Portfolio For UCL MArch Architectural Design - LIU Huaqian

Architectural Portfolio

Selected Work 2018-2020

LIU Huaqian Applying For M.Arch Achitectural Design

2021 Candidate UCL,The bartlett of School of Architecture

Huaqian Liu

E-mail:1042365296@qq.com TEL:+86-17768756660

CONTENTS

EDUCATION Nanjing, China 09.2015-06.2020

Sanjiang University Major: Architecture GPA: 88.66 (Rank 1/119)

06.2020 2018-2019, 2017-2018, 2016-2017, 2015-2016 2018-2019, 2017-2018, 2016-2017, 2015-2016 2018-2019, 2017-2018, 2016-2017, 2015-2016

Outstanding Graduate First Prize Scholarship Merit Student Excellent student cadre

EXPERIENCE Architect & Consulting Engineer

Intern Architect

Intern Architect

Zhuanzhu Achitectural Consulting Firm 1.obtained the Jiangsu Administrative Procurement Professional Training Certificate 2.drawing up the feasibility study report in the decision-making phase; 3.providing preliminary architectural design schemes (sections, plans. rendering） 4.issuing the post building evaluation report in the completion phase.

06.2020-04.2021

Shanghai Dongda Design Group 1.participating in the conceptual design under the lead of project architect and partner.

2.building rhino models according to the hand-sketch of leaders 3.drawing the sections, plans, diagrams of programs and renderings

08.2019-10.2019

Jiangsu Chunwei Whole Process Engineering Consulting Firm making physical models, drawing the sections, plans, diagrams of programs

07.2018-09.2018

02

ACADEMIC HONORS Honorable Mention

Excellent Graduation Design (Top 3) Urban Design and Architectural Design of Daijiaku Plot, Qixia District, Nanjing City

06.2020

First Prize

The 1st National Green Building Design competition (Top 6) Green Building Renovation Project based on Existing Teaching Buildings

04.2019

Best Popularity Award

The 1st National Green Building Design competition (Top 1) Green Building Renovation Project based on Existing Teaching Buildings

04.2019

Honorable Mention

The 13th Interior Decoration Design competition Reading Space Interior Design

12.2018

Urban Design and Architectural Design of Daijiaku Plot, Qixia District, Nanjing City Anhui Architecture Journal 1007-7359(2020)11-0005-03

Interests

Languges skills

Narrative vessel - Funeral ceremony space design

AutoCAD, Photoshop, InDesign, Illustrator,Revit (National Certificate of BIM Skill Proficiency Test ), SketchUp, Rhino, Grasshopper, Vray, Lumion, Mars, Model making, Laser cutting Design : Logo design (designed logos for 3 companies, 2020), Scene design, Poster design (won the first prize in poster design competition, 2016), Furniture design Painting : Watercolor&Gouache painting, Marker painting, Digital painting, Pen&pencil sketch (charity painting for deaf children, 2017) Others : Photography (Deputy Director of the Office Department of the Student Union, 2017-2018), Film, New media (Member of the New Media Studio, 2015-2016), Psychology (Outstanding Psychological Committee Member, 2015) Mandarin Chinese: Native, English: Proficient

01

RIPPLE ON THE OCEAN

A push before the last drop runs out - Desalination museum

03

RE-GATHERING SYRIA

04

THE EXPERIMENT OF CHINESE PAINTING

Music as model - Post-war reconstruction projects in Aleppo

Translation of traditional Chinese landscape painting - Urban renewal design of Daijiaku plot

OTHER WORKS THE INFINITE POSSIBILITIES OF Visual experience space design "EMBROIDERY PATTERNS"

12.2020

SKILLS Design Tools

BONE CHINA FUNERAL

BAMBOO HOUSE Farm resort hotel design

PUBLICATIONS Co-Author

01

NEW VITALITY IN THE OLD CAMPUS Planning of the old campus GOLDEN SILK

Cultural centre design

WINDING History wall museum design

13

21

31

42

PORCELAIN BURIAL A NEW TYPE OF FUNERAL PROCESS AND SPACE NARRATION

Narrative vessel - Funeral ceremony space design Experimental architecture Time: Winter 2019 Instructor: Lifeng Lin Individual Work

This program is an experimental space research, through the use of narrative logic to complete the discussion and research on the three established relationships of architectural form, space organization and users in a given vessel. Redefine and create a spatial form based on the relationship between the vessel, the narrative and the protagonist.

