Landscape Portfolio 2018 Side B by Nicholas Chau

n ds

cap

e Portfo l i o Nicholas Chau

Ink on paper

Handsketching,

Photo Collage

Story of the Three Cities,

Documents

Tustin,CA

Other Projects

Model Making, Cardboard and wood

Photography, Digital Camera

Landscape Projects

Green(space) Connector,

Castiglion Fiorentino, Italy

Are You Free?,

Not An Artist, Oil Painting

Wuhan, China

Blend,

What is Landscape to me??

Who Am I?

Future Goals?

Landscape is everything. Landscape is, in the common eye, gardening. In the eye of people with the basic level of understanding of landscape, it is the design of exterior space that surrounds architecture. To me, however Landscape is a multilayered complex organism. It changes in time, it consists of art, science, the expression of the designer and the feeling of the user. There is almost nothing that cannot be related to landscape. The most fascinating part about landscape is that the value of landscape cannot be judged by solely one factor.

I am Nicholas Chau. A homegrown boy from Hong Kong. I came to the States after I graduate from High school, my decision into Landscape is pure accidental. I was originally trying to be an architect because, as my dad refer to me as, " Jack of all trades, master of none. " It seems that architects needs to be in this nature in order to create a deeply layered design.

I want to let the general public knows how much Landscape Architecture can impact the world. A design as small scale as a residential front yard can also involve in a lot of different aspects of the world, this includes good water management design can retain maximum rainwater on site, this not only can lower the water bill for the owner, retaining water on site, can also help recharge the water table and prevent runoff wasted. By lowering the amount of runoff, the amount of pollutant from the street that drains into the sea with the runoff is also lowered.

How much money can be made by creating this landscape? is the first level of judging the value of a landscape, pure economical judgement. There is a clear finite line of judgement, the more value it creates, the better. What can the landscape and in what extent? is the second level of judging the value of a landscape, the benefit that exceeds the common eye, more about the bigger picture of the world, while generally considering profit as a lesser-concerned layer.

So I applied to Architecture in Cal Poly Pomona and got rejected. They asked if I would like to go to Landscape Architecture instead, I like ecology more so I said Yes. Looking back, that is probably one of the best decision I have made in my life and I regret nothing. My life is in sync of my design and vice versa. I realized how much Landscape have impact on me. I care a lot about this world and through the power of Landscape Architecture, I can change the world one piece of land at a time and eventually, with the newer generation of passionate Landscape Designers, we can make the world a better place for our future generations.

In the eyes of the public, this might seem to be a really small impact due to the size of a front yard; however, this is also a problem that we are facing. People think their own actions causes no impact on the world, but they do not understand that if everyone thinks in the same way, we are creating a huge impact on the world.

What is the process behind? the level that only Landscape designers or architects think of, the process is the most important part, that gives most of the value of the landscape. Hence, Landscape is everything.

BLEND

"Boundaries are in a connected loop, at the end they are connected into one." -My Tomorrow Your Yesterday

Team Members:

Bin Nakatani Gustavo Coronilla

INTENT: Designing a Canal-Oriented Urban Design Masterplan for Huazhong University of Science and Technology

Render Style: Photoshop Collage & Rhino Model

Source:

Our group decided to immerse ourselves into the

culture of China through their landscape, Chinese Garden. We initally studied the numerous theory and concepts of how a Chinese Garden is created and the meanings embedded into the design, through further studies we realized that Chinese Garden are originated from Chinese Paintings and our group are fascinated especially by the long scroll paintings. The concept is eerily similar to Urban Design, where from far people get the general atmosphere of the painting or design and from close people get captured into the details. Through our own observation, we identified the five dominant elements are Nature, Community, Intimacy, Revealing and Ecology.

INSPIRATION 6

R TU

Y G LO

UNIVERSE

URBAN

Further studies of the philosophy behind the scroll shows that the bedrock concept of Chinese garden or painting is human's relationship to Land and Water; between each other; with flora and fauna. The main point that our group found out is the emphasis on one's relationship to external. This gives us a general direction of thinking. We decided to see how can we apply the three into the systems of Urban Design. Urban as the circulation and human density, nature as the land and water on site, and last but not least, ecology, green space and animal habitat. As all are important, we decided to study the site for further compare between the three.

In the existing site, our group identified how flooding

is a major issue and causes a lot of troubles to people and worse, damages. However, as problems often creates opportunites. Our group studied how some people even create small boats to travel during flood events and the area of how the flood spreads. We decided to focus on water.

decided to approach from Nature, especially water to create opportunites to our site, then we focus into the circulation and buildings and green space, and the emergence of ecology will emerge from between.

EXISTING CANALS

PROPOSED CANALS

Existing : 114210 Ft 3' canal plus most lakes 3 5578500 Ft 15' Big lake Total: 5692710 Cubic Ft

Proposed Total: 7190400 Ft

The existing canal system is centralized in the middle of the site with two lakes that it passes through. This isolates the waterfront experience to only the central axis of the site, and this also caused the problem of flooding, as all the runoffs relies solely on the canal for taking the water off site.

Our

group decided to tackle the flooding problem and increase the areas of interaction between land and water. We decided to think of the whole lake as a scrolled up painting and we decided to unscroll it out to allow people to experience a waterfront design throughout the whole site.

Check Dam

Barrage

New Huxi River Filtration Canals Experiential Canals Although our group decided to focus on water

and canals. We need to apply the technical layer of how the waters goes and how can we keep the canals moving and prevent the flooding in occuring again. We decided to put in check dams and barrages that both serves as a technical solution while asethetically creates dynamic motions in the canals.

Human Circulation

Car Circulation

Human Circulation Vehicular Circulation

EXISTING Circulation

PROPOSED Circulation

The main disconnection between students or users and the site is the circulation. Most circulation is vehicular based and people cannot experience spaces as well as they should be, while they are in a vehicle. Our group decided to lower the amount of vehicular circulation and increase drastically the density of human circulation to provide a walkable campus while maintaining the balance between Vehicle and Pedestrian.

CONDENSE

BREAK DOWN

PROPOSED BUILDING FORM

EXISTING BUILDING FORM Although our group decided to focus on water

Although our group decided to focus on water

Private (Students only)

Courtyard Area

Lotus Filter Pond

Public

Experiential Path

Forest Walk

MASTER PLAN

This Master Plan shows the relationship between all the proposed elements, that includes: Canals, Greenspace, Circulation and Building Forms.

Urban Forest Trail

Experiential Path

Lotus Residential Village

Hustcc (Hust Convention Center)

Campus Core

DISTRICT PROGRAMMING

Rendering (excerpt)

Green[space] Connector

"One touch of nature makes the whole world kin." -William Shakespeare

Team Members: Chris Duan Qiting Huang Willy Su

INTENT: Using Green Space as the main driving force of the Master Plan, connecting the once-abandoned Hangars to the metro station and the surrounding neighborhood.

