva,Ben Cheng,JunjieGuo,Cunhao Li,Huijin Zheng,Ana Derby With Ivan Bernal as Lead Designer.


Shenzhen Longhua Library & Museum Ground Level Plan.

Shenzhen Longhua Library & Museum First Floor; Close-up.


Shenzen Library and Museum Competition. XEFIROTARCH. Lead Designer: Ivan Bernal // Team: Andrew Cheu, William Virgil,Polina Alexeeva,Homayoun Zaryouni,Ben Cheng,JunjieGuo,Cunhao Li,Huijin Zheng,Ana Derby

Shenzen Library and Museum Competition. XEFIROTARCH. Lead Designer: Ivan Bernal // Team: Andrew Cheu, William Virgil,Polina Alexeeva,Homayoun Zaryouni,Ben Cheng,JunjieGuo,Cunhao Li,Huijin Zheng,Ana Derby


Shenzen Library and Museum Competition. XEFIROTARCH. Lead Designer: Ivan Bernal // Team: Andrew Cheu, William Virgil,Polina Alexeeva,Homayoun Zaryouni,Ben Cheng,JunjieGuo,Cunhao Li,Huijin Zheng,Ana Derby


Assemblage Studio Role: Schematic Design Production Tresarca First Floor Plan

Assemblage Studio Role: Physical Model production Tresarca Physical Model; 1/8� Scale



DIS-APPEARANCES Instructor: Marcelo Spina Spring 2014 The Countryside has always been a site for innovation building with or without the presence of architecture; The Elbulli Creativity Campus becomes a medium for exploring speculative realism, monolithicity, and muteness. Can the architect(s) design a site plan with all objects reading as homogeneous while creating objects that are true to the desired aesthetic but also unique in their own right?

Credits Shared With Colin Jacobs


Credits Shared With Colin Jacobs


DOGS TO MASSES Instructor: Hernan Diaz Alonso & Ivan Bernal Spring 2016 Addressing the literal in architecture as a massing approach [literal dog scan as a starting point] the project embraced the pre-set associations of the Pitbull Terrier mass and posture; skins, surfaces, and couture shingles were added to accentuate the mass to a level of exuberance which created a mis-reading of mass, scale, proportion, & silhouette to the extent which caused dis-association between skin, furr, and mass. In turn a reassociation was triggered between Doghouse, Guesthouse, & Mainhouse.


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.