I chose the pottery kilns and factories of Stoke-on-Trent as the vessel for the design, and pave the way for the subsequent narrative content and space design.

The 19th century was the heyday of Stoke’s ceramic industry, and Stoke was the porcelain capital of England.

The specialty bone china there is crystal clear because it is made of calcium carbonate from animal bones. But in the following 100 years, the decline of the manufacturing industry brought about the decline of the ceramic industry. The remaining ceramic factories are no longer put into use, and there is no glorious scene of the year.

2/ Left

Based on the vessel and background, I propose a new form of funeral, in order to make full use of the leftover buildings, and at the same time solve the problem of the high cost of death in the UK. Use the calcium carbonate of the deceased human bones to make bone china souvenirs to commemorate the deceased, so that the living can feel the deceased is still with them. The demise of life is actually a new beginning.

This is the birth of a “new life”, and it is also a spiritual eternity. At the same time, I hope that the architecture will become a bridge between the living and the deceased, so that it can entrust the missing of the living and the life value of the deceased can continue.And finally realize the spiritual dialogue between the two.

Right

/1

THE NARRATIVE CONCEPT

ANALYSIS OF MOVIE NARRATIVE LOGIC In the 19th century The 19th century was the heyday of Stoke's ceramic industry, and Stoke was the porcelain capital of England.

The specialty bone china there is crystal clear because it is made of calcium carbonate from animal bones. But in the following 100 years, the decline of the manufacturing industry brought about the decline of the ceramic industry.

The remaining ceramic factories are no longer put into use, and there is no glorious scene of the year.

The movie "Run Lola Run" has an obvious plate structure, and the narratives of the three stories are independent. However, there is a very close logical relationship in the theme, characters, plot and other elements, and the same theme content is explained and expressed from different angles.

FICTION In the Unknown Century Based on the vessel, I propose a new form of funeral, in order to make full use of the bottle oven, and solve the problem of the high cost of death in the UK. Use the calcium carbonate of the deceased human bones to make bone china souvenirs to commemorate the deceased, so that the living can feel the deceased is still with them. The architecture will become a bridge between the living and the deceased, so that it can entrust the missing of the living and the life value of the deceased can continue.

2/ Left

Right

/3

1. MIRROR POND

NARRATIVE MAPPING

07: 15 One after another partition walls, one altar of clear water.

I let go of all distractions.

I can't see clearly, the face of the person across from the pool.

Maybe they were wiping away their tears and holding back the collapse.

Different people had different sorrows.

08:00

Stepping up the spiral staircase, the open space becomes narrow.

The light from the front kept guiding me upward.

4/ Left

Right

/5

2. FAREWELL CEREMONY

0 8 :3 0

When we arrived at the place where the farewell ceremony was held, we listened to the eulogy from the pastor and observed a minute of silence for John.

0 9:00 6/ Left

We walked around John's body and looked at him for the last time.

Because later, his bones will be burned into bone china. As his relatives and friends, we will witness this special funeral together.

I Looked up and saw the light pouring through the wooden pillars into the ceremony space.

Right

/7

3. LIFE AND DEATH INTERVAL 09:10 At the end of the farewell ceremony, I slowly walked up the spiral staircase to the middle of the “vessel”.

The atmosphere became a little serious, and I fell into contemplation.

8/ Left

The three circular spaces are for the living, and the voids in the surrounding walls are for the souls of the dead. For the living who are participating in the farewell ceremony, they are inaccessible.

From here, life and death began to separate.