Render Style: Photoshop Collage, Rhino Model & Lumion

The demographics of Tustin, California showcases that the average age of residents is actually fairly young. This provides us the opportunity to introduce multi-level apartments into the Tustin city fabric. We also calculated how much Square Feet per person to ensure a comfortable living environment both indoor and outdoor.

DEMOGRAPHICS STUDY

SITE ANALYSIS & CASE STUDIES

our case studies, we studied Santa Ana a city adjacent to Tustin and Pearl District, a district in Portland, Oregon. We adopted the street development from Santa Ana, starting from designing with existing and slowly subdiving the blocks up. We understand more about the size of a comfortable block from our studies of Pearl District, and also a better definition of mix-used buildings.

Green Roof Residential Office Retail

CASE STUDIES

RESIDENTAL: 2782 UNITS GREEN: 6766000 SQUARE FEET OFFICE:1286700 SQUARE FEET PARKING: 2866 UNITS

Green Space High School Residential Mixed Use Commercial

MASTER PLAN 21

STREET TYPE (PROPOSED) TWO LANES (66' WIDE)

STREET TYPE (EXISTING)

STREET RENDERING

FOUR LANES (103' WIDE)

SIX LANES (149' WIDE)

Urban Forest http://www.ncufc.org/

Hangar 2

https://www.designrulz.com/design/2015/06/a-libraryfor-all-seattle-public-library-washington-usa/

Healing Garden http://www.hok.com/design/service/landscape-architecture/walter-reed-national-military-medical-center/

Hangar 1

https://www.venture-xtreme.com/concepts

OPEN SPACE PROGRAMMING

Connect Hangars to Metro

Create seamless circulation network with existing streets

DESIGN OBJECTIVES

Attracting people to activate green spaces and to connect the neighbourhood

OFFICE BLOCK

MIX-USED BLOCK

RESIDENTIAL BLOCK

HOSPITAL BLOCK

26 "

Parkour

Sports Center

Skatepark

Hangar one '

Process Diagram

Hangar two

Library

ARE YOU FREE?

“Art is supposed to spark conversation and make people think...” -My Tomorrow Your Yesterday

Team Members:

Bessy Barahona Gerardo Rosales Jr. Ivan Ochoa

INTENT: Creating art installations that triggers people TO THINK in an environment of mundane

Render Style: Photoshop Collage & Rhino Model

Vision statement:

The site is a unique part of a larger ecosystem known as Val di Chio, with layers of history, culture, environmental networks and above all, life, this valley has become home to the residents of Castiglion Fiorentino there are hidden factors within the vicinity that have become ordinary to the community. Only by revealing certain elements of the site these factors can not only flourish but help reveal layers of depth that makes the site unique.

Goals:

The intent of the design is to reconfigure current conditions of the site, that became mundane and have been kept a blank canvas rather than integrating the true essence of the site into the Val di Chio.

Objectives:

1. Re-utilize the unused spaces to ecologically link the natural and cultural heritage to create new systems for recreational and public space uses. 2. Revamp the existing water filtration and conservation systems. 3. Permeate the wildlife to maintain the balance of the existing biodiversity and to retain the community needs.

SITE OUTLINE & TOPOGRAPHY

MORPHOLOGY

HYDROLOGY

TOPOGRAPHY

AGRICULTURAL MESH

OLIVE TERRACES

SCENIC PATHS

AQUEDUCTS AND WELLS (Left and above) maps from Comune Di Castiglion Fiorentino and team research that shows the different layers of information of the site and its surrounding.

HISTORIC HYDROLOGY

Research In

POSSIBLE PATHWAYS & USER HOTSPOT

the Data Phase, a research into the database of Comune Di Castiglion Fiorentino, city hall of Castiglion Fiorentino was conducted. Maps of different attributes of Castiglion Fiorentino and the surrounding are found.

VEGATATION GROUPS

To tie in the found data from the Comune into our site, my team went into the site and conducted our own studies. This included finding possible pathways and user hotspots, finding the different vegetation groups and also historic hydrology.

MASTER PLAN LEGENDS LEGEND

Boundary Boundary

Wildlife Channel Wildlife Channel Existing Roads Existing Roads Streetscape Streetscape

Intervention Interventions

This Master Plan shows the different sites and interventions that are proposed but this project will only focus on the top-right site.

The focus of this project is to stop people from getting used to mundane. People nowadays are getting too comfortable with their current situation and they think what they do are under their freewill. This piece is to spark people in thinking about what are choices and what are TRUE FREE choices.

Are you Free ? YES NO

Through constant repetitve asking of Are you Free? and Are the Animals Free? People are forced to think about what true freedom is, they will then realized that maybe the animals, even though they are inside the gate, enjoy more freedom than we are.

Are the Animals Free ? YES NO

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Y1532648 Y3164275

Are the animals free?? Are you?? People are given numbers when they are born, passport to locate where you travel. Are we still consider free being or are we just slaves of the government that we elected ourselves to monitor us. How can we have true freedom if we are bounded to our own restraints, but what are we if we lose all the restraints, either from the surroundings or from our parents. If we strip ourselves from everyone and everything, we earn true freedom, but what difference will we have then, from animals?

Documents (Excerpt)

INTENT: Get it Build

Render Style: AutoCAD

634

63 5

636

12'

Wooden Bench

J L-06

637

16'-11"

Overhead Shade L-04

638

Wooden Deck 3'

B L-02

2'-10"

5'-5"

1'-7"

23'-6"

25'-2"

638.24 FS

4.5% 639

644

640

4.7%

E L-05 2x10 Sandwich Beam 4x10 Beam

1'-6"

5'-5"

6x6 Post

2' 2x8 Redwood joist @ 24"O.C.

6x6 Post

Deck Framing Plan A Scale: 1/4" = 1'

1 " Galvanized Bolt/Nut/Washer 2

2 x 10 Sandwich Beam 6 x 6 Post

1 2 " Galvanized Bolt/Nut/Washer

2" Ă&#x2DC; Bamboo stalk

Galvanized Anchor

2x8 Joist

Concrete Pier

4x10 Beam

#4 Rebar

4x 6 Brace Connection

Sandwich post & Footing

6x6 Post

Scale: 1/2" = 1'

2x6 Continuous Rail Cap

2x4 Top Rail

4x4 Post

2x2 Baluster @ 6" O.C.E.W. Galvanized Screws

2x6 Decking

Galvanized Screws

6x6 Post

Handrail on Deck G Scale: 1/2" = 1'

Baluster

Scale: 1/2" = 1'

Y-Brace

Scale: 1/2" = 1'

2x6 Redwood Decking

4x10 Beam

6x6 Post

Boardwalk Decking

Scale: 1/2" = 1'

6x1 Plank Decking Nailed to a 2x4 Frame with 1 21" Wood Nails

2x4 Wood Frame

4x4 Post 1" Wood Nail

Bench on View Deck

Scale: 1/2" = 1'

EXPANSION JOINT WITH SEALER

5' 6"

1 2"

NICHOLAS CHAU

3" 3"

HANDRAIL 2"

4" 4"

2" 4"

CURB

4,000 PSI CONCRETE, SMOOTH FINISH

4" 4,000 PSI CONCRETE, SAND BLAST FINISH

1'-6"

#4 REBAR

2" 2" FINE ASPHALT

#4 REBAR 18" O.C.E.W.

