Basilica at Trier, Germany, Aula Palatina

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BASILICA AULA

BASILICA OF CONSTANTINE, AT TRIER, GERMANY
PALATINA
04 06 08 10 12 14 16 18 20TABLE OF CONTENTS Histroy Parti Diagram Repetition Solid vs. Void Geometry Symmetry Circulation Section vs. Plan Lighting HALEY GIROUX INDE 345 - PRECEDENT 1 10.06.2022 PROFESSOR ISABELLA TRINDADE

310 AD

Built in Emperor Constantine I

The Great in 310 AD as a part of the Roman Monuments.

Originally constructed as a part of a palace complex, including a Forehall, Vestibule, and Service Buildings, the Basilica served as the residence for the Bishop of Trier.

The Aula Palatina takes after traditional early Roman Basilica Design and was equipped with a floor and wall heating system, a hypocaust.

17th Century, Archbishop Lothar von Metternich built his palace just next to the Aula Palatina and incorporating it into his palace.

19th Century, Frederick William IV of Prussia ordered the building to be restored to its original Roman state.

1856, The Aula Palatina became a Protestant Church.

1944, it burned due to an air raid of the allied forces during World War II

The Aula Palatina was repaired, however, the inner decorations were not reconstructed, so the brick is still visible from the inside.

HISTORY

Historically, the Aula Palatina was used for the emperor to entertain his guests, and during the Middle Ages as a residence for the Bishop of Trier.

Today it is used as a church and owned by a congregation within the Evangelical Church in the Rhineland.

The Aula Palatina currently stands as one of the largest preserved buildings.

ARCHITECTURAL MOTIFS

The architecture of the Aula Palatina deviates from traditional Roman asilica plans. There are no columns inside the cella or columnar decoration, the columns are on the outside of the Basilica.

The transverse corridor (in the original building) acted as a vestibule, which is not typical in Roman Architecture.

However, it is built with intention to draw attention to the Apse, and it utilizes a tetrarchic aesthetic.

PRESENT DAY
PARTI DIAGRAM

PARTI DIAGRAM

The Aula Palatina’s architecture is broken down into three fundamental shapes. A Pyramid for the roof, a Cylinder for the Apse, and a Rectangular Prism for the main arcade.
REPETITION

REPETITION

Throughout the exterior facade of the Aula Palatina, Windows, Columns, and subtracted sections between the structural columns to create a geometric, repetitive facade.

SOLIDS

SOLID vs. VOID

VOIDS

SEMICIRCLE SQUARE RATIO GEOMETRY

GEOMETRY

The fundamental structure of the floor plan conists of rectangles, semi-circles, and squares down the center of the arcade. The overall structure is broken down into fifths. 4/5 is the main arcade, 1/5 for the vestibule.

SYMMETRY

SYMMETRY

The left portion of the floor plan reflected on the verticle axis depicts that the Aula Palatina is not symmetrical. The left side is larger than the right, and utilizes a semi-circle in the vestibule.
CIRCULATION

CIRCULATION

The original floor plan of the Aula Palatina in 310 BC consisted of outdoor courtyards and a vestibule assessible through doors along the perimeter of the exterior wall. The Present day floor plan only includes the main corridor.

SECTION vs. PLAN 82’ 108’

SECTION vs. PLAN

The width of today’s Aula Palatina is 82 feet, the height is 108 feet. Therefore, the ratio from width to height is approximately 3/4. This correlates with the North to South ratio of 3/4 of the main corridor.

LIGHTING

LIGHTING

The architecture of the Aula Palatina utlizes natural light. The Vestibule and main corridor incorporate rows of windows for access to sunlight for the duration of the sunpath during the day.

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