The annular space sometimes intersperses with the hollow of the wall, here is the final dialogue with the undead.

Right

/9

4. PORCELAIN BURIAL THE PROCESS OF BONE CHINA BURIAL

5.TOWER OF LIGHT 10:00 We came to the top of the “vessel”, the last step of the farewell ceremony.

The finished bone china can be placed in the tower.

I looked up and a ray of sunlight fell.

This is hope and rebirth.

0 9 :3 0 10/ Left

John was sent into this alien crematorium and burned.

The ashes are cooled and filtered, mixed with clay and water to form a slurry and placed in a mold.

Then, it is dried, glazed, sintered and cooled.

The priest gave the birth bone china a ceremony and entrusted it to us.

We met again with “new John”.

Right

/11

RE-GATHERING SYRIA Music as model- Post-war reconstruction projects in Aleppo Architectural Design Time: Autumn 2019 / Competition Location: Allepo , Syria Instructor: Le Luo Individual Work

Construction is a game of reason and art. In this project, music units the history, environment and architecture, and a beautiful new memory is constructed on top of the memory of the original site. This is an exploration to the place through the overlay of memory.

12/ Left

The chosen site is located on the south side of the Grand Serail in the ancient Syrian city Aleppo, which is right on top of the ruins of a building destroyed by the war. For the Syrian people, the local infrastructure is inadequate, menawhile, they need to have a happy space mentally to heal the wounds brought by the war. To inspire them to have the confidence in the future of life for mental is the LOHAS space I want to create.

I chose the Clair de Lune from Debussy, this is a piano piece that describes the people with a picture of silence and moonlight, which is full of poetry. I hope that through the music, they are able to forget the pain, and be positive and happy. First of all, we translated the overall emotional rhythm and pitch changes of the music piece, as well as the dance moves corresponding to the music, into a plan for the total plane.

In the Syrian war, I found a young pianist who played the piano to inspire the local people and alleviate their pain of the war, and the inhabitants gathered together to listen to the pianist without calling. Therefore, I want to put the music as an element to connect the local refugees, happiness and architecture.

Architecture is a container for music and a happy life.

The building as a whole repairs the ruins in a low-key manner, it coexists with the restored important historic buildings. The arch is unique to the local architecture, hoping to bring the surrounding residents a greater sense of belonging here. I hope that it is able to achieve the coincidence with the castle, the historic buildings, and people’s memories in time and place, and become a new place memory.

Right

/13

THE SYRIAN CIVIL WAR

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BACKGROUND STUDY

ISSUE

PROGRAMME Daily life: Alienated

A totally uprooted society

-President Bashar al-Assad star ted using his forces against the citizens.

-President Obama calls Assad to resign.

14/ Left

-Fighting spreads to Aleppo, Syria’s largest city -A ruthless terrorist group called Daesh/ISIS moved into Syria.

-A chemical weapons attack in Damascus kills hundreds.

-UN weapons inspectors confirm use of chemical weapons.

-Daesh/ISIS takes control of the largest oil filed in Syria.

-U.S. and other coalition force begin air strikes against ISIS targets.

- UN estimates the Syrian conflict has killed at least 220,000 people.

-Russia begins launching air strikes in Syria in support of Assad’s forces.

-The Syrian War had a weeklong break from the war.

-The people of Syria hoped that this would put a stop to the war.

The cost of war cannot be quantified, but the price that Syria has to pay now is much more than it can afford. In fact, as the residents are now returning from their refugee camps to their dilapidated homes - the daily life they used to live is totally impaired.

Daily life: Regrows

Attempts to restores public life

The function shall be derived by putting people first instead of a political approach, of the immediate locality. This attempt of a qualitative blend with needs on ground will benchmark all the upcoming architecture in the immediate place and sow new seeds of hope in Syria.