4" STONE SCREENINGS OR RECYCLED CONCRETE

FIRM, DRY, UNYIELDING SUBGRADE

TACK COAT 4" DENSE BINDER

4,000 PSI CONCRETE, SAND BLAST FINISH 6" x 6" x 18" CONCRETE CURB

#4 REBAR 6" O.C.E.W.

FIRM, DRY, UNYIELDING SUBGRADE

4" STONE SCREENINGS OR RECYCLED CONCRETE FIRM, DRY, UNYIELDING SUBGRADE

PLAZA ENTRANCE Scale: 1" = 1' 3'-1"

ENTRY WALKWAY

Scale: 1" = 1'

ENTRY ADA RAMP Scale: 1" = 1'

3'-1"

PARKING LOT

SCALE: 1" = 1'

23 8" 1"

4" 6"

2 3 8" COBBLESTONE PAVING

4,000 PSI CONCRETE, SMOOTH FINISH

MORTAR

#4 REBAR

4" CONCRETE SLAB BASE #4 REBAR

4" STONE SCREENINGS OR RECYCLED CONCRETE

AGGREGATE SUBBASE

FIRM, DRY, UNYIELDING SUBGRADE FIRM, DRY, UNYIELDING SUBGRADE

SCALE: 1" = 1' 1"

Scale: 1" = 1'

AMPHITHEATER

23 8" 1"

4" 6"

2 3 8" LIMESTONE PAVING MORTAR 4" CONCRETE SLAB BASE #4 REBAR

AGGREGATE SUBBASE

FIRM, DRY, UNYIELDING SUBGRADE

PLAZA 4'

LANDSCAPE PAVING DETAILS

6" CASTSTONE PAVING

4" 6"

MORTAR 4" CONCRETE SLAB BASE #4 REBAR AGGREGATE SUBBASE

5' 1"

FIRM, DRY, UNYIELDING SUBGRADE

1" = 1'

06/07/2017

SCALE: 1" = 8'

OUTDOOR CAFE AREA

S-02

Scale: 1" = 1'

PATHWAY STEPS

NICHOLAS CHAU

SCALE: 1" = 1'

Handrail

5'-0"

12" 4"

Expansion Joint, Premolded Closed Cell Polyethylene Material With Sealent

SlateStone Stone Column Cap, Rundle Ridge, Gray

Grouting

6" Reinforced Conc Pavement

1" Chamfer All Sides

#4 Horizontal Rebars 2"Clear From top 3"Clear from Bottom 1 12" Clear from sides of Wall, 24" O.C.

1'-0"

Compacted Subgrade 3

2x6 Red Wood

Smooth Dowels, 24" Long Sleeved End (PVC Pipe)

4" Stone Screenings

6x6 Pressure Treated Wood Timber

5' -6"

Cheekwall, 4000 PSI Concrete

#4 Vertical Rebars 2"Clear From top 3"Clear from Bottom 1 12" Clear from sides of Wall, 24" O.C.

12"

Max 3'

Flat Stones Preferred (25% of Stones Must be Header Type: Length 2-1/2 Times Thickness)

#4 Rebar At 15" O.C.E.W., 2" Clear

Dry, Firm, Unyielding Subgrade, Typ.

Stacked Stone #35 Desert Tan Stone Veneer

6" Thick Crushed Stone Base

8" CMU

Compacted Subgrade

10"

12"

10" x 16" Conc Footing 16"

Dry Stack Retaining Wall

SCALE:1" = 2'

ADA Ramp

SCALE:1" = 2'

CMU Stone Veneer Wall

SCALE:1" = 2'

Wooden Steps

SCALE:1" = 2'

11"

2 12" Min

#4 Rebar At 15" O.C.E.W., 2" Clear " Expansion joint

Embedded Post protected with catalyzed Polyurethene Non metallic, Non shrink grout 1

" Expansion joint

#4 Rebar At 15" O.C.E.W., 2" Clear

1'-0"

Compacted Subgrade

Post Width + 1" Min.

3'-0"

CONSTRUCTION DETAILS

12" Min.

Pour In Place Concrete Wall W/ Acid Wash Finish

1"=02"-00"

06/07/2017

Pour in place Concrete Wall

SCALE:1" = 2'

Concrete Steps & Handrail

SCALE:1" = 2 '

S-03

LED WATTAGE CONSUMPTION CHART:

12 VOLT LIGHTING LEGEND

2 4.2 W

DESCRIPTION/MODEL

MANUFACTURER

ACCESSORIES/ MOUNTING QUANTITY

UP LIGHT MODEL #: NP-ZD-1LED-SB

FX LUMINAIRE

SUPER SLOT SPIKE MOUNT MODEL #: 753900

FX LUMINAIRE

SUPER SLOT SPIKE MOUNT MODEL #: 753900

DOWN LIGHT MODEL #: JB-ZD-3LED-FB

FX LUMINAIRE

MOUNTING BRACKET INCLUDED

150 WATT LUXOR TRANSFORMER MANUFACTURER: FX LUMINAIRE MODEL #: LZD150M

FX LUMINAIRE

(1) LAM MODULE

PATH LIGHT MODEL #: PM-ZD-3LED-FB

1 LED = 2.4 WATTS 3 LED = 4.5 WATTS 6 LED = 11.5 WATTS 9 LED = 13.5 WATTS

SYMBOLS INDICATE PROPOSED TREE LOCATION

4.2 W

T 1

2" PVC SLEEVING

4.2 W

# 12 DIRECT BURIAL ELECTRICAL WIRE

JUNCTION BOX

TRANSFORMER KEY: T#

T1 3

4.2 W

FIXTURES ARE SHOWN IN APPROXIMATE LOCATION. THE CONTRACTOR SHOW FIELD VERIFY THE ACTUAL PLACEMENT OF EACH FIXTURE UPON COMPLETION OF LANDSCAPE INSTALLATION.