Right

/15

VISUALIZE THE MUSIC

CONNECT THE PAST AND THE FUTURE WITH MUSIC COLLAGE : RE-CREATION OF GUERNICA My collage was inspired by the war imagery in Picasso's <guernica>. The monochrome part shows the pain of the war to the refugees,while the warm color in the middle expresses that music can bring spiritual happiness to the local people,to soothe the war wounds, and inspire their future life. And architecture is just the container for music and their happy life after the war.

I chose the Clair de Lune from Debussy, this is a piano piece that describes the people with a picture of silence and moonlight, which is full of poetry. I hope that through the music, they are able to forget the pain, and be positive and happy. First of all, I translated the overall emotional rhythm and pitch changes of the music piece, as well as the dance moves corresponding to the music, into a plan for the total plane.

1

1

2

2

3

4

1

4

I use black, white, and grey paint to set a somber mood and express pain and chaos of war.

I used warm colors to show that people use music to ease the pain of war after the war.

2

2

The posture of the bodies express protest and hope.

2

THE

4

5

4

5

5

The light bulb like an 5 eye in the painting represents the sun.

3 The little children,the candle,the wind and The broken sword a dove of peace symbolizes the represent hope.Music defeat of the people can give refugees a at the hand of their RELATIONSHIP tormentors.

BETWEEN MUSIC ANDnew ARCHITECTURE positive life.

5

STRATEGY : ARCHITECTURE AND MUSIC TIME DIMENSION LEVEL 1

LEVEL 2

MUSIC SCORE

MELODY AND SOUND

LEVEL 3

AUDITORY PERCEPION THE AUDIENCE

MUSIC THE ART OF TIME

ARCHITECTURE

STRUCTURE

ABSTRACTIONS

FEELINGS

TRANSLATION

TRANSFORMATION

SYNAESTHESIA

STRUCTURE

ABSTRACTIONS

FEELINGS THE USER

THE ART OF SPACE

ARCHITECTURAL PLANNING

16/ Left

EXPERIENCE OF BEAUTY

FORM AND SPACE

SPACIAL DIMENSION

VISUAL PERCEPTION

Next, I selected four important movements to translate the image of music to visualize it, and then, in combination with our own understanding of the music, and four different functions of the building space were finally formed, which were the music creation space, the cultural exhibition space, the music healing and the meditation space.I hope that this building will be able to allow thhe grieving people to escape the suffering of war for temporarily, meanwhile, I hope that music is able to inspire them to live and look forward to the future.

Right

/17

OVERLAY OF MEMORY

Aerial view in front Of the site of Grand Serail, Aleppo

With the castle as the background, the building was built on top of the ruins of the ancient buildings after the war, the memory of these different periods constitutes the unique quality of the site under the effect of time.

While in the design, there are corresponding responses to these memories.

GROUND FLOOR PLAN

The building as a whole repairs the ruins in a low-key manner, it coexists with the restored important historic buildings. The arch is unique to the local architecture, hoping to bring the surrounding residents a greater sense of belonging here.

I hope that it is able to achieve the coincidence with the castle, the historic buildings, and people's memories in time and place, and become a new place memory.

18/ Left

Right

/19

The building as a whole repairs the ruins in a low-key manner, it coexists with the restored important historic buildings. The arch is unique to the local architecture, hoping to bring the surrounding residents a greater sense of belonging here.

20/ Left

I hope that it is able to achieve the coincidence with the castle, the historic buildings, and people's memories in time and place, and become a new place memory.

Right

/21

RIPPLE ON THE SEA A push before the last drop runs out - Desalination museum Architectural Design Time: Summer 2019 / Competition Location: Istanbul, Turkey Instructor: Le Luo Individual Work

Water and its importance is well known, still we have been disconnected from it in urban realms. Water isomnipresent and yet visually hidden while it flows through a dense network below the surface. Lack of interactionwith water in such circumstances has lead us to having no perception at all.

Water is a crucial element to our existence, yet this disengagement is ironic.

Global water crisis was reinforced by rapid urbanization, which might be one of the reasons of its decreasing value.

How can we trigger a sense of value that is almost disregarded in our daily lives?

How can we find new ways to connect with water in our public spaces while acknowledging its limited supply ?

Building on these questions, the design is to propose a model urban landscape architecture that help visitors experience the seawater desalination process while interacting with the water, and sensitize them to understand how crucial water as a resource is and promote a better sense of consumption and conservation within them.

22/ Left

Right

/23

WATER CRISIS

WATER DESALINATION PROCESS FOR PEOPLE TO WATCH AND EXPERIENCE

Istanbul

Istanbul has intertwine its traditions rich in cultural heritage with water through centuries. Water has not only shaped the culture but also the city’s architectural language at large.With a growing population of close to 15 million, lstanbul is stated to become Europe’s most populous metropolitan area.

Meeting water demands in such circumstances is now a challenge for the local authorities leading to a posible water crisis in the city.

ISTANBUL AND WATER SITE - SARAYBURNU WATERFRONT Area : 3.6 acres Site coordinates : 41°01'00.4"N 28°59'11.1"E

AERIAL VIEW OF THE SITE

24/ Left

The site is a part of Sarayburnu waterfront.

This is located at the end of Bosphorus Strait, that forms a part of continental boundary between Europe and Asia. The site is flanked by views of monuments like Haqia Sophia and Topkapi Palace in its skyline. It neighbours the Ataturk’s Statue (Founder of Republic of Turkey) and National flag of Turkey facing the road. Site poses as a perfect spot for landscape development for awareness of water scarcity.

Through the analysis of the important steps of seawater desalination system and the behavior of tourists, to explore the possibility of people to interact with water.

Right

/25

UNDERGROUND FLOOR PLAN AND SECTION

DESIGN PROCESS 5 STEP OF DESALINATION PROCESS

THE POSSIBILITY OF DESALINATION

step1

step2

step3

step4

step5

SCALE AND DEFORMATION OF MODULES

step1

step2

step3

step4

step5

step4

step5

COMBINATION OF MODULES

step1

26/ Left

step2

step3

Right

/27

The unique and important function of the water desanination plant is to create an expressive building – a new landmark for the Sarayburnu Waterfront. The architecture organically ties in to the natural setting. At the same time, it draws in visitors with its subtle iconic presence and its interior educational museum spaces.

28/ Left

Right

/29

THE EXPERIMENT OF CHINESE PAINTING Translation of traditional Chinese landscape painting - Urban renewal design of Daijiaku plot Urban planning & Architectural Design Time: Summer 2020 Location: Nanjing, China Instructor: Junhong Hao Group work (Design, Model, Rendering, Technical drawing:80%)

This design tried to achieve retaining the architectural temperament of the modern architecture to stand with the region characteristics, and through abstracting the historical and cultural connotation, it tried to complete the urban planning and monolithic architectural design in the landscape area.

Taking the urban design and monolithic architectural design of the “Daijiaku” plot in the Qixia landscape area of Nanjing as an example, this design has explored the possibility of urban design and the monolithic architectural design under the urban historical landscape area. It tried to achieve retaining the architectural temperament of the modern architecture to stand with the region characteristics, and through abstracting the historical and cultural connotation.

30/ Left

“Picture of Qixia Mountain”, a painting from the Ming Dynasty painter Zhang Hong, described a true depiction of the quaint and elegant Qixia Mountain style during the Ming Dynasty. The inspiration for our design comes from it.

We hope to be able to reflect the beauty of the landscape through the elevation differences between the buildings in this case, as well as the overlap of the layers, and the creation of landscape, greening, and water systems, reflecting the beauty of the artistic conception in landscape painting.

Right

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SITE ANALYSIS

STRATEGY FOR SITE

THE CONNECTION BETWEEN THE SITE AND QIXIA MOUNTAIN A B

A B

North-South Axis

First, the long axis passes through Shizichong Road, connecting the north and south of the site, from the direction of the university town to Qixia Mountain.

A B

East-West Axis

Second, the short axis connects the east and west directions of the plot, which plays the role of connecting the entrance square and introducing the flow of people.