ALL PATH LIGHTS ARE TO BE INSTALLED AT A MINIMUM OF 12 INCHES FROM ANY SIDEWALK OR VERTICAL STRUCTURE.

4.2 W

S S

4.2 W 4.2 W

4.2 W

33.6 W

T2 2

T 1

4.2 W

S S

T 3

4.2 W

ALL EXTERIOR 120 - VOLT ELECTRICAL OUTLETS SHALL BE GFI PROTECTED AS PER NATIONAL ELECTRICAL CODE

ALL TRANSFORMERS PLUGGED INTO AN OUTDOOR RECEPTACLE SHALL HAVE AN "IN USE"COVER. CONTRACTOR SHALL INSTALL TAYMAC TYPE COVERS AT ALL OUTLETS

HELP ELIMINATE GLARE AND TO ENSURE OPTIMUM LIGHTING EFFECT

13. CONTRACTOR TO VERIFY A MINIMUM OF 10 VOLTS AT THE LAST AT THE LAST FIXTURE FOR OPTIMAL OPERATION.

4.2 W

14. CONTRACTOR TO CENTER FEED THE SYSTEM WHEN AT ALL POSSIBLE and VERIFY ALL WIRE CONNECTIONS ARE AT THE FIXTURES.

12. THE INSTALLING CONTRACTOR SHALL BE RESPONSIBLE FOR ADJUSTING THE FIXTURES AT NIGHT TO

4.2 W

S S

8.4 W

4.2 W

S S S

Transformer 1: 1 – (23’x12.6W)/7,500 = 0.08V 2 – (23’x12.6W)/7,500 = 0.08V 3 – (163’x33.6W)/11,920 = 0.92V HR: (157’x25.2W)/11,920 = 0.66V T-1 Voltage Loss = 1.74V

4.2 W

Transformer 2: 1 – (187’x33.6W)/11,920 = 1.05V 2 – (153’x16.8W)/7,500 =0.34V 3 – (97’x12.6W)/7,500 = 0.33V HR: (48’x29.4W)/11,920 = 0.24V T-2 Voltage Loss = 1.96V

30 feet

1" = 10'

NORTH

CAUTION - NOTICE TO CONTRACTOR

Transformer 3: 1 – (66’x12.6W)/7,500 = 0.22V 2 – (26’x8.4W)/7,500 = 0.06V 3 – (77’x16.8W)/7,500 = 0.34V HR: (85’x29.4W)/7,500 = 0.67V

SAFETY NOTICE TO CONTRACTOR IN ACCORDANCE WITH GENERALLY ACCEPTED CONSTRUCTION PRACTICES, THE CONTRACTOR WILL BE SOLELY AND COMPLETELY RESPONSIBLE FOR CONDITIONS OF THE JOB SITE, INCLUDING SAFETY OF ALL PERSONS AND PROPERTY DURING PERFORMANCE OF THE WORK. THIS REQUIREMENT WILL APPLY CONTINUOUSLY AND NOT BE LIMITED TO NORMAL WORKING HOURS.

1. THE CONTRACTOR IS SPECIFICALLY CAUTIONED THAT THE LOCATION AND/OR ELEVATION OF EXISTING UTILITIES AS SHOWN ON THESE PLANS IS BASED ON RECORDS OF THE VARIOUS UTILITY COMPANIES AND, WHERE POSSIBLE, MEASUREMENTS TAKEN IN THE FILED. THE INFORMATION IS NOT TO BE RELIED ON AS BEING EXACT OR COMPLETE. THE CONTRACTOR MUST CALL THE APPROPRIATE UTILITY COMPANY AT LEAST 48 HOURS BEFORE ANY EXCAVATION TO REQUEST EXACT FIELD LOCATION OF UTILITIES. IT SHALL BE THE RESPONSIBILITY OF THE CONTRACTOR TO RELOCATED ALL EXISTING UTILITIES WHICH CONFLICT WITH PROPOSED IMPROVEMENTS SHOWN ON THE PLANS. 2. THE CONTRACTOR SHALL EXPOSE EXISTING UTILITIES AT LOCATIONS OF POSSIBLE CONFLICTS PRIOR TO ANY CONSTRUCTION.

16.8 W

12.6 W

4.2 W

SCALE:

1" = 10' DATE:

05/30/2017 SHEET NUMBER

LS-07

CONCRETE PAVING SMOOTH FINISH & INTEGRAL COLOR COLOR ( EASTERN1' TAN DAVIS #61222)

60'-11"

CONCRETE PAVING ACID WASH FINISH & INTEGRAL COLOR COLOR (DUNE DAVIS #6058)

COMPANY LOGO

T-3 Voltage Loss = 1.29V

LS-03

B LS-03

12'

MATSUI SPRING 2017

4.2 W

LA 333L

DEPT OF LANDSCAPE ARCHITECTURE, CAL POLY POMONA

Voltage Loss Calculations

4.2 W

LIGHTING PLAN

REVISION

11. ALL EXPOSED CONDUIT'S SHALL BE PAINTED TO MATCH SURROUNDINGS

12.6 W

4.2 W

THE CONTRACTOR SHALL BE RESPONSIBLE FOR INSTALLING SLEEVES UNDER ALL HARD SCAPE SURFACES USING A MINIMUM 1 INCH PVC PIPE ALL UNDERGROUND SPLICES SHALL BE INSTALLED IN UNDERGROUND J-BOXES WITH WATER TIGHT CONNECTIONS LEAVING 12 INCHES OF EXCESS WHAT YOUR SLACK

DATE

150

6. 7.

10. ALL PLUG-IN TRANSFORMERS SHALL HAVE A DRIP LOOP IN THE POWER CORD.

T 2 SS

T3 37.8

IN ORDER TO MINIMIZE FUTURE DISTURBANCE, ALL WIRE RUNS SHALL BE INSTALLED PARALLEL AND ADJACENT TO HARD SURFACES SUCH AS SIDEWALKS DRIVEWAYS AND WALLS.

Nicholas Chau

150

ALL LOW-VOLTAGE DIRECT BURIAL WIRE TO BE INSTALLED AT 2"-3" INCHES BELOW FINISH GRADE.

58.8

4.2 W

150

GROUP #

THIS PLAN IS INTENDED FOR LANDSCAPE LIGHTING PURPOSES ONLY. ALL LIGHTING FIXTURES AND TRANSFORMERS SHALL BE INSTALLED PER MANUFACTURERS SPECIFICATIONS. IT IS THE CONTRACTORS RESPONSIBILITY TO MAINTAIN COMPLIANCE WITH ALL LOCAL BUILDING SAFETY CODES AND ORDINANCES.