Height Control

Third, make full use of the limited high standard, control the height of the building, and create the shape of the undulating mountain.

ANALYSIS OF POTENTIAL USERS

Local Residents They are residents of a nearby community and need to buy food, shop and walk every day.

Local College Students It attracts college students from Jiangning University Town, who come here for entertainment and relaxation on weekends and holidays.

SITE SITUATION

Qixia 4

HOTEL POI KERNEL DENSITY ANALYSIS

ad

Ro

y

7

hwa Hig

Red Maple Road

B

3

g Rin

32/ Left

COMMERCIAL POI KERNEL DENSITYANALYSIS

y

Shizi Chong Road

2

6

The service network around the site has few types, poor types of business forms, low concentration, and low quality and professional level, so it cannot provide the living needs of the surrounding residents.

OFFICE POI KERNEL DENSITY ANALYSIS

wa

8

They are tourists who come to Qixia Mountain specially to stay and shop here and enjoy the scenery.

igh

7

Tourists From Qixia Mountain

gH

6

They are office workers who come here on business and have accommodation and catering needs.

They are tourists going to other cities, just passing through and stopping for a short time.

Rin

A 1

5

Business Travellers

Travelers To Other Cities

5 ad

3

Ro

2

Qixiashan W est

1

Avenue Qixia

Avenue

They need an office building to meet their daily work and meeting needs, and they also need social space.

FEASIBILITY STUDY

SURROUNDING ROADS

Re dM ap le

SURROUNDING ENVIRONMENT

Office Workers

The site is located in Qixia Street, Nanjing, surrounded by Qixia Avenue, Shizichong Road and Hongfeng Road, covering an area of 5.95 hectares.

POI Categories: Enterprise office Subclass: Individual businesses, companies, factories, etc

POI Categories: Business services Subclass: Shops, building materials, car beauty, drugstore, fruit store, etc

POI Categories: Accommodation services Subclass: Hotels

There are many small and mediumsized enterprises in the surrounding area, and the office space is only about 240,000 square meters, which is obviously insufficient.

The existing commercial layout is fragmented and the service scope is small.

The introduction of commercial complex can solve the needs of the surrounding residents.

Existing hotels are scattered and poorly equipped. The future market size of passenger flow here is large. More hotel land should be used for the construction of boutique hotels.

Right

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TRANSLATION OF QIXIA MOUNTAIN VIEW

FINAL MODEL

NATURAL MOUNTAIN AND CHINESE PAINTING

1. DISTANT VIEW

WALKING ON THE PATH At the top of a hill Mountain peaks

tree-shaded

When people climb to the top of the mountain overlooking, feel suddenly open.

Therefore, landscape greening of different heights is extracted from the painting, and the stairs are connected to give the feeling of climbing upward.

2. MIDDLE VIEW

winding

path

long corridor

steps

CLIMBING THE MOUNTAIN on the side of a hill The Qianfo Rock, Qixia Temple and stream in the center of the picture are translated into buildings and waterscapes featuring the water system in the site.

DISTANT VIEW stream

Water bank

Qianfo rock

Qixia Temple

surrounded by water

stream

Waterscape

There are several outdoor walking corridors that connect the roof terraces of different heights with interiors on each floor. The large steps provide the user with a continuous open viewing platform with different landscape views at different heights of the building.

3. CLOSE VIEW bungalow

path

courtyard Flat ground

pavilion

STACKING MOUNTAINS AND FORESTS

MIDDLE VIEW

at the foot of a hill The stone landscape was extracted from the painting and translated into courtyard landscape.

courtyard

courtyard

Through the internal creation of the "climbing path", it achieves the site experience of climbing the Qixia Mountain.

BUILDING SKIN PRODUCING PROCESS CLOSE VIEW

The skin of the building adopts the unique maple tree branches of Qixia Mountain, which means that the building is integrated into the site as a naturally growing plant.

People walking into the site can experience the space atmosphere of Qixia Scenic Spot.

34/ Left

The use of roof greening echoes the surrounding natural mountain landscape, emphasizing the different heights of the perception and experience, enhance the fine relationship between people, nature, and architecture.

Right

/35

After the analysis of the road and the flow of people, we arranged three functional blocks: commercial, office and hotel.

36/ Left

The north-south axis, as a historical and cultural commercial pedestrian street, runs through the sub-axis with the entrance of the landowner and the space of the atrium.

Buildings are used to simulate the ups and downs of mountains, water features are used to simulate rivers, and roof greening allows people to enjoy the landscape at different heights.

We use water scene through the main line to build landscape nodes, with different height of roof garden to reinforce mountain space to experience.

After analysis, we set the east side as the main pedestrian entrance, and the west side as the main vehicle entrance.

After the site is divided into four small plots by the landscape cross axis, the two ends of the axis are the main and secondary entrances of the site.

Right

/37

Between gaps

38/ Left

Historic Commercial Street

The central plaza

Main entrance along the street

Interaction is formed at different heights

Right

/39

'CLOSE VIEW' : COMMERCIAL BUILDINGS

'DISTANT VIEW' : OFFICE BUILDINGS STANDARD FLOOR PLAN

'MEDIUM VIEW' : HOTEL BUILDINGS

Semi-outdoor terrace with views of Qixia Mountain STANDARD FLOOR PLAN

Continuous steps connecting multiple terrace

STANDARD FLOOR PLAN

A

B

Hotel Building A

There are several outdoor walking corridors connect the roof terraces of different heights with interiors on each floor. The large steps provide the user with a continuous open viewing platform with different landscape views at different heights of the building.

Office Building A

Outdoor terraces of different heights

A

B

Hotel Building B

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As people walked through the interior of the architecture, the sun pours down from the top of the atrium through the crisscrossing stair trails, and the ligth finally ends up spilling over the pool water.

The outdoor landscape terrace of the three levels of high, medium and low is formed by the mislaid of three body blocks, which not only provides the open outdoor space with the view of the north Qixia Mountain, but also meets the functions of a temporary outdoor exhibition.

Office Building B

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Other works

The design process draws on the clever generalization of embroidery patterns, and abstract deformation, and finally transforms the twodimensional traditional embroidery patterns into a three-dimensional physical space.

THE INFINITE POSSIBILITIES OF "EMBROIDERY PATTERNS" Visual experience space design Interior Design Time: Summer 2019 / Competition Location: Kunming ,China Individual Work

The underground passageway is located in kunming Capital of Yunnan province).So I drew inspiration from the traditional embroidery patterns of the local minorities in Yunnan. And most of the local embroidery patterns are based on objective objects and are based on the Outlines of natural objects.

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They Grasp the shape, dynamic and other laws, through deformation, combination, and finally abstract patterns.

At the same time, I hope to endue this space with very avant-garde functions (VR experience), so as to realize the collision and combination between the inner beauty of traditional culture and modern lifestyle.

This space is not a simple indoor amusement park. It is also different from the traditional exhibition space. It also requires multi-disciplinary integration. Each stall on either side of the walkway has its own complete and unique theme for visitors to experience on their own.

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Other works

GOLDEN SILK

Cultural centre design Time: Spring 2019 / Academic project Location: Nanjing, China Instructor: Xiaoping Wang Individual Work

BAMBOO HOUSE

Farm resort hotel design Time: Summer 2019 / Competition Location: Yangzhong,China Instructor: Shaoxiong Li Individual Work

NEW VITALITY IN THE OLD CAMPUS Planning of the old campus of Sanjiang University Time: Winter 2018 / Academic project Location: Nanjing,China Instructor: Shaoxiong Li Group Work

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WINDING

History wall museum design Time: Summer 2018 / Academic project Location: Nanjing,China Instructor: Shaoxiong Li Individual Work Right

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Marker painting

Marker painting

Watercolor painting

Pen sketch

Gouache painting

Model Ancient building mapping

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Architectural sketches

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