4.2 W SS

4.2 W

1. 4.2 W 4.2 W 4.2 W

16.8 W

TRANSFORMER #

GENERAL LIGHTING NOTES:

4.2 W

CAPACITY

LOAD

FIXTURE GROUPING KEY:

4.2 W

33.6 W

# 10 DIRECT BURIAL ELECTRICAL WIRE

S S

PROJECT ADDRESS

4.2 W

Nicholas Chau

12.6 W

COMPANY LOGO

4.2 W

12.6 W

Red Rock Canyon National Conservation Area, 1000 Scenic Loop Dr, Las Vegas, NV 89161

SYMBOL

5' 16'-11"

PROJECT ADDRESS

Red Rock Canyon National Conservation Area, 1000 Scenic Loop Dr, Las Vegas, NV 89161 LA 332L

5'-5"

1'-7"

23'-6"

25'-2"

WOODEN DECK

LS-05

30'-6"

3'-2"

10'-5"

2 3 8" COBBLESTONE PAVING (COLORADO BUFF SELECTSTONE)

9'-7"

10'-7" 7' 6'-5" 9'

2'-2"

2'-2"1'-8"

7'-10"

6'-3"

6'-8"

3'-1"

CONCRETE PAVING SAND BLAST FINISH & INTEGRAL COLOR COLOR ( EASTERN TAN DAVIS #61222)

13' 2'-2"

G LS-03

2'-6"

2'-2"

2 3 8" LIMESTONE PAVING (PEREGRINE SELECTSTONE)

12'

5' 2' 2'

2'-3" 2'-4"

5'-1"

2'-3" 9'-6"

LS-03

9'-6"

6" CAST STONE PAVING & INTEGRAL COLOR COLOR (CUMBERLAND GREY CAMBRIDGEPAVERS)

WATER FEATURE

2'-1"

2'-5"

ASPHALT PAVING & INTEGRAL COLOR COLOR ( SMOKEY GREY)

D LS-03

C LS-03

LS-04

SITE PLAN

SITE DESIGN BASED ON RED ROCK CANYON VISITOR CENTER, LAS VEGAS NEVADA. ARCHITECT: LINE AND SPACE ADJUSTMENTS BY KEIJI UESUGI FOR ACADEMIC USE.

60 feet

DATE

REVISION

DEPT OF LANDSCAPE ARCHITECTURE, CAL POLY POMONA

E LS-03

UESUGI WINTER 2017

43'-8"

LANDSCAPE CONSTRUCTION PLAN

2'-10"

CONCRETE PAVING SAND BLAST FINISH A LS-03 & INTEGRAL COLOR COLOR ( LIGHT GREY DAVIS #8084)

SCALE:

1" = 20'

NORTH

1"=20'-0" DATE:

06/07/2017 SHEET NUMBER

LS-01

MATERIALS LEGEND

PAVING LEGEND SYMBOL

KEY

ITEM

MATERIAL

P-01

TOWER APRON

P-02

TOWER APRON ACCENT BAND

P-03

MOUNTABLE CURB

P-04

FIELD DRIVE PAVING

P-05

CIRCULAR ACCENT BANDS COBBLE

P-06

CIRCULAR INFILL COBBLE

P-07

COBBLE/ PEBBLES

P-08

100 WIDE x 100 HIGH VERTICAL CURB

P-09

WALK OFF GRILL WITH DRAIN PAN

P-10

PEDESTRIAN WALK PAVING

P-11

SECONDARY DRIVE PAVING

P-12

GARDEN WALK

SIZE

FINISH

COLOR MATCH LOBBY FIELD

700x1480 x50

GRANITE

MATCH LOBBY ACCENT BAND

400x700 x50

HONED

GRANITE

LIGHT GRAY

400x400 SHAPED

HONED

GRANITE

SPECS

DETAIL(S)

REMARKS

SHRUB/ GROUNDCOVER LEGEND ABBREV.

BOTANICAL NAME

COMMON NAME

SIZE

FORM

SPACING

DETAIL(S)

REMARKS

HONED Perencanaan Arsitektur Interior Jln. Kemang raya No 9D. Jakarta - 12730 Tel: Fax:

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

GRANITE

GRAY RANGE SHADES

100x100 x30

FLAMED

GRANITE

BLACK

100x100 x30

FLAMED

GRANITE

LIGHT GRAY

100x100 x30

FLAMED

BASALT

DARK GRAY

RANDOM

FRACTURED

GRANITE

LIGHT GRAY

100 WIDE x200 HIGH x400 LONG

HONED

STAINLESS STEEL

BRUSHED

SEE ARCH. SS TYPE 304 PLANS

BASALT

LIGHT GRAY

100x 300 x 30MM

FLAMED

BASALT

DARK GRAY

180x100 x30MM

FLAMED

BASALT GRAVEL

BLACK

MINUS 3MM

CRUSHED

www.whl-asia.com

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

REFER TO ARCH.

PROVIDE 6MM X100MM STEEL HEADER EACH SIDE

www.whl-asia.com

Beca

SITE FURNITURE/ HARDSCAPE LEGEND SYMBOL

KEY

ITEM

F-01

AREA LIGHT

F-02

BOLLARD LIGHT

F-03 F-04 F-05

SIGNAGE TABLE/ CHAIRS BENCH

F-06

WASTE RECEPTACLE

F-07

CIGARETTE URN

MATERIAL ALUMINUM

COLOR WHITE

FINISH POWDER COAT

SPECS BEGA LIST MODEL NO.

ALUMINUM

WHITE

POWDER COAT

BEGA LIST MODEL NO.

ALUMINUM

WHITE

POWDER COAT

ALUMINUM/ HARDWOOD

WHITE

POWDER COAT

ALUMINUM

WHITE

POWDER COAT

ALUMINUM

WHITE

POWDER COAT

SIZE

DETAIL(S)

ALUMINUM/ GLASS

REMARKS

REFER TO SPECIALTY CONSULTANT

D ES I G N G R O U P

WALL LEGEND SYMBOL

KEY W-01 W-02 W-03 W-04 W-05

ITEM BUILDING FINISH CLADDING PLANTER WALL PLANTER WALL CAP

MATERIAL GRANITE

COLOR MATCH ARCH.

SIZE MATCH ARCH.

FINISH MATCH ARCH.

BASALT

DARK GRAY

300 x 150 x20 mm

HONED

BASALT

BLACK

300 x 600 x 75 mm

FLAMED

GRANITE

BLACK

300 x 300 x 20 mm

POLISHED

SPECS

DETAIL(S)

REMARKS

GREEN WALL FOUNTAIN WALLS

ABSOLUTE NERO PURE BLACK

PALM AND TREE LEGEND SYMBOL

KEY

BOTANICAL NAME

T-01

DELONIX REGIA

T-02

PELTOPHORUM PTEROCARPUM

T-03

PHOENIX DACTYLIFERA

T-04

PLUMERIA RUBRA

T-05

TERMINALIA MANTALY

T-06

WODYETIA BIFURCATA

T-07

ALSTONIA SCHOLARIS

COMMON NAME

SIZE 7m x 4m

FLAME TREE YELLOW POINCIANA

6m x 4m

DATE PALM

FRANGIPANI

4m x 3.5m

MADAGASCAR ALMOND

5.5m x 3.5m

FOXTAIL PALM

5m x 3m

DEVIL TREE

5.5m x 3.5m

FORM

SPACING

LOW BRANCH

PER PLAN

LOW BRANCH

PER PLAN

MATCHED

PER PLAN

MULTI-TRUNK

PER PLAN

MATCHED STD. FORM

PER PLAN

SINGLE TRUNK

PER PLAN

MATCHED STD. FORM

PER PLAN

REMARKS

GENERAL NOTES 1. VERIFY ALL EXISTING CONDITIONS, DIMENSIONS AND ELEVATIONS BEFORE PROCEEDING WITH THE WORK. NOTIFY ARCHITECT IMMEDIATELY SHOULD FIELD CONDITIONS VARY FROM THOSE SHOWN ON PLAN. 2. DO NOT SCALE DRAWINGS. 3. CONSTRUCTION AND MATERIALS SHALL COMPLY WITH PROVISIONS OF THE LATEST BUILDING CODE AND WITH OTHER RULES, REGULATIONS AND ORDINANCES GOVERNING THE PLACE OF THE WORK. BUILDING CODE REQUIREMENTS TAKE PRECEDENCE OVER THE DRAWINGS. CONTRACTOR SHALL BRING TO THE ATTENTION OF THE ARCHITECT ANY DISCREPANCIES OR CONFLICTS BETWEEN THE REQUIREMENTS OF THE CODE AND THE DRAWINGS. 4. REFERENCE TO ANY DETAIL OR DRAWING IS FOR CONVENIENCE ONLY AND DOES NOT LIMIT THE APPLICATION OF SUCH DETAIL OR DRAWINGS. 5. DISCREPANCIES IN THE DRAWINGS OR BETWEEN THE DRAWINGS AND ACTUAL FIELD CONDITIONS SHALL BE REPORTED TO THE ARCHITECT. CORRECTED DRAWINGS OR INSTRUCTIONS SHALL BE ISSUED PRIOR TO THE CONTINUATION OF THIS WORK. CONTRACTOR SHALL ASSUME FULL RESPONSIBILITY FOR ALL NECESSARY CORRECTIONS DUE TO FAILURE TO REPORT KNOWN DISCREPANCIES. 6. CONTRACTOR SHALL BE RESPONSIBLE FOR ALL WORK SHOWN ON THESE DRAWINGS AND SPECIFICATIONS UNLESS SPECIFICALLY NOTED OTHERWISE. 7. THE CONTRACT DRAWINGS AND SPECIFICATIONS REPRESENT THE FINISHED STRUCTURE UNLESS OTHERWISE SHOWN; THEY DO NOT INDICATE THE METHOD OF CONSTRUCTION. THE CONTRACTOR SHALL SUPERVISE AND DIRECT THE WORK AND HE SHALL BE SOLELY RESPONSIBLE FOR ALL CONSTRUCTION MEANS, METHODS, TECHNIQUES, SEQUENCES AND PROCEDURES. OBSERVATION VISITS TO THE SITE BY FIELD REPRESENTATIVES OF THE ARCHITECT AND HIS ENGINEERS SHALL NOT INCLUDE INSPECTIONS OF THE PROTECTIVE MEASURES OR THE CONSTRUCTION PROCEDURES REQUIRED FOR SAME, WHICH ARE THE SOLE RESPONSIBILITY OF THE CONTRACTOR. ANY SUPPORT SERVICES PERFORMED BY THE ARCHITECT AND HIS ENGINEERS DURING CONSTRUCTION SHALL BE DISTINGUISHED FROM CONTINUOUS AND DETAILED INSPECTION SERVICES WHICH ARE FURNISHED BY OTHERS. THESE SUPPORT SERVICES PERFORMED BY THE ARCHITECT AND HIS ENGINEERS, WHETHER OF MATERIAL OR WORK, AND WHETHER PERFORMED TO, DURING OR AFTER COMPLETION OF CONSTRUCTION ARE PERFORMED SOLELY FOR THE PURPOSE OF ASSISTING IN QUALITY CONTROL AND IN ACHIEVING CONFORMANCE WITH CONTRACT DRAWINGS AND SPECIFICATIONS, BUT THEY DO NOT GUARANTEE CONTRACTOR'S PERFORMANCE AND SHALL NOT BE CONSTRUED AS SUPERVISION OF CONSTRUCTION. 8. PROTECTION HOARDING SHALL BE CONSTRUCTED AND MAINTAINED DURING CONSTRUCTION CONFORMING TO THE REQUIREMENTS OF THE BUILDING CODE AND AS DIRECTED BY THE OWNER'S REPRESENTATIVE. 9. MAINTAIN SANITARY TOILET FACILITIES DURING CONSTRUCTION AS REQUIRED BY APPLICABLE REGULATIONS. 10. CONTRACTOR WARRANTS TO THE OWNER AND THE ARCHITECT THAT ALL MATERIALS AND EQUIPMENT FURNISHED WILL BE NEW UNLESS OTHERWISE SPECIFIED AND THAT ALL WORK WILL BE OF PREMIUM QUALITY, FREE FROM FAULTS AND DEFECTS WITH WARRANTIES AS STIPULATED BY CONSTRUCTION DOCUMENTS. 11. CONTRACTOR SHALL BE RESPONSIBLE FOR COORDINATING HIS WORK WITH OTHER PROJECT CONTRACTORS. 12.FACILITIES FOR THE PHYSICALLY HANDICAPPED SHALL BE IN ACCORDANCE WITH APPLICABLE JURISDICTIONAL LAWS AND CODES. 13. IT SHALL BE THE RESPONSIBILITY OF THE CONTRACTOR TO LOCATE ALL EXISTING UTILITIES WHETHER SHOWN HEREON OR NOT AND TO PROTECT THEM FROM DAMAGE. THE CONTRACTOR SHALL BEAR ALL EXPENSE OF REPAIR OR REPLACEMENT IN CONJUNCTION WITH THE EXECUTION OF THIS WORK. 14. PAVING, MASONRY AND CONCRETE SUBCONTRACTORS ARE TO COORDINATE WITH THE ELECTRICIAN, DRAINLINE SUBCONTRACTOR AND IRRIGATION SUBCONTRACTOR FOR SLEEVING,PIPING AND/OR CONDUIT INSTALLATION UNDER OR THROUGH HARDSCAPE ELEMENTS. 15. VERIFY LIMIT OF WORK LINES PRIOR TO COMMENCING WORK. 16. IN THE CASE OF DISCREPANCIES IN THE DRAWINGS, SPECIFICATIONS TAKE PRECEDENCE OVER DETAILS, AND DETAILS TAKE PRECEDENCE OVER PLANS. 17. SUBSTITUTIONS OR SPECIFIC DEVIATIONS FROM THESE CONTRACT DOCUMENTS MUST BE APPROVED IN WRITING BY THE ARCHITECT OR OWNER'S APPROVED REPRESENTATIVE. 18. THE CONTRACTOR SHALL ENSURE THAT ALL TRADES ARE PROVIDED WITH CURRENT DRAWINGS AND SPECIFICATIONS APPROVED FOR CONSTRUCTION. DO NOT ALLOW DOCUMENTS NOT APPROVED FOR CONSTRUCTION TO BE USED IF SEEN ON SITE. 19. ALL QUANTITIES OF PRODUCTS AND MATERIALS REFERENCED WITHIN THE CONSTRUCTION DOCUMENTS ARE FOR THE CONVENIENCE OF THE CONTRACTOR/SUBCONTRACTOR. SPECIFIC INSTALLED QUANTITIES SHALL BE VERIFIED AND INSTALLED BY THE CONTRACTOR AS REQUIRED TO ACHIEVE A COMPLETE, PREMIUM-QUALITY INSTALLATION AND OPERATIONAL FACILITY AS DETERMINED BY THE OWNER'S AUTHORIZED REPRESENTATIVE.

SCHEMATIC DESIGN GENERAL NOTES AND MATERIALS LEGEND

Perencanaan Arsitektur Interior Jln. Kemang raya No 9D. Jakarta - 12730 Tel: Fax:

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

www.whl-asia.com

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

www.whl-asia.com

Beca

D ES I G N G R O U P

SETIA BUDIA RAYA

P-08

F-01

P-07 P-04

P-11 W-02 P-07 P-03

P-08

P-11

P-10 W-01

P-05

SCHEMATIC DESIGN GROUND FLOOR HARDSCAPE PLAN ZONE 2

P-10 W-02

P-05

MATCHLINE L1.03

1:200

TW 70.20

UP 3 RISER @ 150 MM EA

Perencanaan Arsitektur Interior Jln. Kemang raya No 9D. Jakarta - 12730

TW 71.60

+FF 69.60

TW 70.20

TW 70.45

TW 70.20

+FS 70.050 LAWN

TW 70.45

TW 70.45 DN 4 RISER @ 175 MM EA

TW 70.20 TW 70.20 4

+FS 69.60 21

DN 3 RISER @ 150 MM EA

RAMP DN 5.8%

4 9

TW 70.045

16 4

D ES I G N G R O U P

RAMP DN 5.8%

+FS 69.60

+FF 70.050 9 x 6M

TW 70.45

Beca

UP 3 RISER @ 150 MM EA

+FF 69.60

RAMP DOWN 4%

+FS 69.60

+FS 70.30

FS 69.60+

+FS 70.05

TW 70.20 RAMP DN 12%

www.whl-asia.com

+TOS 68.80

+FS 70.050

TW 70.45

TW 70.20

SLOPE DOWN 1.4%

TW 70.20

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

TW 70.20+

RAMP DOWN 4%

TW 70.20

+FS 69.60

RAMP DOWN 4%

9 x 6M +FF 70.050

17 15

www.waga.co.id

www.whl-asia.com

RAMP DN 5.8%

RAMP DOWN 4%

RAMP DN 5.8%

TW 71.60

+62 (0)21 7192513 +62 (0)21 7192513

website:

TW 70.20

+FS 69.60

Tel: Fax:

+FS 69.60

+FF 69.60

+FS 70.30

VIP/BRIDAL

+FS 69.60

STORAGE

LEGEND 1

AL FRESCO DINING TERRACE

VERTICAL SCREEN PLANTING AREA

GARDEN WALKWAYS

BRIDAL / VIP ROOM

2M HIGH GARDEN / GREEN WALL

METAL AND GLASS ARCHITECTURAL SHADE/ RAIN CANOPIES

OPEN FUNCTION LAWN SYNTHETIC TURF

ACCENT THEME PALM TREES

LILY POND

SPECIMEN BONSAI TREE

REFLECTIVE WATER SCRIMS

OPEN PAVILION

TOILETS / WASHROOMS

GUEST ENTRY / GARDEN WALK

HEALTH CLUB SWIM POOL (5X25M)

OUTLINE FOR FUNCTION TENT (APPROX. 25M X 26M, ~ 650 SQ.M)

BACK OF HOUSE UTILITY / SERVICE / STORAGE

ARCHITECTURAL STEPS

VIEW LOUNGE DECK AND FUNCTION AREA

SCHEMATIC DESIGN PODIUM AMENITY DECK HARDSCAPE PLAN 1:100

PLANTER AREAS

ARCHITECTURAL CANOPY EXTENSION

GATE

MATCHLINE L1.02

P-02 P-03 P-04

SETI

P-05 P-06 P-07 P-08

A BU

P-09 P-10 P-11

S-01 S-02 S-03 S-04 S-05 S-06 S-07

W-01 W-02 W-03 W-04 W-05

P-01

DIA R

AYA

Perencanaan Arsitektur Interior Jln. Kemang raya No 9D. Jakarta - 12730 Tel: Fax:

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

www.whl-asia.com

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

www.whl-asia.com

N. I. C.

Beca

AN UDIRM

D ES I G N G R O U P

JEND. S

P-06

W-02

MATCHLINE L1.03

SCHEMATIC DESIGN GROUND FLOOR HARDSCAPE PLAN ZONE 1 1:200

100 MM STAINLESS STEEL RAIL

FINISH GRANITE PAVERS FINISH GRANITE TOS 14.550

Perencanaan Arsitektur Interior

TREE/ PALM ROOTBALL

CURB 100 MM HIGH

Jln. Kemang raya No 9D. Jakarta - 12730

STAINLESS STEEL RAIL

TW 15.75

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

CASCADING PLANTS

TC 14.75

Tel: Fax:

DRIVEWAY

www.whl-asia.com

VARIES

DRIVEWAY GARAGE RAMP VARIES

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

COBBLE 75 MM

SECTION 1:50 www.whl-asia.com

STAINLESS STEEL RAIL TREE/ PALM ROOTBALL

TW = +15.955

TW = +15.955 500M PLANTING 1500M SIDEWALK

Beca

SECTION 1:50

CASCADING PLANTS EL = +14.839

EL = +14.915 EL = +14.815

D ES I G N G R O U P

SECTION 1:50

SCHEMATIC DESIGN SECTIONS AS NOTED

SECTION

L4.01

1:50

Perencanaan Arsitektur Interior Jln. Kemang raya No 9D. Jakarta - 12730 Tel: Fax:

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

SECTION MATCHLINE SEE DRAWING 2

www.whl-asia.com

SECTION

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

www.whl-asia.com

Beca

1:50

SECTION MATCHLINE SEE DRAWING 1

D ES I G N G R O U P

SECTION 1:50

SCHEMATIC DESIGN PODIUM DECK SECTION AS NOTED

MATCHLINE L1.02

T6 T6 T2

T6 T6

Perencanaan Arsitektur Interior

Jln. Kemang raya No 9D. Jakarta - 12730 Tel: Fax:

+62 (0)21 7192513 +62 (0)21 7192513

website:

www.waga.co.id

www.whl-asia.com

T6 T2

MATCHLINE L1.01

Chase Plaza Tower Lt. 20 Jl. Jend. Sudirman Kav.21 Jakarta 12910. Indonesia Telp. 5706430, 5208073 Facsimile 5706411

T2 www.whl-asia.com

T6 T2

Beca

T6 T6

T2 T2

T6 T6

D ES I G N G R O U P T2

T6 T1

T6 T6

T6 T5

T6 T6 T4

T5 T5 T5

SCHEMATIC DESIGN GROUND FLOOR PLANTING PLAN ZONE 3 1:200

Other works

"All religions, arts and sciences are branches of the same tree. All these aspirations are directed toward ennobling manâ&#x20AC;&#x2122;s life, lifting it from the sphere of mere physical existence and leading the individual towards freedom." -Albert Einstein

INTENT: To Show Other Works

Render Style: Various

This Photo collage is done in Italy, with three cities shown,

on the left is the town of Castiglion Fiorentino, a town where most of our activites resides, the people belowof the building is the group picture of everyone in the center that we lived in. This is to show that even though nowadays people always look at how beautiful the landscape and architecture is in Tuscany, Italy; they often overlook that those scenes are created by people who lived, are living and will live there. It also represents how people often forgot that there is no pristine landscape on earth but landscape that can be breathtaking can still be man-made. In Italy, I also went to Dolomites and Venice, so the people represents that we travel around towards the two places.

The strongest connection I had with nature is in Dolomites, the high-rising mountains, densely carpeted forest. It overthrown the concept of forest has to be away from human or there is a transition between town and the wilderness. In Dolomites, the towns are built into the landscape, it almost seems like human gave in to nature and colonize the only flatlands nature allows. The end result, is human became a part of nature and nature a part of human. The mountain water from Dolomites actually flows down into Venice and that connects the two places together.

Venice, the city of canals, is a city rich in history of both canals and art. When I visited Venice, I am lucky enough to visit La Biennale di Venezia. The exhibition has changed my life and my perspective in art and landscape architecture. The longer I stayed, I realized how magical Venice is, Love happens, Art happens, Canal happens. As I was piecing together the portfolio, I realized how there is a similar thinking in this collage and the Chinese Philosophy that I did one quarter after this collage. They both relates to Landscape, Human and Flora and Fauna. This shows that human perspective is biased, but at the end of the day, truth is always absolute.

Nicholas Chau (b.1996) Story of the Three Cities, 2017, Photo Collage

Why a person who don't even paint regularly would put this painting you ask? This painting is really important to me as it is through the process of creating this painting makes me realized that Landscape designers are Artists and not just solely Landscape designers. I used to think that Landscape designs collaborates with art and hence art is just one portion of landscape, however I realized that landscape design is just another way for people to express their thinking and feelings of a certain place and that is similar to art. What is the definition of art? Albert Einstein once said "All religions, arts and sciences are branches of the same tree.' In this thinking, Landscape is almost indistinguishable to art, science and philosophy. They are ideaologically the same, but they're in some way entirely different fields on the common knowledge of the public. This is why I decided to put this painting, this is my

SELF-REVELATION.

Nicholas Chau (b.1996) Not An Artist, 2017 oil painting

Ho Sun Chau (Nicholas) ACADEMIC INFORMATION

LOOKING FOR: Part time & full time job

B.S. Landscape Architecture

Ho Sun Chau (Nicholas) | 03.23.1996 | Fluent: English, Mandarin, Cantonese Basic: German, Japanese Phone number: 626.841.8385 Email: nicholaschau0@gmail.com Address: 935 Paseo Viento, San Dimas, CA 91773, USA, willing to relocate

2014-2018 California State Polytechnic University, Pomona

SCHOLARSHIPS & AWARDS Dean’s List President’s List Chapman Forestry (Travel)

Fall 2014, 2016-2017 2016-2017 2017

EXPERIENCE Landscape design Internship

Duane Border Design

June - August, 2017

In this internship, I learnt to effectively translate designs into AutoCAD, create design presentation package and presentation board, understand more indepth about collaborations between Landscape Archtiects and professionals from different fields and also understand how firms operate first-hand.

Assisting in Project presentation

Rennie Tang

BIM Internship

Kingsfield Engineering LTD.

Photographer & Graphic Designer

SkyHeart

1 Month, 2016

The Intergenerational City Project is to showcase how abstract structures allows people to create their own ways of occupying the structure. In this project, I assisted Professor Rennie Tang in creating study models for the Intergenerational City Project presentation.

Summer, 2016

Assist in creating BIM models in Revit, create Lumion videos for presentation and presenting product to clients.

Summer, 2015

Photographing products and redesigning logos for website.

REFERENCE NICK STRAABE (MENTOR)

COMPLETED COURSES

Sales Manager in Hunter Industries

Planting Design, Grading, Irrigation, Construction Details

Phone Number: 714.717.1689 Email Address: nstraabe@gmail.com

RAY SENES (PROFESSOR) Lecturer at Cal Poly Pomona

Phone Number: 858.248.0141 Email Address: raysenes@gmail.com

ANDREW WILCOX (PROFESSOR) Department Chair of Landscape Architecture, Cal Poly Pomona

Phone Number: 900.869.6943 Email Address: aowilcox@cpp.edu

HOBBIES Photography, Thinking, Stone carving, Scuba Diving, DIY Projects, Exploring New Rendering Programs, Backpacking, Gaming

SOFTWARE SKILLS Rhino3D Adobe Illustrator Adobe Photoshop Adobe InDesign AutoCAD MS Office Suite Hand Sketches Google Sketchup Lumion Vray Land FX Lasercut 3D Printing ArcGIS

RESUME

P e o pac r t f o sd l i o

L a

Thank you Nicholas CHau Phone: 626.841.8385 email: nicholaschau0@gmail.com

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